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107 Sentences With "typescripts"

How to use typescripts in a sentence? Find typical usage patterns (collocations)/phrases/context for "typescripts" and check conjugation/comparative form for "typescripts". Mastering all the usages of "typescripts" from sentence examples published by news publications.

The typescripts, then, came to him for editing and correction—and repeat.
It was full of paper — typescripts of poems, essays, books, scraps of paper, letters.
There are reproductions of Berkson's typescripts, relevant paintings by Elaine de Kooning and Michael Goldberg, and a selection of photographs.
" Frieda writes, "My mother had hit out at the thing they both knew was most precious—typescripts of their own work.
" He added: "Until Moscow denied me an entry visa in 1982, we moved scores of samizdat typescripts out and Russian language books in.
Titled Fashion Climbing, the NYT reports that there appears to be "multiple drafts of certain sections" within the two clean typescripts he left behind.
There's professional correspondence, and galleys, and typescripts, and a bookcase from Salinger's bedroom containing the volumes he read at the end of his life.
She said her duties, besides dictation and typescripts, included writing reports that understated Nazi casualties and exaggerated rapes of German women by Red Army soldiers.
It survived in two typescripts held at the Harry Ransom Center at the University of Texas, where it was discovered by Laura Rattray of the University of Glasgow and Mary Chinery of Georgian Court University in New Jersey.
"Tarantula," his book of Beat-like prose poetry, has multiple typescripts, neatly annotated by hand, while the convoluted film "Eat the Document" is represented with a thick sheath of prosaic editing notes ("me fixing my hair — might be interesting").
The haul was more than 10,000 pieces of paper — drafts of poems on envelopes and halfway-there typescripts, even a clipping of one he first published in a daily newspaper and later reworked in pen and pencil on the printed page.
It spans the full range of Baldwin's career, from typescripts of his teenage poetry to handwritten drafts of "The Welcome Table," his final, unfinished play about an imaginary dinner party featuring an ex-Black Panther, a professor and a Josephine Baker-like dancer.
Also present in the papers are manuscripts, typescripts, and clippings.
The contents included Crowley manuscripts, surviving catalogues of Crowley typescripts and memorabilia.
His papers also include correspondence, typescripts, journal articles, newspaper clippings, programs, and press releases.
The other roles of commissioning editors vary between companies. Usually they are also responsible for ensuring that authors under contract deliver typescripts to specification and on time. They thus have an author management role. They usually have responsibility for ensuring that typescripts are of sufficient quality.
Typescripts were delivered by hand under plain cover to "Oscar Wilde 10/11 St. James's Place". They were never posted.
Although several of her plays are lost, Johnson's typescripts for 10 of her plays are in collections in academic institutions.
330-336 of archived typescripts. and after the conviction of Nikolai Bukharin in March 1938.Diary entry - 8 March 1938, pp.
According to his account, he instead sent typescripts of the work to several occultists he knew, putting the manuscript away and ignoring it.
The Papers of Ian Serraillier held at the University of Reading largely comprise manuscripts, typescripts, and galley proofs, including Fight for Freedom, The Clashing Rocks, The Cave of Death, Havelock the Dane, They Raced for Treasure, Flight to Adventure, and The Silver Sword. They also contain correspondence with publishers, other business and literary correspondence, notebooks with poems, ideas and story outlines, rejection letters, publishers' agreements, press cuttings, research material, lecture notes and typescripts, obituaries, etc.
Sale has donated 16 boxes of materials—typescripts, galley proofs, correspondence, etc.—for each one of his books to the archives at Cornell University, where they are available for public inspection.
Seven Stories, the National Centre for Children's Books in Newcastle upon Tyne, holds the largest public collection of Blyton's papers and typescripts. The Seven Stories collection contains a significant number of Blyton's typescripts, including the previously unpublished novel, Mr Tumpy's Caravan, as well as personal papers and diaries. The purchase of the material in 2010 was made possible by special funding from the Heritage Lottery Fund, the MLA/V&A; Purchase Grant Fund, and two private donations.
This section groups examples of Ives' published works, lectures, notes and samples of verse, both as typescripts and holographs. The topics represented include: prison reform, crime and punishment, historical views of sexuality, religion.
Two unpublished typescripts prepared for the FWP Florida guidebook, but not included in it, are archived at the University of Florida library in Gainesville. They were likely sources or drafts of the published article. These typescripts go into further detail than the published article on the appearance and behavior of the Dominickers, saying that the local people described them as "sensitive, treacherous, and vindictive" and "pathetically ignorant." The men are described as "big and burly looking," known for their skill at breaking horses and making moonshine whiskey.
Two were already "bulky typescripts", the Philosophical Remarks and Philosophical Grammar. Literary (co-)executor G. H. von Wright revealed "They are virtually completed works. But Wittgenstein did not publish them." The third was Remarks on Colour.
He also wrote detailed journals of his experiments and class notes. These manuscripts, including modern typescripts of the accounts, are currently housed along with his papers at the Pennsylvania State University Libraries in the Special Collections Library.
Photographs of Aline's work and friends, sketches, letters, clippings, typescripts and exhibition materials are stored in the Archives of American Art research collection (62 items on 5 partial reels of microfilm) known as "The Aline Fruhauf Papers".
Such things as blacked out passages, passages pasted over, and passages covered by correction tape in the circulated and photocopied typescripts could be reconstructed or investigated by an examination of the original typescript, which has been strictly prohibited by the author.
