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31 Sentences With "teenhood"

How to use teenhood in a sentence? Find typical usage patterns (collocations)/phrases/context for "teenhood" and check conjugation/comparative form for "teenhood". Mastering all the usages of "teenhood" from sentence examples published by news publications.

What's scarier: the zombie apocalypse or the trials and tribulations of teenhood?
These are the eternal rallying points for the rites of British teenhood.
So, my teenhood SATC character allegiance was strong (and, in hindsight, about as basic as possible).
You are rewarded with not just a riotous good time, but a deft contemplation of American teenhood.
The star left teenhood on Sunday with a bang in the form of a platinum white 'do.
But for most, I think, teenhood is a time when real power is way out of reach.
The current study's results don't definitively prove that the brain can't regenerate neurons past teenhood somewhere else, though.
Like The CW's The 100, The Rain counts on the teenhood of its main characters you keep you engaged.
If a TV show wants to evoke a specific subset of modern teenhood, they may want to use a JUUL pod.
As if my semi-depressed teenhood wasn't difficult enough, along came "The Wall" in November 1979 to usher in a new decade.
Derry Girls follows a group of fifth-year students at Our Lady Immaculate College as they navigate the delicate inner workings of teenhood.
The once-common stumbling blocks of teenhood never tripped up Bridget King's daughter, Caroline, now 21, and have yet to provide a challenge for her son, Jacob (17).
In general, though, these films about white female adolescence and teenhood revolve around particular experiences of and meditations on dissatisfaction and boredom, using nostalgia as their primary pull.
Nolan's storyline is the most mawkish, and the reason 21 Thunder will forever fall under the category of "teen dramas" even though its characters are well out of teenhood.
To this day, Baxter has exhibited none of the behavior she believed—through living her own party-hard teenhood—he would naturally and enthusiastically engage in at his age.
Even now, 25 years after the book was published and about 40 years after it was set, we still subscribe to The Virgin Suicides' simulacrum of teenhood as quintessential.
When we reach teenhood, we're supposed to get the tetanus, diphtheria, pertussis (TDaP) booster shot, but if you've missed out, then you should get the TDaP shot as soon as you can.
It's a putrid myth we're taught about ourselves, that if in teenhood a man finds himself hopelessly attracted to us, the kernel of essential badness and transgression comes from us, not from him.
There's a wildness to teenhood — a slightly uncaring, boundary-testing sense of immortality that comes across in the vodka-stealing, rollerblading girl gangs that prowl through Wind Gap at all hours of the day or night.
In a mid-season episode of David Makes Man, the new Oprah Winfrey Network drama that explores the emotional volume of black teenhood and the gnawing effects of trauma, lead character David (Akili McDowell) encounters calamity.
The Week Ahead A letter that falls into the wrong hands and is misinterpreted drives the intricate plot of "Dear Evan Hansen," a musical about unhappy teenhood and its consequences (good and bad) opening at Second Stage Theater.
Revisiting the show this week, I was struck by how darling it is, how gently it regards that floppy, scary, badly dressed, constantly stressed time of teenhood, when boys wear the ugliest sandals on earth and eat 17 cupcakes in a sitting.
It also managed to become one of the most honest shows about young adult life, treating high school like its own unique society, allowing its stars to actually look like teens (most really were), and, most importantly, revealing truths about teenhood in poignant, sometimes even devastating ways.
Unsurprisingly, Will (Noah Schnapp) is again stuck in the Upside Down, only his existence (or is it more of a confinement?) now runs parallel to his real-world life—a slick, if appropriately gruesome, metaphor for teenhood, and that feeling of often feeling stuck between two places and not knowing what any of it means or how to escape.
In the final episode of the original series, Nadine suffers a blow to the head that results in the loss of her delusions of teenhood. Apparently, she has no memory of anything that has occurred since her suicide attempt. 25 years later, Nadine is an avid viewer of Lawrence Jacoby's "Dr. Amp" web series and has turned her silent drape-runners into a business.
Set in an alternate universe, in a college called Faeryville, a group of teenage misfits struggle to find themselves and make sense of their ‘teenhood’. They decide that there is no reason to try to fit in, and fashion themselves as pranksters, calling themselves The Nobodies. Laer, a new transfer student who joins The Nobodies, inspires them to move from stink bombs to homemade bombs. Youthful idealism soon becomes an excuse for all-out anarchy.
Bluestone, whose real name is Blaustein, finds himself at a party in his teenhood. He interacts with his old friends, then approaches Laura (Gina Gershon), a classmate who is possessed by Prince. Bluestone has a conversation with Prince and then sees Teresa Golowitz, who he claims is one of "the plain girls" Mary Ellen invites to make herself look better. Prince reminds Bluestone that Golowitz is the girl who committed suicide that night because she wanted to escape as much as he did.
Writing for children on the cusp of teenhood, D'Costa addresses "their need to relate to actuality ... and their need to retain some of the comforting illusions of childhood". To satisfy the latter need, she draws from Jamaican folklore and oral traditions for the plots, themes, and tone of her works. Prominent in Caribbean folklore are "duppy stories", in which ghosts or unsettled spirits return to haunt the land of the living. In her third novel, Voice in the Wind, for example, D'Costa addresses children's perceptions about death and the supernatural.
Residence of Muhammad Ali of Egypt The Ottoman Turks first captured the city in 1387. Kavala was part of the Ottoman Empire from 1387 to 1912. In the middle of the 16th century, an Aromanian converted to Islam in his late teenhood, Ibrahim Pasha, Grand Vizier of Suleiman the Magnificent, contributed to the town's prosperity and growth by the reconstruction of the late Roman (1st - 6th century AD) aqueduct., Michalis Lychounas, The Medieval Aqueduct of Kavala, Ministry of Culture - 12th Ephorate og Byzantine Antiquities, Greece, greek text with an english summary, Kavala, 2008, p.
Leaving the nest or moving out refers to the notion of a young person moving out of the accommodation provided by their guardian, fosterers or parent. Such a move can be motivated by various factors, including a desire for independence, the discovery of a more viable location and/or practicality. The age at which young people move out of their previous accommodation has been rising since the turn of the 21st century. Some cultures view leaving the nest as one of the key milestones in the transition from tweenhood or teenhood to becoming an adult besides obtaining employment and getting wedded.
For example, when Nicki pits herself against Margie, they both scramble to get Barb's attention and wisdom to solve the conflict, most prominently seen in the episode 'Good Guys and Bad Guys'. In this argument, Nicki has commandeered Margene's mother away from Margene, and when they find out Barb is on the phone, they both fight over the line to tell Barb their side of the story. Barb, though she's closest to Margie, is often paranoid about the youngest wife's relationship with the teenaged Henrickson children. Margie, being scarcely out of teenhood herself, has a close friendship with Ben and Sarah, causing Barb to be both jealous and scared of Margie at the same time.

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