Kendler's repurposed and mostly invisible library combines aesthetic and conceptual suggestiveness with practical ecological touches.
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His chief subject is anthropological: the new American society of the Beat age, informal in manners and sexual suggestiveness.
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She was stunningly beautiful and the suggestiveness of like nothing getting between her and her Calvins was like Woo… risqué!
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This puts excess pressure on the production to provide coherence, but Danya Taymor's direction opts for suggestiveness rather than clarity.
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But the point has been made, and its disturbing suggestiveness lingers afterward, like the acrid smoke of a sneaked cigarette.
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The way Ms. Westby's face softens in these moments is a measure of the subtle suggestiveness of Ms. Gerring's aesthetic.
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The Marvel movies and others of their kind often produce an illusion of profundity, a slick, murky overlay of allegorical suggestiveness.
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Non-compliant with the Hays Code due to vulgarity and suggestiveness, sympathy for criminals, and picturizing another country's prominent people in an unfavorable light.
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In "Fantasy" (1995), her sexuality is nothing less than adorable, as she succumbs to a sexy roller coaster ride, all doe eyes and inoffensive suggestiveness.
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What Pound discovered in Noh echoed of his own developing Imagist aesthetic: suggestiveness, allusion, the static intensification of a single image that unifies each play.
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Onscreen, "On Chesil Beach" loses some intensity at the end, as the supple suggestiveness of Mr. McEwan's prose is replaced by the stagy literalness of film.
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I was an enthusiast, early on, of Salle's chilled suggestiveness of feelings imperfectly remembered and experiences vainly anticipated—his "icy melancholy," as Janet Malcolm called it in this magazine.
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She tried out reflections too complex to decipher readily, like herself distorted in a shiny metal soup ladle, and she toyed with the sexual suggestiveness of flowers seen close up.
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" All Massage Envy therapists undergo background checks and are informed of an extensive zero-tolerance policy toward, among other things, inappropriate touching and actions "that infer sexual suggestiveness or explicit sexuality.
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She studied his open, hopeful expression—cautiously, as if she were just musing over the timing of her imaginary arrangements for later—but couldn't catch any flicker of suggestiveness or sin.
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George Stamelos, a co-founder of Goodbye Bread, said fashion brands regularly dealt with mixed messages from Facebook on skin and suggestiveness in ads but could often successfully appeal to human moderators.
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The best ones combine function and a dash of devil-may-care suggestiveness; the kind of thing that you can conceivably throw on ahead of a casual evening hangout with a hook-up.
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Playing a failed architect named Michael with an apparent gift for pickups, Mr. Clary soon leaves off pondering the sexual suggestiveness of the Passion to be joined by his dinner guest, Tim (James Nelson-Joyce).
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" There is so much suggestiveness that eventually the narrative must, and does, lead to a crime, though in Modiano's handling the story becomes less a whodunit than a way out of what he describes as the "tangled dream from which I had just awoken.
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" While Black handily connects the "bewitching power" of the First Lady's attire to various dire particulars — DACA protests, Stephen Miller, Hillary — perhaps her most memorable line displays a shrewd understanding of the color's suggestiveness: "The white pantsuit doesn't dance" but "pausing above the crowd / is dignified, discreet, trance-like complete.
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German Kral's documentary "Our Last Tango" is a combination of things, all fascinating: a portrait of María Nieves and Juan Carlos Copes, a world-renowned pair of tango dancers, and their professional partnership of almost 50 years; a stylized staging of their romantic and artistic history, performed by young dancers; and a celebration of the tango itself, which continues to bewitch with its writhing, gently jagged grace and torrid suggestiveness.
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It can be argued that religion is a significant factor in the cultural differences of sexual suggestiveness, especially with regards to what displays of suggestiveness are considered appropriate.Melman, B. (2016). Women’s Orients: English Women and the Middle East, 1718–1918: Sexuality, Religion and Work. Springer. In particular, some Christian and Muslim communities are more strict on what levels of suggestiveness are appropriate for unmarried young women.
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Why men rape. The Sciences, 40(1), 30-36. Chicago Females are however better at reading platonic signals from the opposite sex and at differentiating between liking, loving and sexual suggestiveness. There are also gender differences between how sexual suggestiveness is displayed via flirting.
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There are some reported gender differences between how sexual suggestiveness is perceived. Males and females have different thresholds for the perception of sexual suggestiveness or intent. Males are, in general, more sexually occupied than females. To support this assumption research shows that males perceive people as more interested in a sexual encounter than females do.
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Displays of sexual suggestiveness include things such as; women in swimsuit adverts, sexually-themed music or music with a strong beat meant for dancing, sexting, erotic lingerie or "wolf whistling". Sexual suggestiveness may also involve nudity, or the exposure of the nipples, genitals, buttocks or other taboo areas of the body. Even a brand name or phrase can be considered to be sexually suggestive if it has strong sexual connotations or undertones. In some cases, displays of sexual suggestiveness may be misinterpreted which may lead to dangerous or harmful situations.
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Sadler argues that the roji, with its small size, harmonious proportions, and 'simple suggestiveness' served as a model for domestic Japanese courtyard gardens.
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Writers from Sherwood Anderson to John Updike used this form, often as a hybrid. In short, a sketch story aims at "suggestiveness rather than explicitness".
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From an evolutionary point of view, sexual suggestiveness evolved in order to aid in securing a sexual partner or mate. Once the individual has decided on a mate to pursue, sexual suggestiveness helps in attracting the mate - this is a skill which has been sexually selected (sexual selection) for during evolution. Sexually suggestive behaviors include things such as "showing more skin" and flirting. Both of these examples are behaviors which the individual would intentionally display.
