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151 Sentences With "trefoils"

How to use trefoils in a sentence? Find typical usage patterns (collocations)/phrases/context for "trefoils" and check conjugation/comparative form for "trefoils". Mastering all the usages of "trefoils" from sentence examples published by news publications.

Thin Mints, Caramel deLites, Trefoils...it's hard to pick a favorite.
Shortbread (also known as Trefoils) and Thin Mints are enduring classics.
We were skeptical, so Gizmodo actually drank wine with Thin Mints and Trefoils.
Sylvester Stallone also committed to a few boxes of Trefoils and Savannah Smiles.
She was trying, and failing, to make a batch of facsimile Girl Scout Trefoils.
"Trefoils: "This is a plain peanut butter cookie that pairs nicely with a hot drink.
Shockingly (or not, depending on your taste), the classic Trefoils were nowhere on the map.
But if you really want to be like the actor, he was eating Trefoils – you're welcome.
Trefoils, to be exact — making this the second best moment of the night for the Revenant actor.
PhotoCredit Kim Raff for The New York Times So far, the Trefoils and Samoas have not been interdicted.
Nope.Let us all just bask in the happiness that is DiCaprio about to demolish a box of Trefoils.
Their fellow troop members, wearing their signature patch-adorned vests, lined up boxes of Tagalongs and Trefoils across a counter.
During the 1970s, Girl Scouts offered Thin Mints, Peanut Butter Sandwich/Do-si-dos® and Shortbread/Trefoils® cookies.
Trefoils with 2013 Rudolf Furst RieslingThis was by far the best match-up, featuring a crisp, light Riesling that wasn't cloyingly sweet.
This resulted in a rather disastrous batch of wannabe Trefoils, but the taste was freakishly close to that of Royal Dansk cookies.
Trefoils Predictably, the kids on the panel found that there simply wasn't enough going on with this straightforward shortbread that bears the Girl Scout logo.
But the Shortbread or Trefoils come pretty close; they have only a couple of more calories and are lowest in sugars, with 1 gram per cookie.
On the heels of the 41-year-old actor's first Academy Award win, one item has gone viral and sold out completely — and we're not talking about Trefoils Girl Scout cookies.
If it has in fact transitioned into what we now know as the hard shortbread Trefoils, then we're holding out hope for the GSOA to bring back its softer more cake-like ancestor.
Girl Scouts now have 12 varieties of cookies, including the classic Thin Mints, Shortbread/Trefoils, Peanut Butter Sandwiches, and the newer cookies, "Girl Scout S'mores," which were introduced in 2016 to celebrate the 100th anniversary of the organization.
Girl Scouts across the United States will offer customers one of their two specialty gluten-free cookies (Toffee-tastic is the other returning flavor), along with their classics: Thin Mints, S'mores, Caramel deLites/Samoas, Peanut Butter Patties/Tagalongs, Shortbread/Trefoils, Do-si-dos/Peanut Butter Sandwich, Lemonades, Savannah Smiles, and Thanks-A-Lot.
Girl Scouts across the United States will offer customers one of their two specialty gluten-free cookies (Toffee-tastic is the other returning flavor), along with their classics: Thin Mints, S'mores, Caramel deLites/Samoas, Peanut Butter Patties/Tagalongs, Shortbread/Trefoils, Do-si-dos/Peanut Butter Sandwich, Lemonades, Savannah Smiles, and Thanks-A-Lot.
This year, Girl Scouts across the United States will offer customers one of their two specialty gluten-free cookies (Toffee-tastic is the other returning flavor), along with their classics: Thin Mints, S'mores, Caramel deLites/Samoas, Peanut Butter Patties/Tagalongs, Shortbread/Trefoils, Do-si-dos/Peanut Butter Sandwich, Lemonades, Savannah Smiles, and Thanks-A-Lot.
Trefoil windows predominate. The middle and upper stages of the tower have paired lancet windows with trefoils above; the large nave window in the west end has five trefoils. Various combinations of trefoils and doubled or tripled lancets are also found in the aisles, chancel, transepts and porch. The clerestory differs in its use of groups of two and three quatrefoils — an arrangement that Ian Nairn called "odd".
The original decoration is unclear: it was long thought that it had been covered in fleurs de lys, which were turned into trefoils, or clover leaves, during the 19th-century renovations. However, more recent renovations found that even before the 19th century the stemless trefoils were there.
There are two pairs of lancet windows in the porch, each with trefoils above. A wide seven-light lancet window with tracery and trefoils is above this. The double doorway in the porch has a carving of a verse from Psalm 100: . The Susans Road façade is of five bays, each with a gable and arched windows at the upper (gallery) level.
Hylodesmum is a genus of flowering plants in the family Fabaceae, sometimes called ticktrefoils or tick-trefoils. It is sometimes treated as part of Desmodium.
The internal woodwork of the roof is exposed. The window in the east wall of the chancel is a pointed arch and has three lights (sections of window separated by mullions) topped with trefoils (a pattern of three overlapping circles). The nave windows are also pointed arches and variously have one, two or three lights topped with trefoils. The windows contain coloured leaded glass rather than stained glass pictures.
The upper windows contain the coats of arms of the universities of Sydney, Oxford (trefoils), Cambridge (trefoils), Paris (left soufflet) and St. John's College (right soufflet). The Great Hall has on display a collection of portraits of past visitors, rectors, fellows, and students, with the most significant portrait being Archbishop Polding / Gallery oil painting of Archbishop Polding DSB, 1866, by Eugene Montagu Scott (1835–1909), which was originally commissioned for St Mary's Cathedral.
On the drier areas of the common, trefoils and clovers are present which attract common blue butterflies and the longer grass areas and buttercups are frequented by meadow brown and ringlet butterflies.
Worsencroft 1978, p. 20 Sleaford Urban District Council was granted a coat of arms on 26 October 1950 and after it was abolished the arms were used by its successor, Sleaford Town Council. The arms are blazoned: Gules on a Chevron Or three Estoiles Sable on a Chief Argent as many Trefoils slipped Vert. The trefoils in the chief are from the arms of the Marquess or Bristol, while the lower portion of the shield is the arms of the Carre family.
The caterpillars of the lesser grass blue (Zizina otis) and the two-barred flasher (Astraptes fulgerator) feed on tick-trefoils. Deer also appear to rely on some species in certain areas, particularly during the more stressful summer months.
Adults feed on nectar while caterpillars can feed on buckwheats, lupines, trefoils, and milkvetches. Like many other lycaenid butterflies, it has a mutualistic relationship with ants, who protect Acmon blue larvae in exchange for honeydew that the larvae secrete.
Quiney family coat of arms. "Or, on a bend sable, three trefoils slipped argent." Thomas Quiney was born in Stratford-upon-Avon and baptised on 26 February 1589 in Holy Trinity Church. He was the son of Richard and Elizabeth Quiney.
The nest, which at most has about 80 to 150 workers, is usually under ground. At least in Britain, the bumblebee seems to favour uplands, heaths, and grasslands. Favourite flowers are clovers, ling, harebell and Scabiosa as bird's-foot trefoils.
