She thinks back to her daughter, who died at age 10.
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Stroud thinks back to her answer to the nurse's question about limitations.
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His mother, Diana, thinks back to that period and recoils at the memory.
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Instead she thinks back to Moira and their time together at the Red Center.
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She thinks back to when she told her kids their dad was never coming home.
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One thinks back to Roger Williams, who founded the Colony of Rhode Island and Providence Plantations.
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She thinks back to riots she lived through as a child growing up in the 433s.
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The farmer's kid sees a problem and thinks back to that time the bridge washed out.
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Rosalina thinks back to Portugal&aposs second game — a 1-0 win over Morocco on June 03.
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He thinks back to that fraught time, to the day he told his wife he was leaving.
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A man thinks back to a series of gory murders that took place while he was at university.
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"If one thinks back to that period, figurative art was seen to be old hat," Mr. Brooks said.
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When Jessica thinks back to triumphant scenes of her mother, Allsbrook's illustrations tower over the viewer in bold, vivid strokes.
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When Marta Cross thinks back to her most embarrassing audition, she remembers the time she got starstruck by Luke Wilson.
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At this moment of triumph, June thinks back to her happiest memory with her mom: Singing Gwen Stefani's "Hollaback Girl" joyously.
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She thinks back to the shame she felt 21980 years earlier when that scarlet A was attached to her power suit.
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He thinks back to the guy with the robot hand and no fingerprints, Scott's little anti-bac gloves, cockroaches at Times Square.
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The businesswoman said that when it comes to creating a new venture, she thinks back to her main motivation: accessibility and value.
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Robinson thinks back to his own experiences, which include championships with the Spurs in 1999 and 2003, as well as his disappointments.
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Pipo finalizes her divorce and then thinks back to when she was a 14-year-old in the small Mexican village of Palomar.
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" What she sees when she thinks back to her time at USC and the continued tenure of Tyndall is "an incredibly broken system.
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And when he finds time to think, he thinks back to how important the game was to him as a youth in Roxbury.
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Kelly Edwards, professor of bioethics at the University of Washington, thinks back to the needed balance of risks and benefits in an experiment.
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On occasion, George thinks back to the night that changed his life: the team's 10-7 victory over Sweden at Gangneung Curling Centre.
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Sometimes, he thinks back to his college years in Beijing in the early 1990s, which he remembers as his first real taste of freedom.
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"Kyle means the world to Campbell and whenever Campbell is having a bad day, he thinks back to his birthday with Kyle," Carrie says.
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De La Hoya thinks back to 2010, and you can hear in his voice the sincere appreciation of Khan's ability, affection for it even.
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At 47, he thinks back to the fear of his youth: the bombings, people disappearing, British soldiers demanding identification at checkpoints, the paramilitary groups sowing terror.
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When he thinks back to the young cancer patient in LA, Steinhorn believes that telemedicine was able to provide the girl and her family support and reassurance.
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But read Dowd as she thinks back to 1999, when Trump started flirting seriously with a presidential run, and we're reminded this run is not a lark.
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But every time she thinks back to the fact that the fans abroad, outside of Japan, they come to their shows and they're singing along in Japanese.
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But maybe in the occasional moments between the darkest memories that plague his mind at night, he thinks back to that Tonight Show appearance in June of 1991.
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Rosebush said when she thinks back to her residency, she likely saw catatonic patients all the time: people who weren't eating, weren't moving, weren't talking, or behaving strangely.
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Whenever he feels susceptible to the seductive tug of despair, Casey thinks back to when he was an assistant coach with the Dallas Mavericks during the 2010-11 season.
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Dempsey now looks at his wife, who is healthy after the transplant, and thinks back to when he first decided to get tested to see if he was a match.
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She thinks back to the way the little boy wanted her to know what he was studying, and how he tested her on styles of columns in a coloring book.
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His son is 26 now and never suffered a serious injury, but Greenwald thinks back to when his son was a senior in high school and was asked to play football.
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And Kink said he thinks back to Martin Luther King Jr.'s 1957 "Birth of a New Nation" speech, where he suggests that creating a community can be an end in itself.