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The term implies a certain suggestiveness. It was believed that when an object loses otherworldly mysticism, there is only associative symbolism. It term used in poetry, literature and the visual arts.
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Therefore, a video content analysis was performed by Bohye Song, by taking MelOn Hot 100 chart listings of the most popular Korean music videos of 2004, 2005, 2014, and 2015 to analyze their sexual content and increases over time. Content observed were sexual innuendos, sexual acts, and provocative clothing. The results were broken down into four parts of changes in physical affection, provocative dress, suggestiveness, and gender variance. It was found that displayed physical affections did not change on average, but implicit sex increased, sexual suggestiveness increased, provocative clothing increased, and female lead singers showed a significant increase in provocative display.
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Evolutionary theory proposes that humans all behave in the same way, in order to maximise survival and reproductive success. However, as with much of human behavior, there are substantial differences in the sexual suggestiveness of people from different cultures. What may be a culturally appropriate display of 'sexiness' in one culture may be considered inappropriate in another, and vice versa. For example, in many Westernized cultures women displaying their bare legs in public is considered to be a relatively unassuming display of suggestiveness, while in many African societies, for example, the same behavior would be considered immodest.
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Sexual suggestiveness, rape, and all other sexual behaviors, are proven to be products of past evolution. In the case of rape, however, just because it is natural does not make it acceptable.Thornhill, R., & Palmer, C. T. (2000). A Natural History of Rape.
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Internationally, the single reached number five in Norway and number 10 in Spain and Sweden. It featured a then-controversial music video, which was later banned for its suggestiveness. The song received a nomination for Best Female Rock Vocal Performance at the 1983 Grammy Awards.
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Her verse comes to us from several anthologies - Sarngadhara Paddhati. compiled by Sarangadhara, 1363 AD) SubhAshita ratna koSha (a.k.a. Kavindravachana samuchhaya), compiled by Vidyakara, 12th century, Saduktikarnamrita, SubhasitAvali. Her verses are noted for their suggestiveness, and deal often with sensuous themes from shringara rasa.
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The Rambling Syd sketches generally began with a short discourse on the nature of the song, which would inexorably follow; these discourses and the songs involved suggestiveness and double entendre. For this, Rambling Syd was customarily introduced by Kenneth Horne, who would set things up by (for example) inquiring as to the nature and origin of the song. Rambling Syd would (usually) respond with an "Ello, me dearios", before launching into the ensuing detailed explanation which left a great deal to the imagination. The songs themselves pushed and extended boundaries of sexual suggestiveness, using nonsense (or little-known) words such as 'moolies' and 'nadgers' in suggestive contexts.
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For example, in British culture, it is normal for a woman to wear shorts and bare her legs on a hot, sunny day, but a woman with naked flesh on show would be considered promiscuous in certain cultures around the world. For the majority of the 20th century in western culture, it was considered vulgar for women to have their sexual ornaments (breasts) fully on show; in more modern times, this may not be a deviation from the norm. In evolutionary terms, sexual suggestiveness is a mode from which sexual mates are gained. Therefore, the ability to use sexual suggestiveness effectively is a trait that is part of sexual selection.
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Shotland, R. L., & Craig, J. M. (1988). Can men and women differentiate between friendly and sexually interested behavior?. Social Psychology Quarterly, 66-73. It has also been suggested that males find it difficult to differentiate between liking, love and sexual intent, and in this case sexual suggestiveness.
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Refectory painting on the theme of Temptation by Lucas Cranach the Elder c.1520 (detail), Lutherhaus, Wittenberg... this decorates the end wall of one of the main university refectories...whilst the painting is already sexually charged, the aspect which requires a second glance is the woman's pillow, which is in a form suggesting a vagina Sexual suggestiveness is visual, verbal, written or behavioral material or action with sexual undertones implying sexual intent in order to provoke sexual arousal. There are variations in the perception and display of sexual suggestiveness, including but not limited to gender, culture and generation. Different cultures and different generations have varying views on what is considered to be sexually suggestive.
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"Ebert, Roger. Film review of Blood and Wine, Chicago Sun-Times, February 21, 1997. Accessed: August 10, 2013. Edward Guthmann of the San Francisco Chronicle rated it 2/4 stars and wrote, "Blood & Wine has elements of classic film noir – but it's film noir with a sledgehammer and none of the genre's suggestiveness or style.
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The > first one concerns the new critical numbness in front of a work of art. In > different instances the reasons for this silence could be different, but the > silence itself seems very symptomatic. In the case of private collections > such silence is incongruous, and here we have none of the deafening silence > that accompanies portentous suggestiveness of major events.
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Alain Bosquet wrote a positive review praising the book:"The great modern Albanian writer, Ismail Kadare, has given us a masterpiece, Doruntine, at once romantic and contemporary in spirit. Here is a spell-binding new literary mode, with its suspense, its alertness, its suggestiveness, its intensely local flavor—an age-old legend transformed into a splendid fable".
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An excerpt of the story appears as the last piece in Velouria. An editorial on Shiau’s writing on poetry.sg notes that his “wry observational poetry is transposed into [his] later collection of microfiction, Velouria, which also maintains the elegiac quality of poetry, while combining the compression and suggestiveness of poetic language with the broader narrative and character developments afforded by prose”.
