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"tea chest" Definitions
  1. a large light wooden box lined with metal in which tea is transported. Tea chests are sometimes used for transporting personal possessions, for example, when moving to another home.

72 Sentences With "tea chest"

How to use tea chest in a sentence? Find typical usage patterns (collocations)/phrases/context for "tea chest" and check conjugation/comparative form for "tea chest". Mastering all the usages of "tea chest" from sentence examples published by news publications.

His first device was built from a hodgepodge of materials that included an old tea chest, an empty biscuit box, and some cardboard discs.
Brocade foil papers could decorate religious books in Europe, while in China a version known as "tea chest" paper replaced the toxic lead lining that had previously been used in packaging tea.
Tea chest bass A tea chest bass is a variation of the washtub bass that uses a tea chest as the resonator for an upright stringed bass. The instrument is made from a pole, traditionally a broomstick, placed into or alongside the chest. One or more strings are stretched along the pole and plucked. In Europe, particularly Britain and Germany, the instrument is associated with skiffle bands.
Lennon formed The Quarrymen in the summer of 1956, with friends and school friends. Walley was one of four tea-chest bass players in the fledgling lineup of the group, the others being Vaughan, Bill Smith and Len Garry. Playing tea-chest bass with the group from 1956 to 1958, Walley lost the tea chest when he left it at a bus stop after being threatened by two aggressive local boys. He then decided to become the group's manager, at Lennon's request.
Roof Cladding: Galvanised iron. Floor Frame: Timber/Reinforced concrete. Lifts: Wooden-framed tea chest elevator; steel-framed chest elevator; passenger and good lifts.
On 21 April 1942 Bruce's commission was confirmed and he was promoted to the war substantive rank of flying officer. Within six months Bruce escaped the castle grounds with the tea chest escape.
The term "gutbucket" came from playing a lowdown style of music. In English skiffle bands, Australian and New Zealand bush bands and South African kwela bands, the same sort of bass has a tea chest as a resonator. The Quarrymen, John Lennon and Paul McCartney's band before the Beatles, featured a tea-chest bass, as did many young bands around 1956. A folk music revival in the U.S. in the early 1960s re-ignited interest in the washtub bass and jug band music.
After Meek's death, the thousands of recordings he hid at his studio remained unreleased and preserved by Cliff Cooper of the Millionaires. Subsequent to his suicide in 1967, Cooper is said to have purchased all of Meek's recordings for £300 (). These recordings were called the "Tea Chest Tapes" among fans, as they were stored in a tea chest when Cooper took them out of his flat. Alan Blackburn, former president of the Joe Meek Appreciation Society, catalogued all of them in the mid-1980s.
After months of faithful service, the tea-chest box was eventually left out at the side of Frost's house, where it lay for several months before it was finally thrown away later in 1958. Frost remembers it, describing it as "a tea chest with a long broom handle fitted with strings". And he added "We used it as a bass, every group had a bass in those days". After several weeks of practising, Barry proposed that they join the ranks of other kids who performed at the Gaumont, the venue where all local children spent their Saturday mornings.
Her first novel, The Tea Chest, was set in Brisbane and focused on tea-rooms and was inspired by the interior of the Chermside T2 specialty tea shop. The book was launched at the Cooroy Library in April 2014. In conjunction with the release of her tea-themed book, Moon supported the Cancer Council Australia's Biggest Morning Tea with a virtual Twitter fundraiser in May 2014. The Tea Chest was reviewed by Jessica Broadbent in Books+Publishing as very readable but with many different aspects of the story, as the narration rotates from character to character and between time periods.
The sensory experience includes tea tastings and "smelling table" product displays of the tea ingredients. The design of the first T2 store in Scotland offered a tea "fountain" constructed from teaware. The ambience of the T2 stores inspired Sunshine Coast author Josephine Moon's debut 2014 novel The Tea Chest.
Christopher Nigel Walley (born 30 June 1941) is an English former golfer and tea-chest bass player and manager, best known for his association with band The Quarrymen, the precursor of The Beatles which included John Lennon. His surname has often been spelt incorrectly as 'Whalley' in numerous books and on web pages.
It is rumoured to lie in a tea chest in a house in Braunton, Devon, some 40 km from Selworthy, along with other drafts and photographs. Little is known of his final years. His puppets are on display at the Pitt Rivers Museum, Oxford, and were at the Victoria and Albert Museum (not currently on display).