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" He thinks back to her strength during her final few months and "her decision to speak up during a time when it would be normal and understandable for most people to become introspective.
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Earlier this year, Melinda Gates told Time Magazine that when raising a feminist son, she often thinks back to how her own parents taught her that she could do anything her brothers could.
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"Whenever he feels like he doesn't deserve to be giving big public talks, he thinks back to other times when he "wanted to run screaming off the stage" but ended up doing fine," she writes.
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What angers him now, when he thinks back to all that has happened in the years since his cousin was killed, is the aura of indignation and immunity emanating from many of the officers he sees.
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In 2007 when Starke was 19, Close talked about how proud she was of her daughter— and how whenever she has to prepare to shoot a crying scene in a movie, she thinks back to when she sent Clarke off to college.
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While she undertakes this journey, Jo thinks back to other times in her life when her sisters were important to her, which include many of the most famous scenes from the book (whose first half is generally better known than its second half).
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When I lived in Leicester, in a predominantly white and Indian area, I was this 'different' girl…" She thinks back to a memory, of "walking into school, and the boys honestly dying laughing at my hair – it grows more up and out, rather than down.
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As agriculture officials and pork producers fight a high-stakes battle to prevent African swine fever from entering the United States and devastating the industry, Dan Rock thinks back to 2004, had it unfolded differently, that there might have been a chance to do something sooner.
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When Wendy Davis thinks back to the marathon filibuster that made her a household name, the first thing to pop into her head isn't aching legs, her beloved pink sneakers, or the slow ticking of the clock as she held the floor of the state Senate for 219 hours.
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" She thinks back to her teenage years: "I had to to go to an alternative school because I failed my last year of high school, and I had this teacher, Pamela, who was very open to me doing my own work in class, and she really pushed me to do it, which was so cool.
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She knows of one husband who still cringes when he thinks back to the toast his brothers gave the couple on their wedding day: "It was clear they didn't prepare, and they focused on his hapless days, how he was a lost bachelor in the city without acknowledging all that he accomplished," Ms. Fenton said.
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If one thinks back to the semi-forgotten satire of the British '60s, shows like "That Was the Week That Was" and the "Beyond the Fringe" skits helmed by Peter Cook, Dudley Moore, Jonathan Miller and Alan Bennett, the first thing that is striking is the delicious comic tension between the wartime generation and the generation that followed.
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And yet when one considers Brooklyn as much of it stood 40 years ago — once-vibrant communities whose residential blocks had become unsafe by day and by night; elegant brownstone homes that had fallen into dangerous disrepair; commercial districts with storefronts abandoned by merchants who could no longer make a living from them; job losses mounting in every corner of the borough — when one thinks back to those depressing days, and compares them with the Brooklyn of 2017, the ultimate logic of Hymowitz's argument is compelling: Gentrification has winners and losers.
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Jarle Klepp thinks back to his years as a teenager in a struggling family in Stavanger, Norway.
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In 1966 Hildegard Knef returns to Germany. While she prepares for a concert she thinks back to the beginnings of her career. Flashbacks show how she became an actress and then started a second career as a singer.
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Frau Gramke goes to the market where she gossips about her elderly neighbor. It is revealed that he was her former boss when she was a rubble woman. She thinks back to that time and remembers how all of the women bribed him with sex.
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In her heavily-drugged state, she feels no pain. Cliff thinks back to the drive before the accident. Abby revealed that she was pregnant. Cliff was apparently overjoyed, but Abby said that she was going to leave him because of the affair and never let him see the baby.
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Joshua and his boss, Vincent, are driving to a hospital. Both have been shot and are in pain. Joshua thinks back to his childhood, when his father was shot in front of his eyes. In a flashback, Joshua and his partner, Mickey, visit people that owe money to Vincent.
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" Foster explains definitively that Hirst's statement means that he (Hirst) will never be able to change the subject ever again. Hirst thinks back to his youth, when he mistakenly thought he saw a drowned body in a lake. Spooner now comments, "No. You are in no man's land.
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Philip and Eliot are in bed; Philip gets up to do the dishes. He thinks back to how they met through Sally. Back to the parents, Owen gets back to his apartment, soaked through. Philip and Eliot then wake up; Philip seems keen on flatmate Jerene's research on lost languages.
