147 Sentences With "twilights" | Random Sentence Generator

On Sunday, in the twilights of long careers, they reached vastly different milestones.

A few Hunger Games and Twilights later, the genre has exploded into pop-cultural prominence.

However as they approach the twilights of their careers, it's nearing the time to pass their respective torches on.

Over the course of the series, events in the city slowly upset the precarious balance between police, the mafia, and Twilights.

This anime series is set after a future war involving humans and Twilights, humans with powers gained through the use of a specific drug.

The grizzled primes (and twilights) of Joe Ingles, Jae Crowder, and Thabo Sefolosha mingling with relentless uppercuts by Grayson Allen, Dante Exum, and Alec Burks.

These women are in the twilights of their lives, having been born predominantly in the 1920s, a facet that only furthers the haunting nature of these images.

You can imagine an undergraduate writing class bowing their heads to parse the beautiful parallels of "Complainers," in which two aging women, overlooked and underloved in the separate twilights of their lives, care for each other as ferociously as the characters in a book they've both loved for decades, a novel in which two old Native American women survive on their own for a winter after being abandoned by their tribe.

Teddy and the Twilights were a R&B; quintet from Philadelphia.

The Twilights reunited for a special The Beatles tribute concert in Adelaide in 2000.

The Anubis Tapestry: Between Twilights is a 2006 fantasy novel written and illustrated by Bruce Zick.

Peter Brideoake (born 23 April 1945) is an Australian musician, composer, singer, songwriter and lecturer. He has been a member of the pop group The Twilights (1964 - 1969) as well as being a solo performer and composer. The Twilights had eight consecutive national hit singles including "Needle in a Haystack" and "What's Wrong with the Way I Live". After The Twilights, Peter Brideoake formally studied music and established himself as a multi-talented musician, composer and university lecturer.

The Twilights disbanded in January 1969 and Shorrock became band manager for Brisbane pop group the Avengers.

The Twilights reformed again for the hugely successful "Long Way To The Top" Australian concert tour in 2002.

Peter Brideoake was born and educated in Adelaide, South Australia on 23 April 1945. His musical career began as a rhythm guitarist and vocalist in a popular Australian pop group (The Twilights, 1964 - 1969). At times, Peter Brideoake co-wrote with Terry Britten and Glenn Shorrock. The Twilights officially broke up in 1969.

She uses her family's resources to help Twilights in need. Her associates and de facto protectors are Marco Adriano (who has superhuman strength) and Galahad Woeher (a Twilight). ;Sir Gina Paulklee : : :Referred to as 'Sir' by her subordinates, she is a Twilight and head of the Paulklee Guild, which takes in rogue Twilights and hires them out. Gina believes strongly in the Three Laws that govern Twilights, which are based on Asimov's Three Laws of Robotics: No action can be taken against 'normals', obey your master, defend yourself.

Brideoake (as a member of The Twilights) was inducted into the South Australian Music Hall of Fame on 10 April 2015.

The Australian group the Twilights, which had formed in 1964 largely because of a shared enthusiasm for the Beatles, released a recording of "Bad Boy" in June 1966, which was a Top 10 hit in many parts of Australia. The Twilights' lead singer was Glenn Shorrock, who went on to international success with the Little River Band.

The surviving Twilights reunited for the all-star "Rock of Ages" concert promoted by Aztec Music at the Palais Theatre in St Kilda, Melbourne in 2011.

Thanks to a precious acetate of the album which they brought back from London, The Twilights were playing the whole of The Beatles' Sgt Pepper album live, in order, from start to finish, weeks before its official release in Australia. Staff at EMI are reported to have demanded that the Twilights desist, fearing their flawless performance might actually harm sales of the album when it was finally issued in June.

Peter Brideoake and two other original members of The Twilights (John Bywaters and Paddy McCartney) were joined by guest singer / guitarist Peter Tilbrook (Masters Apprentices) to perform one of The Twilights' biggest hits "Needle In A Haystack" at "Yesterday's Heroes", a various artists' show promoted by the Adelaide Music Collective in the Mortlock Chamber of the State Library on Feb 9 2015, to coincide with a collection of Adelaide music memorabilia at the library.

The musical career of Peter Brideoake began in Adelaide, South Australia as a rhythm guitarist and vocalist in a popular Australian pop group (The Twilights, 1964 - 1969) which reached the peak of its success in 1966. The Twilights consisted of Frank Barnard (drums 1964-65), Peter Brideoake (rhythm guitar, vocals), Terry Britten (lead guitar, vocals), John Bywaters (bass, vocals), Clem "Paddy" McCartney (lead vocals), Laurie Pryor (drums 1965-69) and Glenn Shorrock (lead vocals). The Twilights have earned acclaim and respect for their formidable body of recorded work, coupled with their legendary status as arguably the most polished and accomplished Australian live act of the era. Glenn Shorrock himself remembers "Twilight Time" as the happiest and most fulfilling experience in his long and distinguished musical career.

He has a large scar on his forehead. He bears an intense dislike toward Twilights. ;Constance Raveau : : is the owner of a gun shop who is on friendly terms with the handymen.

Later in 1968, Edelsten co-produced the single "Love Machine" for the studio group Pastoral Symphony, comprising Glenn Shorrock and his band the Twilights, Ronnie Charles of the Groop and various other musicians.

Glenn Barrie Shorrock (born 30 June 1944) is an English-born Australian singer-songwriter. He was a founding member of rock bands the Twilights, Axiom, Little River Band and post LRB spin-off trio Birtles Shorrock Goble, as well as being a solo performer. The Twilights had eight consecutive national hit singles including "Needle in a Haystack" and "What's Wrong with the Way I Live". Axiom's top 10 hits were "Arkansas Grass", "Little Ray of Sunshine" and "My Baby's Gone".

Brideoake co-wrote some songs with Terry Britten and Glenn Shorrock during The Twilights era. In 2015, Peter Brideoake co-wrote " Situation Not Normal", a song based on the kidnap for ransom of fellow Australian Warren Rodwell.

The new Twilights line-up with Pryor remained intact for the rest of the life of the band. After taking over the group's management, Melbourne promoter Gary Spry realised that it was essential to establish the group in Australia's pop capital, Melbourne. The Twilights moved there in late 1965 where they took up a three-month residency at Spry's discothèque, Pinocchio's. Their reputation quickly spread around Melbourne; the club was sold out every night and they were soon being booked by all the major disco and dance promoters in the city.

He went on to win a Grammy Award for Tina Turner's "We Don't Need Another Hero", the theme to the movie Mad Max: Beyond Thunderdome. Britten continues to compose from his base in England but has returned to Australia on occasion for the various Twilights reunions. Laurie Pryor became the drummer with Chain soon after leaving the Twilights, undertook various studio sessions and helped form the much-lauded early 1970s progressive rock band Healing Force with the late Charlie Tumahai. Pryor died in May 2010 after a long illness.

The Twilights were an Australian rock band that formed in Adelaide in 1964. Alongside The Easybeats and The Masters Apprentices, The Twilights are widely considered to be one of the most significant Australian rock groups of the 1960s. During their run, they were noted for being on top of current musical trends, regularly covering British and American rock hits in their early repertoire. Their first hit was a cover of the Velvelettes' song "Needle In A Haystack", which made the top 10 in every state in Australia in late 1966.

A version of the song titled "I'll Be True to You" was recorded by The Monkees and included on their 1966 self-titled debut album. Australian group The Twilights also recorded a version on their eponymous 1966 album.

Unfortunately, keyboardist Bruce Howard was his only ally in the band, but together they started to piece the work together, although it would take several years to come to fruition. It was also the seed of later divisions within the band . Later in mid-1967, The La De Das would see the Australian rock group The Twilights at Berties nightclub in Melbourne. Fresh from their recent trip to England, decked out in the latest Carnaby Street gear, The Twilights were currently wowing local audiences with their famous note-perfect live renditions of the entire Sgt Pepper's Lonely Hearts Club Band album.

Shorrock provided some interviews, "In Awe of The Beatles", "Being Pop Stars" and "Coming from the UK", about his early years with the Twilights. A Long Way to the Top Tour followed in August–September 2002 with Shorrock appearing with the Twilights in the first set performing "What's Wrong with the Way I Live?" and "Needle in a Haystack"; he returned in the second set with Axiom to perform "Arkansas Grass" and "Little Ray of Sunshine". In 2002, Shorrock reunited with other Little River Band founders Beeb Birtles and Graeham Goble to form Birtles Shorrock Goble.

Pastoral Symphony "Super Group" project issued a one time studio release, which was executive-produced by Jimmy Stewart and produced by Geoffrey Edelsten. A substantial hit upon its initial release, it was re- released in barely noticeable US remix form in 1977. Pastoral Symphony comprised the full Twilights lineup, augmented by Terry Walker (The Strangers) on lead vocals, Ronnie Charles (The Groop) doing backup vocals; and The Johnny Hawker Orchestra. After The Twilights peak period (1964-1969), which included many recordings and performances (stage and television) around Australia, in New Zealand and the United Kingdom, the group disbanded and Peter Brideoake returned to Adelaide in 1969.

