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40 Sentences With "toffs"

How to use toffs in a sentence? Find typical usage patterns (collocations)/phrases/context for "toffs" and check conjugation/comparative form for "toffs". Mastering all the usages of "toffs" from sentence examples published by news publications.

Hanging Out with Celebrities and Toffs on Super-Yachts at the London Boat Show
The vital Benedict Cumberbatch/Eddie Redmanye issue, of there being too many toffs in the theatre, appears on page 92.
To be published in America in October; $26.99 COMMUNIST toffs spying for Stalin epitomise the decadence of the old British establishment.
Previous versions of this grid featured crossed theme entries TIFFS and TOFFS at the center, but that put too much pressure on the fill.
In this game the people whose privilege is particularly obvious, the boarding schoolers and New York toffs and Bethesda country clubbers, play a crucially important role.
EU is bankrolled by a group of millionaires including Arron Banks, a British insurance tycoon who dismisses Cameron and finance minister George Osborne as "two toffs together".
Talk about affirmative action for white people: These toffs are trained from birth to recognize a fish knife from a butter knife, a bouillon spoon from a melon spoon.
My favorite theme entries are FUTZ, such a wonderful word; TOFFS, because they do SNEER, and the iconic, but reportedly coincidental, 2001: A Space Odyssey letter shift of IBM/HAL.
Brief flashbacks to the humiliations of his trial and the balm of opening-night adulation — represented by a sea of ecstatically applauding Victorian toffs — interrupt these peregrinations and underline the tragedy of his fall.
Brief flashbacks to the humiliations of his trial and the balm of opening-night adulation — represented by a sea of ecstatically applauding Victorian toffs — interrupt his peregrinations and underline the tragedy of his fall.
Her purge of the Cameron gang was a vicious bit of class politics: a grammar-school girl who had been patronised by a bunch of public-school toffs plunging in the knife with skill and relish.
She might have briefly dated Prince William years ago, but since marrying, she definitely became part of his elite crew, known as, ahem, the Turnip Toffs— a group of British aristocrats who live near one another in the country.
Here, he plays the 19th-century golf pioneer Tom Morris, four-time winner of what's now known as the British Open and master caddy and greenskeeper to the toffs at the Royal and Ancient Golf Club of St. Andrews.
He is a gift to those continentals who love the familiar clichés; who imagine Britain as an old-fashioned, quasi-Victorian society of rigid class differences, lip-curling toffs and shabby proletarians, absurd social rituals, public-school humour and eccentric colonial adventurers.
Toffs and Toughs (1937) Toffs and Toughs is a 1937 photograph of five English boys: two dressed in the Harrow School uniform including waistcoat, top hat, boutonnière, and cane; and three nearby wearing the plain clothes of pre-war working class youths. The picture was taken by Jimmy Sime on 9 July 1937 outside the Grace Gates at Lord's Cricket Ground during the Eton v Harrow cricket match. It has been reproduced frequently as an illustration of the British class system, although the name "Toffs and Toughs" may be no older than 2004.
As blue-blooded toffs spluttered into their Pimms at the top-hole entertainment, the strong arm of the law closed in on the mystery fellas.
Drawn by Robert Nixon. Survived merger with Whoopee. ;The Goodies and the Baddies: Comic strip Reprinted story's originally called the 'Toffs and the Toughs' about two gangs of three children: the 'goodies' and the 'baddies'. Drawn by Reg Parlett.
White, Jim. 'Giving those Oxbridge toffs an education in the noble art', The Daily Telegraph. 3 February 2007 presented the Varsity boxing rivalry between the universities of Oxford and Cambridge. Variety called one the "best sports movies in recent memory".
The photographer, Jimmy Sime, worked for the Central Press Agency; Sime took several shots of the five boys outside Grace Gates. Ian Jack speculates that Sime solicited the cooperation of the three "toughs", but not that of the two "toffs".
The phrase "Anyone for tennis?" (also given as "Tennis, anyone?") is an English language idiom primarily of the 20th century. The phrase is used to invoke a stereotype of shallow, leisured, upper-class toffs (tennis is often seen as a posh game for the rich, with courts popular at country clubs and private estates).
