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7 Sentences With "turning to account"

How to use turning to account in a sentence? Find typical usage patterns (collocations)/phrases/context for "turning to account" and check conjugation/comparative form for "turning to account". Mastering all the usages of "turning to account" from sentence examples published by news publications.

In 1804 he accepted the post of librarian to Amalia, Dowager Duchess of Weimar, which gave him the leisure he desired for the purpose of turning to account the literary and archaeological researches in which he had engaged at Rome. Fernow died in 1808 at Weimar, where he is buried in the Jacobsfriedhof.
Orchardson confined himself to the simplest themes and designs, to the most reticent schemes of colour. Among his most highly regarded pictures during the first eighteen years after his move to London were The Challenge, Christopher Sly, Queen of the Swords, Conditional Neutrality, Hard Hit – perhaps the best of all – and, within his own family, portraits of his wife and her father, Charles Moxon. In all these, good judgment and a refined imagination were united to a restrained but consummate technical dexterity. During these years he made a few drawings on wood, turning to account his early facility in this mode.
Scott, Sir Peter (Ed), The World Atlas of Birds, Colporteur Press, Balmain 1982: 200 While the European encounter with the black swan along Australia's west coast in the late 17th and early 18th centuries led to the shattering of an age-old metaphor, their contact on the east coast in the late 18th and early 19th centuries merely confirmed the new post-proverbial view, before turning to account for the black swan as just one more curiosity in the South to be utilised in developing the colonies. In Tchaikovsky's Swan Lake, the sinister and seductive black swan, Odile, is contrasted with the innocent white swan, Odette.
The elections of 1905 having sent his party back with a large majority, he was received in audience by the king and helped to construct the Sándor Wekerle ministry, in which he was Minister of Commerce. In his cabinet role, Kossuth had many opportunities of turning to account his technical and economic experience. At the critical period of the Coalition, he showed throughout solid ability, in contrast to Gyula Justh, who in 1909 brought about the break-up of the Independence Party, which split into the Kossuth and the Justh wings. In consequence of increasing ill-health Kossuth withdrew more and more from active politics, and only appeared in Parliament on special occasions.
The sources of intelligence, the ways and means its mission is carried out cannot be disclosed to anyone, under whatever circumstances. The disclosure, in any way, of information and intelligence that make the object of activity of the Foreign Intelligence Service is forbidden, and punishable as laid down in the law. The Foreign Intelligence Service is authorized, under the law, to use specific methods, develop and own appropriate means for obtaining, checking, assessing, turning to account, storing and protecting intelligence information relating to national security. It also has the right, in the conditions established under the law, to ask for and obtain from the Romanian public authorities, companies, other legal entities, as well as from individuals, intelligence, information, or documents needed in accomplishing its missions.
Roman Vlad contrasts the "classicism" of Stravinsky, which consists in the external forms and patterns of his works, with the "classicality" of Busoni, which represents an internal disposition and attitude of the artist towards works . Busoni wrote in a letter to Paul Bekker, "By 'Young Classicalism' I mean the mastery, the sifting and the turning to account of all the gains of previous experiments and their inclusion in strong and beautiful forms" . Neoclassicism found a welcome audience in Europe and America, as the school of Nadia Boulanger promulgated ideas about music based on her understanding of Stravinsky's music. Boulanger taught and influenced many notable composers, including Grażyna Bacewicz, Lennox Berkeley, Elliott Carter, Francis Chagrin, Aaron Copland, David Diamond, Irving Fine, Harold Shapero, Jean Françaix, Roy Harris, Igor Markevitch, Darius Milhaud, Astor Piazzolla, Walter Piston, Ned Rorem, and Virgil Thomson.
Her method was to pick a historic character or famous building and weave a story around it, her best selling books were Under Salisbury Spire, Penshurst Castle and Winchester Meads. Of Life's Aftermath, perhaps the most popular of her novels, thirteen thousand copies have been issued. Works by Emma Marshall include but are not limited to: -Rainy Days And How to Meet them (1862) -Heights And Valleys (1871) -A Lily Among Thorns (1874) -The Cathedral Cities Of England, English Cathedrals (1879) -Heather And Harebell (1881) -Under the Mendips (1886) -Oliver's Old Pictures or The Magic Circle (1888) -Her Season in Baths (1889) -In The City Of Flowers (1889) -Little Miss Joy (1891) -A Flight With The Swallows (1896) -In The Choir of Westminster Abbey (1897) -She even wrote a novel called Dayspring. She had a special faculty for turning to account dim legend or historical incident, and her books generally have some celebrated historical character for the central figure round whom the story is woven; in Under Salisbury Spire (1890) it is George Herbert, in Penshurst Castle (1894) it is Sir Philip Sidney.

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