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Barrett considers "Beer" to be one of his top ten favorite Reel Big Fish songs. Despite the song's cult popularity, "Beer" didn't achieve mainstream success on the level of "Sell Out" because of its suggestiveness. At live shows, it's often played with Self Esteem by the Offspring. Because of the song's popularity, it is often reserved as a set closer.
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It earned Ranion whom the song was picturisedthe moniker "O Podu Rani". However, the song's picturisation attracted criticism. In an article that scrutinised and decried the high level of vulgarity depicted in south Indian films, Sudha G. Tilak of Tehelka wrote that hit tracks like "O Podu" were "obvious in their debauched suggestiveness". In 2009, Mid Day wrote, "O podu is still considered the cornerstone of the rambunctious koothu dance".
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This type of play took the idea of compression to an extreme, where "a brief performance in which entire acts were reduced to a few sentences, and scenes to a handful of words. No sentiments, no psychological development, no atmosphere, no suggestiveness. Common sense was banished, or rather, replaced by nonsense". There did exist some plays similar to this before the Futurists, but they did not conform to the Futurist agenda.
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What stands revealed is the core connection between gothic rock and American Romanticism. Theatre of Ice is concerned not only with the geography of the soul but that of the American West. In this sense, their songs of premature burial take on a deep suggestiveness. The formal horror of Theatre of Ice is nothing less than bizarre horror of the American West; a land of nuclear test sites, animal carcass dumps, and Mormon catacombs.
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In the ocean images, Zaki seamlessly merged photographs to create disorienting, horizon-line-free images of blue, green and foaming white waves crisscrossing and exploding at impossible, gravity-defying angles; in their abstraction, they evoke forms ranging from the microscopic to rock, obsidian, or fur.Zellen, Jody. "Amir Zaki — Seeking Clarity," ArtScene, February 2015. In contrast, the seed pod images rely on the nuanced capturing of texture and illumination rather than manipulation to achieve their suggestiveness.
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Eric Pankey (born 1959 in Kansas City, Missouri) is an American poet and artist. He is married to the poet Jennifer Atkinson (born 1955). Pankey's poetry has moved from the literal and narrative as in _Heartwood,_ towards the suggestiveness of Emerson, without the hopefulness implicit in Emerson's transcendentalism. In Pankey's poems, often written in free verse forms or in prose poetry, the hint of grand comprehensiveness is suggested, without the hope of absorption into a universalizing or redemptive whole.
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She suffered a serious illness and retired from the music industry in the 1930s, not before she recorded "My Man o' War", described by one music journalist as "a composition stuffed with rococo suggestiveness". Despite her illness, Miles appeared in two films in the early 1930s. She began working regularly again in 1935, performing with Paul Barbarin at the Strollers Club in New York. She sang with Fats Waller in 1938 and then worked in Chicago until she left music in 1942.
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Although the sexual content of hokum is generally playful by modern standards, early recordings were marginalized for both sexual suggestiveness and "trashy" appeal, but they flourished in niche markets outside the mainstream. "Jim Crow" segregation was still the norm in much of the United States, and racial, ethnic and class bias was embedded in the popular entertainment of the time. Prurience was seen as more antisocial than prejudice. Record companies were more concerned about selling records than stigmatizing artists and minority audiences.
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Paisello Vigee Le Brun A Parisian citizen during the Enlightenment may have attended the theatre principally for two reasons: firstly, its aesthetic value as an awe-inspiring spectacle and secondly, because of its political suggestiveness. When drama lacked this latter aspect, it was criticised for distracting audiences from the pressing public political issues of the time. For example, a petition was sent to the National Assembly regarding Paisiello's flashy opera Nina, osia la pazza d’amore, because it lacked political and educational meaning.McClellan (2004).
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He himself considered the rhymeless quality of Paradise Lost to be an extension of his own personal liberty: This pursuit of freedom was largely a reaction against conservative values entrenched within the rigid heroic couplet.Gordon 2008 p. 234. Within a dominant culture that stressed elegance and finish, he granted primacy to freedom, breadth and imaginative suggestiveness, eventually developed into the romantic vision of sublime terror. Reaction to Milton's poetic worldview included, grudgingly, acknowledgement that of poet's resemblance to classical writers (Greek and Roman poetry being unrhymed).
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Qinqiang was banned from "being performed in Beijing" in 1785 by the emperor at the time, Qianlong. It was stated that "the sexual suggestiveness of the genre" was the reason for it being banned, but it is believed that the real reason was because the difference in style from prior Chinese folk opera styles allowed social critique of China to be written into them. The ban, however, only ended up expanding the style into more areas outside of Beijing, primarily to theatres in the southeast.
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The Christ child in full relief is highly finished, the shallower relief of the Virgin finished to a lesser degree, St. John more so again, while the background is roughly executed. These marked variations in texture help establish the relative status of the three figures while creating a sense of compositional depth all the greater for not being more conventionally "finished". Many of Michelangelo's works are unfinished. According to nineteenth-century French sculptor and critic Eugène Guillaume, Michelangelo's "non finito" was "one of the master's expressive devices in his quest for infinite suggestiveness".
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Lloyd with second husband Alexander Hurley Despite their opposing views on music hall entertainment, Lloyd and Chant shared similar political views, and were wrongly assumed by the press to be enemies. An inspector who reported on one of Lloyd's performances at the Oxford music hall thought that her lyrical content was fine but her knowing nods, looks, smiles and the suggestiveness in her winks to the audience suggested otherwise. The restrictions imposed on the music halls were, by now beginning to affect trade, and many were threatened with closure.
