Lynn Hubbard: Well, it's different from my normal style of writing.
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Rosselli describes her style of writing not as experimental but as experiments.
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Diderot developed a style of writing that conveyed the act of thinking rather
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An intelligence operative who knew her style of writing could figure it out.
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I knew she had it in her — her eye, her comedic style of writing.
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"Like a style of writing, it's a style of seeing," he says of his work.
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What do you think it is about that style of writing that can get you down?
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Honestly, the book was not for me — I couldn't get into Rooney's curt style of writing.
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That style of writing keep you thinking about lyric and melody first and style and production second.
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We want Bloom to feel open and calming, which will reflect in the style of writing and the art.
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I still am, but back then I was even more into short-form aphorisms and that style of writing.
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The writer later adopted a quite different style of writing, "more baroque, more in-your-face personal," Mr. Schiferli added.
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His style of writing — long, with visual flair and often wildly over the top — was wholly his own, Mr. Cleese said.
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Both musicians describe a fluid and intuitive style of writing music together, a process they don't try too hard to control.
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It was fairly simple, and fitted into the corporation's style of writing the channel number out beneath their recognisable company-wide logo.
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Bryson uses an upbeat and entertaining style of writing to take you from when there was nothing to where we are now.
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I want to also speak about a new style of writing that might emerge from the wreckage, and what it might look like.
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Joshua Craze's compelling contribution on CIA reports questions the style of writing of administrative reports in response to the abstract logic of bureaucracy.
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Hemingway, in particular, was obsessed with the idea of concealment—so much so that he embedded it in his very style of writing.
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It took us a while to sort of get to know what kind of content we want, what style of writing we want.
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A certain style of writing can come across as more authentic, and this can help a book gain status in the literary marketplace.
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"I thought this was a very personal style of writing, and her things had a simplicity, a clarity," ECM's founder, Manfred Eicher, said.
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At first, this play was hard to comprehend and even harder to connect to my everyday life, mostly due to Albee's absurdist style of writing.
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But I think Ricky's guitar playing, our style of writing, the fact that we had men and women in the band and gay and straight.
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The fact that the book suspends Cunningham in a past that pales in comparison to his work as a photographer is exacerbated by it style of writing.
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Pseudoscience melts into on-the-scene reportage, and that gonzo-journalism-meets-the- declarative style of writing creates a truly arresting form of (quite often incredible) content.
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It can be hard to follow along with this style of writing, but I'm very interested in the non-linear narrative she uses in this particular book.
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"We are looking for the style of writing, we look for how the letters are designed and how the letters fall above or below the line," she said.
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Okojie's style of writing — which melds realistic settings with surreal metaphor — allows her to sprinkle speculative elements throughout her story in a way that makes them feel bizarrely natural.
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"The process of recording the song ushered in a new style of writing for me, which is often few and far between in my experience with music," Lustman says.
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Based on her familiarity with different languages, and the style of writing that is integral to each, it seems to me that she is developing a non-discursive visual language.
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Pyle honed a sincere and colloquial style of writing that made readers feel as if they were listening to a good friend share an insight or something he noticed that day.
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Before memoirs became a literary genre du jour, and before the now-popular confessional style of writing became mainstream, Wurtzel's "Prozac Nation," published when she was just 27, created a sensation.
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The website developed a passionate, niche readership that delighted in the particular style of writing that the "Hey Ladies" series fell into: The tone was feminist, happily strange and a little absurdist.
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Though she published her first book of poetry at age 22, it wasn't until 1969 – when Atwood released her debut novel, The Edible Woman – that the public took notice of her unique style of writing.
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He says the language, the style of writing, and the use of the phrase "horse cow goat pig dog" — a common expression in China that compares the treatment of prisoners to that of animals — add to its authenticity.
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One possible problem, said Andrew Liepman, a former senior C.I.A. official who helped write P.D.B. entries on the Middle East and terrorism for several presidents, is that the intelligence community has developed a formulaic and repetitive style of writing.
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In an age when political commentary is getting shallower and more vituperative, we will especially miss Charles's style of writing — calm, carefully constructed arguments based on propositions and evidence, tinged with a cutting wit and wry humor but never malice.
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The release this fall of "12 Little Spells," a bold recording featuring videos accompanying each song, was the reward for her fans' patience: It unifies her prolix, philosophical style of writing with a devotion to groove and ear-encompassing orchestration.
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Cage-as-Kaufman bristles at the lessons, worried that McKee is ushering in a homogenization of screenwriting, a kind of formulaic "chicken in every pot, point of no return at every midpoint"–style of writing that will turn all movies into paint-by-numbers.