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Hercules returns with the Amazons. Deianeira works up the courage to tell Hercules that Hyllus is his son, and that she loves him. As one might expect, Hercules is shocked. He immediately thinks back to the night Deianeira first made love to him, which until now he had thought to be a dream.
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Just as all seems lost, Inferno appears and embroils himself in the fight. Crom calls for reinforcements and all three begin to battle against the small army. As they fight, Inferno thinks back to the days of the K.B.I. and how he came to join Mariah's rebellion. This leaves him open and Crom impales Inferno on a steel rod.
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Joe learns he will not get the part he had hoped would restore his career and publicly berates his agent. The agent tells him he is washed-up and quits. Upset, Joe walks to the beach and swims out to sea contemplating suicide. Floating in the waves, he thinks back to the final summer holiday he spent with Boots.
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In 1921, William Friese-Greene, in dire financial straits and separated from his wife, but still working, attends a film conference in London. He is saddened that all those attending are businessmen interested only in moneymaking. He attempts to speak, but no-one is interested and he sits down. He thinks back to his early pioneering days.
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When composing "La Notte", Liszt extended the piece "Il penseroso" by adding a middle section with melodies in Hungarian czardas style. At the beginning of this section he wrote "...dulces moriens reminiscitur Argos" ("...dying, he is sweetly remembering Argos.") It is a quotation from Vergil's Aeneid. Antor, when he dies, thinks back to his homeland Argos in Greece.
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The song's video begins with a man and his girlfriend sitting down on a couch. They start talking, which eventually leads to an argument between the two. The woman changes clothes before leaving her boyfriend's apartment. The man then thinks back to all the good times the two had, such as spending a day at a lake.
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A 37-year-old Toru Watanabe has just arrived in Hamburg, West Germany. When he hears an orchestral cover of the Beatles' song "Norwegian Wood", he is suddenly overwhelmed by feelings of loss and nostalgia. He thinks back to the 1960s, when so much happened that touched his life. Watanabe, his classmate Kizuki, and Kizuki's girlfriend Naoko are the best of friends.
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General then appears and sacrifices himself to destroy the Final Weapon, allowing X and Zero to escape and return to Earth. In X's ending, he thinks back to the battles he had endured. Zero contacts X and tells him to return to Earth to rest. X begs Zero to promise to take care of him, should he become a Maverick himself.
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Weapon H #6. Marvel Comics. As Weapon H and Captain America continue their fight with the Skrullduggers, Weapon H thinks back to his childhood where he was beaten by his father, fought some bullies, and was beaten up by prisoners. As Man-Thing secures the defeated Skrullduggers, Captain America states to Weapon H that he was trailing some illegal shipments going from Stane Industries to Roxxon.
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At supper, the artists have agitated conversations M. Roux remains distant. When asked about Flavia about his idea that women cannot be intellectual, he admits he has never met such a one. Later, Imogen thinks back to her childhood days when Arthur would read her children's stories. Before bed, he asks his wife why she invited Imogen, who is not a fickle artist; she said she owes it to her mother.
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In 1988, Larry has moved to Chicago and became one of only a handful of professional maze designers in the world. Though he is very successful, he thinks back to the maze at his old house in Manitoba and how Dorrie is keeping what is left of it alive. Larry's father dies of colon cancer that year. In 1991, Larry’s son, Ryan, is twelve and visits him in Chicago.
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At the height of World War II, American-born Lady Susan Ashwood (Irene Dunne) is a nurse in a British hospital, awaiting the arrival of some wounded men. Via flashback, she thinks back to how she came to Britain many years before. In 1914, Susan and her father, small-town Rhode Island newspaper publisher Hiram P. Dunn (Frank Morgan), come to Britain, intending to stay for two weeks. Old Colonel Forsythe (C.
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Mahesuan enters to find Kumjorn gone and Dum with a knife in his chest. As Dum's wound is being treated, he thinks back to one year earlier, when he was a university student in Bangkok, where he became re-acquainted with Rumpoey. Dum pleads with her to leave him alone, reasoning that she is too beautiful and high born for a serious relationship with him. Later, Rumpoey is attacked by Koh and two toadies.
