Clinton's misdeeds, before finally — and suspensefully — announcing he would not charge her with any crime.
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Eventually the motion of arpeggios vanishes to leave behind a sustained, suspensefully unresolved coda. J.P.
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Meaning emerges, in a drama, suspensefully, out of the interplay of forces, from the collision of voices.
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Do you remember precisely how much give the buttons had when you depressed them, how the disc hood yawned open gracefully, almost suspensefully?
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The book's narrative builds suspensefully toward an ending that's wrenching and true, and in its final pages, Annabelle learns to abide by life's complexities.
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But the author's vibrant narrative and fetching personal profiles transform a biography about a largely overlooked political figure into a suspensefully, well, unexpectedly gratifying read.
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Weiss renders the conflict so suspensefully that it is easy to see why Steven Spielberg's Amblin Television has already bought the rights to the book.
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The Civil War ground on from clash to clash, place to place, progressing relentlessly and suspensefully toward its culmination, with key battles like Gettysburg and Vicksburg providing dramatic pivots.
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Every movement flows out of the last, suspensefully: Even after more than 40 years of watching these seemingly simple dances, I find sequences here with rhythms and shapes that softly electrify.
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Kaaren plays a woman who is separated into halves and then joined together again suspensefully. The murder mystery has Robert Young and Florence Rice in prominent roles. She starred opposite Bela Lugosi in The Devil Bat. The cult film of the horror film genre is a Poverty Row production released by Producers Releasing Corporation.
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In so few minutes, Love Me Haiti mirrors 21st century geo-political corruption at its best. The film does it suspensefully by presenting the life of a couple: two doctors who naively think humanitarian medicine is about treating those in needs, having divine faith and hoping for a cure but soon find themselves fighting something beyond belief - a criminal injustice system in a decaying world. In simple words, the film twistfully illustrates how life is a bitch.
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For instance, Kyle Smith of The New York Post enjoyed the second act, praising how screenwriter Jeffrey Reddick "develops [the film] suspensefully". He noted some of the "creative murders", which were "grotesque" enough to "make even horror buffs flinch"; however, he decried the clichéd final act, complaining that Tamara is off-screen too much, and asserting that "villainy shouldn't be outsourced", "killings [shouldn't] become routine". Likewise, Frank Scheck, writing for Hollywood Reporter, provided a mixed review and confessed that "the film has its dubious pleasures".
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In its blend of entertainment and propaganda elements the film is paradigmatic for National Socialist cinema in much the same way as Wunschkonzert, after Die große Liebe the next most popular film of the National Socialist period. While on the one hand the suspensefully presented love story, with its images of the North African desert, Paris and Rome, as well as the extravagant show numbers, constitutes an invitation to dream, yet on the other hand "Die große Liebe" urges adjustment to the realities of war at all levels. Not love, but war, is the real theme of the film. This is despite omitting any background for, or events in, the war.
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