It's both sadistic and caring, thematically considerate and textually crass.
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Emojis are the best way I know to convey tone of voice textually.
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Lattimore was considered the most textually accurate of modern translators, perhaps to a fault.
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We cannot tolerate such an evasion of the Constitution's very explicit, textually precise design.
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"The argument is textually bizarre, historically inaccurate, structurally misguided and functionally misleading," Professor Tribe said.
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And textually, the album seems to be about a relationship (presumably Beyoncé's own marriage to Jay-Z) nearly torn apart and then painstakingly knit back together.
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Textually, the point of Jezebel's is that it's another means by which the patriarchy oppresses women through their bodies, even in a society that is ostensibly organized around sexual chastity.
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Filmic sources for paintings and drawings are not unusual; Durbin's annotated drawings remind me of the movie-derived, textually augmented works on paper that Dawn Clements has done for many years.
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"The argument cannot be settled in practice because rasgulla's first use was probably never recorded textually," Krishnendu Ray, the chair of the Nutrition and Food Studies Department at New York University, explains to me.
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Once an autistic person is hired, small adjustments help employers to get the best out of him: for example, by providing a calm workspace and clear instructions, expressed textually or visually rather than verbally.
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So maybe it's not such a surprise that "Arden/Everywhere," a well-intentioned, textually trusty exploration of "As You Like It," as seen through the lens of the refugee crisis, has all the verve of a deflated soccer ball.
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Yet over the course of the work, doubt creeps into the ritual, both musically and textually, and the structure of the Mass completely falls apart and disintegrates as the celebrant comes to terms with his own crumbling faith and moral emptiness.
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Fan works ask crucial questions about, for example, why Poe and Finn aren't actually a couple; why shouldn't Lando have been the star of Solo instead of Han; and, of course, why shouldn't Star Wars have a canonically, textually pansexual character?
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It seems weird to call that a problem, since, in my opinion, almost all plays would be better with some more Bowie, but the familiarity of the songs makes it hard to see them as textually related to the loose narrative at all.
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Viewers are also treated to textually immersive wall works by poet and artist Marcus Civin, whose "Baltimore Call and Response" (2016) is the kind of exhortation that gets the blood boiling as it produces questions that pry open possibilities against aggressive accounting, for life under capitalism, impromptu performance, and long-term action.
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A documentary series (also on Netflix) called The Royal House of Windsor, claims the Prince and Duke had a secret meeting in 1971 in which they discussed the burden of kingship, but any actual letters written by the Duke are protected under copyright and would be illegal for The Crown writers to textually reproduce in the show.
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"We sympathize with appellants' individual plights, apparently more freighted with duty and sacrifice than benefits and privilege, but the Citizenship Clause is textually ambiguous as to whether 'in the United States' encompasses America's unincorporated territories and we hold it 'impractical and anomalous,' to impose citizenship by judicial fiat—where doing so requires us to override the democratic prerogatives of the American Samoan people themselves," Judge Janice Rogers Brown said in the appeals court's decision.
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Textually it is very close to Codex Sinaiticus, but with some exceptions.
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It also changes the identity of one of Kerwin's parents, although the later book Exile's Song uses his textually original parentage as background information.
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Leopold's state of mind is textually represented by the constant repetition of dialogue and action throughout the play, suggesting a circular 'whirlpool' effect.Untitled Theater production.
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It is a textually and philologically rich exploration of Tolkien the man, the teacher, and the mentor and a brilliant way to end this volume.
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It is close textually to Codex Campianus. Aland did not place it in any Category. According to the Claremont Profile Method it creates textual group M10.
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These have their own politically appointed Regedores (textually, Rulers) and the traditional leaders, the Sobas, who have lost much of their ancestral significance in the decision – making process.
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As the storm subsides, Nicolas emerges; his prayer is musically and textually simple. The movement ends with a return of the initial tune, this time in F major with very slight alteration.
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From the beginning of a case, Hindu jurisprudence views each case as a sum of all of the factors. Therefore, all textually stated punishments are affected by the factors of a given case.
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Editio Septima, Lipsiae 1859, p. CXCV. Aland did not place it in any Category. Textually it is close to the codex 273. According to the Claremont Profile Method it represents Kx in Luke 10 and Luke 20.
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Codex Glazier Codex Glazier, designated by siglum copG67, is a Coptic uncial manuscript of the New Testament on parchment. It is dated palaeographically to the 4th or 5th century. Textually it is very close to Greek Codex Bezae.
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The Greek text of the codex is a representative of the Byzantine text-type. Aland placed it in Category V. It is close textually to the minuscule 140. It was not examined by using the Claremont Profile Method.
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It is faded in parts. Textually it often agrees with old uncial manuscript of the New Testament, but it has some unique variants. It has numerous errors, but unequally distributed in the codex. It was examined by several palaeographers.
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According to the Claremont Profile Method it represents textual family Kx in Luke 1 and Luke 20, and belongs to the textual cluster Ω. In Luke 10 no profile was made. Textually it is close to the codex 53.
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The story, written by Zolotow, is told in past tense from the third-person point of view. It does not feature rhyming or nonsense words, but makes use of repeating sentence patterns. The illustrations by Sendak support the story by depicting actions not textually described.
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According to Grenfell and Hunt it is the same date as Papyrus Oxyrhynchus 16. Textually it is close to the Laurentian codex of Thucydides. It was discovered by Grenfell and Hunt in 1897 in Oxyrhynchus. The text was published by Grenfell and Hunt in 1899.
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It contains subscriptions like codex 262. It has pictures, some excerpts from Hippolitus, Eusebius, Isidor, and Hesuchius. Textually seems to be a copy from the codex 300, or taken from the same manuscripts. Kurt Aland did not place the Greek text of the codex in any Category.
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352 pages. A Kindle edition was issued in 2011. ['I have not seen an equally persuasive and textually supported account of this encyclopedic narrative. There is no better and more stimulating introduction to one of the most controversial and influential vernacular texts of the European Middle Ages'.
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In music, the pianto (en:crying) is the motif of a descending minor second, has represented laments and been associated textually with weeping, sighing (called the Mannheim sigh by Hugo Riemann); or pain, grief, etc.; since the 16th century.Monelle, Raymond (2000). The Sense of Music: Semiotic Essays, p.17. .
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The Greek text of the codex is a representative of the Byzantine text-type. Aland did not place it in any Category. According to the Claremont Profile Method it belongs to the textual group 1216, as a core member. Textually it has some relationship to the group 16.
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External interaction with the database will be via an application program that interfaces with the DBMS. This can range from a database tool that allows users to execute SQL queries textually or graphically, to a web site that happens to use a database to store and search information.
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Textually it is corrupt in some places, although it also sometimes preserves good readings. A few corrections were made by a second hand, mostly the insertion of the iota adscript. It was discovered by Grenfell and Hunt in 1897 in Oxyrhynchus. The text was published by Grenfell and Hunt in 1899.
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The Greek text of the codex is a representative of the Byzantine text-type. Hermann von Soden classified to the textual family Kx. Kurt Aland placed it in Category V. According to the Wisse's Profile Method it belongs to the textual cluster Cl 121. Textually it is close to the Complutensian Polyglot.
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The Greek text of the codex is a representative of the Byzantine text-type. It is close textually to the textual family Family Π, but with some alien readings. Aland did not place it in any Category. According to the Claremont Profile Method it represents textual Π473 in Luke 1 and Luke 10.
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The CRC allows for Californians to vote online on six timely issues. The site then redirects users to an electronic "cafe" using Principal Component Analysis. In the "cafe", participants can textually submit their own suggestions and assess the ideas of other users. The CRC offers a means of connecting the public to the California government.
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The Greek text of the codex has some the Byzantine readings, but it is not pure the Byzantine text. Hermann von Soden lists as II. Aland did not assign it to any Category. According to the Claremont Profile Method it belongs to the textual cluster 1229. Textually it is close to the Codex Tischendorfianus IV.
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The Canadian criminal law consolidation Acts of 1869 were based on the criminal law consolidation Acts 1861, and taken almost textually from them.Henri Elzéar Taschereau. The Criminal Law Consolidation and Amendment Acts of 1869, 32 - 33 Vict, for the Dominion of Canada. Volume I. Printed by the Lovell Printing and Publishing Company. Montreal. 1874.
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In contrast to other songs from the album, "Demons Are a Girl's Best Friend," gives preference to organs instead of guitars. The song, which has the motifs of pop melodies, is textually concerned with temptation and sin. Powerwolf's keyboardist Falk Maria Schlegel in an interview with metalnews.pl said that the song's topic is innocence and seduction.
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Textually codex 69 is very remarkable; it belongs to Family 13, as very important member of this group—according to some scholars even the most important. The Greek text of the Gospels of this codex is representative of the Caesarean text- type. Aland placed it in Category III. It was confirmed by the Claremont Profile Method.
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The Greek text of the codex is a representative of the Byzantine text-type. Hermann von Soden classified it to the textual family Kx. Aland placed it in Category V. According to the Claremont Profile Method it represents Kx in Luke 1 and Luke 20. In Luke 10 no profile was made. Textually it is close to minuscule 80.
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Many founding members of the WSPUS were employed in the growing Michigan auto industry.Frank Marquart. An Auto Worker's Journal (1975). The group was initially headed by an immigrant from England named Adolph Kohn, who was later remembered by one factional opponent as a "mild-mannered, blue-eyed man with a vast memory" who was "textually brilliant in Marxist lore".
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The Greek text of the codex is a representative of the Byzantine text-type. Hermann von Soden classified it to the textual family Kx. Aland placed it in Category V. Textually it is close to minuscule 6. According to the Claremont Profile Method it belongs to the textual cluster 1167, and creates textual pair with 2229.
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London: Ashgate, 2014. Textually it is close to the manuscripts 119, 217, 330, 491, 578, 693, 1528, and 1588. They create textual Group 16 with following profile: : Luke 1: 8, (9), 13, 23, 28, 34, 37, 43. : Luke 10: 3, 7, 15, 19, 23, (25), 58, 63. : Luke 20: 4, 13, 19, 50, 51, 54, 55, 62, 65.
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Attila Dorn wearing dual arm mounted flame throwers while performing "Fire & Forgive" The album features the fast track "Fire & Forgive," which was also released as a single. The text deals with forgiveness. It is followed by the first single, “Demons Are a Girl's Best Friend,” which gives preference to organs. The song is textually concerned with temptation and sin.
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The Greek text of the codex is a representative of the Byzantine text-type. Hermann von Soden classified it to the textual family Kx. Aland placed it in Category V. According to the Claremont Profile Method it creates textual cluster 121, as a leader manuscript. Textually it is close to Minuscule 64, 533, 662, 663, 1060, 1297, 1642, and 1665.
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As can be seen in the book, Wilkinson claims that the Old Latin version, instead of the Vulgate, was the Bible of the medieval Waldensians and that the Old Latin corresponds textually with the Greek Textus Receptus."The Truth About the Waldensian Bible and the Old Latin Version" Baptist Bible Heritage 2, no. 2 (summer 1991): pgs. 1, 7-8, by Doug Kutilek.
