Thunder arrives — makes itself known, unmistakenly — but everybody else heard it too, and by that point, it's too late to act.
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"All the poetry in the zine relates to what would unmistakenly [sic] be interpreted as political commentary on fracking," the message reads.
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Rising in stiff peaks, soft mounds, and folded slits, these works, while abstract, unmistakenly allude to the contours of the female body.
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"This court should recognize, as the trial court did not, what science now unmistakenly establishes and what the Missouri General Assembly has acknowledged in the law of this state — new human life is created at the instant of sperm-oocyte binding," their appeal brief said.
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As well as the figures of Charon and Minos, and wingless angels, the very classicized Christ was objected to. Beardless Christs had in fact only finally disappeared from Christian art some four centuries earlier, but Michelangelo's figure was unmistakenly Apollonian.Clark, 61; Sistine, 190; Blunt, 114 Further objections related to failures to follow the scriptural references.
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In the end, the secretary of Dubey (now owns his empire) gives Babu one more contract. Babu refuses & says that he has left the business. He gives him an address & tells him that he has a strong motive to take this contract. Babu goes to the address & instinctively avoids getting stabbed from a sharp tool, unmistakenly from Fulwa.
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The largest was an 11-acre replica of Mexico constructed on a ranch in Calabasas, California. Behind the throne room and living quarters of Maximilian was a 250-foot-long and 50-foot-high backdrop of Mexico City, with Popocatépetl in the distance. Erich Wolfgang Korngold researched the music popular in Mexico during the period and discovered it was "unmistakenly Viennese." He composed 3,000 bars of music for the score, at times emulating the rhythms of Frédéric Chopin and Franz Schubert, and the second theme of the first movement of his Violin Concerto was drawn from his work for the film.
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After the United States demanded that France divest itself of its interests in Mexico, the Austrian aristocrat was left to his fate, and he was executed by the Juarez government. The dramatic accent of the film leaned in favor of Maximilian and Carlotta, however, aided greatly by Korngold's poignant themes for them. Korngold researched the music popular in Mexico at the time and realized it was not Mexican, but "unmistakenly Viennese." He composed 3,000 bars of music for the score, at times emulating the rhythms of Frédéric Chopin and Franz Schubert, and the second theme of the first movement of his Violin Concerto was drawn from his work for the film.
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One night in bed, in a semi-dreaming state, he saw a cylindrical white object moving toward him, something he felt was "unmistakenly hostile". Initially feeling paralysed, he then fully awoke and the object vanished. The following day he posed questions to a pendulum to ascertain the cause of this experience (a technique taught to him by a spiritual healer back in Britain); the answers he obtained led him to the conclusion that the hostile object had been sent by a sorcerer but that Wallis' own reaction had led to it being sent back to the original sender. His Lungu assistants believed that local sorcerers had wished to harm him because of his recent attempts to organise ngulu ceremonies and heal local people.
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In the videotape, and while the interview was conducted in Spanish, Ladislas de Hoyos steers away from the previously agreed upon questions by asking whether Barbie has ever been to Lyon in French, a language he isn't supposed to understand under his fake identity, to which Klaus Barbie automatically responds by the negative in German. Ladislas de Hoyos gave him photos of members of Resistance he had tortured, asking him if he recognized their faces, and while he returned them in denial, his fingerprints unmistakenly betrayed him. It was in this interview, later broadcast on French TV Channel Antenne 2 that he was recognized by French resistant Simone Lagrange who had been tortured by Klaus Barbie in 1944. Despite global outcry, Barbie was able to return to Bolivia where the government refused to extradite him, stating that France and Bolivia did not have an extradition treaty and that the statute of limitations on his crimes had expired.
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In 1963, H. E. Bell and R. L. Ollard edited Ogg's festschrift and said of Ogg: > Those who have had the privilege of knowing David Ogg as a tutor or a > colleague will not need to be reminded of those qualities of wit and > intellectual elegance, of originality of thought and expression, of common > sense applied in an uncommon way, that characterise his talk as unmistakenly > as his writing. The deceptive ease with which his exact scholarship and wide > erudition have been put at our disposal is no small part of the pleasant > debt we all owe him. > The same holds true for, though in the nature of the case less personally, > for those who know him only through his books. It would be an imperceptive > reader who had failed to notice that in both the fields that Ogg has made > his own, the England of Charles II and the Europe of Louis XIV, he has > challenged both the accepted historiography of the period and the > fashionable portrayal of the two eponymous figures of the age.
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