Sensing Bea is sceptical, Finn proposes to her and Bea accepts on the condition that he meets her family. However, Finn pulls out of the gathering at the last minute. Finn gifts Bea's family a tea chest, in which he has placed a hidden camera. Finn alters the data in the MS trial leading to false positive results.
Frost's mother, Sarah Salt, allowed the Rattlesnakes to practice in her cellar, where the expensive drum kit she had bought as a 1956 Christmas present for her son was kept as she said: "I must have been one of the few to recognize their talent when I think back". Salt's younger sister, Dorothy Wilson occasionally minded her nephew, Paul, and heard some of their early rehearsals, although she maintains that she's a big fan of the group today, when she first heard them, her reaction was "What a racket!". The line-up at that time was Barry on guitar, Frost on drums, Horrocks on tea- chest bass, and Robin and Maurice on vocals and sometimes playing toy guitars. Their skiffle era tea-chest bass was also stored there.
The German Kommandantur in 2011. The 'Tea Chest Escape' made Bruce the first prisoner to escape from both Spangenberg Castle and Colditz Castle. He was soon to be joined by Howard 'Hank' Wardle MC who would soon escape from Colditz with Captain Pat Reid, Major Ronald B. Littledale, and Lieutenant Commander L. W. Stephens. Wardle had also escaped from Spangenberg Castle.
Peel, along with John Lennon and Yoko Ono, performed Peel's "The Ballad of New York", on The David Frost Show, with Lennon playing tea-chest bass. The trio, joined by The Lower East Side Band, played several songs by Lennon and Ono. This episode was recorded on December 16, 1971 and broadcast on January 13, 1972. The album was released on April 17, 1972.
Meredith played the button (or bush) accordion or squeezebox, and the tin whistle. Barrie played the bush bass or tea chest bass and Loughlin played the lagerphone, also known as the Murrumbidgee River Rattler. Late in 1952 they gave their first performance at the Rivoli Hall in Hurstville. It was at this time that the name of the band was permanently changed to The Bushwhackers.
This initial line-up consisted of Lennon and Griffiths on guitars, Pete Shotton on washboard, and school friend Bill Smith on tea chest bass. The group, initially called the Blackjacks, quickly changed their name to the Quarrymen. Both Lennon and Shotton have been credited with coining the name Quarrymen after a line in their school's song: 'Quarrymen, old before our birth. Straining each muscle and sinew.
In 1906, he bought Lowrie's and rapidly mechanised their production facilities in Glasgow. In 1907, he acquired an interest in the North British Bottle Manufacturing Company and purchased the Acme Tea Chest Company, both to aid his business. Both were rapidly mechanised. He was a master of publicity, driving a red-wheeled buggy pulled by a black pony and accompanied by a liveried footman.
After murdering her, Burke and Hare placed the body in a tea-chest and sold it to Knox. They received £10 for each body, and Burke's confession records of Simpson's body that "Dr Knox approved of its being so fresh ... but [he] did not ask any questions". In either February or March that year an old woman was invited into the house by Margaret Hare.
In addition to vocals, instruments featured in bush bands may include fiddle, accordion, guitar, banjo, mandolin, concertina, harmonica, lagerphone, bush bass (tea chest bass) or double bass, tin whistle, and bodhrán. Less common are the piano, bones, barcoo dog (a sheep herding tool used as a sistrum), spoons, and musical saw. Although not traditional, electric bass guitar or electric guitar have occasionally been used since the 1970s.
Its timber construction is a remnant of 19th century building technique, which was soon to become less common with the introduction of more economical reinforced concrete frame. The industrial archaeological value is derived from the buildings capacity to illustrate the former function for which it was built and which it served to house for over fifty years. The main elements of industrial archaeological value are found in the modest evidence of former packing line activities seen in the buildings floors and in the extensive evidence of the materials handling methods, as shown in the loading and receiving docks, the horizontal conveyor, the lifts and chutes and especially the two purpose built tea chest elevators (which would be the buildings most significant artefacts). The surviving archaeological objects; tea chest lifts, chutes and tea mixing hopper provide intriguing and powerful three dimensional artefacts of the past process of tea manufacture.
She then sailed to Singapore where on 24 April 1834 the Troughton took the first tea chest for England on board. The Troughton fired a celebratory 7 gun salute, which the Platina answered with a 13 gun salute. The Platina left Singapore on 13 June for London but had to put into Cape of Good Hope 7 October for repairs. R Brooks of London acquired the Platina in 1834 from Potters.
