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386 Sentences With "transom window"

How to use transom window in a sentence? Find typical usage patterns (collocations)/phrases/context for "transom window" and check conjugation/comparative form for "transom window". Mastering all the usages of "transom window" from sentence examples published by news publications.

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A walled courtyard leads to a double front door with an arched transom window.
From the porch, an entrance door with sidelights and transom window opens into a large foyer.
A front door with sidelights and a transom window opens into a central foyer with hardwood floors painted in a diamond pattern.
She glanced at the transom window above her door and saw a maintenance worker perched high on a ladder, his rear end pointed directly at the glass.
And in the bathroom that shares a wall with the second bedroom, he kept an original transom window that once looked out onto the yard; it is now an interior window, allowing natural light to filter in from the bedroom.
Called "the queen of Brooklyn Heights houses" in the fourth edition of the "AIA Guide to New York City," by Elliot Willensky and Norval White, the three-story main house, which is connected to the backhouse by a walled courtyard, retains a Federal doorway with Ionic colonnettes, ornate moldings and a leaded-glass transom window.
The main entrance is roughly centered on the facade, with a three-light transom window above.
It has corner pilasters supporting a full and wide cornice. Windows are set in moulded frames, the main entry is framed by sidelights, pilasters, and a cornice, and there are secondary entrances one the east elevation, one with sidelights and a transom window, the other with a transom window. On October 7, 1983, it was added to the National Register of Historic Places.
Both have arch supports with ornately carved spandrels and balusters. The main entrance consists of double doors topped with a stained glass transom window. The front yard features two mulberry trees.
The main entrance is flanked by pilasters, and topped by a four-light transom window and dentillated triangular pediment. The house was listed on the National Register of Historic Places in 1985.
It has a five-bay front facade. It has an "ornate painted aluminum grille, in which a low-relief sculpted eagle is centered, is set in front of the transom window" above the front door. With .
The house has a beveled water table and the walls are laid in Flemish bond. The entrance is reached by a small flight of steps with a large door with raised panels and a transom window.
The main entry is in through an arched opening in the tower, with the door topped by a multi-light transom window. and The building was added to the National Register of Historic Places in 1987.
The gables are wooden with corner returns. There are sixteen double-hing windows with stone lintels and sills. The front door is framed by fluted pilasters and topped with a transom window. Doric columns surround the door.
A porch shelters the entrance, which is topped by a four-light transom window, and has a small fixed-pane window to its right. The house was listed on the National Register of Historic Places in 1982.
There are two symmetrically placed entrances on the front facade, each framed by pilasters and a corniced entablature. A triangular transom window is set in the gable above, and there are fixed-pane windows above the entrances.
The main entry has plain trim, with a transom window and a triangular pediment. The property was owned by the Jenkins family throughout the 19th century. The house was listed on the National Register of Historic Places in 1987.
A stone stringcourse separates each of the floors from the next. The main entrance has an elaborate Federal surround, with sidelight windows and a large half-round transom window. The interior of the house retains original Federal period finishes.
The entry is framed by Federal style fluted pilasters and topped by a heavy pediment; there is a five-light transom window above the door. On October 7, 1983, it was added to the National Register of Historic Places.
Wendell joined the tavern to a second house, the c. 1675–1700 Lord-Collins House, that he also moved to the site. This house is one of a very few First Period homes to provide evidence of a transom window.
The decorative details on the Ottendorfer Library are less elaborate compared to those on the clinic building. The main entrance is through an arched entrance with a small stoop, and contains a Queen Anne style double door under an iron- and-glass transom window. There are iron pilasters on either side of the door, as well as an ornately decorated transom bar above the doorway and transom window; decorated horizontal band courses with owl and globe symbols are located on either side of the transom bar. Surrounding the top of the archway is a set of terracotta egg-and-dart decorations.
The entrance is flanked by sidelight windows and topped by a rounded transom window. A series of ells extends to the rear of the main block. The house was probably designed by architect Alexander Rice Esty, and built c. 1860 for Paul Gibbs.
The main facade has a center entrance, sheltered by a portico supported by paired Tuscan columns. The entry is framed by sidelight windows and topped by a transom window. The interior has been restored to a c. 1860 appearance, and is decorated with period furnishings and Wilson memorabilia.
Over the main doorway is a transom window and a cornice topped by a stone eagle. Other details include carved rosettes and garlands. Interior features include terrazzo floors, steel and bronze doors, ornamental plaster, pink Tennessee marble wainscoting, and brass trim. Murals represent life in 19th- century Wilkin County.
The entrance is framed by pilasters, and a transom window with cornice above. The trim is all white marble. The building is not architecturally distinguished. Plaque on the former home of Thomas Sully in Society Hill, Philadelphia, Pennsylvania The house was built in 1820, with subsequent construction in 1860.
The porch has a tiled floor and a painted timber ceiling. Entry doors are timber framed, and primarily glazed and located in the south wall of the porch. They broadly match the entry doors at the right-hand side of the façade. There is a surviving eight-pane transom window above.
The Capt. Nathaniel Parker Red House is a historic house at 77–83 Ash Street in Reading, Massachusetts. It is a -story vernacular Georgian house, five bays wide, with entrances on its north and south facades. The southern entry is slightly more elegant, with flanking pilasters and a transom window.
They appear to be contemporaneous to the main block, sharing a similar foundation. The main facade is five bays wide, with a center entrance topped by a five-light transom window. It is sheltered by a later Greek Revival portico, with a pedimented gable and Doric columns. The house was built c.
The corners of the house are pilastered in typical Greek Revival fashion, and the gable end has a deep cornice. The main entrance is centered on the five-bay side wall, and features a transom window over the door. The house was listed on the National Register of Historic Places in 1984.
It is a large 2-1/2 story wood frame structure, with a gabled roof and clapboarded exterior. Brick chimneys rise through the front roof face. The main facade is five bays wide, with sash windows arranged symmetrically around the center entrance. The entrance is simply framed, with a transom window and slightly flared lintel.
The entry is topped by a small transom window with two bullseye lights. The house is a well-preserved example of a mid-18th century farmhouse; the property includes a number of agricultural outbuildings, including a barn, toolshed, and chicken houses. The property was listed on the National Register of Historic Places in 1987.
The large front double-doors are capped by a transom window. The porch is framed to either side by a bay window. The second floor is accentuated by a central tower with a decorative double window with a porthole window above it. The tower is capped by a gabled roof with decorative brackets and entablature.
The entry is flanked by sidelights and topped by a transom window. Two single-story additions extend the building to the west, parallel to the street. It had 50 rooms, views of the river, and gardens that were unmatched in the town. It had a 50-foot drawing room and a three-story mahogany staircase.
The main block is extended by an ell and garage. Its entrance set at the center of the front facade, is topped by a four-light transom window. A two-story ell extends behind the main block to the north, connecting it to a carriage barn. The ell has a gabled roof pierced by multiple gabled dormers.
The 1-1/2 story Cape cottage was built c. 1780, and is a well-preserved Federal style structure on a property that also has a period barn. Located just outside Osterville village, it is five bays wide, and has a centered entry with a five-pane transom window. The windows and entry butt directly against the eaves.
This 1-1/2 story Cape style house was built c. 1760, and is a rare well-preserved instance of a Georgian colonial period Cape. It is slightly unusual in that it is a half-house, only three bays wide, which was never widened to the typical five bays. The main entry is simply framed, with a transom window.
The House at 23 East Street in Methuen, Massachusetts is a well preserved Greek Revival cottage. Built in c. 1840, it is a 1-1/2 story three bay wood frame structure with a side hall entry and a front-facing gable end. The main entrance is flanked by full-length sidelight windows and topped by a transom window.
Over the Tuscan-colonnaded and entablatured front portico is Keyes's central triangular pediment with ornate cornices. A tall, iron-railed transom window tops the front door. The house's simple symmetry and proportions are broken up by a large garage to one side. Low lanterned walls of matching construction to the house frame the front of the property.
Both the main section and the addition have entrances at their respective centers. That of the main house is elaborate, with sidelight windows, pilasters, transom window, and entablature. A large brick chimney rises at the center behind that entrance. The interior retains many original 18th-century features, including wainscoting on the walls and paneled fireplace surrounds.
A central projecting entry pavilion dominates the front façade, with a recessed entry topped by a transom window and a cornice in scrolled brackets. The doorway is flanked with Doric columns, and Ionic pilasters beyond the recessed area. Above the pilasters is an entablature and triangular pediment with decorated tympanum. The building was extended in 1998.
A window above a door; in an exterior door the transom window is often fixed, in an interior door it can open either by hinges at top or bottom, or rotate on hinges. It provided ventilation before forced air heating and cooling. A fan-shaped transom is known as a fanlight, especially in the British Isles.
The Jenckes House is a historic house at 1730 Old Louisquisset Pike in Lincoln, Rhode Island, United States. It is a -story timber-frame structure, five bays wide, with a large central chimney. The main entrance is flanked by pilasters and topped by a transom window and heavy molded cap. Additions extend the house to the south and northwest.
How a Mosquito Operates (1912) A man looks around apprehensively before entering his room. A giant mosquito with a top hat and briefcase flies in after him through a transom window. It repeatedly feeds on the sleeping man, who tries in vain to shoo it away. The mosquito eventually drinks itself so full that it explodes.
The James Weldon House is an unaltered example of Gothic vernacular architecture. The three bay frame house is distinguished by a center gable and lancet style window. Side elevations have cornice returns and six-over-six windows. The front elevation has two-over-two lights on the first floor and a transom window over front door.
The J.J. Deal and Son Carriage Factory is a four-story brick building with a long rectangular footprint. The front of the building contains three bays separated by brick piers. The center bay contains an entrance with transom window above. Double-hung windows in jack-arch openings are located in the side bays and in the upper floors.
The 2-1/2 story wood frame house was built c. 1780 by Benjamin Marston, from the third generation of Marstons that gave the area its name. It has a five-bay facade and a large central chimney, with a centered entry framed by pilasters and topped by a transom window and entablature. The building underwent a major restoration in the 1960s.
The Rev. Stephen Badger House stands on the south side of the village of South Natick, at the southwest corner of Eliot Street and Badger Avenue. It is a two-story wood frame structure, five bays wide, with a hip roof, two interior chimneys, and clapboarded exterior. The entrance is flanked by pilasters, and topped by a transom window and gabled pediment.
The main entrance is sheltered by this porch, and is framed by sidelights and a transom window. Gable sections on the building sides continue the Gothic decorations found on the front facade. Windows are set in groups of one to three in size, with stone sills and lintels. A single-story wood frame well extends to the main block's rear.
Short's Tavern is a historic building at 282 Market Street in Swansea, Massachusetts. In form it is a three-quarter Georgian house, 2-1/2 stories in height and four bays across, with a side gable roof and a central chimney. The main entrance is flanked by pilasters and topped by a transom window and gabled pediment. The house was built c.
The house is a 2-1/2-story brick structure with a side-gable gambrel roof, end chimneys, and a rear wood-frame ell. The main entrance is a double door centered on the front facade, which is topped by a transom window. It was built by Nathaniel Hayden in 1763. The home was inherited by Captain Hayden's son Nathaniel.
It originally had two chimneys on each end wall, but now each has only one. The main facade is five bays across, with a center entrance topped by a half-round transom window. Windows are set in rectangular openings, with stone sills and lintels of soldier bricks. A single-story ell extends to the rear, and the property includes a 20th-century garage.
The house is a wood-frame structure on low brick piers. It originally comprised a main block measuring wide and deep, with projecting rear wings. The rear portion was remodeled in the 20th century. The unaltered front portion features a seven bay facade with French doors set into each bay, the central door is surrounded by sidelights and a transom window.
The doorway is topped by a five-light transom window and flanked by simply-decorated molding. A single-story ell extends to the rear of the main block. This house was probably built by Daniel Hosmer in 1774, around the time of his marriage, on land belonging to his family. Hosmer was the grandson of Stephen Hosmer, one of West Hartford's first settlers.
The entrance is framed by pilasters at the sides and four-light transom window above. The building interior follows a typical center-chimney plan, with a narrow winding stair in the entry, and parlors to either side. Interior finishes are Greek Revival, and fairly modest. The house was built, probably around 1847, for Albert J. Smith, owner of a local hardware business.
Dictionary of Ohio Historic Places. Vol. 1. St. Clair Shores: Somerset, 1999, 660. it is primarily a Neoclassical structure, featuring elements such as a pediment and Ionic columns on the massive wrap-around porch with a fragile narrow balustrade. Situated in the center bay of the facade, the main entrance is framed by sidelights and a transom window of leaded art glass.
Its main facade is symmetrical, with a center entrance flanked by pilasters and topped by a transom window. The windows in the side bays are butted against the cornice in the Federal style. Probably built in the 1820s, it is a well- preserved example of vernacular Federal period architecture. On October 7, 1983, it was added to the National Register of Historic Places.
The sliding double doors are topped with a multi-pane transom window. The barn has a gable roof and a wood-frame shed attached to the south end. The other five farm buildings, extant in 1979 but no longer in evidence, were built sometime between 1870 and the early 20th century. All were wood-framed and most had clapboard siding.
The west and south façades have the most decorative elements. Decorative brickwork frames the ground-floor windows and doors, and two belt courses of corbeled bricks accentuate the division between the upper and lower floors. Bricks above the second-floor windows are set to form flat relief arches. Each is surmounted by a semicircular transom window set into a brick arch.
The eaves of the main roof, vestibule, and gables are lined with dentil moulding. The entry vestibule has a pair of entrances, each topped by a half-round multilight transom window. In between the entrances is what appears to be an entrance surround, consisting of pilasters supporting a corniced entablature. The framed space is presently occupied by a notice board.
The front is five bays wide, with the entrance slight off center, framed by Federal period pilasters, transom window, and entablature. Both barns are set on rubblestone foundations, and are of post and beam framing. The larger one has been adapted for use as a studio. The oldest portion of this house, probably its western half, was built about 1735 by William Noyes.
An original rendering vat is in the basement. The main block, added later, is a five-by- three-bay two-story frame house lined with brick. Its most distinctive Federal style feature is the main doorway, flanked by sidelights, fluted pilasters and topped with a rectangular transom window. Smaller versions of the pilasters flank the Palladian window immediately above the doorway.
Both the porch and the main building have corner pilasters, with pilasters also present between pairs of windows on the porch. They rise to an entablature and modillioned cornice. The main entrance is at the center of the porch, flanked by wide sidelight windows, and a transom window above with ten small lights. The building interior retains high quality original workmanship.
The facade features a veranda-style porch with a delicate balustrade and Ionic columns. Underneath the porch roof, the main entrance is surrounded by large sidelights, while a transom window of leaded glass sits above the doorway. The overall floor plan is that of the letter "L", divided into four bays on the front and three on the sides.Owen, Lorrie K., ed.
The main entrance is flanked by pilasters and topped by a half-round transom window and gabled pediment. The interior has been restored, with the second floor resembling its original appearance as a courtroom. The courthouse was built in 1822, when Tolland was the county seat of Tolland County. The courthouse remained in service as such until 1890, when county courts mostly moved to Rockville.
The entrance is sheltered by a narrow portico, which has paired Corinthian columns rising to an entablature and bracketed full pediment. The library's name appears on the entablature. The entry is set in a round-arch opening, with flanking sidelight windows and a half-round transom window above. The interior has fine decorative woodwork, and is laid out with a central librarian's desk and flanking reading rooms.
The house's corners are quoined. The main entry is flanked by slender columns supporting an architrave, and then by sidelight windows topped by a transom window. A Palladian window stands to the right of the door, and a bay window with a center transom of colored glass stands to the left. The house was listed on the National Register of Historic Places in 1983.
Its main entry is flanked by pilasters and topped by a four-light transom window and a full pedimented gable. Interior features include original wide pine flooring and horizontal wainscoting. One of the early settlers of the area that is now Attleboro was Banfield Capron, whose family would continue to be prominent in town affairs for many years. He gave each of his seven children of farmland.
Smuggler's House is an historic house at 361 Pearse Road in Swansea, Massachusetts. It is a 1-1/2 story Cape style farmhouse, five bays wide, with a side gable roof, a chimney that is slightly off-center, and a pair of gabled dormers. Its main entry is flanked by pilasters and topped by a five-light transom window. The house was built c.
The main facade has a single-story porch across its width, supported by three Ionic columns. The entrance, on the left side, has a single door with a large pane of glass, and is topped by a transom window. On the right side is a two-sided projecting bay section. The house's most prominent exterior feature is a crenellated tower which rises above the entry.
The main entrance is sheltered by a shed-roof porch and has a four- light transom window. Single-story ells extend to the rear (north) of the main structure. The interior of the house has more than twenty rooms. The most notable of these are its original kitchen, which has been restored, and the attic level, which housed the studio of American genre painter William Sidney Mount.
The main entrance is in the center bay, with flanking sidelight windows and a half-round transom window. On the second floor above there is a Palladian window. On the interior, it has a standard center hall with staircase, with public rooms in front and service rooms in back. A two-story wing extends to the north, and a single story wing extends further from that ell.
The Perón family crypt, where Juan Perón's casket lay from 1976 until 2006. The burglars that absconded with his hands in 1987 reportedly entered though the transom window above the entrance. The cutting of the Hands of Perón refers to a 1987 incident where the tomb of Juan Perón, former President of Argentina, was broken into and his hands dismembered and removed by persons unknown.
