Tony tosses off a quick "Nice work, kid!" before flying off to finish the fight.
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Mr. Porter tosses off gospel inflections with ease, responding to the sighing arc of Chip Crawford's piano chords.
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There is one exception: a surprise solo "break" by a trombonist who tosses off an insouciant, swinging phrase.
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The nonchalance with which Plummer tosses off the lines in these scenes is what makes them work, making Getty come off unpredictable and chilling.
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Notions that Heti tosses off as givens have been argued and contested by writers, activists and critics since the advent of modern birth control.
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Her eyes glassy behind a gleaming Stepford wife smile, she tosses off Sun Tzu references in the same breath that she discusses child care plans.
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Mr. Youd is not like a pianist who tosses off a few scales first thing in the morning: He does not bother with warm-up exercises before he sits down at the typewriter.
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In "Latin History for Morons," a panoptic survey of two millenniums of oppression in the Americas, he tosses off dozens of quick character sketches that feel exactly as true as they are likely inaccurate.
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With its own products, Apple tosses off standards before they're ready to go, with little concern for its customers' frustrations — just see its transition to USB-C and its move away from the headphone jack.
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He wobbles a little woozily, on the drunk side of dreamy, but in his moments alone he tosses off bursts of bravura ballet, jumping with effortless lift, speeding and slowing in a string of turns.
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Likewise, Knausgaard references many familiar artists of Munch's time — van Gogh, Gauguin, Redon, Manet, Monet, and so on — but also tosses off the work of Norwegian painters like Adolph Tideman, Hans Gude, Christian Krohg, and Fritz Thaulow.
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This influential film (which begins with a rudimentary music video for "Subterranean Homesick Blues," in which Mr. Dylan tosses off cue cards bearing words from the song) is being commemorated with an exhibition at the Morrison Hotel Gallery in SoHo.
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Instead he remains a supporting character, playing peek-a-boo in his own biography as he tosses off acidic bons mots, skips out on debts and eventually — in fashion's version of Truman Capote's "La Côte Basque, 1965" — alienates the women who made him.
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The less said about this final film the better, but it at least tosses off a line about Kathryn being a patient in a methadone clinic – and that sounds about right as to Kathryn's trajectory following her comeuppance at the end of the first film.
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Consider Trump its prideful mascot: a man who can't stand that one of his top surrogates is mocked by a woman on Saturday Night Live, tosses off suggestions about killing the families of terrorists, says nothing when crowds of people chant "lock her up" about Hillary Clinton, and bullies anyone who questions his authority, even a Gold Star dad.
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DeMichael called the album "...among the best Ellingtonia issued in the last year", writing that Hodges "tosses off phrases buttery in mellowness, fat with the milk of maturity and the honey of imagination." The March 12, 1962 edition of Billboard highlighted the album as having 'Strong Sales Potential', rating it with four stars. Billboard said it was a "strong set, bound to please Hodges many fans".
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He frequently responds to situations with monosyllabic grunts, which Chuck can recognize and has even numbered,"Chuck Versus the Crown Vic" and often tosses off one-liners reminiscent of cliché action films, sometimes quoting Baldwin's own previous roles.In "Chuck Versus the Crown Vic", Casey snarls "Flush out your headgear, new guy," to Chuck, directly quoting Animal Mother (Baldwin)'s admonition to Rafterman in Full Metal Jacket. He again quotes Animal Mother, with "Let's go get some payback", in "Chuck Versus the Ring Part II". Casey goes rogue again, along with Morgan, Chuck, and Mary Bartowski, to save Sarah's life.
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AllMusic reviewer Cub Koda stated: "In 1959, armed with nothing more than a single microphone mono tape recorder, folklorist Mack McCormick recorded Hopkins in an informal setting in hopes of catching some rough-edged performances that he felt were lacking from the bluesman's then-recent studio efforts. That he succeeded mightily is evidenced in this 15-song collection, almost casual in the way Lightnin' tosses off themes, lyrics, and emotion in a most cavalier fashion. ... here is Lightnin' truly in his element, playing for his friends and his own enjoyment, minus the commercial overlay of the times or the imposed "folk blues" posturing of his later acoustic recordings. Not the place to start, but a real good place to visit along the way".
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Eric Goldman of IGN enjoyed Smulders' "exuberant" performance, declaring it "may be the most awesome thing [he has] ever seen" and said that the backup dancers were "perfectly cast". Tom Eames of Digital Spy thought that the song was "actually pretty damn good," while calling the video "possibly HIMYM's finest moment" and "pure gold". Amos Barshad of Vulture called the "Tiffany-indebted" music video an "undeniable highlight" for the show, and it was the "closest the show has ever come to touching the kind of sharp pop-culture-skewering 30 Rock tosses off several times an episode." Eric Eisenberg of Cinema Blend praised Smulders' performance as "maddening and hilarious," while calling the track "one of the best TV-created pop songs of all time".
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His response causes the entire human company to tense and Roger decides to dump the translation of Krath from his "toot", loads Cord's language as a baseline and orders Pedi to speak in Shin. It soon becomes clear that a "Servant of God" is really a sacrifice to the God, who will then be eaten by the body of the Fire God's worshippers. Sor Teb confirms this, and when Roger asks to decline this invitation, Teb points out that he has more guards than he does and that they can either choose to hand over a single human sacrifice or that all of them will be sacrificed as he intends to make sure all Krath know that it was he who finally brought the humans to the God. It is then that Roger and company open fire on the guards and Pedi immediately tosses off her robes and goes for the High Priest whom she decapitates.
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Writing for The Columbian, Angela Allen commented that the first issue of the magazine "shows attitude and literary writing, tosses off lots of names, does a terrific fall culture calendar and digs into a couple of issues, including the Trail Blazers", but was also critical, noting: "Its design is crowded and the type is too small to read for most of us without wearing a pair of 'reader' specs." Tom Boyer of The Seattle Times described the magazine as "a smart mix of reader-friendly features and award-winning journalism". Writing in The Oregonian, Steve Duin commented that he appreciated the lists published in the magazine: "Because I'm addicted to lists -- and the bigger the better -- the best part of my month is the morning that copy of Portland Monthly lands like a wounded halibut on my desk." The magazine won three awards in the City and Regional Magazine Association's 20th Annual National City and Regional Magazine Awards in 2005, receiving recognition in Civic Journalism, Excellence in Writing and General Excellence.
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