Just north of Neale Junction, Beadell's infant daughter Connie Sue was observed standing up for the first time in her tea-chest bassinet. It was decided there and then that the Warburton-Rawlinna road would be known as the Connie Sue Highway. The 320 kilometer section of new road reached Warburton on 15 September. After obtaining supplies, the construction team turned south and by early October were back at Neale Junction.
The chest used by Dominic Bruce in the 'tea chest' escape. Because of his very small stature, Flight Lieutenant Dominic Bruce was known ironically as the "medium-sized man". He arrived at Colditz in 1942 (after attempting to escape from Spangenberg Castle disguised as a Red Cross doctor). When a new commandant arrived at Colditz in the summer of the same year, he enforced rules restricting prisoners' personal belongings.
Europe, at the front of the tower in Crossley Street, has emblems of civilisation and refinement. After sculpting these, John Thomas died, and Asia was carved under the supervision of Daniel Maclise. Asia faces down Crossley Street, on the opposite side of the tower from the portico, and is a figure with a Chinese boy and tea chest and a child with flowers. On the corners of the spire are four seven-foot angels.
Their friends/neighbours, Paul Frost (drums) and Kenny Horrocks (tea-chest bass) later joined. Their debut performance in public happened in December 1957 in Gaumont Cinema, performing The Everly Brothers' "Wake Up Little Susie". Some of their influences at that time were Elvis Presley, The Everly Brothers, Tommy Steele, Buddy Holly and Paul Anka. On 12 January 2003, Maurice died unexpectedly at the age of 53, of a cardiac arrest, while waiting to undergo surgery for a twisted intestine.
The Captain Matchbox Whoopee Band were formed in Melbourne in 1969 as a jug band by Mic Conway on lead vocals, washboard and ukulele; his brother, Jim Conway on harmonica, kazoo and vocals; Mick Fleming on banjo, mandolin, guitar and vocals; Dave Hubbard on guitar; David Isom on guitar and vocals; Jeffrey Cheesman on guitar and vocals; Inge de Koster on violin; and John McDiarmid on tea-chest bass and flute. David Isom, Jeffrey Cheesman, Inge de Koster and John McDiarmid later replaced by Peter Inglis on guitar and vocals; Jim Niven on piano; and Peter Scott on tea chest bass. Inspired by early jazz recordings and jug band music they heard on reel-to-reel tapes and 78s as teenagers, the Conways formed the Jellybean Jug Band while secondary students at Camberwell High School. After they left school, in 1969, they formed the Captain Matchbox Whoopee Band, which grew from an underground art school band to a national icon, with film and television appearances and regular appearances in the charts.
He would sing and play guitar with accompaniment of two other members, usually on washboard and tea-chest bass. They played a variety of American folk and blues songs, particularly those derived from the recordings of Lead Belly, in a lively style that emulated American jug bands. These were listed on posters as "skiffle" breaks, a name suggested by Ken Colyer's brother Bill after recalling the Dan Burley Skiffle Group. Soon the breaks were as popular as the traditional jazz.
This proved popular and in July 1954 he recorded a fast version of Leadbelly's "Rock Island Line", featuring a washboard but not a tea-chest bass, with "John Henry" on the B-side. It was a hit in 1956Cf. Price, 2010. (which also later inspired the creation of a full album, An Englishman Sings American Folk Songs, released in America on the Mercury label in the early 1960s), but, because it was a band recording, Donegan made no money beyond his session fee.
It was the first début record to go gold in Britain, selling over a million copies worldwide. This stimulated the explosion of the British "skiffle craze" and it has been estimated that in the late 1950s there were 30,000–50,000 skiffle groups in Britain.R. D. Cohen, Folk Music: the Basics (London: Routledge 2006), , p. 98. Sales of guitars grew rapidly and groups performed on banjos, tea chest bass guitars and washboards in church halls, cafes and the flourishing coffee bars of Soho, London.
Eggers stood the squad down.IWM The 'Red Cross Commission' escape from Spangenberg provided the plot for the 1961 film, 'Very Important Person' although no acknowledgement was made by the producers at the time. In the film, James Robertson Justice also escapes disguised as a Swiss civilian Commissioner, just as Bruce had done in real life. On the 70th Anniversary of the liberation of Colditz, the BBC programme 'The One Show' featured photographs of the 'Tea Chest' escape which were discussed by the participants.