Randall House is a wooden two-and-a-half storey Georgian style farmhouse dating from the late eighteenth-century. The front of the house has a symmetrical five bay façade with a pedimented gable porch on Doric columns. The front door has a transom window with sidelights. The house has a steep-pitched gable roof and the walls are sided with clapboard with wide corner boards.
The house was built in 1912 by Henry Duncan. South of the house stands a massive gambrel-roofed barn, built by Duncan in 1910. Its west- facing main facade has a large sliding door at the center, topped by a transom window, with a smaller personnel entrance to the right. At the southeast corner of the property stands an abandoned 1-1/2 story cottage.
The main block has a centered entrance, topped by a four-light transom window, and has a slightly off-center chimney. The interior of the house is relatively little altered since its construction, and has relatively plain vernacular molding. The main parlor has a tin roof that is a later addition. Standing east of the house is a mid-19th century barn of post-and-beam construction.
The Luther House is a historic house in Swansea, Massachusetts. It is a 1-1/2 story gambrel-roofed wood frame house, five bays wide, with a central chimney and wooden shingle siding. Its main facade is symmetrically arranged, with a center entrance that has a transom window above. An ell extends to the right side, and dormers in the roof are a later addition.
Above this is a carved stone frieze bearing the inscription "The Gift of Andrew Carnegie 1906". The upper storey has a six-light mullion and transom window containing stained glass with Mackintosh-style designs. At the summit is a parapet. In the ground floor of the other three bays are three four-light windows and in the upper floor is one eight-light window.
The main facade is three bays wide, with corner pilasters rising to an entablature and fully pedimented gable. The main entrance is at its center, topped by a large multipane transom window. The tower has a plain first stage finished in clapboards, while the second stage, housing the belfry, is finished in flushboarding with louvered openings. The structure was built in 1842 as a church.
The Powhatan Methodist Church is a historic church on Arkansas Highway 25 in Powhatan, Arkansas. It is a single-story wood frame structure with a gable roof and a stone foundation. The main (only) entrance is in the east facade, and consists of a double door topped by a transom window. Flanking bays are filled with sash windows, identical to those found on the other facades.
The Sylvanus Holbrook House is a historic house at 52 Albee Road in Uxbridge, Massachusetts. This story timber frame house was built c. 1780. It was owned by Sylvanus Holbrook, one of the founding directors of the Blackstone National Bank. It is five bays wide, with a central entry that is a typical Federal style with flanking pilasters supporting a five-light transom window and triangular pediment.
Trim consists of simple pilasters at the corners, and an entry surround with pilasters, transom window, and paneled entablature. A vertically oriented flagpole is attached above the door. The town of Petersham, incorporated in 1754, established a district school system consisting of thirteen districts. The present district 4 schoolhouse was built in 1846, and is one three school buildings from the 1840s to survive in the town.
Trim consists of simple pilasters at the corners, and an entry surround with pilasters, transom window, and paneled entablature. The interior of the school has a vestibule area, which then opens into the classroom. The wall separating the spaces is vertical tongue-and-groove, with an original Federal-period door. The classroom walls are finished in vertical tongue-and-groove wainscoting, with plaster above.
The wooden front entry doors are original, and also surmounted by a semi-circular transom window (UK = fanlight). Brick pilasters are located at the corners of the building, and serve to accentuate the eave returns above. The building contains several brick chimneys with corbelling at the top. Character-defining elements include a wood-trimmed alcove containing coat hooks, cubby holes, and a storage closet.
The doorway is recessed from the facade in a paneled opening, and is flanked by sidelight windows and topped by a transom window. The opening is flanked by fluted pilasters with elaborately-carved capitals, supporting a flat-roofed architrave. The roof is surrounded by a "chinese balustrade", a restoration of a feature the house was known to have earlier. Although long believed to have been built c.
The first floor windows are topped by a corniced entablature also adorned with blocks. The entry has a four-light rectangular transom window set under a half-round arch, and is flanked by pilasters rising to a gabled pediment. A 20th-century ell and garage extend to the rear of the building. The interior retains a number of original finishes, including wide floorboards and fireplace mantels.
The C.R. Breckinridge House is a historic house at 504 North 16th Street in Fort Smith, Arkansas. It is a large two-story structure, with a hip roof, stuccoed walls, and a fieldstone foundation. A porch extends across the front facade, supported by seven box columns, with an open veranda above. The main entrance is flanked by sidelight windows and topped by a half-oval transom window.
The Dr. Daniel Lathrop School is located on the northside East Town Street, facing the triangular Norwichtown green, next to the Joseph Carpenter Silversmith Shop. It is a single-story brick building, covered with a wooden shingled gambrel roof. The main facade is five bays wide, with the entrance in the rightmost bay, topped by a transom window. The roof is capped by a small square cupola with a flared roof.
The Daniel and Esther Bartlett House, now the Lonetown Farm Museum, is at historic house and farmstead at 43 Lonetown Road in Redding, Connecticut. It is a 2-1/2 story wood frame structure, five bays wide, with a central chimney. The central entrance is framed by pilasters and topped by a transom window and pediment. The entry is sheltered by a gabled portico supported by Doric columns and pilasters.
The openings on the ground floor are topped by blind arches. The main entrance is set in a wider arched opening, with flanking sidelight windows exhibiting tracery, and a multilight arched transom window above. The interior retains original Federal period woodwork, including paneling, chair rails, and a partially hung circular staircase in the main hall. with The house was probably built not long after Jedediah Strong purchased the land in 1815.
The entry is topped by a four-light transom window, and the enter facade is sheltered by a shed-roof porch supported by Ionic columns. A two-story porch extends along the right (east) facade. It stands on the property of the Dublin Lake Golf Club, serving as a clubhouse. The house is a surviving wing of a much larger house built by Dublin's first permanent English settler, Thomas Morse.
The Mason-Watkins House is located in a rural setting in southwestern Surry, at the northwest corner of Old Walpole and Mine Ledge Roads. It is a 2-1/2 story wood frame structure, with a gabled roof and clapboarded exterior. It is five bays wide, with a central chimney, and simple window casings. Windows are arranged symmetrically around the center entrance, which is topped by a four-light transom window.
The wood-frame Cape style house was built c. 1820-30 by Joseph Robbins, a painter who is also known for painting the figurehead of the USS Constitution. It is a rare local example of Federal styling, with a multi-pane transom window over the main entrance. The house is a 1-1/2 story structure, five bays wide, with a side gable roof and a central chimney.
The Lot Crocker House is a historic house at 284 Gosnold Street in Barnstable, Massachusetts. The 1-1/2 story wood frame Cape style house was built c. 1800. It is five bays wide, with a side gable roof and twin interior chimneys, an unusual feature of houses of the period, which more typically have a central chimney. It has a center entry that is topped by a transom window.
The 1-1/2 story Cape style house was built in 1799 by Barzillai Weeks. The house was the center of a local farm for over 150 years, most of them under the ownership of Weeks' descendants. The house has well-preserved Federal styling, most prominent in the five-pane transom window over the main entrance. The house was listed on the National Register of Historic Places on March 13, 1987.
The former Dennison School House is located in a rural setting of southwestern Southbridge, on the east side of Dennison Lane near its junction with Dennison Crossing. It is a modest 1-1/2 story brick structure, with a gabled roof. The main facade is three bays wide, with sash windows on either side of the entrance, which has a small transom window. A wood-frame ell extends to the right.
Auburn is a two-story brick building, with a central core and flanking symmetrical wings. A four-column temple front adorns the center of the block, with modified Ionic columns supporting an entablature and fully pedimented gable. The gable has modillioned cornices and an oval window at its center. The main entrance is set in a segmented-arch opening along with flanking sidelight windows and a transom window above.
The main entrance is its most elaborate exterior feature, with sidelights and fanlight transom window sheltered by a half-round portico supported by columns with Ionic capitals. Above the entrance is a sash window with half-round fan, framed by wooden paneling. The interior features include a fine curving staircase and carved fireplace mantels. The house was built sometime between 1810 and 1813 for Thomas Morton, a local merchant.
The central five bays are demarcated by pilasters, and have large sash windows on the second level. The outermost bays have small 2-over-2 windows at their center, and the next inner ones have sash windows with panels below. The original main entrance stands in the center bay, with a transom window and console hood above. Modern additions dating to 1954 and 1962 extend the original building to the rear.
A statue of John Brown, placed in 1935, stands nearby. The house is a 2-1/2 story timber framed structure, with a gable roof and clapboarded exterior. Its front is four bays wide, with the entrance in the left center bay, topped by a transom window. Most of the finishes, both interior and exterior, are restorations performed in the second half of the 20th century to bring about a c.
The entrance is simply framed, with a multilight transom window above. The interior is a combination of original, recycled, and reproduction finishes. With The house was built about 1740 by Theophilus Jones, whose grandfather William was one of the original settlers of the New Haven Colony. The house and farm holdings around it remained in the Jones family until 1914, after which the farmland was progressively sold off for residential development.
The Willard- Fisk House is set in rural northwestern Holden, on the east side of Whitney Street. It is set on about of former farmland. It is a 2-1/2 story building, with brick front and side walls, end chimneys, and a clapboarded rear wall. Its west-facing front facade is five bays wide, symmetrically arranged, with a center entrance whose only significant ornamentation is a four-light transom window.
The William Lawrence House is a historic house at 101 Somerset Avenue in Taunton, Massachusetts. It was built in 1860 by local carpenter Abel Burt for William Lawrence, a salesman. It is a two-story roughly square wood frame structure, with a mansard roof topped by a cupola. The main entrance is set in a round-arch opening with a transom window, and its front porch features chamfered posts.
Metal sconces, shaped like torches, are placed on the walls below the frieze. The vestibule's ceiling contains a smooth barrel vault with silver-leaf finishing, as well as an overhanging Art Deco chandelier. The vestibule and the building's lobby are separated by a marble wall. A metal revolving door flanked by two smaller doors leads to the lobby, while a transom window and decorative metal grille are above these doors.
The Thomas Alva Edison Birthplace is in a residential area north of downtown Milan, on the west side of North Edison Drive. It is a small 1-1/2 story brick building, with a gabled roof and two end chimneys. The main facade is five bays wide, with the entrance at the center, topped by a four-light transom window. The door and window openings are all headed by stone lintels.
The main facade, facing the street, is symmetrical, with a double-door entrance at the center, with flanking pilasters and a triangular transom window that has a cornice above. The flanking bays have sash windows, also topped by triangular cornices. In the attic level above the entrance are a pair of pointed-arch windows, again beneath a single triangular cornice. The eave of the roofline is decorated with jigsawn bargeboard trim.
The George Taft House is a historic house at 153 Richardson Street in Uxbridge, Massachusetts. The two story timber-frame house was built in c. 1810. Taft Benson, Sr, a famous Mormon Pioneer, lived in the house from 1817–1835. It is a well-preserved example of Federal style architecture, expressed mainly in its door surround, which includes pilasters and a broken pedimented gable above a half-round transom window.
The Charlotte Forten Grimké House is located northeast of Dupont Circle, on the south side of R Street roughly midway between 16th and 17th Streets. It is a two-story masonry row house, built out of red brick. It is two bays wide, with a single- story polygonal bay on the left and entrance on the right. The door is topped by a transom window framed by a bracketed hood.
The south side, its main facade, has a pair of doors under a ten-light transom window and a shallow entry cover. Above this is a round window, a detail echoed on the north side. It served the town as a school until 1951, and was then used for storage. It is now leased by the town to the Coventry Historical Society, who conduct tours and hold meetings there.
The Old Bell Telephone Building is a historic commercial building at 109 North Ash Street in downtown Osceola, Arkansas. It is a two-story flat-roof brick building, built in 1911 to house the town's telephone exchange. The building is three bays wide, with the door in the right bay, with a transom window above. There is an original brass slot for accepting payments between the doorway and the center window.
The Oliver A. Wickes House is a historic house in Warwick, Rhode Island. The two-story stone structure was built in 1855 in a vernacular Federal/Greek Revival transitional style. The house is the only known period stone house in Warwick, and one of a very small number in the state. It has a four-bay main facade with a recessed entry framed by sidelights and a transom window.
The main wing has sash windows set in segmental arch wood surrounds with infill at the tops of the arches. The main entry is offset on the front façade, balanced by paired windows on the first and second floor. This doorway has a clear glass transom window. The main entrance originally had a decorative open porch, which was later replaced by a simpler porch with a hip roof and plain columns.
The front, double-door has a semi- circular transom window and a stone hood with a keystone above it. The interior of the Plano Stone Church consists of two rooms, a small by vestibule at the entry way, and the main room. The main room has a cove ceiling and a raised dais at its west (front) end. The interior wainscotting, doors, and window sashes are all original.
The porch wraps around the sides of the house, and has a hip roof. The main entrance is in the middle bay of three, and is flanked by sidelight windows and topped by a four-light transom window. The upper level of the house has a side-gable roof, with three dormers facing front. The central dormer is larger, with a gable roof, while the flanking dormers have hip roofs.
Its most distinctive feature is its entry, which features a four-panel door with a hand-forged doorhandle and semicircular transom window. The interior of the house has vernacular Greek Revival woodwork. Its earliest documented owner, Benjamin Knight, operated a carding mill that once stood nearby, and was for a time owned by the family operating the Hoag mill. Both buildings underwent a significant restoration in the mid-20th century.
Each is five bays wide, with a center entrance flanked by pilasters and topped by a transom window, entablature, and gabled pediment. The lower level of the roof on the west side has three gabled dormers. The exact construction date of the house is not known. The property on which it stands had a long association with the locally prominent Taft family, beginning with Daniel Taft in the early 18th century.
The Henry Pyeatte House is a historic house near Canehill, Arkansas. Located on a rise west of Arkansas Highway 45, it is a vernacular wood-frame I-house structure, two stories high, with single-story ells attached to the eastern and western sides. A front-gable portico projects over the centered entrance, supported by box columns. The entrance is framed by sidelight windows, with a transom window above.
The entrance has a transom window, and is flanked by pilasters which rise to a frieze and cornice. The second story has a slight overhang above the first floor, and the gable ends on the sides have a similar overhang as well. The main roof cornice has a line of dentil moulding. The house had a stone chimney at its center, With which is no longer visible above the roof line.
Its main facade is also relatively simple: the front-facing gable is not fully pedimented, having only short returned. There are corner paneled pilasters as with the church. It has a centered double-door entry, which is topped by a transom window and framed by pilasters and an entablature with cornice. The entrance is flanked by sash windows topped by simple cornices, and there is a similar window in the gable.
The house's main block has a five- bay front facade, articulated by brick pilasters with granite capitals. Windows are rectangular sash, set in openings with granite sills and lintels. The window above the entrance is a three-section window, with narrow side windows in the Palladian style. The entrance is recessed in a rectangular granite-lined openings, with flanking sidelight windows and round columns, and a large transom window above.
The Jabez Partridge Homestead is located in a rural area of southern Gardner, on the east side of Partridge Road. Its main block is a 2-1/2 story frame structure, with a gabled roof, central chimney, and clapboarded exterior. The main facade is five bays wide, with windows arranged symmetrically around a center entrance. The entrance is flanked by pilasters and topped by a transom window and corniced entablature.
The original front door is framed by narrow pilasters and topped by a four-light transom window. Some of the interior rooms have retained significant original finishes from the period of construction. Land for the farm was purchased in 1814 by William Holway, a native of Machias. By 1817 he had built the house, as well as a wharf and store (now only ruins remaining) on the bay.
The Edward Sullivan House is a historic house in Winchester, Massachusetts. This small, story house was built around 1875, and is the best-preserved example of a 19th-century worker's cottage in the town. It is three bays wide, with a side-gable roof, and simple vernacular Italianate styling. It has almost no exterior architectural styling, except for a transom window and modest entablature over the front door.
The farmhouse is set on the east side of the road facing west, and is a 2-1/2 story brick I-house with Greek Revival features. Doors and windows are set in openings with marble sills and lintels. The main entrance is flanked by sidelight windows and topped by a transom window with X-shaped dividers. A wood-frame ell, like the main block topped by a gable roof, extends to the rear.
The Sawyer Tavern is located in western Keene, on the north side of Arch Street a short way west of Keene High School. It is a 2-1/2 story wood frame structure, with a gabled roof, two interior chimneys, and a clapboarded exterior. Its main facade is five bays wide, with a symmetrical arrangement of sash windows around the center entrance. The entrance is simply framed, with a four-light transom window above.
A single-story porch extends across the full width of both of these sections. The main entrance has a finely detailed Federal period surround, including fluted pilasters and a half-round transom window. Dudley was about halfway between Boston and Hartford, Connecticut, and was a major stopping point on the stagecoach route. The tavern was built about 1803-04 by Hezekiah Healy, and served both the transient stage traveler as well as local residents.
Glenwood is a historic plantation estate located at 7040 Philpott Road (United States Route 58) southwest of South Boston, Halifax County, Virginia. The main house was completed about 1861, and is a distinctive combination of mid-19th century architectural styles. The main house is a two-story wood frame structure, with a hip roof. The cornice has Italianate brackets, and the main entrance is framed by sidelights and a transom window with Gothic tracery.
The entrance is flanked by fluted pilasters and topped by a five- light transom window, entablature, and cornice. A two-story ell extends to the rear. The interior retains many original mid-to-late 19th century features, including wall paneling and central staircase. The house sits in a very small parcel of land, a surviving remnant of more than purchased by Preserved Brayton in the 1710s, when the area was part of Swansea.