Cather's influences for the poems were, among others, Anthony Hope's The Prisoner of Zenda, Dante Gabriel Rossetti, Algernon Charles Swinburne, Oscar Wilde, Richard Wagner, Virgil's Georgics, William Shakespeare, François Villon, Pierre-Jean de Béranger, John Keats's Endymion and Hyperion, Alphonse Daudet's Kings in Exile, Heinrich Heine's The Gods in Exile and The North Sea, and Edward Coley Burne-Jones.Bernice Slote, 'Willa Cather and Her First Book', Willa Cather, April Twilights, University of Nebraska Press, 1968, pages xxv-xxviii Cather's favourite poems were Grandmither, Mills of Montmartre and The Hawthorn Tree.Bernice Slote, 'Willa Cather and Her First Book', Willa Cather, April Twilights, University of Nebraska Press, 1968, page xxiii At the time of publication, the collection received mixed reviews; the Pittsburgh Gazette, the New York Times Saturday Review, Academy and Literature, the Criterion, the Bookman, the Chicago Tribune, and the Poet Lore praised it; The Dial thought it was bland.Bernice Slote, 'Willa Cather and Her First Book', Willa Cather, April Twilights, University of Nebraska Press, 1968, pages xxi-xxiii Cather decided to buy the remaining copies and burn them.

In 1964 Shorrock, with McCartney as co- lead vocalist, formed the Twilights by merging with the Hurricanes' Frank Barnard on drums, Peter Brideoake on guitar, Terry Britten on guitar and John Bywaters on bass guitar. Their debut single, "I'll Be Where You Are", co- written by Shorrock and Britten, was released in June 1965. The band had eight consecutive hit singles, including covers of the Velvelettes' "Needle in a Haystack" and the Hollies' "What's Wrong with the Way I Live" (recorded at Abbey Road Studios in London). With two lead singers, two guitarists and five vocalists, the Twilights performed note-perfect covers of pop-rock songs and were famed for their live prowess.

Typical of the era, the Hurricanes had started out as a Shadows-style instrumental act, but the impact of The Beatles and other "British Invasion" bands saw many guitar bands around Australia recruiting lead singers and changing over to vocal-based material. The Twilights and The Hurricanes developed a solid bond, leading to the formation of the six-piece, fully electric-and-vocal group, The Twilights. Still based in Adelaide, and originally self-managed and produced, the band released its debut single, "I'll Be Where You Are" on EMI's Columbia imprint in June 1965. A ballad written by Shorrock and Britten, the single gained some airplay in Melbourne but failed to chart outside Adelaide.

The Guanga Dyns formed in 1965 in the Algiers section of New Orleans, Louisiana, located on the West Bank of the Mississippi River, and the bulk of their membership was made up of students from Behrman High School in Algiers as well as other area schools. \- Pg. 118 mentions information about their place of origin and details of their discography. They and another band, the Twilights, were both from Algiers and would eventually merge to form the better known version of the band. The Twilights' membership included three members later to join the Guanga Dyns, which featured two lead singers, Beau Bremer and Neal Lundgren, as well as Steve Staples on guitar.

Bianchi was inspired by the music of Tangerine Dream, Conrad Schnitzler and Throbbing Gristle. He wrote about music for Italian magazinesInterview in Flowmotion issue 4, October 1982 before beginning to release his own cassettes under the name of Sacher-Pelz in August 1979.Kraus, Stephan. Maurizio Bianchi: A neurotronic ABYSS OF SOUND within meningitic twilights.

Hoadley's Battle of the Sounds was an annual national rock/pop band competition held in Australia from 1966 to 1972. The winners of the national finals were the Twilights (1966), the Groop (1967), the Groove (1968), Doug Parkinson in Focus (main, 1969) and the Affair (vocal group, 1969), the Flying Circus (1970), Fraternity (1971) and Sherbet (1972).

After The Twilights main period (1964-1969), the band broke up and Peter Brideoake returned to Adelaide. In 1969, he began studies in composition with Richard Meale at the Elder Conservatorium of Music at the University of Adelaide. Following his graduation with a Bachelor of Music ( Hons ) he began teaching harmony and modern composition techniques at the Elder Conservatorium.

She is best known for her work on Willa Cather. Her publications included editions of April Twilights (1903); Poems of Willa Cather (1962, 1968); The Kingdom of Art: Willa Cather's First Principles and Critical Statements, 1893-1896 (1967); and Uncle Valentine and Other Stories: Willa Cather's Uncollected Short Fiction (1973, 1986), all published by the University of Nebraska Press.

Twilight on Mars is longer than on Earth, lasting for up to two hours before sunrise or after sunset. Dust high in the atmosphere scatters light to the night side of the planet. Similar twilights are seen on Earth following major volcanic eruptions.NASA-Jet Propulsion Laboratory: Winter Solstice on Mars: Rovers Look Forward to A Second Martian Spring, August 07, 2006.

Nic was abused by Gaston, who saw him as nothing more than a monster. He is deaf, and communicates primarily through sign language, but has exceptionally strong vision and lip reading skills. As a child mercenary, he was hired by the Arcangelo family to be Worick's bodyguard. Like all Twilights, he is identified by the dog tags that he wears.

Across the road from the Old Stone House is Alexander Twilight's own house, which he built in 1830. He and his wife accepted several boarding students at their house each year; these students slept in rooms on the second floor of the house. Students continued to board with the Twilights after Athenian Hall dormitory was built. The Orleans County Historical Society bought the house in 1999.

Bernice Slote, 'Willa Cather and Her First Book', Willa Cather, April Twilights, University of Nebraska Press, 1968, page xlii The frame story has been deemed Jamesian.Sharon O'Brien, Willa Cather: The Emerging Voice, New York: Oxford University Press, 1987, p. 330 It has also been linked to One of Ours with regards to Claude Wheeler.Marilyn Arnold, Willa Cather's Short Fiction, Athens: Ohio University Press, 1984, p.

Invercargill is the "City of Water and Light". The "light" refers to the long summer twilights and the aurora australis (southern lights). The "water" reference, humorists suggest, comes from notorious horizontal, driving rain in high wind at the corner of the two main streets, Dee and Tay. A recent sign also states "Invercargill, where dreams can come true" with an image from the 2005 film The World's Fastest Indian.

Prolonged and brilliantly coloured sunsets and twilights were seen frequently in London between 28 June and 2 July 1815 and 3 September and 7 October 1815. The glow of the twilight sky typically appeared orange or red near the horizon and purple or pink above. The estimated number of deaths varies depending on the source. Zollinger (1855) puts the number of direct deaths at 10,000, probably caused by pyroclastic flows.

After James Taylor Move broke up, Peek, Spencer and Tarney formed the Kevin Peek Trio (1968–69) and travelled to the UK. They joined with ex-The Twilights guitarist, Terry Britten, to form Quartet (1969–70). Subsequently Spencer and Tarney teamed up in Tarney/Spencer Band (1975–79). Peek was later a member of Sky (1978–91). Saddington joined Chain (1968–69), Copperwine (1970–71) and then had a solo career.

James Wright Group were an Australian rock, soul band from Adelaide which grew in prominence in the latter half of the 1960s. They had two local top 10 hit singles, "Louise" (1970) and "Half a Minute" (1971). The band supported performances by Max Merritt, Billy Thorpe & the Aztecs, The Levi Smith Clefs, The Mixtures, and The Twilights. After two tours of the eastern coast the group disbanded in 1971.

Hearing this, the Demon got up from his penance and worshipping Him duly, asked Brahma to give him all the four books of Vedas. Hearing this, the Lord Brahma, the author of the four Vedas, granted the boon and went away. From that time, the sages forgot all about the Vedas. So bathing, twilights, daily rituals, faith, sacrifices, and Japam and other rites and performances, all became extinct.

This year began promisingly for the Twilights with the chart success of "Cathy Come Home" and this was consolidated by an invitation from the Seven Network to develop a weekly television sit-com series, showing the group at work and play, based on the success of The Monkees television series and the Beatles' A Hard Day's Night film. Go-Set magazine documented the making of the pilot for the series, called Once Upon A Twilight, with photos of the group on location around Melbourne with their co-stars, comedian Mary Hardy (playing the role of the band's secretary) and a youthful Ronnie Burns. However, the program's sponsor, the Ford Motor Company, withdrew its support later in the year and the project was cancelled, although it did inspire what was to become the Twilights' most notable recording achievement. The music the group had intended for the soundtrack to the shelved series took on a life of its own.

Many Australian bands and singers tried to enhance their careers by moving overseas, in particular to England, then seen as the mecca of popular music but few bands were successful and of those who relocated to the UK only The Seekers enjoyed any lasting success. Others that made the journey were The Easybeats (the first rock band to crack the UK market), The Twilights, The Groove, Lloyds World and the La De Das.

In the Heron class at the Mrs R Woods Forward hands trophy later that year, he came in first. He tried to qualify for the 2000 Summer Paralympics but just missed out on selection. He first represented Australia in 2002 at the World Championships, where he finished seventh alongside Jonathan Harris and Zoltan Pegan in Medemblink. At the 2003 Ransa Twilights, competing in the Sonar, he finished third in the second position.

She would later write about many of these cases in her work Between the Twilights and her two autobiographies. In 1924, the legal profession was opened to women in India, and Sorabji began practising in Kolkata. However, due to male bias and discrimination, she was confined to preparing opinions on cases, rather than pleading them before the court. Sorabji retired from the high court in 1929, and settled in London, visiting India during the winters.