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However, he labeled it as a derivative of higher quality pop music and criticized it for its explicit sexual lyrics. Benjamin Boles of NOW expressed dislike for the song in this comment, "Basically, if London Bridge doesn’t make you want to rip your ears off, you’ll enjoy almost 80 per cent of the album." Sal Cinquemani of Slant Magazine also expressed dislike for the song's sexual suggestiveness, writing that it is "the most uninspired metaphor for oral sex in recorded history." Norman Mayers of Prefix Magazine labels "London Bridge" as one of the album's highpoints.
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The writings of both Risto Kovačić and Graziadio Isaia Ascoli concour with writer Giovanni de Rubertis who considered the Schiavoni (Slavs) or Dalmati (Dalmatians) of Molise in Italy to be the Serbs that were brought there by Skanderbeg during his Italian expedition in 1460—1462 along with the Albanians who settled in Calabria. His essays are rich in suggestiveness, and have been the starting-point of much fruitful research. He was a member of Serbian Learned Society since 30 January 1883. He died at Risan on 22 April 1909.
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Wells was the first to call into question the U.S. Supreme Court’s ruling in Neil versus Biggers (1973) and its later reaffirmation in Manson versus Braithwaite (1977) about how to assess the reliability of eyewitness identification when there is suggestiveness involved in the identification. Wells’s later writings have made an even stronger case for how the Court’s approach is flawed given the findings in eyewitness science (Wells & Quinlivan, 2009). Recent state supreme court rulings have used Wells’s critique of Manson vs. Braithwaite to fashion new approaches to assessing the reliability of eyewitness identification evidence (e.g.
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"Oom-Pah-Pah" is a lively and somewhat risqué show tune with music and lyrics by Lionel Bart and appearing in the 1960 musical Oliver!, when it is sung by Nancy and the crowd at the "Three Cripples" tavern. The word "oom-pah-pah" is seemingly used euphemistically to refer to both intoxication and fornication. Although not an original music hall song, it recalls that genre well and, in terms of both its tempo and suggestiveness, shares characteristics with such late 19th century songs as "Ta-ra-ra Boom-de-ay".
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A reviewer for Photoplay Magazine said that Bennett "plays the wife with much speed and prettiness, though her method of handling a gun would hardly do in France", and noted that Holt "is a handsome hero for a change, and takes kindly to the work. It is a lively production, slightly tinged with suggestiveness at the outset". Edward Weitzel praised Bennett's performance in The Moving Picture World, saying her "part was much stronger than any she has yet played" and also singled out cameraman Edwin Willat's work, saying "scenically the production has many moments of beauty".
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Batt established his own monthly magazine, Pertinent in July 1940. Designed as a 'medium of expression for all who have something constructive, interesting, entertaining, and pertinent to say', the first issue included articles by Norman Lindsay, Lennie Lower and Vance Palmer taken from The Australian Writers' Annual. Later issues encouraged contributions from 'amateur' writers, but Pertinent also published contributions from Mary Finnin, Rex Ingamells, Will Lawson, Victor Kennedy and Garry Lyle. The editor declared that 'pornographic or introspective writing is not required', but some readers objected to the frequent publication of nude studies and the suggestiveness of some of the cartoons.
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Dress with a discreet back zipper at the seam The zipper was initially popularized as a fastener for men's trousers. Though at first opposed on women's clothes due to the suggestiveness of speedy undressing, it ultimately became popular on women's clothing, particularly dresses, in the late 1930s, for their convenience over hook and eye fasteners, buttons and snap fasteners, hence the now obsolete term zipperback dress. Zippers are typically placed at the back seam of a dress. Some such garments may sport decorative buttons, lacing or mock closures at the front, but actually open at the back.
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The Athenaeum also dwelt on the vivid and subtle imagination and delicate loveliness of these verses and their perfection of technique. The Academy spoke warmly of their felicity of epithet, their healthiness, their suggestiveness, their imaginative force pervaded by the depth and sweetness of perfect womanhood. The Tattler pronounced her a mistress of form and of artistic perfection, saying also that England had no poet in such full sympathy with woods and winds and waves, finding in her the one truly natural singer in an age of aesthetic imitation. "She gives the effect of the sudden note of the thrush," it said.
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Carol thinks he wanted to be searched because she could think it was him who stole the pearl to blame Hurst and not let him marry her. Pyne agrees to help and after a small amount of thought confronts Doctor Carver. The archaeologist admits that he took the pearl, wrapping it in a small piece of plasticine that he carries to take imprints from carvings. The comments made about the suggestiveness of people prompted him tell Carol that the jewel was loose and fix it back into place when, in fact, he was taking it from her.
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Perles' most important essays were on folklore and custom. There is much that is striking and original in his history of marriage (Die Judische Hochzeit in nachbiblischer Zeit, 1860), and of mourning customs (Die Leichenfeierlichkeitcn ins nachbiblischen Judenthum, 1861), his contributions to the sources of the Arabian Nights (Zur rabbinischen Sprach-und Sagenkunde, 1873), and his notes on rabbinic antiquities (Beitrage zur rabbiniscizen Sprachund Altertumskunde, 1893). Perles' essays are rich in suggestiveness, and have been the starting-point of much fruitful research. He also wrote an essay on Nachmanides, and a biography and critical appreciation of Rashba (1863).
