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30 Sentences With "sweet tone"

How to use sweet tone in a sentence? Find typical usage patterns (collocations)/phrases/context for "sweet tone" and check conjugation/comparative form for "sweet tone". Mastering all the usages of "sweet tone" from sentence examples published by news publications.

There's the sweet tone of Caroline Polachek's voice, which glides over the track like maple syrup on pancakes.
George Harrison opens with the sweet tone he developed on Cloud Nine: "You're the best thing that I ever found," he sings.
TC I'm still young enough that moments with my parents have not taken on that sweet tone I understand they take later in life.
He tried the working ones, first the Pyramid Diapason, then the Choir Organ, then the Flute Harmonique, a high, sweet tone that shot straight to the altar.
For Mr. Conrad, the album brought attention to the sweet tone and admirable lightness of his singing, and to his agile way of dispatching runs and embellishments.
It's one of the record's most reflective moments, and SZA's addition feels like a shrewd one: her sweet tone imparts exactly the sort of serene energy intended for the track.
And from what I played briefly at GDC this year, it's remarkably pleasant, with the same playful, sweet tone that made the original Harvest Moon so endearing back on the Super Nintendo.
If I come to the guests and ask if they'd like dessert and I can see that they are unsure, I always say—with a very sweet tone—desserts don't go to the body, they go to the heart.
However, she is able to insult Leon maintaining her sweet tone. Mina has a very big fear of bugs, despite how strong she is. Mina came first in the character popularity poll for Cafe Little Wish. ; : :Ceres is the laid-back and selfless owner of Cafe Little Wish.
There were also large clumps of trees and large tracts of un-cultivated land, which was used as common pasture lands for sheep and cows. The shepherd boys usually had a hand made flute and played a sweet tone. Deer were common and were seen fleeting outside the mission house.
When Capilupi heard him sing Lenten music at Santa Trinità, he proclaimed him the best falsettist in Rome, praising Conforti's resonance, improvization, and ornamentation. Cardinal Gonzaga's letters say Conforti sang both contralto and soprano skillfully, the first with a full voice, and the latter with a sweet tone. His skill came to impress many, and he was considered a prominent virtuoso soloist.Jackson, Roland.
Sureshbabu was an exceptionally expert in Khyāl, Thumri, Marāthi Nātya Sangeet and Bhajan. his singing was intelligent, tuneful, aesthetically rich, tender and balanced. His disciple and legendary Hindustani classical singer Dr. Prabha Atre written in her book Along Path of Music that, his music came through intuition, imagination and will power; not through hard labour. his sweet tone was the life of his singing.
This style would suit the sweet tone of the pastoral pipes union/uilleann pipes of the late 18th century, when literature, art and music romanticized rural life.H. Cheape. The Union Pipe of Scotland and Ireland: A Shared Tradition. Lecture at the Royal Society of Antiquaries of Ireland (2007). In the 19th century oboes were being marketed in London as “pastoral” to fit the music styles of the times.
Despite maintaining the underhand bow-hold of the gamba, his sweet tone and depth of expression greatly influenced his students, Jean Pierre Duport, Tillière, and Jean Baptiste Cupis. Berteau developed an effortless fingering system, incorporating the use of the thumb, and introducing the use of both natural and artificial harmonics, which was quite unusual for the cello at the time. Cello fingering, he thought, ought to emulate violin playing where each finger plays a half step or semitone.
Of Sjöwall's appearance as Micaëla (Carmen), the San Francisco Classical Voice wrote, "she lit up the proceedings with glowing, sweet tone and a radiant persona, which rightfully reaped some of the longest applause of the evening." Her 2009 performance as Gilda in Rigoletto was judged to show "real promise" with an "impressive high E-flat". In addition, her performance in Turandot was lauded as a "lovely and limpid Liù" that was "deeply affecting." After her role debut with Nashville Opera as Mrs.
After inventing Ranjan Veena he researched with various instruments to come up with a unique instrument. It was named Triveni Veena, (Triveni meaning three rivers[2]) because it combines 3 materials (metal, wood and leather) and produces mixed tone of 3 instruments (Sarod, Veena and Guitar Guitar). There are 4 melody strings, 2(right) + 4(left) Chikari strings to maintain Scale with Rhythm and 11 sympathetic strings. It is medium in size but produces a loud sound with long sustenance and sweet tone.
