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54 Sentences With "unstitched"

How to use unstitched in a sentence? Find typical usage patterns (collocations)/phrases/context for "unstitched" and check conjugation/comparative form for "unstitched". Mastering all the usages of "unstitched" from sentence examples published by news publications.

For the most part, Unstitched follows the fashion universe's standard protocol.
Certain pieces have to be repeatedly unstitched, redone, and redesigned before they're finished.
The question is whether PM Abiy could save Ethiopia's nine regions from being unstitched in civil strife.
"The majority of my work is self-motivated/self-assigned," writes fashion photographer Ruvan Wijesooriya, who directed Unstitched.
A sari is an unstitched garment draped by Indian women and is a common sight across the country.
They sutured closed a single eye of an eight-day-old kitten and unstitched it three months later.
She manifests it in her work with an intricate braiding technique that results in dramatic ruffles and unstitched seams.
Unstitched will make its debut during New York's Spring Fashion Week, and will be available for online viewers on February 8th.
Elle, for example, allowed viewers to check out a fashion shoot in VR, using a similar concept as Unstitched in 2014.
Bland has twisted the strands of the unstitched bedspread around each other to form approximately 30 rope-like cords rising to the top of the piece.
Male pilgrims wear two pieces of clean, unstitched cloth (usually plain white) — one wrapped around their waist and one wrapped around their torso — and plain sandals.
If you want to edit the image you'll have to go to the site, log in, and download the raw image (stitched or unstitched) and use your own software.
While Democratic Front Row brings viewers the best view of the catwalk, Unstitched will take you somewhere that generally has even smaller audiences—the set of an editorial cover shoot.
A couple of weeks ago, I went to watch what was championed as one of the first fashion shoots in virtual reality, Unstitched, at photographer Ruvan Wijesooriya's studio in Manhattan.
Since graduating in 2014, she has become known for her magical feats of sartorial illusion, turning cleverly cut pieces of fabric into completely unstitched garments that are akin to wearable sculpture.
The welt can then be easily unstitched, which thus detaches the sole without damaging the rest of the shoe, meaning it can be replaced time and time again as it is worn down.
Rendering 360-degree photos involves connecting the Panono to the app over Wi-Fi, downloading the unstitched RAW files, uploading them into the cloud and then waiting for them to process (stitch and render).
Shoeless or shirtless is how Mr. Chavarria sent out some of his models, and also — in the case of Roe Taylor, a 3-month-old whose father, John, tenderly carried her onto the runway to close out the show — clad in the scrap of unstitched cloth that is the first thing most people on the planet will ever wear.
He asks and I tell him     our bodies falling from an open window first, unfasten the pallu   the fall should be swift and vacant like the backward collapse     of a moving hawk on a windscreen wait for the bare stomach     to procure the fatigue of renewed air half breath                 half smoke next, spin on one foot     the movement should be sexless   bad at love as you fall fall    let the system of the city swell in the base of your throat drop the petticoat          walk out of its retreating puddle this should be mildly theatrical        depending on the sun's humor measure the distortion of reflection between collarbones     bask in the twisted heat if  the blouse is hooked at the back     thrust your elbows outward in imitation of a duck stepping into water       unclasp blouse if  the blouse is hooked at the front  bring your hands to your heart as if full of gratitude             wanting to love, not knowing exactly how             unclasp blouse like an unstitched wound.
A pagri is usually a long plain unstitched cloth. The length may vary according to the type. The cloth indicates the region and the community of the wearer.
Nishat Linen is a Pakistani clothing brand which sells ready-to-wear, unstitched clothes. It is based in Lahore, Pakistan, and it is one of largest retailers in Pakistan.
Clothing Brand Shops Syed Shan Cloth House is a very famous for its unique quality of Lawn Wear and Unstitched clothes at low prices.Its located at Zia Shaheed Road Sillanwalli.
Dhoti is usually worn over a kaupinam or langot, types of loincloth undergarments. The pancha is worn by many orthodox Jain men when they visit the temple for puja; unstitched clothing is believed by some Jains to be "less permeable to pollution" and therefore more appropriate for religious rituals than other garments. They also wear a loose, unstitched cloth, shorter than the pancha, on top. Hare Krishna, known for its distinctive dress code, prompts Western adherents to wear pancha, usually of saffron or white cloth folded in a traditional style.