Wrought iron grill work is located in the arch. Trefoils are cut into the sandstone railings. Medium-sized windows dominate both side elevations. The small extension on the north elevation was designed to house a pipe organ that was never installed.
The Gallagher coat of arms displays a black lion rampant on a silver shield, treading on a green snake surrounded by eight green trefoils. The correct heraldic description is "Field argent a lion rampant sable treading on a serpent in fess proper between eight trefoils vert". The crest which surmounts the helmet over the shield depicts a red crescent surrounding a green snake or, to give its heraldic definition, "A crescent gules out of the horns a serpent erect proper". The motto of the clan in Latin is Mea Gloria Fides ("The Faith is My Glory").
The blazon of the municipal coat of arms is Impalled: 1. Azure, on a Saltire Or five Roses Gules barbed Vert and seeded of the second, 2. Or a Bar wavy Azure in chief three Trefoils slipped Vert in fess.Flags of the World.
The Kedleston Chapel has three bays separated by buttresses. In each bay is a three-light window under which are three trefoils acting as ventilators. Along the parapet is the inscription "QUIA MULTUM AMAVIT". The west wall has diagonal buttresses and a three-light window.
Acmispon is a genus of flowering plant in the family Fabaceae (legumes), native to North America and the west coast of Chile in South America. It includes several species of American bird's-foot trefoils and deervetches formerly contained in the globally distributed genus Lotus.
Honiton lace is a part lace. Its ornate sprigs or motifs, complex patterns were created separately and then sewn into the net ground of the piece. Common sprigs include daisies, roses, shamrocks, ivy leaves, butterflies, lilies, camellias, convolvulus, poppies, briony, antwerp diamonds, trefoils, ferns, and acorns.
Arms of Palmer of Wingham: Or, two bars gules each charged with three trefoils of the first in chief a greyhound currant sableWootton, Thomas, The English Baronetage, Volume 1, London 1741, p.443) Sir Thomas Palmer (1540–1626), ‘the Travailer,’ was an English knight and politician.
From 1792 onward, there were three trefoils on a triple hill. In 1818, the town acquired a new coat of arms depicting a green trefoil surrounded by an oak branch (acorned). This coat of arms was retained for over 100 years. However, in 1939, the oak branch was removed.
Coat of arms of South Tyrol, Italy. The Tyrolean coat of arms displays a heraldic eagle in a silver shield: the Tyrolean eagle. The Tyrolean eagle is a golden- crowned and reinforced red eagle with golden wing bars ending in trefoils. Seals dating from 1205 display the Tyrolean eagle.
The pieces were also decorated with designs in black and blue at this stage. Decorative patterning, though bold, was typically simple. Some works exhibit complex patterning, but the most humble are completed with just a turquoise glaze. Recurring shapes include calligraphy, faux calligraphy, spirals, trefoils, vegetal patterns and arabesque.
Arms of Rowe of Kingston: Argent, on a chevron azure between three trefoils slipped per pale gules and vert three bezants.Vivian, p.660 A differenced version of these arms is today quartered by Hill, Marquess of DownshireKidd, Charles, Debrett's peerage & Baronetage 2015 Edition, London, 2015, p.P373; same arms but without bezants.
A cross fleury A cross fleury (or flory) is a cross adorned at the ends with flowers in heraldry. It generally contains the fleur-de-lis, trefoils, etc. Synonyms or minor variants include fleuretty, fleuronny, floriated and flourished. In early armory, it is not consistently distinguished from the cross patonce.
He died at Idlicote, Warwickshire, in 1658. As he left no surviving issue, his heir was his nephew, William Underhill, who was later knighted and married Alice Lucy, daughter of Sir Thomas Lucy. The arms borne by Sir Hercules Underhill were Argent a chevron between three trefoils flipped, vert, three bezants.
The roof dates from the 15th century; it is an open timber roof consisting of four king post trusses with side struts. The chancel arch is Norman in style. The font dates from the 14th century. It consists of a square bowl on a pedestal; the bowl has trefoils and plain rounded decorations.
The chancel roof retains a single 14th-century tie-beam but has otherwise been renewed. The east window of the chancel is an early-14th-century lancet with three trefoils. The exterior is hood-moulded. The north wall of the chancel also has a lancet window: this has quatrefoils and ogee headings.
This is a cusped ogee window with trefoils carved into the spandrels. The forth floor similarly has cusped ogee windows, however, on this floor they appear on each face, and are doubles. The top floor of the Clock Tower doubles as its roof, which can be reached via a 93 step spiral staircase.
The facade facing Old Town Square is the most beautiful from the whole house. Compared to the other facades it is much more sophisticated and can boast with intricate stone carvings. Western lancet windows are regularly arranged in three axes. It has Gothic tracery with trefoils and quatrefoils which end with nuns.
Arms of Palmer of Wingham: Or, two bars gules each charged with three trefoils of the first in chief a greyhound currant sableWootton, Thomas, The English Baronetage, Volume 1, London 1741, p.443) Sir James Palmer (January 1585 – 15 March 1658) was an English Member of Parliament and Chancellor of the Order of the Garter.
The largest, those on the first floor, are in the form of a trefoil, which was the emblem of the Tresham family. The basement windows are small trefoils with a triangular pane at their centre. The windows on the ground floor are of a lozenge design, each having 12 small circular openings surrounding a central cruciform slit.
Pine Terrace is a historic home located at Highland Falls in Orange County, New York. It was built about 1865 and is a two-story brick building with a central three story pavilion. It features a slate mansard roof with a wooden bracketed cornice in the Second Empire style. The wooden porte-cochère has trefoils characteristic of Gothic Revival.
The Bab al- Muzayinīn ("Gate of the Barbers", Arabic: ) was built in 1753. Credited to Katkhuda the gate has two doors, each surrounded by recessed arches. Two molded semi-circular arches with tympanums decorated with trefoils stand above the doors. Above the arches is a frieze with panels of cypress trees, a common trait of Ottoman work.
Arms of Hakewill: Or, a bend between six trefoils slipped purpureVivian, Lt.Col. J.L., (Ed.) The Visitations of the County of Devon: Comprising the Heralds' Visitations of 1531, 1564 & 1620, Exeter, 1895, p.437 Late 18th century copy of an original portrait of George Hakewill by Sylvester Harding George Hakewill (1578 or 1579 – 1649) was an English clergyman and author.
Windows became larger, increasing the number of mullions (the vertical bars dividing the main part of the window) between the lights; above them, within the arch of the window, the tracery was formed using shapes styled 'daggers' and 'mouchettes', trefoils and quadrifoils; completely circular rose windows were made, incorporating all manner of shapes. More formal reticulated (netlike) tracery can also be found, as in Wells Cathedral. Exotic forms included the ogee arch, in which the curves of the arch are reversed in the upper part thus meeting at an acute angle at the apex; others included so-called Kentish tracery with its insertion of spikey points between the rounded lobes of trefoils and quatrefoils. Larger windows inevitably weakened the walls which were now supported by large exterior buttresses which came to be a feature.
