Sports of The Times The silence in Queens was tomblike.
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In the mayor's office, the portrait of Fiorello La Guardia stared intensely into the tomblike silence.
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In the 1960s and '70s, artists railed against the white cube gallery space, describing it as sterile and tomblike.
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He unearths an early painting from 1983, an austere canvas depicting a solitary prison and conduits leading underground to vacant tomblike chambers.
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But there's no mistaking the emotional weight of this tomblike self-archive and of the time-haunted politics of experience that it reflects.
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Park visitors here for the spectacular views of New York Harbor and the Manhattan skyline may wonder why this mute, opaque, tomblike work of art is here.
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Owens's own bed — one of an edition of three — is a monumental tomblike structure of alabaster slabs which, when combined with its matching daybed, weighs two tons.
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Still, you can forgive the slightly aged-looking graphics and slow reaction to the touch-screen controls as you move Lara around the mazes and puzzles in all those tomblike locations because the game is fun to play.
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Seen through this lens, The Allure of Matter speaks in evocative silences, acknowledging the impermanence of materials, as in Yin Xiuzhen's tomblike installation in "Transformation" (1997), where photographs of the rubble left behind at demolition sites of traditional houses in the artist's hometown of Beijing sit atop tiles taken from those sites.
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The 22049-year-old actor has endured several on-the-job injuries over the years—this is a guy who had a chunk of the Millennium Falcon fall on his leg—but he shows little sign of wear as he sprints through Deckard's almost tomblike condo, shoulders pumping vigorously and a wolfish dog galloping by his side.
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Smith, Roberta. "In Tomblike Vaults, the Future Flickers and Hums," The New York Times, August 9, 1996. Retrieved September 12, 2019.Tirado, Michelle. "Art in the Anchorage '96," New Art Examiner, October 1996, p. 44.
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The closing verse speaks not of the narrator's anguish, but of human pain in itself: how it thrives in decadence and has its horizons set on the city's irregular mass of tomblike buildings, like a baleful sea.
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The other woman (who had recently been widowed and become blind) Watho settled in windowless, tomblike chambers elsewhere in the castle. Vesper died in childbirth, leaving her daughter to the witch's keeping. Watho did everything in her power to ensure that the boy Photogen grew up strong, able, and fearless. However, her foremost concern regarding the boy was that he should never see the night.
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Tomblike memorial of Osric in Gloucester Cathedral, in Perpendicular Gothic, erected about 1530 Recumbent effigy Osric was a king of the Anglo-Saxon kingdom of the Hwicce in the late 7th century, perhaps reigning jointly with his presumed brother Oshere. Osric was probably a son of Eanhere, a previous King of the Hwicce, by Osthryth, daughter of Oswiu of Northumbria. The only marriage recorded for Osthryth is that to Æthelred of Mercia, but an earlier marriage to Eanhere would explain why Osric and his brother Oswald are described as Æthelred's nepotes — usually translated as nephews or grandsons, but here probably meaning stepsons.John Leland, Collectanea, vol. 1, p. 240.
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