Arani Sari is a traditional sari made in Arani, Tamil Nadu, India. A sari is a strip of unstitched cloth, ranging from four yards to nine yards in length. Saris, derived from the Sanskrit word Saadi, have been described in Tamilian literature as early as the 5th or 6th centuries.
The Jain community is divided into two major denominations, Digambara and Śvētāmbara. Monks of the Digambara (sky-clad) tradition do not wear clothes. Female monastics of the Digambara sect wear unstitched plain white sarees and are referred to as Aryikas. Śvētāmbara (white-clad) monastics, on the other hand, wear seamless white clothes.
He will conquer Istanbul and Mount Daylam and will regard Jerusalem and the Dome as his home. His banner will be that of the prophet Muhammad: black and unstitched, with a halo. Furled since the death of Muhammad, the banner will unfurl when the Mahdi appears. He will be helped by angels and others that will prepare the way for him.
Kerongsang brooch often made from gold jewelry and considered as the sign of social status of aristocracy, wealth and nobility, however for commoners and peasant women, simple and plain kebaya often only fastened with modest safety pin (peniti). ;Kain sarong or skirt: Kain is a long decorated clothes wrapped around the hips, secured with rope and wore as a kind of sarong or skirt. The skirt or kain is an unstitched fabric wrap around three metres long. The term sarong in English is erroneous, the sarung (Malaysian accent: sarong) is actually stitched together to form a tube, kain is unstitched, requires a helper to dress (literally wrap) the wearer and is held in place with a string (tali), then folded this string at the waist, then held with a belt (sabuk or ikat pinggang), which may hold a decorative pocket.
Another type of common marriage is marriage by capture. The Malto practice animism and revere a court of spirits known as Gosain. The main Malto god is Dharmer Gosain, a sun god, while their priests are known as demano. The men wear a small loincloth, known as bhagwan, while the women wear two garments: panchi, an upper garment, usually an unstitched cloth, and pardhan, a cloth around the waist.
Although the home uniforms were fine for the team to use, the road uniforms had "Boston" stitched across the chest, which was a problem. Tamburro suggested using the name "PawSox" across the front, with each unstitched "Boston" letter replaced with one that spelled "PawSox". Thus, the PawSox name was born out of the necessity of a uniform crisis. Mondor died on October 3, 2010, at the age of 85.
While traditionally needlepoint has been done to create a solid fabric, more modern needlepoint incorporates colored canvas, a variety of fibers and beadwork. Different stitching techniques also allow some of the unstitched, or lightly stitched, canvas to show through, adding an entirely new dimension to needlepoint work. Some of these techniques include "shadow" or "light" stitching, blackwork on canvas, and pattern darning. Needlepoint continues to evolve as stitchers use new techniques and threads, and add appliqué or found materials.
It consisted of a large rectangular piece of rough, heavy woolen material, crudely sewn together so that the front was unstitched and with two openings left for the arms. Flax is another possible material. In the day it was protection from rain and cold, and at night peasant Israelites could wrap themselves in this garment for warmth (see ). The front of the simla also could be arranged in wide folds (see ) and all kinds of products could be carried in it (See , ).
The clothing worn by Bharwad women was traditionally made from coarse wool woven by members of local untouchable communities. In addition, they embroidered their own open-backed bodices. The garments at that time — as late as the early 20th century — comprised the bodice, an unstitched black or red waist-cloth, known as a jimi, and a veil. Motabhai clothing was made from thicker wool than that of the Nanabhai, leading to the two groups referring to themselves as "thick cloth" and "thin cloth".
In the palmyrene costume, the piece of cloth known as "palla" was a long piece of unstitched cloth with a coloured border and was worn over a long garment, pinned at the left shoulder. The Malabar coast had flourishing overseas trade with the Mediterranean world since antiquity.Bjorn Landstrom (1964) "The Quest for India", Double day English Edition, Stockholm.T.K Velu Pillai, (1940) "The Travancore State Manual"; 4 volumes; TrivandrumMiller, J. Innes. (1969). The Spice Trade of The Roman Empire: 29 B.C. to A.D. 641.
White- clothed Acharya Kalaka Other austerities include meditation in seated or standing posture near river banks in the cold wind, or meditation atop hills and mountains, especially at noon when the sun is at its fiercest. Such austerities are undertaken according to the physical and mental limits of the individual ascetic. Jain ascetics are (almost) completely without possessions. Some Jains (Shvetambara monks and nuns) own only unstitched white robes (an upper and lower garment) and a bowl used for eating and collecting alms.