It was said that Erik was a more mature record, one which featured an artist who had found her place. Reviewers also commented on the glossy, more focused production qualities. February 2003 marked the release of Yukari's third full-length album, Trefoils Hat. The album has been seen as Yukari's most accomplished work to date in that it is her most focused piece.
The clerestory of Amiens Cathedral In smaller churches, clerestory windows may be trefoils or quatrefoils. In some Italian churches they are ocular. In most large churches, they are an important feature, both for beauty and for utility. The ribbed vaulting and flying buttresses of Gothic architecture concentrated the weight and thrust of the roof, freeing wall- space for larger clerestory fenestration.
The building was designed to hold 150 people. On the exterior, the most prominent feature is the steeply pitched gable decorated with a scroll-sawn triangular insert with a central quatrefoil and three surrounding trefoils. The slate roof tiled in a decorative pattern of scallops and flowers. A small entrance vestibule and vestry are located on opposite ends of the east wall.
Coat of arms (1725) of Gregg of Derby The Greggs were a family of legal professionals from Derbyshire, and the name "Francis Gregg" was found in successive generation. As explained by Daniel Lysons, the Gregg became armigerous in the early 18th century. Their background was in Ilkeston. The motif of trefoils alludes to the arms of Gregg(e) of Bradley.
204 The Ridgeway family adopted new arms at about this time, being a difference of the arms of Barnehouse, whose arms were: Gules, two wings joined in lure argent.Pole, p.469 The former canting arms of Ridgeway (alias Peacock)Vivian, p.647 were: Argent, on a chevron engrailed gules three trefoils or between three peacock's heads erased azure crowns about their necks or.
It is supported by angle gabled buttresses. The stages are divided by string courses. The bottom stage contains blocked trefoils on the north and south sides, a pair of single-light windows on the west, and a doorway on the north side. In the middle stage is a trefoil window on the south side, and single-light windows on the north and south sides.
Arms of Palmer of Wingham: Or, two bars gules each charged with three trefoils of the first in chief a greyhound currant sableWootton, Thomas, The English Baronetage, Volume 1, London 1741, p.443) Sir Thomas Palmer, 4th Baronet, of Wingham (5 July 1682 – 8 November 1723) was a British landowner and Whig politician who sat in the House of Commons between 1708 and 1723.
Perhaps the house's most prominent detail is its extravagant and slightly whimsical bargeboards, which define its Gothic Revival heritage. It is because of this feature that the house is sometimes colloquially described as a gingerbread house. The bargeboard of each gable features an alternating pattern of quatrefoil piercings, with applied florals of the same design. The bottom half is curvilinear, pierced with trefoils and applied moulding.
The porch has a steep gable and is elaborately decorated with colonnettes, crocketed coping, and a finial. In the middle stage is a triple niche with crocketed trefoils, and in the top stage are pairs of two-light louvred bell openings with hood moulds. Above these are an arcaded frieze, a pierced parapet, and corner pinnacles. On the spire are two tiers of lucarnes.
It was well established during the Middle Ages, spreading south into the counties of Monaghan, Meath, Roscommon and Offaly. The village of Ballycorrigan near Nenagh in County Tipperary indicates the name also spread to that county. A Corrigan Coat of Arms consists of a chevron between two trefoils slipt, in chief and in base a wingless dragon passant vert. The motto is: Consilio et Impetu ().
Matthews' American Armoury and Blue Book, published in 1907, describes the arms of Captain John Underhill as follows: > Captain John Underhill, 1597–1672, of Boston, 1630, Governor of Piscataqua > Plantation. He had previously served in the British Army in the Netherlands, > in Ireland, and at Cadiz. Arms - Argent, on a chevron sable, between three > trefoils slipped vert, as many bezants. Crest - on a mount vert a hind > lodged or.
He also "established a large business."Note that the above family tree gives "Old" Christopher Benson’s birth date as 1708. Archbishop Edward White Benson's grandfather was Captain White Benson, of the 6th Regiment of Foot. The Archbishop's seal and the Captain's coat of arms show their branch of the Benson family arms were blazoned: Argent, a quatrefoil between two trefoils slipped in bend sable, between four bendlets gules.
Three of its leaves are embossed like a trefoil (note similar trefoils in the medieval designs of the eagle). In heraldic terms, the eagle is "armed", that is to say, its beak and talons are rendered in gold, in contrast to the body. The crown on the eagle's head consists of a base and three fleurons extending from it. The base is adorned with three roughly rectangular gemstones.
After the queens emerge from their hibernation, they forage on flowers including crocus, Erica, Mahonia, white and red deadnettles, Prunus, flowering currant and bluebells. However, the bees forage on many other flowers, including many garden plants, such as lavender, Hebe, Rhododendron, deadnettles, thistles, and vetches, as well as ceanothus, wall flower, campanula, privet, sage, Hypericum, bramble, red bartsia, clovers, lupins, honeysuckle, sedum, knapweed, Buddleia, viper's bugloss, and trefoils, and comfrey.
Phoenix Bridge is a historic metal Trapezoidal Whipple truss bridge spanning Craig Creek near Eagle Rock, Botetourt County, Virginia. It was built in 1887 by the Phoenix Bridge Company of Phoenixville, Pennsylvania. It consists of rolled wrought-iron "Phoenix post" compression members and round and rectangular tension rods with pinned joints. It includes a cast panel embellished with anthemions and garlands, small urnlike finials, and quatrefoils and trefoils.
Arms of Sir Joseph Williamson: Or, a chevron engrailed between three trefoils slipped sable Sir Joseph Williamson, PRS (25 July 1633 – 3 October 1701) was an English civil servant, diplomat and politician who sat in the House of Commons of England variously between 1665 and 1701 and in the Irish House of Commons between 1692 and 1699. He was Secretary of State for the Northern Department 1674–79.
Some of his numerous works are preserved in the Advocates' Library at Edinburgh, together with his correspondence, from which rich collection James Haig published Balfour's Annales of Scotland in four volumes (1824–1825). James Maidment also extracted papers from the collection in order to publish them. His arms were Or, on a chevron sable between three cinquefoils vert an otter's head erased of the field but also given as three trefoils slipped vert.
The tower is short, and has buttresses at its junction with the nave, and a stair turret at the northwest angle. It has a two-light north window, and a similar but larger three-light west window. Above the porch is a trefoil containing three blocked trefoils and a roundel in the centre. There is a brick frieze under the eaves, and on the summit of the tower is a pyramidal roof with a pinnacle.
Along the south wall of the church is one three-light window and three two-light windows, all containing Perpendicular tracery, and a buttress. The outer doorway of the porch has a pointed arch, above which is a slate sundial. The inner doorway is Norman, and has been much restored. On the north wall of the aisle are two windows, one with two lights, the other with three lights, both with trefoils under flat heads.
The square knot, drawn as a ribbon knot Sticks depicted. In knot theory, the square knot is a composite knot obtained by taking the connected sum of a trefoil knot with its reflection. It is closely related to the granny knot, which is also a connected sum of two trefoils. Because the trefoil knot is the simplest nontrivial knot, the square knot and the granny knot are the simplest of all composite knots.