She was also seen on the vaudeville stage in the United States and Canada. She appeared in one silent film, Patsy (1917), starring June Caprice. Of her soprano singing voice, a Chicago critic hailed her sweet tone but criticized her enunciation: "You can't tell whether Edna is singing in French, Latin or Greek," he complained, adding "but who cared, not on a sweltering, accursed day like yesterday, anyhow." She traveled with her mother as her chaperone and companion during her career.
Russell, Tony (2007), Country Music Originals, The Legends and the Lost, Oxford University Press pp 92-96. Rutherford was born in Somerset, Kentucky and lived most of his life in Monticello, Kentucky. Rutherford has been described as "one of the prettiest of old time fiddlers, and he could sing too" Russell p 92 and "a versatile, long bow fiddler with an exceptionally sweet tone and a repertoire that included modern songs and tunes, as well as old-time tunes".Titon p.
Mànran are a Scottish band that was established in June 2010. Mànran is a Gaelic word for a melodic sound or a sweet tone. Since 2010 they have performed in over 30 countries worldwide including several international folk & world music festivals, won awards home and abroad and were invited to do a special one-off concert for the 2012 London Olympics. The band embarked on their first trip to America in 2013 which was filmed by BBC ALBA for a 1 hour long documentary.
Prague String Duo, Archive Recordings (Prague: Uneventful Records, 2015). Along with Sádlo, Večtomov was considered one of Czechoslovakia's leading classical artists, drawing comparisons in the international press to Russian cellist Mstislav Rostropovich, who had been his contemporary at the Moscow Conservatory. Večtomov was best known for his inimitably sweet tone. “As the concerto develops, it is clear that Večtomov, so august a member of the Czech Trio, was certainly a big enough concerto soloist, but one who does not seek to impose his personality onto the music.
The 'nunun' is a Catalan wind instrument made from straw, with a tallet at one end which is taken between the lips and blown, producing a sweet tone. This tone is described my its onomatopoeic name. The nunun was traditionally made in the fields by children at harvest-time; they would take wheat straw and carefully cut it to make small noisemakers known as nunun. The children knew how to cut the straws to produce a variety of tones, and would combine several nunun of different lengths to produce different notes.
Such a flat and rectangular voicing however, produces a less-than-sweet tone and offers far less dynamic flexibility (pitch bending) than a flute embouchure. The recorder voicing was designed to limit pitch bending for a more stable tone with variations in breath pressure. Typically, a shallow ramp instrument, such as a tabor pipe, will allow faster register changes, pitch bending and "flutey" tone, while an instrument with a deeper ramp will limit fast register changes, pitch bending and produce a more "reedy" tone. Some modern recorder makers now produce curved labium lip voicings to add harmonic tone color.
When all the males in her family are done, she moves on to other people. Any person who has seen a Churel can also be attacked by a deadly disease and those who answer to her night calls can end up dead. In the poem Lalla Radha and the Churel, a priest warns the protagonist to not go near the Peepul trees because that is where the Churel lives and she might take him away and kill him. He still went to the Peepul tree and she called out to him in a sweet tone and seduced him until he went to her.
Ciara – Goodies – Album reviews – Reviews – Music – Virgin Media Retrieved January 13, 2008 One negative review of the song, published by The Situation, said the song was "not as strong" as other songs on the album, "as Luda's raspy vocals overpower Ciara's sweet tone."Ciara – Goodies Retrieved January 13, 2008 "Oh" went on to win an award at the 2006 ASCAP award shows for "Most Performed Songs" with the two previous singles from Goodies, "Goodies" and "1, 2 Step." The song also took home the award for "Choice Music Make-Out Song" at the 2005 Teen Choice Awards and for "Coolest Collabo" at the 2006 Vibe Awards.
