54 Sentences With "took liberties with" | Random Sentence Generator

So they took liberties with dialogue, with the court transcripts.

Starz's "Outlander" took liberties with Diana Gabaldon's narrative but kept its spirit.

By nature, the show took liberties with some details, imagining conversations and interactions.

But he took liberties with the truth, delivering a series of inaccurate and misleading statements.

I believe that the court took liberties with existing precedent, particularly a case line following Kleindienst v. Mandel.

Needless to say, the organizers took liberties with the term "upscale location," but that was kind of a relief.

The Real James Glaisher Story Is Changed In The Aeronauts, Too The Aeronauts also took liberties with Glaisher's character.

Then there's the story of how Aerys took "liberties" with Joanna during the bedding ceremony at her and Tywin's wedding.

To make them, Twombly took liberties with the liberty that André Masson's experiments with automatic drawing yielded in the 21985s.

Though he took liberties with its characters and locations, using it as a kind of sketchbook, the place seemed instantly familiar.

Showrunner Patti Jenkins and her husband Sam Sheridan, who wrote the series, took liberties with Fauna's already dramatic life to create I Am the Night.

Then, she explains the doctors and orderlies in the asylum "took liberties" with her, explaining in the most polite of terms she was repeatedly raped.

Some argue that in staging photographs and, at times, adding props or accessories, Curtis took liberties with the concept of ethnography, both imposing and reinforcing white notions of Native American appearances and culture.

The president took liberties with the facts about Harley-Davidson, the iconic American motorcycle company that decided to move its production overseas in a potent symbol of the dangers of Mr. Trump's protectionist trade policy.

They were descendants of the northern branch from and the clanE.Papinot, Historical and Geographical Dictionary of Japan (Tokyo:Tuttle,1972) p.101.. They took liberties with giving themselves titles because they had become rulers of the previous held lands of the .

Augustin Kraemer, The Samoa Islands: Material Culture, University of Hawai'i Press, 1994. P. 196. but he grew dissatisfied and relocated to Tutuila. Other Samoan accounts tell of how Pili dishonorably took liberties with the daughter of Tuimanu'a, a young maiden named Sina- sa'umani.

The straight line, square format and colour come to dominate Lussingy's work. In 1956, he met the painter Auguste Herbin, a meeting which turned out to be equally important. Both artists took liberties with colour theory, thereby multiplying their possibilities. The gallerist Colette Allendy organised Lussigny's first individual exhibition in Paris in 1959.

26 Financially supported by his colleagues in Maramureș, he produced works which took liberties with carving styles, and took a research trip to Székely Land, where he took in new elements of crafting.Vida, p. 26 He became romantically involved with Géza Kádár's daughter Ecaterina, who was attending the Franz Liszt Academy of Music.Vida, p.

The film itself was the pilot for an unlaunched weekly TV series. The Ledger, a later book by Ms. Uhnak featuring the same character, NYPD Detective Christie Opara, was adapted into the TV- film Get Christie Love! It also took liberties with the source material, but was, nonetheless, successfully turned into a TV series the following season.

For the series, Torres brought in elements of several Afrocaribbean religions, mainly Cuban Santería, Brazilian Candomblé, Haitian Vodou, and New Orleans Voodoo. Torres admitted that they took liberties with the representations of these religions for "dramatic purposes" and that brought in other Afro-Caribbean religions to avoid the "well known" clichés about Voodoo.Torres, El. "Drums." Comic strip.

With The Hooligan, Gilbert was the first important dramatist to write for a music hall. Gilbert, who directed his own plays, almost cancelled the production when the leading actor, James Welch, took liberties with the script, until Welch wrote a letter of apology.Stedman (1996), p. 342. Gilbert paints a three-dimensional portrait of the prisoner with all his flaws and humanity.

Mizrahi was an interviewer for The Red Carpet Show on E! for the Golden Globes in 2006. He took liberties with many female actresses, including looking down Teri Hatcher's dress, and feeling Scarlett Johansson's breast, over which she later expressed discomfort. He drew attention to Hilary Swank about being single given that she recently separated from her husband, Chad Lowe.

Wolfe's style was simultaneously mocked and widely imitated. In 1990 the Los Angeles Times interviewed many of the surfers who had been involved with the pump house gang. Some of the surfers claimed that Wolfe took liberties with the facts to embellish and mythologize the lifestyle of the surfers. Other members of the pump house gang believe Wolfe's characterizations were correct.

