It's also full of pencil underlinings, with a separate note giving page references for the rude bits.
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Because the type itself — white, spindly, unvarying in size — is so visually dull, dashes, underlinings, and parentheticals take on new resonance.
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As the young dancer, Ms. Talcott-Steenstra delivers her lines with a directness that serves the humor in Mr. Ferver's script better than his own fervid underlinings.
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The spine is chipped, some leaves are coming loose, there is a rust mark left by a paper clip on the cover, and pages are marked with notes and underlinings by the judge, Laurence Byrne, and his wife, Dorothy Byrne.
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But Moore's perspective shifts continually from Thatcher herself (he adeptly captures the force of personality that radiates from her annotations and even from the underlinings in policy papers and memorandums) to her advisers, her colleagues and rivals in the cabinet, her adversaries across the floor in the House of Commons and in Brussels, even her hairdresser.
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The text consistently displays typographical errors, such as using hyphens for rules, and underlinings for italics or emphatic spacing; and there are regular spelling mistakes, such as “Vilejløst” for “viljeløst”. The work’s title “Ibsen Sitat”, a separated composite, is ungrammatical.
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The original title cards for Caligari featured stylized, misshapen lettering with excessive underlinings, exclamation points and occasionally archaic spellings. The bizarre style, which matches that of the film as a whole, mimics the lettering of Expressionistic posters at the time. The original title cards were tinted in green, steely-blue and brown. Many modern prints of the film do not preserve the original lettering.
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Nine early copies of Guy Earl of Warwick are known to exist, all of them are held in the United Kingdom or the United States. One copy was owned by Sir Walter Scott. It contains handwritten comments and underlinings. From the simplicity of the sets and the small number of properties required to perform the play, Helen Moore deduced that the surviving text might have been derived from a touring company's prompt book.
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Fühmann said a year before his death, "I have cruel pains; the bitterest is having failed in literature and in the hope for a society as we all once dreamt it." The Academy of the Arts in Berlin has administered Fühmann's literary estate. His library (consisting of about 17,000 volumes, with many notes and underlinings) is part of the Historische Sammlungen of the Zentral- und Landesbibliothek Berlin. His work still interests young artists (such as Barbara Gauger), and the Franz Fühmann Freundeskreis Märkisch Buchholz in Berlin illustrates its extent.
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In the late 1990s, Roger A. Stritmatter conducted a study of the marked passages found in Edward de Vere's Geneva Bible, which is now owned by the Folger Shakespeare Library. The Bible contains 1,028 instances of underlined words or passages and a few hand-written annotations, most of which consist of a single word or fragment. Stritmatter believes about a quarter of the marked passages appear in Shakespeare's works as either a theme, allusion, or quotation.. Stritmatter grouped the marked passages into eight themes. Arguing that the themes fitted de Vere's known interests, he proceeded to link specific themes to passages in Shakespeare.. Critics have doubted that any of the underlinings or annotations in the Bible can be reliably attributed to de Vere and not the book's other owners prior to its acquisition by the Folger Shakespeare Library in 1925,.
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