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The Greek text of the codex is a representative of the Alexandrian text-type. Aland assigned it to Category II in Catholic epistles, and to Category III elsewhere. Textually it is very close to the codex 323 (sister manuscript). In Acts 8:39 it has addition αγιον επεπεσεν επι τον ευνουχον, αγγελος δε (holy fell on the eunuch, and an angel).
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The philosopher John Searle has argued that Plato expressed some skepticism about the value of writing relative to speech. The rhetorician and philosopher Walter Ong also believes that Plato was phonocentric. He argues that Plato had a clear preference for "orality over writing." However, he notes that Plato's belief in phonocentrism was both contrived and defended textually, and is therefore paradoxical.
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The interview is synchronous if it is conducted in real time. Skype interviews allow participants and researchers to converse in real time. Video chat is the closest a researcher will get towards resembling a face-to-face interview. This is because it allows for facial expressions and other visual cues that are absent in textually based forms such as chatrooms.
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A puzzling and textually incomplete passage in FestusFestus, 180 in the edition of Lindsay; Broughton, MRR1, p. 21. lists Cominius among several men who were burned publicly near the Circus Maximus in 486 BC. Valerius Maximus says that a tribune of the plebs burned nine colleagues for conspiring with Spurius Cassius Vicellinus, a consul in this year who plotted to make himself king.Valerius Maximus 6.3.
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In both religious and legal usage, verba concepta ("preconceived words") were verbal formulas that could be adapted for particular circumstances. Compare verba certa, "fixed words." Collections of verba concepta would have been part of the augural archives. Varro preserves an example, albeit textually vexed, of a formula for founding a templum.Jerzy Linderski, "The Augural Law", Aufstieg und Niedergang der römischen Welt II.16 (1986), pp. 2246, 2267ff.
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Of Under Kilimanjaro, the editors claim "this book deserves as complete and faithful a publication as possible without editorial distortion, speculation, or textually unsupported attempts at improvement". In the early 1970s, portions of the manuscript had been serialized in Sports Illustrated and anthologized.Blumenthal, Ralph. A New Book By Hemingway; Blend of Life and Fiction Tells of African Bride The New York Times. 14 August 1998.
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The AllMusic review by "Blue" Gene Tyranny stated "This musically and textually complex composition examines movement-strategies that occur in normal life in various spaces ... The music is exciting and contrapuntally dense, and at other times mysteriously sustained. Maps of geography (sounds moving about the real and imaginary and video "virtual" lands) and musical graph strategies are treated as analogs. A thoughtful and innovative "multimedia" work".
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Intuitively, givenness classifies words and information in a discourse that are already known (or given) by virtue of being common knowledge, or by having been discussed previously in the same discourse ("anaphorically recoverable"). Certain theories (such as Roger Schwarzschild's GIVENness Constraint) require all non-focus-marked constituents to be given. Words/information that are not given, or are "textually and situationally non-derivable" are by definition new.
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The Greek text of this codex is a representative of the Byzantine text-type. Aland placed it in Category V. Textually it is close to Codex Mosquensis I.Codex Mosquensis I Kap (018): at the Encyclopedia of Textual Criticism C. R. Gregory dated it to the 12th century. Currently it is dated by the INTF to the 9th century. Formerly it was classified as minuscule 414p.
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The Greek text of the codex is a representative of the Byzantine text-type. Aland placed it in Category V. According to Gregory textually it is very close to the codex 119. According to the Claremont Profile Method it represents textual family Kx in Luke 1, Luke 10, and Luke 20. It belongs to the textual cluster 17 along with manuscripts 30, 70, 287, 288, and 880.
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The Greek text of the codex is a representative of the Byzantine text- type. Aland placed it in Category V. According to Gregory textually it is close to the codex 120. According to the Claremont Profile Method it belongs to the textual cluster 16 in Luke 1, Luke 10, and Luke 20. To this cluster belong manuscripts: 16, 217, 330, 491, 578, 693, 1528, and 1588.
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Although there was opposition to her writing within the convent, Walburg encouraged it. Hygeburg also wrote a biography of Wynnebald, the Vita Wynnebaldi. Although her two works were a single project, completed by 780, they are textually distinct, indicating her use of oral reports and eyewitness testimony. She was herself a witness to some of the post-mortem miracles she attributes to Wynnebald's intervention.
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As Kornman notes, the Shambhala tradition was not particularly textually based on the Kalachakra tantra. However, as he noted, it does rely on it for some of its "mythological machinery"--in particular, the name and concept of "Shambhala" itself, and the personage of the Rigden (Tib.; wylie: rigs ldan, Sanskrit: Kalki). The Shambhala tradition of Chogyam Trungpa also derives an ethos of syncretism and ecumenicism from the Kalachakra tradition.
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Justice Antonin Scalia's majority opinion in United States v. Williams, 1992 has been relied on to refer to grand juries as a fourth branch of government. In that opinion, Scalia wrote: > [T]he grand jury is mentioned in the Bill of Rights, but not in the body of > the Constitution. It has not been textually assigned, therefore, to any of > the branches described in the first three Articles.
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Main steps (middle), modification processes (right) and controlling factors (left) of sediment evolution. During the pathway of detritus transported from source area to basin, the detritus is subject to weathering, transporting, mixing, deposition, diagenesis and recycling. The complicated process can modify parents lithology both compositionally and textually. All these factors pose certain limits on our capability to restore the characteristics of source rocks from the properties of the produced detrital record.
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Around the year 1000 it was sung widely in Northern Europe. Shortly, a similar Christmas play was developed, musically and textually following the Easter one, and other plays followed. There is a controversy among musicologists as to the instrumental accompaniment of such plays, given that the stage directions, very elaborate and precise in other respects, do not request any participation of instruments. These dramas were performed by monks, nuns and priests.
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Many he saw as incorrect grammatically, stylistically or textually and Field referred to "needless and finical changes" Notes 1881, p. v. This book was reprinted posthumously in 1899 with additions by the author, under the title Notes on the translation of the New Testament. Included in the expanded edition was an 1882 defense of the Received Text reading of 1 Timothy 3:16.Notes, 1899 p. 205-208.
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He found that from 73 singular readings of Codex Vaticanus, 46 are shared with codex 2427.M. M. Mitchell, P. A. Duncan, Chicago’s “Archaic Mark” (MS 2427): A Reintroduction to its Enigmas and a Fresh Collation of Its Readings, Novum Testamentum 48 (2006) 5. Colwell examined Minuscule 330 and found that the text of the Pauline epistles of this codex is textually very close to the codices 451, 2400 and 2492.
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The Hanafi school favours the use of istihsan, or juristic preference, a form of ra'y which enables jurists to opt for weaker positions if the results of qiyas lead to an undesirable outcome for the public interest (maslaha). Although istihsan did not initially require a scriptural basis, criticism from other schools prompted Hanafi jurists to restrict its usage to cases where it was textually supported from the 9th-century onwards.
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Collins 2005, 56. Lappenberg first noticed the reference to Domesday Book. Textually, the years up to and including 785 are identical in the Annales mosellani, the Annales laureshamenses (which also begins in 703), and the Fragmentum chesnii (which only begins in 768). The first half of the entry for 786 is identical in the Annales laureshamenses and the Fragmentum but is missing from the Annales mosellani, which lack any entry for that year.
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Another complementary early reference is an exposition of faith published in 1883 by Carl Paul Caspari from the Ambrosian manuscript, which also contains the Muratorian (canon) fragment. Edgar Simmons Buchanan,The Codex Muratorianus, Journal of Theological Studies, 1907 pp.537–545 points out that the reading "in Christo Iesu" is textually valuable, referencing 1 John 5:7. The authorship is uncertain, however it is often placed around the same period as Priscillian.
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His Pandectae Justinianae in novum ordinem digestae (Paris and Chartres, 1748-1752) is a classic in the study of Roman law. In 1749 he was made professor of law at the University of Orleans. He wrote many learned monographs on French law, and much of his work was incorporated almost textually in the French Code Civil. His theories on the law of contract were influential in England as well as in the United States.
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The recitative "" (The goodness and love of the Highest) ends on an arioso. Spitta compares the end of this movement with the end of the 7th movement of Bach's Latin Magnificat: textually both movements treat the same part of the Magnificat (the end of Luke 1:51), and, although the other movement is set for five-part chorus and tutti orchestra, he considers the closure of this recitative of the German Magnificat cantata "equally picturesque".
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Henry Holt and Company published the first book edition (possibly prepared from a different manuscript) on 7 May 1895; Heinemann published an English edition on 29 May. These two editions are different textually and are commonly referred to as the "Holt text" and "Heinemann text", respectively. Nearly all modern reprints reproduce the Heinemann text. The story reflects Wells's own socialist political views, his view on life and abundance, and the contemporary angst about industrial relations.
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Another edition, called the Annotations of the Six Officials, which had Ganzhou and Jianzhou versions, was based on the Six Scholars edition but altered the ordering of certain sections. In the early 19th century, scholar Hu Kejia produced a collated and textually critical edition entitled Kao Yi (). This edition became the basis for most modern printings of the Wen Xuan, such as the Zhonghua Book Company's 1977 edition and the Shanghai Guji 1986 edition.
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This film is based on literary sources and had a screenplay, but much of it was still improvised on set. Tarr had this to say on the subject of having a screenplay, but on his filming method in general: An omniscient narrator can be heard at several points throughout the film, textually quoting parts of the novel. It also adapts every single one of the moments in the book, leaving nothing out.
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Said Nursî founded the Nur movement in Turkey, stressing patience and spiritual withdrawal after the secularization program of the 1930s and 1940s had crushed revolt. The adherents of the Nur movement and the Sufi orders in general consider that societal change will be enabled if individuals are redeemed. Negative feelings such as anger and shame should be controlled through inner mobilization. Said Nursî's textually-based Nurcu movement evolved from the Sufi orders.
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This is the document editor's ability to textually analyze the contents of a document. Although there are many analyses that can be performed, spell check and hyphenation-formatting are the focus. Problems and Constraints #Allow for multiple ways to check spelling and identify places for hyphenation #Allow for expansion for future analysis (e.g., word count, grammar check) #Be able to iterate through a text's contents without access to the text's actual structure (e.g.
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Usually the colophon is abbreviated in subsequent mentions in the same manuscript. The texts of the manuscripts that share the colophon are not necessarily textually related (though a surprising number belong to Group Λ (039), 164, 262, and perhaps some of the many manuscripts Wisse does not classify). In many cases the colophon was copied down from document to document independent of the text. The majority of these manuscripts are representative of the Byzantine text-type.
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The Greek text of this codex is a representative of the Byzantine text-type. Aland placed it in Category V. It is close textually to the codices 024, 026, 027, 047, 0130, 4, 251, 273, 440, 472, 485, 495, 660, 716, 1047, 1093, 1170, 1229, 1242, 1295, 1355, 1365, 1396, 1515, 1604. Hermann von Soden designated this group by I'. According to the Claremont Profile Method it represents textual family Kx in Luke 1, Luke 10, and Luke 20.