He took liberties with the letter of the law, to which few objected, and which later were ratified. First, he recruited men from the lower classes who did not meet the official property requirement. Then he reorganized the legions into the cohort system, doing away with the manipular system. The new legions were made up of 10 cohorts, each with 6 centuries of 80 men.

Bhardwaj decided to include him in the film as an homage to Bond, explaining that he took liberties with characters' names and traits. Bond also had to devise Indian methods of killing the husbands, which he found challenging: "The challenge was devising seven ingenious ways in which she could kill her husbands without being suspected. And she does it successfully, until towards the end".

He was arrested the same month and later tried. Four years earlier, in September 1941, Oesch had given an order that permitted the guards to use their arms if POWs refused to follow orders. The details of the affair are not clear, but apparently some trigger- happy men took liberties with the orders, and a number of Soviet POWs were killed. Oesch stood accused of ordering the execution of 17 POWs.

Because of this lack of information, Bhansali took liberties with historical facts and exaggerated a few things for cinematic effects. A disclaimer on the film's credits stated it does not claim to be historically accurate. The dance sequences have been widely seen as "fictional" and "out of place" in historical context. Bajirao's dance sequence in "Malhari" has been criticised, saying a chief minister such as Bajirao would never dance in public.

351 After Kennedy's death, an article in The Bulletin by his friend and colleague John Mangos recorded that: > ... he would sometimes talk about the violent arguments between his parents, > how he gravitated to his grandmother's bosom, his two uncles ("one fought > the Germans, the other fought the Japs") and how one of them took liberties > with the boy. Graham never resented him, claiming he equated it with > affection.

Spark expressed emotion through his predominantly figurative work. He intuitively took liberties with perspective and proportions where doing so helped the composition. There is a strong Jewish feeling in some of his pictures because of his education and family background, and he always signed his paintings in Hebrew. His work also shows the influence of the Scottish colorists, and an interest in the underlying bone and muscle structure of the human body.

In his autobiography, Ric Flair alleges that Hogan took liberties with his son by whipping him far more times than agreed upon and that he would never forgive Hogan for this. To his credit, David took the punishment without complaint; both in the ring and backstage. On February 21 at SuperBrawl IX, David turned on his father and joined the nWo Wolfpac. He used a taser on his father to help Hogan win their WCW World Title match.

There were two film adaptations made from this novel, one in 1987 and another more recently in 2004. Both took liberties with the novel's plot. In the 2004 film, John Creasy (Denzel Washington) is an alcoholic ex-United States Special Operations soldier travelling to Mexico to visit his friend Rayburn. He subsequently lands a job on the advice of Rayburn as a bodyguard for an affluent Mexican automaker named Samuel Ramos (Marc Anthony) guarding his Mexican-American daughter Lupita "Pita" Ramos (Dakota Fanning).

Inscribed on the ball was a note from Ruth that read, "I'll knock a homer for you on Wednesday", in Game 4 of the series. After Ruth hit three home runs in Game 4 on Wednesday, October 6, newspapers reported that Sylvester's condition had miraculously improved. After the Yankees lost the series in seven games, Ruth visited Sylvester at his home in Essex Fells, with Sylvester telling Ruth "I'm sorry the Yanks lost". The incident was featured in the 1948 biopic The Babe Ruth Story, but the film took liberties with important facts.

Nonetheless, due to the subtle scripts and outstanding ensemble cast, over the years, the program evolved into a warm, often humorous celebration of human nature. Despite Gunsmoke's realism in some areas, the show took liberties with accuracy in others. The program was set after the arrival of the railroad in Dodge City (1872) and Kansas had been a state since 1861. A U.S. Marshal (actually a deputy marshal, only the senior officer in the district holds the title "marshal") would not be based in Dodge City and would not be involved in local law enforcement.

This life work of Bosio was all but unknown until the publication three years after his death of his Roma Sotterranea, opera postuma di Antonio Bosio Romano, antiquario ecclesiastico singolare de' suoi tempi. Compita, disposta, et accresciuta dal M. R. P. Giovanni Severani da S. Severino (Rome, 1632), usually referred to as Roma Sotterranea. The folio volume was brought out under the patronage of the Knights of Malta, edited by the Oratorian Severano, under the patronage of Cardinal Francesco Barberini. A Latin translation that appeared in 1651 took liberties with the text.

