42 Sentences With "upsetter" | Random Sentence Generator

To be the trickster, to be the upsetter, to change up everything.

BRIDGEPORT "The Upsetter: The Life and Music of Lee Scratch Perry" (2011), narrated by Benicio Del Toro.

Post 423, when he turned 75, Wikipedia lists 13 albums while omitting more titles than I'm mad enough to compare-and-contrast from Spotify's offerings; upsetter.

The lowest seeds to advance were perennial contender Syracuse and perennial upsetter Gonzaga and those two teams will play each other, ensuring one—but only one—double-digit seed will advance.

I'll never know where this album stands or sprawls in Perry's oeuvre, But I do know that it will now replace 2004's Panic in Babylon as my go-to Upsetter.

Definitely the "Autobiography of the Upsetter" finale, possibly the "Cricket on the Moon" opener, but in the end it doesn't matter, because all nine tracks achieve both solidity and differentiation—sound good without sounding too much like any of the others.

The Mighty Upsetter dub show, Flog, Firenze, Italy 20/03/2009 The Upsetters was the name given to the house band for Jamaican reggae producer Lee "Scratch" Perry. The name of the band comes from Perry's nickname of Upsetter, after his song "I Am the Upsetter", a musical dismissal of his former boss Coxsone Dodd.

Scratch the Upsetter Again is a studio album by The Upsetters, released in 1970.

DIP Presents the Upsetter is a studio album by The Upsetters, released in 1975.

"Full Experience" was included on the album Baffling Smoke Signal: The Upsetter Shop Volume 3 in 2002.

There is also a 1971 issue on the Upsetter label, Jamaica. This has a different flip side again, "Down the Road" by The Upsetters. "Small Axe" has recently been re-issued (2013) on a US Upsetter 7-inch pressing with a different flip side, "Drum Version". Small Axe was also the name of a CD issue 883717006523 in 2005 on the Pazzazz label.

The first release by The Flesh Eaters was the 1978 7-inch EP entitled Flesh Eaters (aka Disintegration Nation). The effort was produced by Randy Stodola and Desjardins and released by Upsetter Records. Three members of the Flyboys co-wrote and performed on this first record. The band’s first full-length album No Questions Asked, was released in 1980, also on Upsetter.

In 2004, the EP, in its entirety, was included as bonus tracks, on the Atavistic Records' remastered CD reissue of the band's first studio album, No Questions Asked, originally released in 1980 on Upsetter.

Tahlonteeskee is the name of several Cherokee, and one Creek Indian, during the period of the Cherokee–American wars. The name, (rendered into Cherokee as Ata'lunti'ski), has been translated as "The Disturber" or "The Upsetter".

In parallel with their record label, Desjardins and Bell, in collaboration with Exene Cervenka, published the short-lived punk zine The Upsetter.Hinman, Jay (December 2013). Interview with Chris D. Dynamite Hemorrhage (1).The Upsetter, front covers .

Dub Setter is a remix album by Jamaican reggae producer Lee "Scratch" Perry and British producer Adrian Sherwood, released January 2009 on Beat Records. The release comprises remixed tracks from Perry's 2008 album The Mighty Upsetter.

Upsetter Records was a Los Angeles, California-based record label founded in 1978 by Chris D. and his then-girlfriend, the animation and graphic artist Judith Bell.Morris, Chris (October 16, 1999). "Declarations of Independents: Flag waving". Billboard 111 (42): 73.

In 1989, 10 years after its debut, Upsetter repressed Tooth and Nail.Tooth and Nail, 1989 LP reissue cover art. recordcollectorsoftheworldunite.com. Retrieved February 16, 2016. Since then, the album has remained out of print, although most of its tracks were later re-released separately.

Featuring only previously unreleased material, Tooth and Nail was originally issued in mid-1979 on Upsetter Records, in 12-inch LP format.Upsetter #UP WR 1&2Tooth and Nail, 1979 LP cover art . recordcollectorsoftheworldunite.com. Retrieved February 16, 2016. The record was also the debut release for U.X.A.