The Mathis-Hyde House is a historic house at 400 North Second Street in Augusta, Arkansas. It is a single-story wood frame structure, three bays wide, with a front facing gable roof and a temple-front porch sheltering its centered entrance. The entrance is flanked by sidelight windows and topped by a three-light transom window. The porch has a wide freeze and pedimented gable, and is supported by round columns with simple capitals.
The Late Gothic cross-window is known since the 14th century and replaced the hitherto common Romanesque or Gothic arched window on buildings. Since then the latter have almost exclusively been reserved for church buildings. The two, upper lights were usually somewhat smaller that the two lower ones and could be opened separately. The latter is also true for a transom window, which has a horizontal bar or transom separating the lights.
It is five bays wide, with a central entry on the main (eastern) facade that is flanked by sidelight windows and topped by a transom window. On the second floor above this entry is another door, which (unlike the present main door) is probably original to the house. The house was listed on the National Register of Historic Places in 1993, at which time it was reported to be in deteriorating condition.
The Lenox Library building occupies a prominent site in downtown Lenox, on the east side of Main Street between Walker and Housatonic Streets. It is a 2-1/2 story masonry structure, built out of brick with stone and wooden trim. Its front facade is dominated by monumental two-story pillars and pilasters, which articulate the three bays. The main entrance is in the center bay, topped by a segmented-arch transom window.
The gabled pattern of the roof is repeated in the window and door trims. The interior includes pine woodwork, sliding doors, window seat, and a leaded glass transom window. Its primary historical significance is its connection to Wright Morris, who was born in Central City, Nebraska on January 6, 1910 and lived in this house until 1919. The city and the house played a significant role in his literary works and photography.
The roof's peak is truncated, the flat top section ringed by a low balustrade. The front face of the roof has two dormers, topped by gabled roofs and covering round-arch windows. The main facade is five bays wide, with sash windows set in rectangular openings, with stone sills and splayed stone lintels. The main entrance is at the center, with flanking sidelight windows and pilasters, and a large half-round transom window above.
The Elam Ives House is located in central eastern Hamden, on the south side of Ives Street (Connecticut Route 22) just west of the Mill River. It is a 1-1/2 story wood frame structure, with a gabled roof, central chimney, and shingled exterior. Its main facade is three bays wide, with sash windows on either side of the central entrance. The entrance is simply framed, with a four-light transom window above.
The Ives-Baldwin House is in a rural-suburban area of northeastern Meriden, on the north side of Baldwin Avenue near its junction with Winding Brook Lane. It is a 2-1/2 story wood frame structure, with a gabled roof, central chimney, and clapboarded exterior. Its main facade is five bays wide, with sash windows arranged symmetrically around a center entrance. The entrance is simply framed, with a transom window above.
Hopewell Municipal Building is a historic municipal building located at Hopewell, Virginia. It was built in 1925, and is a three-story, nine bay, rectangular, sandstone brick building in the Classical Revival style. Attached to the main building is a three-story annex built in 1957. The main entrance is a stone framed double door with a five pane transom window and a six foot deep portico with two stone unfluted columns on either side.
The Rollinsford Grade School stands in a residential area south of Rollinsford's town center, at the junction of Locust and Willey streets. The school is a two-story structure, built with a steel frame with walls of terra-cotta tiles veneered with brick. It is Colonial Revival in style, with a particularly fine entrance surround. Modern aluminum-and-glass doors are flanked by Corinthian pilasters, and topped by a transom window and arched pediment.
Each section is covered by a hip roof. The main facade is three bays wide, with a shallow project central gabled section supported by paired Doric columns. Ground floor windows are set in segmented-arch openings with limestone keystones, and second-floor windows are set in rectangular openings with splayed lintels and keystones. The entrance is a double-leaf door with flanking sidelight windows and a large semi-oval transom window above.
Above each display window is a triangular pediment with a fluted tympanum; a stepped pediment frame; and a niche in the pier above the center of the pediment, containing a representation of an "electric spirit". The pediments above the main entrance and freight entrance are more elaborate. The main entrance is on Lexington Avenue and contains three single-leaf metal doors. The Lexington Avenue entrance is topped by a transom window with interlocked triangles.
The Meigs-Bishop House is located in Madison's central business district, on the west side of Wall Street at Brookside Road. It is a 2-1/2 story wood frame structure, with a gabled roof, large central chimney, and clapboard exterior. Its main facade is five bays wide, with slightly asymmetrical placement of sash windows around a nearly centered entrance. The entrance is simply framed, with a six-light transom window topped by crown moulding.
The schoolhouse is a single-story wood frame structure, with a front gable roof, weatherboard siding, minimal exterior ornamentation, and a foundation of stone piers. It is set on a large (more than ) parcel of land on the east side of Point Road, which also includes a c. 1980s private residence. Its main facade has a centered doorway with a transom window, and an opening for a small sash window in the gable above.
The Samuel Gilmer House is a historic house and farm property at 2410 East Main Street, just outside the Lebanon town limits in Russell County, Virginia, United States. It is a two-story brick building, set on a limestone foundation, with a side gable roof. A single-story porch extends across the front, supported by round columns. The front is three bays wide, with a center entrance topped by a transom window.
The Simon Tiffany House is located in a rural setting in southwestern Salem, on the south side of Darling Street near the town line with Lyme. It is a 1-1/2 story wood frame structure, with a gambrel roof, central chimney, and clapboarded exterior. Its main facade is five bays wide, with a center entrance topped by a four-light transom window. The flanking bays are slightly asymmetrical in their placement.
West Baden National Bank, also known as Springs Valley Bank & Trust Company, is a historic bank building located at West Baden Springs, Orange County, Indiana. It was built in 1917, and is a two-story, Classical Revival style reinforced concrete building sheathed in yellow brick with limestone detailing. It features a recessed entry with unfluted Ionic order columns in antis, large round-arched transom window, and a central parapet. Note: This includes and Accompanying photographs.
All the windows are eight-over-eight double-hung wood sash windows. The four main window banks also have eight-pane awning windows above the eight-over-eight windows. There is a single pair of eight-over-eight windows near the north end on the east and west sides of the building. Both the east and west sides of the building have a double-door entrance with a fifteen-pane transom window above the doors.
The main block is three bays deep, with the main entrance in the rightmost bay on the north side, slightly askew from a symmetrical placement. It is topped by a half-round transom window with a granite keystone at the top. Ground-floor windows are set in rectangular openings with stone lintels, while the upper-floor windows are butted against the roof eave at the top. The structure was built in 1816 by Ira Goodall.
The molding surrounding the doors and windows is simple, and the only significant architectural note is the four-light transom window above the entrance. A modern ell, also stories, extends to the right, stepped back from the main block. with Thomas Nichols moved with his family to the Barre area in 1799 from Worcester, Massachusetts, and built this house. He died the following year, leaving his seventeen-year-old son as head of the household.
The Bondi Brothers Store is a historic commercial building at 104 Madison Street in downtown Clarendon, Arkansas. It is a two-story brick building, with modest Italianate styling. Its storefront has been altered to have plate glass over much of the front, but the recessed entrance remains, with an original transom window. The store was built in 1904 by Ike and Ed Bondi, sons of German immigrants who established a successful clothing store.
Both of these facades are five bays wide, with a center entrance that has a distinctive surround. The south facade entry has flanking sidelight windows and pilasters, and is topped by a transom window and entablature, all in the Greek Revival style. The eastern entry has a simpler treatment, with no windows and an entablature with gabled pediment. The interior has retained much of its original late 19th-century woodwork and hardware.
The Chapman-Hall House stands at the eastern end of Damariscotta's downtown area, northwest of the corner of Main, Church, and Vine Streets. It is a single-story wood frame Cape style house, its exterior finished in unpainted wooden shingles. It has a side gable roof with a large central chimney. The main facade is five bays wide, with simple trim surrounding its windows and door, the latter topped by a four-light transom window.
The Noah Cooke House stands in a remote and wooded area of western Keene, on the north side of Daniels Hill Road. It is a 2-1/2 story wood frame structure, with a gabled roof, central chimney, and clapboarded exterior. Its main facade is five bays wide, with sash windows arranged symmetrically around a center entrance. The entrance is framed by simple moulding and topped by a transom window and cornice.
The church's main façade is located on its east side, facing toward Timber Ridge, and away from the Cacapon River and Christian Church Road. The east side consists of a front gable façade of white-painted clapboard siding. The church has one entryway, which is a centrally-located, four-paneled wooden door, topped by wooden dentil molding and a rectangular, four-light transom window. The transom is the only window on the church's east side.
A secondary entrance is located on the south side, topped by a transom window and entablature. A two-story ell extends to the rear, flush with the main block's south side, giving the building an L shape. At the rear of the property stands a 19th-century carriage barn. The tavern was built in 1737 by Gideon Burnell, a local farmer, and is believed to be the oldest building standing in Baldwin.
It incorporates a central entrance with side-lights, and a transom window with Italianate brackets. It has been called the "Old Brick" from time immemorial. The brick house behind the building has long been called the "slave quarters", and Thomas Huey owned half a dozen slaves; however none of them ever lived here, as the house was built after the war was over. It was placed on the National Register of Historic Places in 2000.
The Sellers House stands on the east side of Maine Route 15A (Sunset Road) in southern Deer Isle, a short way north of the Island Country Club. It is a 1-1/2 story wood frame Cape style house, five bays wide, with a side gable roof, clapboard siding, granite foundation, and a central chimney. A recessed ell extends to the right. The centered entrance is topped by a four-light transom window.
The chapel is a one-room red brick structure with a Gothic Revival design. A tower rises above the church's front entrance; it features arched openings on each side and a cross at its peak. Arched stained glass windows flank the entrance and run along the sides of the building; a transom window above the entrance doorway matches the shape of these windows. A quatrefoil stained glass window is situated atop the arch of the transom.
The former Surry Town Hall is set at the northwest corner of Surry Road and Meadow Lane, in the rural village of Surry. It is a single-story rectangular wood-frame structure, with a tower projecting from the front facade. It has a front-gable roof, clapboard siding, and a granite foundation. The front facade has no windows, and the entrance is at the base of the tower, topped by a transom window and framed by simple molded trim.
The Barnard House is a three-story brick structure, five bays wide and three deep, with a side gable roof. The entrance is centered on the front facade, and is sheltered by a portico supported by paired fluted Ionic columns. The entrance is flanked by sidelight windows and pilasters, and topped by a semi-circular four leaf transom window and an entablature. The only other significant exterior styling is the modillioned cornice below the roof line.
The second section is 1-1/2 stories in height, with a five-bay facade and three gabled dormers. It has what is now a secondary entrance at the center, topped by a four-light transom window. The third section is also 1-1/2 stories, but is set at an offset to the first two blocks, and connects them to the barn. The oldest portion of the house is the first ell, built about 1817 by Rufus Piper.
The William Andrew House is located in southern Orange, on the north side of Old Tavern Road near its crossing of the Indian River. It is a 1-1/2 story wood frame structure, with a gabled roof, central chimney, and clapboarded exterior. It includes a finely detailed front cornice, feather-edged sheathing, and hand-split lath laboriously installed without nails. The main facade is five bays wide, with a central entrance topped by a multilight transom window.
The Nathan Wood House is located in southern Westminster, on the east side of Worcester Road (Massachusetts Route 140), just south of its junction with Patricia Lane. It is a 2-1/2 story wood frame structure, with a gabled roof, central chimney, and clapboarded exterior. The main facade is five bays wide, with sash windows arranged symmetrically around the main entrance. The entrance is flanked by pilasters and topped by a five-light transom window and pedimented gable.
The Simeon P. Smith House is located on The Hill, a cluster of historic properties south of Deer and High streets which was created as part of a road widening project. It is located facing High Street on the cluster's northeastern edge. It is a 2-1/2 story wood-frame building, with a gabled roof and interior chimneys. Its central doorway is framed by pilasters and has a triangular pediment above a four-light transom window.
The Clara Barton Homestead is located in northern Oxford, on the grounds of the Barton Center for Diabetes Education at the northeast corner of Clara Barton and Ennis Roads. It is a 1-1/2 story Cape style wood frame structure, with a gabled roof, central chimney, and clapboarded exterior. Its main facade is five bays wide, with sash windows arranged symmetrically around the center entrance. The entrance is simply framed, with a transom window above.
The front (south- facing) facade is five bays wide, symmetrically arranged, with the entrance set in an arched opening at the center. The entry is framed by delicately- carved woodwork and topped by a semi-oval transom window. The cornice line of the roof is finished with dentil moulding. The house was built in 1810 by Francis Tufts, a veteran of the American Revolutionary War who hailed from Medford, Massachusetts and was one of Farmington's first proprietors.
The main facade is five bays wide, with the center entrance set in a recess with flanking sidelight windows and pilasters, and a transom window above. The house was built in about 1840, and is one of the city's oldest Greek Revival buildings. It was built for Orson Wells, who first settled in North Adams in the 1810s and established an acid production facility nearby. The Wellses were also involved in textile production that developed in nearby Braytonville.
The Captain Jonathan Currier House stands at the three-way intersection of Hilldale Avenue with Currier Street and Lone Goose Road. It is set facing south toward the intersection and close to the road. It is a 2-1/2 story wood frame structure, with a side gable roof, central brick chimney, and clapboarded exterior. Its main facade is five bays wide, with a central entrance flanked by simple pilasters and topped by a transom window and cornice.
The Amos Flagg House is located in a predominantly residential area of northeastern Worcester, on the west side of Burncoat Street opposite its junction with Monterey Road. It is a 1-1/2 story timber frame structure, with a side gable roof, central chimney, and clapboarded exterior. It has an asymmetrical facade, four bays wide, with the entrance in the center-left bay. Its front door is slightly recessed, with a four-pane transom window above.
Also on the north facade is the original main public entry door and an arched transom window. The window and door treatments throughout the exterior are similar to those found on the first floor's north facade. The fire station doors, which were replaced after the fire station first moved from the building in 1931 and again in 1954, were eventually restored. The men's jail building has many elements which mimic the two-story structure it is attached to.
Upper floor windows are butted against the eave, with a narrow band of dentil moulding, while ground floor windows and the entrance are topped by slightly projecting and splayed lintels. The entrance flanked by narrow moulding and has a transom window with five panes in the shape of a tombstone. Above the entrance is a three-part window with narrow side windows. The interior is architecturally distinguished, and there is a later ell extending to the rear.
Its main facade is four bays wide, with asymmetrical placement of windows around a centered entrance. The entrance is the most elaborate element of the exterior, with pilasters, a transom window, entablature, and full gabled pediment. The interior of the building has a number of original features, including a narrow three-run staircase in the entrance vestibule. This house was originally located on Deer Street, set on a narrow lot with its side facing the street.
The front entrance is flanked by pilasters and topped by a half-round transom window. The interior retains many original finishes, most notable finely carved wainscoting in the main parlor. The house was built in 1809 by Pliny Newhall, a local bricklayer who purchased the land from his employer, whose yard was across the street. He sold the house in 1818 to Captain Anthony Lane, a local farmer who served for several separate terms as town selectman.
The W.H. Goulding House is located north of downtown Worcester, at the northeast corner of Dix and Lancaster Streets. It is a 2-1/2 story wood frame structure, with a gabled roof and clapboarded exterior. Its main facade is three bays wide, with the entrance in the leftmost bay, flanked by sidelight windows and pilasters, and topped by a transom window. The front porch extends across the entire front, its hip roof supported by fluted Doric columns.
The 2-1/2 story wood frame house was one of the first houses built when Hamilton Street was laid out. It was built for Theodore Harrington, son of Henry Harrington, founder of Southbridge's Harrington Cutlery Company, a manufacturer of knives used in the manufacture of shoes. Its most notable feature is its ornate architrave and doorway with sidelights and transom window. The house was listed on the National Register of Historic Places on June 22, 1989.
The William Peabody House stands on over of land overlooking the Souhegan River, northeast of Milford center. The house stands on the north side of North River Road, which roughly bisects the property. The house is a 2-1/2 story wood frame structure, with a gabled roof, central chimney, and clapboarded exterior. The main facade is five bays wide, with the center entrance flanked by pilasters and topped by a transom window and gabled pediment.
The front (north-facing) of the roof is pierced by two gabled dormers, which are 20th-century additions. The main facade has two sash windows flanking the main entrance, which is topped by a multilight transom window. The house's construction date is uncertain. The stone was quarried locally, using a method that went out of common use around 1750, and is distinctively different from more modern methods used in quarrying the stones for an 1830 foundation on the island.
The Hill–Physick–Keith House stands in the southern part of Philadelphia's Center City, freestanding on a parcel bounded by Delancey, Cypress, and South 4th Streets. It is a three-story brick building with Federal styling. It is covered by a hip roof, and has a three- bay main facade whose levels are separated by stone stringcourses. The main entrance is in the center bay, flanked by sidelight windows and topped by a large half-round transom window.
The building corners are quoined, and the main eaves are studded with heavy brackets and lined by dentil moulding. A two-story gabled section projects at the center of the front facade, housing the main entrance in a slight recess, flanked by sidelights and topped by an eyebrow transom window. The doorway surround matches that of the paired round-arch windows above, with a bracketed segmented-arch top. Windows are rectangular sash, with bracketed cornices and lintels.
The Jacob Pledger House is located in northern Middletown, on the west side of Newfield Street at its junction with La Rosa Lane. It is a 2-1/2 story masonry structure, built out of red brick and covered by a gabled roof with end chimneys. Its main facade is five bays wide, with symmetrically arranged windows and a center entrance. Ground floor windows are topped by brownstone lintels, and the entrance has a half-round transom window.
