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16 Sentences With "table mats"

How to use table mats in a sentence? Find typical usage patterns (collocations)/phrases/context for "table mats" and check conjugation/comparative form for "table mats". Mastering all the usages of "table mats" from sentence examples published by news publications.

Tray cloths, table mats, runners — I was your girl, an endless supply of unwanted gifts made by my clumsy child's hands.
Chaotic excitement and joy was unleashed from the pups as dinner bowls were brought forward and placed in front of them on table mats.
And the beauty lies in not only IKEA collecting all the information about which color of table mats you like, but also the dimensions of your house, the number of rooms you have and whatnot!
The tribes make bamboo crafts also. Bamboo crafts include wall hangings, table lamps, and table mats among other items.
Cresswell started printing fabric in the 1950s. She began with potato blocks then moved on to wood blocks and later screen printing. She started by selling table mats, curtains and beach shirts, which provided an income for her family. Cresswell labeled her garments with her maiden name, Fanny Buss.
Straw can be plaited for a number of purposes, including: the thatching of roofs, to create a paper-making material, for ornamenting small surfaces as a "straw-mosaic", for plaiting into door and table mats, mattresses and for weaving and plaiting into light baskets and to create artificial flowers. Straw is also plaited to produce bonnets and hats.
The ethnological gallery exposing the culture and manner of life of Chitral valley. The gallery include embroidery, jewelry, weapons, ceramics, musical instruments, hunting tools, furniture and household objects. The embroidery includes shirts from Kohistan regions, Swat and Nooristan, female purse, waist coats, caps, table mats, pillow covers etc. The jewelry displayed in the gallery represents the cultural trends containing copper and silver bangles, pendants, ear rings, finger rings, necklaces, bracelets, amulets, ornaments, head ornaments, torques, anklets and shoulder.
An exhibition devoted to James Bolton and his works was held at the Liverpool Museum in 1995-6 and he was one of the artists featured in the Nature Observed exhibition at the University of London in 2006. Bolton's fern and fungi books, with their descriptions of new species, remain of scientific value today, whilst his bird studies from Harmonia ruralis have retained their attraction - and have been reproduced as prints, on table mats and coasters, and even on tea towels.
Each of the tribe has unique designs and colours, producing shawls, shoulder bags, decorative spears, table mats, wood carvings, and bamboo works. Among many tribes, the design of the shawl denotes the social status of the wearer. Some of the more known shawls include Tsungkotepsu and Rongsu of the Ao tribe; Sutam, Ethasu, Longpensu of the Lothas; Supong of the Sangtams, Rongkhim and Tsungrem Khim of the Yimchungers; the Angami Lohe shawls with thick embroidered animal motifs etc. Folk songs and dances are essential ingredients of the traditional Naga culture.
J. W. Spear and Sons was a significant manufacturer of board games during the 20th century. The company was founded by Jacob Wolf Spier (1832-1893) in Fürth, near Nuremberg, Germany in 1879, producing goods such as table mats, photo frames, and waste-paper baskets. By the turn of the century, games had become the main product, and output gradually expanded until the company become one of the best-known international manufacturers of games and children's activity kits, employing up to 600 people. In 1932, they set up a factory in Brimsdown, Enfield, Britain to avoid customs duties.
After World War II, Bernard Ashley met Welsh secretary Laura Mountney at a youth club in Wallington, London. While working as a secretary and raising her first two children, part-time she designed napkins, table mats, tea-towels which Bernard printed on a machine he had designed in an attic flat in Pimlico, London The couple had invested £10 in wood for the screen frame, dyes and a few yards of linen. Laura's inspiration to start producing printed fabric came from a Women's Institute display of traditional handicrafts at the Victoria & Albert Museum. When Laura looked for small patches carrying Victorian designs to help her make patchworks, she found no such thing existed.
1970s printed cotton dresses by Laura Ashley exhibited at the Fashion Museum, Bath in 2013 While working as a secretary and raising her first two children, Ashley undertook some development work for the Women's Institute on quilting. Revisiting the craft she had learnt with her grandmother, she began designing headscarves, napkins, table mats and tea- towels which Bernard printed on a machine he had designed in their attic flat at 83 Cambridge Street, Pimlico. The couple had invested £10 in wood for the screen frame, dyes and a few yards of linen. Ashley's inspiration to start producing printed fabric came from a Women's Institute display of traditional handicrafts at the Victoria & Albert Museum.
He practices by adding symmetrical features to words, figures and even three-dimensional words. In fact, in order to promote paper-tearing skills, he made a lot of effort to decrease the number of steps and have fun at the same time, so that even a two-year-old child can both learn and enjoy making them. "Lifetime art" 藝伴一生 [JET] 2012-06-01 P132-153 FEATURE STORY Lap Wong He usually uses recycled paper for his artwork in the hopes of protecting the environment and making paper-tearing popularized. For instance, he teaches children to use table mats of fast food shops to make paper-tearing works; therefore, children can make artwork without wasting paper.
After World War II, engineer Bernard Ashley met Welsh secretary Laura Mountney at a youth club in Wallington, London. While working as a secretary and raising her first two children, part-time she designed napkins, table mats, tea-towels which Bernard printed on a machine he had designed in an attic flat in Pimlico, LondonCopestake and Mounteney Newsletter 2 The couple had invested £10 in wood for the screen frame, dyes and a few yards of linen. From 1953, Bernard left his city job and the couple began to expand the company. This put themselves on the road to becoming an international company with a brand that is recognised around the globe.
The straw is bundles and tied together to create figures and other objects such as images of Christ and the Virgin Mary for altars, Christmas ornaments, hats, baskets, table mats and screens, especially in Ichupio, San Jerónimo Purenchécuaro, San Andrés Tziróndaro and Tzintzuntzan. More particular to Michoacán is the use of the same material, previously dyed in various colors, to create a kind of mosaic. Individually cut pieces of straw are carefully placed one-by-one pressed into a wax-covered board to create images. This manner of using wheat straw has roots in the pre-Hispanic period, when different materials where arranged with the same technique, but the current version, generally done to create religious images and landscapes has been popular since the 1960s.
In general merchandise, Namco released a Taki key chain figurine and a standing clock in its 1996 Soul Edge line, among other items such as window shades and table mats. Yujin released two 4 in (10 cm) immobile figurines of Taki in her primary outfit from Soulcalibur II as part of its gashapon figure collections 'Namco Girls' Series 1 and 4 (in her alternative costume based on Waya Hime's design), and Wave released a 1/8 scale 7.5 in (19 cm) garage kit figure of Taki from the same game in 2003. In 2006, Namco released a MegaHouse PVC statuette based upon promotional artwork of Taki for the game as part of a Soulcalibur III, set along with an alternative-color unmasked version with three interchangeable weapons for it to hold.『鉄拳5』&『ソウルキャリバーIII』の キャラクターたちがコレクションフィギュアに!, Dengeki Online, 2005/12/06.

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