The Upsetter is a studio album of Lee "Scratch" Perry productions, released in 1969. The album largely comprises instrumentals from Perry's studio band The Upsetters, but also features vocal tracks by Busty Brown and The Muskyteers (aka the Silvertones). The album was reissued in expanded form on compact disc in 2003.

Retrieved September 3, 2015. of their first studio album No Questions Asked, originally released in 1980 on Upsetter. Middle Class' "Love Is Just a Tool" and "Above Suspicion" were featured on their compilation album A Blueprint for Joy: 1978-1980, issued on CD by Velvetone Records in 1995. They were also included on their early recordings collection Out of Vogue: The Early Material,Forget, Tom.

"Small Axe" was first recorded for Lee Perry and Martin Rodman and appears on the album African Herbsman, a compilation of tracks from the sessions that produced the albums Soul Rebels and Soul Revolution. These tracks are regularly repackaged, re-titled and re-issued. "Small Axe" was also released on a single by Perry's Upsetter Records UK, Catalogue Number: US 357. It featured "All In One" on the flip.

"Mr. Brown" is a song by Jamaican group The Wailers. Recorded in 1970 at Randy's recording studio in Kingston, it was produced by Lee Perry and written by regular Upsetter musician Glen Adams. It originally was released as a single in Jamaica and has appeared on various compilations such as Songs of Freedom. Because it is based on a ghost rumor, the song has lyrics and instrumentals based on a spooky style.

In the mid-1960s Lee Perry worked with Joe Gibbs at Wirl Records in Kingston, but after a disagreement left to form his own label, Upsetter. His first release, "People Funny Boy", credited to Lee (King) Perry, was seen as a direct attack on Gibbs, and became highly popular, heralding the new reggae sound with its "loping, lazy, bass-driven beat". Gibbs retaliated with "People Grudgeful", credited to Sir Gibbs."People Funny Boy", Songfacts.com.

Ethan Higbee (also known as nahte) is an American filmmaker, music producer and gallerist living in Ojai, California. He is most known for his films Red Apples Falling and The Upsetter, a documentary about Lee Scratch Perry. In 2010 he opened Dem Passwords art gallery in West Hollywood, California. The gallery owns and represents the painting collection of Lee Scratch Perry and hosted his first solo art exhibition called 'Secret Education' in 2010.

The Upsetter: The Life and Music of Lee Scratch Perry is a documentary film about the Grammy Award-winning Jamaican music icon Lee "Scratch" Perry. The film is narrated by Academy Award winner Benicio Del Toro and directed by American Filmmakers Ethan Higbee and Adam Bhala Lough. The film premiered at the SXSW Film Festival in March 2008 and had its theatrical release in March 2011, going on to screen at more than 80 theatres world wide.

The Flesh Eaters were a staple of the LA Punk Scene in the 1980s. The band played alongside seminal bands like The Misfits and The Meat Puppets. A number of original Flesh Eaters releases, like "River of Fever", were recorded through Shakeytown Music/BMI. Others were produced by Upsetter, Invasion/Bomp, Zippo/Demon or SST. When not working with The Flesh Eaters during that time, Desjardins was the co-leader, with then-spouse Julie Christensen, of the Divine Horsemen between 1984 and 1988.

Super Ape is a dub studio album produced and engineered by Lee "Scratch" Perry, credited to his studio band The Upsetters. In Jamaica, the album was released under the name Scratch the Super Ape in July 1976 on Perry's own Upsetter label. The Jamaican version had a different track order than the international version that was released in August the same year on Island Records. The album was listed in the 1999 book The Rough Guide: Reggae: 100 Essential CDs.

In 2007, Perry's song "Enter the Dragon" was sampled on the track "Carrots" by Panda Bear of Animal Collective. As well, Perry was selected by Animal Collective in 2011 to perform at All Tomorrow's Parties, which the band curated in May 2011. That same year, he recorded Rise Again with bassist and producer Bill Laswell; the album featured contributions from Tunde Adebimpe, Sly Dunbar and Bernie Worrell, and was released on Laswell's M.O.D. Technologies label. In 2008, Perry reunited with Adrian Sherwood on The Mighty Upsetter.

