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15 Sentences With "tough cookies"

How to use tough cookies in a sentence? Find typical usage patterns (collocations)/phrases/context for "tough cookies" and check conjugation/comparative form for "tough cookies". Mastering all the usages of "tough cookies" from sentence examples published by news publications.

But people who are enchanted are the real tough cookies.
The women surviving at the White House are tough cookies.
Hoda Kotb is raising her two young daughters to be tough cookies with hearts of gold.
But he couldn't resist a Trump-style boast: "I've known some tough cookies over the years," he told Chris Matthews in February.
I do like the Play's dark, metallic blue color, but tough cookies if you don't as it's the only color Motorola is selling the Z3 Play in.
But here in Alaska — already home to survivalists, end-of-the-world preppers and all-around tough cookies — the latest geopolitical hubbub is being taken in stride.
Though feminist film critics of earlier decades have made much of her plight—and her inversion in tough cookies like Buffy the Vampire Slayer—we live in a different world, now.
In anticipation of our president's trying to brand crepes, too — for himself, his cronies and foreign leaders — here is a "Menu of Unsavory Crepes": The Trump: Crepe with fiddleheads and warheads The Donald Trump Jr.: Crepe with chocolate chips off the old block doused in vodka The Putin: Crepe with rapscallions and WikiLeeks The Merkel: Crepe with tart Riesling and tough cookies The Mnuchin: Crepe with Scottish salmon freshly flown in on military jets The Conway: Crepe with extra cheesiness and extra-light (filled with hot air) The Pruitt: Crepe with unpasteurized milk, uninspected bacon and additional secret ingredients The DeVos: Crepe with ingredients of your choice, selected after spiritual guidance and lengthy prayers The Kelly: Crepe proudly prepared — with little advance notice about the hot ingredients he will need to include — by the new guy handling all the orders Recently taken off the menu: The Bannon: Crepe made with pre-sifted white flour to make crepes great again (readily available from other purveyors) The Scaramucci: You think you can name just a crepe after me?
Job: Video Reunion. DigitalContentProducer.com. 2006-6-1. Retrieved on 2007-6-24. Karnasiewicz, Sarah. Tough Cookies. Salon.com. 2006-3-21.
Tough Cookies is a comedy television series that aired on CBS in 1986; six episodes were broadcast. This series premiered on the same date (March 5, 1986), and was also cancelled on the same date (April 23, 1986), as another CBS comedy series, Fast Times.
There are five teams within the Los Angeles Derby Dolls league. The four home teams are: the Fight Crew, the Sirens, the Tough Cookies and the Varsity Brawlers. The fifth team is the Derby Dolls X, which are the L.A. Derby Doll’s all-star team that competes on a national level. The L.A. Derby Dolls also have their own referee team called "The Enforcers".
" Mark Dawidziak of the Akron Beacon Journal was far less than kind to the sitcom: "Just when you thought the CBS Wednesday schedule couldn't get any worse, along comes these two lethal stinkers (Fast Times and another series that preceded it, Tough Cookies). It would be better if the network programmers turned the hour over to repeated tests by the Emergency Broadcast System. It would be better, and considerably more entertaining, if they devoted the hour to a reading of the Newark Yellow Pages. It would be better, and far more merciful, if they just went dark.
The series reunited Witt with Dey, who whom he had worked with on The Partridge Family; the show additionally featured two actors who would again work for Witt/Thomas, Kenneth Gilman (who later starred on Nurses) and Art Metrano (of the short-lived Tough Cookies). Witt, Thomas and Harris would soon find success with their next pilot, a sitcom parody of daytime soap operas entitled Soap. ABC picked up the series, which drew controversy over its tawdry and taboo storylines from the day it was announced on the network's schedule. Soap premiered in September 1977 to further controversy (several ABC affiliates chose to preempt the show during the 1977–78 season), but blockbuster ratings, and cemented Witt, Thomas and Harris as producers of breakthrough, socially relevant television.
Strong, Martin C. (1999) The Great Alternative & Indie Discography, Canongate, The quartet started to rehearse in the Liverpool-based Vulcan Studios, where they soon turned a five- piece, with David Lloyd now on keyboards. Their debut album, 1985's Back in the DHSS, topped the UK Indie Chart and reached number 60 in the UK Album Chart.Lazell, Barry (1997) Indie Hits 1980–1989, Cherry Red Books, Its title was a play on The Beatles' "Back in the U.S.S.R." and also a reference to the DHSS, the government department that dealt with the unemployed, Nigel Blackwell having been on unemployment benefits since 1979.McCready, John (1985) "Tough Cookies", New Musical Express, 14 December 1985, p. 11 The band's first single, "The Trumpton Riots", topped the British independent chart in 1986, and they went on to perform at Glastonbury Festival.
The series, created by Stu Silver, Dick Clair and Jenna McMahon, ran on ABC for two seasons, with the second season airing under the modified title Making a Living. Syndication reruns which aired a year after the series' cancellation (see below) brought the show a whole new audience; the series was revived under its original title for first-run syndication, and ran four additional seasons (1985–1989). Witt/Thomas also produced the short- lived 1983 ABC sitcom Condo, from creator Sheldon Bull. Although it had no involvement from Susan Harris, Condo featured elements of Soap, in which two families, related by marriage, were the focus, along with the in-fighting that went on between both sides. Other Witt/Thomas series during the mid-1980s that were created by people other than Susan Harris included the short-lived CBS sitcom Tough Cookies (1986), which starred Robby Benson as a young maverick detective, and One Big Family (1986–1987), a first-run syndication series which was the third (and final) Witt/Thomas comedy vehicle for Danny Thomas.

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