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Only sound seems to be missing, until we imagine the voice of poet Konstantin Kuzminsky (the figure nearest the center). The overall effect is to produce a keen state of sensory awareness in the viewer (there is even erotic suggestiveness in some of the plant forms). This heightened sensory awareness might be seen as an antidote to the drabness and anaesthetic quality of Soviet daily life. Tulipanov is no doubt aware of the symbolic language of the traditional still life, in which images of food, flowers, and so forth were meant to remind the viewer of the transience of worldly things.
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In his treatment of such ideas as "sensibility", "sentience" and the like, he does not always make it clear whether he is speaking of physical or of psychical phenomena. Among other philosophic questions discussed in these two volumes the nature of casual relation is perhaps the one which is handled with most freshness and suggestiveness. The third volume, The Physical Basis of Mind, further develops the writer's views on organic activities as a whole. He insists on the radical distinction between organic and inorganic processes and the impossibility of explaining the former by purely mechanical principles.
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She did this through removing the use of a canvas all together and creating her work directly on the floor. These brightly colored organic floor pieces were intended to disrupt the male- dominated minimalism movement with their suggestiveness and openness. Vittorio of 1979; gold leaf, gesso, plaster, cotton, and chicken wire; in the collection of the National Gallery of Art Like other female artists, she was attracted by the newness of a medium that was uncorrupted by male artists. The structure of the new medium itself played an important role in addressing questions about female identity in relation to art, pop culture, and dominant feminism movements at the time.
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Richard Rodney Bennett's choral work Spells was written for her, as was Matthew King's The Snow Queen (1992). The critic Ivan Hewett has written of Manning: > For many people Jane Manning is simply the voice of contemporary classical > music in this country. Anyone who took an interest in this burgeoning area > of music in the 1970s and '80s grew up with the sound of her astonishing > voice in their ears. It’s instantly recognisable, but it’s also a chameleon. > Whether she’s faced with the pure angular leaps of Anton Webern, the throaty > suggestiveness of Schoenberg or the black, crazed humour of Gyorgy Ligeti, > Jane Manning is always equal to the task.
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The five reel film was released through the Pathé Exchange as a Pathé Gold Rooster Play on October 7, 1917. Charles E. Wagner of the Exhibitor's Trade Review found it to be a good film with great direction and photography, but was concerned that the stunt in which the baby appeared to be involved in the accident was too real. Wagner stated the film had sufficient action and pathos without sexual suggestiveness; which should prove a strong program for the Pathé program. Frances Agnew of The Morning Telegraph found it to be an average picture that was not exceptional for audiences, but it would hold sentimental appeal for the average viewer.
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32 The unspectacular reception for All Dogs Go to Heaven led the studio to reconsider its approach to public relations in hopes to impress the American film critics. For its next feature film, Rock-a-Doodle, a greater emphasis was placed on audience reception. Several screenings of early test footage were held, and changes were made to the film's content to reduce the intensity or suggestiveness of several scenes and broaden its commercial appeal.Cawley, Rock-A-Doodle Rock-a-Doodle was loosely based on the play Chantecler by poet and playwright Edmond Rostand (itself based on a fable popularised by Chaucer in The Canterbury Tales).
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According to the Merriam-Webster Unabridged Dictionary and the Oxford English Dictionary, the expression comes from the rare and obsolete identical French expression, which literally meant "double meaning" and was used in the senses of "double understanding" or "ambiguity" but acquired its current suggestive twist in English after being first used in English in 1673 by John Dryden.Merriam-Webster Unabridged DictionaryThe Grammarphobia Blog: Double entendre The phrase has not been used in French for centuries and would be ungrammatical in modern French. No exact equivalent exists in French, whose similar expressions (mot/expression à) double entente and (mot/expression à) double sens don't have the suggestiveness of the English expression.
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In the Netherlands the poets associated with the 'magazine for texts', Barbarber (1958–71), particularly J. Bernlef and K. Schippers, extended the concept of the readymade into poetry, discovering poetic suggestiveness in such everyday items as a newspaper advert about a lost tortoise and a typewriter test sheet.Bertram Mourits, The Conceptual Poetic of K. Schippers: the aesthetic implications of literary readymades, Dutch Crossing 21.1, pp.119–34 Another group of Dutch poets infiltrated the Belgian experimentalist magazine Gard Sivik and began to fill it with seemingly inconsequential fragments of conversation and demonstrations of verbal procedures. The writers included C.B. Vaandrager, Hans Verhagen and the artist Armando.
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It brings pronounced energy and warmth, but reduces the predominance of the subject matter in its entire suggestiveness. The structure of forms which is especially interesting for the artist reveals his horror vacui therefore, he is persistently devoted to each segment of the coloured pigment, construing miniature cones over the flat surface. The encounters of red and greed reveal the passion of his chromatic expression, while his drawings, as a separate artistic branch, show even more inventive approach to the presentation of the vision itself.Oto Bihalji-Merin; Nebojša Bato Tomašević, Enciklopedija naivne umetnosti sveta, Beograd, 1984 His drawing in Indian ink is a special quality within his oeuvre.
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Frank Kermode for the London Review of Books praised the author's "wonderfully economical habit", and suggested that although not all these stories have the fineness and fullness of the novels, some of them do have a touch of the same quiet power to astonish. Publisher’s Weekly called the stories strange, whimsical, gothic and bizarre, demonstrating Fitzgerald's cool and civilized wit and the merciless eye she casts on worldly pretensions. Crisp, with the economical suggestiveness of poetry, each tale ends with a surprising twist. Kirkus Reviews thought that "everything that Fitzgerald touches here, large or small, turns quietly to gold” and that the collection will disappoint readers “only by the fact of its being so slender".
