How to use unmistakeably in a sentence? Find typical usage patterns (collocations)/phrases/context for "unmistakeably" and check conjugation/comparative form for "unmistakeably". Mastering all the usages of "unmistakeably" from sentence examples published by news publications.
CantStopThePop complimented the hooks of the song as "unmistakeably Max Martin through and through." They added that "the glorious pre-chorus (“We’ve got to stop this game, tell me do you feel the same?”) is arguably the highlight of the song. It’s an effortless snapshot of pop music at its most uplifting and sunniest".
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The "Oslo self-portrait", (Nasjonalmuseet) Another self-portrait from 1889, often called the Oslo self-portrait because it is owned by the Nasjonalmuseet in Norway, was authenticated in 2020 by the Van Gogh Museum. This painting, with the artist looking sideways, was painted while the artist was in the asylum in Saint-Rémy and is "unmistakeably" his work. The experts believe it was painted after the artist's letter of 22 August 1889 which indicated that he was still "disturbed" but ready to begin painting again but completed prior to his letter of 20 September 1889. In the latter, Van Gogh referred to the self-portrait as "an attempt from when I was ill".
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Writing in The Guardian, Bob Stanley considered "We Will" to be "a song of resigned melancholy about how to get through a personal crisis by appreciating things such as kicking a ball, visiting distant relatives, eating corn flakes". The Times writer Pavel Barter wrote in 2017 that the song "introduced a form of kitchen-sink observational drama usually lacking in pop music". Upon release, Peter Jones of Record Mirror considered the song "less infectious" than O'Sullivan's first hit "Nothing Rhymed", but described it as "unmistakeably Gilbert, with that mixture of naivety and power". O'Sullivan re-recorded "We Will" for his 1987 album Frobisher Drive. The song was covered by Rumer on her 2012 album Boys Don’t Cry.
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By the end of the year, he claimed that he and his pupils had made some 500 pictures using the hand-held camera with spring- shutters. The tiny "pistolgrams" could best be viewed with a magnifying glass, but it was also possible to make enlargements (an uncommon practice at the time), hundreds of times the size of the original, with sufficient sharpness. A broche-sized original "chromo-crystal" example depicting three children was praised by the Brighton Herald: "the laughing, mocking eye of the pet in the centre is, indeed, a photographic triumph, and the characters of the two others are unmistakeably stamped upon their features." In 1860, John Herschel wrote about "the possibility of taking a photograph, as it were, by a snap- shot — of securing a picture in a tenth of a second of time".
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Kohns stated that the author may have implied that the Armenians could have only survived the Musa Dagh incident because they had "a "Westernized" leader" which would "not do justice" to the real life events, although he also noted how Gabriel becomes increasingly in touch with his heritage and experiences "his increasing "re-nationalization"" into being an Armenian. Neal Ascherson of the London Review of Books stated "although it’s wrong to say that" Werfel and his wife Alma were the same people as the fictional Bagdradians, "the travails of an assimilated intellectual torn between his loyalty to an ancestral people threatened with destruction and his bond to a wife from a quite different culture are unmistakeably Werfel interrogating himself." Donna H. Keizer, author of Jewish-German Identity in the Orientalist Literature of Else Lasker-Schüler, Friedrich Wolf, and Franz Werfel, also wrote that through Gabriel, Werfel "seemed to be working out his own, individual issues of identity".Keizer, Donna H. Jewish-German Identity in the Orientalist Literature of Else Lasker-Schüler, Friedrich Wolf, and Franz Werfel.
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