The main border is often filled with complex and elaborate rectilinear or curvilinear designs. The minor border stripes show simpler designs like meandering vines or reciprocal trefoils. The latter are frequently found in Caucasian and some Turkish rugs, and are related to the Chinese “cloud collar” (yun chien) motif. The traditional border arrangement was highly conserved through time, but can also be modified to the effect that the field encroaches on the main border.
This approach to the Arf invariant is due to Louis Kauffman. We define two knots to be pass equivalent if they are related by a finite sequence of pass-moves,Kauffman (1987) p.74 which are illustrated below: (no figure right now) Every knot is pass-equivalent to either the unknot or the trefoil; these two knots are not pass-equivalent and additionally, the right- and left-handed trefoils are pass-equivalent.Kauffman (1987) pp.
Lotus, a latinization of Greek lōtos (),. is a genus of flowering plants that includes most bird's-foot trefoils (also known as bacon-and-eggsCollins English Dictionary) and deervetchesSee Acmispon and contains many dozens of species distributed worldwide. Depending on the taxonomic authority, roughly between 70 and 150 are accepted. Lotus is a genus of legumes and its members are adapted to a wide range of habitats, from coastal environments to high altitudes.
Standing on a sandstone outcrop that forms a plinth, the building is constructed in coursed sandstone, and has a grey slate roof. It is in two storeys with the entrance on the north side. The porch has a segmental arch flanked by colonettes with trefoils in the spandrels, and a triple lancet window on the right side. To the right of the porch is a two- light mullioned casement window, and a projecting stone chimney.
Framed in two rows of trefoils and an inscription, the semi-circular tympanum of the door is filled with an ornament and with a representation of the Holy Virgin seated on a rug with the Child and flanked by two saints. The ornament also has large letters interlaced by shoots with leaves and flowers. The Holy Virgin is sitting in the Oriental way with Child. The pattern of the rug is visible with drooping tassels.
The town's civic coat of arms has been known since 1570, when it was displayed at the Schloss Rotenburg (a stately home in Rotenburg an der Fulda, built by Landgrave Ludwig II in 1540). It was also published in the Hessisches Wappenbuch ("Hessian Arms Book") by Wilhelm Wessel in 1633. alt=Felsberg coat of arms. Heraldically, the arms might be described thus: Party per pale gules and argent, thereover a bend sinister vert, therein three trefoils argent.
This can be best studied in the architecture of the south transept; the window of the shallow east projection is unrestored. The window was three-light, featuring three circles in the head, each being enclosed by three pointed trefoils. The chancel arch and the chancel's east window were restored during Ferrey's 1874-1875 work. The north chapel was originally duplicated from the south transept; both chapels open into the chancel through identical arches in an Early English style.
3D depiction In knot theory, the granny knot is a composite knot obtained by taking the connected sum of two identical trefoil knots. It is closely related to the square knot, which can also be described as a connected sum of two trefoils. Because the trefoil knot is the simplest nontrivial knot, the granny knot and the square knot are the simplest of all composite knots. The granny knot is the mathematical version of the common granny knot.
In the 14th century, the convent was out of the main focus of politics and fine arts. The Poor Clares in the convent were usually the daughters of the greatest kins; however, the convent was gradually dying out. Later on with Charles IV reign and a boom of the city and construction industry, both parts of the convent were re-built. The dormitory was newly vaulted, the original windows were lowered and new trefoils were placed.
Tower from the west The tower is of three stages. The lower stages might be part of an 11th- century previously unbuttressed tower, and contains at its west side an early 15th-century chamfered reveal window opening with pointed arch surrounded by a hood mould with label stops in human form. The inset Perpendicular window is of three lights of panel tracery below, and six above. The panels are headed with trefoils, the lower within ogee heads.
The cubical building is made of solid rusticated stonework, with two rows of two-lighted Gothic windows, each with a trefoil arch. In the 15th century, Michelozzo Michelozzi added decorative bas-reliefs of the cross and the Florentine lily in the spandrels between the trefoils. The building is crowned with projecting crenellated battlement, supported by small arches and corbels. Under the arches are a repeated series of nine painted coats of arms of the Florentine republic.
This is flanked by buttresses, lancet windows with hood moulds, and more buttresses on the corners of the tower. Above the doorway is a window with a pointed head containing Y-tracery, and at the top of the tower is a projecting battlemented parapet. Along the aisle and the south wall of the nave are lancet windows, and the chancel windows are cusped. At the east end are three buttresses, a three-light window containing intersecting tracery, and trefoils.
Arms of Palmer of Wingham: Or, two bars gules each charged with three trefoils of the first in chief a greyhound currant sableWootton, Thomas, The English Baronetage, Volume 1, London 1741, p.443) Sir Thomas Palmer (died 1553) was an English soldier and courtier. His testimony was crucial in the final downfall of Edward Seymour, 1st Duke of Somerset in 1551-1552\. Palmer was executed for his support of Lady Jane Grey in the succession crisis of 1553.
In different artwork, corners are depicted as missing; for instance rounding the lower section of the instrument so that there were no corners there, but only the point at the bottom. An illustrated example would be the mermaids from Brunetto Latini's "Li livres dou tresor". A carved example would be from the Strasbourg Cathedral. T-shaped citoles had a prominent T-shape at the top of the instrument, where the shoulder projections, or arms (often trefoils) stuck out, and a rounded bottom.
The flag of Brandenburg is a horizontal bi-color of red over white, with the arms of the state (land), in the center. The coat of arms of the state shows on a shield in white (silver) a red eagle, looking to the right, with wings decorated with trefoils in gold and armored gold. In its current form, the flag was adopted on 20 January 1991, with further enshrinement in Article 4 of the Constitution of the State of Brandenburg.
Cast-iron necklace. Held at the Birmingham Museum of Art. At first the style of the designs, especially during the Napoleonic period, was Neo-Classical, incorporating plenty of fretwork and moulded replicas of cameos. From 1810 the style changed slightly to a miniature form of Gothic Revival, incorporating the pointed arch and rose widow of the Gothic cathedral, combined with less austere, more naturalistic motifs such as butterflies, trefoils (a plant with three leaflets such as clover) and vine leaves.
The platband of the southern portal's architrave is framed with rows of trefoils. The sculptural group of the church’s eastern facade differs in composition from the similar bas-reliefs of Sanahin, Haghpat, and Harich. It shows two men in monks’ attire who point with their hands at a church model and a picture of a dove with half-spread wings placed between them. The umbrella roofing of the model’s dome shows the original look of the dome of Astvatsatsin church.
All windows are either lancet or round- arched, with some having additional trefoils. The stained glass was done by Louis Comfort Tiffany's firm and the British glaziers Bell & Almond. Above the main entrance is a bronze lamp with a stone medallion of a bull, the symbol of St. Luke. The interior walls are plaster applied over an interior brick face, with vertical beadboard and molded chair rail complemented by a similar cornice at the joint between the walls and ceiling.
The south-facing walls have two pairs together, while on the inward-facing walls of the first and seventh bays there are two sets of paired windows placed some distance apart. At first-floor level, similar paired lancets and trefoils rise as gabled dormers above the roofline. The south walls of the first and seventh bays have prominent five-light oriel windows, canted to form a 1–3–1 pattern of trefoil-headed panes. These oriel windows are supported on ornate corbels.
