Mr. Ligon thinks back on that day in 20133 with more nostalgia than fear or outrage.
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As she tries on dresses, Williams starts crying as she thinks back on meeting her fiancée, Quinette.
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The fantasy becomes a nightmare as the narrator thinks back on the ways Bad has abused her.
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He thinks back on that day at the window, he said, and it makes him feel good.
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When Tony thinks back on all of the people who have been lost because of the Avengers, he may also consider the life of Charlie.
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At first, when an adult Jenny thinks back on the abuse, she imagines herself at 13 and pictures a tall, willowy young woman, with sharp cheekbones.
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Years later, Frank thinks back on that and subsequent nights — and what it means to adore someone already adored by the masses — as he lays dying.
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She thinks back on the Christmas of '85, when her father (a warm and lovely Ken Robinson) was a steadying presence, and her glamorous grandmother (Tina Fabrique) reappeared in her life.
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When Eady thinks back on her time on Rikers Island, she said she wishes someone had been there to help her, either with therapy—Eady said she had a prior history of domestic and sexual abuse—or getting clean.
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But as her mom Janis Winehouse-Collins thinks back on the daughter who lived up her to her nickname 'Hurricane Amy,' she tells PEOPLE that she wonders whether the star singer may have suffered from the neurological disorder Tourette Syndrome, which is characterized by physical and vocal tics.
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When Barb longs to become a leader within the family's church, she is rebuffed at every turn, and when middle wife Nicki (Chloe Sevigny, in one of the best TV performances of that era) thinks back on her life, she realizes she was very nearly a child bride, causing a huge crisis of faith.
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Samantha Hunt's three novels read like fables deeply rooted in reality: A young woman in a working-class seaside town believes that she is a mermaid ("The Seas"); Nikola Tesla nears his death and thinks back on his life while staying at the Hotel New Yorker ("The Invention of Everything Else"); and a woman who refuses to speak leads her niece on an epic walk to an unknown destination ("Mr. Splitfoot").
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He returns to his room and thinks back on happier times with his father.
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The escape is to take place at 2:30 AM, and while they wait and try to sleep, Marija thinks back on her early and immediate past. Early in the book those are recollections of her immediate past in the camp. She had managed to tell Jakob, her lover, that she was pregnant, and later that she delivered a boy. In another recollection she thinks back on the evening spent in a closet hiding from Dr. Nietzsche: Jakob is a Jewish doctor who is surviving in the camp because he assists Nietzsche in his medical experiments on Jews, experiments involving sterilization, infection, and amputation.
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When he does sleep, he dreams again about jumping to his death. As Georgie tries to make sense of his life, he thinks back on his experiences. Although Georgie is a love song writer, he's never had a successful, lasting relationship. His first love, Ruthie, broke up with him after he got her pregnant and she had to have an abortion.
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Lana visits a woman to have an abortion performed. Before the woman even begins, Lana thinks back on all that she has witnessed and stops the procedure, suffering from P.T.S.D. A few months later, Lana takes detectives to retrieve Judy, but Timothy tells them that Judy has committed suicide. However, Judy is actually alive. Lana gives birth to a boy.
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Everyone agrees and Squidward is named manager of the event. Despite Sandy's pleas that science could help them solve the problem, the townsfolk ignore her for being a land mammal. SpongeBob, however, is against the idea of leaving town and believes the citizens should save Bikini Bottom. SpongeBob thinks back on Mr. Krabs' words from earlier and wonders if he could save the town ("(Just a) Simple Sponge").
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The story begins in 1992, as Amy Fisher lies in a hospital bed with her mother sitting by her bedside. Earlier, she had attempted to commit suicide, but her parents caught her and took her to the hospital. As Amy rests in bed, she thinks back on her life over the last two years and her involvement with Joseph "Joey" Buttafuoco. In 1991, Amy's parents buy her a brand new car for her sixteenth birthday.
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Returning to his crypt, Spike thinks back on his attempted rape. He pours himself a drink, but when memories of the attempted rape haunt him he becomes so upset and furious that he crushes the glass in his hand. Just then Clem comes by, and Spike begins to wonder exactly what he is. He becomes distraught both that he attacked Buffy and that he backed off – something the pre-chip Spike would never have done.
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Middle-aged Tony Bradmore privately thinks back on his wild youth and his love affair with Doris Randall. Tony's memories are interspersed with scenes from his current life as a cheese factory worker. The young Tony is unemployed and lives with his working-class parents in a poor neighbourhood of crumbling terraces (rowhouses). He commits petty thefts and burglaries partly as a way of getting money and other items he wants, but also partly for the thrill of it.
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Sedric comes to help with the hopes of getting some valuable dragon items, keeping some pieces of festering flesh. He thinks back on how Hest slowly took over his life. He befriends Thymara so that she will translate for him when Alise speaks to the dragons, as he cannot understand them when they speak. Later on he sneaks out at night to take some scales from a copper dragon, near death, and gets some blood from it as well, which he tastes.
