He talks at length about his approach in Shortest Way Home.
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Industry expert Sherman Robinson talks at length about what's coming next.
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Mr Faber talks at length about disenchantment shown by voters and consumers alike towards elites.
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In the interview, González talks at length with ease and avoids the ideological battles that often mark US-Cuban relations.
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He talks at length about legacy and context, the extent to which one's musical identity can only be defined by the past.
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With his monogrammed shirts and leather loafers, this former property developer from a chic suburb of Paris talks at length of his plans to develop Cogolin's marina.
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He talks at length about Escape-ism as mind control, and it's part of his stage patter, I get it, but on another level, I don't, you know?
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When I ask her about her brush with death, she talks at length, eloquent in paying tribute not only to the medical team but also to the impact of the policy of safe surgery on nomadic life.
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He talks at length about a variety of subjects: his trips to Daytona Beach during his early hustling days, bumping Project Pat as a teenager, meeting Zaytoven before he ever thought about taking rap seriously, and more.
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Searching around, I see there's been plenty of back-and-forth on the "cool girl" monologue, which talks at length about how men demand that women act like impossibly "cool" and completely fictional people, at the midpoint of the movie.
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In a must-see interview recorded inside the Blue Drawing Room at Buckingham Palace on Thursday, the Duke of York talks at length about his involvement with the 66-year-old millionaire, who died by suicide in jail in New York City in August while awaiting trial on multiple sex charges.
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The irony here is impossible to miss: a book that talks at length about journalistic ethics and praises legacy media titans like the New York Times and the Washington Post while lambasting new media companies like Vice and BuzzFeed for sloppy reporting that is, well, filled with errors and what appears to be very sloppy reporting.
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At times Facebook's response to political attacks certainly looks like an attempt to drown out critical points by deploying self-serving but selective data points — so, for instance, it talks at length in the letter about the work it's doing in Myanmar, where its platform has been accused by the UN of accelerating ethnic violence as a result of systematic content moderation failures, but declines to state how many fake accounts it's identified and removed in the market; nor will it disclose how much revenue it generates from the market.
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A person afflicted with circumstantiality has slowed thinking and invariably talks at length about irrelevant and trivial details (i.e., circumstances). Eliciting information from such a person can be difficult since circumstantiality makes it hard for the individual to stay on topic. In most instances however, the relevant details are eventually achieved.
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Ciudad Trujillo , . The Galíndez case also inspired the 1991 novel Galíndez by Manuel Vázquez Montalbán, which led to the 2003 movie El Misterio Galíndez (The Galíndez File). In 2002 Ana Diez directed the documentary Galíndez about the affair. In his book The Feast of the Goat, Mario Vargas Llosa talks at length about Galíndez and his disappearance.
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Paul regains consciousness and finds himself bedridden with broken legs and a dislocated shoulder. Annie claims to be his "number one fan" and talks at length about him and his novels. Out of gratitude, Paul lets Annie read his new manuscript. While feeding him, she is angered by the profanity in his new work and spills soup on him, but apologizes.
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Mottola published a book titled Hitmaker in January 2013, written with Cal Fussman. He details his successes and the drive that propelled him to the top of the business, but also talks at length about the down times. Mottola produced the recent musical adaptation of Chazz Palminteri's A Bronx Tale. Palminteri credits Mottola with the realization of the new project, developed over the past two years.
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Documented by Norman Geschwind, signs include: hypergraphia (compulsion to write (or draw) excessively), hyperreligiosity (intense religious or philosophical experiences or interests), hyposexuality (reduced sexual interest or drive), circumstantiality (result of a non-linear thought pattern, talks at length about irrelevant and trivial details). The personality changes generally vary by hemisphere. The existence of a "temporal lobe epileptic personality" and Geschwind syndrome has been disputed and research is inconclusive.
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He duly receives a request to visit the woman and goes to her house. There they talk of England and Pyne talks at length of people, places and social events as frequented by all classes of people. Lady Esther is obviously pining for home but states that she can never return and Pyne tells her that he knows the reason why. He takes her through the story of the German pilot and asks if she would receive him.