The entrance is itself asymmetrical, with a sidelight window on the left side and a transom window above. This is topped by a round-arch brick pattern set in the wall, with a projecting marble keystone. The wings are wood-framed and clad in vinyl siding; that on the left was originally used for customs inspections, but has been converted entirely into office space. Behind the main building is a World War II-era concrete block truck inspection facility.
The south elevation (rear façade) of the stone section remains intact, and serves as the northern wall of the wooden frame section. A window in the stone section's second story was removed to connect the second story of the wooden frame addition. Likewise, what used to be the stone section's rear door now connects the first floor of the stone section with the wooden frame section. This door is also topped by a four-pane transom window.
The Elwin Chase House stands a short way south of the village of East Topsham, on the east side of the Topsham-Corinth Road. It is a 2-1/2 story wood frame structure, with a front-facing gabled roof and clapboarded exterior. The main facade, facing toward the street, is three bays wide, with the entrance in the leftmost bay. It is flanked by sidelight windows and pilasters, and is topped by a transom window and entablature.
The front facade is three bays wide, with the entrance in the rightmost bay, topped by a transom window. Windows are plain sash, set in rectangular openings with stone lintels. The house is all that is left of a larger manufacturing complex built about 1853 for the business of John Parker, which originally included a machine shop, blacksmithy, and foundry. Most of these facilities were damaged or destroyed by a fire in 1889, and were not rebuilt by Parker.
The main facade is three bays wide, with the entrance in the left-side bay, and corner pilasters rising to a full entablature and fully pedimented gable. The entrance is framed by pilasters and topped by a four-light transom window, entablature, and gabled pediment. The leg of the L extends to the left from the rear of the main block, and its front is also flushboarded. The side wall between has a single round-arch window.
The Phineas Thurston House stands in a rural area of northeastern Barnet, on the west side of Old Silo Road. It is a 1-1/2 story wood-frame structure, with a gabled roof and clapboarded exterior. A single- story ell extends to the north, ending in two carriage bays with keystoned arched openings. The main facade is five bays wide, with nine-over-six sash windows, and a center entrance with an original paneled door and transom window.
Above this door is an extended multi-light rectangular transom window, with a sash window to the left of the door and another above in the gable. Attached to the building to the right of the door is a single-story equipment shed with two vehicle doors. The main barn matches in rough dimension a barn described in a 1798 inventory of the property; the attached shed is present in photographs from later in the 19th century.
The front facade is symmetrical, five bays wide, with a projecting three-bay center entry pavilion. The pavilion contains a double-door entry with semi- circular arched transom window, Tuscan order pilasters, a tri-part window on the second floor, and a pediment above. Brick quoins are placed on the corners of the pavilion and the main building. Above the second-story windows are a frieze and cornice embellished with modillion blocks, which continue onto the other sides.
The entrance is topped by a multilight transom window and corniced entablature. A leanto section extends the rear roof line to the first floor, extending beyond the western side to give that side a "Beverly jog". The interior retains many period features, including original wooden floors and paneling, and doors with original strap or wrought iron hinges. With This house was built in 1723 for Jared Eliot, on land inherited by his wife, Hannah (Smithson) Eliot.
The Hutchins House is 2-1/2 story wood frame structure, five bays wide, with a gable roof and two substantial brick chimneys placed symmetrical on the roof gable. The main facade, facing southwest, is symmetrical, with a center entry flanked by pilasters and topped by a transom window and lintel entablature. A 1-1/2 story ell extends from the northeast corner of the house. A secondary entry, capped by a gable pediment, is located on the southeast facade.
The entrance consists of two modern doors, above which is a half-round transom window. The interior, despite its later uses, retains a number of original features, including woodwork around the windows and fireplaces. West Hartford's public library had its origins in a lending library established in the mid-19th century by the local Congregational church, which was opened to the general public in 1883. The town formally took over the collection in 1897, and it continued to be housed in the church.
The Sproul Homestead stands on the west side of SR 129, near the northern end of the South Bristol peninsula. It is recessed from the road, accessed via a tree-lined lane. The main portion of the house is a two-story hip-roofed frame structure, with interior brick chimneys, clapboard siding, and granite foundation. It has a five-bay front facade, with a center entrance framed by Doric pilasters and topped by a four-light transom window and entablatured lintel.
The main entrance is framed by simple moulding and topped by a transom window. The building has a central hall plan, with original wide floor boards, plasterwork, and fireplaces. Some of the upstairs rooms have swinging walls mounted on strap hinges that can be moved to create a large ballroom. The tavern was built in 1773 by Daniel White, and was in use as a tavern when the French Army marched through the area in 1781, camping just to its north.
The main facade is five bays wide, with symmetrical arrangement. The entrance at the center is topped by a half-round transom window, and is sheltered by a Federal-period portico with a modillioned cornice and hip roof surrounded by a low balustrade. The interior of the house continues the high quality wooden finishes. The mansion was built in 1763 by Henry Appleton, a merchant, who sold it to Mark Hunking Wentworth, one of New Hampshire's wealthiest merchants and landowners, the following year.
The Arah Phelps Inn stands in a rural area of northern Colebrook, at the east side of the junction of CT 183 with Prock Hill Road. It is part of a larger cluster of Phelps family farm buildings in the immediate area. It is a two-story wood frame structure, with a hip roof, two interior chimneys, and a clapboarded exterior. It has a five-bay front facade, with a center entrance framed by pilasters, transom window, and corniced entablature.
Plaque at Lombardy Hall Lombardy Hall is located in Brandywine Hundred north of Wilmington, Delaware, on the east side of Concord Pike (United States Route 202, north of its junction with Foulk Road (Delaware Route 261). It is a 2-1/2 story stone structure, with a slate side gable roof and brick chimneys. The main facade is five bays wide, with a center entrance topped by a four-light transom window. Interior features include original wooden paneling, cornice moulding, staircases, and trim.
The William and Jane Phinney House stands in the northern part of the village of Centerville, on the north side of Phinney's Lane at its junction with Richard's Lane. It is a 1-1/2 story wood frame structure, with a bowed gable roof, central chimney, and clapboarded exterior. It has a symmetrical five-bay facade, with a center entrance that has a four-light transom window above. Structural timbers are exposed in its interior, which also retains other original 18th-century features.
The Townsend house is set on the southwest side of Paine Hollow Road, between it and Blackfish Creek, a tidal waterway on Wellfleet's west coast. It is a 1-1/2 story wood frame structure, five bays wide, with a central chimney, side gable roof, and brick foundation. It is clapboarded on two sides and shingled on the other two. Its entrance is centered on the southeaster facade, and is flanked by pilasters and topped by a transom window and cornice.
The Jonathan Wheeler House is located in a rural setting of northern Canterbury, on the east side of North Society Road about south of the Brooklyn line. It is set near the road, at the southwest corner of an parcel historically associated with it. It is a 1-1/2 story brick structure, with a side gable roof and end chimneys. Its main facade is five bays wide, the center entrance set in a rectangular opening with a seven-light transom window.
Access to the exterior was through doors located at the front and rear halls of the first and second floor. Later photographs show doors at the upper floor, yet no access to a balcony. It can be assumed that there was once a balcony along both sides of the first and second floors (see McKinney Homestead). Each of the rooms of the homestead had two windows, while the first floor front doors had lights on either side and a transom window above.
The Dresden Brick School House is located on the west side of a rural stretch of ME 128, about south of its junction with Maine State Route 197 in West Dresden. It is a single story brick building, with a gabled roof. The street-facing front facade has a pair of entrances, each devoid of trim except for a transom window above the door, with a window (now boarded over) in the gable above. The sides of the building have two sash windows.
The former Bissell Tavern is located in northern Windsor, on the east side of Palisado Avenue (Connecticut Route 159), south of its junction with Hayden Station Road. Palisado Avenue is the major non-highway north-south route along the west bank of the Connecticut River. The tavern house is a two-story wood frame structure, with a hip roof, end chimneys, and clapboarded exterior. The main facade is five bays wide, with a center entrance topped by a four-light transom window.
The Enoch Kelsey House stands about south of Newington center, facing south onto Copper Beech Lane at its junction with Main Street. It is a 2-1/2 story wood frame structure, with a gabled roof, central chimney, and clapboarded exterior. Its main facade is five bays wide, with a center entrance flanked by pilasters and topped by a transom window and a corniced entablature. The house was built by Enoch Kelsey and his son, David Kelsey, probably c. 1799.
The Henry Atchley House is a historic house in Dalark, Arkansas, a rural town in western Dallas County. It is located on County Road 249, just off Arkansas Highway 8. The two story wood frame house was built in 1908 by Henry Atchley, who ran a general store in town. The house is basically vernacular in form, but has a number of stylish elements, including turned posts supporting a hip- roofed porch across the front, and a double-door entry with transom window.
The Brown Tavern stands facing Burlington's triangular town green, on the south side of George Washington Turnpike at the green's western end. It is a 2-1/2 story wood frame structure, with a front-facing gable roof and clapboarded exterior. The main facade is five bays wide, with an elaborate Federal style entrance surround at the center. The entry is flanked by sidelight windows and pilasters, and is topped by a half-round transom window and shallow gabled hood.
The house is a wood-frame two-story house sheathed in clapboard, with a hipped roof and two interior brick chimneys. A two-story addition was added to the rear of the house early in the 20th century. The house front is five bays wide, with a center doorway that is flanked by pilasters and topped by a transom window and flat pediment. The interior of the main block consists of four rooms on each floor, surrounding a central hallway with stairwell.
The Howell-Garner-Monfee House is a historic house at 300 West Fourth Street in North Little Rock, Arkansas. It is a 2-1/2 story brick structure, with a wide gable roof pierced by gabled dormers. A single-story porch wraps around the east and north sides, with brick posts and a dentil course in the eave. The main entrance is flanked by pilasters and sidelights, with a distinctive transom window that has semi-circular sections joined by a straight section.
The Ezekiel Woodruff House is located in eastern Southington, on the east side of East Street (Connecticut Route 364), just south of its crossing of Misery Brook. It is a single-story wood frame structure, with a gabled roof, central chimney, and clapboarded exterior. It is set close to the road, on a brownstone foundation, with a large brownstone slab as its front step. Its main facade is five bays wide, with a center entrance topped by a six-light transom window.
The General John Stark House is located north of downtown Manchester, at the southwest corner of Elm and Waldo Streets. It is a 1-1/2 story wood frame structure, with a gabled roof, central chimney, and clapboarded exterior. A single-story ell extends to the rear, giving the house an overall L shape. The main facade is five bays wide, with a center entrance topped by a multilight transom window, and nine-over-six windows in the flanking bays.
The main entry is sheltered by a porch supported by paired Tuscan columns. The paneled door is flanked by sidelight windows and topped by a transom window. Despite its location in a fashionable neighborhood of the city and the relatively high quality of its construction, the house was used as a rental property, passing through a large number of nonresident owners until 1907. Frank J. Tyler, who subdivided his property and built it on speculation, was a Boston-based manufacturer of agricultural machinery.
The Perez Smith House is a historic house at 46 Lincoln Street in Waltham, Massachusetts. The 2½ story wood frame house was built in 1851 and is one of the city's finest transitional Greek Revival/Italianate houses. It has a typical Italianate three-bay facade, deep cornice with decorative brackets, and round-arch windows in the gable. It also has Greek Revival pilastered cornerboards, and its center entry is flanked by sidelight windows and topped by a transom window and paneled sunburst.
The main entrance, a large wooden, glass paneled door, is recessed and central on the symmetrical south (front) facade of the building. The original door is surrounded by sidelights and topped by a diamond patterned transom window. Flanking the central doorway on each side is a one over one window, each displaying the same diamond patterned transoms as the door.Buford, John C. "People's State Bank," (PDF), National Register of Historic Places Nomination Form, 26 February 2004, HAARGIS Database, Illinois Historic Preservation Agency.
The main block of the Osgood House is a two-story wood frame structure, five bays in width and depth, with a hip roof and a granite foundation. A two-story gable-roofed ell extends to the west, ending in a small shed which replicates an earlier, similar structure. The main entrance, facing east, is flanked by sidelight windows and topped by a louvered fan. A secondary entrance is centered on the south facade, framed by pilasters and a transom window and entablature.
The Captain John Oliver House is a two-story building with clapboard siding. Greek Revival elements include corner pilasters with simple entablatures topped by gable-end pediments, dog-eared window moulding, and a front door flanked with small pilasters, a transom window, and sidelights. There is also an arched Gothic Revival window in the center of the front gable. The house has been expanded with a front porch and additions to the side and rear, but retains its original architectural features.
The Etna Library is located in the village of Etna in eastern Hanover, on the north side of Etna Road near King Road. It is a modest single-story masonry structure, built of red brick with granite trim and covered by a hip roof. Its main facade is three bays wide, with paired narrow sash windows on either side of the center entrance. Each sash window is topped by a transom window, and the paired windows have rough- cut stone lintels and sills.
The main entrance is sheltered by a gabled portico; it is flanked by pilasters and topped by a half-oval transom window. Late 19th-century ells extend to the rear of the original main block. and The house was constructed in 1816 for farmer Colonel Julius Chapman, his wife Frances, and their four daughters. After his death, Amasa Day purchased the property, but later sold off parcels of land as he focused more on his roles as an insurance agent and banker.
The house is a modest 1-1/2 story post-and-beam structure, with a gable roof and clapboarded exterior. Its main facade is three bays wide, with a center entrance framed by simple molding and topped by a four-light transom window and cornice. The interior of the house follows a Georgian central-chimney plan, although the original massive brick chimney has been removed. The house is set on the floodplain of the Winooski River, between it and Vermont Route 127.
The Amos Baldwin House stands in a rural area of southern Norfolk, on the west side of Goshen Street East. It is a 1-1/2 story wood frame structure, with a gambrel roof, central chimney, and clapboarded exterior. The front facade is five bays wide, with paired sash windows on either side of the main entrance, which is topped by a four-light transom window. There are three shed-roof dormered windows in the steep flank of the roof.
The former Bridgewater Town Hall is a two-story wood frame structure, three bays in width, with a hip roof and weatherboard siding. The main (west-facing) facade has a central entrance topped by a relatively large transom window, and framed by pilasters and an entablature with cornice. The entablature and cornice are repeated at smaller scale above the sash windows that fill the remaining bays. The building's corners are decorated with pilasters, and an entablature encircles the building below broad eaves.
Windows are generally 1-over-1 sash, and the front entrance door is topped by a multilight transom window. Dormers of varying style project from the main roof. The house was designed by Walker and Kimball for Edward E. Cummings, a professor at Harvard and a local pastor, and was built in 1893. Cummings' son the poet E. E. Cummings, was born here the following year, and lived here until he graduated from Harvard (BA 1915, MA 1917), and moved to New York City.
The Captain William Bull Tavern is located in northeastern Litchfield, on the north side of Torrington Road (United States Route 202) between Tollgate Road and Wilson Road. It is a three-story wood frame structure, with a gambrel roof, central chimney, and clapboarded exterior. The main facade is five bays wide, with a center entrance topped by a five-light transom window and cornice. A second entrance, dating to the period of the building's move in the 1920s, is located on the west side.
The house is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof, wooden clapboard siding, and a large central chimney. Its centered entrance is flanked by fluted pilasters and topped by a transom window and an entablature. Two ells extend back from the house, joining it to another small cottage, used as a caretaker's residence. The first floor of the interior is divided into a parlor, dining room, and bedroom, with a kitchen and pantry in the ell.
The Benjamin Baker Jr. House stands in what is now a rural-residential area of central northern Barnstable, on the west side of Hyannis Road just south of its junction with Maushop Avenue. It is a simple single story Federal style cottage, 3 bays wide, with a side gable roof and wood shingle siding. Its front door, in the right-side bay, is flanked by pilasters and topped by a transom window. The chimney rises near the center of the house behind the left bay.
The Alexander King House stands near the southern edge of Suffield's village center, on the east side of South Main Street opposite Willow Creek Avenue. It is a 2-1/2 story wood frame structure, with a gabled roof, central chimney, and clapboarded exterior. A single-story gabled ell extends to the rear, and a shed-roof porch is attached to the right side. The main facade is five bays wide, with a center entrance framed by pilasters, a multilight transom window, and a corniced entablature.
The Zenas Crocker House at 4676 Falmouth is the third Georgian house, although it has a Federal style door surround with pilasters and transom window that was added later. The Alvan Crocker Jr. House (4701 Falmouth) and Roland Crocker House (4631 Falmouth) were both built c. 1796, but are significantly different examples of Federal styling. Alvan's house is a vernacular -story Cape-style structure with three bays and a windowless extension, while Roland's is one of the finest high-style Federal houses outside Barnstable Village.
The Forestdale School is set on the west side of Massachusetts Route 130, close to the road, just north of the Forestdale Fire Station. It is a small single- story wood frame structure, with a front-facing gable roof, wooden shingle siding, and a brick foundation covered in concrete. A small ell of early 20th- century date extends the building to the rear. The main facade, facing the street, has two symmetrically-placed entrances, each surmounted by a transom window and a projecting cornice.
The Jonesboro Grange is located in the town's dispersed rural village, on the south side of Harrington Road (US 1), the principal east-west artery in the region. It is a 1-1/2 story wood frame structure, with a front-facing gable roof, clapboard siding, and a poured concrete foundation. Its front facade is symmetrical, with a pair of sash windows flanking a double-leaf entrance that is topped by a three-light transom window. A small sash window is set in the gable above.