The show, titled "Secret Education", featured works on canvas, paper, and a video installation. In 2011, The Upsetter, a documentary film about Perry, narrated by Benicio Del Toro, was released worldwide in theaters after its premiere at the 2008 SXSW Film Festival. The film was directed and produced by American film makers Ethan Higbee and Adam Bhala Lough, and opened in Los Angeles in March 2011. It continued to screen worldwide into 2012, with the DVD, iTunes and Video on Demand release soon following.

Larkin, p.91 He recorded artists such as Alton Ellis, Joe Higgs, the Trinidian Lord Creator ("Kingston Town"), Larry Marshall, Hemsley Morris, Earl Lawrence, The Beltones, Glen Ricks, Cynthia Richards, Buster Brown and Beres Hammond. Appreciated by musicians for his fairness and sense of equity, he helped Lee Perry set up his Upsetter record label in 1968 after Perry left Dodd's employment, and helped Winston 'Niney' Holmes (later known as 'The Observer') record his first hit as a producer in 1971 ("Blood & Fire").Barrow, p.

In 1999, the band released Ashes of Time on Upsetter Records (produced by Chris D. and Robyn Jameson). The most recent Flesh Eaters album Miss Muerte was released in 2004 on Atavistic Records and produced by Chris D. This label has also reissued No Questions Asked and Hard Road to Follow. In February 2006, it was announced that the original Flesh Eaters would perform several live shows, including three shows in California and one in England. In 2019, The Flesh Eaters released I Used to be Pretty.

In 2008, Higbee premiered The Upsetter: The Life and Music of Lee "Scratch" Perry, a documentary following Lee "Scratch" Perry, at the SXSW Film Festival. Named after Perry's 1969 album of the same name, the film played in dozens of film festivals worldwide, and was screened across in nearly 100 theaters in 2011. The film is equally devoted to thirty years of Jamaican music and culture, and was narrated by Benicio Del Toro. The movie was co-written and co-directed by Higbee and Lough who also distributed the movie by themselves.

Working with Gibbs, Perry continued his recording career but, once again, financial problems caused conflict. Perry broke ranks with Gibbs and formed his own label, Upsetter Records, in 1968. His first major single "People Funny Boy", which was an insult directed at Gibbs, sold well with 60,000 copies sold in Jamaica alone. It is notable for its innovative use of a sample (a crying baby) as well as a fast, chugging beat that would soon become identifiable as "reggae" (the new kind of sound which was given the name "Steppers").

Record Collectors of the World Unite. Retrieved May 23, 2016. of No Questions Asked, the band's first full-length album originally released in 1980.Upsetter #UPCJ 34The Flesh Eaters, No Questions Asked, 1980 LP release cover art . Record Collectors of the World Unite. Retrieved May 23, 2016. Shortly after, still in 1978, Chris D. would come back to Stodola's studio for a second session, this time backed by the members of the pioneering punk rock band the Flyboys,Who by that time had become a power trio because of the death of David Wilson (aka David Way) in a car accident in early 1978.Neff, Joseph (July 24, 2014).

Mysto the Magician appeals to a snobbish opera singer, the Great Poochini (a pun on opera composer Giacomo Puccini), to let him perform an opening act at the show that night. Mysto's tricks primarily come from his magic wand, which can summon flowers and rabbits. After Mysto dances and asks him if he gets the job, Poochini emphatically says "NO!" as he kicks Mysto out the door into the alley. While on the ground, upsetter Mysto plays with his magic wand, but soon realizes he can pass it off as a conductor's baton, being further inspired by seeing himself in place of the conductor in a promotional poster outside the door and plans to get revenge on Poochini.