From the very first seminar at Sainte-Anne, the weekly sessions were recorded by a shorthand typist. For two decades, copies of these typescripts were the only available record of Lacan's oral teaching, Lacan himself having declined the various offers extended to him to have the typescripts edited into publishable volumes.Miller, Jacques-Alain, Entretien sur "Le séminaire" avec François Ansermet, Navarin, 1985. In the early seventies, Jacques-Alain Miller offered some indications as to what would constitute an effective editorial strategy and at Lacan's invitation drew up a transcription of the twenty lessons that made up the eleventh seminar, The Four Fundamental Concepts of Psychoanalysis delivered in 1964.
Some of the typescripts with results of the research were delivered to the "Aryan" side. They were published in 1946 in a book edited by Emil Apfelbaum "Hunger Disease. Clinical research on hunger carried out in the Warsaw Ghetto in 1942".Emil Apfelbaum (red.): Choroba głodowa.
Smith's 1995 play, Black Star Line, commissioned by the Goodman Theatre, was a Pulitzer Prize entrant. Smith taught playwriting at Northwestern University before he began teaching at Ohio University, where he is a distinguished professor. DePaul University Special Collections and Archives holds a collection of Smith's drafts and typescripts.
C.H. Rorick Estate Worth $250,000, Willed To Widow, Toledo Blade Rorick died in 1967.Historical Sketch - Isabel Scott Rorick, Mr. and Mrs. Cugat Typescripts, University of Toledo library, Retrieved July 11, 2012 They are buried in Woodlawn Cemetery in Toledo. The couple had two children, Horton and Elizabeth (Mimi).
Bolan's papers are housed at the Lloyd Sealy Library Special Collections at John Jay College of Criminal Justice. The Commissioner James Bolan collection includes typescripts of radio addresses and speeches by Bolan and others, as well as reports describing the work of police bureaus dating to the early 1930s.
Wyckoff wrote two Christian novels that were not published during his lifetime. The typescripts remained in the family archives for decades. One unpublished Christian novel is a full book typescript of 160 pages, without a title page, date, or other information. Wyckoff's daughter knows nothing of its history.
A significant collection of materials relating to Hope Emily Allen's life can be found at the Bryn Mawr College Library. The papers consist primarily of research notes by Allen, photostats and typescripts of manuscripts, and professional correspondence. Topics include the Book of Margery Kempe, the Ancrene Riwle, and Richard Rolle.
When Frost biographer Lawrance Thompson attempted to access her papers, he was told by her executor that they all "had disappeared under mysterious circumstances". However, typescripts, galleys, and plate proofs of the novels Liza Bowe, Swear by Apollo, and The Last Gentleman are in the University of New Hampshire Library.
Wright’s papers, including carbon typescripts of the uncut version of Islandia and the unpublished Islandia: History and Description, Dreams and Other Verses, college writings, and letters to family members, are in the Houghton Library at Harvard University. Some of his wife’s correspondence is in the Fay family papers at Radcliffe College.
Her Native Tribes of Western Australia is a detailed collection about Aboriginal people of Western Australia, and she did extensive work on Aboriginal languages. Her questionnaires, which were recorded on about 4,000 pages of typescripts, created a vast collection of over 23,000 pages of wordlists of Australian Aboriginal languages, which are now digitised.
The latter included all of his uncollected prose, and included his "uncategorizable prose-work", long out-of-print: A Serial Biography (1969), which has been described as an "assembly of memoir and reportage." Several boxes of Raworth's notebooks, typescripts, and correspondence (ca. 1968–1977) are held at the University of Connecticut's Dodd Research Center.
He sought out earlier publications with Howard's work, most notably the pulp magazines of the 1920s and 1930s. Starting in 1956, he scoured the country for all Howard stories, poems, and letters. Over the course of his life he amassed the world's largest collection of such publications and original manuscripts (actually typescripts).Lord, Glenn (1976).
In 2013, the Getty Research Institute announced its acquisition of the Ada Louise Huxtable archive, which spans 1921 through 2013 and includes 93 boxes and 19 file drawers of Huxtable's manuscripts and typescripts, reports, correspondence, and documents, as well as research files full of notes, clippings, photocopies, and, most notably, original photographs of architecture and design by contemporary photographers.
Read's archive of literary papers and correspondence is held by Special Collections in the Brotherton Library at the University of Leeds. The collection consists of 139 boxes and contains manuscripts and typescripts of his novels and plays. It also contains articles and short stories; extensive correspondence, interview tapes and research notes; press-cuttings and other papers.
In 1995 that Accademia awarded him the Feltrinelli Prize for art criticism and poetry. He died in Siena and is buried in Pisa's Camposanto monumentale. In September 2000 his children donated the Fondo Enzo Carli to the University of Siena, depositing around 5000 pieces of his correspondence, manuscripts, photographs, typescripts and prints dating from 1928 to 1996 in that university's literature department library.
He later donated his archive to the Free University of Brussels. The total collection was classified by Fernand Baudin himself. It includes, besides a large number of publications and books, more than a hundred files such like correspondence, manuscripts, typescripts, proofs and prins of his articles and conferences, as well as many documents that give insight in his career as a graphic designer.
The John A. Carpenter Research Material Collection at the Schomburg Center for Research in Black Culture at the New York Public Library in New York City houses Carpenter's papers. The collection includes manuscripts, typescripts, research notes, reviews of Carpenter's books, his articles and lectures, and other materials. It also contains his materials for a project biographing all agents of the Freeman's Bureau.
