The precious thingamajig, now useless and worthless, he tosses aside; the handy little box he keeps.
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It tosses aside years of favoritism to workers and financial interests in Mexico and Canada, to the detriment of Americans.
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"People risk their lives for the intelligence he just tosses aside on Twitter," Senator Mark Warner of Virginia, the top Democrat on the Senate Intelligence Committee, said of Mr. Trump on Wednesday.
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Screenwriter Christina Hodson (Unforgettable, the upcoming Harley Quinn spin-off Birds of Prey) tosses aside the franchise's condescending pattern of using its female characters as accessories, and instead frames the entire story through Charlie's eyes.
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The most chilling scene in the final episode of Chernobyl involves a man speaking calmly in a courtroom as he tosses aside a handful of blue placards, one by one, in favor of red ones.
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President Trump tosses aside his prepared remarks during a visit to West Virginia Thursday, instead engaging in a freewheeling speech in which he talked about immigration, cited his debunked claims about illegal voting, and attacked the Democratic Party.
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That's normally fine, but then a child like this comes along who tosses aside Yo Gabba Gabba tunes and instead sings "Black Hole Sun" by '90s grunge darlings Soundgarden — with the time-honored vocal aid of a hot shower.
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PARELES With a post-punk bass line backing her up, K.Flay methodically tosses aside feminine stereotypes — "I used to think about the way that I dressed/Like was I pretty enough, and am I good at sex" — and stacks up handclaps, guitars and noise behind her gleeful autonomy.
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More aggravating, though, than those suddenly too-small clothes or shoes or the no-longer-needed diaper pail and wipe warmer are the countless toys a youngster plays with for a little while then tosses aside as his or her intellectual capabilities develop past the interest level of the item.
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Chicory acknowledges the gunshots with a half-hearted smile and tosses aside the rock he had been carrying as a weapon.
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Their landlady Mrs. Hathaway (Cynthia Harris) delivers a small box – the actual "package" of heroin – which Michael tosses aside. Peter and Michael learn to properly care for Mary, including diaper changes, baths, and feedings.
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Under the family Christmas tree, a young girl finds that she has been given a collection of new toys. Happily taking them in her arms, she tosses aside her old rag doll. That night, the girl dreams that the rag doll, abandoned on the floor, comes silently to life to entertain her. The rag doll dances across a piano and skates across a table.
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Renchler's daughter, Skippy (Miller), tells the sheriff what she remembers from the night of Martin's death. Sadler is beaten by Yates and Huneker, then dragged through town, tied to the back of a truck. Sadler gets a shotgun, tosses aside his badge and, with help from cropper Aiken Clay (Dano), goes after Renchler and his men, defeating them with the help of the townspeople, who then return Sadler's badge to him.
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Lin prints out the information he finds, and presents it to Renhao, stating that the ghouls are indeed human. Ren Hao tosses aside the information, stating that no matter what the ghoul was before, its current state is that of a monster. Lin then asks what the purpose of keeping the monster is, and states that the monster would probably starve soon. The other bullies then decide on using Lin as a living blood bag to keep the monster alive.
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Faison arranges for Felicia Scorpio-Jones to be abducted, in an effort to distract her husband, Frisco Jones. Faison, with assistance from henchmen Desiree and Jacquess, leads Frisco and Sean on a wild goose chase through his Parisian winery before allowing them to rescue Felicia. Meanwhile, back in Port Charles, Robin Scorpio finds part of a crystal that Faison had been searching for, prompting him to trick Scott Baldwin into selling him Wyndemere Manor. Upon learning that Robin's mother is Anna, whom Faison has long been obsessed with, Faison tosses aside Desiree in order to pursue Anna.
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'I would do it, push the button, pull the trigger, jump of a cliff...' she sings, clearly not just 'a little bit' in love as she tries to convince herself, but rather in the grip of an overwhelming infatuation." Jon Lusk of BBC Music called it "metronomic, infectiously hummable" and viewed it as "a great new example of the emotional conflict which 10cc and Smokey Robinson lyrically documented so well." Adrien Begrand of PopMatters felt that the song's "approach is far more subtle that most contemporary pop singles would ever dare to be, its gentle, slightly distorted bass synth propelled by the faintest traces of percussion, both electronic and acoustic, Yttling providing mandolin accents during the chouses. But it's Lykke Li who commands our attention, delivering as perfect a hook in the chorus that rivals Robyn's best work, but not before making us fall off our chairs with a second verse that tosses aside all nuance in favor of direct, unadulterated lust.
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