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Consciousness of the working surface—how to divide it, how to apportion the weight of marking—appears uppermost. He leaves us to decide whether the apparent effects of light, mood and atmosphere arise more from his process or from our desire to see meaning in it." Benjamin Gennocchio reviewed Il Lee's 2007 solo exhibition at the Queens Museum for The New York Times, noting the "unexpected suggestiveness" of Lee's artwork and describing the "simple, minimal forms" as "instinctively seductive." While The New Yorker states that Il Lee has "mastered his medium." Explaining that, "He knows how the ink will warm to produce a free-flowing line; he’s learned how to build up shadow and leave room for light.
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Contemporary critics have noted Ries's unique ability to exploit glass's optical properties for artistic expression. James Yood, professor of contemporary art theory and criticism at Northwestern University, called Ries's work “an art of such suggestiveness and finesse, of ceaseless transition and surprise that it constitutes one of the most intriguing exercises in the poetics of optics anywhere in contemporary art.” Ries himself characterizes his work as a “vessel for light,” noting that “all that we know about the universe, the composition of the stars, and the distances within the universe is studied through light...It is the one medium that gathers, focuses, amplifies, transmits, filters, diffuses and reflects it. It is the quintessential medium for light.
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" She returned to Australian cinema for her next two films, Kangaroo (1987), as a German-born writer's wife, and High Tide (also 1987), as a foot-loose mother attempting to reunite with her teenage daughter who is being raised by the paternal grandmother. Her performance in the latter won her glowing praise. Pauline Kael called Davis "a genius at moods" and wrote, "As one of three backup singers for a touring Elvis imitator, Judy Davis is contemptuous of the cruddy act, contemptuous of herself. The film's emotional suggestiveness makes it almost a primal woman's picture: Judy Davis has been compared with Jeanne Moreau, and that's apt, but she's Moreau without the cultural swank, the high-fashion gloss.
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Parker Pyne is with a party of people who have travelled through Jordan from Amman to Petra. His companions are Caleb Blundell, an American millionaire, his daughter Carol and secretary, Jim Hurst, Sir Donald Marvel, a British MP, Doctor Carver, an archaeologist and Colonel Dubosc, a Frenchman. Camping in the night, Doctor Carver tells the others of the Nabataeans, the traders who built the city and who were no more than professional racketeers who controlled the trade routes of the area. This talk prompts a discussion on the nature of honesty, the suggestiveness of people and the riches accumulated by Mr. Blundell, demonstrated in part by the expensive pearl earrings worn by his daughter and which keep coming loose.
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Strindberg's interest in photography resulted, among other things, in a large number of arranged self-portraits in various environments, which now number among the best-known pictures of him. Strindberg also embarked on a series of camera-less images, using an experimental quasi-scientific approach. He produced a type of photogram that encouraged the development and growth of crystals on the photographic emulsion, sometimes exposed for lengthy periods to heat or cold in the open air or at night facing the stars. The suggestiveness of these, which he called Celestographs, provided an object for contemplation, and he noted; His interest in the occult in the 1890s finds sympathy with the chance quality of these images, but for him they are also scientific.
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" Jenkins added that Walt also "learned firsthand that self-sacrifice is not transcendent" in a similar manner to John Bradley, the protagonist of Flags of Our Fathers, and Tadamichi Kuribayashi, the protagonist of Letters from Iwo Jima. Jenkins explained that Walt ultimately "assumes a Christ-like posture, both to save his new friends and to put Janovich in his place." John Serba of The Grand Rapids Press argues that Eastwood in Gran Torino "finds his focus on" Walt and "When Walt wields his weapons with righteous fury, Eastwood the actor shows us a damaged man suffering a horrible wartime flashback, without stating it outright." Serba argues that the "suggestiveness makes it easier to overlook the inexperience of his supporting cast and the occasionally overstated, transparent dialogue.
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The piece is one of a number of photographs of Burden's work that in the collection of the Metropolitan Museum of Art in New York City. Critic Dominic Johnson in his 2018 book Unlimited action: The performance of extremity in the 1970s wrote of the piece that "threat of criminal damage, mass death and personal ignominy ground the formal challenge that confirms the action as a performance... Uncertainty, notoriety and doubt form part of a work's existential charm". 747 was analysed by Daniel Cottom in his 2002 essay on Burden's art "To Love to Hate". Cottom identifies the piece as belonging to the Western European artistic tradition of 'misanthropy' feeling that Burden "committed an artwork of terrific suggestiveness" when he fired the gun at the airplane.
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The latter is a multi-character 'small town' horror story along the lines of similar work in this period, a subgenre perhaps 'pump- primed' by the likes of Stephen King's 'Salem's Lot. In characteristically honest and self-critical afterwords, Campbell has claimed that The Hungry Moon, along with the similarly commercially minded The Parasite and, to a lesser degree, The Claw, are among of his least successful of his works, by turns awkwardly structured, containing too many ideas, and/or tending towards explicit violence. By contrast, The Influence (1988) and Ancient Images (1989) are tightly plotted novels of supernatural menace, each with (predominantly) female central characters and generating unease through the author's trademark suggestiveness and surreal imagery. In 1987, Campbell published Scared Stiff, a collection of "sex and horror" short stories.