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According to research, there are no further copies in other public libraries in Chile. These few remaining copies allowed the posthumous reprinting of the collection, by the Chilean poet and essayist Pedro Lastra, who textually transcribed the work in 1959, when photocopiers were yet to exist. The first reissue took place in 1996, in the collection Between Seas by Chilean publishers LOM Ediciones. This seventy page reprint was prepared by Lastra, who included a graphic appendix and additional epilogues.
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At the start of this discussion, NWICO got associated with the United Nations Education, Scientific and Cultural Organization (UNESCO) starting from the early 1970s. Mass media concerns began with the meeting of non-aligned nations in Algiers, 1973; again in Tunis 1976, and later in 1976 at the New Delhi Ministerial Conference of Non-Aligned Nations. The 'new order' plan was textually formulated by Tunisia's Information Minister Mustapha Masmoudi. Masmoudi submitted working paper No. 31 to the MacBride Commission.
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5 (accessible for free online at the journal's website ). The brochure (Olimpiade, Rome, Proia, 1937), with the cast list, is cited at Italianopera.org. It reveals that, as might be expected, there was no question of a textually accurate version: the roles of the two male protagonists, for example, were probably transposed an octave downwards and were performed by tenors, while the tenor role of Clistene was evidently also transposed and was sung by the bass Luciano Neroni.
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The East Syriac recension contains: "And in the Holy Spirit" while the West Syriac recension contains: "And we confess the living and Holy Spirit, the living Paraclete, who is from the Father and the Son". There has long been controversy among scholars about the relation between the two texts. The development of the Persian creed is difficult to trace, since there were several recensions prior to 410. The first recension is textually closer to the original Nicene Creed.
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Minuscule 543 in the Gregory-Aland numbering (ε 257 in Soden's numbering and labelled 556 by Scrivener) is a Greek minuscule manuscript of the New Testament, on parchment. Palaeographically it has been assigned to the 12th century. The manuscript contains text of the four Gospels with unusual grammar forms and numerous errors. Textually it does not belong to any of the main text-types, and is a member of the textual family Family 13, known also as Ferrar Group.
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Captions can give voice to a narrator, convey characters' dialogue or thoughts, or indicate place or time. Speech balloons themselves are strongly associated with comics, such that the addition of one to an image is sufficient to turn the image into comics. Sound effects mimic non-vocal sounds textually using onomatopoeia sound-words. Cartooning is most frequently used in making comics, traditionally using ink (especially India ink) with dip pens or ink brushes; mixed media and digital technology have become common.
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In the Supreme Court, a new group of justices had been appointed since the filing of the case. The most significant new member was Justice Lewis Powell, who proved to be the swing vote in the Rodriguez case. Powell led the narrow majority in deciding that the right to be educated (as a child of school age or an uneducated adult), was neither 'explicitly or implicitly' textually found anywhere in the U.S. Constitution. It was therefore, not anywhere protected by the Constitution.
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Detour was republished in 1991 by Begos & Rosenberg, with a 1991 copyright, and no indication of any earlier edition, yet textually identical with the 1977 edition. Detour was republished in 2003 by Del Sol Press, in an expanded, rewritten edition. Detour was announced to be published in a German translation as Umwege by Suhrkamp Verlag but never actually appeared and Suhrkamp at present refuses to let either Brodsky or his original editor Michael Roloff, co-publisher at Urizen Books, know what transpired.
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The Greek text of the codex is a representative of the Byzantine text-type. Hermann von Soden classified it as Iota text. Kurt Aland placed it in Category V. According to the Claremont Profile Method it belongs to the textual group 22a. It belongs to subgroup 35. It is close textually to the codices: Tischendorfianus IV, Guelferbytanus A, Guelferbytanus B, Nitriensis, 047, 0130, 4, 251, 273, 440, 472, 485, 495, 716, 1047, 1093, 1170, 1229, 1242, 1295, 1355, 1365, 1396, 1515, 1604.
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The Greek text of the codex is a representative of the Alexandrian text-type, but the Byzantine element is very strong. Aland assigned it to Category II in Catholic epistles, and to Category III elsewhere. Textually it is very close to the codex 322, as a sister manuscript. It is a member of the textual family 1739. In Acts 8:37 it has an additional verse together with the manuscripts Codex Laudianus, 453, 945, 1739, 1891, 2818 (formerly 36a), and several others.
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Several members of the Neue Rechte also refer to theorists like Georges Sorel, Vilfredo Pareto, Robert Michels, Julius Evola, and José Antonio Primo de Rivera seen as fascist pioneers. Some even base themselves on Marxist philosophers like Antonio Gramsci and his ideas of cultural hegemony. Textually, the Neue Rechte challenges the principles of the Enlightenment, such as pluralism and social equality underlying the doctrine of human rights. Racist elements are superseded by the concept of ethnopluralism, combining both neoconservative and far-right approaches.
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Pope's translation of Homer's Iliad and Odyssey was not an attempt to make the works available to an Augustan audience, but rather to make a new work occupying a middle ground between Homer and Pope. The translation had to be textually accurate, but it was intended to be a Pope translation, with felicity of phrase and neatness of rhyme from Pope. Additionally, Pope would "versify" John Donne, although his work was widely available. The changes Pope makes are the content, the commentary.
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Sima is an official post from ancient China that first appears in texts dating from the Western Zhou dynasty and continued to be used during the Spring and Autumn period and Warring States period. Translated literally, it means "administrator of the horses." Owing to the fact that the power and responsibilities associated with the office changed somewhat throughout Chinese history, a variety of English translations for the term have been suggested. The textually closest equivalent is Master of the Horse.
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It has been claimed that new information in the discourse is accented while given information is not. Generally, the properties of new and given are referred to as a word's discourse status. Definitions of new and given vary. Halliday defines given as "anaphorically" recoverable, while new is defined to be "textually and situationally non- derivable information". To illustrate this point, consider the following discourse in (12) and (13): (12) Why don’t you have some French TOAST? (13) I’ve forgotten how to MAKE French toast.
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Most Emacs key sequences remain functional in any buffer. For example, the standard Ctrl-s `isearch` function can be used to search filenames in dired buffers, and the file list can be saved to a text file just as any other buffer. dired buffers can be switched to a writable mode, in which filenames and attributes can be edited textually; when the buffer is saved, the changes are written to the filesystem. This allows multiple files to be renamed using the search and replace features of Emacs.
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The plot of the short story "Fat and Thin" in its original version was based on an anecdote, and the conflict between the characters arose accidentally, due to the involuntary oversight of the "Thin". The 1886 edition, being in general textually close to the previous edition of 1883, changed the meaning of the story. The motive of official subordination was eliminated: the "Thin" now grovels before the "Fat" without any practical need, "reflexively". The story also received a much greater satirical sharpness and generality.
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The Greek text of the codex is a representative of the Byzantine text- type (except Pauline epistles). Hermann von Soden classified it to the textual family Kx. Aland placed it in Category V (except Paul). The text of the Pauline epistles Aland placed in Category III. According to the Claremont Profile Method it represents textual group 16 in Luke 1, Luke 10, and Luke 20. The text of the Gospels textually is close to the manuscripts 16, 119, 217, 491, 578, 693, 1528, and 1588.
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Lady Akashi who lived on the Akashi coast before meeting Genji), or from the name of their residence (e.g. Lady Rokujō, whose mansion is on the Sixth Avenue, rokujō, or Fujitsubo, literally wisteria pavilion, the part of the Imperial Palace where this particular lady resided). Out of the two most recent translations into English, Seidensticker’s tends to systematically employ the same names (e.g. Genji, Murasaki, Akashi, Utsusemi, etc.), whereas Tyler’s, a more textually accurate translation, tends to change sometimes characters’ appellation with every chapter.
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ISO International Standard 10303-11:1994, Industrial automation systems and integration — Product data representation andexchange — Part 11: Description methods: The EXPRESS language reference manual, International Organization for Standardization, Geneva, Switzerland (1994). An EXPRESS data model can be defined in two ways, textually and graphically. For formal verification and as input for tools such as SDAI the textual representation within an ASCII file is the most important one. The graphical representation on the other hand is often more suitable for human use such as explanation and tutorials.
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Carruthers's studies of memory suggest that the images and pictures employed in the medieval arts of memory were not representational in the sense we today understand that term. Rather, images were understood to function "textually", as a type of 'writing', and not as something different from it in kind.Carruthers 1990, p. 222 If such an assessment is correct, it suggests that the use of text to recollect memories was, for medieval practitioners, merely a variant of techniques employing notae, images and other non-textual devices.
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What made the text a forgery was that it was carefully manufactured in the style of a medieval codex, when it was in fact a very recent creation, no older than the late 19th century. What originally made scholars so suspicious was that it was textually the closest known manuscript – in fact, virtually identical – to Codex Vaticanus, but of a much later date. Furthermore, Greek codices of a single gospel are extremely unusual, further contributing to the suspicion that it was made as a souvenir.
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The combination of these physical aspects and some of the spells found textually lead to the understanding of Middle Kingdom rituals surrounding birth. The complex at South Abydos shows the complexity of the cultural changes happening that define the Middle Kingdom. As a Middle Kingdom government-built town, Wah-Sut was laid orthogonally on the cubit system. Both the town and the Mortuary Temple were made of the same mud-bricks, which shows that they were built at the same time and created for each other.
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Leiden, The Netherlands: Brill. .Marty Crump, Livros no Google Play Eye of Newt and Toe of Frog, Adder's Fork and Lizard's Leg: The Lore and Mythology of Amphibians and Reptiles, University of Chicago Press, 16 November 2015 in the case of the latter at least a crocodile features prominently as an ancestor deity.An Athenæum article makes a claim of a specific crocodile deity named textually as "Jacaret", but less biased sources do not mention this theonym in any capacity. Crocodiles appear in different forms in Hinduism.
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Close analysis of these illuminations reveals a gradual transformation from the conventional and textually unrelated images that were common at the time and that are found at the beginning of the manuscript (the famous frontispiece is an exception, having been added later) to largely unique and textually based ones further on. This indicates a change in attitude toward the illuminated initial on the part of the artist only after production had begun, something that was not part of the original conception. More specifically, after initially illuminating this patristic work in a conventional and unexceptional manner in the illuminations in the beginning of the book, the artist gradually began to internalize the exegetical principals laid out by Gregory in the Letter to Leander (that is part of the prefatory matter of the book), in particular, Gregory's demand that one "become" what one reads. In the same way that Gregory found it acceptable to analyze a line or even a word of text out of context, according to modern sensibilities, so the artist was quite willing to do the same, often with reference to the contemporary monastic polemics of reform.
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Reviews have appeared in Notre Dame Philosophical Reviews, The Indian Express, and Reading Religion. In Notre Dame Philosophical Reviews, Samta Pandya of the Tata Institute of Social Sciences described Infinite Paths as "combin[ing] detailed exegesis with cross-cultural philosophical investigation". and as having "a broad interdisciplinary appeal... a good reference for scholars of religious studies, Hindu studies, and comparative theology". In The Indian Express, Pratap Bhanu Mehta, Vice-Chancellor of Ashoka University, characterized Infinite Paths as "a pathbreaking work... philosophically astute, textually scrupulous, and [an] imaginatively subtle reconstruction of Ramakrishna Paramhansa's teachings".