Smith had earlier tried to save Casement's life, but he blocked his appeal to the House of Lords and threatened to resign to prevent the cabinet advising the monarch to grant a reprieve as he did not wish to help Irish Independence. It has been suggested that Smith's motive in the original attempt to avoid the death penalty was to compromise the defence by inducing a tacit authentication of the police typescripts. Hyde's book Anatomy of a lie, published in April 2019 demonstrated that the diary controversy has been framed by various biographers to promote authenticity by skillful use of innuendo, omission and misinformation. The book demonstrates that there is no independent witness evidence for the material existence of the diaries before Casement's execution and that only police typescripts were shown to selected persons including King George V, journalists, politicians, diplomats etc.
Among other projects he wrote some of the typescripts used as sources for the four volume centennial history of BYU. He also taught in BYU's continuing education department until his death. Hales for a time was editor of the BYU Physics and Astronomy Newsletter. He was one of the bishops called to preside over one of the first wards in the first BYU stake.
The cottage, now known as the Lorine Niedecker Cottage, is listed on the National Register of Historic Places. Niedecker died in 1970 from a cerebral hemorrhage, leaving behind several unpublished typescripts. Many other Niedecker papers were burned by Millen, who said he did so at Niedecker's request. Her name was added to her parents' headstone which uses the original spelling of the family name, Neidecker.
Sir Charles Firth played an important role for Davies in compiling this work. As Davies noted in his introduction to the first edition in 1928, "He has assisted at every stage of the growth of this bibliography; his library and unrivalled store of knowledge were always open to me. he has read the typescripts and the proofs, and encouraged me in every way."Godfrey Davies, ed.
The original manuscripts of Oscar Wilde today reside in many collections, including the British Library. The largest and most comprehensive is to be found at the William Andrews Clark Memorial Library, UCLA. This collection includes typescripts and copies of many letters and associated documents from Wilde's circle. Scholarly accounts of the manuscripts and Wilde's methods of working can be found among the many graduate and post graduate works.
Carl Corley in his writing and illustrations provides a nearly unique example of out gay expression in a predominantly rural, Southern setting in the pre-Stonewall era. His work illuminates popular cultural expression as well as gay experience and imagination in the rural South. In 1998, Duke University bought from Corley his papers, including typescripts and published copies of his novels, for their special collections in gay and lesbian studies.
The Central Library houses the Indianapolis Special Collections Room, named for newspaper executive Nina Mason Pulliam. The collection contains a variety of archival adult and children's materials, both fiction and nonfiction books by local authors, photographs, scrapbooks, typescripts, manuscripts, autographed editions, letters, newspapers, magazines, and realia. The collection features Kurt Vonnegut, May Wright Sewall, the Woollen family, James Whitcomb Riley, and Booth Tarkington.Central to Our History: Indianapolis Special Collections Room, n.d.
Typescripts are available and this link carries photos of the originals. Lawson's account of the exam of Martha Cory quotes a line from Rev. Nicholas Noyes declaring her a witch while omitting his next clause as recorded in the court record, "...there is no need of images." Thus Lawson's account withholds information that suggests the sheriff had searched her home for physical evidence relative to the practice of witchcraft and found nothing.
Lessing's literary archive is held by the Harry Ransom Humanities Research Center, at the University of Texas at Austin. The 45 archival boxes of Lessing's materials at the Ransom Center contain nearly all of her extant manuscripts and typescripts up to 1999. Original material for Lessing's early books is assumed not to exist because she kept none of her early manuscripts. The McFarlin Library at the University of Tulsa, holds a smaller collection.
She focused her publication on the history of the Russian Orthodox Church, not to attack Soviet authorities for their policies or human rights abuses. However, the journal also explored the subject of what it called "new martyrs", who were victims of the Communist rule. Posev, which was an anti-Soviet publishing house based in West Germany, began printing copies of Nadezhda once it received the typescripts. Copies of Nadezhda were then smuggled back into the Soviet Union.
The Oxford Centre for Hebrew and Jewish Studies has in its library a collection of approximately 5,000 items collected by Herbert Loewe and his elder son Raphael Loewe (b. 1919, d. 27 May 2011), professor of Hebrew at University College London. The collection contains correspondence, offprints, unpublished typescripts of translations of Hebrew poetry, and a wide variety of printed matter related to Jewish studies in late antiquity and medieval times, as well as modern Anglo-Jewish history.
This series contains many manuscripts and typescript drafts, as well as printed items, by Fermor and those who knew him. Much of the material found within this section is in Greek. There are many items here which concern the abduction of General Kreipe, including annotated manuscripts and typescripts of Fermor's Abducting a General. Abducting a General was an article commissioned in 1966 by Barrie Pitt and was initially only meant to be 5000 words in length.
Questions regarding the book were raised by Laurel Fay first in 1980 and reiterated in 2002. She found that passages at the beginning of eight of the chapters duplicate almost verbatim material from articles published as Shostakovich's between 1932 and 1974. From the typescripts available to her, the only pages signed by Shostakovich consist entirely of this material verbatim and down to the punctuation. No other pages are signed and no other pages contain similarly recycled material.
Medieval Cyrillic manuscripts and Church Slavonic printed books have two variant forms of the letter Zemlja: з and . Only the form was used in the oldest ustav (uncial) writing style; з appeared in the later poluustav (half-uncial) manuscripts and typescripts, where the two variants are found at proportions of about 1:1. Some early grammars tried to give a phonetic distinction to these forms (like palatalized vs. nonpalatalized sound), but the system had no further development.