Alkaram Studio is a Pakistani clothing brand which sells ready-to-wear, unstitched and haute couture. Alkaram Studio is located in Karachi, Hyderabad, Lahore, Islamabad, Rawalpindi, Faisalabad, Sargodha, Multan, Gujrat, Mirpur, Peshawar, Gujranwala, Daska, Muzaffarabad, Mardan, Swat, Narowal, Bahawalpur, Sharjah and Dubai. Al Karam has opened its doors to its first official outlet in the United States in Parsippany, New Jersey. Alkaram Studio also has a global digital presence though its E-commerce Website to reach out to the cross-border audiences.
By 2014, the traditional scare zones returned with The Purge: Anarchy (inspired by the film), Face Off: In the Flesh, Bayou of Blood, and MASKerade: Unstitched. However, Hollywood Horror Nights in California still has specific scare zones, that range in themes. In recent years, Halloween Horror Nights in Orlando has adjusted the locations of its scare zones, forcing attendees to walk through at least one zone when entering the park. While actors cannot touch guests and vice versa, many of them can surround you at one time.
The Doctor and the Master must make an uneasy alliance to overcome a common enemy, the Sild, which have been attacking the Earth and using the Master as their tool of conquest. With the Brigadier, UNIT, and others gradually forgetting who the Master is, the Doctor and the Master must defeat the Sild before the Master becomes unstitched from time and the Earth is overrun by the vicious Sild.SFX, Doctor Who: Harvest Of Time by Alastair Reynolds REVIEW, by Will Salmon. Retrieved 28 June 2013.
Commoners' clothing for men is without headgear and women arrange their hair like a bun secured with a hairpin. They wore clothing on the upper body and wrapped unstitched fabrics around the bottom part, Men from a boy aged three to elders slipped pu-la-t'ou (dagger) in their belt. The dagger, made entirely of steel with intricate motifs smoothly drawn. The handles are made of gold, rhino's horn or ivory carved with a depiction of human or demon, the carving works are exquisite and skilfully made.
South Indian women traditionally wear the sari while the men wear a type of sarong, which could be either a white dhoti or a colourful lungi with typical batik patterns. The saree, being an unstitched drape, enhances the shape of the wearer while only partially covering the midriff. In Indian philosophy, the navel of the Supreme Being is considered as the source of life and creativity. Hence by tradition, the stomach and the navel is to be left unconcealed, though the philosophy behind the costume has largely been forgotten.
The male lungi is also called a tehmat,Development: A Saga of Two Worlds: Vismambhor Nath 2002 (Ashok Mukar Mittal Publishers)Lahore: A Sentimental Journey Pran Neville Penguin Books while the female lungi is called a laacha. They are part of traditional dance attire in Bhangra dance groups, but are also popular in rural areas as home wear. They are generally tied in a different way than in other parts of India and are, as a rule, unstitched and very colourful. Wearing the lungi has declined in the Punjab region in recent years.
The parchment skins of an early volume of Harby Parish Registers, long lost, are said to have been unstitched and wrapped around the trunk and limbs of the corpse of Anne Adcock, and so buried by her grandson, John Adcock, a man of eccentric character, in December 1776. Some transcripts exist at Lincoln for the years 1604, 1606 to 1609 and 1618; and at Leicester for 1581, 1612–1613, 1617, 1621, 1625–1629, 1632–1634, 1636–1638, 1661–1663, 1670, 1672, 1674–1683, 1685, 1687–1688, 1690–1691 and 1694–1700.
So we see how candlesticks and church plate had to be melted down and sold off, altar tables removed, rood screens defaced or torn down and chasubles unstitched. How walls were whitewashed, relics discarded and paintings of saints hidden in parishioners’ houses. And we also read how the other aspects of the Catholic community, such as the guild groups or particular local feast days, quickly collapsed without the economic or religious practices on which they depended. It was a painful process for Catholics, and Duffy vividly illustrates the confusion and disappointment of Catholics stripped of their familiar spiritual nourishment.
The sanqu were literary lyrics directly related to the zaju arias: these were dramatic lyrics written to fixed musical modes or metrical forms and could contain several aria or lyric song segments in one suite. Sanqu, however, could be composed in single discrete sections. It is often said that the sanqu verses tend to reflect excess energies and resentments of contemporary disenfranchised Chinese literati, due to contemporary Jurchen and Mongol political domination. Often the poetry could be humorous as is the following anonymous lyric: "Wearing Ruined Boots" The seams have come unstitched, All falling apart, the leather is ruined.