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" The song concludes when "the wife comes back to take him with her, which", Wilson suggests, "is another classic ghost story, in a way." The title track explores the story of "an old man at the end of his life who is waiting to die. He thinks back to a time in his childhood when he was incredibly close to his older sister. She was everything to him, and he was everything to her.
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King Arthur is preparing for a great battle against his friend, Sir Lancelot, a battle he does not wish to fight but has been forced into. Arthur reflects on the sad circumstances which have led him to this situation and asks his childhood mentor, Merlyn, for advice. Merlyn appears to him and tells Arthur to think back. Arthur thinks back to the night of his marriage to his now-estranged wife, Guenevere.
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Corrinado swims through the sea, his only chance of survival is to make it to the island; hoping that Morris Mulberry will be waiting with the prototype hot air balloon, the only one left undestroyed by Manilla. As he swims, he gets delirious from pure physical exhaustion. He thinks back to his friend Mulberry and the beginning of Hot Air Balloon Traveling when Mulberry persuaded him to use his invention to start a successful business.
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Bohannon declines to implicate anyone on his crew, thus taking the fall for the crime. The Swede has Bohannon chained up inside a freight car, where Bohannon sees a loose floorboard nail and tries to pry it out. While doing so, Bohannon thinks back to Meridian and his wife Mary (Kassia Warshawski) stitching needlepoint. Joseph Black Moon (Eddie Spears) finds the Cheyenne braves responsible for the massacre - one of which is his brother, Pawnee Killer (Gerald Auger).
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A decapitated snake drops from an overhanging tree branch onto Mahesuan's cowboy hat. Dum targeted the venomous snake, saving Mahesuan's life. Retrieving his harmonica, Dum thinks back to his childhood 10 years earlier during the Second World War, when Rumpoey and her father left the city to stay on Dum's father's farm in rural Thailand. Rumpoey smashes a bamboo flute that Dum is playing and demands that he take her on a boat ride in the lotus swamp.
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In a dark alley, a wino approaches and grabs her. A policeman rescues her and beats up the drunk as she leaves. Along her way, a pimp, with a pencil-thin mustache, and sharply dressed, approaches her, buys her a flower from a flower girl's basket, and cajoles her into escorting a porcine rich man in a chauffeured limousine. As they cruise the through the night, she thinks back to her tragic youth and her abusive father.
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Four years later, during the Second World War, Robbie has been released from prison on the condition that he joins the army and fights in the Battle of France. Separated from his unit, he makes his way on foot to Dunkirk. He thinks back to six months earlier when he met Cecilia, now a nurse. Briony, now 18, has chosen to join Cecilia's old nursing unit at St Thomas' Hospital in London rather than go to the University of Cambridge.
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The novel opens with a physically fit young man standing on a track, watching as "the night joggers" toil around him. He begins to walk toward the starting post and thinks that now that the Olympic games are over for him, he does not know what he will do with his life. The man starts to walk around the track and thinks back to four years ago. Quenton Cassidy is a collegiate runner at fictional Southeastern University based on the University of Florida.
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The video starts with McBride sitting on a pew bench in the park with autumn leaves blowing in the wind. She starts singing and thinks back to a Halloween night when she met Will, a young, crippled boy who came trick-or-treating dressed as a bag of leaves. Later, it shows McBride and her daughter babysitting Will and playing a board game while his mother worked late. Later, McBride sees Will and his mom playing tee ball in their yard.
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When Marie Morgan (Helen Parrish) was eight years old, she attended a banquet held by her dying grandfather, who disliked everyone in his family except her. That day he instructed her to return to his house upon her twenty-first birthday to read his will alone. Marie arrives at the house, and although it has been vacant for 13 years, the lights and telephone both appear to be working. Marie thinks back to the day her grandfather told her about his will and recalls the seating arrangement.
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Envious of his friend's lifestyle, Chris begs Toni to reveal his secret for happiness, and Toni responds that it's doing what you want, not what others want. With his dull and tranquil marriage, Chris increasingly obsesses on the past. He rediscovers naked pictures of his former French girlfriend, Annick (Elsa Zylberstein), and in the coming days he thinks back to 1968 when they were in Paris together. He remembers taking on the persona of a French beatnik with a hatred for all things English.