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Meanwhile, Jess has a vivid dream where she sees herself with a beard and flat chest. Jess is excited about the vision, and talks at length about her gender confusion; Jess feels like neither man nor woman, and the dream affirms Jess's nonbinary identification. Theresa, however, is confused by the dream, and encourages Jess to forget about it. Later, the two argue over Jess's gender identity; Theresa tells Jess she's a woman, while Jess asserts that she is a he-she, which is different from being a woman.
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A meditation technique taught and used by Ajahn Sumedho involves resting in what he calls "the sound of silence". He talks at length about this technique in one of his books titled The Way It Is. Ajahn Sumedho said that he was directly influenced by Edward Salim Michael's book, The Way of Inner Vigilance (republished in 2010 with the new title, The Law of Attention, Nada Yoga and the Way of Inner Vigilance and for which Ajahn Sumedho wrote a preface). The Sound of Silence is also the title of one of Ajahn Sumedho's books (published by Wisdom Publications in 2007).
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The narration begins at that point explaining that the fleet on its way to Okinawa will be the first in history to come into battle with a land-based aerial opponent. Up to this point the Japanese have been at an aerial disadvantage, needing to fly a great distance from Japan to engage the enemy, or be stationed on an aircraft carrier that could be sunk. But now the Americans were coming up right under their home base. The narrator also talks at length about the kamikaze pilots and the difficulties the Navy has had with them in recent months.
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Robb returns from the Crag with Talisa to learn Jaime has escaped. Catelyn admits that Brienne is escorting Jaime to King's Landing to trade for Sansa and Arya, and Robb has Catelyn placed under guard. Roose Bolton assures Robb that Bolton's bastard son is nearing Winterfell; Robb orders mercy be shown to any Ironborn except Theon to persuade Theon's men to betray him. Talisa enters Robb's tent and talks at length about her brother and immediately after that Robb confesses to Talisa that he does not want to marry Frey's daughter, and they have passionate sex in his tent.
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Red fox Citing the meat's freshness, that it is organic, and free, some alternative/natural food commenters have taken to scavenging for roadkill.Sandor Ellix Katz Road kill: it's fresh it's organic it's free, July 28, 2009 Chelsea Green Publishing Alternet.org In his book The Revolution Will Not be Microwaved, Sandor Ellix Katz makes the case for eating roadkill in the name of sustainability. Katz talks at length about a North Carolina "earthskills" collective whose members turned to eating roadkill in the spring of 2002, and who have now become a center of information on evaluating, skinning and cooking roadkill as well as turning the hides to good use.
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The prisoner displays sociopathic behavior, often manipulating people with no regard to consequence but furthermore he talks at lengths of the nature of humanity and how psychopathic people take advantage of other people's needs. The ideas of race come up, as the inmate taunts him about his views on Nazism, he talks at length of how people use race and religion as scapegoats to control the minds of people with nothing else to take their frustrations out. The interactions between Poitier and the inmate draw to the tensions of race relations in the 1960s, when the film was originally released. The film delves deep into the mind of the inmate through psychoanalysis performed by Poitier.
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He is often a braggart and a swaggerer who can maintain his claims only by benefit of the fact that none of the locals know him. He is usually a Spaniard, given the fact that for most of the late Renaissance to well into 17th century, parts of Italy were under Spanish domination. He was most likely inspired by the boisterous Iberic caudillos who told tall tales of their exploits either in the conquest of the Americas or in the wars with Germany. Il Capitano often talks at length about made up conquests of both the militaristic and carnal nature in attempts to impress others, but often only ends up impressing himself.
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Reginald Hazeltine Bassett (September 3, 1878 – April 24, 1951) was an American composer and orchestrator who led a prolific career in film. He contributed music to over one hundred major movies from the 1920s to the 1940s. He is virtually unknown because he worked under a film studio system that not only controlled the copyrights to his music but also allowed others to take screen credit for his work. Bassett worked collaboratively on film score compositions with other Hollywood composers from Ira Gershwin to Hugo Friedhofer: > In any event, Friedhofer talks at length about Bassett in his oral history, > mentioning the scores on which he worked with him (including Intermezzo and > Gone With the Wind) and Bassett's association with Forbstein's predecessor > at Warner Bros.
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