In 1962, Shorrock formed his first band, the Checkmates, with Clem McCartney, Mike Sykes and Billy Volraat. They were a doo wop harmony group covering the Platters and the Crew Cuts material. Sometimes teaming up with instrumental groups the Vector Men or the Hurricanes, the Checkmates performed in Adelaide cafes and folk clubs. As a result of the Beatles' popularity, members of the Checkmates and the Hurricanes merged to form the Twilights in 1964.

They relocated to Melbourne late in 1965 and were popular with teenage audiences and respected by fellow musicians. In July 1966, they won Hoadley's Battle of the Sounds with the prize including a trip to London. In 1967, shortly after returning from London, the group regularly performed the entire Sgt Pepper's album live in sequence, weeks before it was released in Australia. Shorrock married Sue while he was a member of the Twilights.

Shorrock had previously been inducted in 1991 for his work with the Twilights, Axiom and his solo career. Farnham, who had been inducted in 2003 for his solo work, was not inducted in 2004 with Little River Band. However, Farnham's contribution to LRB was acknowledged by Goble in his acceptance speech. The 2018 version of Little River Band claims the band's Hall of Fame induction, amongst other past achievements, on its website.

Keays, p. 101 The quasi- baroque arrangement included a string section scored by The Strangers' John Farrar, and also took them into the Top 40. Mid-year, they topped the annual Go-Set Pop Poll as 'Most Original Group', and they came second to The Twilights as 'Most Popular Australian Group'. They entered the South Australian heats of the 1968 Hoadley's Battle of the Sounds, beating local rivals Zoot in a tense contest.

Mayer started his career at Fortune Records, a Detroit record label owned by Jack and Devora Brown. There he became label-mates with fellow Fortune stars Nolan Strong and Andre Williams. Mayer would stay with the label for six years, recording a handful of records. When Mayer was 18 years old he scored a Top 40 hit record in 1962 with "Village of Love," credited to Nathaniel Mayer and The Fabulous Twilights.

Tarney and Spencer were next reunited with Kevin Peek in the Kevin Peek Trio (1968–69). They moved back to the UK in 1969, where they recruited an old Adelaide friend Terry Britten (ex Twilights) to join the group, which was then renamed Quartet (1969–70). Quartet recorded one album with Decca Records which remains unreleased, but two singles were issued on Decca: "Joseph" / "Mama Where Did You Fail" (F13072, 1970) and "Now" / "Will My Lady Come" (F12974, 1970).

Mike Wells drummer with Cliff Adams & The Twilights was hired by Harry Robinson (1932–1996) (Lord Rockingham's XI) and paid £7 10 shillings for the session after recording over the weekend at IBC Portland Place. British reggae DJ David Rodigan has stated that watching Millie Small perform the song at the Ready Steady Go! TV show as a school boy initiated his lifelong passion for Jamaican music. The song featured in the 2012 Summer Olympics opening ceremony in London.

Impressed with the quality of the songs and performances, Ronstadt and her manager apparently lobbied to secure American release for the Twilights on Capitol records. Concurrent with the release of the album came the group's eleventh single, "Always", recorded during the same sessions. Both the LP and the single, however, fared poorly on the charts, signalling the beginning of a downturn in the group's fortunes. Nevertheless, 1968 was the band's peak year as a performing unit.

The Twilights formed in the satellite town of Elizabeth, 20 km north of Adelaide in South Australia, a town whose population in the 1960s was largely made up of families who had recently migrated from the UK, and all the original members were born in Britain. Like many other nascent pop bands, The Twilights were strongly affected by The Beatles' film A Hard Day's Night and other emerging British beat groups, notably The Hollies, The Who and The Small Faces, and they kept abreast of the latest trends with packages of records and tape recordings of Top 40 radio shows that they regularly received from relatives in Britain. Drawn together by their common origins and musical interests, singer Glenn Shorrock (hailing originally from Kent, UK), and his friends Mike Sykes and Clem "Paddy" McCartney (born in Belfast) formed an a cappella trio, eventually gaining regular bookings around the small Adelaide folk/coffee-house circuit. Occasionally, and especially for more prestige engagements, this original vocal 3-piece teamed up with local instrumental outfits, including The Vector Men and The Hurricanes.

In 1962 or 1963 when she was aged around 12 she recorded a single "It Was A Lie" bw "Come Along With Me" for the Shelby Records label. The backing group was The Twilights who were really Joe Piazza and the Continentals.Reverb Central - Janet Errico and the Twilights - It Was A Lie c/w Come Along With Me By 1964, she was a member of The Vejtables, both singing backup and playing drums.The San Francisco Sound, Friday, November 26, 2010 - THE VEJTABLES FAMILY TREE While with the Vejtables she contributed to a good part of their written material including their minor hit, "I Still Love You", which she sang lead on.Billboard - ARTISTS / The Vejtables, BIOGRAPHYFuzz Acid and Flowers Revisited: Comprehensive Guide to American Garage Psychedelic and Hippie Rock (1964-1975), Vernon Joynson - Page 15 By November 13, 1965 the song had spent four weeks in the charts, eventually reaching no 84.Billboard, November 19, 1965 - Page 30 Billboard HOT 100 She also sang lead on the group's take of Tom Paxton's "The Last Thing on My Mind".

The 1966 BC Lions finished in fifth place in the Western Conference with a 5–11 record continuing to regress as their star players were in the twilights of their careers. The Lions lost many close games, including five by one or two points. Placekicker Bill Mitchell kicked a woeful 11 for 25 field goal attempts. After the season, Joe Kapp was traded to the Minnesota Vikings of the NFL and in return the Lions got a young Canadian receiver, Jim Young.

Baptiste, who was working as a bellboy in Lake Charles, Louisiana, wrote "Sea of Love" for a love interest. He was introduced to local record producer George Khoury, who brought Baptiste into his studio to record the song. At Khoury's request, Baptiste took the stage name of Phil Phillips. The song, originally credited to Phil Phillips with The Twilights, was released on a small record label owned by Khoury, but due to its success was eventually leased to Mercury Records.

Anthony Breznican of USA Today also noted that "Kristen Stewart's shocking depiction of a self-destructive 16-year-old stripper/prostitute in Welcome to the Rileys is bound to scandalize. Those who prefer her only as Twilights lovestruck Bella may be shocked, while others who know her more nuanced work in films such as Adventureland will see a fearless new side of the actress confirmed."Breznican, Anthony. Twilight star Kristen Stewart exposed in Welcome to the Rileys, USA Today, January 23, 2010.

On "Village of Love", Johnson also provided the bass on the original Fortune version by Nathaniel Mayer & the Fabulous Twilights. Also in late 1956, about the time Jay Johnson joined the group, Strong departed for a two-year stint in the army. While Nolan was in the service, the Diablos released one single without him, "Harriet", backed with "Come Home Little Girl", featuring Hunter on lead. Without Strong, the Diablos' magic seemed to be missing and the record received little fanfare.

The group appeared regularly on Melbourne-based TV pop show, Uptight, on ATV 0, which was produced by the band's talent manager, David Joseph. The group's debut album, Procession 'Live' at Sebastians (15 May 1968), a live recording at the venue on 3 April, failed to chart. Australian musicologist, Ian McFarlane observed, "[it] revealed the band's predilection for modern jazz." The group played a farewell Australian show at the Royale Ballroom on 18 June 1968 supported by the Twilights and the Virgil Brothers.

Her works were not limited to love poems, though; Figueiroa wrote nationalistic pieces inspired by the Paraguayan War (1864–1870) that she considered as a sovereignty-driven enterprise. She also supported the Abolitionist movement and women's right through her poems. In 1872, she published her only book, Crepúsculos (Twilights), through the printing office of Jornal do Comércio (Commerce Journal). She was happier than ever until the day Pedro II and Teresa Cristina came to Porto Alegre's São Pedro Theatre to receive a homage.

This marked the end of Gunshot's association with Vinyl Solution, and the group went underground. They communicated with their fans via their now defunct website, whilst they worked on getting a new recording contract. Another single and album – Twilights Last Gleaming (Words of Warning, 1997), was followed by their next CD, International Rescue, in 2000. The track "The English Patient" included guest spots from The Icepick, Blade, MC Mell'O' and Chester P. The album was billed as Gunshot's final before it was released.

Critic James Berardinelli said, "Stewart is more than merely appealing in this role – she makes Em a fully realized woman, and some of the most intricate development results from what the camera observes in Stewart's eyes." Kenneth Turan of the Los Angeles Times said Stewart was "beautiful, enigmatic and very experienced". and MSN Movies' James Rocchi stated, "Stewart's vulnerable, spooky power is used to nice effect." Stewart reappeared as Bella in the Twilights sequel, New Moon, once again receiving mixed reviews for her performance.

The Australian soft rock group Mississippi had toured the United Kingdom (UK) in 1974 but failed to make an impact on the music scene. While in the UK, they met ex-The Masters Apprentices bass guitarist and now manager, Glenn Wheatley, who was due to return to Australia. Also in the UK was Glenn Shorrock (ex-The Twilights), who had attempted a solo career there. Mississippi returned to Australia in 1975 with Shorrock joining on lead vocals and songwriting and Wheatley serving as manager.