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A review at the time suggested that the central character might be played in a film by Stan Laurel, an observation that delighted Campbell, who is a great admirer of Laurel and Hardy. Other novels of this decade include The Long Lost (1993), in which a sin-eater is discovered by a couple holidaying in Wales and brought home ostensibly as an relative, with considerable impact on a community. A haunted house novel called The House on Nazareth Hill (1996), combining the author's M R Jamesian suggestiveness with an increasingly idiosyncratic prose style, is a harrowing study of familial psychology and the unchanging nature of social processes, particularly those relating to the young's quest for independence and the threat this presents to others. Enthusiasts consider it one of Campbell's more powerful works.
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Just as soon as the record was ascending to the top of charts, it became engulfed in controversy, as parents objected to the song's sexual connotations, declaring it a "dirty record" and tried to have it banned. A censored version was released with the word "laid" replaced by a tone-generated beep, but it failed to quell the controversy, perhaps making the negative reaction even worse by inadvertently drawing even more attention to the suggestiveness of the lyric, especially when played on the radio, where listeners could complete the ad lib for themselves, sometimes in ceremonious fashion. Some have even speculated that the censor beeps were inserted by Downey himself. While Downey succeeded in creating the scandal he craved, he became the center of another, but less amenable, controversy.
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As Francis X. Duggan notes, "the immorality More most objects to, the most serious offence an artist can commit, is not the obvious one of obscenity or suggestiveness, but a falsification of human nature, the denial of moral responsibility".Duggan, Francis X. (1966). Paul Elmer More. New York: Twayne Publishers, Inc., p. 57. He wrote several books after his retirement from journalism, including Platonism (1917); The Religion of Plato (1921); Hellenistic Philosophies (1923); and his last published work, the autobiographical Pages from an Oxford Diary (1937). His Greek Tradition, 5 vols. (1917–27), is generally thought to be his best work. During the last 15 years of his life, More wrote several books of Christian apologetics, including The Christ of the New Testament (1924), Christ the Word (1927), and The Catholic Faith (1931).
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"Bilguer's Handbuch was the dominant reference for some time until it was superseded by a number of international treatises, which, in the English-speaking world, included Modern Chess Openings and Practical Chess Openings." I.A. Horowitz, Chess Openings: Theory and Practice, Simon and Schuster, 1964, p. VII. Four years after the first edition of the Handbuch was published, Howard Staunton in the preface to The Chess-Player's Handbook, discussed below, called the Handbuch "a production--whether considered in reference to its research, its suggestiveness, or the methodical completeness of its arrangement--which stands unrivalled and alone". Howard Staunton, The Chess-Player's Handbook, Henry C. Bohn, 1847, p. vii. The last edition of the Handbuch was edited by Carl Schlechter, who had drawn a match for the World Championship with Emanuel Lasker in 1910.
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Recent research has shown that females are more likely than males to flirt with the intention of developing a new relationship, or with the intention of intensifying an existing relationship. It has also been found that females use flirting as a way of assessing the interest of a potential mate; as the end result is sexual activity, it can be inferred that this is a sexually suggestive act. On the other hand, a variety of different researchers have found that males are significantly more sexually motivated in their displays of sexual suggestiveness (such as flirting) than females. The research done by Clark and Hatfield (1989) supports these assumptions by clearly suggesting that female courtship is motivated by relationship development and that male courtship is motivated by sexual desire.
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Sue Taylor, Chicago Sun-Times, 1985 > … the brilliant radiating colors and mysterious, iconic images that have > long distinguished Wetzel's art are still his major concerns. Each image is > set against a monochromatic background of the deepest blue, purple or green, > which may be read as an infinite spatial recession, indicative of the vague > realm of imagination. Sue Taylor, Chicago Sun-Times, 1985 > What is unique about his current paintings is their powerfully emotive > quality, for they operate largely on the level of feeling. The forms he > uses, for all their rich ambiguity, are direct, simplified, and distilled, > and their suggestiveness is of a kind everyone can understand—intuitively … David McCracken, Chicago Tribune, 1985 > … Zaks is showing paintings by Richard Wetzel, work very much in the Chicago > School tradition: hard-edged forms at once organic and artificial—they > reminded me, oddly, of electron photomicrography—in eerie, strangely erotic > colors.
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Curwood's adventure books were popular and films based on them were well received. But in this period, city and state film censorship boards often made cuts before allowing screening of films within their jurisdictions. Like many American films of the time, Baree, Son of Kazan was subject to restrictions and cuts that reduced the violence between the men, attacks on Nepeese, and the sexual suggestiveness of the factor toward her. For example, the Chicago Board of Censors cut, in Reel 2, the intertitle "I guess I'm about through with you"; and made numerous cuts in Reel 4: all but the first and last fight scenes between McTaggart and Nepeese, where he suggestively leers at her; reduces the length by half of the fight scenes between men, cuts the shooting of Perriot, cut all struggle scenes except first and last, the intertitle "From now on you belong to me", and the arson scene.
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Hoffmann saw things we could not have thought of and wrote them down in a way that compels us to believe them. -Rolf Vollmann (as quoted in Die Zeit, No. 19, 1997) The Golden Pot is widely viewed as a product of the romantic imagination. Indeed, the novella shows many of the characteristics commonly associated with romanticism in general and German romanticism in particular: imagination, instincts, and feelings are afforded more importance than logical reason; the reconciliation of opposites and the harmony of nature are central ideals; symbolism and myth play prominent roles; preference is given to boldness and suggestiveness over absolute clarity and decorum; and the poetic is elevated above the prosaic. Another quality attributed to romantic literature is the juxtaposition of the real and the fantastic (the "unreal") in order to denigrate the former and exalt the latter. In The Golden Pot, this clearly is not the author's intent, and thus his story perhaps should not be labeled “romantic” at all.