The entrance, a double door, is also set in a segmented-arch opening, with a large single-pane transom window. Above the entrance is a tall doubled three-sash window. The rear facade is similar to the front, but with simpler detailing and lacking the projecting center section. Early education in Marblehead was largely conducted in private homes of teachers or other such facilities, with college preparation typically taking place at the private Marblehead Academy, founded in 1789 by Dr. Elisha Story and others.
The William Perrin House is a historic house at 464 River Road in western Andover, Massachusetts. It was built between 1850 and 1852 by William Perrin on land owned by his wife's family. The house features Greek Revival and Gothic Revival details, including corner pilasters, an entablature below the roofline, and a dramatic entry portico with attenuated columns, sidelight windows, and a transom window. The sophistication of the styling is relatively uncommon for what was at the time of its construction a rural agricultural setting.
The Adams- Magoun House stands on Winter Hill in central Somerville, roughly midway between Magoun Square and the Winter Hill commercial district. It is set facing east on the south side of Broadway, between Bartlett Street and Glenwood Road. It is a 2½-story wood frame structure, with a gabled roof, two interior chimneys, and a clapboarded exterior. The main facade is five bays wide, with its entrance at the center, framed by pilasters and topped by a half-round transom window and gabled pediment.
Later markers tend to be granite or marble, and are usually oriented to face the road. The Hubbard House is a 2-1/2 story frame structure, with a gabled roof, two interior brick chimneys, and a clapboarded exterior. A single-story porch extends across its front, and an ell, possibly older than the main block, extends to the left. The main facade is five bays wide, with a central entrance flanked by pilasters and topped by a transom window set in a corniced entablature.
The Benomi Case House is located in what is now a suburban residential area of northwestern Windsor, on the north side of Rainbow Road between East Granby and Hamilton Roads. It is a 2-1/2 story masonry structure, built of brick with stone trim and covered by a gabled roof, measuring about . It faces roughly east, and is five bays wide and four deep, with two end chimneys on each side. The main facade has a center entrance with sidelights and a transom window above.
The Dudley House occupies a prominent position on the east side of Front Street in downtown Exeter, nearly across the street from both the Congregational Church and Exeter Town Hall. It is a three-story wood frame structure, with a hip roof and two interior brick chimneys. The main facade is five bays wide, with a center entrance sheltered by a gabled portico supported by two columns. The entrance is flanked by sidelight windows and fluted pilasters, and is topped by a transom window.
The Captain James Loomis House is located south of the village center of Windsor, on the west side of Windsor Street (Connecticut Route 159), the major north-south route through that part of the town, between Rood Avenue and Woody Brook Road. It is a -story brick structure, laid in Flemish bond throughout. It is four bays wide and two deep, with a boxed cornice and wide frieze. The main entrance is off-center on the front facade, with a semi-elliptical transom window above.
The Colonel Joshua Huntington House is located in Norwichtown, one of the early settlement areas of Norwich, on the east side of Huntington Lane. It is a 2-1/2 story wood frame structure, five bays wide, with a gambrel roof, twin brick chimneys, and clapboard siding. Its main entrance is flanked by pilasters and topped by a transom window and gabled pediment. Windows on the ground floor are topped by a corniced lintels, while those on the upper floor butt against the eave.
It is a 1-1/2 story vernacular wood frame structure, five bays wide, with a side gable roof, end chimneys, and clapboard siding. Its front facade has a centered entrance, which is topped by a transom window and framed by Greek Revival pilasters and entablature. The bays flanking the entrance are symmetrically-placed pairs of small sash windows. This colonial farm house was built in 1750 and remains a well preserved 18th century dwelling and conserves a portion of the original rural landscape.
An enclosed porch extends along the south side of the building, and there is a circular solarium on the north side. The main entrance faces east, and is flanked by sidelights, with a transom window above which has stained glass highlights in a sailing motif. The entry is sheltered by a portico supported by Ionic columns and Doric pilasters. Mackworth Island was purchased in 1885 by James Phinney Baxter, a six-time mayor of Portland and a leading historian and businessman of the period.
McKenstry Manor is located in a rural area of northern Bethel, on the west side of Vermont Route 12. Set on originally associated with it, the house is a 2-1/2 story wood frame structure, with a hip roof, clapboarded sides, and stone foundation. It is five bays wide and three deep, with its entrance centered on the east- facing facade. The entrance is flanked by sidelight windows and pilasters, and is topped by a half-round transom window and a broken gabled pediment.
Windswept Acres is located in a rural setting in southern Goshen, on the east side of New Hampshire Route 31 about south of its junction with New Hampshire Route 10. It is a 1-1/2 story Cape style plank- frame house, seven bays wide, with a gabled roof and shingled exterior. Its front entry is off-center, and is framed by simple molding and topped by a four-light transom window. There are two sash windows to its left and four to its right.
The James Butler House is located in northern West Hartford, on the west side of North Main Street, north of its junction with Hickory Lane. It is set well back from the street, further than the immediately adjacent 20th-century houses. It is a 2-1/2 story wood frame structure, five bays wide, with two interior chimneys and an exterior finish in aluminum siding. Styling is minimal on the front facade, with shuttered windows and a center entrance topped by a four-light transom window.
The Stuart House is located in historic downtown Charleston, at the northwest corner of Tradd and Orange Streets. It is a three-story wood frame structure, with a hip roof, flushboarded front, and clapboarded side and rear walls. The main facade faces south, with the front entrance in the leftmost of three bays, flanked by fluted Corinthian columns and topped by a rounded transom window entablature and gabled denticulated pediment. Windows on the first two levels are topped by gabled and bracketed pediments, with bracketed lintels.
The house stands a short way northwest of the barn; it is a two-story structure, with a hip roof, large central chimney, clapboard siding, and a rubblestone foundation capped by dressed fieldstones. The street-facing front facade is five bays wide, with an enlarged center bay flanked by sash windows in the more closely spaced bays on the sides. The center entrance is flanked by pilasters and topped by a four-light transom window and cornice. The building corners have narrow Federal style beaded molding.
The John Davis House stands on the west side of River Road (Maine State Route 9) in the rural community of Chelsea, opposite its junction with Pushard Lane. It is a 2-1/2 story brick building, with a gable roof and four irregularly placed chimneys. The main facade is five bays wide, with a center entrance flanked by sidelight windows and topped by a semi-elliptical transom window. The remaining bays are filled with sash windows, set in rectangular openings, with granite sills and lintels.
The Reuben Lamprey Homestead is located on the north side of Winnacunnet Road, a busy east-west through road, between Presidential Circle and Nathaniel Way. The main house is a 2-1/2 story wood frame structure, with a side gable roof, center chimney, and clapboarded exterior. The main facade is symmetrical, with five bays, and is simply trimmed except for the centered entrance. That is flanked by sidelight windows and recessed paneled pilasters, and is topped by a seven- light transom window and entablature.
The entrance has a fine Federal style surround, with sidelight windows and an original period half-oval transom window. The interior is arranged in a traditional center hall manner, with single rooms on either side of the center hall, where the stairs to the second floor are located. A 1-1/2 story ell extends to the rear, housing additional rooms. The house was probably built sometime between 1811 and 1813, when Jacob Thompson, a native of nearby Holland, Massachusetts, moved to the town.
Entrance to the former public bar is through the double glazed doors, with arctic glass transom window above, on the truncated corner. The Kent Street facade has several half glazed and moulded french doors with operable transom windows above and a centrally located double doorway, of four panelled doors, as well as large window openings with moulded sills and consoles. The joinery to this elevation is very fine and intact. Internally the building features pressed metal ceilings, cornices and roses throughout and timber floors.
The south-facing main facade is five bays wide, with paired windows flanking a center entrance with window above. The entrance is set in a recess that is demarcated by pilasters, and includes sidelight windows and a rectangular multi-light transom window. The corners have paneled pilasters, which rise to an entablature and cornice that encircle the building. A hip- roofed, single-story porch extends across the front and around to the east, with a geometrically patterned railing and square posts with scroll-cut brackets.
The Ritchie Block is a three-story yellow brick building, located on the south side of Main Street (Vermont Route 9), opposite its junction with School Street, in downtown Bennington. Its ground floor has four storefronts, each with display windows and a recessed entry, with two on either side of the main building entrance. The entrance is set in a round-arch opening, with a rounded transom window above the double door. The upper two floors are divided into five paneled sections, articulated by brick pilasters.
The main facade faces south, and has a center entrance flanked by pilasters and topped by a four-light transom window and corniced entablature. A single-story ell extends to the rear. The interior follows a center-chimney plan, with a narrow winding stair in the entry vestibule, with parlors on either side of the chimney, and the old kitchen behind it. Moses Carlton was one of the leading businessmen of nearby Wiscasset, which was the largest shipping port east of Boston in the 1790s.
The Jason Skinner House stands on the south side of Wintergreen Circle, a loop of public housing adjacent to the municipal office and library complex in central Harwinton. It is a 2-1/2 story wood frame structure, with a side gable roof, interior brick chimneys, and a clapboarded exterior. It has wide corner pilasters rising to an entablature. The main facade is five bays wide, with a center entrance flanked by sidelight windows and pilasters, and topped by a transom window and cornice.
The entrance is framed by slender Federal period pilasters, and is topped by a transom window and corniced entablature. Similar but less elaborate entrances are also found on the south and west sides. A 20th-century three-bay garage is attached at a setback on the south side. The interior of the house follows a fairly typical early Federal central-chimney plan, with a narrow entry vestibule with winding staircase in front of chimney, large chambers on either side, and a long chamber behind.
The Stony Hill School is located in southern Windsor, on the west side of Windsor Avenue (Connecticut Route 159) just north of its junction with Hillcrest Road. It is a single-story masonry structure, with a rectangular main block and projecting entry vestibule, each covered by a gabled roof. The gable ends are framed in wood and finished in shingles, and have returns at the base. The entry projection is symmetrical, with two small square fixed-pane windows flanking an arched entrance with transom window.
The main facade faces west toward the road, and is five bays wide, with a center entrance flanked by simple pilasters and topped by a transom window, entablature, and gabled pediment. A similar doorway is found on the north facade. The interior retains the original Georgian central chimney plan, with an entry vestibule with winding staircase, and flanking parlor spaces. These rooms, as well as the matching chambers on the second floor, retain many original features, including fireplaces and fireplace surrounds and wainscoting on the walls.
It is located on the south side of Great Road (Massachusetts Routes 2A and 119), which is now predominantly commercial. It is a two-story wood frame structure, five bays wide, with a hip roof, twin interior chimneys, clapboard siding, and a stone foundation. Prominent features include the wide Doric pilasters at the corners, and the centered entrance, which is flanked by pilasters and topped by a transom window and entablature. The interior retains high-quality original woodwork, in the broad central hall and the front rooms.
Hall's Tavern is located in rural northern Falmouth, on the east side of Gray Road (Maine State Route 100), between Kimball Way and Hurricane Road. It is a 2-1/2 story wood frame structure, with a side gable roof, twin interior chimneys, clapboard siding, and a granite foundation. Telescoping additions extend to the north, joining the house to a clapboarded barn. The main block is five bays wide, with a center entrance framed by Doric pilasters and topped by a four-light transom window and entablature.
The door is flanked by sidelight windows, and is topped by a transom window. A gabled two-story bay projects from the east side, with a lunette window in the gable, and a two- story ell and garage extend to the rear. The Locke family history on this land dates to 1699, when James Converse bought a large tract of land in this area (then part of Woburn). Locke's descendants include Samuel Locke, who served as President of Harvard College in the 18th century.
The Daniel Morse III House stands in a rural area of eastern Sherborn, on the west side of Farm Road north of its junction with Forest Road. It is a 2-1/2 story timber frame structure, with a gabled roof, central chimney, and shingled exterior. At the rear the roof extends to the first floor, giving the house a saltbox profile. The front facade is three bays wide, with a center entrance flanked by pilasters and topped by a transom window and gabled pediment.
The entrance is framed by a moulded surround with flared corners, and has a four-light transom window. The property includes a barn that also exhibits early construction techniques. With The house has historically been said to be the home of Edward Frisbie, one of the original grantees of land that is now Branford, and was assigned a construction date of about 1685, based on his will. However, architectural evidence of the construction techniques used suggest a Second Period construction date, probably c. 1750.
The house is a 2-1/2 story wood frame structure with a gable roof, two interior chimneys, and clapboarded exterior. It is five bays wide and two deep, with a center entry framed by pilasters and topped by a transom window, triangular pediment, and carved fanlight motif. The house follows a typical late-Georgian center-hall plan, with four rooms on each level, two on either side of the central hall. On the lower level, the front right room housed Nathanael Greene's 300+ volume library, while the rear room served as the kitchen.
Sash windows occupy most of the bays, with the center entrance framed by a Federal period surround consisting of flanking pilasters rising to a gabled partial pediment that surmounts a half-round leaded transom window. First-floor windows are topped by simple projecting cornices. The interior has many high-quality period finishes, including elements of basement kitchens, working dumbwaiters, and Federal and Georgian style fireplace mantels. Near the house stands a 19th-century barn, moved to the site in the 20th century after the original barn was destroyed by fire.
The Quimby House stands on the north side of North Road (also known as Cobbs Hill Road), in southern Mount Vernon, a rural community northwest of Augusta. The house is a 2-1/2 story wood frame structure, with a gabled roof, central chimney, clapboarded exterior, and a modern concrete foundation. The main facade faces south, and is five bays wide, with corner pilasters, and a central entrance with a Palladian window above. The entrance has flanking sidelights and pilasters, with a multilight half-oval transom window topped by a projecting cornice.
The Fowler-Steele House stands on the northern fringe of Windsor's main village, on the east side of North Main Street just north of Hubbard Brook. Oriented facing south, it is a 2-1/2 story painted brick structure, with a gabled roof and brick foundation. Chimneys are located on the outside of the north and south elevations, an unusual placement for Vermont because snow sliding from the roof can apply pressure to them. The main facade is five bays wide, with a center entrance that is slightly recessed and topped by a transom window.
The door is sheltered by a Greek Revival porch, which is supported by paired columns and has a cutout gabled pediment that shows the transom window. The interior has evidence of two large chimneys, each with a cooking fireplace. with The house was probably built about 1796, when it is mentioned in town tax records, and was certainly standing by 1821. Its modest features contrast it with a much more elaborate Greek Revival house that stands nearby, but is still possessed of unusually high ceilings and a comparatively elaborate interior, the result of 1830s renovations.
Sharpenhoe, as it was called by Norton, is a two-story brick structure with a hip roof and three chimneys. The main facade is six bays in width, with windows of varying sizes in most of the bays. The right-center bay on both floors is taken up by a single double-casement window with a round- arch top, while the first floor of the left-center bay has the main entrance. The door is topped by a half-round transom window, and is sheltered by a gable-roof portico supported by columns and pilasters.
The Old Sullivan County Courthouse is located in downtown Newport, on a rise east of Main Street, behind later civic buildings and across Main Street from a cluster of later 19th-century commercial blocks. Its main block is a -story brick structure, with a gabled roof and end chimneys. It has a five-bay front facade, with the center bay taken up by an entry topped by a tower. The entry is two stories, with the main entrance framed by sidelight windows and a half-round transom window.
The Cornet Thomas Wiggin House is located north of the town center of Stratham, on the north side of Portsmouth Avenue at its junction with Depot Road. It is a 2-1/2 story wood frame structure, with a side gable roof, two interior brick chimneys, and a clapboarded exterior. The main facade is five bays wide, with a symmetrical arrangement of windows around a center entrance. The entrance includes an original wide six- panel door, flanked by tapered flat pilasters, which rise to a transom window and corniced entablature.
The Hallett House is set at the northeast corner of Main and Camp Streets in the village of Hyannis. It is a 1-1/2 story Cape style house, five bays wide, with a side gable roof, a central chimney (not original), and wood shingle siding. An ell of early construction extends to the rear of the main block, while a modern but sympathetically-styled addition extends the house three bays to the left. The main entrance is centered on the original block, with simple pilasters on either side and a narrow transom window above.
A secondary entrance is located on the street-facing north facade, sheltered by a gabled portico and topped by a half-round transom window. The building features corner pilasters and other Greek Revival features, possibly recycled from a farmhouse that previously stood on the property. This land was settled about 1780 by Amos Emery, who built a farmhouse which stood nearby until 1900, when it was torn down. The present house was built in 1902-03 for George Weld, the brother-in-law of William Amory, who acquired extensive landholdings nearby for his summer estate.
An entrance is located in the center of the main five bays, topped by a transom window and gabled pediment, and flanked by sidelight windows. The interior, which has undergone much alteration due to varied uses of the house, still retains some of its original features. The house is most notable as the home of Edward Rutledge, a signer of the United States Declaration of Independence. Rutledge, a South Carolina native, was trained in England in the law, and had by the time of the American Revolution established a law practice in Charleston.
The General Samuel Strong House stands on the north side of West Main Street, west of downtown Vergennes and just north of the road's junction with Panton Road. It is fronted by a shallow semicircular drive, and is screened from the road by trees. It is a two-story L-shaped wood frame structure, with a hip roof and clapboard siding. The street-facing southern main facade is five bays wide, with a center entrance flanked by pilasters and topped by a half-round transom window and gabled pediment.
The house's date of construction is uncertain; the earliest maps of Southbridge are from 1796, and the house appears on those. Its architectural features, notably a center chimney and a short four-bay facade, suggest that it was built in the years before or just after the American Revolutionary War. Other features that set the building apart are overhanging eaves and a transom window over the front door. The barn, a 19th- century construction with a cupola, bracketed eaves, and tongue and groove doors, is also a contributing feature.