A new friend of Bob's, affable Londoner Alan Boyle (Julian Holloway), appears in "Guess Who's Coming to Dinner" and "The Ant and the Grasshopper" with his wife Brenda. The episodes "I'll Never Forget Whatshername" and "Storm in a Tea Chest" were based in part on elements in the 1960s episode "Where Have All The Flowers Gone?" The titles for the 1974 Christmas Special call the show simply The Likely Lads. The opening scenes are set in late September, on the day of Terry's successful driving test.
A police officer then told how he had found the torso in a tea chest, which was then displayed, complete with blood stains. He also said that it was possible to fit the other parts into the privy hole, but not the torso. More witnesses were brought forth to testify about Webster's unusual behavior after Parkman's disappearance, and three unsigned letters meant to throw the police off the track were shown. A man familiar with Webster's hand testified to his belief that Webster had written the letters.
He also fought with Captain O'Connor, a fellow protester who was trying to take some of the tea for himself. According to Hewes, it took three hours to empty every tea chest and throw the content into the Boston Harbor. Like the other protesters, Hewes then quietly returned to his place of residence. In January, Hewes was at the center of the events surrounding the tarring and feathering of John Malcolm, one of the most publicized incidents of its kind in the Revolutionary period.
Photo of the bed sheet rope used in the 'tea chest' escape from Colditz by Dominic Bruce. On 12 May 1941, Polish Lieutenants Miki Surmanowicz and Mietek Chmiel, attempted to rappel down a 36 m (120 ft) wall to freedom on a rope constructed out of bed sheets. In order to get into position, both men put themselves into solitary confinement. After forcing open the door and picking the locks, they made their way to the courtyard, where they climbed up to a narrow ledge.
While in Ken Colyer's Jazzmen with Chris Barber, Donegan sang and played guitar and banjo in their Dixieland set. He began playing with two other band members during the intervals, to provide what posters called a "skiffle" break, a name suggested by Ken Colyer's brother, Bill, after the Dan Burley Skiffle Group of the 1930s. In 1954 Colyer left, and the band became Chris Barber's Jazz Band. With a washboard, tea-chest bass and a cheap Spanish guitar, Donegan played folk and blues songs by artists such as Lead Belly and Woody Guthrie.
In Spangenberg Castle he escaped with the Swiss Red Cross Commission escape, it is also argued he co-innovated the wooden horse escape technique while serving time inside Spangenberg. In Warburg he escaped dressed as a British orderly in a fake workers party. Inside Colditz Castle, Bruce authored the Tea Chest Escape and also faced a firing squad for an attempted escape via a sewer tunnel. While held in solitude in Colditz Bruce, along with two other prisoners, became a key witness to the post war Musketoon commando raid trial.
A blend of loose-leaf black teas The tea leaves are packaged loosely in a canister, paper bag, or other container such as a tea chest. Some whole teas, such as rolled gunpowder tea leaves, which resist crumbling, are vacuum-packed for freshness in aluminised packaging for storage and retail. The loose tea is individually measured for use, allowing for flexibility and flavour control at the expense of convenience. Strainers, tea balls, tea presses, filtered teapots, and infusion bags prevent loose leaves from floating in the tea and over-brewing.
That afternoon the pair took the body to Knox in a tea- chest, while McDougal kept Paterson's skirt and petticoats; they were paid £8 for the corpse, which was still warm when they delivered it. Fergusson—one of Knox's assistants—asked where they had obtained the body, as he thought he recognised her. Burke explained that the girl had drunk herself to death, and they had purchased it "from an old woman in the Canongate". Knox was delighted with the corpse, and stored it in whisky for three months before dissecting it.
An elder could stand in the middle of a circle of performers keeping time. The fakanau, oga and the fakaseasea were used for celebrations and for praising fellow islanders. The only instrument was the use of a small wooden slit drum or a sound box, such as a tea chest; or the time was beaten with a fan or small rolled mat or the use of the palm of the hand on the floor. The role of the fakanau as a praise song was an important part of Tuvaluan culture.
No. IX Squadron fought with RAF Bomber Command in Europe all the way through the Second World War, took part in all the major raids and big battles, pioneered and proved new tactics and equipment, produced several of the leading figures in The Great Escape, such as Les 'Cookie' Long, as well as Colditz inmates – including the legendary 'Medium Sized Man' Flight Lieutenant Dominic Bruce OBE MC AFM originator of the famous 'tea chest' escape. They became one of the two specialised squadrons attacking precision targets with the Tallboy bomb, and led the final main force raid, on Berchtesgaden, 25 April 1945.