Kung Fu Meets the Dragon is a studio album by The Mighty Upsetter, released in 1975. A martial arts-themed project, this very rhythmic LP is largely made up of instrumental versions of some of Perry's productions (Roy Shirley's "Hold Them", Linval Thompson's "Kung Fu") and other musical pieces, enriched with Perry's trademark use of percussions and production tricks (phasing, dubbing and so on) and talkover inspired by the wave of martial arts movies that were popular at the time of recording. Recorded at Perry's own Black Ark Recording Studios, it notably features ace Jamaican polyinstrumentalist Augustus Pablo on melodica (and presumably keyboards, too), his gentle playing adding some otherworldly melodic content to the sparse sound. Production values similar to the following, recently recognised as groundbreaking Revolution Dub (Perry's subsequent record, reissued in the '80s on Island Records worldwide).

81: "In the late sixties Lee Perry was the baddest maverick in Jamaican music, and he combined an extremely rude ... the elfin Perry expressed his rage with singles like "Run for Cover" and "Return of Django," whose slow, sinister beat left a ..." The lyrics of "Run for Cover" had a thinly concealed subtext attacking Perry's previous employer Clement Dodd (Sir Coxsone), a theme shared with his song "The Upsetter" and even the instrumental "Return of Django".John Masouri, Wailing Blues: The Story of Bob Marley's Wailers, 2008, p. 78: "CHAPTER FIVE - Upsettin' LEE Perry used Family Man and other members of the Hippy Boys on the majority of his ... him for 'Prince In The Back'), and J. J. Johnson, for whom he voiced the acrimonious 'Run For Cover', aimed at Coxsone."Stephen Davis, Peter Simon, Reggae international, 1982, p.

The first meeting took place during the time of an event "Terra Firma" where Lee Harris and Ben River had both performed separately. A few years later Hicham invited Lee to record something for a project he was working on and quite organically the album Angel Headed Hip Hop was born. They brought in special Guests such as writer Brian Barritt, rapper JC001 and Hicham wrote the music, performed vocally on four of the album's songs and remixed the song "Three men in a boat with Howard Marks originally released on the previous album "30 Years of Counter Culture" The album was released in 2009 on Genepool/Universal Music Group. The album has been described by Upsetter Magazine as "the 21st century equivalent of the early experiments with beat poetry and improvised Jazz" and the K&C; Daily Times said "a heady mix of both spoken word poetry and fractured samples.

The fast growth of the local music scene encouraged him to get more involved in the music business, and in 1966 he started to record some artists in the back of his shop with a two-track tape machine, working with Lee Perry who had just ended his association with Clement "Coxsone" Dodd. With the help of Bunny Lee, he launched his Amalgamated record label, and had his first success with one of the earliest rocksteady songs, Roy Shirley's "Hold Them", which topped the charts in Jamaica.Larkin, Colin:"The Virgin Encyclopedia of Reggae", 1998, Virgin Books, When Perry decided to leave to start his own record label, Upsetter, Gibbs enrolled the young Winston "Niney" Holness (later known as Niney The Observer) who helped Gibbs maintain his productions at the top of the charts. During the rocksteady period until 1970, he had hit records with numerous artists including The Pioneers, Errol Dunkley, and Ken Parker.

Rhythm Shower is a studio album by The Upsetters, released in 1973. Originally released in a very limited Jamaican pressing with no sleeve, it became better known when re-released by the Trojan label as part of its originally 3 LP, later 2-CD set The Upsetter Collection, first issued in 1986. Many of the rhythms on the album are known as those done by Lee "Scratch" Perry. "Double Power" versions "Give Me Power" by the Stingers, "Lover Version" features Perry's production of Chenley Duffus covering William Bell's "I Forgot to Be Your Lover" (he later gifted the rhythm to Winston "Niney" Holness, who passed it on to producer A Folder who enjoyed massive success with cuts of it by Delroy Wilson, Augustus Pablo, Tommy McCook and Jah Lloyd in 1975 and 1976), "Connection" versions the "Space Flight" rhythm, and "Kuchy Skank" is an Augustus Pablo version to "Words of My Mouth" by Sangie Davis and the Gatherers.