He skipped school one day and managed to convince the producer he could dance. He was told he would start at 3pm that day.Black Is the New White, By Paul Mooney - Pag 66 Joe Piazza and the Continentals were one group that played regularly on the show, and were essentially considered the show's house band.Reverb Central - Janet Errico and the Twilights - It Was A Lie c/w Come Along With Me The lineup was Johnny Johnson, Dan, Joe Piazza, Jim Lufrano and Jerry Martini.

Hernandez is portrayed as the most vocal of the Mets in dealing with the press and giving his opinion on teammates, alongside his prodigious beer consumption. In 1988, Hernandez won his 11th and final Gold Glove and led his team to another division crown. The heavily favored Mets, however, lost to the Los Angeles Dodgers in the 1988 National League Championship Series. Both Hernandez and Carter were in the twilights of their careers as back, knee, and hamstring problems limited Hernandez to only 95 games.

"Diddy Wah Diddy" is a song written by Willie Dixon and Ellas McDaniel, known as Bo Diddley, and recorded by the latter in 1956. The song shares only its title with Blind Blake's song "Diddie Wah Diddie" recorded in 1929. Over the years, the Bo Diddley song has been covered by many bands and artists, including The Astronauts, Captain Beefheart and his Magic Band, Leon Redbone, The Remains, The Twilights, Taj Mahal, The Sonics, The Fabulous Thunderbirds, Ty Segall Band, and The Blues Band among others.

James Taylor Move's (JTM) early concerts were in support of the Twilights, who soon moved to Melbourne. JTM built up a solid following in Adelaide and in early 1967 they won the South Australian final of the Hoadley's Battle of the Sounds. They headed to Melbourne in July for the national finals, and although they were defeated by the Groop they decided to remain there. Securing a deal with Festival Records they released their debut single "And I Hear the Fire Sing" / "Magic Eyes" in August 1967.

Glenn Shorrock frequently adopted a comedic alter-ego, "Superdroop", dressing in a shabby super-hero jumpsuit (which can be seen in the "Cathy Come Home" film clip) and he was also notorious for terrorising audiences by leaping out from backstage dressed in a gorilla suit, sometimes swinging precariously on a trapeze over the crowd. Alongside their own material and selections of popular Motown and soul classics, the group also regularly performed powerful cover versions of recent hits, such as Cream's "Sunshine of Your Love", Traffic's "Dear Mr. Fantasy", Hendrix's "Purple Haze", the Small Faces' "Tin Soldier" and the Move's "Night of Fear". Their live renditions of such songs were often said to equal or surpass the original recordings and many of their fellow musicians are on record as rating the Twilights as their favourite local live band of the period. The Twilights' next single, "Tell Me Goodbye" / "Comin' On Down" (August 1968), was recorded at Armstrong's Studios in Melbourne and proved to be their last collaboration with longtime producer David MacKay, but it was largely ignored by radio and the public and failed to chart.

They entered again in 1972 and won the national final, previous winners include The Twilights (1966) and The Groove (1968), which went on to achieve major commercial success. Sherbet's first chart hits on the Go-Set National Top 40 were covers of Blue Mink's "Can You Feel It Baby?" (September 1971), Delaney and Bonnie's "Free the People" (February 1972) and Ted Mulry's "You're All Woman" (September 1972). Most of their early recordings were produced by Festival's in-house producer Richard Batchens, who later produced albums and singles for another Infinity label mate, Richard Clapton.

The Namesake was inspired by her maternal uncle, William Silbert Boak, who died in the Civil War.Bernice Slote, 'Introduction: Willa Cather and Her First Book', Willa Cather, April Twilights (1903), hardcover, University of Nebraska Pres, 1990, pages xxxi For that reason, it has been deemed 'one of Cather's most autobiographical fictions'.Sharon O'Brien, Willa Cather: The Emerging Voice, New York: Oxford University Press, 1987, p. 143 The short story has been linked to Willa Cather's poem, The Namesake, which also broaches the subject of the Civil War, told from the perspective of a sculptor.

The Go!! Show almost exclusively featured local performers and concentrated on solo singers, who were typically backed by the show's house band The Strangers. It featured many of the major Australian pop stars of the time, including DYT-managed singer April Byron, resident female singer of the first season, Bobby & Laurie, The Spinning Wheels, Lynne Randell, Johnny Devlin, Colin Cook, The Twilights, Mike Furber and Normie Rowe. Olivia Newton-John and Pat Carroll were regulars with Newton-John making at least sixteen appearances between February 1965 and December 1966.

In 1965, the Allen family migrated to Australia and settled in Perth. Allen and her brothers formed a band, Pendulum, where she provided lead vocals. Whilst performing with Pendulum, Allen contacted UK-born Terry Britten, a songwriter and record producer and was the lead guitarist of Australian rock group, the Twilights, Britten had worked with Cliff Richard for whom he co-wrote "Devil Woman" in 1976 with Kristine Holmes. By the mid 1970s, Britten was living in Australia and was impressed by Allen's vocal ability and bubbly personality and began songwriting for her.

They had chart success in Australia and built up a following on the concert and festival circuit. During 1971 to 1972 the original members of Mississippi had also recorded as a studio band under the pseudonym Drummond. They achieved a number-one hit, for eight consecutive weeks, on the Go-Set National Top 40 with a novelty cover version of the Rays' song "Daddy Cool". Shorrock had been the lead singer of a pop band, the Twilights (1964–69), and a country rock group, Axiom from 1969 to 1971 (alongside singer-songwriter Brian Cadd).

James Wright Group, were an Australian rock and soul band initially formed as a trio, The Big Apple, in Adelaide in 1967. The original members were Bobby Bishop on drums and vocals, John Carlini on bass guitar and vocals and Bill O'Grady on guitar and vocals. Their debut gig was at the Octagon Ballroom in Elizabeth and they soon secured a residency at Big Daddys Discothèque in 1967. They played nightly, sharing the stage with interstate and local acts: The Valentines, The Twilights, James Taylor Move, The Blues Syndicate, and Chain Gang.

The third song recorded during the Abbey Road sessions provided the next Australian A-side. "Young Girl" was a melancholy and evocative Laurie Pryor tune featuring Terry Britten's innovative use of the variable volume pedal. The changes in looks, attitude and musical accomplishment evident in the band upon its return to Australia were exemplified by the increasing dominance of lead guitarist and songwriter Terry Britten. Of all the Twilights, the Manchester-born Britten most fully absorbed the kaleidoscopic influences on offer in the musical melting pot of London.

After the shock announcement of the break-up in the 22 January Go-Set' issue, The Twilights gave their last NSW concert performance at The Trocadero in Sydney. They were a last-minute inclusion in the Ray-o-Vac Batteries Spectacular, which featured an all-star line-up including The Groove, Johnny Farnham, The Dave Miller Set, The La De Das, Heart'n'Soul, Respect, Clapham Junction and The Executives, with comperes Ward Austin and Dal Myles. Five thousand fans attended, with thousands more reportedly turned away. Their last Melbourne concert was at Bertie's Discotheque.

The album was arranged and conducted by Bill Shepherd of Bee Gees fame, and backed by Australian band The Twilights, led by guitarist Terry Britten, who would later write global hits for Cliff Richard, Tina Turner and Michael Jackson. One outstanding track was a reworking of Steve Winwood's "Gimme Some Lovin'" which became Radio Luxembourg's hit pick of the week and top DJ Tony Blackburn's opening signature tune. They were also invited to perform "Gimme Some Lovin'" on Top of the Pops, hosted by Jimmy Savile. The single was released in America and Europe.

He was a guitarist in Richard's band for many years and was the co- producer and main songwriter for Richard's 1979 album Rock 'n' Roll Juvenile, which reached No. 3 in the UK Album Chart. He wrote and co-wrote with B. A. Robertson 10 of the 12 songs, of which "Carrie" reached No. 4 in the UK Singles Chart. In the early 1980s, Britten's psychedelic rock song, "9.50", originally a hit for The Twilights, was revived by Australia's Divinyls as a b-side to their 1984 single, "Good Die Young".

Britten has also penned songs for Olivia Newton-John, including "Love Make Me Strong" (1981) and "Toughen Up" with Graham Lyle (1985). He has also written for Meat Loaf, Melissa Manchester, Bonnie Raitt, and Hank Marvin. Britten continues to compose from his home base in rural England, but has returned to Australia on occasion, including the Twilights' reunion for the Long Way to the Top concert tour. In 2002, the song "Rain, Tax (It's Inevitable)", co-written by Britten and Charlie Dore, appeared on Celine Dion's album A New Day Has Come.

Ian McFarlane, The Encyclopedia of Australian Rock & Pop (Allen & Unwin, 1999), pp. 395–397. The Twilights, also formed in Adelaide and likewise became nationwide pop stars in the mid-1960s before making the trip to London. Here they recorded a series of minor hits, and absorbing the psychedelic scene, before returning home in mid-1967, where they performed the entire Sgt Pepper's album live on stage some weeks before its official release in Australia. This was followed by the release of their psychedelic 1968 concept album Once upon a Twilight.

Tarney was part of the influx of British migrants who settled in Adelaide during the height of the 1960s pop music boom. His first major group in Australia was James Taylor Move, a four-piece outfit regarded as one of Australia's first psychedelic rock bands; the original line-up in 1967 comprised Tarney on bass, his longtime collaborator Trevor Spencer on drums, Kevin Peek on lead guitar and Robert (R.J.) Taylor on vocals. Both the James Taylor Move and their rising-star contemporaries the Twilights were formed by various members of two earlier Adelaide bands, Johnny Broome and the Handels, and the Hurricanes.