The Eber Sherman Farm is located on the south side of State Road (Massachusetts Route 2) in western North Adams, near the town line with Williamstown. The main house is a 2-1/2 story wood frame structure, with a gabled roof, two interior brick chimneys, and a clapboarded exterior. It has a five-bay main facade, with a center entrance flanked by sidelight windows and topped by a transom window. The entry is sheltered by a flat-roof portico with a bracketed frieze supported by fluted columns.
The Nichols–Sterner House is located in a rural setting of northern Richmond, on the north side of Swamp Road, a historically major road connecting Pittsfield and West Stockbridge. It is a 2-1/2 story brick building, with a gabled roof and a south-facing facade. The facade is three bays wide, with the main entrance in the right bay, framed by pilasters and topped by a keystoned round-arch transom window. The gable above is fully pedimented, with a keystoned half-round window at its center.
Its main entrance is set in a projecting vestibule section, with a shed-roof hood supported by large triangular knee brackets, and is topped by a round-arch transom window. The building was designed by Louis G. Destremps & Son and built in 1905, replacing a single-room schoolhouse on the same site. Due to increasing enrollments (it was over its nominal capacity of 80 students by 1920), it was enlarged with a major expansion adding two classrooms c. 1930. The addition was done with sympathetic design and materials, differing only in the concrete foundation.
The Thornton W. Burgess House is located east of the village center of Hampden, on the north side of Main Street a short way west of its junction with Glendale Road. It is a simple 1-1/2 story Cape style house, with a side gable roof, shingled exterior, and central chimney. The main facade is three bays wide, with a central entrance topped by a transom window. Interior features include a narrow winding staircase in the entry vestibule, and a large fireplace with beehive oven in the main chamber.
The Dr. Elizur Hale House is located in eastern Glastonbury, on the north side of Hebron Avenue (Connecticut Route 94), between Hill Street and Ridge Road. It is a 2-1/2 story wood frame structure, with a side gable roof, central chimney, and clapboarded exterior. Its main facade is five bays wide, with a center entrance simply framed and topped by an eight-light transom window. The interior follows a typical center-chimney plan, with a narrow vestibule containing a winding staircase, and parlor spaces to either side.
The Bellingham-Cary House stands in a residential area of northeastern Chelsea, on the east side of Parker Street between Tudor Street and Clark Avenue. It is a two-story wood frame structure, with a truncated hip roof, two interior chimneys, and a clapboarded exterior. Its main facade is five bays wide, with a center entrance flanked by Doric pilasters and topped by a transom window, entablature, and gabled pediment. The roof is pierced by three pedimented gable dormers on the front, and one on each of the sides.
The Robert Fulton Birthplace is located about south of Quarrytown in rural Lancaster County, Pennsylvania, on the west side of US 222 near its junction with Swift Road. The house is a 2-1/2 story stone structure, built out of mortared rubblestone that was once covered in stucco. Its front facade is three bays wide, with the main entrance in the right bay, in a recess with a four-light transom window. There are two windows to its left, and two windows on the second floor above.
The Simon Cameron House stands south of the central business district of Harrisburg, overlooking the Susquehanna River from the north side of South Front Street between Washington and Mary Streets. Its main block is a 2-1/2 story stone structure, with a side gable roof. It is built out of mortared limestone, and is fronted by a single-story porch with fluted columns and arched Victorian valances. The main facade is four bays wide, with the main entrance in the center-left bay, topped by a tall transom window.
A porch in the angle between the main gable and the southern wing has painted lozenges resembling quatrefoils. The main hall has two first-floor four-light wooden mullioned casements; the range to the left has a restored fourteen-light mullion and transom window, with a three-light window immediately to its right. The range of the cross-wing on the right has ten-light mullion and transom windows at the ground floor and twelve-lights at the first floor. The interior has some exposed timber work showing the house's original construction.
The Clark Homestead is located about south of the village center of Lebanon, on 5 rural acres at the junction of Madley and Goshen Hill Roads. It is a -story wood-frame structure, five bays wide, with a side-gable roof, large central chimney, clapboarded exterior, and rear leanto section giving it a classic New England saltbox appearance. An ell, added in the 19th century, extends to the rear. The entrance is at the center of the front facade, with a seven-light transom window and architrave above.
The Abel H. Fish House is located in the rural setting of northeastern Salem, near the junction of Buckley Hill and Rathbun Hill Roads. It is set well south of Buckley Hill Road, about down a lane that used to be a public road, and is oriented facing south, away from the road. It is a -story wood-frame structure, with a gabled roof, four-bay facade, and clapboarded exterior. It has Greek Revival features, including an entry flanked by sidelight windows and pilasters, and topped by a transom window and entablature.
Its main facade behind the colonnade is five bays wide, with the main entrance in the center bay, flanked by sidelight windows and topped by an arched transom window. Above the entrance is a second door with similar styling, which opens onto an iron balcony. The interior of the house follows a typical Federal period center hall plan, with a pair of rooms on each side on each floor. The front parlors on the main floor have exceptionally high quality woodwork with elaborate details, while other rooms have simpler detail but still high quality.
The Whitneyville Congregational Church is located in the rural village center of Whitneyville, at the southwest corner of Washington and Main Streets (the latter marked United States Route 1A). It is an architecturally sophisticated single story wood frame structure, with a gabled roof, clapboarded exterior, and granite stone foundation. The main facade is three bays wide, with the church tower rising from the projecting center bay. At its base is the main entrance, framed by pilasters and a bracketed and dentillated hood, with a half-round transom window above the door.
The Samuel Ferris House stands in the Riverside neighborhood of eastern Greenwich, on a parcel bounded on the west by Cary Street, the north by Fitch Lane, and the south by the Boston Post Road (United States Route 1). It is a 1-1/2 story wood frame structure, with a gabled roof, central chimney, and shingled exterior. The main facade faces south toward the Boston Post Road, and is five bays wide, with sash windows arranged symmetrically around the entrance. The entrance is simply framed, with a small transom window above.
The main facade is five bays wide, with pairs of sash windows flanking the main entry. The entry is simply framed, with a four-light transom window above the door. The building's main block is by , and its structure is composed of vertically oriented 3-inch wooden planking (instead of more typical stud framing), which is given lateral stability by the horizontal insertion of dowels through the planking. The house is one of a significant cluster of 19th-century plank-framed houses and is one of the oldest and best-preserved in the town.
The main entrance is in the center bay, flanked by pilasters and topped by a transom window. The property was acquired in 1648 by William Lord, then one of the leading figures in the Saybrook Colony. Lord was the son of Thomas Lord, one of the founding settlers of Hartford, Connecticut and the Connecticut Colony. The younger Lord acquired large tracts of land on either side of the Connecticut River, but the family holdings were later consolidated on its east side near "Tatomheag", named for a local Mohegan farmer.
The main block of the house is a 2.5-story wood frame structure, sheathed in clapboards, and topped with a gable roof. It is five bays wide, with a center entry that is flanked by pilasters, and topped by a five-pane transom window and cornice. The interior of the house consists of two rooms on each floor, divided by a central chimney, whose top has been removed (and thus does not project above the roof anymore). The downstairs left room was divided to provide a kitchen space.
The Dudley's Corner School is set on a grassy triangle of land bounded by Rosies Court (formerly part of Parkman Road prior to a bridge closure), Dudley Corner Road, and United States Route 2, about east of the Skowhegan village center. It is a single-story wood frame structure, with a front-facing gable roof, clapboard siding, and a granite slab foundation. A single brick chimney rises from the north end of the building. The main entrance is off-center on the south side, with a transom window overhead that has elliptical muntins.
Door of 10 Downing Street, London In architecture, a transom is a transverse horizontal structural beam or bar, or a crosspiece separating a door from a window above it. This contrasts with a mullion, a vertical structural member. Transom or transom window is also the customary U.S. word used for a transom light, the window over this crosspiece. In Britain, the transom light is usually referred to as a fanlight, often with a semi-circular shape, especially when the window is segmented like the slats of a folding hand fan.
The main entrance is in the base of the projecting steeple, in the form of a Gothic arch with a stained-glass transom window above paneled wood double doors. The second level of the tower features a stained-glass lancet window and is topped by a cornice. Above the cornice, a hipped roof narrows the tower to an octagonal Carpenter Gothic cupola and belfry, topped by a conical roof terminating in a cross-shaped finial. The north and south faces of the building each display five parallel stained-glass lancet windows separated by brick buttresses.
The Deshon-Allyn House is located on the campus of the Lyman Allyn Art Museum on the east side of Williams Street, north of downtown New London. It is a large 2½-story structure built out of random-laid stone, with corner quoins and openings framed by ashlar granite. It is covered by a truncated hipped roof with gabled dormers, and four brick chimneys projecting from its roof faces. The recessed entry is flanked inside the opening by Ionic columns and sidelights, with a transom window across the top.
The entrance is flanked by Doric pilasters and topped by a multilight transom window. Most of the associated farm complex dates to either late 19th or 20th century; there is an early 19th-century barn. The land of the farmstead is divided amongst pasture, farming acreage, and woodlots, in historic land patterns defined by stone walls and lanes. The town of Norwich was established by New Hampshire Governor Benning Wentworth (as one of a series of New Hampshire Grants made pursuant to that colony's claim to the area) in 1761.
The Mary Dean Three-Decker stood in Worcester's Belmont Hill neighborhood, east of downtown, on the south side of Belmont Street (Massachusetts Route 9), opposite the Oakland Place entrance to the UMass Memorial Medical Center. It was a three-story wood frame structure, with its basement partially exposed on the side due to the steeply sloping terrain. It had a roof cornice with paired and single brackets, and a shallow entry portico with a bracketed roof at the center of the street-facing facade. There was a semicircular transom window over the entrance.
The Acadian House is located in a residential setting just northeast of the town center of Guilford, on the south side of Union Street near its junction with Market Place. It is a 2 1/2-story timber framed structure, with a gabled roof, large central chimney, and clapboarded exterior. Its main facade, oriented at an angle to the street, is three bays wide, with a central entrance framed with simple moulding and topped by a fourlight transom window. The windows on either side of the entrance are placed asymmetrically.
The Pistol Factory Dwelling is located in eastern Hamden, set on a knoll above Whitney Avenue just north of its junction with Mather Street. It is a 2-1/2 story wood frame structure, with a side gable roof, two asymmetrically placed brick chimneys, and a clapboarded exterior. The main facade is five bays wide, with windows in a slightly asymmetrical placement around the main entrance. The entrance is flanked by fluted boards that resemble pilasters, sidelight windows, and another set of fluted boards, and is topped by a half-round transom window.
The Stephen Grannis House stood on the east side of West Street (Connecticut Route 229), a busy through street in northwestern Southington, between Curtiss and Churchill Streets. It was a 1-1/2 story wood frame structure, with a side gable roof, central chimney, and exterior finished in clapboard-like asbestos siding. Its front facade was five bays wide, with symmetrically placed one-over-one sash windows on either side of a center entrance. The entrance was topped by a patterned rectangular glass transom window, and a flat projecting cap with dentil moulding.
The entrance is in the center bay, and has double doors flanked by pilasters and topped by an entablature that separates it from the half-round transom window. The flat roof has a modillioned cornice and is surrounded by a balustrade. The side facade, facing Federal Street, has a simpler secondary entrance and window bays similar to the outer ones on the main facade. The building was designed by the Office of the Supervising Architect at the United States Treasury Department, then under the direction of James Knox Taylor.
The General Jedidiah Huntington House is located in the Norwichtown part of Norwich, one its earliest areas of settlement. It is located at the northeast corner of East Town Street and Huntington Lane, on a lot fringed at the sidewalk by a low stone retaining wall. It is a 2-1/2 story wood frame structure, five bays wide, with a gable roof, twin brick chimneys, clapboard siding, and a stone foundation. The entry is particularly elaborate, with sidelight windows and pilasters flanking the door, and a semi-elliptical transom window and simple cornice above.
One of the area's best Italianate cottages, the house's general plan features an ell, which the main entrance faces and into which the porch is placed. Some of the house's most elaborate features appear on the porch, including its delicate balustrade, the transom window over the front door, and chamfered pillars. Placed at different parts of the exterior are wide eaves with cornice, while the window hoods feature "gingerbread" carven brackets and decorative bargeboards. Combined with other lesser features, these elements produce the appearance of a master-designed house on a small scale.
The main facade is three bays wide, with the main entrance in the left bay, topped by a transom window. The interior has a restored 19th-century appearance, and includes artifacts generally of that period, as well as items specific to the ownership of William H. McGuffey. The house was built in 1833 for William H. McGuffey, then a professor at Miami University. McGuffey had an abiding interest in public education, and it is here that he began to produce and publish the McGuffey Readers, a series of graded instructional texts.
The Glebe House stands near the southern end of Woodbury's main village, on the south side of Hollow Road near its junction with Connecticut Route 317. It is a 2-1/2 story wood frame structure, with a modified saltbox profile. Its front roof has two faces in the gambrel form, and the rear face, also gambreled, is slightly curved, extending down to the top of the first floor. It has a five-bay front facade, with a center entrance topped by a transom window and corniced entablature.
The West Brick School is located in northwestern Oakham, on the north side of Old Turnpike Road, between Scott Road and the Old West Cemetery. The school is a small 1-1/2 story brick structure, with a front-facing gable roof and a stone foundation. The gable ends are finished in wooden clapboards, with a window opening (typically covered by batten shutters) at the center of the south one. The front (south-facing) facade is three bays wide, with the entrance in the left bay, topped by a transom window.
One story tall, the Yeiser House is a brick structure with a shallow hip roof pierced by a pair of chimneys on the roofline. Its walls, fully thick, are divided into three bays on the facade. Both Greek Revival and Italianate styling are present: ornamental brackets form a cornice for the roof of the front porch, which is supported by four square columns of brick; the porch is approximately deep and wide. Located in the facade is the main entrance, framed by sidelights, a transom window, and a pair of elaborate pilasters.
The Richardson House is located at the southeast corner of Main and Summer Streets in northern Wakefield, just east of Lake Quannapowitt. It is a 2-1/2 story wood frame structure, with Greek Revival styling, distinctive for being five bays wide while presenting a gabled roof end to the street. It has a particularly elaborate Greek Revival entry treatment, deeply recessed, with flanking sidelight windows and fluted pilasters, and a transom window above. The front gable has a window at its center, which is topped by a dummy fanlight.
The entrance is flanked by sidelight windows and topped by a transom window and eared architrave. Period interior features include a unique stairway which ascends in a series of double flights and bridge-like landings to an observatory on the rooftop that offered views of the plantation. and In 1840, Armstead Barton, a native of Tennessee, moved to the area and purchased , on which he began construction of this house. The house remained unfinished at the time of his death in 1847 and was completed two years later under his widow's supervision.
The Brown House is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof and two interior chimneys, on the north side of High Street, a short way west of Main Street. It is clad in weatherboard and rests on a granite foundation. An ell extends to the rear of the house, connecting it to a perpendicularly-oriented single-story carriage barn. The main entrance, centered on the south-facing facade, has a Federal-style pilastered surround, with sidelight windows and a transom window.
The Bushnell-Dickinson House is located in a residential area in western Old Saybrook, on the south side of Old Post Road, between Meadowood Lane and the current alignment of the Boston Post Road (United States Route 1). It is a 1-1/2 story wood frame structure, with a gambrel roof, central chimney, and clapboarded exterior. Its main facade is five bays wide, with a center entrance flanked by fluted pilasters and topped by a four-light transom window. Three shed-roof dormers project slightly from the steep face of the roof.
The main entrance is in one of the center bays of the main block, framed by sidelight windows and a multilight transom window; there is a similar second entrance at the front of the side wing. The interior of the house also has modest Federal styling. The house was built in 1809 for Dr. John Willard and Emma Willard; he was 50 and she 22 when they married that year. Emma Hart Willard was born in 1787 and educated at home, developing an interest in teaching at an early age.
The Daniel Carr House is located in a rural setting in northern Haverhill, on a dirt lane extending west from a 90-degree bend in Brier Hill Road about northeast of New Hampshire Route 10. The house is a connected farmstead, with a 2-1/2 story main house, from which a series of ells extend northward and then east to a barn. The main block is five bays wide, with a center entrance flanked by pilasters and topped by a transom window and corniced entablature. The first ell, also two stories, is probably older.
The front door is topped by a four-pane transom window. The east and west elevations of the stone section of the house are similar in design, but the west elevation has a door and large porch at the basement level. It also has a small one-over-one double-hung wooden sash window on the first story that was added after the wooden frame section was constructed. The stone section's east elevation features a small porch and a door, which were built onto the north end of the first floor around 1915.
The Warren House is a typical rural New England connected farmstead, with a large main block and an ell joining it to a barn. The main block is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof, two interior chimneys, and a stone foundation. The main entrance is centered on the front facade, with a transom window above, and is framed by pilasters and an entablature. There is a secondary entrance in the ell, which extends to the main block's right, and in the rear of the house.
The Record House is a traditional New England connected homestead. Its main block is a 1-1/2 story Cape style wood frame structure, with a pair of slender chimneys near the sides of the gabled roof. The main entrance is centered and slightly recessed, with flanking sidelights and a transom window above. A two-story kitchen ell, also with a side-gable roof, extends to the right side, and a connecting two-story ell extends to the rear from that section, joining the main house to the barn.
