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19 Sentences With "syncretically"

How to use syncretically in a sentence? Find typical usage patterns (collocations)/phrases/context for "syncretically" and check conjugation/comparative form for "syncretically". Mastering all the usages of "syncretically" from sentence examples published by news publications.

With the nostalgia embodied in its fine wood-turning, it was both profoundly simple and rustically handcrafted, syncretically calling to mind rural chair-making of ages past.
Tzeltal religion syncretically integrates traits from Catholic and native belief systems. Shamanism and traditional medicine is still practiced. Many make a living through agriculture and/or handcrafts, mostly textiles; and many also work for wages to meet family needs.
Zambia is a landlocked country in southern Africa. Modern Zambian theatre has developed syncretically from the melding of traditional local ritual and ceremonial forms of dance, drama and narrative storytelling, with Western theatre that was introduced during the colonial period.
The water buffalo demon Mahishasura was killed by goddess Durga, while the water demoness Mahishasuri was killed by Ayyapan, ending the terror of evil and liberating divine Lila who was previously cursed. These legends, states Younger, syncretically link and combine various Hindu traditions around Shiva (Shaivism), Vishnu (Vaishnavism) and Devi (Shaktism).
From the time of the Renaissance onwards, Jewish Kabbalah became incorporated as an important tradition in non- Jewish Western culture, first through its adoption by Christian Kabbalah, and continuing in Western esotericism occult Hermetic Qabalah. These adapted the Judaic Kabbalah tree of life syncretically by associating it with other religious traditions, esoteric theologies, and magical practices.
Plato, as the speaker Timaeus, refers to the Demiurge frequently in the Socratic dialogue Timaeus (28a ff.), 360 BC. The main character refers to the Demiurge as the entity who "fashioned and shaped" the material world. Timaeus describes the Demiurge as unreservedly benevolent, and so it desires a world as good as possible. Plato's work Timaeus is a philosophical reconciliation of Hesiod's cosmology in his Theogony, syncretically reconciling Hesiod to Homer.
Surya's iconography is often depicted riding a chariot harnessed by horses, often seven in number which represent the seven colours of visible light, and seven days in a week. In medieval Hinduism, Surya is also an epithet for the major Hindu gods Shiva, Brahma and Vishnu. In some ancient texts and arts, Surya is presented syncretically with Indra, Ganesha or others. Surya as a deity is also found in the arts and literature of Buddhism and Jainism.
Vasudeva, state the Pancaratra texts, goes through a series of emanations, where new avatars of him appear. This theory of avatar formation syncretically integrates the theories of evolution of matter and life developed by the Samkhya school of Hindu philosophy. These texts also present cosmology, methods of worship, tantra, Yoga and principles behind the design and building of Vaishnava temples (Mandira nirmana). These texts have guided religiosity and temple ceremonies in many Vaishnava communities, particularly in South India.
The consequence under such a definition, according to Ferdinando, can lead to a fatal "compromise" of the original religion's "integrity". In modern secular society, religious innovators sometimes construct new faiths or key tenets syncretically, with the added benefit or aim of reducing inter-religious discord. Such chapters often have a side-effect of arousing jealousy and suspicion among authorities and ardent adherents of the pre-existing religion. Such religions tend to inherently appeal to an inclusive, diverse audience.
Religious rites and customs are traditionally presided over by a tangalamena officiant. Betsimisaraka communities widely believe in various supernatural creatures, including ghosts (angatra), mermaids (zazavavy an-drano) and the imp-like kalamoro. Efforts to Christianize the local population began in the early 19th century but were largely unsuccessful at first. During the colonial period the influence of Christianity among the local population grew, but where it is practiced is often blended syncretically with traditional ancestor worship.
As of today, few cultural rituals of Shamanism are still practiced alongside Islam, particularly in Central Kyrgyzstan. During a July 2007 interview, Bermet Akayeva, the daughter of Askar Akayev, the former President of Kyrgyzstan, stated that Islam is increasingly taking root, even in the northern portion which came under communist influence. She emphasized that many mosques have been built and that the Kyrgyz are "increasingly devoting themselves to Islam". Many ancient indigenous beliefs and practices, including shamanism and totemism, coexisted syncretically with Islam.
Nathamuni's efforts to syncretically combine the Vedic knowledge and Alvar compositions, also set the precedence of reverence for both the Vedas and the Alvar bhakti ideas. Nathamuni's scholarship that set Alvar songs in Vedic meter set a historic momentum, and the liturgical and meditational songs continue to be sung in the modern era temples of Sri Vaishnavism, which is part of the service called cevai (Sanskrit: Seva). Nathamuni is also attributed with three texts, all in Sanskrit. These are Nyaya Tattva, Purusha Nirnaya and Yogarahasya.