Clifford p. 9 The squadron was criticised for advancing too far, and an Australian soldier who visited Qatia labelled the yeomen "country bumpkins led by privileged toffs".Grist pp. 117–118 When Lieutenant-General Sir Philip Chetwode unveiled the Royal Gloucestershire Hussars war memorial in 1922, he countered the "very wrong criticism", saying that "there was nothing to be ashamed of, but everything to make them proud of their regiment".
Paul Barker of the Institute for Community Studies described the picture in 2000 as an "easy caricature" symbolising an obsolete social divide. In 2004, the title "Toffs and Toughs" was used in the Getty Images online catalogue, and for a jigsaw puzzle of the photograph. Ian Jack has criticised this title since Salmon, Catlin, and Young were not especially poor or disreputable, merely part of the respectable working-class majority of the time.
The video premiered in 2007. It shows him being chased by foxhunters on horses chasing him through his house, then onto the streets and towards the end of the video, he is trapped down an alleyway and is seemingly killed, and his blood is smeared on the hunters' faces. This suggests that Dizzee is effectively game for the toffs, where 'game' represents the lower classes, deliberately held down by the rich, while the police are just one of the riches tools to do so.
"John Kettley Is a Weatherman" is a 1988 novelty record by the band A Tribe of Toffs, from Sunderland, UK. The song peaked at 21 in the UK Singles Chart. The John Kettley referred to in the title is a British weatherman, who at the time presented national forecasts on BBC Television. The track was played on BBC Children's TV after being discovered by researcher Jane Louise who, on picking the single at random from the post bag commented that the 'kids would love this one'.
A Tribe of Toffs were a novelty pop band from Sunderland, England, best remembered for their 1988 Top 40 single, "John Kettley is a Weatherman". The band was formed in 1986 by four pupils from Bede Comprehensive School in Sunderland. They were noticed after sending a tape of their songs to children's TV presenter Andy Crane. The producer of Children's BBC's But First This, Paul Smith, liked the tape and arranged for the band to come down to London in July 1988 to record the song at the BBC Television's Maida Vale Studios.
The English public school model influenced the 19th-century development of Scottish elite schools, but a tradition of the gentry sharing their primary education with their tenants kept Scotland more egalitarian.Peter W. Cookson and Caroline H. Persell, "English and American residential secondary schools: A comparative study of the reproduction of social elites." Comparative Education Review 29#3 (1985): 283–298. in JSTOR Acceptance of social elitism was reduced by the two world wars, but despite portrayals of the products of public schools as "silly asses" and "toffs", the old system continued well into the 1960s.
' He further added that 'England would never beat us in the World Cup because they are a bunch of Toffs, and we are convicts.' Australia won the 1991 World Cup Final by beating England 12-6. Campese did not have much "ball possession" in the final, as evidenced by the fact that Wallabies flyhalf Michael Lynagh touched the ball 17 times in the Test, compared to England flyhalf Rob Andrew, who touched the ball 41 times. However, four moments involving David Campese are often recorded in reports of the final.
Terry-Thomas in Where Were You When the Lights Went Out? (1968) Terry-Thomas (born Thomas Terry Hoar Stevens; 10 July 19118 January 1990) was an English comedian and character actor who became known to a worldwide audience through his films during the 1950s and 1960s. He often portrayed disreputable members of the upper classes, especially cads, toffs and bounders, using his distinctive voice; his costume and props tended to include a monocle, waistcoat and cigarette holder. His striking dress sense was set off by a gap between his two upper front teeth.
Retrieved 18 April 2014 Streeton's works appear in many major Australian galleries and museums, including the National Gallery of Australia and state galleries, and the Australian War Memorial. In September 2015, Streeton's Coogee clifftop landscape Blue Pacific (1890) became the first painting by an Australian artist, and only the second painting by a Western artist outside Europe, to hang in the permanent collection of the National Gallery, London. It sits alongside major impressionist works by Claude Monet and Édouard Manet.Boland, Michaela (18 September 2015). "Arthur Streeton hanging out with art toffs in UK’s National Gallery", The Australian.