Only a few of his books were published and most of his work circulated only in the form of typescripts kept by students and disseminated mostly after his death. Along with other banned intellectuals he gave lectures at the so-called "Underground University", which was an informal institution that tried to offer a free, uncensored cultural education. In January 1977 he became one of the original signatories and main spokespersons for the Charter 77 (Charta 77) human rights movement in Czechoslovakia.
Seven Stories opened in August 2005 after a £6.5 million conversion from a former granary building. In March 2006 the centre received the Centre Vision Award, the Civic Trust's national award for best practice in town centre regeneration. Seven Stories celebrated their fifth birthday in August 2010 with an exclusive golden ticket event with popular children's author Dame Jacqueline Wilson. In September 2010, Seven Stories purchased several original typescripts by Enid Blyton, making Seven Stories the largest public collector of Blyton material.
The Longburton parish registers begin in 1589 (marriages and burials) or 1590 (baptisms). The latter continue without gaps to 1865. Marriages are likewise complete to 1842, except for the one year 1812. Burials are missing for 1797-1601 and 1804, and have not been deposited after 1812. There are banns for 1824-45 and 1869-1940\. There is a printed copy of the register to 1812, while typescripts are available for the whole register for 1813-1837, burials being extended to 1865.
The original typescript of Testimony has never been made available for scholarly investigation. After it was photocopied by Harper and Row, it was returned to Volkov who kept it in a Swiss bank until it was "sold to an anonymous private collector" in the late 1990s. Harper and Row made several changes to the published version, and illicitly circulating typescripts reflect various intermediate stages of the editorial process. Despite translation into 30 different languages, the Russian original has never been published.
In 1996, after Margret's death, it was revealed in her will that the entire literary estate of the Reys was to be donated to the de Grummond Children's Literature Collection at The University of Southern Mississippi. One major acquisition was papers of Ezra Jack Keats, 165 boxes processed in 1998, the only Keats archive. It includes artwork, dummies, manuscripts, typescripts and proofs for 37 books written or illustrated by Keats; personal, professional and fan correspondence; photographs and childhood memorabilia. "Ezra Jack Keats: A Virtual Exhibit" .
The Nina Mason Pulliam Indianapolis Special Collections Room , the archival collection of the Indianapolis Public Library, is housed in the Central Library and includes a variety of adult and children's materials, fiction and nonfiction books by local authors, photographs, scrapbooks, typescripts, manuscripts, autographed editions, letters, newspapers, magazines, and regalia. The collection features materials related to Kurt Vonnegut, May Wright Sewall, the Woollen family, James Whitcomb Riley, and Booth Tarkington.Central to Our History: Indianapolis Special Collections Room, n.d., brochure, Indianapolis, IN: Indianapolis-Marion County Public Library.
Belfast Public Libraries have a large collection of manuscripts, typescripts and first editions of her work. Manuscript copies include Irene Iddesleigh, Sir Benjamin Bunn and Six Months in Hell. Typescript versions of all the above are held together with Rector Rose, St. Scandal Bags and The Murdered Heiress among others. The collection of first editions covers all her major works including volumes of her poetry, Fumes of Formation and Poems of Puncture, together with lesser known pieces such as Kaiser Bill and Donald Dudley: The Bastard Critic.
Memorial to Idris Davies in Rhymney, Monmouthshire, Wales Davies died from abdominal cancer, aged 48, at his mother's house at 7, Victoria Road, Rhymney on Easter Monday, 6 April 1953. He was buried in Rhymney Public Cemetery. There are memorial plaques to Davies at Victoria Road and at the town library. After his death over two hundred of his manuscript poems and a short verse-play, together with the typescripts of his comprehensive wartime diaries, were deposited at the National Library of Wales at Aberystwyth.
She also wrote advertising copy for Century Company, Macmillan Company, and Shelton Looms between 1927 and 1934. Honness published her first children's books in 1936 and 1937, and she continued writing children's books until the 1970s. After moving to Philadelphia, Pennsylvania in 1942, she switched from writing fiction for younger children to writing middle grade mysteries (8 to 12 years old). The Children's Literature Research Collection at the Free Library of Philadelphia houses typescripts, galley proofs, and engraver's proofs for several of Honness' books, which she published between 1957 and 1966.
Spillane died July 17, 2006 at his home in Murrells Inlet, of pancreatic cancer."Mystery Novelist Spillane Dies", The Washington Times After his death, his friend and literary executor, Max Allan Collins, began editing and completing Spillane's unpublished typescripts, beginning with a non-series novel, Dead Street (2007). In July 2011, the community of Murrells Inlet named U.S 17 Business the "Mickey Spillane Waterfront 17 Highway." The proposal first passed the Georgetown County Council in 2006 while Spillane was still alive, but the South Carolina General Assembly rejected the plan then.
ISO 5776, published by the International Organization for Standardization (ISO), is an international standard that specifies symbols for proofreading such as of manuscripts, typescripts and printer's proofs.ISO 5776:1983 - Symbols for text correction The total number of symbols specified is 16, each in English, French and Russian. The standard is partially derived from the British Standard BS-5261,BS 5261-2.2005 - Copy preparation and proof correction but is closer to German standards DIN 16511 and 16549-1. All of these standards date from the time before desktop publishing.