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Front cover of the book's second edition. Englische Schulredensarten für den Sprachenunterricht (English locutions for the teaching of languages) is a book by German scholar Armin Rückoldt, published in Leipzig in 1909. The book consists of 1027 commonly used phrases in schools in both English and German. According to the author, the phrases are not meant to be memorized, textually quoted or asked in interrogations, but rather to be employed naturally and dynamically, adapting to the different situations and conditions; and thus the command of the language is to be attained fluidly.
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John Ford's much-lauded 1939 film Stagecoach was filmed in Monument Valley on the Arizona-Utah border, but textually set in southern Arizona and southern New Mexico. The vegetation and topography of Monument Valley and the lower- altitude deserts are vastly different, rendering the film's actual location notably anatopic. The Polish writer Bolesław Prus, for the sake of making a point, introduces into chapter 63 of his historical novel Pharaoh, set in the ancient Egypt of 1087–1085 BCE, a substance that behaves like gunpowder.Bolesław Prus, Pharaoh, pp. 579-81.
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The Collectio Monastica ("Monastic Collection") is an Ethiopic book that includes some original sayings of the Desert Fathers and which is textually independent of the better-known Apophthegmata Patrum (Sayings of the Desert Fathers). It was first published by Victor Arras in 1963, based on two separate manuscripts that were likely based on Greek language or Coptic sources. The collection consists of sixty-eight chapters of widely different lengths. Included in the book are collections of Desert Father sayings, most of which have no parallel in the Apophthegmata Patrum.
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Objects are stateful—they may have states, such that at each point in time, the object is at one of its states or in transition between states. A process is a thing that transforms an object by creating or consuming it, or by changing its state. OPM is bimodal; it is expressed both visually/graphically in Object-Process Diagrams (OPD) and verbally/textually in Object-Process Language (OPL), a set of automatically generated sentences in a subset of English. A patented software package called OPCAT, for generating OPD and OPL, is freely available.
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The Editorial Institute at Boston University was founded in 2000 by Christopher Ricks and Geoffrey Hill with "the conviction that the textually sound, contextually annotated edition is central to the intellectual life of many disciplines."from the website www.bu.edu/editinst The primary aims of the Institute are to promote critical awareness of editorial issues and practices and to train students in editorial methods. The Institute is co-directed by the literary editors and critics Archie Burnett and Christopher Ricks; Frances Whistler was the Assistant Director and Director of Publications until her departure.
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Its status was such, that the Mordechai is one of the sources of the Shulchan Aruch of Joseph Caro. In Italy and Poland, where the Mordechai was especially studied, a whole Mordechai literature came into existence. The Mordechai, although linked textually with the Halakhot of Rabbi Isaac Alfasi, is, in fact, an independent work. The connection with Alfasi is an external one: single sentences, sometimes even single words, of the Halakhot serve as "catchwords" introducing the relevant material found in the Jerusalem Talmud, the tosafot, as well as other codices and compendiums.
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VI Proceedings. University of London King's College, 1909, pp. 42–43.Ann Christys, Vikings in the South (London: Bloomsbury, 2015), pp. 86-87. He recounts further raids in Al-Andalus, in a series of annalistic asides to narratives of events in Córdoba, for 971-72; these records chime with a note in the textually related, and not necessarily reliable, Anales Complutenses and the first group of the Anales Toledanos saying that Vikings attacked Campos (believed to refer to either Santiago or to the Campos Goticos in the province of Leon) in 970.
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Furthermore, because the word try was originally understood to include factfinding committees, there was a textually demonstrable commitment to give broad discretion to the Senate in impeachments. Furthermore the Framers believed that representatives of the people should try impeachments, and the Court was too small to justly try impeachments. Also, the judicial branch is "checked" by impeachments, so judicial involvement in impeachments might violate the doctrine of the separation of powers. The Court further ruled that involving the judiciary would prevent finality without clear remedy and bias post-impeachment criminal or civil prosecutions, which the Constitution explicitly allows.
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Primarily an Arawakan language, it has influences from Caribbean and European languages. Archaeologists have deciphered over 15 pre-Columbian distinct writing systems from mesoamerican societies. the ancient Maya had the most sophisticated textually written language, but since texts were largely confined to the religious and administrative elite, traditions were passed down orally. oral traditions also prevailed in other major indigenous groups including, but not limited to the Aztecs and other Nahuatl speakers, Quechua and Aymara of the Andean regions, the Quiché of Central America, the Tupi- Guaraní in today's Brazil, the Guaraní in Paraguay and the Mapuche in Chile.
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In 1941, Mikael Fokine's final choreography consisted of a ballet reworking by Antal Doráti, staged in Mexico. In the period up to 1963 the work was much neglected until the Komische Oper production that year; the Berlin production was directed by Walter Felsenstein and continued for many years in the repertoire of the house as well as being filmed and toured. In 1971 the Théâtre de Paris presented the piece in a disfigured edition, musically and textually, with Jean Le Poulain playing both Bobèche and Popolani. Productions were mounted in Geneva in 1984 and in Strasbourg in 1996.
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Initially working in her theatre, she produced, wrote and starred in a tour of Abby & June, a two-person play about travel and identity. She also produced and acted in Mr. Kolpert, a black comedy about suburban alienation. As a theatre director, she assistant-directed The Revenger's Tragedy (Off-Broadway), and has frequently collaborated with director Elena Araoz to create visually stimulating and textually rich work that has graced stages across the country. Moving to Los Angeles, she has worked extensively as an actress in TV series, including 90210, Dirty Sexy Money and Law and Order: Criminal Intent.
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Sotomayor reasoned that the majority ignored ICWA's logical structure and adopted a "textually backward reading" by starting its analysis with the final clause of § 1912(f). Sotomayor stated that "continued custody" in § 1912(f) is "most sensibly read to refer generally to the continuation of the parent-child relationship that an ICWA "parent" has with his or her child." She also stated that even a non- custodial father-child relationship was a "family" for the purposes of § 1912(d) and therefore efforts needed to be made to prevent its breakup. She stated that the majority turned the law "upside down"Holland.
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Phantoms was met with limited critical acclaim. AbsolutePunk wrote: "It’s not often that bands can create pop-oriented music that has lasting value, but Acceptance has managed to do it with Phantoms. Outstanding vocals and truly talented songwriting sets this band apart from everybody else." In 2016, Johnny Loftus from AllMusic revisited Phantoms and doubled his initial review score from two out of five stars to four out of five stars, saying that "Phantoms is slick and melodic, drawing its tension from the careful multi-tracking of Jason Vena's vocals and layers of guitars," but leaving the review textually unchanged.
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The first maxi single extracted from this album was "Pisa el acelerador" (Step on the accelerator), a song in which Sabina vindicated his philosophy of life; to live to the limit without taking into account what others say. Such is the theme of the second single, entitled "Eh, Sabina!!" (Hey Sabina!!) ,in which the singer textually says that he won't pay attention to anyone who tells him to be careful with his lifestyle. The following single was the song "Telespañolito" (TV little Spaniard) a song that talked about the TV and entertainment programmes during the 1980's in Spain.
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As Theodor has shown in his Die Midraschim zum Pentateuch, in Monatsschrift, 1886, pp. 559 et seq. Given that the structure of the homilies and the composition of the whole work, lend to Devarim Rabbah the appearance of a Tanhuma Midrash, it is not strange that passages from Tanhuma are quoted, in some citations of earlier authors (in the 13th century and later), as belonging to Tanḥuma. Textually, Devarim Rabbah has little in common with the Tanḥuma Midrashim on Deuteronomy, either in the editions or in the extracts from Tanḥuma in Yalkut Shimoni or from Yelamdenu in Yalkut Shimoni and Arukh.
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Internationally, his fame arises chiefly from his extensive body of choral music, which exceeds 500 individual choral songs, most of it a cappella. The great majority of these pieces are based on traditional ancient Estonian folksongs (regilaulud), either textually, melodically, or merely stylistically. His composition most often performed outside Estonia, Curse Upon Iron (Raua needmine) (1972), invokes ancient Shamanistic traditions to construct an allegory about the evils of war. Some of his works were banned by the Soviet government, but because folk music was fundamental to his style most of his compositions were accepted by the censors.
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Canticum Sacrum is in five movements (or sections, since they are all attacca), plus an introductory dedication (which is set apart textually, structurally and stylistically, from the rest of the piece). The work is cyclical and chiastic: the fifth movement is an almost exact retrograde of the first. Movements two and four are also related through their use of solo voice, and the central third movement (by far the longest) has an internal ABA structure. The movements' lengths are 36, 48, 156, 57, and 39 bars respectively (movement five adds three bars to the retrograde for a final amen).
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The annals for 785–803 were compiled independently and not necessarily at Lorsch. This original stem—the Lorsch Annals of 785—from which all three annalistic traditions diverge after 785 was probably composed at the Abbey of Lorsch. Textually it is related to the Annales nazariani, Annales guelferbytani, and Annales alamannici, all depending on the earlier, hypothetical "Murbach Annals", composed at Murbach Abbey (founded 727) and covering the years up to 751. Since the Lorsch annals of 785 were based on an erroneous copy of these Murbach annals, events in the 750s are consistently mis-dated.
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Laojun xishengjing 老君西昇經 "Lord Lao's Scripture of Western Ascension" includes the supposed author's honorific name. Xishengji 西升記 "Record of Western Ascension" uses the usual Chinese character sheng 升 "rise; hoist; ascend" instead of its variant sheng 昇 (with 日 "sun" above) and replaces jing "classic" with ji "record; remember; note". The Xishengjing is textually affiliated with the Huahujing "Classic on Converting the Barbarians", which purportedly records Laozi's travels into India where he founded Buddhism. Chinese Buddhists strongly debated this claim that Laozi became Gautama Buddha and argued that both texts were forgeries.
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A few titles stand out, both musically and textually, but his words do not always live up to its claims. Overall, "À la poursuite du bonheur" is guaranteed to have a good time." Paula Haddah from "Music Story" also gave to the album 3 out of 5 stars, writing: "This album even if it is more consistent than his previous, but it still contains many tracks that truism was called ("Cours", "Mourir ce Soir", "Le temps qu’il faut". The rest consists of securities dancefloor calibrated for the stage, where the artist is expected ("Danse sur ma Musique", "Encore + fort", "Mes rêveurs").
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A number of studies have attributed to Wilkins a share in Shakespeare's Pericles, Prince of Tyre (which does not appear in Shakespeare's First Folio, but was published only in a textually corrupt quarto). This may have been collaboration, or perhaps Wilkins was the original author of Pericles and Shakespeare remodelled it, or vice versa. However it may be, Wilkins published in 1608 a novel entitled The Painful Adventures of Pericles, Prynce of Tyre, described as "the true history of Pericles as it was lately presented by ... John Gower" (who serves as narrator in the play). This follows the play very closely.