In 1955, the Gibbs moved back to Manchester where they attended school, but Barry didn't like school at all, and he and his brothers soon stopped attending to focus only on music. Following the family's return to England, the three brothers were influenced by rock and roll as their older sister, Lesley, had some records by rock 'n' roll artists as the genre became popular in the 1950s. After that, they formed a skiffle band, The Rattlesnakes, in 1955. According to Horrocks, the name The Rattlesnakes was hand-painted by Barry on the side of the tea-chest bass.
There were also many English factories producing high quality caddies. Soon the shape was made in Chinese export porcelain and its Japanese equivalent. The caddy spoon, typically in silver, was a wide shovel-like spoon for the tea, often with a scalloped bowl. As the use of the jar waned and the box increased, the provision of different receptacles for green and black tea was abandoned, and the wooden tea chest or caddy, with a lid and a lock, was made with two and often three divisions for the actual caddies, the center portion being reserved for sugar.
In an interview conducted on 10 February, Nilsen confessed there were further human remains stowed in a tea chest in his living room, with other remains inside an upturned drawer in his bathroom. The dismembered body parts were the bodies of three men, all of whom he had killed by strangulation—usually with a necktie. One victim he could not name; another he knew only as "John the Guardsman", and the third he identified as Stephen Sinclair. He also stated that, beginning in December 1978, he had killed "twelve or thirteen" men at his former address, 195 Melrose Avenue.
During the aftermath of the 'Tea Chest' escape, Bruce was travelling through Germany on a stolen bicycle and, coming across the file of soldiers being marched down a street, decided to cheer them up. He cycled up to the head of the column shouting out words of encouragement, saying they were not to worry because we were winning the war. On hearing the unmistakable tones of a British officer, the surprised soldiers started to cheer. Before the shocked guards could overcome their confusion and unsling their rifles to take aim at him, Bruce had accelerated around a corner and disappeared.
He got out of the house somehow, but in his haste he left his gun behind. His mother found it and hid it under her skirt. The Tans questioned her: “Where is he, where is he?” and when they could not find him, caused a lot of damage in the house, wrecking things, tipping a tea chest of tea all over the floor, breaking all the eggs, etc. Togher went to Dublin (probably early in 1921) to the IRA headquarters looking for arms. He got “all the advice and assistance they could give, but arms and ammunition were not available”.
She and Burke drank together heavily and he killed her, without Hare's assistance; her body was put into a tea-chest and taken to Knox where Burke was paid £8. The next murder occurred in May 1828, when an old woman joined the house as a lodger. One evening while she was intoxicated, Burke smothered her—Hare was not present in the house at the time; her body was sold to Knox for £10. Then came the murder of Effy (sometimes spelt Effie), a "cinder gatherer" who scavenged through bins and rubbish tips to sell her findings.
Burke later said that this was the murder that disturbed him the most, as he was haunted by his recollection of the boy's expression. The tea-chest that was usually used by the couple to transport the bodies was found to be too small, so the bodies were forced into a herring barrel and taken to Surgeons' Square, where they fetched £8 each. According to Burke's confession, the barrel was loaded onto a cart which Hare's horse refused to pull further than the Grassmarket. Hare called a porter with a handcart to help him transport the container.
The expansion of the revival scene has been attributed to the short-lived British skiffle craze of 1956–58. Spearheaded by Lonnie Donegan’s hit "Rock Island Line" (1956) it dovetailed with the growth of café youth culture, where skiffle bands with acoustic guitars, and improvised instruments such as washboards and tea chest bass, played to teenage audiences.R. F. Schwartz, How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom (Aldershot Ashgate, 2007), pp, 65–6. Beside the many later jazz, blues, pop and rock musicians that started performing in skiffle bands were a number of future folk performers, including Martin Carthy and John Renbourn.
The group has long been connected with the McGillicuddy Serious Party (McGSP), of which Cairns was the leader and a founding member, and some members of the BMSB have also stood as candidates in various elections under the McGSP banner. The BMSB played instruments and incorporated musical styles which are found in the bush band and skiffle traditions, but the theatrical background of members contributed to a more visual and humorous street performance style than would normally be associated with these folk/blues music genres. The original line- up involved tea-chest bass, ukuleles, junk instruments and children's toys. The snare drum was added in 1986.
Following his usual ritual of bathing the body, Nilsen laid Sinclair's body upon his bed, applied talcum powder to the body, then arranged three mirrors around the bed before himself lying naked alongside the dead youth. Several hours later, he turned Stephen's head towards him, before kissing the youth's body on the forehead and saying, "Goodnight, Stephen". Nilsen then fell asleep alongside the body. As had been the case with both Howlett and Allen, Sinclair's body was subsequently dissected, with various dismembered parts wrapped in plastic bags and stored in either a wardrobe, a tea chest or within a drawer located beneath the bathtub.