Typescripts of other plays are accessible to researchers in King's College London [KCL] Archive. A survey and analysis of Duffy's drama is available in Lucy Kay, (2005). Duffy's play Hilda and Virginia was shown at the Jermyn Street Theatre on 27 February – 3 March 2018. The twinned monologues performed by Sarah Crowden focused on the last evening of Virginia Woolf's life and several episodes in the life of Abbess Hilda of Whitby as recorded by Bede, where Hilda tells of the poet Caedmon and the shift in the church from Irish to Roman Catholicism.
She attempted to write her seventh novel but only managed a few articles and reviews until her death in Whangarei in 1949 at the age of 72. There is a substantial Jane Mander collection held at Auckland Libraries. In March 1937 Mander gave hand- corrected typescripts of four of her novels - The strange attraction, Allen Adair, The besieging city and Pins and pinnacles - to the Library. At the same time, she also donated copies of the first edition of her earliest and most famous novel, The story of a New Zealand river.
Associated with the holograph in the Burns Library is a faint one-page typescript leaflet, dated April 7, 1943.Boston College, John J. Burns Library, this leaflet filed under MS1990.023 together with September 2, 1692 holograph including typescripts, and two other period documents. The leaflet is a description of three Mather A.L.S. (Autograph Letter Signed) being offered for sale. The leaflet begins: > These three Cotton Mather A.L.S. are addressed to William Stoughton who > presided at the Trials of the Witches in Salem and these letters pertain > entirely to Witchcraft.
The 1867 poem relates to the arrival of the Galatea with the Duke of Edinburgh on a royal tour of the Australian colonies. Poems with dates were written between 1867 and 1893. :Another notebook has handwritten references to poetry published in the 'Adelaide Miscellany' & 'Observer Miscellany', with the year and issues, with some of her poems, written in another hand, dating from 1868–1875. :(The end of the volume has a draft of a letter written by her son William Strawbridge relating to the New Church.) :Also includes typescripts of poems and single pages.
Many of Krutch's manuscripts and typescripts are held by the University of Arizona, where the Joseph Wood Krutch Cactus Garden was named in his honor in 1980."The Joseph Wood Krutch Cactus Garden" , University of Arizona Alumnus magazine, Spring 2002. Upon his death, The New York Times lauded Krutch in an editorial, declaring that concern for the environment by many young Americans "should turn a generation unfamiliar with Joseph Wood Krutch to a reading of his books with delight to themselves and profit to the world."Krutch, The Voice of the Desert, back cover.
Other members included Antoni Halor and Andrzej Urbanowicz. Members of the group turned to magic and alchemy as well as the philosophy and religions of the Far East, attempting to access and use for artistic purposes differing levels of consciousness. During the 1960s and 1970s they held regular sessions, made films and distributed "New Unpretentious Holy Scripture in Pictures" ("Nowe Bezpretensjonalne Pismo Święte w Obrazkach") a periodical, published using a duplicating machine and distributed to homes and artists' studios. It took the form of a document wallet containing manuscripts, typescripts, drawings, photographs and recordings.
Cover of English language version of Mein Kampf Ever since the early 1930s, the history of Adolf Hitler's Mein Kampf in English has been complicated and has been the occasion for controversy. No fewer than four full translations were completed before 1945, as well as a number of extracts in newspapers, pamphlets, government documents and unpublished typescripts. Not all of these had official approval from his publishers, Eher Verlag. Since the war, the 1943 Ralph Manheim translation has been the most popular published translation, though other versions have continued to circulate.
Wittgenstein left a voluminous archive of unpublished papers, including 83 manuscripts, 46 typescripts and 11 dictations, amounting to an estimated 20,000 pages. Choosing among repeated drafts, revisions, corrections and loose notes editorial work has found nearly one third of the total suitable for print. An Internet facility hosted by the University of Bergen allows access to images of almost all the material and to search the available transcriptions.The Wittgenstein Archives at the University of Bergen (WAB) In 2011, two new boxes of Wittgenstein papers, thought to have been lost during the Second World War, were found.
In his last years, Reingold was employed as a publicity and organizational manager in the office of the American Jewish Congress in Chicago, where he died on August 27, 1944. He is buried with his wife Esther in the Pruzhnitzer section of Waldheim Cemetery in Chicago. Reingold's archive, known as the Louis Reingold Collection, was donated to the Dorot Jewish Division of the New York Public Library by his descendants. The collection includes unpublished manuscripts and typescripts for many of his works as well a scrapbook of newspaper clippings, photographs, and Reingold's unpublished autobiography in Yiddish original and English translation.
Ross's typescripts had contained several hundred errors, including typist's mistakes, his own emendations, and other omissions. In 1960, Rupert Hart-Davis examined the manuscript in the library of the British Museum, and produced a new, corrected text from it, which was published in The Letters of Oscar Wilde in 1962. He wrote that: The 1962 Hart-Davis edition is currently still in print in the expanded version of the book titled The Complete Letters of Oscar Wilde, which was published in New York and London in 2000. The British Library (formerly British Museum) published a facsimile of the original manuscript in 2000.
In 2004, the Harry Ransom Center at the University of Texas at Austin acquired Adler's complete archive along with a small collection of her papers from her former husband Harold Clurman. The collection includes correspondence, manuscripts, typescripts, lecture notes, photographs, and other materials. Over 1,100 audio and video recordings of Adler teaching from the 1960s to the 1980s have been digitized by the Center and are accessible on site. The archive traces her career from her start in the New York Yiddish Theater District to her encounters with Stanislavski and the Group Theatre to her lectures at the Stella Adler Studio of Acting.