Sunderland musicians that have gone on to reach international fame include Dave Stewart of the Eurythmics and all four members of Kenickie, whose vocalist Lauren Laverne later became known as a TV presenter. In recent years, the underground music scene in Sunderland has helped promote the likes of Frankie & the Heartstrings, The Futureheads, The Golden Virgins and Field Music. Other Mackem musicians include punk rockers The Toy Dolls ("Nellie the Elephant", December 1984), oi! punk band Red Alert, punk band Leatherface, the lead singer of dance outfit Olive, Ruth Ann Boyle ("You're Not Alone", May 1997) and A Tribe of Toffs ("John Kettley is a Weatherman", December 1988).
George Leybourne, one of the first lions comiques, on a sheet music cover by Alfred Concanen The lion comique was a type of popular entertainer in the Victorian music halls, a parody of upper-class toffs or "swells" made popular by Alfred Vance and G. H. MacDermott, among others. They were artistes whose stage appearance, resplendent in evening dress (generally white tie), contrasted with the cloth-cap image of most of their music-hall contemporaries. The songs the lions comiques sang were "hymns of praise to the virtues of idleness, womanising and drinking", perhaps the most well known of which is George Leybourne's "Champagne Charlie". The lion comique deliberately distorted social reality for amusement and escapism.
The Grace Gates were officially opened by Sir Stanley Jackson at a ceremony in 1923. They are located close to the west end of the Tavern Stand, and are the main entrance to Lord's for MCC members, who often queue outside the gates hours before Lord's opens on the day of a Test match to get a good seat in the Lord's Pavilion. The "Toffs and Toughs" photograph, of two boys in Harrow School uniform and three others in the plain clothes of pre-war working class youths, was taken outside the Grace Gates in July 1937. A protest was held outside the Grace Gates in 1970, opposing the 1969–70 South Africa rugby union tour of Britain and Ireland because of South Africa's apartheid policies.
15 Mendoza can be seen at the centre, uttering the words 'Down down to H--l with all OPs & say twas Dan that sent thee there.' Mendoza, who had lost his championship in 1795 and was now in his mid forties, was already semi-retired; he had turned down a return match against Lee in 1807 saying that he was devoted only to teaching the sport. It seems that his participation in the OP Riots also lost him following with his supporters amongst the poorer folk of London, who now saw him fighting on behalf of the 'toffs'. Some of Mendoza's biographers therefore see the incident as a turning point in his popularity, although he still gave occasional demonstration bouts.
As evidence, she contrasted the way that Bergdorf's comment was received on social media with the way that the politician Jacob Rees-Mogg and conversion therapist Mike Davidson—both white men—had been publicly received after making controversial comments during that same month. Alibhai-Brown stated that in the UK, there was a situation whereby "freedom of speech is a now a right reserved for white toffs and homophobes, bigots and sexists, populists and supremacists. The rest of us must watch what we say, or else." Left-wing commentator Owen Jones concurred; in an article in the Irish Times, he stated that "the right-wing 'free speech' brigade did not proclaim [Bergdorf] was entitled to her opinion" in the same way that it had done for Davidson and other right-wing men.
On the windswept wilds of Dartmoor, a going- nowhere punk band pulls off the road while their driver, Doc, answers a call of nature by the standing stones. The van is struck by a Range Rover driven by a group of drunken upper-class students from Exeter, and the minor accident becomes a major brawl as the punks and toffs lay into each other, driven by class hatred. Doc, watching it all from the tor, sees an old bone dagger buried in the earth, and, driven by some unnatural feeling of hatred, he pulls it free and buries it the chest of one of the students. As the blood soaks into the standing stones, something which has slept for centuries wakes, and the fight becomes bloody and deadly.