On 8 September 1942 POWs were told to pack up all their excess belongings and an assortment of boxes were delivered to carry them into store. Bruce immediately seized his chance and was packed inside a Red Cross packing case, three foot square, with just a file and a length of rope made from bed sheets. Bruce was taken to a storeroom on the third floor of the German Kommandantur and that night made his escape. The tea chest used by Bruce to escape from Colditz The next morning the castle was visited by General Wolff, officer in charge of POW army district 4.
The old Fieldgate Street Great Synagogue Fieldgate Street Great Synagogue, established in 1899, was located at 41 Fieldgate Street in the East End of London. This synagogue's official Hebrew name was Sha’ar Ya’akov (Gate of Jacob, שער יעקב), but it became known as the Fieldgate Street Great Synagogue, as there were several smaller synagogues along the street. It was built with a ninety-year lease of land previously occupied by a private house and workshop that served as a home of ginger-beer maker and a tea chest dealer. This was part of a synagogue project by the Federation of Synagogues, which oversaw the amalgamation of three small through appeals that condemned existing premises as unsuitable for public worship.
Stan Williams was a contemporary of the Beatles who, after retiring, authored Penny Lane is in My Ears and in My Eyes which describes memories and insights into the lives of John Lennon, George Harrison and others as they grew up in Liverpool.Another side of a working class hero liverpooldailypost.co.uk, accessed 28 November 2011 He once appeared on the same stage as Lennon when in 1957 he attended skiffle auditions at The Cavern, to be followed on to the stage minutes later by the Black Jacks, featuring Lennon playing the tea-chest bass in a pair of gloves. The Black Jacks were the embryonic Quarrymen who, after many changes, became the Beatles.
After disagreements in 1954, Colyer left to form a new outfit, and the band became Chris Barber's Jazz Band. The first British recordings of skiffle were carried out by Colyer's new band in 1954, but it was the release by Decca of two skiffle tracks by Barber's Jazz Band under the name of the "Lonnie Donegan Skiffle Group" that transformed the fortunes of skiffle in late 1955. Donegan's fast-tempo version of Lead Belly's "Rock Island Line" was a major hit in 1956, featuring a washboard (but not a tea-chest bass), with "John Henry" on the B-side. It spent eight months in the Top 20, peaking at No. 6 (and No. 8 in the U.S.).
Kerryn Goldsworthy's review in The Sydney Morning Herald noted the familiar premise of "...a group of plucky women with problems get together to run a business...", but that of its kind, the book is well-written with lush and detailed descriptions. Maree Field's review of The Tea Chest considered the cosy novel's three main characters as likeable and relatable, within the framework of an engaging story. Ann-Maree Lourey considered that it took a while to acclimatise to the book, but that it became very readable. Moon's second novel, The Chocolate Promise (variously published as, The Chocolate Apothecary), was reviewed by Amy Vuleta in Books+Publishing as a Tasmanian twist on the movie Chocolat.
A small washtub bass being played The washtub bass, or gutbucket, is a stringed instrument used in American folk music that uses a metal washtub as a resonator. Although it is possible for a washtub bass to have four or more strings and tuning pegs, traditional washtub basses have a single string whose pitch is adjusted by pushing or pulling on a staff or stick to change the tension. The washtub bass was used in jug bands that were popular in some African American communities in the early 1900s. In the 1950s, British skiffle bands used a variant called a tea chest bass, and during the 1960s, US folk musicians used the washtub bass in jug band-influenced music.
Browne recalls that the Yarra Yarra Jazz Band "were playing 200 metres from my house in Beaumaris; I went with my two oldest friends, Brett (Iggulden) and Bill (Howard) [. . .] We were 16 and it was becoming a bit passé to make model aeroplanes, so we went to this dance."'Different strokes'. The Age, 14 May 2006 The original lineup, drawn largely from the bayside Beaumaris, Sandringham and Brighton suburbs of Melbourne, consisted of Allan Browne, drums; Brett Iggulden, trumpet; Kim Lynch, tea-chest bass; Bill Howard trombone; Felix Blatt, banjo and John Pike, piano, while Brett's sister Sally (aka "Sweet Sal", who later married Browne and became a clothes designer) was an occasional addition on washboard.