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A group of suburban women (all played by the guest actresses listed in addition to then-current cast member Kristen Wiig) are having a lingerie party and, as usual, Debbie Downer ruins everyone's fun. One housewife (played by Amy Poehler) yells at Debbie and asks her why she's so miserable all the time. Downer thinks back to her childhood where during her birthday, her depressed grandmother (played by White) warns her not to enjoy her birthday cake because gluten allergies run in her family.
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We pick up right from the end of the last chapter with RASL reflecting back on his motto, "It's never too late to fix it." He thinks back to a warning that Annie gave him— That he is an addictive personality and would run back to Maya, even if her motives seemed suspect. We then flash to a new scene in which Robert breaks off the affair with Maya (much to her dismay). We then jump to RASL watching the news after the explosion at the Compound (talked about at the end of Chapter 7).
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Another painter visits the narrator and he is mesmerised by his painting of Alexandra Ebbling. The narrator then thinks back to how he met her, on a ship from Genoa to the New York City, after living in Rome for work for two years. They start talking, stop in Naples for a day, then sail by Sardinia. He moves on to doing a portrait of her, and he gives her a bunch of magnolias he got in Gibraltar and she talks about her ailment for the first time.
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Back at home, Jon phones his parents and then his agent. He plans to spend the remainder of the evening composing, but he is interrupted by a call from Susan, who wants to see him. They argue, albeit in a passive and psychological manner that scarcely seems like an argument at all (“Therapy”). On Monday morning, Jon walks to Michael's office for his brainstorming session. On the way, Jon thinks back to a workshop in which his work was reviewed by a composer “so legendary his name may not be uttered aloud…” (“St----- S-------”).
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The gentleman opens his door to his charwoman, who tells him that her grandson has died. Through an analepsis, the grandson asks his grandmother for money, which she says she does not have. She then thinks back to her move to London; her husband's death; her grandson's death. After cleaning the gentleman's house, she wishes she had somewhere she could go and cry, but as it starts raining she realises she cannot even do that outside – and Ethel is at home, thus preventing her from doing it there too.
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The story starts with a girl, the main protagonist 'Amber' arriving at a house on Merral Road. She's unsure that it's the right house, as many others she tried weren't right. After entering the house that she begins to think back about her mother and half-sister Poppy, she thinks back to various previous events such as Amber's birthday which Poppy ruined. Amber had told her mother that she was going on holiday, but she found the house (17 Merral Road) on a flat sharing website, intending to stay there, telling her mother later by phone.
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Amaia thinks back to her childhood, when Rosario, in a psychotic rage, attempted to murder her at the bakery, at which point Amaia was taken to live with Engrasi. Amaia goes to visit Rosario, who calls Amaia a bitch and attempts to bite her. She learns that Rosario, now restrained, had attacked a nurse and bitten her while calling her Amaia, and that her brother-in-law visits Rosario weekly. Amaia and Jonan drive to Victor's house but Jonan arrives first and finds it empty while Amaia flips her car into a ravine during a thunderstorm on her way to the house.
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Told in a segmented fashion, the film opens as Caravaggio (Nigel Terry) dies from lead poisoning while in exile, with only his long-time deaf-dumb companion Jerusaleme (Spencer Leigh) (who was given by his family to the artist as a boy) by his side. Caravaggio thinks back to his life as a teenage street ruffian (Dexter Fletcher) who hustles and paints. While taken ill and in the care of priests, young Caravaggio catches the eye of Cardinal Del Monte (Michael Gough). Del Monte nurtures Caravaggio's artistic and intellectual development but also appears to molest him.
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On the morning of his last day, J.D. lies in bed next to Elliot as he thinks back to his first day at Sacred Heart. Elliot reveals she has been "sneak moving in" by slowly replacing J.D.'s stuff with her own. At the hospital, Turk greets J.D. with a giant goodbye banner in front of the main entrance and a final "full-turbo spinning eagle" as his goodbye to his best friend. J.D. realizes Turk said goodbye too early and the moment will be ruined later so they decide to have intense hugs whenever they run into each other.
