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19 Sentences With "trouping"

How to use trouping in a sentence? Find typical usage patterns (collocations)/phrases/context for "trouping" and check conjugation/comparative form for "trouping". Mastering all the usages of "trouping" from sentence examples published by news publications.

The circumference of the Trouping hat also appears to be smaller, while the blush color looks identical.
The Trouping the Colour parade marks one of the highest profile events of the year for the British royals, which means their fashion choices pop even more than usual.
CreditCreditNeal Boenzi/The New York Times Decades before Instagram or #packwalk, Jim Buck was trouping through the streets of New York with multiple leashes and multiple dogs in tow.
While the festivities celebrate Queen Elizabeth's birthday — she turned 92 in April, but Trouping the Colour dates back more than 260 years as the mark of the British Sovereign's official birthday — Kate Middleton, Meghan Markle and Camilla, Duchess of Cornwall stood out with their elegant looks on Saturday.
Ashby, Clifford, and Suzanne Depauw May. Trouping Through Texas: Harley Sadler and His Tent Show. 1st ed. Vol. 1. Bowling Green, Ohio: Bowling Green University Popular Press, 1982. Print.
Ernst's history of theater in Oregon, Trouping in the Oregon Country (1961), was considered "enjoyable" by historian, Kenneth L. Holmes, of the Eugene Guard. The book won first place from the Oregon Press Women (OPW). The book was a culmination of a decade's worth of research.
They wrote, "Moss Rose is good whodunit. Given a lift by solid trouping and direction, melodrama is run off against background of early-day England that provides effective setting for theme of destructive mother love ... Gregory Ratoff's direction develops considerable flavor to the period melodramatics. He gets meticulous performances from players in keeping with mood of piece."Variety. Staff film review, 1947.
Keefe was born in 1896 in San Francisco, California. Keefe's film debut in short films occurred around 1911. By 1916, she was playing a substantial role in films including Her Maternal Right, and leading roles in films like Enlighten Thy Daughter (1917). She continued to appear in at least a few movies every year, until her final appearance in Trouping with Ellen in 1924.
In 1991, magic historian Phil Temple published the definitive biography of Dante the Magician, Dante - The Devil Himself, based largely on Dante's personal records, and Temple's friendship with surviving family members who had toured with the show decades earlier. Years later, a memoir about life on the road with the Dante show was written by Marion Trikosko, who spent two years with Dante as an assistant. His book, Trouping with Dante, was published in 2006.
It's a musical with accent on the music and the song and cast should bring it pleasant returns all over… Between Bing Crosby and Jack Oakie, the literary deficiencies are modified. Crosby for the singing and Oakie for the comedy; a strong combo. . . At least one of the several songs should make the best-seller grade in the competent hands of Crosby. His singing ability he always had, but Crosby now has also found himself in the trouping department.
By the time he was 16 years old, he was defeating all challengers. Lawanda lifting two large men using, in part, his jaws Evans left home in 1865 with a man named Comical Brown to barnstorm in the eastern United States. His father was mortified at a son of his becoming a show performer. As part of his act in his trouping days, Evans would lift a barrel of water and let four men climb astride it, weighing approximately 1000 pounds.
By the time she was 15 years old, Kane was onstage professionally, touring the Orpheum Circuit with the Marx Brothers in On the Balcony. She spent the early 1920s trouping in vaudeville as a singer and kickline dancer with a theater engagement called the "All Jazz Revue". She played the New York Palace for the first time in 1921. Her Broadway days started there as well with the Stars of the Future (1922–24, and a brief revival in early 1927).
Izola Forrester, 1898. Izola Forrester (November 15, 1878 – March 6, 1944) was an American author who was born Izola Louise Wallingford. Forrester was a pioneer journalist in the heyday of magazine and newspaper publishing in the early part of the 20th century. She was also one of the early women screenwriters of silent films, drawing on her books and stories for their plots, as well as the dramas she was familiar with as a child performer in the 1880s, trouping with her mother Ogarita Booth Henderson (Oct.
As a trouping comic stage actor in his youth, Chaney would have been acquainted with clown performers of lesser-known fame. In preparation for this film and He Who Gets Slapped Chaney also studied the clown makeup of circus performers and legendary 19th-century clown stage actors like Joseph Grimaldi and George L. Fox, the latter of Humpty Dumpty fame. The film was said to have been Chaney's favorite of all his roles. This film was Loretta Young's first major movie role, at the age of fourteen.
She published her research on Native Americans and mask-making and rituals using the masks in a paper called "Masks of the Northwest Coast." The La Grande Observer called her an authority on "northwest Indians." The Wolf Ritual of the Northwest Coast (1948) was published using research from interviews of Native Americans in the northwest and on Vancouver Island. She also displayed collections of masks she had obtained at UO. Ernst was also interested in "primitive theater" and wrote about early theater in the Pacific northwest in Trouping in the Oregon Country (1961).
For example, he played Brooks' mentor psychiatrist Dr. Lilloman in the comedy High Anxiety (1977), the emperor's court spokesman ("Here, wash this!") in History of the World, Part I (1981), and played a bum named Sailor living in the streets in Life Stinks (1991). In 1984, he played Dr. Zidell in Splash, a film directed by Ron Howard (the two had first worked together on The Andy Griffith Show). He worked with his old friend and trouping partner Sid Caesar as nervous Jewish tailors in the 1998 movie of Ray Bradbury's The Wonderful Ice Cream Suit.
Today, Super Trouper follow spots are shipped from the factory with a similarly-designed nickel reflector, though a dichroic coating has supplanted the rhodium coating. The xenon-type Super Troupers had utilized a larger "AC" igniter assembly, which had been specially designed to function with the original high-reactance power supplies. As suggested by the name however, Super Troupers were intended for portability and "trouping" and the bulky two hundred pound (90 kg) plus power supplies were not conducive to travel environments. Strong introduced their first version of the solid-state switching 1 kW-3 kW power supply for their xenon follow spots in 1988, without having to engineer any modifications to the Super Trouper's operational design.
Perhaps the most dominant pro wrestler ever, Lewis (real name: Robert Friedrich) was born on June 30, 1891 and was a rising contender throughout the early 1910s before meeting Billy Sandow in late 1914. Born Wilhelm Bauman in 1884, Sandow was a 155-pound champion in the early 1900s, taking his name from the famous 19th century strongman Eugen Sandow. Sandow had operated several health clubs, but he lost his business in a failed gamble when he was defeated by veteran grappler Fred Beell. He then barnstormed throughout the South while guiding such wrestlers as Marin Plestina and Billy Jenkins; and upon trouping through Kentucky, he even wrestled Lewis in a handicap bout.
Mordaunt Hall, critic for the New York Times, gave the film a generally positive notice and remarked on the fact-based elements: "It is quite obvious that fact is the basis of many of the incidents and if several of the characters are too rowdy at times to be lifelike, it does not detract from the general interest of the production." Time said, "this is as engrossing as the normal detective cinema, but what gives Bureau of Missing Persons substance and makes it interesting journalism as well as adequate fiction are convincing shots of how a Missing Persons Bureau works". Variety called it "pretty fair entertainment ... steered clear of over sombreness or becoming too morbid" and added, "Just when it threatens to become banal, excellent trouping and some inspired dialoguing snap it back into proper gait." The Film Daily review said it was "marred by mixed incidents and hoke Hollywood ending".

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