It had a Hollywood feel with lively percussion, disco glamour and uncharacteristic male voices helping with the vocal chanting.Saturday Night Forever: The Story of Disco by Alan Jones and Jussi Kantonen - The Ritchie Family ; Life is Music Phil Hurtt who had co-produced Honey & the Bees material with Bunny Sigler had a good understanding of what qualities the vocalists could bring to the group. With their individual style he knew what they would be like together with Gwendolyn's sweet tone, Cassandra's soul and earthiness and Cheryl's more powerful vocals and embodiment of those two other qualities. So he was granted more time to work with them on their vocal arrangements.
Le Ton beau de Marot: In Praise of the Music of Language is a 1997 book by Douglas Hofstadter in which he explores the meaning, strengths, failings, and beauty of translation. The book is a long and detailed examination of one short translation of a minor French poem, and through that an examination of the mysteries of translation (and indeed more generally, language and consciousness) itself. Hofstadter himself refers to it as "my ruminations on the art of translation". The title itself is a pun, revealing many of the themes of the work: le ton beau means ‘the beautiful tone’ or ‘the sweet tone’, but the word order is unusual for French.
Spivak himself (known as "Cheery, Chubby Charlie") had been noted for his trumpet's sweet tone and his strength for playing lead parts, rather than for any improvisational ability. He was also known as "The Man Who Plays The Sweetest Trumpet In The World". A number of the band's musicians were to make names for themselves, including drummer Dave Tough, bassist Jimmy Middleton, trumpeters Les Elgart and Paul Fredricks, saxophonist Don Raffell, trombonist Nelson Riddle, trombonist Jimmy Knepper, and singers Garry Stevens, June Hutton, Tommy Mercer, Jimmy Saunders, and Irene Daye (who had sung with Gene Krupa, and whom Spivak married in 1950). Riddle was also responsible for many of the band's arrangements, together with Sonny Burke.
Bennet Woodcroft Subject-matter Index of Patentees and Applications for Patents of Invention for the Year 1870 George Edward Eyre and William Spottiswoode, London 1872 p. 291 Earlier that year Robert Wornum & Sons had advertised that their "new patent construction" allowed a reduction of over 100 guineas in the price of their grand pianos, as well as insuring "a full, sweet tone and an elastic touch",advertisement The Times 27 June 1870 p. 18 and by 1871 the firm offered four sizes between 5 feet 6 inches (168 cm) and 8 feet 6 inches (259 cm) on the new plan, priced between 56 and 96 guineas ($260 to $450).advertisement The Times 28 July 1871 p.
The physharmonica resembles a small harmonium, but is differentiated from it by having no stops, being without percussion action, having only a 4 octave compass, and not speaking readily or clearly. As with the harmonium, the bellows are worked by the feet by an alternate movement, which also affords a means of varying the dynamic force of the tone according as more or less energetic pedalling increases or decreases the pressure of the wind supply. The physharmonica was invented in 1818 by Anton Haeckl, of Vienna; in the original instrument the bellows were placed right and left immediately under the shallow wind-chest, and were worked by means of pedals connected by stout wire. A specimen, having a compass of four octaves and a very sweet tone, is preserved in the collection of Paul de Wit, formerly in Leipzig, transferred to Cologne and then back to Leipzig's Grassi Museum.
Moving his family from Washington, D.C. to New York in 1958, and eventually settling in Nyack, he worked primarily as a studio musician in the 1960s, 1970s, and 1980s. Some live appearances included work with Herman, Gene Krupa (1958), Lee Konitz (1959), Ralph Burns, George Russell, Al Cohn (1962), Paul Desmond (1969), and Bill Evans (1974). Marky was a "first call" trumpeter for many top artists of the 1960s, 1970s, and 1980s, including Paul Simon, Aretha Franklin, Stevie Wonder, the Young Rascals, Frank Sinatra, Tony Bennett, Dionne Warwick, Maynard Ferguson, George Segal, and many others, as well as hundreds of advertising "jingles", TV ads and movie scores. He was a perennial on the Jerry Lewis Labor Day Telethon for Muscular Dystrophy, and known for a "sweet" tone on the trumpet and flugelhorn, as well as a better-than-average vocal impression of Louis "Satchmo" Armstrong, which was featured on a 1970s TV commercial for Hecker's Flour.

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