The paper argued that Britain needed a new direction and Labour "speaks with more urgency than its rivals on social justice, standing up to predatory capitalism, on investment for growth, on reforming and strengthening the public realm, Britain's place in Europe and international development". Assistant Editor Michael White, in discussing media self-censorship in March 2011, says: "I have always sensed liberal, middle class ill-ease in going after stories about immigration, legal or otherwise, about welfare fraud or the less attractive tribal habits of the working class, which is more easily ignored altogether. Toffs, including royal ones, Christians, especially popes, governments of Israel, and US Republicans are more straightforward targets." In a 2013 interview for NPR, The Guardian's Latin America correspondent Rory Carroll stated that many editors at The Guardian believed and continue to believe that they should support Hugo Chávez "because he was a standard-bearer for the left".
She was pleased with the presentation of certain dishes, including the salmon terrine which appeared to be a sandcastle and a starter of asparagus with hollandaise sauce which she described as a "sweet little bundle like one of those dried-flower arrangements you can buy in National Trust shops". Victoria Moore, who wrote a piece on the yorkshire pudding for The Guardian in 2000, described how she was disappointed by the version offered by Mirabelle. It was firstly delivered alongside the rest of the course, and not served ahead of the dish as in Yorkshire tradition and then thought that it had been made richer in order to make it "more appealing to toffs". By 2006, critic Bryan Appleyard felt that the restaurant had been taken over by the hedge fund industry and had turned into little more than a staff canteen for them, and thought that the service he received at the restaurant was "appalling" as he was not one of them.
Gough's refusal was attributed to "conscientious reasons", "even though he favoured nearly every plank in their platform". While Cook joined the Free Trade Party, both Mackinnon and Gough returned to the Protectionist Party. The seat was reduced to a single member for the 1894 election when the seat was reduced to a single member where the Labour candidate was Chris Watson, later to become Australia's first Labor Prime Minister, while Mackinnon and Gough split the protectionist vote, with Watson winning despite receiving only 44.6% of the vote. John and Martha Gough about 1900 Descendants recall that children at the school taunted the Gough children after their father lost his seat in Parliament with ‘Goughs, Goughs, fallen toffs’. Martha Gough and the children shortly after the construction of Mildon Hall, Young, around 1893 400px During his time as an MLA he constructed a grand residential villa, Mildon Hall, which overlooked Young and his courthouse.
Sunderland has produced a modest number of musicians that have gone on to reach international fame, most notably Dave Stewart of the Eurythmics. Kenickie, which featured Lauren Laverne on vocals, also achieved a top ten album and wide critical acclaim in the mid-to-late-1990s. In recent years, a thriving underground music scene in Sunderland has helped the likes of Smalltown Heroes, The futureheads, Field Music and more recently Frankie & The Heartstrings gain national recognition. Other famous Sunderland musicians include punk rockers The Toy Dolls, who broke the top five of the charts with "Nellie the Elephant" in December 1984; the punk rock band Leatherface; the lead singer of dance outfit Olive, Ruth Ann Boyle, who achieved a UK chart- topper with "You're Not Alone" in May 1997, and has gone on to work with fellow chart-toppers Enigma; A Tribe of Toffs made number 21 with their cult hit "John Kettley is a Weatherman" in December 1988.
The Roughler chronicled life in Ladbroke Grove in the 1980s and 1990s before the last Bohemians were forced out. The magazine was single-handedly produced by Ray Roughler Jones, a refugee from Swansea, and contained contributions from The Clash, Will Self, Jock Scott, Shane MacGowan, Neneh Cherry, Joe Rush of Mutoid Waste, Keith and Kevin Allen plus local heroes such as Steve Underground, John The Hat and Ian Bone of Class War. It provided a focus for a shambolic group of creative people and offshoots included the infamous Roughler Gallery in an abandoned Chinese takeaway in NoGo (North of Golborne Road). The Roughler chronicled the rise and fall of the Portobello Panto, through the internecine Panto Wars of the early 90s when Anna Chancellor and her dastardly gang of toffs put on a rival production. RoughlerTV was launched at Portobello Film Festival 2007 with a daily webcast and in July 2008, RoughlerTV exhibited psychogeographic installations on the top floor of the Louis T Blouin Institute in 'It Happened Here', the opening of 'Art After Dark'.

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