But Alabama Republicans, like the president's base, are untypical of most of America.
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One of the things he did in his speech at CPAC, which is not untypical of him, was he recited that awful snake poem.
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The NRA then had recently reorganized around a militancy untypical of its first century of existence, centering on a newly individualistic reading of the Second Amendment.
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Yan Ding, who arrived in Budapest with his wife and young daughter in April 2015, is not untypical of the nearly 10,000 Chinese who have moved to Hungary under the scheme.
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The movement is also untypical of classical sonata form in that it constitutes half the playing time of the whole work.
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Bede offers a description of the burial of St Cuthbert. This account has been described as being "an extreme case" but not "untypical of those considered sanctified".
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L. W. Peck House is a residence in Eagleville, Ashtabula County, Ohio. It is listed on the National Register of Historic Places. It has an adobe brick wall construction untypical of the area. Peck served as a county coroner.
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Retrieved 16 February 2015. until Meyer-Sée left to run the Marlborough Gallery in August 1912. The gallery specialised in the sale of old master works and the Futurist exhibition was untypical of its activities. The gallery closed in 1939.
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The Overture to a Picaresque Comedy is a concert overture composed by Arnold Bax in 1930. It was premiered by the Hallé Orchestra conducted by the dedicatee, Sir Hamilton Harty, in November 1931. The work is untypical of its composer, who was not usually associated with comedy in music.
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While Etty regularly painted nudity, he rarely depicted physical intimacy other than in combat, and The Dawn of Love is unusual among his works; Etty's biographer Leonard Robinson commented in 2007 that The Dawn of Love "is a subject so untypical of Etty that one finds difficulty in understanding why he painted it".
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Metropolitan Museum of Art. Retrieved 17 December 2014. Madame Clémentine Valensi Stora (L'Algérienne) is an oil painting by Pierre-Auguste Renoir, completed in 1870. It depicts a young Jewish woman, Rebecca Clémentine Stora, in Algerian costume and is untypical of Renoir's work, leading to debate about the place of the painting within his oeuvre.
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The girl's aprons form serpentine S's, vertically in the oldest child, ending as it falls over her arm, and horizontally in the younger girl. A similar shape can be seen in the falling curtain on the right. The heads of the children and the cat create another noticeable S shape. The fruit bowl, a common subject in Rococo art, has been described as a "bravura piece of still-life painting" untypical of Hogarth's work.
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He soon came in contact with The Strokes who asked him "three or four times to manage them" despite the fact that professional managers were courting the band. He became their manager in 2000 and, at the insistence of frontman Julian Casablancas, had an equal share in the profits of the band, untypical of the music industry. Gentles was contracted to be The Strokes exclusive manager for five years and has continued to manage them. He played a starring role in their music video "The End Has No End".
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In a larger cultural context, modern historians have considered him to be a figure of interest with his love of escapism, seen as not untypical of the late Baroque. During the mid to late 18th century Zuccarelli was widely imitated, and artists influenced by him included Richard Wilson, Giuseppe Zais, Giovanni Battista Cimaroli, and Vittorio Amedeo Cignaroli. Among those who created engravings after his work were Joseph Wagner, Fabio Berardi, Giovanni Volpato, Francesco Bartolozzi, and William Woollett. The Francesco Zuccarelli Municipal Library and Historical Archives is located in the Fortezza Orsini Cultural Centre, in Pitigliano, Italy, the town of the artist's childhood.
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After Burkhardswalde- Maxen, the valley narrows for a short time and at 15.0 km between Niederschwottwitz and Oberschwottwitz, the line runs past the rock of the Schlottwitz agate lode. Again, the valley is shortened before Glashütte with the 292 metre-long Brückenmühle tunnel. After the station is the longest tunnel of the line, 539 metres long, and a two-lane concrete bridge, which is untypical of the Müglitz Valley Railway, is traversed at Bärenhecke-Johnsbach. From Lauenstein, the line leaves the Müglitz valley and follows the Roten Wasser (part of the Greifenbach) valley to the southwest towards Geising.
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Pierre-Auguste Renoir was closely associated with the Impressionist movement and the painting of modern life in France in the mid- nineteenth century. L'Algérienne is untypical of his output in depicting a named living subject in an oriental costume. Renoir did create a number of Orientalist works including Woman of Algiers ("Odalisque") (1870) and Parisian Women in Algerian Costume (The Harem) (1872), however, both were homages to existing works rather than portraits of living people, Ingres' Grande Odalisque (1814, Louvre) in the first case and Delacroix's Women of Algiers in their Apartment (1834, Louvre) in the second. Renoir did not travel abroad until 1881 when he visited Algeria.
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Two new laws were passed for the same purpose – the Law on the BNB, which made the most profound institutional changes to the Bank (it became a real central bank of issue free of any activities untypical of this type of bank), and the Law on the stabilisation of the Lev and on coinage, which established a gold standard in Bulgaria whereby 92 Leva equalled 1 gram of pure gold. All these steps supported the Bank's business during the years of the Great Depression (1929–1933). From the mid-1930s till Bulgaria entered the Second World War in 1941 the BNB went through a revival. At that time the building of the Bank was constructed, which houses it to the present day.
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The Allmusic review by Brian Olewnick calling it "a landmark album that launched the first in a long line of beautiful, musical salvos from the AACM toward the mainstream jazz world... This is a milestone recording and belongs in the collection of any modern jazz fan".Olewnick, B.[ Allmusic Review] accessed April 1, 2009 The Penguin Guide to Jazz awarded the album 3 stars stating "Levels and Degrees of Light would be a slightly difficult record to place in a blindfold test. It is certainly not untypical of the Chicago experimentation of the period, except it seems much less chaotic, much more responsive to European tradition". The Rolling Stone Jazz Record Guide said the album "features an intriguing first side with wordless vocal and several AACM stalwarts...but falls apart in the poorly recorded wall of sound that covers side two".
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