" Whitman's first installment strikes a vatic, exclamatory note: "Manly health!
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Mad Mary's ramblings take on a vatic significance amid the sound and fury.
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Writers for both Fusion and the Huffington Post have taken Palin's speech endorsing Donald Trump and re-cast it as vatic verse.
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In sequences of prose and verse, she gives voice to vatic, rhythmic, litany-shaped utterances, with an intensity that can mute her playfulness (though in performance her ability to play gets more play).
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I., ii. 58. vol. xvi. p. 636 and Dioscorides,ap. Mai, Class. Auct. e Vatic. Codic.
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Alain assures Cadwaladr that he must do as the heavenly voice commanded.Rutter, Russell, "Printing, Prophecy and the Foundation of the Tudor Dynasty", Prophet Margins: The Medieval Vatic Impulse and Social Stability, pp.123-149.
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He is mentioned in the lists of signatories to the canons and the Nicene creed as Domnus Pannoniae (Domnus of Pannonia), Domnus Pannoniensis (the Pannonian) or Domnus metropolitanus (the metropolitan), without mention of a see.Ernest Honigmann, "Une list inédite des pères de Nicée: Cod. Vatic. Gr. 1587, fol. 355r–357v", Byzantion, 20 (1950), pp. 63–71, no. 186 at p.
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The scholia of Hesychius to the Twelve Minor Prophets, which are preserved in six manuscripts at Rome, Paris, and Moscow, have been published by Mats Eriksson.M. Eriksson, The Scholia by Hesychius of Jerusalem on the Minor Prophets, Uppsala Universitet 2012. His commentary on Isaiah was discovered in 1900 in the anonymous marginal notes to an eleventh-century Vatican manuscript (Vatic., 347) and published with a facsimile;M.
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VATTICA formed in 2013 in Los Angeles, California as a collaboration between Alexander Millar, Prentice and Joey Jane. The name VATTICA is a fusion of Old English and Latin root words and syllables: Vat (faet), meaning vessel, and Vatic/Vatical (of or characteristic of a prophet or oracle), and Ah (exclamation expressing surprise/irony). By 2014 the group had performed at various notable venues and clubs around Los Angeles, including The Roxy Theater, Whisky a Go Go, The Viper Room and The Troubadour.
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Another popular band is The Insyderz, an American ska-core group popular in the 1990s and early 2000s. Hundreds of bands carry on this Salvation Army tradition, such as New Zealand's Moped, Chamberlain, Vatic, Agent C, and The Lads; England's Electralyte; Australia's Soteria Music Ministries, Summer Carnival Band, Crown of Thorns and Escape; and America's transMission, The Singing Company, HAB, BurN, and CJD – Cookies, Juice, & Donuts. Saytunes is a website designed to encourage and promote these contemporary Salvation Army bands and artists. Another significant musical feature of the Salvation Army is its use of tambourines.
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In other contemporary lists of offices his position varies, but is far lower, coming usually right after the logariastēs tēs aulēs. Thus in the appendix to the Hexabiblos, which reflects the usage during the late reign of Andronikos II Palaiologos () or during the reign of Andronikos III Palaiologos (), he ranks 79th among 91 offices, right before the nomophylax and following the logariastēs tēs aulēs. In the list of Matthew Blastares, which also reflects usage under Andronikos II, he ranks 79th among 90 dignities, and in an anonymous list in verse, which probably corresponds to the situation in 1321–1328, 50th among 60. In the early 15th-century list of Paris. gr. 1783, the megas dioikētēs is the 67th among 75 dignities, in that of Vatic. gr.
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The voice is that of the drunken boat itself. The boat tells of becoming filled with water, thus "drunk." Sinking through the sea, the boat describes a journey of varied experience that includes sights of the purest and most transcendent (l'éveil jaune et bleu des phosphores chanteurs, "the yellow-blue alarum of phosphors singing"Line as translated by Samuel Beckett in Collected Poems in English and French, (Grove Press: New York, 1977), 97) and at the same time of the most repellent (nasses / Où pourrit dans les joncs tout un Léviathan, "nets where a whole Leviathan was rotting"). The marriage of exaltation and debasement, the synesthesia, and the mounting astonishment make this hundred-line poem the fulfillment of Rimbaud's youthful poetic theory that the poet becomes a seer, a vatic being, through the disordering of the senses.
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The Works of William Blake: Poetic, Symbolic and Critical, edited with lithographs of the illustrated prophetic books, and a memoir and interpretation by Edwin John Ellis and William Butler Yeats, is a three-volume commentary book about the English poet, painter and printmaker William Blake. Written through a dual collaboration between the poets Edwin John Ellis and William Butler Yeats and published by Bernard Quaritch in 1893, this work was the first comprehensive attempt to interpret Blake's œuvre, by placing its importance on his "prophetic books", in contrast to their predecessors's interpretative approach, who edited other critical works about Blake, such as Algernon Charles Swinburne and William Michael Rossetti, to name a few. Also, the work was the first collected edition of the majority of Blake's poetry, with an erudite commentary, despite its erroneous and misleading traits, like the memoir. As one of the significant nineteenth-century developments in the dissemination of Blake's poetry, this book also made an ambitious attempt to interpret the poet's vatic approach to the making of literature.
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