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Marie Morgan (Ginger Rogers) has been lured to an old abandoned house by a false note from a friend, and is in jeopardy although she doesn't yet realize it. As she sits at the table inside, she thinks back to the banquet held there 13 years earlier, when she was a little girl. Only 12 of 13 guests had attended, and the manor's owner, the Morgan family patriarch, who was then dying, has since passed on. The chance to claim the bulk of the estate fortune has resulted in an ongoing campaign of murder by someone targeting the original 12 guests, whose dead bodies are being left at the table in the same seats they had occupied originally.
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In April 1945, outside the titular address in the fictional town of Gibbsville, Pennsylvania, a radio reporter is describing the funeral of distinguished attorney Joseph Chapin (Gary Cooper). While his shrewish wife Edith (Geraldine Fitzgerald) delivers his eulogy, daughter Ann (Diane Varsi) thinks back to Joe's fiftieth birthday celebration five years earlier. Via a flashback, we learn rebellious ne'er-do-well son Joby (Ray Stricklyn) has been expelled from boarding school and wants to pursue a career as a jazz musician, a decision Edith feels will harm the family's reputation. The ambitious woman is determined to get Joe elected lieutenant governor, and she uses her wealth, political connections, and social influence to achieve her goal.
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Ruth is living with Paul, who has taken to coming back home in the wee hours of night, putting forth that they are not married and that he tells her everything. She feels rejuvenated when Mr Davis not only suggests making her his own secretary and increasing her salary, but also takes her out to lunch. However, as he suggests taking her out at night, she feels confused and emotional, and they return to work. Later, since Paul called her earlier to say he would be away at some art gallery with Cosmo, she goes to a bar and thinks back to an ex-boyfriend who had treated her like a slavegirl on a farm.
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However, during a lecture with her boss, Devi thinks back to the comment Sickness made about someone introducing the spirits to Devi, and has a flashback to her date with Johnny the Homicidal Maniac. While overlooking the town, Johnny asks for her opinion about what makes a person and what happens to someone if their most defining trait is taken from them, in this case Johnny's ability to paint (similar to Devi's current case). After remembering and connecting Johnny's story with her own, Devi promptly quits her job and rushes home determined to beat Sickness. While rushing up her apartment building stairs, there are several distractions in the hallway attempting to hinder her process from getting back to her room.
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As she clears out her old bedroom, Polly discovers that below her memories, in which she led an entirely normal and unremarkable life, there is a second set of memories, which are rather unusual. As Polly thinks back to this "second set" of memories, the point where they seem to diverge is when she stumbled into a funeral in an old mansion, Hunsdon House, when she was ten and playing with her best friend, Nina. There, she was approached by a man named Thomas Lynn who took her back outside and kept her company. He takes her back inside to help him select six pictures from a large pile, his share of the estate of the deceased; one of them is a photograph called "Fire and Hemlock" (hence the name of the novel), which he gave to her.
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Thus, the Thief thinks back to how he was when he first came to Paris and that his past self is likened to a trace of footsteps that he can no longer be followed back. While not completely broken, at this point in the narrative, the Thief accepts that he is changing and that he is definitively isolated within the loud and crowded confines of a city that he thought would accept him. The narrative then rapidly derails as he finds himself wandering more and more at night, believing that he is caught in a sinister dream and referring now only to his past self as "The Other." This point of the narrative shifts drastically and the Thief describes The Other quite morbidly as lying dead under a tree, trying to come to terms with the new parts of his disconsolate self.
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The Sunbird's crew react to these revelations in different ways. The commander considers this to be a great tragedy, and believes he was chosen by God to subjugate the women to their intended roles and lead them back to the true path with men as leaders of society and family. Another eagerly anticipates the prospect of millions of women who have not known a man's touch, believing that the women are all sexually unfulfilled without a man, and he engages in violent sexual fantasies of domination. The third crew member -- the narrator -- differs from the other two in that he is an intellectual man without much physical development -- the other two men look down upon him for his nerdy qualities, and he thinks back to all of the abuse and bullying he has been the victim of over the years by men like them.
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