Elisabeth had him buried beside his father at the church in Röcken Lützen. His friend and secretary Gast gave his funeral oration, proclaiming: "Holy be your name to all future generations!" Nietzsche's grave at Röcken with the sculpture Das Röckener Bacchanal by Klaus Friedrich Messerschmidt (2000) Elisabeth Förster-Nietzsche compiled The Will to Power from Nietzsche's unpublished notebooks and published it posthumously. Because his sister arranged the book based on her own conflation of several of Nietzsche's early outlines and took liberties with the material, the scholarly consensus has been that it does not reflect Nietzsche's intent.

Although aware of earlier Spanish accounts of the boats of the Spanish East Indies, Anson's account was the first detailed description of a sakman to the English-speaking world. These accounts fascinated both the British and American public, ushering in a period of interest in the design by sports sailors. Working from the drawings and descriptions of explorers, western builders often took liberties with the traditional designs, merging their interpretation of native designs with Western boat building methods. Thus this Western "proa" often diverged radically from the sakman to the point that the only shared feature was the windward/leeward hull arrangement.

Described as possessing a "terrible" shot and unable to reliably run with the ball, Keenor's strength lay in his commitment and uncompromising tackling. Fred Stewart, who coached Keenor for more than 15 years at Cardiff City said, "I honestly do not believe the word 'beaten' is in his vocabulary." Former teammate, Ernie Curtis said of him: "He was one of the hardest tacklers in the game, some said he was dirty but he was just hard. Nobody took liberties with old Fred ... [He] could run all night, he couldn't run with the ball mind you, but he could run all day".

It was directed by Howard Hawks and starred Wallace Beery. Although the movie took liberties with the facts, it became a great success, and Hecht received an Academy Award nomination for his screenplay adaptation. In a letter from the film's producer, David O. Selznick, to studio head Louis B. Mayer, Selznick discussed the need for a script rewrite: ;Barbary Coast (1935) Barbary Coast was also directed by Howard Hawks and starred Miriam Hopkins and Edward G. Robinson. The film takes place in late nineteenth century San Francisco with Hopkins playing the role of a dance-hall girl up against Robinson, who runs the town.

During the design and production process for these fabrics, Marx expressed displeasure with the manufacturing firms, who took liberties with the designs to conform to manufacturing requirements. Marx believed that time and effort could have been saved if the manufacturers had consulted with her before making the necessary modifications. The pattern used for the seats and interior backdrops was a geometric design in green and red. In 1943, the furniture designer Gordon Russell invited her to become a member of the Board of Trade Utility furniture Design Advisory Panel, which was tasked with implementing wartime austerity standards in the field of interior and furniture design.

In The New Journalism: A Critical Perspective, Murphy writes, "Partly because Wolfe took liberties with the facts in his New Yorker parody, New Journalism began to get a reputation for juggling the facts in the search for truth, fictionalizing some details to get a larger 'reality.'"Murphy 1974, p. 13. Widely criticized was the technique of the composite character, the most notorious example of which was "Redpants," a presumed prostitute whom Gail Sheehy wrote about in New York in a series on that city's sexual subculture. When it later became known that the character was distilled from a number of prostitutes, there was an outcry against Sheehy's method and, by extension, to the credibility of all of New Journalism.

In 1945, at the suggestion of the Theatre Guild (which had produced the 1921 and 1932 productions of Liliom as well as the original Oklahoma!), Richard Rodgers and Oscar Hammerstein II wrote Carousel, an American musical adaptation of the play. This was also produced by the Theatre Guild and became one of the great classics of musical theatre. Even though the musical adaptation took liberties with Molnár's play, changing the ending so that the ex-barker is successful in trying to help Louise upon his return to Earth, Molnár applauded Carousel. The character of Louise is made more poignant in the musical, in which she is snobbishly taunted and rejected because her father was a thief.

While the novel took liberties with the established canon of the games, Goukens character would be adapted in the storyline of the later games in the series following Akuma's introduction in Super Street Fighter II Turbo. Other characters were also conceived to fill the role of Ryu and Kens mentor in licensed adaptations. in Street Fighter II: The Anime Movie, which was released shortly after Super Street Fighter II Turbo in Japan, is mentioned to be Ryu and Ken's master when their vital statistics are compared in a scene. Although Goutetsu was also introduced in Akuma's background story in Super Turbo as well, in the video game canon he serves the role of Gouken and Akuma's sensei.