The James Semple House stands in historic Colonial Williamsburg, a short way south of the Capitol on the south side of East Francis Street. It is a wood frame structure, with a central two-story section flanked by single-story wings set at a recess. The central block is covered by a front-facing gabled roof with full pediment, while the wings have side-facing gables. The central block is three bays wide, with a center entrance topped by a transom window and sheltered by a gabled portico.
The church is set on the east side of Maine 176, on a rise a short way south of the rural village of West Brooksville in northwestern Brooksville. It is a single-story wood frame structure with well-preserved exterior and interior Greek Revival elements. The main facade, which faces west, has symmetrically-placed entrances, each flanked by pilasters and topped by a transom window and entablature. The entrances are separated by taller pilasters, which are also found at the corners, supporting an entablature and a full triangular pediment.
The Cooper–Davenport Tavern Wing is located at the north corner of Harris and Eustis Streets, in a densely- built residential area on the border between Somerville and Cambridge southeast of Porter Square. The building is a roughly rectangular two-story wood frame structure, with a hip roof and clapboard siding. The front of the building faces northeast, and is four bays wide, with the entrance in the second bay from the right. It is flanked by pilasters and topped by an eyebrow transom window and a gabled pediment.
The Purington House stands in the northwestern interior reaches of Falmouth, on the west side of Mast Road, a short way south of Pride Farm Road. The main house is a 2-1/2 story timber frame structure, with a gabled roof, central chimney, clapboard siding, and stone foundation. It has a number of additions, including a 20th-century garage and an ell joining it to a 19th- century barn. Its front facade is symmetrically arranged, with a center entrance topped by three-light transom window, and framed by a modest surround with entablature.
The Holden House stands on the east side of United States Route 201 in the rural center of the town of Moose River. It is set on the fringe of the Moose River Golf Club, a nine-hole golf course set on lands formerly belonging to the Holden family. The house is a 1-1/2 story wood frame Cape style house, set facing south on a stone foundation and clad in weatherboard siding. The main facade is five bays wide, with a center entrance framed by pilasters and topped by a transom window.
The Pratt House stands in the village center of Essex, on the north side of West Avenue a short way east of town hall. It is a 2-1/2 story timber-framed structure, with a gabled roof, central chimney, and clapboarded exterior. The main facade is asymmetrically arranged, with an off-center entrance framed by fluted pilasters and a corniced entablature over a four-light transom window. Two windows are placed on either side of the entrance, and there are another four windows on the second floor.
The Jabez Smith House is located in a rural-suburban area east of downtown Groton, on the east side of North Road near its junction with Newtown Road. The house is a 1-1/2 story Cape style house, with a side gable roof, central chimney, and an exterior finished in a combination of wooden shingles and clapboards. It is five bays wide, with a center entrance topped by a four-light transom window. The interior follows a typical center chimney plan, and is simply finished, with original plaster and woodwork.
The rear lean-to section is an integral part of the house's original construction, and not a later addition. However, the lean-to's rear wall is plank-framed, unlike the rest of the house, which is framed in timber. The main facade is five bays wide, with a central entrance, with a simply framed surround and a six-light transom window. The interior follows a central chimney plan, and retains many original features, including oak floorboards, paneling in the main parlor, and an unusual folding table in the original kitchen space.
The library is at the corner of Main and Church Streets in Bridgton's village center, and is oriented with its main entrance north, toward Main Street. It is a single- story masonry structure, built out of brick with stone trim elements. It is set on a raised foundation, with a flight of stairs leading to the main entrance, flanked by low parapets on which are mounted original wrought iron lamp posts with globular lights. The entrance is centered on the main facade, with a transom window above that is sheltered by a decorative bracketed hood.
The porch balustrade, composed of urn-like balusters, extends fully across the second floor, and is open between the center columns on the first floor. The main facade is five bays wide, with long sash windows on both main levels, and a centered entry which is flanked by sidelight windows and pilasters, and topped by a transom window and entablature. In the gable tympanum there are two sash windows with a single half-round window centered near the apex of the gable. The side elevations are six bays long, and roof has four equally spaced gable dormers on each side.
Its main block is L-shaped, with prominent five-bay facades facing both south and east. The eastern (street- facing) entry is more elaborate, with the door flanked by pilasters and sidelight windows, and topped by an entablature and cornice, while the southern entry is simpler, with a plain surround and four-light transom window. The interior of the house retains original fireplaces and woodwork in many places, although some rooms have been either modernized or repurposed. The crook of the L is filled with a single-story ell, to which further modern additions extend to the west.
She came in first sometime during his first three hours; he took her to the 10th floor where she asked about Room 1026. Five minutes later, the elevator was summoned there again; it turned out to be the same woman, who expressed puzzlement that her client was not in Room 1046 since, she said, he had called her and on previous visits with him he had always been present. She wondered if, in fact, he was in Room 1024 since she could see through the room's transom window that the light was on in there. She remained on the floor after the conversation.
The Nelson Schoolhouse is located in the village center of the town, on the east side of its green just south of the library. The building is a -story structure, built of red brick laid in stretcher bond. It has a pair of doorways in the main facade, each topped by a four-light transom window, with a single long granite lintel stone above both entrances. There are two sash windows on the second level, offset from the doorways toward the sides of the building, and there is a centered pointed-arch window near the point of the gable.
The Riverview House stands on the east side of US 201, a short way south of its junction with Cushnoc Street, a former alignment of the main road paralleling the Kennebec River to the north. The house is a single-story wood frame Cape, set on a granite foundation, with a side gable roof and clapboarded exterior. An ell extending to the rear appears to be an original part of the house. The front facade is three bays wide, with windows in the outer bays and the entrance in the center, with flanking sidelight windows and a semi-oval transom window above.
The Tillson Farm Barn stands on the south side of Warrenton Road, directly south of the head of Glen Cove, and northwest of the Riley School campus. It is a single-story rectangular wood-frame structure with a gabled roof, weatherboard exterior, and granite foundation. The roof is capped by two square cupolas, each of which has paired windows on each side, with chamfered corner posts and a bellcast hip roof. The front facade faces south (away from the road, from which it is screened by trees), and is dominated by a large tracked board-and-batten door with a transom window above.
There may be a transom window above the barn doors and windows were used as needed in some of the walls, but more windows are likely to be found in the New England barn. The roofs of the three-bay barns frequently have no overhang on the eaves or sidewalls, but some New England barns have original, built in roof overhangs. There is a rare class of barn which are framed like an English barn but originally designed with the doors on the gable end. In general terms these are called a transitional barn and show the transition between the two distinct styles.
The Fox Stand stands on the west side of Vermont Route 14, at the southern end of the village of North Royalton, and just north of the bridge carrying Royalton Hill Road across the White River. It is a 2-1/2 story masonry structure, built of brick and set on a stone foundation. It has a gabled roof, with stepped gable ends and two interior chimneys. The main (east-facing) facade is six bays wide, with the main entrance roughly in the center, set in a keystoned segmented-arch opening with a transom window and sidelights.
The Lewis-Zukowski House stands in a rural setting of southwestern Suffield, on the west side of South Grand Street, just north of its crossing of Stony Brook and just east of the town line with East Granby. It is a 2-1/2 story brick building, with a gabled roof and stone foundation. A wood-frame enclosed shed-roof porch extends across its right side, and a modern wood-frame ell extends to the rear. The main facade is five bays wide, with a center entrance recessed in a rectangular opening, topped by a transom window.
The Joseph Willis House is located in a rural residential area of western Taunton, on the southwestern side of the junction of Worcester Street and Alfred Lord Boulevard. It is a 2-1/2 story, timber-framed structure, with a side gable roof that slopes down to the first floor in the rear, giving the house a saltbox profile. Its main facade is four bays wide, with somewhat even placement of sash windows on the second floor, and asymmetrical placement on the first. The entrance is in the second bay from the left, and is framed by pilasters and a transom window.
A three-part Palladian style window was set above the entrance, flanked by paired pilasters and topped by a transom window. The house was built in 1893 for Henry G. Brownell by local contractor-builder L.M. Witherell, and was one of the city's finest examples of high-style Colonial Revival architecture, and was listed on the National Register of Historic Places in 1984 for its architecture. It most recently served as an Elks Lodge until early 2014, when it was sold to Arista Development. The house was demolished on March 18, 2014,Taunton Daily Gazette, posted Mar.
The interior follows a typical center hall plan, and has retained a number of original features, including particularly ornate turned balusters on the main staircase. The house was built by Joseph Adams in 1783, and was the farmstead house for a farm of . It is one of a handful of 18th-century houses in Somerville, and its main entry transom window is believed to be one of the oldest of its type in the Boston area. Adams was married to Sarah Tufts, whose extended family owned large tracts of land in the town, including the tracts which eventually became Tufts University.
The new low-pitched hip roof that Wright designed, along with the wrap- around porch and overhanging eaves are all elements found in the Copeland House which can be found on other Prairie style homes Wright designed. The remodeling work also replaced the original doors with doors, frame, sidelights and a transom window all of Wright's own design. Wright's original plan called for the Copeland House to be remodeled into a three-story Prairie house but that plan was rejected. The result was that the Wright-designed remodel was not as ambitious as it had been planned to be originally.
Windsor's former fire station stands far back on the north side of Maple Avenue, with a small parking area in front and buildings facing Broad Street to its east. It is a brick structure, 2-1/2 stories in height. On its main facade, the former garage entrance for the fire truck, which was an elliptically arched opening, has been filled in with a square plate glass window and brickwork filling the arch above. The main doorway is to the right, set in a rectangular opening along with a four-light transom window; it is also topped by a blind arch.
The Dame School is a historic meeting house, school, and now local historical museum, on New Hampshire Route 152 in Nottingham, New Hampshire. The single story wood-frame Greek Revival structure was built in 1840 as a church; according to local legend, timbers from a 1740 church were used in its construction. Its main facade has a simple entrance topped by a transom window, and flanked by a pair of windows. The building is topped by a three- stage tower, whose second stage houses a belfry, and whose spire is topped by a weathervane in the shape of a quill pen.
The George Cowles House is located on the northwest side of Main Street (Connecticut Route 10) in geographically central Farmington, between Smith Drive and Pearl Street. It is a roughly square 2-1/2 story brick structure, four bays wide, with a side- gable roof and a rear two-story ell. The main entrance is slightly recessed in the load-bearing brick wall, and is flanked by sidelight windows and topped by a semi-elliptical transom window. The side elevation is notable for a pair of Palladian windows in the central bay, which are set higher than the flanking sash windows.
The former Berlin Town Hall is located in the village center of Berlin, facing the triangular green across Woodward Avenue. It is a 2-1/2 story wood frame structure, covered by a gabled roof and finished in wooden clapboards. Its facade has Greek Revival features, including corner pilasters and a portico sheltering a front entry that is flanked by pilasters and topped by a two-light transom window. The portico, built in 1875, is supported by pillars that match the pilasters in detailing, and is topped by a flat roof surrounded by a low balustrade.
The Holland–Towne House is located on a private road north of the Petersham village center. The privately owned house is a 1-1/2 story wood frame structure, three bays wide, with a side-gable roof, central chimney, clapboard siding, and fieldstone foundation. The main facade faces south, and is nearly symmetrical, with windows in the outer bays, and the entrance slightly off-center, with simple trim and a four-light transom window above. The interior retains a great deal of original 18th-century materials, with the latest alterations dating to the early 19th century.
The entrance has a broad surround, with fluted pilasters rising to an entablature and cornice above a four-light transom window. The interior retains many original 17th and 18th-century features. With The oldest portion of the house, the rear ell, was estimated by architectural historian J. Frederick Kelly to date to 1690, and was probably built by Joseph Pitkin. The main house was built in 1764 by his son Elisha, at which time roughly half of the old structure was demolished, its chimney was incorporated into the new building, and the remaining portion was used as a kitchen ell.
The Todd House stands at the northeast corner of Capen Avenue and Water Street, north of the city center, and overlooking the St. Croix River. It is a 1-1/2 story wood frame Cape style house, five bays wide, with a side gable roof, central chimney, clapboard siding, and stone foundation. Its south-facing facade is symmetrical, with the front entrance topped by a transom window. Inside, it follows a typical center-chimney plan, with a narrow vestibule in front of the chimney that also has a winding stair to the attic level, and parlor spaces on either side.
The Morris House stands overlooking the Connecticut River in eastern Springfield, its informally landscaped lot separated from the river bank by Old Connecticut River Road, historically the main route along the river's west bank (since replaced by United States Route 5, which passes west of the farm property). The main house is a two-story wood frame structure, with a hip roof and clapboarded exterior. The east-facing front facade is five bays across, with a center entrance flanked by pilasters and topped by a half-round transom window and gabled pediment. The building corners have narrow pilasters, rising to a dentillated cornice.
The Dr. Thomas Simpson House is a historic house at 114 Main Street in Wakefield, Massachusetts. It is a -story timber-frame house, in a local variant of Georgian style that is three bays wide and four deep, with a side gable roof. Its primary entrance, facing west toward Lake Quannapowitt, has sidelight windows and pilasters supporting an entablature, while a secondary south-facing entrance has the same styling, except with a transom window instead of sidelights. The core of this house was built by Dr. Thomas Simpson sometime before 1750, and has been added onto several times.
The entrance is flanked by narrow pilasters and topped by a transom window and simple corniced entablature. Windows are replacement rectangular sash; those on the second floor are placed in openings that butt against the eave, a typical Georgian placement. The construction date of this house is unknown with certainty; by stylistic analysis it appears to have been built in the mid- to late-18th century, and its chimney is marked with the date that is either 1786 or 1756. Its owner in 1855 was listed as W. Aldrich, who owned a nearby sawmill and gristmill for many years.
The Deacon Samuel and Jabez Lane Homestead occupies a roughly triangular island of land bounded by the junction of New Hampshire Routes 33 and 108, which functions as a rotary. The property includes four buildings: the main house, a shoe shop, corn house, and barn. The main house is on the west side of the island; it is a 2-1/2 story wood frame structure, with a hip roof and end chimneys. Its main facade is five bays wide and symmetrical, with a center entrance framed by Federal period pilasters, a four-light transom window, and a fully pedimented gable.
The J. Peter Lesley House is located in Philadelphia's Washington Square West neighborhood, on the south side of Clinton Street between South 10th and 11th Streets. It is a 3-1/2 story brick building, with a gabled roof pierced in front by a gabled dormer, and flanked on the side walls by chimneys. It is three bays wide, with the entrance in the rightmost bay, topped by a Federal style half-round transom window. The interior of the house largely retains features of the later 19th century, despite conversion to multiunit residences and back to single-family use.
Mallett Hall is located on the east side of Hallowell Road (Maine State Route 9), just north of its junction with Dyer Road and south of Bradbury Mountain State Park. It is a 2-1/2 story wood frame structure, with a gable roof, clapboard siding, and a granite foundation. It has a symmetrical front facade, with a slightly projecting central bay flanked by window bays. The centrally-located entrance is a double door flanked by pilasters and topped by a transom window and gabled pediment, and there is a tall Palladian window on the second level above.
The entrance opening is topped by a segmented arch, allowing space for a multilight transom window. and The house was erroneously believed to be the oldest house in New Hampshire and dated to 1638, owing to a misreading of historic records. The land was granted to Samuel Haines early in New Hampshire's colonial history, and is where his son-in-law, Leonard Weeks, eventually built a house near his. The brick house now standing was probably built in the 1710s by Leonard's son Samuel, with Leonard's wood-frame house as an attached ell (destroyed by fire in 1938).
The back of the house features a stone porch outside the kitchen with doorways to the kitchen and northwest bedroom as well as steps leading to ground level on the south beyond the boulder field. The landscaping, in addition to ambient wildflowers and cactus among the rocky outcrop, include elm, pine, and junipers in the front which largely obscure the frontal elevation, and a hackberry tree in the back. Shrubbery and ground cover have also been cultivated around the home. At the main entrance are central double doors surrounded by a transom window and sidelights with doors and windows featuring leaded stained glass.
The Nebraska Governor's Mansion sits on an entire city block, emphasizing the importance of the office and the building. The grounds are landscaped to include large lawns, gardens, walking paths, and a fountain surrounded by an imposing wrought-iron fence which was added in the late 1990s. The primary entrance to the residence on the north facade is off- center and marked by six white Doric columns which support a two-story dentiled pediment featuring a high roundel window. The twelve-paneled door is flanked by sidelights and a transom window all of which have cross-hatch muntins.
The Parker Farm is located in a rural area of central northern Cavendish, on the west side of Brook Road about north of its junction with Atkinson and Center Roads. The farm's remaining are roughly divided in half by the road, with a woodlot on the east side of the road, and a mown meadow and the farm buildings on the west side. The house, set near the road, is a 2-1/2 story brick building, with a side gable roof and end chimneys. The front facade is five bays wide and symmetrical, with a center entrance topped by a transom window.
The verandah awning on the ground floor has a thin gauge corrugated iron soffit and is supported on reeded cast iron columns and has a cast iron balustrade and pointed arched friezes which also feature a quatrefoil motif. The verandah on the floor above has square timber columns, cast iron balustrading and a timber boarded soffit. Centrally located on the ground floor verandah is a six panelled entrance door which is surrounded by rectangular transom window and sidelights of very fine stained glass panels from Munich. The entrance door opens onto a vestibule where access is provided to parlours on either side.
