You stick to your principles and are not easily swayed by superficialities.
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We're trying to see if the audience is willing to let go of superficialities.
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And then there are the stories that challenge the superficialities of such a complex term.
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And whatever the superficialities of Mr. Trump might be, he was more authentic than the other politicians.
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"We talked about superficialities and maybe alluded to those serious difficulties that a space flight entails," Collins recalled.
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So how can your reforms stand a chance of being adopted, unless you go to battle armed with narrative, emotion, superficialities and a dash of embitterment?
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What will it take to make Mr. Lang understand that the music — and he, through it — can communicate much more strongly and directly without all the superficialities?
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Although Ms. Sherman expresses contempt for the superficialities of social media ("it seems so vulgar to me") her new images of old-time film stars also hint at our digitized present.
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"It still looks like we're talking more about superficialities ... than some of the fundamental issues," Simon Baptist, global chief economist at The Economist Intelligence Unit, told CNBC's "Squawk Box" on Tuesday morning.
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"If you don't mind its superficialities, 'Genius' can be enjoyed for its surface attributes, including Mr. Banderas's impressive makeup and expectedly seductive performance," Mike Hale wrote in his review of this season for The Times.
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These superficialities nonetheless give way to vibrant accounts of airplane racing, with the women speeding around the country, crossing oceans, making fantastic turns around hazardous pylons and flying so high into the air that they carry oxygen tanks beside them.
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Thompson & Churchill, architects, drew the plans for the envisioned building. One of them, Henry S. Churchill, commented about the emphasis on mass in the construction of the edifice, to the exclusion of superficialities. Its flat surfaces would be embellished by the inclusion of exterior color contrasts. The plans designated six lower floors for stores and offices and the upper thirty-five for residential living space.
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Billroth died in Opatija, Austria-Hungary, before he could complete the research. Excelling at both his vocation and his avocation, Billroth never saw science and music as being in conflict. On the contrary, he considered the two to complement each other. "It is one of the superficialities of our time to see in science and in art two opposites," he wrote in a letter.
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His first book, Holes and Other Superficialities (1994, with Roberto Casati), was an exploration of the realist ontology of common sense and naive physics. His more recent work is inspired by a nominalist-conventionalist stance. Varzi is currently an editor of The Journal of Philosophy and an advisory editor of the Stanford Encyclopedia of Philosophy. Varzi is also a prolific writer for the general public and contributes regularly to several Italian newspapers.
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Thomas "Trip" Hesburgh III (Robin Dunne). Journalist; George's first serious relationship. George found herself liking Trip a great deal, and became extremely upset when she thought that Trip was her reap, Thomas Hesburgh Jr, though it was soon revealed that Trip was Thomas Hesburgh III and she was supposed to reap Trip's father instead. He seems very unhappy despite being raised in a wealthy family, and seems tired of the social superficialities of his wealthy upbringing.
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Ethnic violence had already existed between owners of lands and their hosts particularly in the west side of the country, between Bete and Baoule, Bete and Lobi. Since independence, people from the center of the country, Baoules, have been encouraged to move to fertile lands of the west and south-west of the country where they have been granted superficialities to grow cocoa, coffee and comestibles. Years later, some Bete have come to resent these successful farmers. Voting became difficult for these immigrants as they were refused voting rights.
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The Telegraph called hers "a name to watch" and The Independent compared her to Joan Fontaine in Rebecca. The Spectator said: "Brealey uncovers the pathetic poetry beneath the indolent superficialities. Her big disadvantage is that she’s too attractive for ‘plain’ Sonya, but she disguises this by suggesting a lack of sexual allure with awkward giggles, squirrelly movements and a stupefied beaming naivety. All brilliantly done..." In 2011 Brealey was the sex-mad, short- frocked daughter of Julian Barratt and Doon Mackichan at the Young Vic in Richard Jones's Government Inspector.
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"To some extent, Yamanaka has replaced racism with sexism and homophobia, 'safer topics'", concluded Nation reviewer Mindy Pennybacker. However, Michael Porter, of the New York Times Book Review applauded Yamanaka's efforts, stating that "[she] delivers a precise look at this vibrant 'Japanese-American' culture yet still speaks to anyone who has experienced the joy, security and small humiliations of family life." Name Me Nobody was her fourth book geared towards adolescents. In illustrating the difficulties of young "teen hood" and the surrounding superficialities, the "'vignettes of young girlhood praised for their vivid images and expert distillation of language", related a Horn Book reviewer, "Yamanaka provides young adult literature with a fresh and welcome voice "noteworthy for its complexity and richness'.
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In 1988, Green was awarded honorary Doctorates from the University of North London and Middlesex University, and was made Commander of the Order of Honour in 1994 by the President of Greece. She has since been awarded the Grand Golden Cross with Star by the President of the Republic of Austria, and been made Grand Commander of the Order of Merit of the Republic of Cyprus. In the New Year's Honours 2003 Green was appointed as a Dame Commander of the Most Excellent Order of the British Empire (DBE) "for services to the Co- operative Movement and to the development of the European Union" She has been described as "strong, confident and well organised" by Neil Kinnock, "a refreshing no-nonsense figure" by Phillip Whitehead and "guided by common sense and an antagonism (which amounts almost to contempt) towards the superficialities of political image-making" by Roy Hattersley.
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