Since his death, the university has acquired his personal and professional papers, original artwork, typescripts, and dummies and preliminary sketches for 36 of his books. The materials are now housed in the de Grummond Collection. In 1985, the Keats Foundation established an Ezra Jack Keats lectureship, with Barbara Cooney as the artist honoree and Brian Alderson as the first Keats lecturer. Children's Authors Speak, a collection of speeches compiled by Dr. Laughlin-Porter and Sherry Laughlin, was published in 1993 and includes a number of Keats lectures, as well as speeches by Southern Miss Medallion honorees.
After 1870, however, the maintenance of exploration reports lapsed. The Survey Office retained Roe's Letterbook, and continued to hold journals and reports, but no attempt was made to collate or archive these in a sensible manner. In the 1920s, the Survey Office made typescript copies of Roe's Letterbook, but neither the typescript nor the originals were made accessible to the public until 1966, when the Battye Library took photocopies of the typescripts and bound them into six volumes, for use by the public. These volumes, entitled Exploration Diaries, are still the most accessible copies of the journals that Roe transcribed.
Diski mocks Booth's reverential descriptions of the typescripts "as though they were slivers of the True Cross", and concludes: "Let this be a lesson, at least, to anyone who hasn't got around to chucking out the crap they wrote in their teens and early twenties." Other critics were more positive. The New Statesmans Robert Potts found the stories "entertaining and intriguing for readers familiar with their background and with the genre", and for the most part charmingly innocent, "especially when compared with the reality of boarding-school life". The evocation of adolescent homoeroticism was deliberate and playful rather than pornographic.
Morris-Jones’ papers are deposited in the Flintshire Record Office, which is located at The Old Rectory, Hawarden. The collection consists of papers between 1896 and 1965, including diaries, 1911–1918, 1925–1944; pocket diaries, 1912–1962; personal notebooks, 1950–1962; letters, 1923–1963, mainly from fellow MPs; parliamentary papers, 1941–1949 and 1963; miscellaneous papers, 1906–1965; papers relating to a parliamentary delegation to Buchenwald concentration camp, 1945; notes on his ancestors, 1896–1945; press cuttings and photographs relating to his career, 1927–1960; and copies, typescripts and material relating to his publications, including Doctor in the Whips' Room, 1915–1960.
In this article Turner also casts doubt on the authenticity of another well-known work, the Berlin Diaries of Marie Vassiltchikov. Turner noted that Fromm’s papers contain no original manuscript of a diary, only a series of typescripts produced on an American typewriter and on American writing paper. Turner also noted significant changes between successive drafts, contradicting Fromm’s assertion that the entries in the published book “stand just as they were originally written.” Turner also pointed out factual errors in Blood and Banquets, which, he said, arose from Fromm’s use of secondary sources, and which would not have occurred if the book had been an authentic contemporary diary.
U.Va. holds the largest collection of printed and manuscript materials related to William Faulkner. His association with the library began when he came to the university as a visiting faculty member, first in the 1930s and then in the late 1950s. The William Faulkner Foundation, which Faulkner founded, was created in part as a mechanism by which to secure the continued deposit of his papers in the university's Manuscripts Collection after his death, which occurred in 1962. This collection, converted from a deposit to a gift in 1962, comprises the bulk of the manuscripts and typescripts of the writer's novels and short stories, along with extensive correspondence and other related materials.
After significant effort, the machinery was repaired, the wooden Apostles restored by Vojtěch Sucharda, and the Orloj started working again in 1948.Survey of the Reconstruction and Repairs of the Prague Astronomical Clock in the 19th and 20th Century, by Vaclav Heisler; Publisher: National Technical Museum; Praha; undated typescripts from mid-1990s; English translation from a Czech original The Orloj was renovated in autumn 2005, when the statues and the lower calendar ring were restored. The wooden statues were covered with a net to keep pigeons away. The last renovation of the astronomical clock was carried out from January to September 2018, following a reconstruction of the Old Town Tower.
Osborne began placing his papers at the Harry Ransom Center at the University of Texas in Austin in the 1960s, with additions made throughout his life and by relatives in the years after his death. The primary archive is over 50 boxes and includes typescripts and manuscripts for all of his works, correspondence, newspaper and magazine articles, scrapbooks, posters, programmes, and business documents. In 2008, the Ransom Center purchased an additional archive of over 30 boxes that had been held by Helen Dawson Osborne. While largely focusing on the latter years of Osborne's life, the collection also includes a series of notebooks that he had kept separately from his original archive.
In 1966 Sutcliff made a small donation to the de Grummond Children's Literature Collection at the University of Southern Mississippi in Hattiesburg, Mississippi. (In this she responded to Lena Grummond's international call for original materials to establish the Collection.) The Sutcliff Papers include a manuscript and two typescripts for the radio play The New Laird. That programme was taped 4 April 1966 and broadcast from Edinburgh on 17 May 1966 as part of the Stories from Scottish History series (BBC Radio Scotland). The collection also includes a small red composition book of research notes for The Lantern Bearers and for two unpublished works, The Amber Dolphin and The Red Dragon.
It is argued that the prosecution offered the diaries to the defence at the start of Casement's trial on 16 May, as part of a plea bargain that would save his life. He had been arrested on 21 April, giving the authorities only 3 weeks in which to forge the diaries, including rare up-country Congolese dialect phrases, which seems impossible. Against this, however, are the verified facts that only police typescripts were offered by prosecutor F. E. Smith and that there was no trial on that date, merely a preliminary hearing to decide about the trial. Therefore, on 16 May no diaries had been forged.