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Oxford: Oxford University Press 2001. The verse preceding the line mentioning the navel (Song of Songs 7:1) states, "your rounded thighs are like jewels, the work of a master hand", ) and the verse following states, "Your belly is a heap of wheat." Thus the treatment of the navel appears placed textually in between the description of the curves of a woman through thigh and the stomach or midriff. "Belly" also suggests the womb, and the combination of the imagery of the womb with that of wheat suggests the link between eroticism and fertility through the imagery of the navel and curvaceous thighs.
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The Infernal Devices is the second set of books to be published. Set in 1878 in Victorian era London, it revolves around Tessa Gray, a teenager who comes to London following her brother's invitation but ends up thrust into the Shadow World upon learning she is not a mundane but, rather, a warlock variant, warlocks being half-human and half-demon. Tessa is unique even among warlocks, as she is the only known case of having Nephilim heritage. The Nephilim, here textually often referred to as Shadowhunters, are blessed with the blood of the angel, thus making Tessa a fourth seraphic.
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The Libro de juegos can be divided into three parts: the games and problems it explores textually, the actual illuminations themselves, and the metaphysical allegories, where an analysis of the texts and illuminations reveals the movements of the macrocosmos of the universe and the microcosmos of man.Golladay, "Los Libros de Acedrex Dados E Tablas: Historical, Artistic and Metaphysical Dimensions of Alfonso X’s Book of Games," 1222. The symbolism within the medieval illuminations, as explained by the accompanying texts, reveal allusions to medieval literature, art, science, law and philosophy.Golladay, "Los Libros de Acedrex Dados E Tablas: Historical, Artistic and Metaphysical Dimensions of Alfonso X’s Book of Games," 1225.
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Notwithstanding its offensive title, "Nigger Blues" is important for being one of the first songs labeled "blues" to be published. George O'Connor had recorded it in 1916 for Columbia." Copyrighted by the Texas-born White in 1912, it was first titled "Negro Blues", but for some reason when White published it in 1913, he retitled it.Monge, "New Songs of Blind Lemon Jefferson", p. 19: "In fact, in addition to its textual relationship in the first stanza to 'Michigan Water Blues,' Jefferson’s 'Light House Blues' is related textually and musically to an even older song, 'The Negro Blues'/'Nigger Blues' by Leroy 'Lasses' White of Dallas.
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Ames made no pretence to literary merit, and his position in the Society of Antiquaries generated a degree of antagonism. Edward Rowe Mores described him as ‘an arrant blunderer’ and accused him, with justification, of tearing out the title-pages of rare books in his collection. Among the works he is thought to have thus mutilated is the British Library copy of William Tyndale's 1526 New Testament, one of only two textually complete copies known. Francis Grose said that the history of printing published under his name actually was written by John Ward of Gresham College, though the materials probably were collected by Ames.
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The imagery of Alice, both textually and graphically, lent itself well to the psychedelia of the late 1960s.Thomas Fensch (1968) "Alice – the First Acidhead" in Aspects of Alice, op,cit. In America, this was apparent in, among other ways, the "Alice happening" in Central Park, New York (1968) when naked participants covered themselves in polka dotsWaldemar Januszczak in Sunday Times Culture, 27 November 2011 and the lyrics to Grace Slick's song "White Rabbit" (1966) – "One pill makes you larger/And one pill makes you small" – that she performed with both the Great Society and Jefferson Airplane, including with the latter at Woodstock in 1969.
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Pope's edition of Shakespeare claimed to be textually perfect (although it was corrupt), but his desire to adapt led him to injudicious attempts at "smoothing" and "cleaning" Shakespeare's lines. In satire, Pope achieved two of the greatest poetic satires of all time in the Augustan period, and both arose from the imitative and adaptive demands of parody. The Rape of the Lock (1712 and 1714) was a gentle mock-heroic, but it was built upon Virgil's Aeneid. Pope applied Virgil's heroic and epic structure to the story of a young woman (Arabella Fermor) having a lock of hair snipped by an amorous baron (Lord Petre).
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Buffy episodes often include a deeper meaning or metaphor as well. Whedon explained, "We think very carefully about what we're trying to say emotionally, politically, and even philosophically while we're writing it... it really is, apart from being a pop-culture phenomenon, something that is deeply layered textually episode by episode."Shuttleworth, Ian, Financial Times, citing interview from The New York Times (September 11, 2003) Academics Wilcox and Lavery provide examples of how a few episodes deal with real life issues turned into supernatural metaphors: The love affair between the vampire Angel and Buffy was fraught with metaphors. For example, their night of passion cost the vampire his soul.
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Each "mega-recension" contains a major post-conciliar apocalypse that refers to the later Roman and Byzantine emperors, and each contains a major apocalypse that refers to the Arab caliphs. Of even further interest is that some manuscripts, such as the Vatican Arabo manuscript used in the aforementioned collation, contains no less than three presentations of the same minor apocalypse, about the size of the existing Apocalypse of John, having a great deal of thematic overlap, yet quite distinct textually. Textual overlaps exist between the material common to certain Messianic-apocalyptic material in the Mingana and Grebaut manuscripts, and material published by Ismail Poonawalla.Poonawalla, "Shi'ite Apocalyptic" in M. Eliade, ed.
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An illustrator is an artist who specializes in enhancing writing or elucidating concepts by providing a visual representation that corresponds to the content of the associated text or idea. The illustration may be intended to clarify complicated concepts or objects that are difficult to describe textually, which is the reason illustrations are often found in children's books. Illustration is the art of making images that work with something and add to it without needing direct attention and without distracting from what they illustrate. The other thing is the focus of the attention, and the illustration's role is to add personality and character without competing with that other thing.
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De Camp was offered the role but he recommended Glenn Lord instead. Lord began as a fan of Howard and had re-discovered many unpublished pieces that would otherwise have been lost, printing them in books such as Always Comes Evening (1957) and his own magazine The Howard Collector (1961–1973). He became responsible for the non-Conan works and later restored, textually-pure versions of the Conan stories themselves. In 1966, de Camp made a deal with Lancer Books to republish the Conan series, which led to the "First Howard Boom" of the 1970s; their popularity was enhanced by the cover artwork of Frank Frazetta on most of the volumes.
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On January 1, 1808, the first day it was permitted to do so, Congress approved legislation prohibiting the importation of slaves into the country. On February 3, 1913, with ratification of the Sixteenth Amendment, Congress gained the authority to levy an income tax without apportioning it among the states or basing it on the United States Census. The third textually entrenched provision is Article One, Section 3, Clauses 1, which provides for equal representation of the states in the Senate. The shield protecting this clause from the amendment process ("no state, without its consent, shall be deprived of its equal Suffrage in the Senate") is less absolute but it is permanent.
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Kali is first mentioned in Hinduism as a distinct goddess around 3000 BC. Chronologically then, Kaalratri (described textually in the Mahabharata, dated 3137 BC - 3067 BC) predates but most likely, informs, present representations of Kali. Kaalratri is traditionally worshipped during the nine nights of Navratri celebrations.The Seventh form of Durga The seventh day of Navratri pooja (Hindu prayer ritual) in particular is dedicated to her and she is considered the fiercest form of the Mother Goddess, her appearance itself invoking fear. This form of Goddess is believed to be the destroyer of all demon entities, ghosts, evil spirits and negative energies, who flee upon knowing of her arrival.
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An analysis made by researchers Isabela Merilă and Michaela Praisler found that, in contrast to Evenimentul Zilei, Adevărul had a socially conservative bias in reporting on the rise of Romanian hip hop, which it related to negative social phenomena (violence, drug use), and against which it favored a degree of censorship.Isabela Merilă, Michaela Praisler, "Textually Constructing Identity and Otherness: Mediating the Romanian Hip-Hop Message", in George McKay, Christopher Williams (eds.), Subcultures and New Religious Movements in Russia and East-Central Europe, Peter Lang AG, Bern, 2009, p.115, 120-123. Colecția Adevărul, the post-2008 book collection issued with the newspaper, has itself been at the center of a controversy.
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The Greek text of the codex is a representative of the Byzantine text-type. Aland placed it in Category V. According to the Claremont Profile Method it belongs to the textual cluster 16. It creates pair with 578 in Luke 1 and Luke 10. Textually it is close to the manuscripts 16, 119, 330, 491, 578, 693, 1528, and 1588. They create Group 16 with following profile: : Luke 1: 8, (9), 13, 23, 28, 34, 37, 43. : Luke 10: 3, 7, 15, 19, 23, (25), 58, 63. : Luke 20: 4, 13, 19, 50, 51, 54, 55, 62, 65. Codex 217 forms a pair with codex 578 in Luke 1 and 10.
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Kashiram Das or Kāśīrām Dās (, ; born 16th century) is an important poet in medieval Bengali literature. His Bengali re-telling of the Mahābhārata, known as Kāśīdāsī Môhābhārôt, is a popular and influential version of the Mahābhārata legend in Bengal. Although the entire work is intra-textually ascribed to him, most scholars agree that he composed only the first four of the eighteen books (parvas). As with the Rāmāyaṇa of Kṛttibās Ojhā, Kāśīrām freely removed elements and added other legends to the story. Dās is not a last name and is a title meaning ‘servant’ in the Vaiṣṇava tradition; the name is also written as Kashiramdas ().
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Under the International Humanitarian Law (aka the rules of armed conflict) combatants may be classified in one of two categories: privileged or unprivileged. In that sense, privileged means the retainment of prisoner of war status and impunity for the conduct prior to capture. Thus, combatants that have violated certain terms of the IHL may lose their status and become unprivileged combatants either ipso iure (merely by having committed the act) or by decision of a competent court or tribunal. It is important to note that in the relevant treaties, the distinction between privileged and unprivileged is not made textually; international law uses the term combatant exclusively in the sense of what is here termed "privileged combatant".
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Folio 163, the first page of John The Greek text of the codex is a representative of the Byzantine text-type. Hermann von Soden classified it to the textual family Kr. Kurt Aland placed it in Category V. According to the Claremont Profile Method it represents the textual family Family Kr in Luke 1, Luke 10, and Luke 20 as perfect member of the family. Textually it is close to the codex 201. In some cases it supports readings of the codices Vaticanus, Ephraemi Rescriptus, Bezae, Cyprius, and Regius. It has several unique readings in Matthew 6:1; 9:5; 20:29; 26:65; Luke 1:11; 16:3; 17:6; John 14:30.
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Shakespeare continued to be considered the greatest English writer of all time throughout the 20th century. Most Western educational systems required the textual study of two or more of Shakespeare's plays, and both amateur and professional stagings of Shakespeare were commonplace. It was the proliferation of high-quality, well-annotated texts and the unrivalled reputation of Shakespeare that allowed for stagings of Shakespeare's plays to remain textually faithful, but with an extraordinary variety in setting, stage direction, and costuming. Institutions such as the Folger Shakespeare Library in the United States worked to ensure constant, serious study of Shakespearean texts and the Royal Shakespeare Company in the United Kingdom worked to maintain a yearly staging of at least two plays.