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When Schippers helped launch Barbarber, it was called a ‘magazine for texts’ (tijdschrift voor teksten) and was distrustful of the work of the preceding 1950s generation of experimental poets on the grounds that their concern had been more with aesthetics than with the nature of reality, which ought to be the real focus of poetry. The anti-poetic gestures appearing there were inspired by Dada and eventually introduced ‘literary ready-mades’ in order to call into question the boundary between art and reality. One item provided by Schippers was a newspaper item about a lost tortoise.Dutch National Library The same iconoclastic attitudes continued into his later work. In Buiten Beeld (Beyond the frame, 2014), for example, bare dots on the two-dimensional page are titled “The position of moles in the sky”, drawing a parallel between a conventional star map and molehills in the earth merely by the suggestiveness of the title alone.
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Although he was the leading expert writing in English, Nicolson does not suggest that Wright is likely to have known of the 17th-century candlelit narrative religious subjects of Georges de La Tour and Trophime Bigot, which, in their seriousness, are the closest works to Wright that are lit only by candle. The Dutch painters' works and other candlelit scenes by 18th-century English painters such as Henry Morland (father of George) tended instead to exploit the possibilities of semi-darkness for erotic suggestiveness. Some of Wright's own later candlelit scenes were by no means as serious as his first ones, as seen from their titles: Two Boys Fighting Over a Bladder and Two Girls Dressing a Kitten by Candlelight.Egerton (1998), p. 336. Three Persons Viewing the Gladiator by Candlelight (1765) A Philosopher Lecturing on the Orrery (1768) The first of his candlelit masterpieces, Three Persons Viewing the Gladiator by Candlelight, was painted in 1765, and showed three men studying a small copy of the "Borghese Gladiator".
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He showed his versatility in landscape, as in his Whins in Bloom, which combined great breadth with fine detail; in flower-pieces, such as his Roses, which were brilliant in rapid suggestiveness and force; but most of all in his portraits, which are marked by great individuality, and by fine insight into character. His work in black-and-white, his admirable illustrations in brushwork of Edinburgh and its neighbourhood, and also his pen-drawings, about which it has been declared that "his work contains all the subtleties and refinements of a most delicate etching," must also be noted. Elected Associate of the Royal Scottish Academy in 1870, Reid attained full membership in 1877, and took up his residence in Edinburgh, at 17 Carlton Terrace on Calton Hill,Edinburgh and Leith Post Office Directory 1889-90 in 1882. In 1891 he was elected President - a post which he held until 1902 - receiving also the honour of knighthood, and he was awarded a gold medal at the Paris Exhibition of 1900.
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But one day, through a misunderstanding, two hours before Charles had told Florence to meet him outside the law school after his class, she comes to meet him at Paul's flat. The only ones there are Paul and Clovis, a thoroughly corrupt friend of Paul's who operates as a kind of hustler, pimp and purveyor of bizarre entertainments for Paul and his friends; Clovis has previously expressed to Florence his disapproval and resentment of her trying to break away from her past by pretending to Charles to be the virtuous maid she isn't. Clovis then lewdly proposes with insidiously lascivious suggestiveness to Florence that she have sex with Paul, to which she succumbs, and they adjourn to the bedroom, so that, by the time Charles comes home he discovers that the Florence he loves has given herself to Paul. Paul, without studying at all, passes the law- school exam anyway, as he had predicted, but Charles, despite all his study, yet distraught and in an emotional turmoil over his loss of Florence to his cousin, flunks.
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Followed by, "And So To Sleep Again", which hit #27. Stevens returned to the U.S. chart in 1959 with the song "Teach Me Tiger", which caused a minor uproar for its sexual suggestiveness and consequently did not receive airplay on many radio stations. The song peaked at No. 86 on the Billboard Hot 100. Stevens' recording of this song is often erroneously accredited to Marilyn Monroe. The tune was featured in the 2006 film Blind Dating, the 2011 Flemish film drama North Sea Texas, Season 5 Episode 7 of Call the Midwife, and is recurring throughout Season 1 of the Russian thriller To the Lake. She is best known for her 1963 Atco Records recording of "Deep Purple" (music by Peter DeRose and lyrics by Mitchell Parish) with her brother Antonino LoTempio (singing under the stage name Nino Tempo). A standard song that Larry Clinton and His Orchestra and band vocalist Bea Wain had popularized in 1939, the Stevens and Tempo version reached No.1 on the Hot 100 on 16 November 1963, and No.17 in the British charts. The song won the 1963 Grammy Award for Best Rock and Roll Recording.
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Although Kasem never banned a song from the countdown, there was at least one instance in which both Kasem and his guest host, Charlie Van Dyke, refused to announce the title of a song on his show. When George Michael's "I Want Your Sex" hit the Billboard charts in the summer of 1987, Kasem and Van Dyke refused to announce the name of the song; only its artist (e.g., "George Michael's latest hit is up five notches this week..."). Also, as had been done with previous controversial hits, because of the song's suggestiveness, the show's structure was altered slightly, so stations could opt out of the song. This pattern was also evident during the 1987 Year End countdown. The song title was mentioned five times during its chart run (June 20, 1987; June 27, 1987; April 7, 1987; December 9, 1987, and September 19, 1987), during the week-ending episode of September 26, 1987, when it dropped out of the Top 40, and during the Top 100 of 1987 show; Shadoe Stevens, his successor, however did mention the title on the show from July 31, 1993, as part of the Flashback feature, as it was in the top 5 from that week in 1987.
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