A Mangalorean Catholic couple dressed in traditional wedding costumes. The bride is wearing a wedding Sari (Sado); while the groom is wearing a Todop (golden hem), Kutanv (coat), Pudvem (dhoti), and Urmaal (turban). Mangalorean Catholic men traditionally wore long, loose-frilled, white or black coats known as Kutanv (similar to the Moghul era Sherwanis, loose coats with buttons), over a Zibbo (loose shirt), while the Pudvem (dhoti), a piece of unstitched cloth, usually around long, was wrapped around the waist and the legs and knotted at the waist. The turban called Mundaas or Urmal, were usually flattened like the Coorgi turbans.
Shvetambara monks and nuns wear only unstitched white robes (an upper and lower garment), and own one bowl they use for eating and collecting alms. Male Digambara sect monks do not wear any clothes, carry nothing with them except a soft broom made of shed peacock feathers (pinchi) to gently remove any insect or living creature in their way or bowl, and they eat with their hands. They sleep on the floor without blankets, and sit on wooden platforms. Other austerities include meditation in seated or standing posture near river banks in the cold wind, or meditation atop hills and mountains, especially at noon when the sun is at its fiercest.
A similar painting by Frans van Mieris the Elder, The Oyster Meal, 1661, Mauritshuis She is distractedly spilling drops from her glass of wine held precariously between her right finger and thumb: the drops are falling towards a spaniel waiting to drink; a bird cage hangs empty, the bird has flown; and a distressed chair in the foreground has a knob missing on one side, with some fraying upholstery coming unstitched. There is a pewter jug on the table. The details allow Ochtervelt to show his mastery of the effects of light falling on pewter, glass, fur and textiles. The subject of an oyster meal was painted by other Dutch artists, including Jan Steen, Frans van Mieris the Elder, and Gabriel Metsu.
A typical Mangalorean Catholic wedding sari (sado) Mangalorean Catholic men used to wear long loose frilled white or black coats known as kutav with buttons (a loose coat that draws from Moghul-era sherwanis), over a loose shirt zibbo (similar to short-kurtas), while a sarong called pudvem (dhoti), a piece of unstitched cloth, usually around 7 yards long, was wrapped around the waist, and in between the legs to be knotted at the waist. The turbans were usually flattened like the Coorgi turbans (Mundaas or Urmal). The Mundaas or Urmal or is a long white piece of cloth with a golden hem (todop) and is tied around the head like a turban in a peculiar manner by which they could easily be recognized as Catholics. In modern times, this mode has changed.
Girl and woman dressed in traditional Maharashtrian sari. Picture shows saree draping style of North Karnataka by Raja Ravi Varma. Hora kacche or Melgacche A sari, saree or shareeThe name of the garment in various regional languages include: , , , , , , , , , , , , , , , , is a women's garment from the Indian subcontinent that consists of an unstitched drape varying from in length and in breadth that is typically wrapped around the waist, with one end draped over the shoulder, partly baring the midriff.Alkazi, Roshan (1983) "Ancient Indian costume", Art HeritageGhurye (1951) "Indian costume", Popular book depot (Bombay); (Includes rare photographs of 19th century Namboothiri and nair women in ancient saree with bare upper torso) There are various styles of sari manufacture and draping, the most common being the Nivi style, which originated in the Deccan region.
S. A. Niessen, Ann Marie Leshkowich, Carla Jones: Re-orienting Fashion: the globalization of Asian dress Berg Publishers: 2003: , pp. 206-207Cattoni Reading The Kebaya; paper was presented to the 15th Biennial Conference of the Asian Studies Association of Australia in Canberra 29 June-2 July 2004.Michael Hitchcock Indonesian Textiles: HarperCollins, 1991 Javanese kebaya as known today were noted by Stamford Raffles in 1817, as being of silk, brocade and velvet, with the central opening of the blouse fastened by brooches, rather than button and button-holes over the torso wrap kemben, the kain — an unstitched wrap fabric several metres long, erroneously termed sarong in English (a sarung, Malaysian accent: sarong) which is stitched to form a tube. The earliest photographics evidence of the kebaya as known today date from 1857 of Javanese, Peranakan and Oriental styles.
