But whatever was rumbling on in Spektor's brain when she made Remember Us To Life, one thing is undeniable—the album is a patchwork of stories and feelings, every seam turned outwards, every piece deliberately unlike the next.
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I wanted my basketball to reflect my life, or something, but mostly what I wanted to see was the ugly and ungovernable stuff roiling and raging inside me turned outwards and made beautiful; I wanted to see a specific type of unreason redeemed, and I had a lot riding on that, and I put much of this on the Nets.
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How prophetic was George Washington when he defined the fundamental principle of political parties stated in his farewell address; "They serve to organize faction, to give it an artificial and extraordinary force; to put, in the place of the delegated will of the nation, the will of a party, often a small but artful and enterprising minority of the community; and, according to the alternate triumphs of different parties, to make the public administration the mirror of the ill-concerted and incongruous projects of faction…" Literature provides even more frightening scenarios than Washington's prophecy with the Orwellian prediction that "…they adored the Party and everything connected with it... All their ferocity was turned outwards, against the enemies of the State…" Are we replacing the state with the party and blurring distinction between the state and the party?
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At the sleeve front, the lining is turned outwards and is fixed in position by a twisted cord and button. The MusD gown is of cream damask, with much shorter sleeves, lined and faced with deep cherry satin.
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The municipality's arms might be described thus: Argent a cross gules, in dexter chief a gridiron of the same surmounted by a palm leaf bendwise sinister vert, and in sinister base two keys in saltire, the wards to chief and turned outwards, azure.
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This guard is generally turned outwards during sport to protect the sword arm from touches. Hits with the entire blade or point are valid. As in foil, touches that land outside the target area are not scored. However, unlike foil, these off-target touches do not stop the action, and the fencing continues.
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The underparts are a light gray, and the breast white. The toes are zygodactylous, with the first and fourth toes turned outwards and the middle two toes turned inwards. The female resembles the male, but is smaller and has a narrower chestband and a shorter tail. Also, the female loses her tail while nesting.
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Stela 10 was carved with a frame containing a figure, now badly eroded. The figure is standing with feet separated and turned outwards. Small hieroglyphic panels accompany it. Stela 10 had been moved from its original location, which was probably somewhere nearby. Stela 11 was found at the base of one of the structures in the Southeast Plaza, it was a plain monument.
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The sepals and petals spread widely apart from each other with their tips turned outwards. The sepals are long, about wide and the petals are a slightly longer but narrower. The labellum is long, about wide, curved and yellow with purple markings. The labellum has three lobes, the side lobes erect and blunt and the middle lobe with wavy edges and three ridges along its midline.
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Although the rod is the focal point, the manipulation of this apparatus while demonstrating flexible use of body and legs, highlights the concentration and co-ordination required by the performers. There are two types of grips used. In Under Grip, the rod is gripped firmly with the back of the hands turned towards the body. In Top Grip, the rod is gripped with the knuckles turned outwards.
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Verticordia comosa is a shrub with a single stem at the base but openly branched, growing to a height of and a width of . The leaves are broadly elliptic, egg-shaped or almost round, long and turned outwards from the stem. The flowers are unscented, arranged in spike-like groups on erect stalks long. The floral cup is top-shaped, long, glabrous and has 5 prominent ribs.
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The Amylostereaceae produce crust-like, dry and leathery-corky fruit bodies on the bark of infested trees. The fruit bodies are thick, irregularly shaped and are able to cover a large surface on the bark or otherwise can appear as small spots. They lie directly on the bark. The ochrous, grey or brownish fruit body (hymenium) has a smooth to warty surface texture and is turned outwards.
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The pain and limp can range from mild to severe. Some children may have a slightly raised temperature; high fever and general malaise point to other, more serious conditions. On clinical examination, the child typically holds the hip slightly bent, turned outwards and away from the middle line (flexion, external rotation and abduction). Active and passive movements may be limited because of pain, especially abduction and internal rotation.
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The image stands to the front and right side of the Emerald Buddha, looking from the entrance (to the pedestal's north). The standing Buddha has both of his palms turned outwards in the hand gesture called Abhayamudra, or the gesture of fearlessness. This iconographic attitude is called the "calming of the waters". This attitude commemorates one of the Buddha's miracles when he stopped a flood from reaching his dwelling.