Sir Roger Martyn was born in Long Melford, Suffolk, to Lawrence Martyn and Elizabeth Cheke. Arms of "Sir Roger Martyn, Lord Mayor of London, 1567": Argent, on a chevron azure between three trefoils slipped per pale gules and vert as many bezants.Heylyn, Peter, A Help to English History: Containing a Succession of All the Kings of England, London, 1786, p.527 His first wife was Lettice Martin (née Pakington) who died 23 December 1553; his second wife was Elizabeth Martyn (née Castlyn).
Garter-encircled shield of arms of William Palmer, 2nd Earl of Selborne, KG, as displayed on his Order of the Garter stall plate in St. George's Chapel, viz. Argent on two bars sable three trefoils slipped of the first, in chief a greyhound courant of the second, collared or. William Waldegrave Palmer, 2nd Earl of Selborne, (17 October 185926 February 1942), styled Viscount Wolmer between 1882 and 1895, was a British politician and colonial administrator, who served as High Commissioner for Southern Africa.
273 The oak pulpit dates from the early 17th century, and has moulded rectangular panels. There is a bell turret on the west end of the roof, which has trefoil- shaped openings on the west and east sides, and panels decorated with trefoils on the other two sides. It was built in about 1915, replacing an earlier turret of similar shape. tympanum above the entrance to the chapel The porch at the chapel entrance was moved to its present position when the chapel was extended in 1636.
St Peter's is built in ashlar-dressed limestone rubble, and is Norman and Early English in style. It consists of a chancel, nave, two aisles, a west-facing tower with spire, a south chapel, and a south porch. The 13th-century tower is in three stages, surmounted by a later 14th-century broach spire incorporating three tiers of lucarnes. Of the tower's two upper stage belfry openings, one is bounded on its sides by narrow columns and headed by a tympana arch containing trefoils.
A line trefly shows protuberances in the form of trefoils. The arms of St. Paul's Cathedral in Regina, Saskatchewan contain a bordure its inner line looping in foils of poplar of the field within the bordure at each angle and at regular intervals between. The arms of Carmichael show a fess "wreathy", which may or may not be strictly speaking a line of partition, but does modify the fess; the coat is not blazoned as a "wreath in fess". James Parker calls this "tortilly".
The Gaffey coat of arms is a white chief containing three green shamrocks or trefoils symbolising peace, authority and perpetuity, the rest of the shield is Royal blue (azure) containing three fish (vertical) symbolising loyalty and virtue. The motto of the Gaffey family is "Fortitudine et prudentia" meaning Courage and Caution. The family colors of the Gaffey family are royal blue and white as shown by their mantle. and their crest is a golden crown below a double-headed eagle supporting two serpents lifting a tiara.
Video clip of Chiasmia clathrata In the British Isles there are one or two generations annually, with adults seen at any time from May to September. These moths are nocturnal. Larvae feed on bedstraws (Galium mollugo, Galium verum) and various legumes such as clovers (Trifolium medium, Trifolium pratense), trefoils, lucerne (Medicago sativa) and meadow vetchling, primarily in June and July and from mid-August through September, though in Ireland and northern Britain larvae occur in July and August. The species overwinters as a pupa.
See Galatians 2:9. Peter holds the keys to Church; Paul holds the decapitating sword; John carries the New Testament to which he contributed; and James is supported by the cudgel of his martyrdom. Tennant Memorial Window. Christ and Saint John are depicted three times in the combined High Altar and Reredos: Church patron and the Christ served by the Church numbered in the Creator, Redeemer and Sanctifier. The “three theme” runs throughout the work, as in the trefoils – representative of the Holy Trinity – in peaked gables.
Above the windows were gables with trefoils inside, decorated with crockets and finished off with flowers. Torsos of statues of the King and Queen from the west facade of the house - currently in a chapel on the ground floor Between the windows of the first and second floor were niches with brackets for statues. They were also finished with off with lancet arches, decorated with nuns and above them were gables with crochets and plants. On the sides of the niches grew pinnacles from waterleaf capitals.
Located in a central position on the Walker street boundary of the hospital site are four substantial rendered masonry gate posts with cast iron palisade gate. The central two gate posts are larger than the flanking posts and all feature steeply pitched double gabled cap. The faces of the central posts have trefoiled lancet-type recesses and this motif is repeated on the smaller posts with circular recesses housing trefoils. The corner edges of the posts are chamfered and the posts have enlarged bases.
The trefoil knot is chiral, in the sense that a trefoil knot can be distinguished from its own mirror image. The two resulting variants are known as the left-handed trefoil and the right-handed trefoil. It is not possible to deform a left-handed trefoil continuously into a right- handed trefoil, or vice versa. (That is, the two trefoils are not ambient isotopic.) Though chiral, the trefoil knot is also invertible, meaning that there is no distinction between a counterclockwise-oriented and a clockwise- oriented trefoil.
St Mary's is built of local stone, with dressings in Ham stone, sourced from the quarries of Mr. John Trask of Norton-sub-Hamdon, in the Early English style. The windows and door head was constructed with overhead arches of red stone from Bishops Lydeard. Designed to accommodate up to 90 persons, the church is made up of a nave and chancel. It was built with four single-light lancet-headed windows on each side, a three-light window at the east end and a small window of three trefoils above the entrance.
The chancel's east window is also 15th-century, with three lights headed by trefoils (a three-leaf pattern) and decorated with tracery. It has 19th-century glass depicting the Ascension. The south side of the chancel and the north transept have 19th-century windows; the south chancel window has three lights with tracery headed by cinquefoils (a five-leaf pattern), with geometric patterns of glass. The east and south chancel stained glass is in memory of the wife, son, and daughter of Hugh Wynne Jones, who died in the mid-19th century.
Above the aisle east and west windows are small glazed trefoil openings. Between the north wall windows, and at the aisle corners, are buttresses with steeply angled double steps to the eaves of the slate roof, with their socles, or base plinths, continuing around the faces of the aisle walls. The north stub of the earlier late 13th-century transept contains a 15th-century Perpendicular window, with four lights divided by slender mullions ending in flat curved arches with trefoils, the centre two lights extending above to a pointed arch.
The book depository's semi-circular and dihedral grooved abutments were topped with plain slabs with the lower corners sloped in the shape of trefoils. The roofings of the corner sections, designed on the false vault principle, are composed of triangles differing in size and shape and arranged in such a way as to form eight-pointed stars. The decoration and design of the base of the rotund belfry, which reproduces in stone modified details of the “glkhatun” wooden tent, is more imposing. The bell tower was taller than Grigor church, and therefore dominated Goshavank ensemble.
On the west, facing Lexington Avenue, is the five-bayNew York City Landmarks Preservation Commission, ; February 28, 1967. tower. It has two engaged octagonal towers flanking the large rose window, with stone tracery forming conjoined trefoils, in the center of the upper stage. Below the window is a tall round-arched entryway and stone steps topped with a carving of the Crucifixion. On the north and south the bays are divided by buttresses supporting the steeply pitched copper roof Inside, the entire nave is finished in the exterior limestone.