Coarser ash particles fell one to two weeks after the eruptions, while finer particles stayed in the atmosphere for months to years at an altitude of . There are various estimates of the volume of ash emitted: a recent study estimates a dense-rock equivalent volume for the ash of and a dense-rock equivalent volume of for the pyroclastic flows. Longitudinal winds spread these fine particles around the globe, creating optical phenomena. Between 28 June and 2 July, and between 3 September and 7 October 1815, prolonged and brilliantly coloured sunsets and twilights were frequently seen in London, England.

Subsequent singles made further inroads – the second release, "Wanted To Sell", cracked the Melbourne charts and the third, the brisk, Beatles-styled Brideoake/Britten original "If She Finds Out" gave the band its first chart success in Melbourne, Sydney and Brisbane. The Twilights quickly gained a strong reputation for their dynamic live shows in Adelaide. Early in 1965, drummer Frank Barnard left the group after the band hired Gary Spry as their manager. Barnard was replaced by Laurie Pryor, a well-known local drumming prodigy, who had previously played with another popular Adelaide band, Johnny Broome & The Handels.

They entered the South Australian heat of Hoadley's Battle of the Sounds and finished third behind The Twilights (eventual national winners). Later in 1966, The Masters Apprentices shared a gig with pop star Bobby Bright of Melbourne duo Bobby & Laurie, who was impressed and recommended them to his label, Astor Records. A few weeks later, they were contacted by Astor, which requested a four-track demo.Keays, p. 41, 45, 50, 52, 54, 55 The band went to a local two-track studio to record it, but realised that they had only three suitable songs to record.

Most pop and rock listeners had never heard jazz fusion; when Ayers Rock incorporated the music into their sets, it was rarely performed by fellow Australian artists. At that time, the Australian music media expressed frustration that few local musicians were successful overseas. Many artists (such as The Twilights, The Masters Apprentices, The Groop and Axiom) had gone to the United Kingdom with little commercial success, and music papers such as Go-Set regularly addressed the situation. The "third wave" of Australian rock, from 1970 to 1975, saw an increase in pub rock venues in the southern and eastern states.

Baptiste changed his name to Phil Phillips, and dubbed his backing vocalists the Twilights. After a Baton Rouge disc jockey played the song repeatedly, the recording sold heavily and was leased to Mercury Records. "Sea of Love" went to No. 2 in the U.S. Billboard Hot 100 pop chart and spent 14 weeks in the top 40, as well as reaching No. 1 on the R&B; chart. In 1959 it sold over one million copies, and was awarded a gold disc. Nonetheless, Phillips was paid only $6800, and received no further royalties for the song or its recording.

Scene 1: A room in Sir Oliver Twilight's house Sir Oliver says he is very happy to have his wife back. He thanks Beveril for rescuing her and scolds Philip and Savourwit for faking her death. Lady Twilight says that rumors of her death were circulating during Philip and Savourwit's time in Jersey (a lie) and begs Sir Oliver to excuse them because the whole mix-up was obviously a misunderstanding, not a scheme. Sir Oliver raises the matter of the 'minion' (Grace) that Philip and Savourwit brought home to pass off as the Twilights' daughter.

Following the break-up of The Groop, Cadd and Mudie formed Axiom in May 1969 with Glenn Shorrock (ex-The Twilights) on vocals, Doug Lavery (ex-The Valentines) on drums and Chris Stockley (ex-Cam-Pact) on guitar. Cadd and Mudie were the primary songwriters for Axiom including their three hit singles, "Arkansas Grass", "A Little Ray of Sunshine" and "My Baby's Gone". After Axiom disbanded in 1971, Cadd and Mudie had a No. 15 single in early 1972 with "Show Me the Way". Cadd then pursued a solo career as a performer, songwriter, record producer, label owner and film and TV score composer.

Interest in his work revived in the early 1990s, after Irwin Chusid met Raymond and his wife Mitzi at their home in California and discovered a collection of unreleased recordings of rehearsals and studio sessions. In 1992, the release of Reckless Nights and Turkish Twilights by Columbia, produced by Irwin Chusid with Hal Willner as executive producer, was the first major-label compilation by his 1937–39 six- man quintet. A year earlier, Chusid and Will Friedwald produced an album of quintet broadcasts titled The Man Who Made Cartoons Swing for Stash. The director of The Ren & Stimpy Show, John Kricfalusi, began using quintet recordings.

Roger Savage is an Australian sound engineer who was nominated for an Academy Award in the category Best Sound for the film Moulin Rouge!. After moving from England to Australia in 1964, he engineered some of the most important Australian popular music recordings of the period, including classic tracks by The Twilights, MPD Ltd, The Masters Apprentices and Spectrum, as well as innumerable radio and TV commercials. Savage began to concentrate on film work in the 1970s. One of his earliest film credits was as an audio engineer on Getting Back to Nothing, Tim Burstall's documentary of the 1970 World Surfing Championships staged at Bells Beach, Victoria.

The club had the equal-most six day breaks with eight in total, including two back-to- back from rounds thirteen to fifteen. In addition to the Friday night match, the club played eleven Saturday matches (five afternoons, three twilights, and three nights), eight Sunday matches (all afternoon matches) and two Monday matches (one afternoon and one night). Nine matches were broadcast on free-to- air on the Seven Network and thirteen were broadcast on pay TV on Fox Footy. The teams the club played twice were Adelaide, , Collingwood, and , with Adelaide and North Melbourne the only teams finishing in the top eight in 2016.

James Taylor Move was a short-lived Australian/British psychedelic pop, progressive rock group from Adelaide. It was formed by Kevin Peek on guitar (ex-Hurricanes, The Twilights, John E. Broome and the Handels), Trevor Spencer on drums, Alan Tarney on organ (John E. Broome and the Handels), and Robert John Taylor on lead vocals and bass guitar. Early in 1967, the group won the South Australian finals of the Hoadley's Battle of the Sounds and traveled to Melbourne to compete in the national final. During that year the group released two singles, "And I Hear the Fire Sing" / "Magic Eyes" and "Baby Jane".

James Taylor Move supported fellow-Adelaide group, The Twilights, and followed them to relocate to Melbourne. In August 1967 James Taylor Move issued their debut single, "And I Heard the Fire Sing" / "Magic Eyes", which peaked at No. 33 on the Go-Set National Top 40 Singles Chart. According to Ian McFarlane, Australian rock music historian, the "Hendrix-derived 'And I Heard the Fire Sing' was too much for local radio of the day, but programmers flipped the single over to reveal the more radio-friendly psychedelic pop of 'Magic Eyes'". The group followed with a second single, "Baby Jane", in October that year.

Burns provided his own vocals over The Bee Gees' backing tracks. The original versions were eventually issued by Festival Records on The Bee Gees compilation albums, including a 2-CD set Brilliant from Birth (2000).Gibb Songs: 1966 In 1968, Burns appeared on Once Upon a Twilight, the pilot for a projected TV series starring The Twilights, he performed the Barry Gibb song 'In The Morning' with the group and comedian Mary Hardy, but plans for the series were scrapped after the sponsor withdrew support. Late that year, former pop star Johnny Young was writing "The Real Thing" as a ballad and intended to offer it to Burns.

Longer twilights are observed at higher latitudes (near the poles) due to a shallower angle of the Sun's apparent movement compared to the horizon. On a flat Earth, the Sun's shadow would reach the upper atmosphere very quickly, except near the closest edge of the Earth, and would always set at the same angle to the ground (which is not what is observed). The length of twilight would be very different on a flat Earth. On a round Earth, the atmosphere above the ground is lit for a while before sunrise and after sunset are observed at ground level, because the Sun is still visible from higher altitudes.

They remained one of the biggest drawcards on Melbourne's thriving dance and disco circuit. Popular venues such as Sebastian's, Bertie's, Pinnochios, Catcher, The Thumpin' Tum and Opus played host to some of the most polished stage shows by an Australian band yet witnessed. The group were the envy of local musicians due to the fact that they were one of the first bands in Australia to be equipped with the new British-made Marshall amplifiers (made famous by Jimi Hendrix) and the combination of their powerful stage sound, impeccable presentation and tight musicianship . The Twilights' shows at the time also had a prominent comedy and slapstick element.

After the Twilights broke up, he returned to England and moved to London, where he did session work. Britten's multi-layered guitars featured on Alvin Stardust's 1973 hit "My Coo Ca Choo". In 1973 he was part of Cliff Richard's Eurovision Song Contest 1973 entry and, along with John Farrar, Alan Tarney and Trevor Spencer, submitted six songs; of which "Power to All Our Friends" was chosen and came third. After a lean charting period for Cliff Richard, Britten gave him "Devil Woman" and, in 1976, it became Richard's first top 10 in the UK for three years (and his first top 10 hit in the US).

There are different periods in his creations according to the places he lives. The Catalan period inspired him tormented landscapes and subjects with symbolical elements : keys, candlesticks, twilights, the moon, portraits and self-portraits. In Paris he paints what he calls « the Green series » mainly urban people, tramps, homeless, mothers with child, picturesque and poetical tales. Later on, the tauromachia scenes and a series of minotaurs are so many themes that denounce censure, injustices, solitude, wars. He paints a very large painting entitled : La Bacchanale des Minotaures, exhibited in Figeac, an exhibition sponsored by the DRAC(Direction Régionale d’Art Contemporain), by the Conseil Régional du Lot (South-west of France) and by the Spanish Embassy.