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As an emerging field, its definition and limits are the subject of ongoing debate. John Hall's lecture Thirteen Ways of Talking about Performance Writing, explores definition as a process, using playful and precise language to establish the complexity of reflexive descriptions: a performance of writing about writing as such. At the symposium launching the field, Performance Writing was described by Caroline Bergvall as exploring "relationships between textual and text-based work when developed in conjunction with other media and discourses.", and opening "the investigation of formal and ideological strategies which writers and artists develop textually in response or in reaction to their own time and their own fields"Caroline Bergvall, Keynote Paper for Performance Writing Symposium, Dartington, U.K. 1996.
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Published alongside the Annales laureshamenses in the same volume, pp. 19–39. For the years up to 785, the Fragmentum is textually almost identical with the Annales laureshamenses (AL) and the Annales mosellani (AM). With a manuscript of the former (from Sankt-Paul) it shares an identical entry for the first half of the year 786. This indicates the existence of a stem text from which all three sets of annals derive (the "Lorsch Annals of 785") and the existence of a brief continuation of this text that was not used by the compiler of the AM but which bequeathed a short entry for 786 to both the Fragmentum and the AL, which diverge completely after that.
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Haakon quickly lost all support, and was killed by his own slave and friend, Tormod Kark, while hiding in the pig sty in the farm Rimul in Melhus. Jarlshola is the location in Melhus thought to have been the hiding place of Haakon Jarl and Tormod Kark on their last night before the infamous murder at Rimul. After his death, Haakon Jarl's two sons Eirik Håkonson and Sveinn Hákonarson, fled for protection to the king of Sweden, Olof Skötkonung. A number of (textually related) sources also recount Earl Haakon's predilection for raping women, whether the daughters of nobles or of commoners.See John McKinnell, ‘On Heiðr’, Saga-Book of the Viking Society, 25 (2001), 394-417, www.
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A Unix time number can be represented in any form capable of representing numbers. In some applications the number is simply represented textually as a string of decimal digits, raising only trivial additional problems. However, certain binary representations of Unix times are particularly significant. The Unix `time_t` data type that represents a point in time is, on many platforms, a signed integer, traditionally of 32bits (but see below), directly encoding the Unix time number as described in the preceding section. Being 32 bits means that it covers a range of about 136 years in total. The minimum representable date is Friday 1901-12-13, and the maximum representable date is Tuesday 2038-01-19.
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Article I, section 5, of the U.S. Constitution states that "Each house shall be the judge of the... qualifications of its own members," but then immediately states that each House has the authority to expel a member "with the Concurrence of two thirds." The Court found that it had a "textually demonstrable commitment" to interpret the clause, which, in this case, the Court did. The Court's interpretation was that the subject clause meant that the process that led to the expulsion of a member, duly sworn and enrolled upon the body's rolls, was the only method for a House to give effect to its power to determine the qualifications of its members.
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De Camp was offered the role but he recommended Glenn Lord instead. Lord began as a fan of Howard and had re- discovered many unpublished pieces that would otherwise have been lost, printing them in books such as Always Comes Evening (1957) and his own magazine The Howard Collector (1961–1973). He became responsible for the non- Conan works and later restored, textually-pure versions of the Conan stories themselves. In 1966, De Camp made a deal with Lancer Books to republish the Conan series, which led to the "First Howard Boom" of the 1970s; many of his works were reprinted (some printed for the first time) and they expanded into other media such as comic books and films.
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Despite several injuries that plagued Galarraga throughout his career, he was a very popular player both for his achievements on the field, and for his big and bright smile. He was nicknamed The Big Cat (textually translated from English as El Gran Gato, although his nickname in his native Venezuela was El Gato) for his impressively quick reflexes and seamless defensive skills as a first baseman in spite of his large physical size. Galarraga was a five-time National League (NL) All-Star, won two NL Gold Glove Awards and two NL Silver Slugger Awards, and won two MLB Comeback Player of the Year Award, the second time after his successful return to baseball following cancer treatment.
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The liturgy now used in Syrian communities round the world is textually speaking Oriental-Sephardic. That is to say, it is based on the Spanish rite as varied by the customs of Isaac Luria, and resembles those in use in Greek, Turkish and North African Jewish communities. In earlier decades some communities and individuals used "Edot ha-Mizraḥ" prayer-books which contained a slightly different text, based on the Baghdadi rite, as these were more commonly available, leaving any specifically Syrian usages to be perpetuated by oral tradition. The nearest approach to a current official prayer book is entitled Kol Ya'akob, but many other editions exist and there is still disagreement on some textual variants.
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Textually, the article establishes that: The heads of delegations from left to right: Enrique Peña Nieto, François Hollande, Angela Merkel, Michelle Bachelet at the 2015 United Nations Climate Change Conference. Aside from these principles constitutionally recognized, the foreign policy has been based on some doctrines. The Estrada Doctrine as the most influential and representative instrument in this field, proclaimed in the early 1930s and strictly applied until 2000, claimed that foreign governments should not judge, positively or negatively, the governments or changes in government of other nations, in that such action would imply a breach to their sovereignty. This policy was said to be based on the principles of non-intervention, peaceful resolution of disputes and self- determination of all nations.
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Lewis's Christian apologetics, and this argument in particular, have been criticized. Philosopher John Beversluis described Lewis's arguments as "textually careless and theologically unreliable", and this particular argument as logically unsound and an example of a false dilemma. Theologian John Hick argues that New Testament scholars do not now support the view that Jesus claimed to be God. New Testament scholar N. T. Wright criticizes Lewis for failing to recognise the significance of Jesus' Jewish identity and setting – an oversight which "at best, drastically short- circuits the argument" and which lays Lewis open to criticism that his argument "doesn't work as history, and it backfires dangerously when historical critics question his reading of the gospels", although he believes this "doesn't undermine the eventual claim".
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The second act has an aleatory structure, in which the audience determines the course of the action by formal ballots at some points, and by vocal interjections at others. There are about seven hours of material in the thousand pages of the score, but only a selection can occur in any one version. Because of this intentionally variable structure, duration may vary considerably from one version to another, but stagings to date have been between three and three-and-a-half hours (; ). The fabric of the work, both textually and musically, is made from a vast network of musical and literary quotations, alluding to many earlier Faust-themed musical and literary works, and to past musical styles extending from Monteverdi to Boulez .
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The monologue given by Hercules in Book IX of the Metamorphoses is even more textually related to his previous appearances in tragic works. Whereas Medea and Hecuba spoke in a way that was based on their previous appearances but was fundamentally different in speech, Hercules' soliloquy is very thematically and rhetorically similar to the speech he gives in Sophocles' Women of Trachis. Hercules' speech in Sophocles' tragedy spans an extensive sixty plus lines and discusses not only his current condition after being poisoned by Deianira, but also details the twelve labors he has successfully completed prior to the poisoning and a variety of prayers to Zeus and Hades. The monologue given in Ovid's telling of the story is very similar in structure and content.
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Therefore, protecting labour rights through GATT Article XX is impossible, even if the production of the product may threaten human life. For example, the worst forms of child labour are a heinous practice which fall within the Article XX exception (b) yet children cannot be protected under this because it is their work conditions which are harmful, not the products themselves. In order to assist in removing constraints on states' ability to protect labour rights through GATT Article XX, the word 'necessary' should be replaced in Article XX(b) with 'relating to', as is used in GATT XX (c) and (g), or 'involving' as is the wording in (i). In the Korea- Beef case this was decided to be "more flexible textually", not requiring such stringent linkage.
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Cytter is best known for her textually based video art. Her narratives, although extremely fragmented, have a tendency to embody the post-modern self-awareness of the characters in her films. Through the development and execution of Cytter's unique style, she has found herself a niche in the art world which has brought her more and more critical attention and made her one of the most renowned artists of her generation."[citation needed]" After graduating from De ateliers in Amsterdam, Cytter made several works which went on to be shown internationally including The Date Series (2004, a series of short narratives written, filmed and produced in the period of one year), The Victim (2006), Repulsion (2005, based on Polanski's Repulsion), and The Milk Man (2003).
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Grossman's translation of Miguel de Cervantes's Don Quixote, published in 2003, is considered one of the finest English-language translations of the Spanish novel, by authors and critics including Carlos Fuentes and Harold Bloom, who called her "the Glenn Gould of translators, because she, too, articulates every note." However, the reaction from Cervantes scholars has been more critical. Tom Lathrop, himself a translator of Don Quixote, critiqued her translation in the journal of the Cervantes Society of America, saying: Both Lathrop and Daniel Eisenberg criticize her for a poor choice of Spanish edition as source, leading to inaccuracies; Eisenberg adds that "she is the most textually ignorant of the modern translators". She received the PEN/Ralph Manheim Medal for Translation in 2006.
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The really important issue is the production of democracy textually in government reports because government reports, in whatever field, urban planning or deviance or policing, must not be seen as biased in any particular way. It was the processes, procedures and practices – how to manage information that was coming into the report – that was important to me. Specifically, I was not interested in anything substantive. I was only interested in the practices of how one actually uses the structure of the text so that it would appear to be unquestionably democratic.” Commenting on his dissertation: “One of the interesting things I think most people don’t realize is that those kinds of ethnomethodological work can actually be used for social change.
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At Matins there are twelve Morning Prayers which the priest says with uncovered head while the reader says the Six Psalms (Psalms 3, 37, 62, 87, 102, 142). The priest says the first half of these prayers in front of the Holy Table (altar), and then after the third psalm, comes out to read the rest in front of the Holy Doors (or icon of Christ). Many of the Sacred Mysteries (sacraments) and other services in the Euchologion (priest's service book) also have secret prayers in them. Textually, the secret prayers are obviously intended to be said silently, often professing personal unworthiness on the part of the priest, and—though they are often written in the plural—they often contain references to the laity as distinct from the speaker(s), who are the clergy.
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The area was noted for its "great numbers of female votaries to Venus of all ranks and conditions", while another author distinguished Covent Garden as "the chief scene of action for promiscuous amours." The Scottish statistician Patrick Colquhoun estimated in 1806 that of Greater London's approximately 1,000,000 citizens, perhaps 50,000 women, across all walks of life, were engaged in some form of prostitution. Whether any of these women could confirm their addresses for publication in Harris's List is something that author Sophie Carter doubts. She views the annual as "primarily a work of erotica", calling it "nothing so much as a shopping list ... textually arrayed for the delectation of the male consumer", continuing "they [the women] await his intervention to institute an exchange", epitomising the traditional male role in pornography.
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The etymology of fetch is obscure and the origin of the term is unknown. It may derive from the verb "fetch"; the compound "fetch-life", evidently referring to a psychopomp who "fetches" the souls of the dying, is attested in Richard Stanyhurst's 1583 translation of the Aeneid and the first edition of the Oxford English Dictionary suggested this usage may indicate the origin of the term fetch. Accounts of the origin of fetch are complicated by a word faecce, found in two textually-related Old English glossaries, the Corpus Glossary and the First Cleopatra Glossary.Neville, pp. 106–107.Taylor, p. 106.Alaric Hall, 'The Evidence for Maran, the Anglo-Saxon "Nightmares"', Neophilologus, 91 (2007), 299–317 (pp. 301, 313), . Faecce could in theory be an Old English form of modern English fetch.