There (left of the mound) we have a horse marked with two trefoils, the divine symbols.... Above the mound we see a chalice and right of the mound a woman with a staff in hand. It is his Valkyrie, who has left her seat and come to him in the shape of a bird. Now she is his beautiful sigwif, the hero's benevolent, even loving companion, who revives him with a draught from that chalice and takes him to Valhalla. The horse may be Sleipnir, Woden's famous stallion.
647, pedigree of Ridgeway: regnal date 7 Henry VIII. Suggested by use of dotted line An alternative surname of "Peacock", to that of Ridgeway, was declared in 1564 by his descendant to the heralds at the Heraldic Visitation of Devon, but this name has not been found in other surviving records.Vivian, p.647; Virgoe The ancient arms of "Ridgway" as recorded by Pole do however make a canting reference to this "alias": Argent, on a chevron engrailed gules three trefoils or between three peacock's heads erased azure crowns about their necks or.
The south wall of the chapel has a two-light window in an arch. Above it, there is a stone with the date "1664" and the initials "W B". These are the initials of William Bold, a member of the family owning an estate and house about from the church. The east window has two lights with three trefoils in the decorative stone tracery at the top, set in an arched frame with a hoodmould on the outer wall. Geometric patterns of stained glass, dating from about 1860, decorate the east window.
Chartres labyrinth plan The cathedral courtyard features the Mary Clark Wright Memorial Labyrinth which was commissioned by her children. The maze is a replica of the Chartres Cathedral pattern and includes lunations, trefoils, and petals sculpted in terra cotta and light gray paving stones. The path is about 12.5 inches wide and the labyrinth is 39 feet in diameter, with a total path length of 750 feet. Work on the project was completed by Labyrinths in Stone, of Yorkville, Illinois, and the dedication ceremony was held in September 2001.
The roof is covered with two different patterns of slates and is unique for its multicolored appearance. There are a number of High Gothic Revival style elements, which include rich wrought iron on fences, detailed trefoils carved on the stone facade, ridge cresting on the tower roof and finials. White sawn wood ornament decorates the eaves of the porch and the barge-boards of the steep gables of the lych-gate and the caretaker’s house (living room, dining room, kitchen, front and back staircases and upper bedrooms). The basement crematorium has been decommissioned.
The Baldwin Spencer Building is constructed in stone and brick, which is styled in a type of the Early English Gothic. The key architectural elements include the heavily rusticated freestone walls, buttresses, a conical roofed round turret with spiral stair, dressed stone arched window heads, drip moulds and a parapet decorated with trefoils. Internally the original theatre, laboratory and staircases are still retained; one of the laboratories still contains its original slate benches. In the library, the ceiling is panelled timber with chamfered beams and decorated cast-iron vents.
The chapel, thought to have been built by Walter Branscombe, Bishop of Exeter from 1258 to 1280, occupied the present south wing, where a large rose window containing four cusped trefoils originally set within the outer gable of the west wall survives on what is now an internal wall, hidden behind a later chimney stack in the attic.Listed building text; www.branscombe.net In 1822, Samuel Lysons described the chapel as being in a poor state of repair and desecrated. An ancient stone piscina has also survived; this was reset into a wall in the hall.
Two-bay chancel with one window of 2-trefoil headed lights and cinquefoil in roundel with hood- mould to west and 3-light window to east with trefoils and cusping to outer lights flanking central trefoil headed light with trefoil roundel above, hoodmould, central stepped buttress and diagonal buttressing to east end. Interior: nave: trussed rafter roof. Open wagon roof to chancel; south arcade: three bays, simple chamfered piers without capitals. The land was given by Mrs Catherine Marriott, Lady of the Manor of Goodrich, so that the new church could be built.
The reasons for the production of these compounds that have benefited cereal crop production are however unknown, as they don't seem to serve any apparent function to the plant itself. Tick- trefoils are also useful as living mulch and as green manure, as they are able to improve soil fertility via nitrogen fixation. Most also make good fodder for animals including bobwhite, turkey, grouse, deer, cattle and goats. Some Desmodium species have been shown to contain high amounts of tryptamine alkaloids, though many tryptamine-containing Desmodium species have been transferred to other genera.
The Catholic churches in Porthmadog and Amlwch have been described as 'radical essays in reinforced concrete' – Porthmadog the 'less dynamic one, – an ungainly church of 1933' and Amlwch, – 'a particularly elegant parabolic building.' The Amlwch church has attracted critical praise. The Pevsner Buildings of Wales guide called it 'a piece of Italian architectural daring of the 1930s' – 'a soaring reinforced concrete and brick vault formed on six arches, expressed as ribs externally and internally, with a conical apse. Three transverse bands of glazing in geometric trefoils of white and blue.
There are buttresses at the east end of the nave and at the entrance to the porch. The oldest window is to the east side of the porch, on the south wall, which dates from about 1400; it has two lights (sections of window separated by a mullion) topped by trefoils, set in a rectangular window frame. It is echoed by a 19th-century window on the same wall, set slightly higher to illuminate the pulpit. The north wall has two rectangular windows, one with a pair of lights topped by cinquefoils, the other a single light with a trefoil at the top.
Coat of Arms were an important sign of a noble individual in medieval Europe for recognition in times of battle or at tournaments. An early Coat of Arms was worn by William de Hackett of Cashel in County Tipperary who founded a Franciscan Friary there in the 13th Century. His arms were three hake fish haurient in fesse and in chief three trefoils slipped proper, however the coloring is unknown. Another Coat of Arms was granted to Sir Thomas Hackett, descended from an ancient family long settled in Ireland and Lord Mayor of Dublin in 1688.
The bottom of the altar apse is trimmed by a graceful arcature topped with a band which is ornamented with an intricate geometrical pattern and garlands of alternating trefoils and spheres. The columns of the interior lining the sides of the apse and supporting the wall arch of the arched floor are covered with twisted flutings and fillets; a floral ornament of an ingenious design fills the middle of the lintels of the doors leading to annexes. The exterior decoration of the church is also rich. The graceful arcature with ornamented spandrels, engirdling the edifice, is topped with half-arches on the corners.
Inset is a Gothic-style arch with trefoils and wooden railing; the iron railing on the steps was added later. The double doorway which serves as a church entrance retains its original doors, patterned with a herringbone design and set with quatrefoils of stained glass, set inside a pointed arch. The porch is flanked by more stained glass windows on either side, quite narrow, and a rose window, also of stained glass, is set in the gable. At the very top of the roof is a cross; a finial and pendants make up the decoration of the gable.
The community's arms might be described thus: Party per fess Or and sable, a buck salient of the second langued gules and couped at the thigh, and three trefoils slipped argent. Until the 18th century, Großostheim was known simply as Ostheim. It was in 1774 that the name Großostheim first cropped up. The coat of arms, conferred on 17 January 1911 by Prince Regent Luitpold and borne ever since, is a combination of the 17th- century community seal, which is no longer on hand, and a smaller version of the arms borne by the family Schad, whose members called themselves Schad von Ostheim.