74 After unification, problems with trying to work with two calendars (both depending upon constant observation) led to a merged, simplified civil calendar with twelve 30-day months, three seasons of four months each, plus an extra five days, giving a 365-year day but with no way of accounting for the extra quarter day each year. Day and night were split into 24 units, each personified by a deity. A sundial found on Seti I's cenotaph with instructions for its use shows us that the daylight hours were at one time split into 10 units, with 12 hours for the night and an hour for the morning and evening twilights., p.

In 1969, Terry Britten (ex-the Hurricanes, The Twilights, when living in Adelaide) joined the trio on guitar, in London, to form Quartet, which released two singles, "Now" (December 1969) and "Joseph" (May 1970) on the Decca label and recorded a 13-track unreleased album. The group disbanded later that year. In 1973 Britten, Spencer, Tarney and Australian-born John Farrar (ex-the Strangers) on lead guitar, were the backing band for Cliff Richard on his Eurovision Song Contest 1973 entry, "Power to All Our Friends". While Spencer and Tarney were still members of Quartet, they worked as session musicians for Richard; Tarney joined the Shadows on bass guitar in 1973 and stayed until 1977.

The Groove was an R&B; pop group formed in Melbourne in early 1967 – all members had some experience in other bands. The original line-up was Geoff Bridgford (ex-Steve & the Board) on drums, Jamie Byrne (Black Pearls, Running Jumping Standing Still) on bass guitar, Tweed Harris (Levi Smith Clefs) on keyboards, Rod Stone (The Librettos, Normie Rowe & The Playboys) on guitar and Peter Williams (Max Merritt & The Meteors) on lead vocals and guitar. They were gathered together by artist manager and booking agent, Garry Spry (The Twilights). The Groove played Stax Soul and 1960s R&B; in the style of Otis Redding, Wilson Pickett, Sam & Dave, Arthur Conley and The Isley Brothers.

The first known cover of the song was by the Colorado-based rock band The Astronauts, on their RCA album The Astronauts Orbit Kampus, in 1964. Around the same time as the Captain Beefheart version, in mid-1966, The Remains, from Boston, released a garage rock version of the song which became a hit in the East Coast charts. The Sonics covered the song as a garage rock version around 1966, and it was included in the 1991 release of Maintaining My Cool and the 2004 Sundazed reissue of the album Introducing the Sonics. Two Australian bands, The Twilights, and Mike Furber and the Bowery Boys, covered the song, again in 1966.

Fortune released some doo-wop tunes by Nolan Strong & The Diablos, such as "The Wind" (Fortune 511, 1954), "The Way You Dog Me Around" (Fortune 518, 1955), and "Mind Over Matter" (Fortune 546, 1962). Other notable artists on Fortune included John Lee Hooker, Andre Williams, and Nathaniel Mayer & The Fabulous Twilights (whose release, "Village of Love," on both Fortune 545 and United Artists 449 in the spring of 1962, was perhaps its most popular release; it reached No. 22 pop and No. 16 R&B; on the Billboard chart). "Village of Love" also made the Top Ten in local radio station surveys in New York, Los Angeles, and Chicago. It was No. 1 in Detroit.

Below, on the south of the church, East Horndon is reduced to the original old road to Herongate, winding up the hill, two restaurants and two houses. Crossing the road bridge to the other side and returning the way we have come, we find the old road running off towards the Thames, and in its angle is East Horndon Hall, the old manor or Abbots. There is reputed to have been a tunnel from the Hall to the church across the present Southend Road. The derelict petrol station which was once known as Elliots East Horndon once had its own petrol station with a nightclub known as "Elliots", which was renamed Twilights in the mid 1980s.

The Guanga Dyns' original membership included Bobby Carter on bass and his brother David on guitar, as well as Johnny Baker on vocals. Their band name was created as a pun equating Rudyard Kipling's poem, "Gunga Din" with popular nightspot on Bourbon Street called the Gunga Den. In consultation with Bobby Carter, he has recounted the origins of the name to be attributed to Steve Staples Grandmother, who after being disturbed by a band practice session in the garage where the band was rehearsing by exclaiming "What is all this Gunga Din?" The Twilights had been around slightly longer than the Gaunga Dyns, but were not satisfied with their current bass player.

E. Brown: a memorial sonnet to the poet of Manxland.' P. W. Caine reviewed the collection, commenting that: "This little book of lyrics is full of beauty and charm. The sound of the sea, the scent of gorse and the silence of the mountains pervade it."'Notices of Books' by P. W. Caine, in Mannin No. 7, May 1916 Her poem, 'Two Twilights', illustrates both the style of her verse and also the mystical tone that pervades it: > :Over the wild waves comes the call of the great spaces; :White breakers > leap from a plain of silver-grey— :Dreaming lies the world, but the reckless > sea still moveth, :In the mystic hour of twilight, at the dawning of the > day.

Burns had several minor national hits – "We Had a Good Thing Going" (October 1967), "When I Was Six Years Old" (March 1968), written for him by Brian Cadd and Max Ross of The Groop, and "Age of Consent" (January 1969), written by Terry Britten of The Twilights. Most of Burns' 1967 material was written by The Bee Gees, the tracks appeared on his first solo album Ronnie (Spin, July 1967). The Bee Gees had written and recorded them in Sydney in late 1966, which included their breakthrough hit "Spicks and Specks". Shortly afterward the group left Australia to return to the UK. The tracks were intended for a planned album which was not released, so they were sent to Burns who shared the same recording management.

Their debut album, also produced by David Mackay, demonstrated the group's diversity as a recording unit and showcased their major influences. It featured several original tunes, songs specially written for them by Barry Gibb and Hans Poulsen, and covers of concert favourites including The Yardbirds' "I'm Not Talkin'", The Who's "La La La Lies", The Moody Blues' "Let Me Go", The Hollies' "Yes I Will" and The Rolling Stones' "(I Can't Get No) Satisfaction". In July 1966 at Festival Hall, Melbourne, The Twilights competed in the first national final of the prestigious new pop band competition, the Hoadley's Battle of the Sounds, emerging as winners from a field of more than 500 groups. They were awarded bonus points for sound, originality, presentation and audience reaction.

The city was founded on June 24, 1824 In the beginning of last century, a group of miners decided to rest at the edge of Jaguari Mirim River, already in São Paulo state, and got astonished by the exuberant view of the nature. They got so delighted that on that Saint John's day, the miners started up the construction of the town and, to celebrate the Saint of that day as well as because of the amazing twilights at the sunset, the city was named São João da Boa Vista. Only 14 years later, the town was claimed a district. On March 24, 1859 it became a city, and on February 7, 1885 it was considered a judicial district, offering its citizens all the basic infrastructure.

Dobson began singing while a student at Central Branch School in Kingston and at Kingston College, where he sang in the chapel choir, and successfully took part in Vere Johns Opportunity Hour talent contest as a member of The Twilights."Dobby Dobson for KC fund-raiser", Jamaica Observer, 20 July 2012. Retrieved 29 July 2012Black, Roy (2015) "Roy Black Column", Jamaica Gleaner, 22 February 2015. Retrieved 22 February 2015 While at Kingston College he wrote the doo-wop song "Cry a Little Cry" as a tribute to his biology teacher. He recruited a group of schoolmates from the Delta stream at the college to back him on a recording of the song, under the name the Dobby Dobson and the Deltas;"Dobson’s mastery of English language powered his songwriting skills", Jamaica Gleaner, 12 November 2015.

As James Wright Group, for the next two years they played residencies at various Adelaide venues. They shared the billing with Max Merritt and The Meteors, Billy Thorpe & the Aztecs, The Levi Smith Clefs, The Mixtures, Y4 and The Twilights. During this time they also performed as backing band for solo artists including Johnny Farnham, Ronnie Burns, Jeff Phillips, Liv Maessen, Rim D Paul, Mike Furber, and Johnny Young when they visited Adelaide. Max Pepper of Pepper Records – a local studio of Milton Ingerson Productions in Adelaide – approached the group and subsequently recorded six tracks for release on his new record label. Pepper wanted to take advantage of the 1970 radio ban on imported records which was in place. James Wright Group's debut single, "Louise" / "Good Times Together", was released in 1970.

Daily Independent Journal, Friday, April 20, 1962 - Page 2 TWIST PARTY The group with Martini playing saxophone, backed the Viscaynes, recording their hit "Yellow Moon".Discogs - The Continental BandThe Dark Stuff, By Nick Kent - - The Continentals is also believed to be the backing group for an early Janet Ericco recording, "It Was A Lie" bw "Come Along With Me" using the pseudonym The Twilights.Reverb Central - Janet Errico and the Twilights - It Was A Lie c/w Come Along With Me After leaving Joe Piazza and the Conitnentals, Martini joined George and Teddy and the Condors, an interracial cover group which was made up of two black guys in the frontline, backed by four white guys. After getting a deal from Warner Brothers, they went to Italy to increase their exposure.