Windows on the first two floors are set in similar openings, and the main entrance is set in a large segmented-arch opening, flanked by slender pilasters and sidelight windows, and topped by an arched transom window. The interior is reflective of several periods, having undergone a Colonial Revival redecoration in the early 20th century. Most notable is the stencilwork on the walls of two rooms, which has on a stylistic basis been attributed to the itinerant New Hampshire artist Moses Eaton. with The house was built in 1827 for John Wilder, a Massachusetts native who moved to Weston in 1825.
The East Harpswell Free Will Baptist Church is located on the west side of Cundys Harbor Road, the main thoroughfare on Sebascodegan Island, which makes up the easternmost portion of the town of Harpswell. It is a simple, rectangular wood-frame structure, with a front-facing gable roof, clapboard siding, and granite foundation. Its main facade, facing east toward the road, is symmetrical, with two bays articulated by pilasters that rise to a plain frieze board, with a fully pedimented gable above. Each bay houses an entrance, flanked by pilasters and topped by a transom window and corniced entablature.
The double-leaf doorway is topped by a shallow arched transom window, and there is a Palladian window above; both the doorway and window are set in a shallow arched recess. with The church was built in 1829 by the Leicester Meeting House Society, formed in 1825 to provide a church meeting space for multiple Christian congregations. The brick was locally sourced, apparently made from clay sources about away. The only major alteration to the building has been in its interior, which was originally built with the pulpit at the south end, in a semicircular niche below the gallery.
The Knowlton House is located in southern Montville, a rural inland community in western Waldo County, Maine. It is set on the northwest side of Choate Road, at a four-way junction where Choate Road becomes Sumner Martin Road, and the crossing road is an old (and now unmaintained) county road. The house is a 1-1/2 story wood frame Cape style structure, five bays wide, with a side gable roof, central chimney, clapboard siding, and stone foundation. The front facade, facing southeast, is symmetrical, with a center entrance that is simply framed, and is topped by a four-light transom window.
The First Baptist Church is set on a rural parcel in central eastern Bowdoin, a few hundred feet west of United States Route 201. It and the adjacent cemetery are accessed via an unlabeled dirt road that runs west across an open field and into the woods surrounding the church and cemetery. The church is a modest single-story wood frame structure, with a gabled roof, clapboard siding, and a granite foundation. The main facade, facing east, has an elaborate entrance, the door framed by panels and a transom window, with pilasters and a Federal style fan as an outer surround.
The entrance has glass-paneled double doors, set in a recess framed by marble trim and topped by a sill with a foliated cartouche, and a half-round transom window. Windows on the ground floor are set in rectangular openings with splayed keystoned lintels; there are small windows beneath the eaves that illuminate the rooms of the half-story. The interior begins with a tiled entry area, with stairs rising around the outer walls to a large meeting room that occupies most of the upper story. The entry opens into a central rotunda, with reading rooms on either side, and stacks and librarian area to the rear.
The Saunders–Paine House is set facing south on the north side of Paine Hollow Road, a now-residential street that led to a historically important landing to the west in the 19th century. The house is a 1-1/2 story Cape style wood frame structure, five bays wide, with a side-gable roof, central chimney, wood clapboard siding, and a brick foundation. The front facade is symmetrically arranged, with two sash windows on either side of the center entrance, which is flanked by fluted pilasters and topped by a five-light transom window and an entablature. The windows have simple molded surrounds.
The Fuller House is set on the northwest side of Parker Road in West Barnstable, just northeast of its junction with Church Street, and is set near the road, behind a low fieldstone wall. Its main block is a 1-1/2 story wood frame structure, three bays wide, with a side gable roof and wood shingle siding. In a somewhat unusual arrangement for the period, the chimney is located centered behind the northernmost bay, while the main entrance, which is more typically in front of the chimney, is located in the southern bay. The entry is flanked by pilasters and topped by a transom window, typical Federal style features.
The Fletcher House is set on the north side of Concord Road (Massachusetts Route 225), just west of its junction with Preservation Way, in a rural-residential area of southern Westford. It is a 2-1/2 story timber frame structure, five bays wide, with a side gable roof, clapboard siding, and a stone foundation. The main facade faces south, and is symmetrically arranged, with a center entrance flanked by pilasters and topped by a four-light transom window and simple entablature and cornice. The interior layout follows a typical Georgian center-chimney plan, with public rooms on either side of the chimney, and a kitchen area behind.
The Hale Boynton House is located in Newbury's Byfield area, on the west side of Middle Street north of Elm Street. It is surrounded by more modern buildings that make up part of the campus of The Governor's Academy, a private boarding school founded in 1763. It is 2-1/2 stories in height, built of timber frame construction, with a side gable roof, two interior brick chimneys, and an exterior finished on the front and rear in clapboards, and on the sides in wooden shingles. The front facade is five bays wide, with the entrance at the center, flanked by pilasters and topped by a transom window and corniced entablature.
The Glover House is a -story wood-frame structure, five bays wide, with a gambrel roof and two symmetrically placed interior chimneys. A two-story kitchen ell extends to the rear of the house. The front entry is centered on the west-facing main facade, with a four-light transom window above, and is framed by pilasters and pediment with entablature. The inside of the house is a variant of the typical Georgian center-hall plan, with a single large parlor on the right, and a smaller dining room on the left, behind which is a hallway opening to a secondary stairwell and side door.
Of those killed, twenty four died inside the stairwell, one rescuer was killed by a person falling from a transom, and one audience member who, according to eyewitness accounts, escaped the theater, ran across the street and died. The man had escaped by running across the heads and faces of the trapped victims as they were being crushed. He had also pushed a phonograph machine through a transom window where it and a shower of broken glass landed on rescue workers. He then crossed the street and died from some combination of panic-related health complications and injuries he incurred while being physically assaulted by onlooking townspeople.
The main facade has bands of windows on either side of the center entrance, which has sidelight windows articulated by brackets supporting a projecting cornice, which transitions to a half-round shape that houses a transom window. The exterior is finished in stucco applied over rubblestone walls The interior is richly decorated with Arts and Crafts features. The house was built in 1913–14 as the residence of [Leland Powers], and was severely damaged by an anarchist bomb attack in 1919. Powers, at the time a state legislator, was active in legislating against the rise of anarchist activity; his family moved out of the house in 1921.
The west front has a central tower, mostly set into the first bay of the nave and functioning also as the entrance porch. This tower has a landmark spire, flanked by the gabled tops of the four walls and four corner pinnacles which top corner buttresses. There are three storeys to the tower; the first has the single entrance, in the form of a pointed arch with step molding in brick and with a transom window fitted into the arch above the doorway. The second storey has a large Gothic window with tracery, and the third (the bell-chamber) has a large louvered aperture in each face.
The North School is located north of the small village center of Kensington, in a rural setting at the northwest corner of Amesbury Street (New Hampshire Route 150) and Moulton Ridge Road. It is a single-story gable-roofed brick building, with a small wood-frame addition to one side. Oriented facing south, its front facade is one of the gable ends, with three window bays to the left of the building entry. Windows are rectangular sash, and are set in openings that lack adornment; the entry door is topped by a four-light transom window, and there is a smaller sash window in the gable.
The interior of the church consists of a large, open floor plan, with wooden pews lined perpendicular to the north and south sides, thus creating a central aisle. The altar is a small wooden pulpit, which serves as a lectern that is accessible by a small wooden step; the altar is accented by a large wooden backdrop of casing with dentil molding. Each of the church's interior walls is covered with pine wainscot panelling and wallpaper, and topped with wooden crown molding. Wooden swag moldings accentuate the four symmetrically- placed six-over-six double-hung sash wooden windows, the doorway's wooden casing, and the transom window.
The Tarr–Eaton House stands in Harpswell Center, on the west side of Harpswell Neck Road (Maine State Route 123), in a field just north of the 1750 Harpswell Meetinghouse, a National Historic Landmark. It is a single-story wood frame structure, with a side gable roof, a reproduction central chimney, five-bay facade, clapboarded exterior, and a foundation of concrete and rubblestone. A single-story shed-roof ell extends northward from its rear northeast corner. The main facade faces south, consisting of four windows with simple surrounds, two on either side of the main entrance, which is topped by a four-light transom window.
The Alfred E. Smith House is an architecturally undistinguished three-story brick rowhouse, located on the west side of Oliver Street in Lower Manhattan, across the street from the Alfred E. Smith Elementary School. The building is three bays wide and crowned by a modillioned cornice. Its entrance is in the right bay, topped by a transom window and corniced entablature. The interior retains a number of original period Victorian features, including tile floors and a stairway newel post, but also has alterations that were probably made during the period of Alfred E. Smith's occupancy, including the provision of glass-windowed doors between the main hall and front parlor.
The Deep River Town Hall is located near the southern end of the main village of Deep River, located in a triangular plot on the south side of the junction of Connecticut Routes 80 and 154, with a west-bound one-way street immediately to its south. In contrast to other village architecture, it is a three-story brick building, set up against the sidewalk on the main roads. A single bay faces the intersection, housing the main entrance in an arched recess, flanked by sidelight windows and topped by a semicircular transom window. The side elevations are nine bays, divided into groups of three; some of these groups have doors at the center, while others have windows.
The Lathrop-Mathewson-Ross House is located at 198 Ross Hill Road in rural northeastern Lisbon, on the north side of Ross Hill Road east of Phillips Road. It is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof, twin chimneys, clapboard siding, and a stone foundation. Its main entrance is topped by a transom window and framed by a molded wooden surround. The interior follows a typical central hall plan, with delicate scrollwork on the stringerpiece of the staircase on the right side, with original wooden paneling above and below. Much of the interior retains features original to its construction, or to a major 1824 renovation.
The main block of the house is a rectangular wood-frame structure 2-1/2 stories tall and five bays wide, with a side gable roof, twin interior chimneys, and a granite foundation. A single-story hip-roof porch extends across the southern gable end, whose wall is flush with that of the rear ell. The main entrance is in the east-facing facade; it is framed by sidelight windows and a semi-elliptical transom window with a cornice above. The interior follows a typical central hall plan, with parlor and living room on either side of the hall in front, and the kitchen (which extends into the ell) and a bedroom in the rear.
The Gershom Durgin House is located in a rural setting in central eastern Andover, on the north side of Franklin Highway (New Hampshire Route 11), just west of its junction with Agony Hill Road. It is a 1-1/2 story wood frame structure, resting on a granite foundation, with a side gable roof, two interior chimneys, and a clapboarded exterior. Its main facade is five bays wide, with a center entrance consisting of a board door fastened by metal hinges, with a four-light transom window above. The interior follows a Federal period central hall plan, a central hall flanked by parlor spaces on either side, and the kitchen in the northeast.
The Morrell House stands on the east side of Morrills Mill Road, a short way south of its crossing of Great Works River near the town line between North Berwick and Sanford. It is a 2-1/2 story wood frame structure, with a side gable roof, large central chimney, clapboard siding, and a granite foundation. Oriented to face south, the main facade is five bays wide, with a center entrance flanked by simple wooden pilasters and topped by a transom window and simple pediment. The interior follows a typical period central- chimney plan, with a narrow winding staircase in the front vestibule, with the parlor to the right and study to the left.
That bay originally housed a large equipment entrance with tall double doors, but has been infilled with a pedestrian entrance flanked by sidelights and paneling, and topped by a broad transom window. Original pedestrian entrances (some now closed off) were located on the southwest and northeast sides of the front block, and also in the larger rear section. The interior of the building has no original equipment related to its use as an electrical power substation, and now houses the museum displays of the Scarborough Historical Society. The building was erected in 1911 as a power substation for the Saco Division of the Portland Railway Company, a trolley operator in southern Maine.
The Manor House is located on the south side of United States Route 302, several miles north of the town center of Naples, at a location that would have historically had a view of Long Lake to the north. The house is a 2-1/2 story wood frame structure, five bays wide, with a low- pitch hip roof, brick side walls, clapboarded front and back walls, and a stone foundation. The main entrance is centrally located, with flanking pilasters and sidelight windows, and a semi-oval transom window above. A Palladian window with a half-round central window and narrow side windows is set on the second floor above the entrance, also articulated by pilasters.
The Thayer House is located in a rural area of northeastern Blackstone, on the southwest side of Farm Street, historically one of the main roads joining Woonsocket, Rhode Island and Mendon, Massachusetts (of which Blackstone was a part until the 19th century). The house is set back from the road, the street lined by a low retaining wall, with period stepping stones leading to the front entrance. The house is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof, large off-center chimney, clapboard siding, and a stone foundation. The main facade is symmetrical, with a center entrance, flanked by pilasters and topped by a transom window and entablature.
The Colonel Asa Platt House stands in a predominantly suburban residential area northeast of the town center of Orange, at the southwest corner of Tyler City Road and Racebrook Road (Connecticut Route 114). It is a 2-1/2 story wood frame structure, with a gabled roof, two interior chimneys, and a clapboarded exterior. The main facade is four bays wide, with an irregular arrangement consisting of two closely spaced windows bays on the left half, a single window bay on the right, and the main entrance set off-center between these groupings. It is framed by sidelights, pilasters, and a half-round transom window, and is sheltered by a gabled portico supported by chamfered square posts.
The property had for generations been in the hands of the Raynes family, but only had a small summer cottage (built about 1939) on it when it was acquired by the Hosmers in 1949. The pond also existed at that time, but was significantly reworked by the Hosmers as part of their landscaping activities. The main house is a two-story wood frame structure, clad in stone veneer, with a hip roof and a partial concrete foundation. The house is five bays wide, with sash windows in most of the bays, and a central entrance flanked by sidelight windows, and topped by a transom window, all set under a segmented-arch pediment.
The Flagg House occupies a triangular lot on Worcester's east side, bounded on the west by Plantation Street and on the east by Ingleside Avenue. The house is a 2-1/2 story wood frame structure, three bays wide, with a side gable roof, large central chimney, and clapboard siding. Its center entrance (facing west toward Plantation Street) has modest trim, with a four-light transom window above. The house is assumed to have been built about 1718, when Benjamin Flagg II purchased a large tract of land in the area; however, it is not known how much of the building is his original construction, and how much may have been later alteration.
Juniper Hill Farm stands atop the crest of a hill northwest of Windsor's main village and is accessed via a winding drive on the north side of Juniper Hill Road. The main house is a large U-shaped 2-1/2 story wood frame structure, oriented with the open end of the U to the north, facing terraced landscaping. The central portion of the U is covered by a dormered hip roof, while the wings are only two stories in height, also covered by hip roofs. The original main entrance is at the center of the southern facade, sheltered by a small gabled portico; it has flanking sidelight windows and a semi-oval transom window.
The house, on the west side, is a 1-1/2 story Cape style wood frame structure, with a side gable roof and central front cross gable, with a 1-1/2 story ell extending to the rear to join to an attached carriage barn. The house has Greek Revival styling, its entrance flanked by sidelight windows and pilasters, and topped by an entablature with cornice. At the top of the U stands the main barn, a large two-story bank barn with the gable oriented east-west. Its main entrance is on the west side, with a large sliding door topped by a two-tier transom window and a gabled Greek Revival entablature.
Abbess Grange is a neo-Elizabethan house at Leckford, Hampshire, England designed by Sir Banister Fletcher, a British architect, in 1901 for George Miles-Bailey, on the site of a former grange of St. Mary's Abbey, Winchester. The house consists of a two-storey main block with attic and a projecting single-storey billiards hall on the left, and is built on a levelled platform cut out of the hillside. The Dutch-gabled right-hand three bays of the main block project forward and have, in the centre, an Ionic porch with pairs of column supporting a heavy entablature. Over the porch is a seven-light mullioned and transom window, and to either side is a three-light Ipswich window.
The facade is five bays wide, with a center entrance topped by a four-light transom window. The interior, carefully restored after a 1968 fire, has the main parlor to the left, but deviates from typical period plans by placing the stairs to the upper level in the rear keeping room, instead of in the entry vestibule. John Palmer moved to this area and built this house in 1790. Palmer was an influential member of the church in nearby Scotland, where he played a major role in the establishment of a Separatist congregation during the First Great Awakening of the 1740s, and successfully petitioned the state in the 1770s for relief from taxation for the support of the Congregationalist church.
George Birch, undertaker for the New England town of Peck Valley, finds himself trapped in the vault where coffins are stored during winter for burial in the spring. When Birch stacks the coffins to reach a transom window, his feet break through the lid of the top coffin, injuring his ankles and forcing him to crawl out of the vault. Later, Dr. Davis investigates the vault, and finds that the top coffin was one of inferior workmanship, which Birch used as a repository for Asaph Sawyer, a vindictive citizen whom Birch had disliked, even though the coffin had originally been built for the much shorter Matthew Fenner. Davis finds that Birch had cut off Sawyer's feet in order to fit the body into the coffin, and the wounds in Birch's ankles are actually teeth marks.
Joy House also has an early example of what would become Keyes's signature large central transom window. A gabled roof was later built atop the original flat roof (though not by Keyes). (Richard Joy, Jr., for whom Keyes designed the house, hails from the Joy dynasty, his grandfather James F. Joy a railroad magnate and "one of the foremost business men of the U.S." and his father Richard P. Joy the President of the National Bank of Commerce and a Director of the Packard Motor Car Company—where his brother Henry B. Joy was also President and a major investor—among other companies. Records of Richard Jr. mention him only as a "yachtsman"—the Joy family were long time New York Yacht Club members.) Lake Park House Lake Park House Lake Park Rd., Bloomfield Hills (1937) Client: Max M. Gilman Style: Regency, Georgian Keyes designed Lake Park House for Max M. Gilman (President of the Packard Motor Car Company).

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