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Fairclough's line of study, also called textually oriented discourse analysis or TODA, to distinguish it from philosophical enquires not involving the use of linguistic methodology, is specially concerned with the mutual effects of formally linguistic textual properties, sociolinguistic speech genres, and formally sociological practices. The main thrust of his analysis is that, if —according to Foucauldian theory— practices are discursively shaped and enacted, the intrinsic properties of discourse, which are linguistically analysable, are to constitute a key element of their interpretation. He is thus interested in how social practices are discursively shaped, as well as the subsequent discursive effects of social practices. Language and Power (1989; now in a revised third edition 2014) explored the imbrications between language and social institutional practices and of "wider" political and social structures.
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Gippert is the founder and leader of the TITUS project (Thesaurus of Indo-European Texts and Languages)."The TITUS Project" Retrieved 2 March 2016 Its goal, since its foundation in 1987, has been the full digital accessibility of textually recorded material of various Indo-European and adjacent languages. In 1999, he started the ARMAZI project (Caucasian Languages and Cultures: Electronic Documentation),"The ARMAZI Project" Retrieved 2 March 2016 which aimed at a comprehensive collection of Caucasian languages material. This project yielded the Georgian National Corpus (GNC). Since 2010, Gippert has been the head of the center “Digital Humanities in the State of Hesse: Integrated Processing and Analysis of Text- based Corpora” within the unit of the “Federal Offensive for the Development of Scientific and Economic Excellence” (LOEWE (project)).
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The form common today of nine or eight odes was introduced by composers within the school of Andrew of Crete at Mar Saba. The nine odes of the kanon were dissimilar by their metrum. Consequently, an entire heirmos comprises nine independent melodies (eight, because the second ode was often omitted outside Lenten period), which are united musically by the same echos and its melos, and sometimes even textually by references to the general theme of the liturgical occasion—especially in acrosticha composed over a given heirmos, but dedicated to a particular day of the menaion. Until the 11th century, the common book of hymns was the tropologion and it had no other musical notation than a modal signature and combined different hymn genres like troparion, sticheron, and canon.
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These 19th century variants are likely derived from a substantially longer 18th century slip- ballad, The Maiden's Complaint for the Loss of her Shepherd, which was printed in about 1790, though the original text could be older.Palmer, R. Bushes and Briars: Folk Songs Collected by Ralph Vaughan Williams, Llanerch, 1999, p.178 The very different, and textually corrupt version of the song found in southern England is usually known by the title Through the Groves. The song retained enormous popularity in Holmfirth well into the 20th century, partly through being sung en masse at the end of yearly town concerts - the "Holmfirth Feast Sing", held in Victoria Park a week before Whitsun between 1882 and 1990"The Sing and Whit walks in Holmfirth", Huddersfield Daily Examiner, May 19, 2007 \- leading to it becoming known as the "Holmfirth Anthem".
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In contrast, Watt argues that the conceptual intent of a return sequencer is clear from its own context, without having to examine its destination. Furthermore, Watt writes that a class of sequencers known as escape sequencers, defined as "sequencer that terminates execution of a textually enclosing command or procedure", encompasses both breaks from loops (including multi-level breaks) and return statements. Watt also notes that while jump sequencers (gotos) have been somewhat restricted in languages like C, where the target must be an inside the local block or an encompassing outer block, that restriction alone is not sufficient to make the intent of gotos in C self-describing and so they can still produce "spaghetti code". Watt also examines how exception sequencers differ from escape and jump sequencers; for details on this see the article on structured programming.
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The 1939 case Coleman v. Miller, which questioned whether a state legislature could relinquish endorsement of an Amendment pertaining to child labor, decided in part, "the question whether a reasonable time had elapsed since submission of the proposal was a nonjusticiable political question, the kinds of considerations entering into deciding being fit for Congress to evaluate, and the question of the effect of a previous rejection upon a ratification was similarly nonjusticiable, because the 1868 Fourteenth Amendment precedent of congressional determination 'has been accepted.'" The case is seen to stand as authority for the proposition that at least some decisions with respect to the proposal and ratifications of constitutional amendments are exclusively within the purview of Congress, either because they are textually committed to Congress or because the courts lack adequate criteria of determination to pass on them.
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Carlson and Zmud conceptualized relevant experience in channel expansion is not just the length of time of channel use, but also the nature of that use and the bases of knowledge developed through it. Consistent with the channel expansion theory, Lisiecka et al. conclude in a 2016 study that people will inherently adjust their messages to better fit with a selected communication medium. Their study was directed toward task-related communication between dyads (couples) who interacted through one of face-to- face conversations, via voice calls, or textually. The authors point out that, although it has been generally accepted that “media other than face-to-face are considered an obstacle rather than an equally effective means of information transfer” (2016, p. 13), their results suggest that computer- mediated communication “has become similarly natural and intuitive as face-to- face contacts” (2016, p. 13).
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The incorporation of phowa (mind transference techniques) in pure-land meditations is textually attested in the 14th century, in The Standing Blade of Grass (Tib. Pho-ba Jag-tshug ma), a terma text allegedly dating to the time of the Tibetan Empire. A good number of Buddhist treasure texts are dedicated to Amitābha and to rituals associated with his pure-land, while the wide acceptance of phowa in Tibetan death rituals may owe its popularity to Pure Land Buddhism promoted by all schools of Tibetan Buddhism.Luminous Bliss: A Religious History of Pure Land Literature in Tibet, 2013, by Georgios T. Halkias, University of Hawaii Press. There are many treasure texts associated with Tibetan Pure Land Buddhism Luminous Bliss: A Religious History of Pure Land Literature in Tibet, 2013, by Georgios T. Halkias, University of Hawaii Press, chapter 5.
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It is not clear, however, just who this Israel was or where they were located.Dermot Anthony Nestor,Cognitive Perspectives on Israelite Identity, Bloomsbury Publishing, 2010 p. 191: 'while the Merneptah stele may indeed prove beyond doubt that shortly before 1200 B.C.E. Egyptian intelligence either encountered or was informed of an inimical "Israel" residing in the highlands of Palestine, and that it was considered significant enough to warrant inclusion in the only known campaign of Merneptah in this region, any attempt by biblical scholars to translate this practical category into the substantialist idiom of an internally homogeneous, externally bounded group which serves to demarcate the evolution of that singular, regulative and constituting cultural tradition identified textually and archaeologically as "Israel" simply cannot be sustained.' The reference to Israel in the stele has spawned two major schools of thought.
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The former had fewer rights, as the court, in considering the application for their eviction, did not have to consider whether or not land had been made available or could reasonably be made available for their relocation. In the event of a sale in execution over bonded property, however, those with less than six months' occupation received more protection, because the court had to have regard to the needs of the elderly, children, disabled persons and households headed by women,s 4(6) something it did not have to take into account in the case of those who had occupied for more than six months.s 4(6)Para 10. Harms held further that the ordinary definition of the term meant, textually, that the Act applied to all "unlawful occupiers," irrespective of whether their possession had at an earlier stage been lawful.
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Jashobeam was renowned in the Kingdom of Israel for having singlehandedly killed several hundred troops with his spear (800 according to Samuel, 300 according to Chronicles). However, in 2 Samuel 23:8–17, in a passage describing the Three (Jashobeam, Eleazar, and Shammah), the Hebrew and most Septuagint manuscripts read, "Josheb-Basshebeth, a Tahkemonite, was chief of the Three; it was Adino the Eznite[,] who killed eight hundred men in one encounter" (2 Samuel 23:8b). It is unclear textually whether "Adino the Eznite" is meant to refer to someone else apart from the Three (in which case it is out of place in the passage), whether it is another name for Jashobeam, or whether it is a textual corruption. During a battle with the Philistines at Ephes Dammim, Jashobeam, along with Eleazar and Shammah, taunted the Philistines.
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It is often claimed that the Italian prayer-book contains the last remnants of the Palestinian minhag, while both the Sephardi and, to a lesser extent, the Ashkenazi rites, reflect the Babylonian tradition. This claim is quite likely historically accurate, though it is difficult to verify textually as little liturgical material from the Land of Israel survives. Additionally, some Italian traditions reflect the Babylonian rite in a more archaic form, in much the same way as the prayer- book of the Yemenite Jews. Examples of old Babylonian traditions retained by the Italians but by no other group (including the Baladi-rite prayer of the Yemeni Jews) are the use of keter yitenu lach in the kedushah of all servicesIn the old manuscripts of the Italian rite, in Daniel Goldschmidt's print and in references in early literature such as Shibbole ha-Leket.
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'Diagonal star table' from the Eleventh Dynasty coffin lid; found at Asyut, Egypt. Roemer- und Pelizaeus- Museum Hildesheim Forming the backbone of Egyptian chronology are the regnal years as recorded in Ancient Egyptian king lists. Surviving king lists are either comprehensive but have significant gaps in their text (for example, the Turin King List), or are textually complete but fail to provide a complete list of rulers (for example, the Abydos King List), even for a short period of Egyptian history. The situation is further complicated by occasional conflicting information on the same regnal period from different versions of the same text; thus, the Egyptian historian Manetho's history of Egypt is only known by extensive references to it made by subsequent writers, such as Eusebius and Sextus Julius Africanus, and the dates for the same pharaoh often vary substantially depending on the intermediate source.
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Visually, Vincent argues there is a dichotomy between the triumphant pose of the figures at the top of the pylons and the mourning posture of those figures at the base. Textually, she argues the inscription text celebrating the victory at the Battle of Vimy Ridge strikes a very different tone to the list of names of the missing at the base of the monument. Ghosts of Vimy Ridge by Will Longstaff The memorial is regularly the subject or inspiration of other artistic projects. In 1931, Will Longstaff painted Ghosts of Vimy Ridge, depicting ghosts of men from the Canadian Corps on Vimy Ridge surrounding the memorial, though the memorial was still several years away from completion. The memorial has been the subject of stamps in both France and Canada, including a French series in 1936 and a Canadian series on the 50th anniversary of the Armistice of 11 November 1918.
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Cassiodorus does not cite it textually, but he gives the sense of it. He puts it in opposition to verse 8, for he contrasts in coelo with in terra. The last words: Et hi tres unus est Deus can be referred only to verse 7, since Cassiodorus refers tria unum sunt of verse 8, to the Passion of Our Saviour… Maffei's conclusion is therefore justified when he says : Verse 7 was read not only in Africa, but in the most ancient and the most accurate Codices of the Roman Church, since Cassiodorus recommended to the monks to seek, above all else, the correct copies and to compare them with the Greek." and references that Tischendorf saw this as Cassiodorus having the text in his Bible. However, earlier "Porson endeavoured to show that Cassiodorus had, in his copy, no more than the 8th verse, to which he added the gloss of Eucherius, with whose writings he was acquainted.