However, it never got beyond the proof copy, and was thus not actually published. Even given the modest standards by which the book was published, it was something of a failure. Alexander Gilchrist noted that the publication contained several obvious misreadings and numerous errors in punctuation, suggesting that it was printed with little care and was not proofread by Blake (thus the numerous handwritten corrections in printed copies). Gilchrist also notes that it was never mentioned in the Monthly Review, even in the magazine's index of "Books noticed", which listed every book published in London each month, signifying that the publication of the book had gone virtually unnoticed.Gilchrist (1998: 42) Nevertheless, Blake himself was proud enough of the volume that he was still giving copies to friends as late as 1808, and when he died, several unstitched copies were found amongst his belongings.
In addition, in northern India, it is also wrapped once around each leg before being brought up through the legs to be tucked in at the back. Other forms of traditional apparel that involve no stitching or tailoring are the chaddar (a shawl worn by both sexes to cover the upper body during colder weather, or a large veil worn by women for framing the head, or covering it) and the pagri (a turban or a scarf worn around the head as a part of a tradition, or to keep off the sun or the cold). Until the beginning of the first millennium CE, the ordinary dress of people in India was entirely unstitched. The arrival of the Kushans from Central Asia, circa 48 CE, popularised cut and sewn garments in the style of Central Asian favoured by the elite in northern India.
Sari draping style of Sambalpur region An intricate Ikkat weave of Sambalpuri sari Another intricate weave of Sambalpuri sari A Sambalpuri sari is a traditional handwoven ikat or sari (locally called sadhi) wherein the warp and the weft are tie-dyed before weaving. It is produced in the Bargarh, Sonepur, Sambalpur, Balangir district, Boudh District of Odisha. The sari is a traditional female garment in the Indian SubcontinentAlkazi, Roshan (1983) "Ancient Indian costume", Art Heritage; Ghurye (1951) "Indian costume", Popular book depot (Bombay); Boulanger, Chantal; (1997) consisting of a strip of unstitched cloth ranging from four to nine metres in length that is draped over the body in various styles. Sambalpuri saris are known for their incorporation of traditional motifs like shankha (shell), chakra (wheel), phula (flower), all of which have deep symbolism with the native Odia colour red black and white represent true Odia Culture along with Lord Kaalia(Jagannatha)'s face colour, but the highpoint of these saris is the traditional craftsmanship of the 'Bandhakala', the Tie-dye art reflected in their intricate weaves, also known as Sambalpuri "Ikkat".
Dhoti or its variants, usually worn over a langauti, constitute the lower-body garment in the traditional clothing of Tharus, Gurungs and Magars as well as the Madhesi people, among others. Other forms of traditional apparel that involve no stitching or tailoring are the Patukas (a length of cloth wrapped tightly over the waist by both sexes as a waistband, a part of most traditional Nepali costumes, usually with a Khukuri tucked into it when worn by men), scarves like Pachhyauras and majetros and shawls like the Newar Ga and Tibetan khata, Ghumtos (the wedding veils) and various kinds of turbans (scarves worn around the head as a part of a tradition, or to keep off the sun or the cold, called a Pheta, Pagri or Sirpau). Until the beginning of the first millennium CE, the ordinary dress of people in South Asia was entirely unstitched. The arrival of the Kushans from Central Asia, circa 48 CE, popularised cut and sewn garments in the style of Central Asia.
" Bosley (1983), page 5. When the second volume of the Theorems appeared in 1622, La Ceppède dedicated it to King Louis XIII, in celebration of both the King's recent coming of age and his military victory against an uprising of the Huguenots of Languedoc, which had been led by Henri, Duke of Rohan. Bosley (1983), page 5. Accord to Christopher Blum, "The Theorems is not only poetry, it is a splendid work of erudition, as each sonnet is provided with a commentary linking it to Scriptural and Patristic sources and, especially, to the Summa Theologiae of St. Thomas Aquinas. The work bears the mark of the Renaissance: the sonnet, that choice mode of expressing romantic love, is here purged and elevated and put in the service of the epic tale of God’s love for man. As La Ceppède put it in his introduction—which can be read in Keith Bosley’s admirable translation of seventy of the sonnets—the harlot Lady Poetry had been unstitched of 'her worldly habits' and shorn of her 'idolatrous, lying and lascivious hair' by the 'two-edged razor of profound meditation on the Passion and death of our Saviour.

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