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12 Sentences With "unapprehended"

How to use unapprehended in a sentence? Find typical usage patterns (collocations)/phrases/context for "unapprehended" and check conjugation/comparative form for "unapprehended". Mastering all the usages of "unapprehended" from sentence examples published by news publications.

Several unapprehended females also assaulted the bartender, while Bush filmed the attack, according to the prosecutors.
As bullets find victims in numbers unseen in more than two decades, a vast share of shooters are going unapprehended.
"When I came to San Francisco, all of us, regardless of skin color, or ethnicity, or economic status or gender, we were all criminals — in the eyes of the law, we were all unapprehended felons," Mr. Jones said in an interview.
In the 1930s, Joe "Smoky" Ellison opened one of Knoxville's first bowling alleys at the park. Jazz musician Louis Armstrong performed at Chilhowee Park in February 1957. During his performance, an unapprehended person tossed a stick of dynamite from the window of a car in an unsuccessful attempt to disrupt the event. On August 8, 1863, the Military Governor of Tennessee, Andrew Johnson, freed his personal slaves.
She produced the CD Tony London: Songs From the Heart with the Page Cavanaugh Trio that includes two of the 50 songs Hunt has composed. Hunt played Elizabeth Lyons in Chloe's Prayer, a 2006 film. In 2008, Hunt appeared in a short film noir, The Grand Inquisitor, as Hazel Reedy, the could-be widow of one of America's most infamous unapprehended serial killers. The film premiered at the 6th annual Noir City Film Festival in San Francisco.
At the climax of the book, she has been revealed to have traveled to the current time, and was defeated but unapprehended. The consequences of her leaving the past have yet to be resolved. Colfer used the fourth novel to describe Opal Koboi's hysterical megalomania in significant detail. Coming across as embittered, slightly loony, deranged and dangerous, ultra-evil, and world domination-obsessed, Colfer has the criminal mastermind Koboi go "mind-to-mind" against a similarly intelligent and criminal mastermind Fowl.
On the evening of 20 September 2000, the MI6 Building in London (the headquarters of the British Secret Intelligence Service) was attacked by unapprehended forces using a RPG-22 anti-tank rocket, causing superficial damage. A weapons cache destined for the Real IRA that was seized in Croatia in August 2000 contained a number of RPG-22s. Prices range from £150 to £220 per weapon. The one used against the MI6 building was Russian- made, while one found at Dungannon came from Bulgaria.
On August 20, 1941, three more people were found dead, murdered by Nakamura. On September 27, 1941, he murdered his brother, and injured his father, his sister, his brother's wife and his brother's child. On August 30, 1942, he murdered a couple, their daughter, and their son, and attempted to rape another daughter. Information about his crimes were restricted because many thought news about his crimes would cause excessive trouble during the already tense war time, so Nakamura went unapprehended for longer than he might have otherwise.
But by this time, realizing that Bennie is nearly always one step ahead of him, Kyle has spoken to Roy Benedict, a criminal lawyer and former FBI operative. He tells Roy the whole story. Roy still has good connections within the FBI, and they set up an operation to catch Bennie while Roy transfers information that is not sensitive. But it misfires; Bennie and his associates vanish and remain unidentified and unapprehended, although Kyle thinks he's working for some other branch of the government.
The court, recognising that the criminalisation of sodomy was clearly discrimination, assessed the fairness or otherwise of the discrimination by examining its effects on the groups affected, i.e. gay men and, indirectly, lesbians. Referring frequently to an influential article written by Edwin Cameron, then a professor and now himself a Constitutional Court judge, it observed that the sodomy laws "[reinforce] already existing societal prejudices" and worsen the effects of those prejudices, reducing gay men to "unapprehended felons" and thereby encouraging discrimination against them. The court referred to the judgments of the European Court of Human Rights in Norris v.
Aesthetic admiration of "the true and the beautiful" is provided with an important social aspect which extends beyond communication and precipitates self-awareness. Poetry and the various modes of art it incorporates are directly involved with the social activities of life. Shelley nominated unlikely figures such as Plato and Jesus in their excellent use of language to conceive the inconceivable. For Shelley, "poets ... are not only the authors of language and of music, of the dance, and architecture, and statuary, and painting; they are the institutors of laws, and the founders of civil society..." Social and linguistic order are not the sole products of the rational faculty, as language is "arbitrarily produced by the imagination" and reveals "the before unapprehended relations of things and perpetuates their apprehension" of a higher beauty and truth.
Shelley writes in Defence that while "ethical science arranges the elements which poetry has created," and leads to a moral civil life, poetry acts in a way that "awakens and enlarges the mind itself by rendering it the receptacle of a thousand unapprehended combinations of thought". In A Defence of Poetry, Shelley argued that the invention of language reveals a human impulse to reproduce the rhythmic and ordered, so that harmony and unity are delighted in wherever they are found and incorporated, instinctively, into creative activities: "Every man in the infancy of art, observes an order which approximates more or less closely to that from which highest delight results..." This "faculty of approximation" enables the observer to experience the beautiful, by establishing a "relation between the highest pleasure and its causes". Those who possess this faculty "in excess are poets" and their task is to communicate the "pleasure" of their experiences to the community. Shelley does not claim language is poetry on the grounds that language is the medium of poetry; rather he recognises in the creation of language an adherence to the poetic precepts of order, harmony, unity, and a desire to express delight in the beautiful.

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