126 Ugajin is represented both as a male and a female, and is often depicted with the body of a snake and the head of a bearded man, for the masculine variant, or the head of a woman, for the female variant. In Tendai Buddhism Ugajin was syncretically fused with Buddhist goddess Benzaiten, which became known as Uga Benzaiten or Uga Benten. The goddess sometimes carries on her head Ugajin's effigy. In this limited sense, the kami is part of the Japanese Buddhist pantheon.
Two non-Jewish syncretic traditions also popularised Judaic Kabbalah through its incorporation as part of general Western esoteric culture from the Renaissance onwards: theological Christian Cabala (c. 15th – 18th century) which adapted Judaic Kabbalistic doctrine to Christian belief, and its diverging occultist offshoot Hermetic Qabalah (c. 15th century – today) which became a main element in esoteric and magical societies and teachings. As separate traditions of development outside Judaism, drawing from, syncretically adapting, and different in nature and aims from Judaic mysticism, they are not listed on this page.
The Santa Cruz dolmen, burial place of chieftains of the Eastern Asturian area since Megalithic times. Although the earliest evidence of Christian worship in Asturias dates from the 5th century, evangelisation did not make any substantial progress until the middle of the sixth century, when hermits like Turibius of Liébana and monks of the Saint Fructuoso order gradually settled in the Cantabrian mountains and began preaching the Christian doctrine. Christianisation progressed slowly in Asturias and did not necessarily supplant the ancient pagan divinities. As elsewhere in Europe, the new religion coexisted syncretically with features of the ancient beliefs.
There is a Spanish edition: "Los soyotos, un pueblo primitivo. Nómadas mongoles pastores de renos" (Calpe, Madrid, 1921). With all its shortcomings (the book is flawed with the eurocentrism of its age), it is probably the best study of these isolated people before they adapted to the larger Buryat culture. It includes a short list of Soyot words, several dozen photographs and a fortunate preserved account of a Soyot shamanic tale of divination, along with a detailed account of both shamanic and lamaistic rituals among these people (both Buddhism and native animism syncretically coexisted at the time of the expedition).
Resident in Europe, Roux has participated in musical festivals such as the Tonkünstlerfest (Baden-Württemberg, 1990 and 1993) and the International Composers' Workshop (Amsterdam, 1996). In 1999, he delivered a lecture-recital for the Stuttgart German-American Society on South African (township) jazz. His commitment to African musical forms, rhythms and instrumentation has, however, remained central to his creative vision. He has composed syncretically in avant-garde, post-avant-garde and contemporary classical styles (so-called new music), with his music regularly being performed in Germany, South Africa, the UK and the US. As an arranger he has become well known for his arrangements of South African music (traditional Afrikaans, Cape-Malay and Zulu –for piano, ensemble and voice).
Hutton 2001. pp. 47–58. In the sixth chapter, entitled "Shamanic Cosmologies", Hutton notes that there were three cosmological concepts widespread among Indigenous Siberians: "the beliefs that even apparently inanimate objects were inhabited by spirit-forms; that the world was structured on a number of different levels; and that living beings possessed more than one 'soul' or animating force." Noting that scholars can only truly discuss shamanism based on evidence from the 19th and 20th centuries, when such beliefs had already begun to syncretically mix with incoming foreign religious movements, he then goes on to discuss the myriad different types of spirit assistants found in the cosmologies of Siberia. Throughout this, he emphasises the huge variation within the Siberian region, with different cultural and ethnic groups holding different beliefs about the structure of the cosmos and the relationship between the shaman and those spirits with whom they worked.
Max Muller, The Shvetashvatara Upanishad, Oxford University Press, pages xxxiv and xxxvii Grierson as well as Carus note that the first epilogue verse 6.21 is also notable for its use of the word Deva Prasada (देवप्रसाद, grace or gift of God), but add that Deva in the epilogue of the Shvetashvatara Upanishad refers to "pantheistic Brahman" and the closing credit to sage Shvetashvatara in verse 6.21 can mean "gift or grace of his Soul". Doris SrinivasanD Srinivasan (1997), Many Heads, Arms, and Eyes, Brill, , pages 96-97 and Chapter 9 states that the Upanishad is a treatise on theism, but it creatively embeds a variety of divine images, an inclusive language that allows "three Vedic definitions for personal deity". The Upanishad includes verses wherein God can be identified with the Supreme (Brahman-Atman, Self, Soul) in Vedanta monistic theosophy, verses that support dualistic view of Samkhya doctrines, as well as the synthetic novelty of triple Brahman where a triune exists as the divine soul (Deva, theistic God), individual soul (self) and nature (Prakrti, matter). Tsuchida writes that the Upanishad syncretically combines monistic ideas in Upanishad and self-development ideas in Yoga with personification of Shiva-Rudra deity.

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