Streisand also recorded the Brice songs "My Man", "I'd Rather Be Blue Over You (Than Happy with Somebody Else)", and "Second Hand Rose", which became a Top 40 hit.Billboard Database, Barbra Streisand Top 40 Hits accessed January 31, 2016 Funny Girl, and its sequel Funny Lady, took liberties with the events of Brice's life. They make no mention of Brice's first husband and suggest that Arnstein turned to crime because his pride would not allow him to live off Fanny and that he was wanted by the police for selling phony bonds. In reality, however, Arnstein sponged off Brice even before their marriage and was eventually named as a member of a gang that stole $5 million worth of Wall Street securities.

Reap the Wild Wind is an American 1942 adventure film starring Ray Milland, John Wayne, Paulette Goddard, Robert Preston, and Susan Hayward, and directed by Cecil B. DeMille, his second picture to be filmed in color. It is based on a serialized story written by Thelma Strabel in 1940 for The Saturday Evening Post. The movie, released shortly after the United States' entry into World War II, was a swashbuckling adventure set in the 1840s along the Florida coast, and was wildly successful. While he based his film on Strabel's story, DeMille took liberties with details such as sibling relationships and subplots, while staying true to the spirit of the story, which centers on a headstrong, independent woman portrayed by Paulette Goddard.

While honoring the spirit of the story, Veronese took liberties with his interpretation of the narrative, which in the painting occurs in a palatial hall, not a tent.Salomon, 846Richter The splendid wardrobe is that of the Venice in which Veronese lived, rather than ancient Greece or the Far East.RichterRuskin, 166 It has long been supposed that Veronese inserted portraits of his contemporaries into the painting, as was customary in Venetian history painting.RichterSalomon, 846 While it has been suggested that the figures were modeled after members of the Pisani family,Richter for whose estate the picture was made, it has alternatively been proposed that the kneeling girls are Veronese's daughters, and the courtier who presents them is the artist's self-portrait.

Charles J. Gan from Associated Press also praised Bennett and Gaga's singing, writing that "Had she been born in an earlier era, Gaga would have been right at home in an MGM musical". Idolator's Bianca Gracie described the album as "a refreshing listen that highlights the undeniable talent of both Bennett and Gaga and how well they work together". Writing for the National Post, Mike Doherty observed that Gaga took "liberties with the beat, bends notes, purrs and whoops away" with the vocals, while Bennett was able to complement with his characteristic "dapper approach". With three stars out of five, Kenneth Partridge from Billboard opined that Gaga justified Bennett's faith in her – but sometimes "too forcibly" – and that she needed him, more than he needed her, on the recording of the album.

Menkes was allegedly unhappy that Kinder took liberties with her work, for example, adding shots to her work without her permission. Menkes' CD-ROM premiered at the Sundance Film Festival. Many Labyrinth projects have been featured at museums, film and new media festivals, and conferences worldwide and have won prestigious awards, including: the New Media Invision Award for best design; the British Academy Award for best interactive project in the learning category; and, the Jury Award at Sundance for New Narrative Forms. Three Labyrinth projects were featured in Center for Art and Media Karlsruhe's "Future Cinema" exhibition in Germany in 2002: Tracing the Decay of Fiction: Encounters with a Film by Pat O’Neill (2002); Bleeding Through Layers of Los Angeles, 1920 – 1986 (2002); and, The Danube Exodus: The Rippling Currents of the River (2002).

Grissom did not even know he was under consideration for the astronaut program until he received mysterious orders "out of the blue" to report to Washington in civilian clothing for what turned out to be a recruitment session for NASA. While the film took liberties with certain historical facts as part of "dramatic license", criticism focused on one: the portrayal of Gus Grissom panicking when his Liberty Bell 7 spacecraft sank following splashdown. Most historians, as well as engineers working for or with NASA and many of the related contractor agencies within the aerospace industry, are now convinced that the premature detonation of the spacecraft hatch's explosive bolts was caused by mechanical failure not associated with direct human error or deliberate detonation by Grissom. This determination had been made long before the film was completed.

Furthermore, she noted that it was reasonable that Rosemary (Zoe Saldana) would be naive and dependent because of her unfamiliarity with Paris as a newcomer. Stanley wrote that the host couple, French sophisticates Margaux (Carole Bouquet) and Roman Castevet (Jason Isaacs), were completely different from the one in Roman Polanski's original. Although she said the adaptation took liberties with the source material, James Poniewozik of Time said the adaptation "keeps its essential shape and plot" in comparison to the original film, an opinion shared by Hank Stuever of The Washington Post, who wrote that the new adaptation was "surprisingly and even satisfyingly true to the old movie". Poniewozik stated that although director Holland had successfully directed complex and lively episodes of The Wire and Treme, this adaptation was "leaden and slack", which may have been due to an attempt to fill two two-hour time slots.