He was classically trained at Sydney Conservatorium of Music, where he studied piano, clarinet, theory and composition. Mackay was later head-hunted by EMI Australia, which initially employed him as a Recording Engineer but soon promoted him to "Head of Artists and Repertoire". During this time, Mackay was responsible for producing 30 hit singles and discovering some of Australia's most popular pop acts; he is probably best known in Australia as the producer of most of the Australian recordings made by The Twilights, one of Australia's most popular bands of the mid-1960s; his credits include the band's ambitious swansong Once Upon A Twilight. Mackay's Australian commercial success led to an internal transfer to the firm's United Kingdom offices, where Mackay went on to work at the legendary Abbey Road studios.

In Vorschule der Aesthetik ("Introduction to Aesthetics", 1804) he expounded his ideas on art; he discussed the principles of education in Levana, oder Erziehungslehre ("Levana, or, Pedagogy", 1807); and the opinions suggested by current events he set forth in Friedenspredigt ("Peace Sermon", 1808), Dämmerungen für Deutschland ("Twilights for Germany", 1809), Mars und Phöbus Thronwechsel im Jahre 1814 ("Mars and Phoebus Exchange Thrones in the Year 1814", 1814), and Politische Fastenpredigten ("Political Lenten Sermons", 1817). In his last years he began Wahrheit aus Jean Pauls Leben ("The Truth from Jean Paul's Life"), to which additions from his papers and other sources were made after his death by C. Otto and E. Förster. Also during this time he supported the younger writer E. T. A. Hoffmann, who long counted Richter among his influences.

A clutch of songs from the Abbey Road sessions were soon released back in Australia and in February 1967, their superb version of The Hollies' "What's Wrong with the Way I Live?" rapidly rose into the national Top 10. Composed specially for the Twilights by Graham Nash, Tony Hicks and Allan Clarke, the song exhibited a sophisticated sound that the band had only hinted at before. With its banjo motif and tight block harmonies, the recording earned plaudits from the composers themselves ("Much better than we did it!", Nash is said to have remarked) – and garnered support from other expatriate Aussie musicians like The Bee Gees, as well as earning encouraging airplay on pirate radio stations like Radio Caroline, where a number of expatriate Australian DJs were working.

The Masters Apprentices had continued under various line-ups from 1965 until 1972, reforming briefly in 1987 and on several subsequent occasions. Like their contemporaries The Easybeats and The Twilights they tried to break into the UK music scene, and one of the later members of the band, Glenn Wheatley, learned valuable lessons from their travails. After moving into artist management in the 1970s he played a major role in the Australian music industry and the media, most notably through his management of Little River Band—who became the first Australian rock band to achieve major commercial success in the USA—and Australian vocalist John Farnham. The Masters Apprentices were popular throughout Australia, scored a string of Top 20 chart hits and were consistently hailed as one of Australia's best live and recording acts.

A native of Manchester, Britten began writing for the Adelaide, Australia band The Twilights, a popular 1960s band for which he played lead guitar. At times he co-wrote with Glenn Shorrock and Peter Brideoake. He also recorded a single under his own name, "2000 Weeks" / "Bargain Day" (1969). Britten was a band member of Quartet with Kevin Peek, Alan Tarney and Trevor Spencer who recorded one album with Decca Records in the UK, which remains unreleased. One single was issued in 1969 on Decca in the UK and Australia and London in the US: "Now" / "Will My Lady Come" (Decca UK-F12974, Aust Y-8977) and a second single in the UK only in 1970 "Joseph" / "Mama Where Did You Fail" (Decca F13072, US London LON-1031).

The "second wave" of Australian rock is said to have begun in about 1964, and followed directly on the impact of The Beatles. In the immediate wake of The Beatles' momentous Australian tour, many local groups that had formerly played guitar-based instrumental music recruited singers and took up the new 'beat' style. Some of the best-known and most popular acts in this period were Billy Thorpe and the Aztecs and Ray Brown & The Whispers, The Easybeats, The Masters Apprentices, The Twilights, The Groop, The Groove, The Loved Ones and cult acts like The Throb and solo star Normie Rowe, who quickly became Australia's most popular male pop vocalist. During this period a wave of acts also came from New Zealand, including Ray Columbus & the Invaders, Max Merritt & The Meteors, Dinah Lee, Larry's Rebels and The La De Das.

Following the break-up of The Groop, Cadd and Mudie formed Axiom in May 1969 with Glenn Shorrock (ex-The Twilights) on vocals, Doug Lavery (ex-The Valentines) on drums and Chris Stockley (ex-Cam- Pact) on guitar. Cadd and Mudie were the primary songwriters for Axiom including their three hit singles. They signed with EMI and released their debut single "Arkansas Grass" which reached No. 7 in December 1969, followed by "A Little Ray of Sunshine" (although Cadd did not write 'A Little Ray of Sunshine' this song was written by The Groop following the birth of a members daughter, pre Axiom, however the deemed it to be "not rock and roll enough" and allowed Cadd to record) at No. 5 in April 1970. Axiom travelled to England and attempted to enter the UK market but had no chart success.

The young poet's intention in publishing under a pseudonym was to avoid his father's disapproval of his poems. In 1921, at the age of 16, Neruda moved to Santiago to study French at the Universidad de Chile, with the intention of becoming a teacher. However, he was soon devoting all his time to writing poems and with the help of well- known writer Eduardo Barrios, he managed to meet and impress Don Carlos George Nascimento, the most important publisher in Chile at the time. In 1923, his first volume of verse, Crepusculario (Book of Twilights), was published by Editorial Nascimento, followed the next year by Veinte poemas de amor y una canción desesperada (Twenty Love Poems and A Desperate Song), a collection of love poems that was controversial for its eroticism, especially considering its author's young age.

The B-side, "9.50", a driving Terry Britten psychedelic rocker, proved equally popular in Australia and was revived by Divinyls as a single B-side in the early 1980s. For a short time it appeared that the single might make it into the British charts, but just as it was gaining airplay momentum it was derailed by the release of the Hollies' own version of their album, which EMI issued despite an earlier agreement not to do so. Extremely disappointed, The Twilights decided amongst themselves to return on the next boat home without telling Gary Spry, their manager, who was back in Australia. He reportedly rang to tell them that they had been booked to appear on "Top of the Pops", Britain's leading television pop show, only to find they had already been at sea for a week.

His rapid creative growth during this time saw him assume the role of chief songwriter and leader. Like his hero George Harrison, Britten embraced elements of Eastern philosophy and religion, and he introduced exotic instruments and musical forms into The Twilights' music, such as his use of the sitar as a lead instrument on the B-side of the "Young Girl" single, a social observation called "Time And Motion Study Man". The last single from the group in 1967, "Cathy Come Home" b/w "The Way They Play", also featured the sitar prominently on both sides, and unusually for the time it was issued in a two-colour picture sleeve. The A-side was inspired by the BBC-TV play of the same name and top promote it they filmed one of the earliest Australian music video clips.

Although The Twilights was one of Australia's most popular groups in its day, its record label EMI has done little to curate its recorded legacy. Their two studio albums were briefly re-released ca 1969 on EMI's budget labels Music For Pleasure, but since that time none of their original recordings have been reissued by the label. Interest in the band was considerably revived by a compilation of live recordings, Twilight Time, which was followed by the definitive 1989 Raven Records CD anthology The Way They Played, compiled and annotated by Glenn A. Baker. In 2006 Aztec Music released a remastered CD anthology of their rare 1968 masterpiece Once Upon A Twilight, comprising both the mono and stereo mixes of the original LP. Glenn Shorrock briefly worked as a manager and agent for Brisbane teen-pop group The Avengers and the A.M.B.O. agency.

Similar to the romantic poets, Eminescu being one of them, Gheorghe Petrașcu was a follower of the moonlight, even if Nicolae Grigorescu, seeing the exaggerated tendency towards the mysteries of the night and the poetic twilights, told him that "...my dear , it is so hard to paint during the day, let alone at night." At such a remark, the artist replied with "...Master, for me painting means poetry. Especially the evening, the starry sky, the mysteries of the night disturb me deeply and I feel the need to transpose them on the canvas." The spell of the moon flooding a world of mysterious shadows is not a setting on which Petrașcu projected his melancholy, as it was for the English Lakers, Mihai Eminescu or for Caspar David Friedrich, Leopardi or Chateaubriand, but it was a propensity for the esoteric symbolist.

He wrote: > From the wild-flower dusks of mountain twilights, out of steamy southern > mud-flats and dusty midland prairies, off the sun-silver steel of cinder- > blown railroad tracks and out of the chill damps of prison cells - from > churches and saloons, cradles and gravesides come the songs of America that > must be sung. He recorded the album Logan English Sings the Woody Guthrie Songbag for 20th Century Fox Records in 1964. Released three years before Guthrie's death, and described as "an unselfish effort to boost the awareness of the iconic folk legend", it contained versions of thirteen of his songs, and led to English's identification as one of Guthrie's major interpreters. However, English's unwillingness to write his own songs, coupled with a chronic drinking problem, also made it increasingly difficult for him to maintain a successful performing or recording career.

She later recalled "During the third show I was given the sign, which of course is the fingers across the throat, which in show business means you better finish. We were very swiftly evacuated ... but I could see thousands and thousands of orange lights, which of course was the gunfire, and I'll never forget it. Never". In the days after the battle, Amphlett visited injured soldiers in hospital to comfort and sing to them. Some of leading acts during this period are, Billy Thorpe & the Aztecs, Bobby & Laurie, Ray Brown & The Whispers, the Twilights, the Loved Ones, the Masters Apprentices, MPD Ltd, Mike Furber & The Bowery Boys, Ray Columbus & The Invaders, Max Merritt, Dinah Lee, Normie Rowe, The Groop, the Groove, The Wild Colonials, Lynne Randell (who toured US supporting the Monkees and Jimi Hendrix), Johnny Young, John Farnham, Doug Parkinson, Russell Morris and Ronnie Burns.

