Following Covey's death in 2012, his sons, Sean and Stephen, took up the baton to continue his teachings.
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To the glee of many, Shinzo Abe, Japan's prime minister, took up the baton for Tokyo 2020 dressed in Mario's signature dungarees and red cap.
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Nokia took up the baton through the mid-2000s, but it wasn't until the modern post-iPhone smartphone era that users really needed serious data speeds.
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AT 2 MINUTES 21980 SECONDS Simon Rattle took up the baton on Thursday for his first concert as the new chief conductor of the London Symphony Orchestra.
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The president then took up the baton, tweeting that the film was racist and proof that Hollywood, like the left, only cared about inflaming the country's divisions.
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Last month analyst Canalys reported a first annual decline in smartphone shipments in China — which for years took up the baton on smartphone growth from saturated Western markets.
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In late 2014 this successor site met its demise as well, in another law-enforcement sting called Operation Onymous, at which point Evolution and Agora took up the baton.
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Hans Carste joined the NSDAP in 1933. In 1937, when Ludwig Rüth, the Jewish band leader, emigrated to South Africa, Hans Carste took up the baton. For some time the orchestra was still known as the Ludwig (Lewis) Rüth Orchester but acknowledged that Carste was the conductor. Within a short time it became known as the Hans Carste Orchester.
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In 1940 he was discharged and took up the baton at the Orchestre national de la Radiodiffusion française. As a composer, his orchestral music is important, but above all he was attracted to the theater. In the realm of instrumental music, he preferred composing for wind instruments. He composed concerti for flute, oboe, clarinet, saxophone, bassoon, trumpet, horn, and trombone.
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They accepted the London Oyster cards and other through ticketing cards for commuters. In France, Nantes took up the baton in 2003 with its Navibus service, with a pleasure-boat, which was also immediately successful. So the Parisien authorities started to think whether such systems would also work there. The Austerlitz Stairs at the Pont Charles-de-Gaulle, winter 2008.
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The Committee of Cooperation for Peace in Chile (), was a Chilean peace organization founded in October 1973 by an inter-religious group led by the Archdiocese of Santiago in order to support human rights of those persecuted by the regime of General Augusto Pinochet. It was the first active human rights organization in Chile and it lasted for two years, supporting thousands of people persecuted by the regime. It dissolved under pressure from the regime in November 1975, but the Vicariate of Solidarity was formed in its wake shortly thereafter, and it took up the baton of protection of human rights in Chile.
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It was a real landmark when BFCS took part in the concert, broadcast by the BBC, to celebrate the opening. In the same year, the choir had a great artistic triumph when it featured in the first live performance of Janáček’s Glagolitic Mass in Leeds Town Hall. It was greatly appreciated that the centenary season could be held back in ‘the old home’ and celebratory concerts and a dinner were held. The Society was set fair for another 100 years. This certainly seemed the case as Sir David Willcocks took up the baton as the Society’s conductor.
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Next came two publications in the "International Scientific Series", namely, Mind and Body (1872), and Education as a Science (1879). All these works, from the Higher English Grammar downwards, were written by Bain during his twenty years as a Professor at the University of Aberdeen. He also started the philosophical journal, Mind; the first number appeared in January 1876, under the editorship of a former pupil, George Croom Robertson, of University College London. To this journal Bain contributed many important articles and discussions; and in fact he bore the whole expenses of it till Robertson, owing to ill-health, resigned the editorship in 1891 and George Stout took up the baton.
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José Cura has been a strong advocate for making classical music accessible to the masses, as demonstrated in his participation in two spectacular events in early 2004. In February, Maestro Cura took up the baton to conduct Verdi's Un ballo in maschera in Piacenza, Italy, in a unique, modern production held in a vast public exhibition hall, designed to open the performance to the widest possible audience. In May, he traveled to Seoul for several performances of Carmen, an extravagant experiment in bringing opera to the people of Asia. Held in an outdoor arena seating 37,000 spectators and performed on a 120-meter long stage outfitted with a video screen the size of a football field.
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Dr Nicholas Milton took up the baton as Chief Conductor and Artistic Director in 2007 and his passion, vision and expertise has inspired players and audiences alike. Milton is a rising Australian conductor now based in Germany who was also a former violinist with the Macquarie Trio. Also in 2007 the CSO received Commonwealth Government funding for the first time which has allowed for additional rehearsals and larger orchestras on stage. For the Canberra Centenary season of 2013, the ACT Government enlisted the CSO to perform the World Premiere of a commissioned work by Andrew Schultz, Symphony No. 3 – Century, as a feature of the official Canberra Day celebrations in March 2013.
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The family business began on March 18, 1862, producing rum directly from sugar cane juice. Dupré Barbancourt, a Frenchman from the cognac-producing region of Charente emigrated to Haiti, and founded his company at the end of 1862. After learning how to make rum in December of that year, he soon began selling it for HTG 1.50 (USD $0.30) per gallon. When Dupré Barbancourt died the company passed to his wife Nathalie Gardère, who managed it with the help of her nephew, Paul Gardère. When she died, Paul then directed the company’s destiny until his death in 1946, when his son Jean Gardère took up the baton, furthering the family tradition until 1990.
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In 1997, Dr. Dye left Rice to rebuild the band program at the school now known as University of West Georgia, a position he held for only one year before moving on to a directorship at the University of Notre Dame in the fall of 1998. Mr. Sean Williams was hired in the summer of 1997 to serve the MOB and the Rice Band Department as interim director until a permanent replacement for Dye could be found. That replacement was Dr. Robert Cesario, who came from Tulsa, Oklahoma and took up the baton in the fall of 1998. After four years, Dr. Cesario resigned as Director of Rice Bands in the summer of 2002, and was succeeded by Mr. Charles Throckmorton.
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