He mentioned to his sister that he had received letters and also a typewritten postcard as an example. Nietzsche received his writing ball in 1882 directly from the inventor, Rasmus Malling-Hansen, in Copenhagen, Denmark. It was the newest model, the portable tall one with a color ribbon, serial number 125, and several typescripts are known to have been written by him on this writing ball (approximately 60). It is known that Nietzsche was also familiar with the newest model from E. Remington and Sons (model 2), but he wanted to buy a portable typewriter, so he chose to buy the Malling-Hansen writing ball, as this model was lightweight and easy to carry.
The National Library's Mauritius collection consists of materials in various formats such as: written or graphic records, typescripts, books, newspapers, periodicals, music scores, photographs, maps, drawings, and non-print materials such as films, filmstrips, audiovisual items including tapes, discs and reproductions relating to any subject and produced in Mauritius or relating to Mauritius and produced overseas. The Library's holdings totaled 510,000 as of 2014–15. Subject coverage includes: agriculture, architecture, biography, computer science, economics, geography, handicraft, history, languages, literature, politics, pure and applied sciences, religion and so on. Our holdings also comprise rare documents namely bluebooks, almanacs, administrative reports, National Assembly debates, manuscripts, theses/dissertations, government gazettes, newspapers, and other documents dating back to 1777.
Lachenal had kept notes and a diary and he was about to publish a book, Carnets du vertige, when he was killed in a skiing accident in 1955. Herzog took over Lachenal's work and he and Lucien Devies marked in many editorial suggestions for deletions before passing it to Herzog's brother, , for full editing. As published, the book comprised chapters about Lachenal's life written by Gérard Herzog from Lachenal's notes and material written by a journalist Philippe Cornuau who had been helping Lachenal with his draft – Cornuau said that when he had handed over the typescripts he had no idea of what was going to happen. None of what Lachenal or Cornuau had written appeared in the eventual publication.
The Lilly Library One of the collectors Randall met through Herzof was Josiah K. Lilly, Jr. of the pharmaceutical Lillys. When Lilly decided to give his collection to Indiana University in 1955, where they formed the basis of the Lilly Library, Randall was asked to take up the post of Lilly Librarian which he did on 1 July 1956. He also received the title of Professor of Bibliography. Among the collections that Randall acquired for Indiana were the Bobbs-Merrill archive, the Bernardo Mendel Latin American library, the Upton Sinclair papers, the George A. Poole early printing collection, the Wendell Willkie papers, and Ian Fleming's collection of nineteenth century science and thought and his James Bond novel typescripts.
Most government or institutional archives reject gifts of non-documentary objects unless they have a documentary value. When accepting large bequests of mixed objects they normally have the donors sign legal documents giving permission to the archive to destroy, exchange, sell or dispose in any way those objects which, according to the best judgement of the archivist, are not manuscripts (which can include typescripts or printouts) or are not immediately useful for understanding the manuscripts. Recently, the usage of this term has been criticized by librarians based on the usage of term realia to refer to artistic and historical artifacts and objects, and suggesting the use of the phrase "real world object" to describe the broader categories of three-dimensional objects in libraries.
The literary manuscripts and typescripts in the Archive include both major published works and minor published and unpublished works, many of which have been annotated and corrected by Fermor himself, significant as it is demonstrative of his writing process. Bound manuscripts of Fermor's now published books are included here too, The Traveller's Tree (1950) being one of them. The minor works sub-series of this part of the Archive are further divided into Articles, Speeches and contributions to books, Book reviews, Forewords and introductions, Translations of works by others, Obituaries, memoirs and eulogies, Poems and jeux d'esprit, Translations of Patrick Leigh Fermor's works, and Other works by Patrick Leigh Fermor. There are various press cuttings and other printed materials to be found in this series as well.
Anatomy of a Lie, by Paul R. Hyde proposes a paradigm shift – the diaries were fabricated after Casement's execution as forged versions of the original typescripts. It is also demonstrated that the homosexual dimension was originally the invention of British Envoy Extraordinary and Minister Plenipotentiary Mansfeldt Findlay in Christiania (present-day Oslo in Norway) in a false memorandum on 29 October 1914. The rarely-seen documentFO 337/107 containing the first innuendo has never been analysed before and is unmentioned by all Casement authors save one. Hyde also demonstrates that in the following months Findlay amplified his allegations because he feared exposure of his written bribe through a threatened lawsuit against him by Casement; a subsequent diplomatic scandal might have destroyed his career.
Following his mother's funeral Beckett spent the afternoon with Swift in McDaid's, later to be joined by the rowdy Kavanagh & O'Nolan (Gandon Editions Biography, 1993). Beckett was later to contribute to X Magazine with "L'Image", an extract from an early, variant version of Comment c'est and the first appearance of the novel in any form ("'L’Image', X: A Quarterly Review, Vol. I, No. 1, November 1959. This excerpt from Comment c’est is an early, variant version taken from Part I and is the first appearance of the novel in any form. A corrected carbon of the typescript submitted to the review is included with Typescript II of "Comment c’est" and represents an intermediate stage between the first and second typescripts".