Below and above the jambs, and extending through the surrounding wall, forming friezes, blind respective series of ogival and trefoil pointed arches, that in the lower socket mounted on paired columns with vegetable capitals. This blind gallery of trefoils and columns underlies a complete Apostolate, consisting of statues in the round and almost life- size. Six are shown on each side, attached to the wall, and separated by the jambs. The three archivolts are garrisoned by reliefs of seraphim on the inside, thurifer angels in the middle, and scenes of the resurrection of the deads on the outside.
The nave has a clerestory with pairs of two light windows in each bay with flowing tracery while the lean-to aisles have three-light windows with varied Decorated tracery. The transepts have large windows with a transom: each has a different design in the tracery but in both cases based on a circle. At the east end the chancel has a low parapet pierced with trefoils, a five-sided apse and crocketed pinnacles at the angles of the apse. The roof over the nave has hammerbeams and that over the chancel is a keel shape.
There is no structural division between them, apart from two steps that lead up into the chancel. The 17th-century chapel is on the south side of the church, and the wooden trusses of its roof can also be seen. There are external buttresses to support the structure at the north-east corner and alongside the porch. The north wall of the church has a window of two lights (sections of window separated by mullions; the Perpendicular-style window in the south wall has three lights topped with trefoils (a pattern of three overlapping circles) set in a rectangular frame.
Monument with effigies to Philip Mede, Church of St Mary Redcliffe, Bristol Arms of Mede: Gules, a chevron ermine between three trefoils slipped argentMasters Philip Mede (c. 1415-1475) (alias Meade, Meede, etc.) of Mede's Place in the parish of Wraxall in Somerset and of the parish of Saint Mary Redcliffe in Bristol, was a wealthy merchant at Bristol, then in Gloucestershire, and was twice elected a Member of Parliament for Bristol in 1459 and 1460, and was thrice Mayor of Bristol, in 1458-9, 1461-2 and 1468-9.Cokayne, The Complete Peerage, new edition, Vol.II, p.
Department of the Air Force's version The Department of the Air Force version is described as "within a wreath of green laurel, a gold five-pointed star, one point down, tipped with trefoils and each point containing a crown of laurel and oak on a green background. Centered on the star, an annulet of 34 stars is a representation of the head of the Statue of Liberty. The star is suspended from a bar inscribed with the word VALOR above an adaptation of the thunderbolt from the Department's Coat of Arms." The pendant is made of gilding metal.
The two windows in the south wall and the window in the north wall date from the 19th century, and are set in rectangular frames; the windows are topped with trefoils. The pews and the elevated pulpit date from the 19th century. The church has some marble memorials on the walls, dating from the 18th century, and a 15th-century octagonal font. A 1937 survey by the Royal Commission on Ancient and Historical Monuments in Wales and Monmouthshire noted a bier from 1746, an oak communion table from about 1700, and an inscribed Elizabethan silver cup.
The two windows in the south transept, in the south and east walls, are both from the 17th century, and are square-headed with two lights. The window in the east wall of the chancel is from the 19th-century and has three lights topped with stonework trefoils. It has an external hoodmould (a decorative stone border) around the top. The glass of all the windows is patterned, and some is coloured; the coloured glass is used in the same way as in other Anglesey churches whose 19th-century restorations were aided by Henry Stanley, 3rd Baron Stanley of Alderley, an Anglesey nobleman who converted to Islam.
On the circlet rests representations of eight open crowns with trefoils for leaves (the heraldic symbol of Sweden) from back of which rise eight half arches which curl back on themselves at the top where they support a blue enameled orb and a cross also set with diamonds. Between each of these eight open crowns are eight small points each topped with a diamond. Inside the cap is a scarlet cap of velvet strewn with silver sequins. Two large diamonds are set between the circlet and the front crown, the central trefoil in the front of the crown being replaced with a large oval diamond.
The entrance tower contains a series of windows with decorated jambs that extend from the front door to the most decorated dormer at Biltmore on the fourth floor. The carved decorations include trefoils, flowing tracery, rosettes, gargoyles, and at prominent lookouts, grotesques. The staircase is one of the more prominent features of the east facade, with its three-story, highly decorated winding balustrade with carved statues of St. Louis and Joan of Arc by the Austrian-born architectural sculptor Karl Bitter. The south facade is the house's smallest and is dominated by three large dormers on the east side and a polygonal turret on the west side.
The vestry at the southeast corner of the building also has a separate roof, the gable running at right angles to that of the chancel. A small entrance portico is centrally located in the western facade of the building, and above this is a pointed arched vent with sloping timber louvres. There are large timber finials to the western end of the main gabled roof and to the gabled roof of the portico, and a timber cross at the eastern end of the main roof. The main entrance is a pointed arched double timber door which is flanked by three-paned patterned glass windows with timber trefoils.
The extension has two bays, and the two parts are divided by an arcade of three round arches. The church and annexe have separate entrances. St Mihangel's, extended in 1988 by re-erecting St Enghenedl's Church, Llanynghenedl, at the west end (the left in this picture) The windows in the 19th-century part are topped with trefoils (a stonework pattern of three overlapping circles) and set into square frames. The north wall has three windows, one with a single light (or section) and two with pairs of lights; there are two windows on the south wall (one with three lights, another with two) as well as a blocked window at the east end of the wall.
Organic lawns contribute to biodiversity, by definition, when they contain more than one or two grass species. Examples of additional lawn and grasslike species that can be encouraged in organic lawns include dozens of grass species (eight for ryegrass alone, sedges, mosses, clover, vetches, trefoils, yarrow, ground cover alternatives, and other mowable plantsRoyal Botanic Garden Edinburgh).Canada Mortgage and Housing Corporation Low-Maintenance Lawns Biodiversity increases the functioning and stress tolerance of ecosystems.Sustaining multiple ecosystem functions in grassland communities requires higher biodiversity Lack of biodiversity is a significant environmental issue brought up by the use of lawnsOrganic Lawn Care Movement Developing Across the U.S. with grassroots groups emerging to promote this method of lawn care.
In England, the use of the rose window was commonly confined to the transepts although roses of great span were constructed in the west front of Byland Abbey and in the east front of Old St. Paul's Cathedral in London. Medieval rose windows occur at the cathedrals of York, Lincoln, Canterbury, Durham and Oxford. Medieval Beverley Minster has an example of an Early Gothic wheel window with ten spokes, each light terminating in a cusped trefoils and surrounded by decorative plate tracery. Later windows are to be seen at the nondenominational Abney Park Chapel in London designed in 1838–40 by William Hosking FSA; Holy Trinity Church, Barnes, London; St Nicholas, Richmond; and St Albans Cathedral by George Gilbert Scott.
Drawn by Harry Longueville Jones, Archaeologia Cambrensis, 1846 pg 394 The window in the centre north wall has two lights (sections of window separated by a mullion); there are two pairs of two-light windows in the south wall. The window at the east end had a pair of lights, topped by trefoils (a stonework pattern of three overlapping circles). The roughly oval gritsone font at the west end of the nave, which is from the 12th century, has a zig-zag pattern, and three sides decorated with a cross. The base of the font, which is rectangular with rounded corners, has misshapen carved human heads at the corners and in the middle of one side, and a snake on two of the sides.