It is revealed (in the episode "Storm in a Tea Chest") that the boys used to be in a skiffle group called Rob Ferris and the Wildcats. Other group members included Maurice "Memphis" Hardaker, named after a real-life friend of the show's co-creator and co-writer Ian La Frenais. The lads' workmate from the 1960s series, Cloughie (played by Bartlett Mullins), does not appear, but it is mentioned in the first episode that he now runs a newsagent's. Two aspects of the show are never fully explained: Terry's supposedly injured leg, which he claims to have injured in the Army ("I never talk about it"), and his dislike of being referred to as "thin" or "slim", preferring to describe himself as "wiry".
The instruments of the skiffle group the Quarrymen, who would become the Beatles Lonnie Johnson played at the Royal Festival Hall in 1952 on a bill opened by a group led by the young Lonnie Donegan.Nigel Williamson, The Rough Guide to the Blues (London, Rough Guides Ltd., 2007), , pp. 62–3. Donegan became the key figure in the development of the British skiffle "craze", beginning in Ken Colyer's Jazzmen by playing American folk and blues songs, particularly those derived from the recordings of Huddie Leadbetter, during intervals to the accompaniment of guitar, washboard and tea-chest bass in a lively style that emulated American jug bands. After Colyer left in 1954 to form a new outfit, the band became Chris Barber's Jazz Band,M.
Band practice with Richards started the very next night, he did not disappoint. The R'Jays played their first dance in August 1958 at Castlecraig Community Hall, with a line-up of Richards, Jon Hayton on lead guitar, Barry Lewis on drums, Ken Conyard on rhythm guitar, Peter Marris on saxophone, and Roger Palfreyman on tea chest bass. They auditioned with Festival Records in 1959 and were the third rock and roll act to be signed to a recording contract; the previous two were Johnny O'Keefe, and Col Joye and the Joy Boys. During an impromptu chat at channel 9 between TV presenter Brian Henderson and R'Jays band members Barry Lewis and Roger Palfreyman, Henderson took a chance and invited the R'Jays to perform live on "Australian Bandstand".
The forged papers in the name of Joe Soap used by Bruce in the Tea Chest escape He is thought to be the inventor of the 'triple identity' ploy for use when captured, which he explains in the Imperial War Museum Sound Archive tapes. The triple identity meant that he had three personae; his real identity as himself, the identity shown on his false ID papers; and another identity that he would only reveal under pressure. When he was captured, he was disguised as a Belgian Gastarbeiter or 'guest worker' named Josef Savon (his false ID is still in the possession of the Bruce family) another example of Bruce's fondness of disguises. The use of the Josef Savon disguise is also another example of Bruce's predilection for pranks, as Josef Savon translates into 'Joe Soap'.
In the BBC TV series Colditz (1972–74), which chronicled the lives of the Allied prisoners of war held in the castle, one of the characters portrayed was Flight Lieutenant Simon Carter (played by David McCallum), a young, upstart, hot-headed RAF officer who enjoys goon-baiting and is very impatient to escape. The fictional Carter closely resembles Bruce. In the episode, from series one, 'Gone Away, part 1', first shown 18 January 1973, the 'Tea Chest Escape' was re-enacted. Colditz, a 2005 British two-part television miniseries produced by Granada Television for ITV, written by Peter Morgan and directed by Stuart Orme, features a fictionalised account of an actual event when three inmates; Dick Lorraine, John 'Bosun' Chrisp, and the 'Medium Sized Man', Dominic Bruce attempted to escape using the castle sewers.
Baird built what was to become the world's first working television set using items including an old hatbox and a pair of scissors, some darning needles, a few bicycle light lenses, a used tea chest, and sealing wax and glue that he purchased. In February 1924, he demonstrated to the Radio Times that a semi-mechanical analogue television system was possible by transmitting moving silhouette images. In July of the same year, he received a 1000-volt electric shock, but survived with only a burnt hand, and as a result his landlord, Mr Tree, asked him to vacate the premises. Baird gave the first public demonstration of moving silhouette images by television at Selfridges department store in London in a three-week series of demonstrations beginning on 25 March 1925.
The main elements of industrial archaeological value are found in the modest evidence of former packing line activities seen in the buildings floors and in the extensive evidence of the materials handling methods, as shown in the loading and receiving docks, the horizontal conveyor, the lifts and chutes and especially the two purpose built tea chest elevators (which would be the buildings most significant artefacts). An understanding of the social historical value of the Bushells building can still be gained through its special remnant qualities, which can demonstrate the attitudes and approaches to the workplace throughout its history. The interpretation of the social value may be possible through the conservation of the unique fabric, particularly the surviving signage inside the building and historical signage. The place has a strong or special association with a person, or group of persons, of importance of cultural or natural history of New South Wales's history.