281-2 In a note discovered among his papers, J.R.R. Tolkien claims to have "[put] it first into Old English". However, Christopher Tolkien observes that this sequence of events is inconsistent with the textual evidence, since the earliest manuscript of the Modern English text was revised into a form that corresponds in several places to the Old English text, which was thus probably based on a version of the Modern English tale. The Old English version as published is furthermore incomplete, breaking off before either of the two companions faces Grendel. The Modern English text exists in three (partial) manuscripts and two typescripts; Christopher Tolkien published the text of the later typescript along with the Old English translation and a discussion of the tale's revision history in 2014.
The Spertus Institute for Jewish Learning and Leadership in Chicago has a collection of papers documenting Geller's career. The archive includes photographs, sketchbooks, original artwork, commissions for stained glass windows, various manuscript material including typescripts of articles, papers relating to the American Artists' Congress, 1937–1938, and correspondence with art organizations and artists such as Raymond Katz, Beatrice Levy, Archibald Motley, Increase Robinson, and Carl Zigrosser. The papers cover his efforts to establish a Jewish museum in Chicago in 1928, involvement with the WPA Federal Art Project, participation in Artists Equity and the American Federation of Arts, his work teaching art to the Jewish community and his efforts to improve the working conditions and visibility of Jewish artists. The Spertus Institute also holds a number of Geller's oil paintings including Landscape with Figure (1924), Portrait of a Man (1929), Crossroads (ca.
File cabinets contain over a million clippings at LPA Hundreds of hours of rehearsal recordings feature Arturo Toscanini In addition to published works (for example, books, periodicals, and scores), the research divisions collect an enormous amount of unique material: Archival material (material that was created by or that once belonged to an individual or organization), text manuscripts, music manuscripts, dance notation scores, typescripts, prompt books, posters, original set and costume designs, programs, and other ephemera are just some of the major categories of materials. The library's collection of sound recordings is in all formats that in themselves trace the history and development of sound recording. The library has 500,000 folders containing clippings on a variety of people and subjects pertaining to the performing arts. These clippings can sometimes provide a beginning to those at the initial stage of their research.
In 1966, Bogart founded the Citizens Energy Council, a coalition of environmental groups that published the newsletters "Radiation Perils," "Watch on the A.E.C." and "Nuclear Opponents". These publications argued that "nuclear power plants were too complex, too expensive and so inherently unsafe they would one day prove to be a financial disaster and a health hazard," The Larry Bogart Archives are located at the Thomas J. Dodd Research Center, University of Connecticut and consist of correspondence, administrative records, press releases, news clippings, fliers, legal documents, scientific reports, government reports, newsletters, periodicals, typescripts, interviews, maps, books, audio recordings and photographs. The bulk of the collection dates from 1966 to 1986. The collection chronicles the extent of information available on nuclear energy as it was being published and circulated in local newspapers, government reports, books by American and European publishers, popular periodicals, the alternative press, and by individuals.
In 2001, THNOC acquired the largest private collection of Tennessee Williams materials anywhere in the world from collector Fred Todd. In addition to the many typescripts and manuscripts of works such as A Streetcar Named Desire and The Glass Menagerie, there are dozens of playbills, as well as signed first editions of Williams' plays and other works, unpublished letters, a myriad books about Williams, translations of his work, film scripts, and photos of Williams with friends and associates. The more rare items include notes on the filming of The Rose Tattoo, an operatic version of Summer and Smoke, a playscript for a western, a prose-poem to lover Frank Merlo, and numerous promotional materials and memorabilia from Baby Doll, including the film script with notes from director Elia Kazan and some of Williams' own financial records. Additionally, the Historic New Orleans Collection publishes the Tennessee Williams Annual Review, the only regularly published journal devoted exclusively to the works of Tennessee Williams.
First US edition (publ. Random House) Thank You, Fog: Last Poems by W. H. Auden is a posthumous book of poems by W. H. Auden, published in 1974. The book contains poems written mostly in 1972 and 1973; after Auden's death in September 1973 it was prepared for publication by his literary executor Edward Mendelson, who also included an "antimasque" titled "The Entertainment of the Senses", written in 1973 by Auden and Chester Kallman as an interpolation in a planned production of James Shirley's masque Cupid and Death (1653); the antimasque was commissioned by the composer John Gardner. The shorter poems in the book, in addition to the title poem, include "Aubade", "Unpredictable but Providential", "Address to the Beasts", "Archaeology", "No, Plato, No", "Nocturne", "A Thanksgiving", and "Lullaby" ("The din of work is subdued"; titled in other editions with a title found in Auden's typescripts, "A Lullaby", which distinguishes it from a different earlier poem titled "Lullaby").
Frank Moraes' archives are held in London and consist of "notebooks and diaries; correspondence; newspaper clippings and typescripts of Moraes' regular columns, articles and tour articles; reviews of Moraes' books; photographs; drawings, illustrations and programmes; recorded broadcasts; papers of (his wife) Beryl Moraes' objects". His archives include papers covering mainly the 1930s–1974 period, and are useful considering that he worked as a journalist, author and editor during a crucial period in the history of India and a then just-being-decolonised Asia – particularly between 1950–1974. It also contains his notebooks and diaries, dating from 1950–1974, from Australia and New Zealand, South East Asia, China, Japan, Pakistan, India, Africa, Western and Eastern Europe and the USA. Listings of his archives say it includes correspondence, professional and personal matters, newspaper clippings, regular columns and archives, reviews of the books he published, photographs from 1930s to 1970s, recorded broadcasts and the diary of his wife, Beryl, dating to 1962.

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