The place is important in demonstrating the principal characteristics of a particular class of cultural places. With headstones dating from 1868 to 1993, the burial ground contains monuments and headstones illustrative of a variety of periods and styles. It survives in reasonable order, and is a good example of a small church burial ground established in what was initially a rural district. Despite some white ant damage, the church remains a good example of its type - the simple, rectangular, pragmatic, ubiquitous Queensland weatherboard church - but appears to have retained some of the decorative elements of the first architect-designed building, including the timber trefoils to the windows, a trefoil arch in the portico, and the substantial pointed arched timber entrance doors.
The crowns on the head of the Madonna and the saints are a valuable aid to dating the work. They differ from the precise execution of the Loving Madonnas by the circle of the Master of the Vyšší Brod Altarpiece and, with their proportions and the long stems of their trefoils, they are similar, for example, to the crowns in the Votive Panel of Jan Očko of Vlašim (1371). Characteristic of this transitional period of style are certain traditional elements such as the halos, the overall composition of the Madonna and Child, and the complex, subtle and Italianate composition of the throne. In contrast to this, the features of the Virgin Mary’s face and the childish charm and playfulness of the Baby Jesus represent a shift in this theme towards a more natural character.
The church is still in use as part of the Church in Wales, one of four churches in a combined parish. It is a Grade II listed building, a designation given to "buildings of special interest, which warrant every effort being made to preserve them", in particular because it is regarded as "a mid 19th-century rural church, consistently articulated and detailed in an Early English style". The lintel of the church's northern doorway consists of a tomb-stone long, bearing a poorly-incised cross, plain and with the arms gradually widened. In the churchyard, there is a mutilated cross on a crude pedestal, now used as a sundial, on the front of which is sculptured a cross with equal limbs, each dilated at the extremity, inscribed within a circle, beneath which are two incised trefoils.
Arms of Sir Joseph Williamson: Or, a chevron engrailed between three trefoils slipped sable Secondly, within three months of O'Brien's death Katherine Stewart married Sir Joseph Williamson (1633–1701) of Milbeck Hall in Cumberland. The speed of her remarriage gave rise to unkind rumours that the pair had been lovers, and the marriage was disapproved of, even by her children, since Williamson, the son of a country vicar, was not considered a suitable match for a connection of the King. He was a civil servant, diplomat and Member of Parliament for Thetford in Norfolk, who served as Secretary of State for the Northern Department 1674–79. Katherine Stewart sold her interest in Cobham together with the rest of her estates (including the manor of Gravesend) totalling 2,345 acres,Hasted to Sir Joseph Williamson who resided at Cobham until his death,Correspondence of Henry Hyde, Earl of Clarendon, Volume 2 without issue.
Achievement of arms - Escutcheon: Vert an eagle displayed Argent armed and langued Gules a canton of the second; Crest: A wolf salient Argent charged on the shoulder with a trefoil slipped Gules; Supporters: On either side a wolf Argent semée of trefoils slipped Gules; Motto: Sublimiora Petamus (Let Us Aim At Loftier Things) Baron Biddulph, of Ledbury in the County of Hereford, is a title in the Peerage of the United Kingdom. It was created on 1 August 1903 for the banker and politician Michael Biddulph. He was a partner in the London banking firm of Cocks, Biddulph and Co and also sat in the House of Commons for Herefordshire as a Liberal from 1868 to 1885 and for Ross from 1885 to 1900 as a Liberal Unionist. His father Robert Biddulph had previously represented Hereford in Parliament while his younger brother Sir Robert Biddulph was Governor of Gibraltar.
Text page The hours are a classic masterpiece of Gothic illumination, and the architectural surrounds to many images show typical French Gothic architecture of the period. Although it does not depict the typical flying buttresses and gargoyles most commonly associated with the Gothic period, the 154 verso leaf from the Hours of Jeanne d’Evreux titled The Miracle of the Breviary, a cathedral with Gothic architecture Elements such as the trefoils that can be found decorating the top part of the ornate roof are drawn in grisaille. Even more gothic aspects can be found in the two facing folios depicting Christ Carrying the Cross, on verso sixty one, and the Annunciation to the Shepherds (62 recto). The figures are constrained within a space that acts as a frame but resembles a Gothic cathedral or at least carries the same structural or architectural and stylistic elements.
The 73rd New York Volunteer Infantry Regiment was an infantry regiment of Union Army in the American Civil War. The regiment was organized in New York City in May 1861, originally under the designation the Fourth Excelsior Regiment, as a Zouave regiment, known for its unusual dress and drill style. The uniform worn by this regiment consisted of a dark blue chasseur jacket with light blue trim and light blue trefoils on each sleeve, sky blue chasseur trousers with two white stripes down each leg, brown leather gaiters, a light blue kepi with a dark blue band and dark blue piping, and a red Zouave fez with a blue tassel as a fatigue cap. Drawn from the ranks of the city's many volunteer fire companies, the unit was known alternately as the Second Fire Zouaves, after the 11th New York was known as the First Fire Zouaves, and they were also known as the Excelsior Zouaves.
The greater coat of arms is blazoned in Czech law as follows: A shield quartered: first and fourth gules, a lion rampant queue forchée argent armed, langued and crowned Or; second azure, an eagle displayed chequé gules and argent armed, langued and crowned Or; third Or, an eagle displayed sable armed and langued gules crowned of the field and charged on the breast with a crescent terminating in trefoils at each end with issuing from the centrepoint a cross patée argent.Original text of Czech statute 1993:3, 1 §, states: Velký státní znak tvoří čtvrcený štít, v jehož prvním a čtvrtém červeném poli je stříbrný dvouocasý lev ve skoku se zlatou korunou a zlatou zbrojí. Ve druhém modrém poli je stříbrno-červeně šachovaná orlice se zlatou korunou a zlatou zbrojí. Ve třetím zlatém poli je černá orlice se stříbrným půlměsícem zakončeným jetelovými trojlístky a uprostřed s křížkem, se zlatou korunou a červenou zbrojí.
Masters On the wall behind the effigies is an heraldic escutcheon displaying the arms of Mede: Gules, a chevron ermine between three trefoils slipped argent, and upon a fillet of brass along its front is an incomplete Latin inscription: ... predicti Thoma(e) Mede, ac ter maioris istius villae Bristolliae, qui ob(ii)t 20 die mensis Decembris Anno D(omi)ni 1475 quoram animabus propicietur Deus, AmenMasters ("... of the foresaid Thomas Mede and thrice Mayor of this town of Bristol, who died on the 20th day of the month of December in the year of our Lord 1475, on the souls of whom may God look upon favourably, Amen"). It is reasonable to supposeMasters that the missing word before "predicti" may have been filius ("son") or frater ("brother"). The other compartment remains empty, but has the monumental brass of his son Richard Mede affixed to the rear wall (see above). Above both compartments is a handsome continuous canopy of rich stone carving, supported by demi-angels bearing open books, and wearing upright caps with hexagonal flowers upon their heads.

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