The Quarrymen's instruments The group first rehearsed in Shotton's house on Vale Road, but because of the noise, his mother told them to use the corrugated air-raid shelter in the back garden. Rehearsals were moved from the cold air-raid shelter to Hanton's or Griffiths' house — as Griffiths' father had died in WWII, and his mother worked all day. The band also often visited Lennon's mother at 1 Blomfield Road, listening to her collection of rock and roll records by Elvis, Shirley and Lee's "Let the Good Times Roll", and Gene Vincent's "Be-Bop-A-Lula" which they added to their repertoire. After his tenure on tea-chest bass, Walley became the group's manager. He sent flyers to local theatres and ballrooms, and put up posters designed by Lennon: ‘Country-and-western, rock n' roll, skiffle band — The Quarrymen — Open for Engagements — Please Call Nigel Walley, Tel. Gateacre 1715’.
Nilsen also admitted to having unsuccessfully attempted to kill approximately seven other people, who had either escaped or, on one occasion, had been at the brink of death but had been revived and allowed to leave his residence. A further search for additional remains at 23 Cranley Gardens on 10 February revealed the lower section of a torso and two legs stowed in a bag in the bathroom, and a skull, a section of a torso, and various bones in the tea chest. The same day, Nilsen accompanied police to Melrose Avenue, where he indicated the three locations in the rear garden where he had burned the remains of his victims (investigators discovered over 1,000 fragments of bone from the garden at Melrose Avenue, many of them blackened and charred by fire). Michael Cattran contacted the Daily Mirror on 10 February,Serial Murderers p.
19–20 By the end of the following year, Bowie had taken up the ukulele and tea-chest bass, begun to participate in skiffle sessions with friends, and had started to play the piano; meanwhile, his stage presentation of numbers by both Presley and Chuck Berry—complete with gyrations in tribute to the original artists—to his local Wolf Cub group was described as "mesmerizing ... like someone from another planet". After taking his eleven-plus exam at the conclusion of his Burnt Ash Junior education, Bowie went to Bromley Technical High School. It was an unusual technical school, as biographer Christopher Sandford wrote: Bowie studied art, music, and design, including layout and typesetting. After his older half-brother Terry Burns introduced him to modern jazz, his enthusiasm for players like Charles Mingus and John Coltrane led his mother to give him a Grafton saxophone in 1961.
Originally calling themselves the Original Bushwackers and Bullockies Bush Band, the three founding members were guitarist Dave Isom, tea-chest bass player Jan 'Yarn' Wositzky and lagerphonist Bert Kahanoff. The band was conceived at Latrobe University in Melbourne when the founding members, in order to qualify for a grant to travel to the Aquarius Arts Festival 1972 at the ANU in Canberra, had to register as a formal act, consequently taking their name from the title of an album by the English folk singer Martyn Wyndham-Read. They were later joined by various players, including accordion and concertina player Mick Slocum, and fiddlers Tony Hunt and Dave Kidd, and in 1974 the band went full-time with their first tour to the British Isles, and Kahanoff was replaced by lagerphone player Dobe Newton. With an ever-changing line-up, and adding tin whistle, harmonica, concertina, 5-string banjo, bodhrán, bones, spoons, electric bass and guitar and drums the band worked throughout Australia and Europe.
Rosenberg Publishing, 2014. Meredith resided in Heathcote from 1952 (when he moved there to share a somewhat primitive owner-built dwelling with its builder, Eric Burnett, an ex- roommate from Sydney) up to mid 1954, when he returned to the inner Sydney suburbs, taking up lodgings in Lewisham in order to avoid the long train commute from Heathcote to his job in the city, in addition to his burgeoning city-based musical activities. In its initial lineup, the group's instrumentation was button accordion and tin whistle (played by Meredith), "bush bass" or tea chest bass played by Barrie (actually not a traditional "bush" instrument at all, but one previously played by sailors and "wharfies"), while Loughlin played the lagerphone, a home-made percussion instrument constructed by loosely nailing bottle tops to a broom handle to make a rattling sound when struck upon the floor, this example being constructed and named by Meredith's brother Claude and copied from something he had seen played by "an old rabbitter".Mulga Wire, April 2002, p. 12.

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