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It has no reflected cusp, the upper margin being only irregularly waved. Near the base an oval spot seems to be thickened. The first lateral tooth is triangular, also without a distinct cusp, but with a reflected or thickened upper margin. It is followed by three laterals, which are little different from each other, with a winged body, having the appearance of being turned outwards, the cusp standing at the distal side.
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SW 7.4 During each complete cycle, some part of the swimmer's head must break the surface of the water. The head must break the surface of the water before the hands turn inward at the widest part of the second stroke. All movements of the legs shall be simultaneous and on the same horizontal plane without alternating movement. SW 7.5 The feet must be turned outwards during the propulsive part of the kick.
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The Notre-Dame Gate, to the west of the town A sizable section of the town wall survives, stretching from the château in the lower town, up the hill to surround the upper town. Medieval citizens in the lower town were outside the fortifications and had to retreat into the fortress in times of trouble. The gate of the 15th century with a double drawbridge presents many defenses including moats, embrasures, machicolations, etc., and a protective Virgin turned outwards.
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Sidesurf is the term given to roller skaters or inline skaters who skate by placing their heels facing each other but separated by roughly shoulder width. In the sidesurf position, a straight line can be drawn through both heels and toes with the toes pointing away from each other. The motion is similar to being on a snow board however the toes are both turned outwards. Another term used for sidesurfing is "crabbing," as this is similar to the perpendicular style in which a crab moves.
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Coat of arms The town's arms might be described thus: Argent a cross gules, in dexter chief two keys per cross, the wards turned outwards and to chief and dexter azure, and in sinister base the same reversed. The red cross refers to the town's historical relation with the Archbishop of Trier and the Elector of Trier. The keys are Saint Peter’s attribute, thus representing the town’s and the church’s patron saint. Also, there once stood on the Petersberg (mountain, now called Marienburg) a church consecrated to Saint Peter.
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Many singers and dancers perform on stage barefoot. The classical dance of Cambodia had its roots in the holy dances of the legendary seductresses (apsaras) of ancient Cambodia and attained its high point during the Angkor period in its interpretations of the Indian epics, especially the Ramayana. Cambodian dancers were well-born women of the king's harem and danced barefoot, with the feet turned outwards and the legs slightly bent at the knee to cushion the movements of the upper body. The unimpeded movement of the foot was essential to the art.
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Dame Rachel Whiteread (born 20 April 1963) is an English artist who primarily produces sculptures, which typically take the form of casts. She was the first woman to win the annual Turner Prize in 1993. Whiteread was one of the Young British Artists who exhibited at the Royal Academy's Sensation exhibition in 1997. Among her most renowned works are House, a large concrete cast of the inside of an entire Victorian house; the Judenplatz Holocaust Memorial in Vienna, resembling the shelves of a library with the pages turned outwards; and Untitled Monument, her resin sculpture for the empty fourth plinth in London's Trafalgar Square.
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Garrincha was born in Pau Grande, a district of Magé, in the state of Rio de Janeiro, in 1933. He was born with his right leg 6 centimetres shorter than his left, also his left leg turned outwards and his right turned inwards, leading one doctor to certify him as crippled as a child. His father was an alcoholic, drinking cachaça heavily, a problem which Garrincha would inherit. A boy with a carefree attitude, he was smaller than other kids his age, with his sister Rosa noticing he was as small as a little bird she started calling him Garrincha, the north-eastern name for the wren, a little brown bird.
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The third is not far from the second, and surrounds the periphery, usually corresponding with the line of the suture. The second and third are usually the most elevated. On the base of the shell there are five or six strong, rounded, revolving ribs, part of them usually somewhat nodulous, separated by deep, concave interspaces, rather wider than he rib; one or two additional ones often appear in the umbilical opening, which is funnel-shaped and moderately large, but often partially obstructed by the reflected (turned outwards) edge of the inner lip. The interspaces between all the ribs are covered with close, slightly raised lines of growth, and usually with traces of a thin epidermis.
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