His depiction in Disney comics has varied with the artists using him: in stories published by Egmont, as well as French stories, he is always shown wearing his hood, while in Italian ones, he frequently appears unmasked, sometimes not wearing his cloak at all. In these, he wears everyday clothes and is unmasked, though he is still up to criminal schemes ranging from robbery and smuggling to espionage, sabotage and extortion. French translators often took liberties with Italian material and apparently decided that the Phantom Blot's appearances without his cloak and mask should be classified as depicting a completely different character. In the French translations of the Italian stories where the Blot appeared unmasked, he was frequently given the name Jo Crisse (a term usually used as a form of insult), while he retained his Italian name Macchia Nera in the original Italian versions.

Fuller was offered the opportunity to direct an episode of the popular German crime drama by film critic (and later writer/director) Hans-Christoph Blumenberg in appreciation for the director's help in securing interviews with filmmakers Howard Hawks and John Ford for a documentary project. Upon meeting with the program's producers and feeling initial doubts about being able to conform to the show's standard template, he suggested a storyline inspired by the then-recent Profumo affair in England, which the producers approved to Fuller's surprise.Iseeadarktheater.com Fuller's screenplay took liberties with the established style of the show by eliminating a primary series protagonist early in the episode in order to introduce a one-time American character to helm the investigation, by conducting the majority of the program in English rather than German (though subtitles were provided in the German broadcast), and by ultimately treating the story with a satirical and often broadly comic tone.

Although the authenticity of some of the texts is disputed,Medieval copyists often took liberties with the text of cartularies in order to enhance the privileges of their monasteries the cartularies are regarded as significant in the history of the Spanish language, and their status as manuscripts containing the earliest words written in Spanish has been promoted by the Spanish Royal Academy and other institutions, even though the documents are meant to be written in Latin. They are written in a very late form of Latin mixed with other elements of a Hispanic Romance dialect that corresponds in some traits with modern Spanish. The preamble of the Statue of Autonomy of Castile and León mentions the cartularies, along with the Nodicia de Kesos, as documents that contain the earliest traces of Spanish (las huellas más primitivas del castellano). However, there have been other documents with a claim to being the earliest in Spanish, notably, the Glosas Emilianenses (marginalia of circa 1000 ce from La Rioja).

Screenwriter William Goldman, who had been attached to the film prior to the hiring of Kaufman, left the project after quarreling with Kaufman about story elements, including Goldman's excision of the Yeager narrative and the unabashedly jingoistic tone of his adaptation (spurred by the Iran hostage crisis). While the movie took liberties with certain historical facts as part of "dramatic license", criticism focused on one: the portrayal of Gus Grissom panicking when his Liberty Bell 7 spacecraft sank following splashdown. Most historians, as well as engineers working for or with NASA and many of the related contractor agencies within the aerospace industry, are now convinced that the premature detonation of the spacecraft hatch's explosive bolts was caused by failure not associated with direct human error or deliberate detonation at the hands of Grissom.Into That Silent Sea This determination had, in fact, been made long before the movie was filmed, and even Tom Wolfe's book only states that this possibility was considered, not that it was actually judged as being the cause of the accident.

Madison Rising received prominent attention for their arrangement of the U.S. national anthem; considering it a contrast to Jimi Hendrix's rendition, lead singer Dave Bray explained that he "took the words and formatted them so that they feel more like a modern day rock song" and "took liberties with the melodies to make it a little more singable." In June 2012, in an attempt to draw attention to what they perceived as negative "attacks" towards the anthem by liberal commentators, the band announced a "One Million Star-Spangled Banner Challenge"—aiming to have a music video of the cover viewed on YouTube at least 1 million times by November 6, 2012. The goal was surpassed on September 14, 2012, after which the band announced a new goal of 5 million views by July 4, 2013. The band has performed the anthem at various sporting events, including the PBR World Finals in Las Vegas, Nevada, the opening ceremonies for the 2014 Special Olympics USA in Newark, New Jersey, the Military Bowl, and was also included on the soundtrack for Dinesh D'Souza's 2014 documentary film America: Imagine the World Without Her.