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In the first part, The Harp, pope Pius XI is about to sign a decree asking the cardinals to canonize Christopher Columbus. As he holds the quill in his Vatican chambers, Pius thinks back on a trip to the New World he embarked on when he was a young priest and was still named Mastai. The trip, organized by the Vatican, was a mission to newly independent Chile. On his trip, Mastai criticizes and mocks Argentina, and especially Buenos Aires, and receives harsh treatment in Chile, rendering an overall negative impression of Latin America.
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During the car ride, Chesney thinks back on his time with a girl he met and fell in love with in Mexico, and her attempts to persuade him not to go with them. The agents comment on how he appears to be nervous, to which he replies that it "didn't feel right". His partner challenges him briefly but allows him to walk away while they proceed with the raid. As Chesney starts to leave, he notices how the civilians in the areas are discreetly but uniformly retreating from the criminal spot or taking cover.
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He explains that he will pay her the large and agreed sum, but that she will have to be his sex slave for eight days. As Alina begins what she hopes will be her final sordid encounter, it appears that Sheridan and Sender simultaneously embark on a night out in the same town during which a Russian mafia enforcer is killed. Back home in Belfast, elderly Francis Cleary is dying while locked inside a steel box. Unable to escape, he thinks back on his times as a maverick philosophy lecturer and how Sheridan was his most eager student.
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The student works not only with occasional overexertion and difficulty, which is naturally unavoidable in even the most liberal of intellectual endeavors, but with an immense feeling of displeasure. And this is expected at an age which, on account of its tenderness and need for joy, is least of all appropriate. On these young shoulders, in fact, lies a burden which the man only thinks back on in horror and yet it is perpetually alive in his dreams. [...] The "science" learned in schools and the whole conception of culture which is represented there is indeed not free at all but entirely imposed.
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He also learns that Joachim married Walter's former girlfriend Hannah (Barbara Sukowa), that they had a child together, and that they are now divorced. After writing a letter to his current married girlfriend, Ivy, ending their relationship, Walter thinks back on his days in Zurich falling in love with Hannah. He remembers proposing marriage to her after she revealed she was pregnant, and that she refused, saying she would terminate the pregnancy. The passengers and crew are rescued and brought to Mexico City, where Herbert prepares to continue on to see his brother Joachim at his tobacco farm in Guatemala.
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Dale admits that while it's easy for the group to blame Rick for many of the deaths that occurred, they also have to credit him for being alive as well. Later that night, Dale passes away and Andrea shoots him in the head to prevent him from turning. Later as the survivors burn his corpse in front of the church, Rick thinks back on Dale fondly and admits that maybe Dale was the strongest of them all for holding on to his humanity until the end. Dale's death leaves a significant impact on Andrea, as she often wears Dale's hat in remembrance of him.
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Because the novel is divided into chapters, each closely concerned with one of the characters, a summary of the story serves as a character analysis as well. Chapter One takes place the day before the battle; it is narrated by Lieutenant Palmer Metcalfe, a cocky, 19 year old, aristocrat from New Orleans and a staff officer under Confederate commander Albert Sidney Johnston. He watches as the Confederate army marches through the Tennessee countryside in preparation for a surprise attack upon the Union troops at Pittsburg Landing. His self-satisfaction is evident as he remembers the complicated attack plan he helped draft, and as he thinks back on the struggles Johnston went through in bringing his army together for this decisive blow.
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That moment, halfway through the first act, belongs to Ms. Lansbury, who has hitherto been perfectly entertaining, playing Madame Armfeldt with the overripe aristocratic condescension of a Lady Bracknell. Then comes her one solo, "Liaisons", in which her character thinks back on the art of love as a profession in a gilded age, when sex 'was but a pleasurable means to a measurable end.' Her face, with its glamour-gorgon makeup, softens, as Madame Armfeldt seems to melt into memory itself, and the wan stage light briefly appears to borrow radiance from her. It's a lovely example of the past reaching out to the present..." Steven Suskin, reviewing the new Broadway cast for Variety, wrote "What a difference a diva makes.
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Narrated by Jonathan Kent, he thinks back on his son Clark’s roots as a farm boy in Smallville, Kansas. At the end of Clark’s last year in high school, Jonathan tells him the truth – that Jonathan and his wife Martha found the infant Clark in an alien rocket, raising him as their son, and that he can do things “other boys can’t”. Clark overhears his parents discuss their uncertainty about his future, and struggles with his growing powers, including immense strength and speed, heightened senses, X-ray vision, and invulnerability. When a tornado strikes the town, Clark discovers he can fly and rescues a neighbor, but wonders if he could have done more. After graduation, Clark reveals his powers and his desire to use them “to help as many people as possible” to his best friend Lana Lang, who urges him to leave Smallville.
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The news spreads that Alfie is gay and he finds that many people now treat him with contempt and disgust, including his abusive supervisor and new bus driver who they claim was to take the spot of Robbie who "fled as far as he could when he heard the news". Adele comes to see Alfie one last time before she goes to England to have her baby, showing true empathy for his situation and encouraging him as Alfie once encouraged her ("Love who you Love (Adele's Reprise)"). Finally, Alfie is alone at St. Imelda's hall and thinks back on his life, coming to know that he can no longer hide ("Welcome to the World"). A ray of sunlight enters the dimly lit room as Robbie walks in, and he explains that he's here to play the part of John the Baptist and that he was forcefully placed in another station by the supervisor.
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