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15 Sentences With "till the cows come home"

How to use till the cows come home in a sentence? Find typical usage patterns (collocations)/phrases/context for "till the cows come home" and check conjugation/comparative form for "till the cows come home". Mastering all the usages of "till the cows come home" from sentence examples published by news publications.

Mamma Mia is ABBA, people love ABBA, and I love ABBA – I'll dance to it till the cows come home.
He'll wax poetic about not being a Washington insider 'till the cows come home and that really resonates with us.
In the meantime, police are telling to farmers to be extra cautious of their stock and the fencing around their properties, otherwise it could be a while 'till the cows come home.
Democrats can impeach President Donald Trump, Republicans can bemoan his betrayal of the Kurds and the media can fact-check him till the cows come home -- but nothing is going to restrain or moderate him.
"These are plans that are going to get votes, and you can criticize till the cows come home, but if he stays on message here he will stay on a statistical error of being a 50/50 chance of being the president," O'Leary argued.
Candidates "can pick vice presidents till the cows come home, but if the convention doesn't agree with them, it won't be who they want," Curly Haugland, a Republican National Committee member and delegate from North Dakota who was just elected to the convention rules committee, said in a phone interview.
In March 2019 her book Till the Cows Come Home: A Lancashire Childhood, a memoir of growing up in 1980s Lancashire, was published by Coronet Books.
Retrieved 2017-02-05. Baker was considered to excel at high energy blues, exemplified by the song "Rockbottom" (also referred to as "Rock Bottom"),Alan Bershaw, Elvin Bishop - Party Till The Cows Come Home. Review of Reprise release of live performance of the Elvin Bishop Band, Winterland, February 23, 1973.
Note: The back covers of the original vinyl, CD and cassette releases list track 8 as "Talking Scarlet", but the labels list it as "Talkin Scarlet". The back covers also list track 9 as "'Til the Cows Come Home" whereas the labels list it as "'Till the Cows Come Home", with an extra L.
"Talking Scarlet", which concerns forbidden lust, lent its name to the band's official fan club newsletters. "Till the Cows Come Home" is about a provincial place, and McAloon considered it one of the album's best songs. Like "Dublin", McAloon felt the song would've elevated Steve McQueen had it been included. Stuart Maconie's Protest Songs review said the song "reflects darkly on the impoverished North East".
Till The Cows Come Home is the second full-length album by the German heavy metal band Farmer Boys. The album has fewer songs referring to farm life or farm animals than their début album, Countrified and had more of a nu metal sound. A music video for "When Pigs Fly" was made which features the band playing the song and later hanging upside-down from meat hooks.
After two albums, and a college chart-topping cover of Kraftwerk's "Neon Light," on 1984's "Till The Cows Come Home," the band signed to Big Time (America), releasing This Ain't No Outer Space Ship in 1987. After 1989's Themes from Venus, produced by Mitch Easter, the band went on semi-hiatus. Wellford later joined Gutterball. The band stopped touring completely in 1992, but Cline, Richmond, and Wellford continued to meet every couple of years in Athens to write songs.
Writing credits adapted from the film's credits reel. Additional songs used in the film but not included on the soundtrack album include "Bathroom Wall" by Faster Pussycat, "Dirty Pool" and "Dead Dog Man" by the Little Kings (a group featuring Gore Verbinski), "Guitarget" by Four Big Guitars from Texas, "Yard Dog" and "Rock 'n' Roll Till the Cows Come Home" by the Tail Gators, "Waltz Across Texas" by Ernest Tubb, "Cocaine & Whiskey" by Ned Sublette, a rendition of "Blue Suede Shoes" performed by Robert Gordon and Chris Spedding, and renditions of "If You Love Somebody Set Them Free" and "Mexican Radio" performed by Vance Colvig.
Her 2014 play An August Bank Holiday Lark, a Northern Broadsides co-production with the New Vic Theatre, Newcastle-under-Lyme, won that year's UK Best New Play award from the UK Theatre awards for regional theatre. Set in Saddleworth at the start of World War I, it features the village's traditional rushbearing procession and morris dancing. McAndrew has written several plays for the Mikron Theatre Company, a touring company which in summer travels by canal boat. These include Losing the Plot (2012, set amongst allotment gardeners), Beyond the Veil (2013, allotments again, beekeeping and murder), Till the Cows Come Home (2014, on icecream making), and One of Each (2015, concerning fish and chips).
Newspapers often focused on her uniqueness as a female carillonneur, and in 1937 The Washington Post highlighted her habit of wearing shorts or riding breeches in order to play the carillon pedalboard."Only Portable Carillon Alone on High Seas While Its Player, a Woman, Arrives in D.C.: Miss Johnston Goes Into Training for Pounding Huge Keys", in: The Washington Post, 17 October 1937: 10. Seeking to establish higher visibility in a field that remained largely closed to women, she appeared on Pathé News in the 1950 newsreel "'Moo-Sic' Till The Cows Come Home," playing her mobile carillon for cows on the Manor Farm in Thorpe, Surrey. The experiment was intended to demonstrate that music increased the milk yield of cows.

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