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The text of the Pauline epistles is very close textually to the codices 451, 2400, 2492.Colwell E. C., The Four Gospels of Karahissar I, History and Text, Chicago, 1936. ; Textual variants : Acts 18:26 it reads την του θεου οδον along with P, Ψ, 049, 0142, 104, 451, 1241, 1877, 2127, 2492, Byz, Lect;UBS3, p. 491. : Romans 8:1 it reads Ιησου κατα σαρκα περιπατουσιν αλλα κατα πνευμα (for Ιησου). The reading is supported by אc, Dc, K, P, 33, 88, 104, 181, 326, (436 omit μη), 456, 614, 630, 1241, 1877, 1962, 1984, 1985, 2492, 2495, Byz, Lect.UBS3, p. 548. : Romans 15:19 it supports πνευματος θεου αγιου along with Minuscule 451; other manuscripts read πνευματος θεου or πνευματος αγιου;UBS3, p. 572. : Romans 16:25-27 is following 14:23, as in Codex Angelicus Codex Athous Lavrensis, 0209, Minuscule 181 326 451 460 614 1241 1877 1881 1984 1985 2492 2495.
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In this album the performer confessed to have turned into the antihero of his own songs, which was criticised by some intellectuals such as Antonio Muñoz Molina, however, the performer admitted that it couldn't avoid it. Joaquín Sabina had turned into someone who was loved by many, but also hated by many others due to the message of some of his songs and his clear and sometime harmful opinions. The initial title of this album was going to be "Verdades como puños"(Truths like fists), as a response of the title of his previous record, however, in the ende title of the release was changed to Física y química, a phrase which was inspired by a famous sentence said by the Spanish Physician Severo Ochoa, who said textually that "Love is physics and chemistry". As an interesting fact, in the cover photo of this release appears Sabina with a painted beard emulating Groucho Marx.
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At page 455 of Discorso Storico nella Opulenta Città di Alcamo by Ignazio De Blasi (historian), edited copy, you can textually read: n°9- Nel recinto delle mura di questo convento ritrovasi l'oratorio della Compagnia dell'Immacolata Concezione di Maria, la quale nella di lui chiesa tiene anche; la sua cappella fabbricata a spese dei confrati a cagione dell'aggregazione fatta con questo Convento negli atti del notar Filippo Mercadante, nel 1 luglio, 8 ind. 1595, o 9 ind.1596; dietro di che la fondazione di questa Compagnia allora Confraternita colla sua Cappella si effettuò per pubblico atto in Notar Antonino Vaccaro li 9 Gennaio Xind. 1596. In detta Cappella vi è il quadro dell'Immacolata Signora con cornice di marmo rosso e nel tetto di essa Cappella vi sono 34 quadri dei Santi, e nel mezzo vi è altro quadro di Maria SS. Immacolata con sua cornice dorata, il quale tetto si coprì di detti quadri nell'anno 1613, a spese delli confrati della Concezione, avendo fatto fare ognuno il suo quadro per devozione con scrivergli anche il suo nome.
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2010 Ecuador crisis#Asylum in Czech Republic The Czech government textually said: > The administrative authority, after having collected and examined all the > material that formed the basis for decisions within the framework of this > administrative proceeding, has concluded that the criminal proceedings being > conducted against the applicant and twelve other persons at home has obvious > signs of political persecution and impending doom does not reflect the > seriousness of the fault. What is also clear from the above is that the > applicant for international protection at home was very active politically > and was a publicly known personality was found in opposition to the current > president. Taking into account the information gathered by the > administrative authority that became the target of criminal prosecution is > justified by the very high probability of their political activities, this > confirms the above opinion of the Ministry of Foreign Affairs of the Czech > Republic, which indicates in his report that according to available > information the government and the president influence the decisions of the > Ecuadorian courts. The victims of court proceedings are handled journalists, > teachers and intellectuals.
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Black Gate praised its "originality, scope of vision, and explosive visuals", calling it "disorienting, unsettling, inspiring, fascinating, (and) beautiful", and comparing it favorably to China Miéville's Perdido Street Station.Absolutely Stunning: Kill Six Billion Demons, by Derek Kunsken, at Black Gate; published December 10, 2016; retrieved June 25, 2019 Io9 described its art as "stuffed with sumptuous insanity", and lauded Parkinson-Morgan's ability to provide exposition in a way "that would be tedious in a lesser comic".Warning: This Sumptuous, Demon-Filled Webcomic May Break Your Brain, by Lauren Davis, at Io9; published January 14, 2015; retrieved June 25, 2019 Bleeding Cool noted that the comic "starts out a little rough in the art department", but soon progresses "from a cool looking comic with a great read to a great looking comic with a fantastic read." Publishers Weekly, reviewing the first collected volume, called it "visually and textually stunning", and a display of Parkinson-Morgan's "impressive worldbuilding abilities", but noted that the illustration (although "never muddled") was nonetheless "sketchy", and observed that the plot of that volume "serves mainly as prologue".
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Kickshaws (sometimes Association Kickshaws, a non-profit Association under French law) is a private press run by John Crombie and Sheila Bourne. Based in Paris, the press was founded in 1979 by Crombie as a vehicle for his literary and design aspirations; since then, he and Bourne (who often creates artwork for the books), have printed by hand and published more than 150 small books. The design and typography of Kickshaws publications is unusual, involving a wide range of (often French) type designs, letterpress printing in multiple colours, and the use of unusual formats and binding styles, notably a simple form of comb-binding which allows the leaves of a book to be folded and refolded in different sequences. Textually, many of the books are either Crombie's own poetry or fiction, or his interpretations or translations of French or Francophile humorists and absurdist writers, including Samuel Beckett, Alphonse Allais and Pierre Henri Cami (the latter being a particular favourite of Crombie's, and a writer he considers greatly undervalued).
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There is an international standard for microphone specifications, but few manufacturers adhere to it. As a result, comparison of published data from different manufacturers is difficult because different measurement techniques are used. The Microphone Data Website has collated the technical specifications complete with pictures, response curves and technical data from the microphone manufacturers for every currently listed microphone, and even a few obsolete models, and shows the data for them all in one common format for ease of comparison.. Caution should be used in drawing any solid conclusions from this or any other published data, however, unless it is known that the manufacturer has supplied specifications in accordance with IEC 60268-4. A frequency response diagram plots the microphone sensitivity in decibels over a range of frequencies (typically 20 Hz to 20 kHz), generally for perfectly on-axis sound (sound arriving at 0° to the capsule). Frequency response may be less informatively stated textually like so: "30 Hz–16 kHz ±3 dB". This is interpreted as meaning a nearly flat, linear, plot between the stated frequencies, with variations in amplitude of no more than plus or minus 3 dB.
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Cases that are political in nature are marked by: # "Textually demonstrable constitutional commitment of the issue to a coordinate political department;" as an example of this, Brennan cited issues of foreign affairs and executive war powers, arguing that cases involving such matters would be "political questions" # "A lack of judicially discoverable and manageable standards for resolving it;" # "The impossibility of deciding without an initial policy determination of a kind clearly for nonjudicial discretion;" # "The impossibility of a court's undertaking independent resolution without expressing lack of the respect due coordinate branches of government;" # "An unusual need for unquestioning adherence to a political decision already made;" # "The potentiality of embarrassment from multifarious pronouncements by various departments on one question." Justice Tom C. Clark switched his vote at the last minute to a concurrence on the substance of Baker's claims, which would have enabled a majority which could have granted relief for Baker. Instead the Supreme Court remanded the case to the District Court. The large majority in this case can in many ways be attributed to Justice Brennan, who convinced Potter Stewart that the case was a narrow ruling dealing only with the right to challenge the statute.
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Within Carotta's theory the gospels are hypertexts after a diegetic transpositionFollowing the literary theory introduced by of Latin and Greek Roman sources (hypotexts) on Caesar's life from the beginning of the Civil War, the crossing of the Rubicon, until his assassination, funeral and deification, conforming to Jesus' mission from the Jordan to his arrest, crucifixion and resurrection. Textually transformed from Rome to Jerusalem in Caesar's eastern veteran colonies, the Gospel narrative with its altered geography, dramatic structure, its characters and newly adopted cultural environment, would therefore have been written neither as a mimetic approximation of Caesarian attributes nor as a mythological amalgam, but as a directly dependent, albeit mutated rewriting (réécriture) of actual history. He argues that, following this initial transposition, there was at first a redaction of the Caesarian Ur-Gospel inspired by Augustan history and theogony, whereby the later synoptic gospels by Matthew and Luke incorporated (among other pericopes) the Nativity of Jesus, originally transposed from the nativity of Augustus, and the resurrection narrative, according to the chronological-biographical structures in the historical account by Nicolaus of Damascus. Later generations produced more discrete traditions like the Gospel of John, the Acts of the Apostles, and the Book of Revelation.
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Constructed in opposition to the ancient and long-running bias of logocentrism, the privileging of the spoken word over writing presumed to be the foundation for authentic ideas, reason, and even reality, Denson's authority of authorship is a model of the shifting but interlinking appeals made by an author to receive the reader's consent. Such appeals by an author imply the authority of a text is often conferred more in deferring to prior models, institutions, and authorities, than to any force of reason or individual vision textually conveyed. The obvious debts to and departures from the critiques of logocentrism by Ludwig Klages and the Deconstruction of Jacques Derrida are immediately evident. But Denson also at once aligns with and disputes Roland Barthes' 1967 essay, The Death of the Author, which attributes the aura, politics, ethnicity, faith, and nationality of the author as having undue influence in the reception of a text. Similarly, Denson both concurs with and removes himself from Edward Said’s 1983 critique, The World, the Text, and the Critic, when he sites the "anterior restraints" of past writers as that which both anchors an author's authority in history and prompts the author's celebrity at least in contemporary society.
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Codex Seidelianus II, 2, 3, 8, 14, 45, 47, 49, 51, 54, 56, 58, 59, 60, 61, 73, 75, 76, 78, 84, 89, 96, 99, 105, 107, 109, 121, 123, 126, 130, 132, 133, 134, 135, 140, 142, 144, 145, 148, 149, 150, 153, 156, 158, 159, 165, 173, 175, 176, 179, 180, 182, 183, 185, 187, 188, 190, 191, 192, 193, 198, 200, 202, 204, 207, 208, 212, 218, 226, 227, 228, 231, 234, 247, 260, 267, 274, 276, 276, 282, 283, 284, 293, 294, 298, 301, 324, 330, 331, 343, 347, 351, 352, 358, 359, 360, 364, 367, 371, 373, 375, 376, 380, 388, 390, 396, 401, 402, 403, 405, 407, 409, 410, 411, 412, 413, 414, 415, 416, 431, 439, 447, 448, 470, 471, 475, 478, 483, 484, 490, 492, 493, 494, 501, 504, 505, 506, 507, 529, 530, 568, 585, 663, 669, 672, 710, 714, 725, 778, 808, 839, 844, 864, 875, 877, 939, 971, 1069, 1076, 1417, 1452, 1474, 1569, 1671, 1693, 2112, 2217, 2455, 2649.F. Wisse, The Profile Method for the Classification and Evaluation of Manuscript Evidence, William B. Eerdmans Publishing, 1982, pp. 95-99. There are some manuscripts very close textually to group Kx, but they differ in some details. To this group belong the codices: 024, 026, 027, 036, 047, 0130, 4, 251, 273, 440, 472, 485, 495, 660, 716, 871, 1047, 1093, 1170, 1229, 1242, 1295, 1355, 1365, 1396, 1515, 1604.
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