The band's first recording after relocating to Melbourne was a version of the Animals song "Baby Let Me Take You Home", which marked the beginning of their successful collaboration with EMI house producer David Mackay; it gained a minor chart placing in Melbourne but made no impact in other cities. The Twilights fared much better with their next two releases. Their fourth single was a cover of Larry Williams' "Bad Boy" (June 1966), a track made famous by The Beatles; a video recording of the group performing this song on the pop program The Go!! Show has survived and can be seen on YouTube. Their biggest national chart success came with their dynamic cover of the Velvelettes' "Needle in a Haystack" (August 1966). Although the group was reportedly not enamored of the song, manager Gary Spry insisted that they record it and it made the Top 10 in all Australian states.

Another highly popular and lucrative band of this period is the soft-rock-harmony group Little River Band (LRB). Resurrected from the ashes of an earlier band called Mississippi, LRB centred on a trio of seasoned veterans. Lead singer Glenn Shorrock had fronted Australian 1960s pop idols The Twilights and singer-guitarists Beeb Birtles and Graeham Goble had been the core members of Mississippi; prior to that, Birtles had played bass in chart-topping Australian 1960s pop group Zoot whose former lead guitarist Rick Springfield also became a solo star in the US. Under the guidance of manager Glenn Wheatley (former bassist in The Masters Apprentices, one of the top Australian bands of the Sixties) LRB became the first Australian band to achieve major ongoing chart and sales success in the United States. They achieved huge success in the late 1970s and early 1980s and their single "Reminiscing" now ranks as one of the most frequently-played singles in American radio history.

Throughout the last years of his writing, however, one will observe how a progressively stronger political tendency in the end overshadows and weakens the aesthetic aspects of Goran's poetry. Goran published his poems, articles and translations in majority of the Kurdish journals and newspapers between the early 1930s and until his death. During his lifetime, two collections of his poetry were published, "Paradise & Memory" and Firmêsk û Huner (Tears & Art) in 1950. His poem "Kurdistan" articulates what this love is and how it shapes his thoughts and defines his aesthetic values: I have been nurtured by these valleys, summits and hummocks, My breath is full of the fragrant breeze of your highlands, My lips are satiated by your snow waters, My gaze is used to the sight of your silvery twilights Reflecting on evening snows, My ears are habituated to the music of your waterfalls Pouring down from high quarters above snow to green landscapes.

Glynn County includes the most prominent of the Sea Islands of Georgia, including Jekyll Island, St. Simons Island, and Sea Island. The Georgia poet Sidney Lanier immortalized the seacoast there in his poem, "The Marshes of Glynn", which begins: :Glooms of the live-oaks, beautiful-braided and woven :With intricate shades of the vines that myriad-cloven :Clamber the forks of the multiform boughs,-- ::Emerald twilights,-- ::Virginal shy lights, :Wrought of the leaves to allure to the whisper of vows, :When lovers pace timidly down through the green colonnades :Of the dim sweet woods, of the dear dark woods, :Of the heavenly woods and glades, :That run to the radiant marginal sand-beach within ::The wide sea-marshes of Glynn;-- The former Naval Air Station Glynco, named for the county, was a major base for blimps and anti-submarine warfare during World War II. The Federal Law Enforcement Training Center (FLETC) now uses a substantial part of the former NAS as its main campus.

"Musical Sydney did not want", Sydney Morning Herald, 15 December 1966, p 6. Orr remained in Sydney for two weeks' rest, returning to Melbourne in January 1967. Her next appearance on the musical stage was in an original Australian show entitled Razza-ma-tazz (and all that Jazz), co-written by John-Michael Howson, which was produced at the Southland Theatre in 1968."The Yen to go to Kathmandu: Women in the Theatre", The Age, 20 September 1968, p 11. In a 1966 theatre programme biography, Orr was also described "a composer of popular ballads", whose compositions had been used on many occasions by the Australian Broadcasting Corporation. During the 1960s, she also appeared on a number of Australian television series including Homicide, and Division 4. In 1968, she appeared in a pilot for a new TV series entitled Once upon a Twilight, which, inspired by the popularity of The Monkees, was to depict the semi-fictitious adventures of a real-life local band, The Twilights.

The film's limited budget is most apparent from its rudimentary sets, which consist mainly of a few blank flats, floor-to-ceiling drapes, or other simple elements set up in front of a painted background scene or a black void, as well as from its costumes, most of which are either generic jumpsuits or a uniform composed of stock costume rental items such as Confederate Army caps. Yet the producers opted for the added expense of filming in color at a time when black-and-white was still being used for many major-studio productions and was readily accepted by audiences, and they obtained the services of two top-tier behind-the-camera talents, albeit in the twilights of their careers. Cinematographer Hal Mohr had a very extensive Hollywood career and two Academy Awards to his credit. Mohr used lighting and camera angles to make the best of the sets and add some visual interest to the long, actionless talking-head scenes that make up nearly all of the film.

Many of the most popular and successful Australian recordings from the mid-1960s to the mid-1980s were made there, including hit albums and singles by The Masters Apprentices, The Twilights, The Groove, The Groop, Zoot, The Aztecs, Russell Morris, Brian Cadd, Daddy Cool, Franciscus Henri, Hans Poulsen, Spectrum, John Farnham, Skyhooks, Little River Band, The Sports, Models and many others. Many famous overseas artists also recorded there while visiting Australia, including Earl Hines, Cleo Laine and John Dankworth, and Stephane Grapelli.Bill Armstrong, interview with Jordie Kilby, Rare Collections, ABC Radio National, first broadcast 25 August 2013 Armstrong's also quickly became the leading studio for recording national advertising commercials, and a team of music jingle writers occupied offices in the facility, including John and Anne Hawker, Peter Best, Bruce Smeaton, Bruce Woodley, Peter Jones and John Farrar. According to Armstrong, industry professionals such as EMI house producer David Mackay and Festival house producer Pat Aulton greatly preferred to use the Armstrong facilities over their company's own studios in Sydney, and regularly travelled to Melbourne to record there.

Discogs - The Continental Band The group provided music for events such as the Twist Party, which was hosted by Dick Stewart.Daily Independent Journal, Friday, April 20, 1962 - Page 2 TWIST PARTY At one stage, Sylvester Stewart was a member of the group,The Virgin Encyclopedia of R&B; and Soul, Virgin, 1998 - Page 304 and they even played on the song "Yellow Moon" which was a hit for his group The Viscaynes.Encyclopedia of Pop Music Aliases, 1950-2000, By Bob Leszczak - Page 326 SLY AND THE FAMILY STONEDiscogs - The Continental BandThe 100 Greatest Bands of All Time: A Guide to the Legends Who Rocked the World, edited by David V. Moskowitz - Page 603 Sly and the Family Stone (1967 - 1983) They had also backed Janet Ericco on an early recording, "It Was A Lie" bw "Come Along With Me" using the pseudonym The Twilights.Reverb Central - Janet Errico and the Twilights - It Was A Lie c/w Come Along With Me Anne Randall was one of "the regulars" on the show.

Guy Sebastian and Jimmy Barnes 6 March 2008 State Theatre R&B; soul music had a significant impact on Australian's music, although it is notable that many seminal recordings in this genre by American acts of the late 20th century were not played on Australian radio. Anecdotal evidence suggest that racism was a key factor—in his book on the history of Australian radio, author and broadcaster Wayne Mac recounts that when a local Melbourne DJ of the 1960s played the new Ike and Tina Turner single "River Deep Mountain High" it was immediately pulled from the playlist by the station's program manager for being "too noisy and too black". As a result, many local soul/R&B; hits of this period were cover versions recorded by Australian acts. Despite radio's relucatance to play American soul/R&B; originals, these styles were avidly adopted by local performers and covers of soul/R&B; standards were staples in the setlists of many acts including Max Merritt and the Meteors, Doug Parkinson, Jeff St John, The Groop, The Groove, The Twilights, Renee Geyer and many others.

The Bee Gees, one of the most commercially successful survivors of the psychedelic era, performing on Dutch television in 1968 Although only a few singles gained recognition outside the region, the thriving Australian and New Zealand rock scenes that formed in wake of Beatlemania produced a wealth of inventive and original psychedelic pop and rock music. Much of this was strongly influenced by British psychedelia, since many bands included first-generation British (and European) immigrants, and bands such as The Twilights, whose members were British immigrants, were able to keep up to date on current musical developments, thanks to regular "care packages" of the latest singles and albums, tapes and cassettes of radio broadcasts, and even the latest Mod fashions, sent to them by family and friends back in the UK.Ian McFarlane, The Encyclopedia of Australian Rock & Pop (Allen & Unwin, 1999), pp. 652–654. After gaining local success, a number of these groups returned to the UK further their musical careers.V. Bogdanov, C. Woodstra and S. T. Erlewine, All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul (Milwaukee, WI: Backbeat Books, 3rd edn., 2002), , pp. 1341–3.