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Again, other acts have done this; UK rappers like Dave and J Hus write casual, meaningful lyrics that people can relate to all the time—but it's not often a band takes that style of writing and merges it with glossy, 80s-leaning pop music.
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What distinguishes her work from, say, Bunny Rogers or Sparrow (both of whom write short, tweet-friendly poems) is what I identify as her resolve to find a historical ancestry for her style of writing, and to contextualize it as a new form of literature.
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On book listings where the option is supported, you can click Look inside above the cover art: How much of a preview you get depends on the work of literature involved, but you can usually get a good feel for the style of writing and format at least.
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But informational writing is the style of writing that dominates The New York Times as well as any other traditional newspaper you might read, and in this unit we hope to show students that it can be every bit as engaging and compelling to read and to write as other genres.
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But "it is impossible to ignore some of the details that link them together," including the style of writing and the dating of the pottery found next to it, which date to the First Temple period, when the biblical character would have lived, said Anat Mendel Geberovich of the Hebrew University of Jerusalem and the Center for the Study of Ancient Jerusalem.
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Forsyth contrasts hypotaxis, as a complex style of writing using many subordinate clauses, with parataxis, a style of writing in short, simple sentences.
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The language exemplifies Chidambaram's concise, clear, and understandable style of writing.
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Later, in works such as The Leopard, he integrates a singing prose style of writing.
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Lavinia B. Sneed (1867–1932) was a prolific journalist, known for her accessible style of writing.
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When questioned, Bayes declares that this is the new style of writing, where one doesn't need to explain oneself.
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It is often considered amongst the most important works in Brazilian literature, with a "dry", concise style of writing.
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His energetic and splendid style of writing elevated the journalism of sports from the slipslop methods of his predecessors.
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Aceval revolves her writing around the theme of love. Her style of writing can be described as smooth and simple.
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The code is described as a logosyllabic style of writing, which could be used to fully express any spoken thought.
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It is written in a rather poetic style of writing. Many of her works have received awards from Dutch literary critics.
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Aristotle mentions that this style of writing was used by everyone at a time, but hardly ever by anyone during his own time.
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Readability indicates the ease of understanding or comprehension due to the style of writing. Reading recovery is a method for helping students learn to read.
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As the style of writing differed, the band identified the need for piano performances in many of their songs, enlisting veteran pianist Benmont Tench to play parts throughout.
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Khengkha is an oral language without its own written system. But it unofficially borrows from the Tibetan script and Uchen style of writing. Khengkha and Dzongkha numerical script are written the same.
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During Soewardi's career in printed media, he was considered a talented and accomplished writer. His style of writing is popular, communicative and yet imbued with idealism for freedom and anti-colonialism sentiment.
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Critics frequently noted the accuracy of historical and technical details in Fürst's books combined with his refined and elegant style of writing. Some of his works have been translated and re-printed.
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With the posthumanist turn, however, the art of ethnographic writing has suffered serious challenges. Anthropologists are now thinking of experimenting with new style of writing. For instance, writing with natives or multiple authorship.
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His address on retiring from that office had for its subject "Philosophy and Specialties." In it he insisted upon the importance of using a correct and elegant style of writing in scientific papers.
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At early stages of his writing career, Tejaswi wrote poems but later concentrated on short stories, novels and essays. His distinctive style of writing is credited with heralding a new era in Kannada literature.
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2\. Commander Brady, Published by Constable 1956, Reprinted 1956, Corgi Books 1957, Re-issued 1971. Although this book is credited with J.E. Macdonnell as writer. The style of writing does not seem to be his.
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He is also associated with the "Meat School" of American poetry,Fox, Hugh (1970). The Living Underground: A Critical Overview. University of California, p. 54. known for a direct, tough and masculine style of writing.
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"Distich" means closed couplets, a style of writing with two-liners. It is a collection of moral advice, each consisting of hexameters, in four books. Cato is not particularly Christian in character, but it is monotheistic.
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Wolfram Siebeck (19 September 1928 – 7 July 2016) was a German journalist, author and food critic. With his satirical style of writing he used to criticise fast food, TV dinners, subsidised agriculture and intensive animal farming.
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This can include idioms, metaphor, and simile, like, "white as a ghost." With the availability of enough material to analyze, semantic analysis can be used to catalog and trace the style of writing of specific authors.
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Simmons is known for a style of writing characterized by mixing sports knowledge and analysis, pop culture references, his non-sports- related personal life, and for being written from the viewpoint of a passionate sports fan.
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' () or Falling in the Desert, is one of the eminent books by Iranian author Ali Shariati. The book is an extended article. literally means falling of man from heaven to earth. exemplifies Shariati's style of writing.
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Malare Hindi, within few days upon release became popular on social media. The song was published in many leading newspapers all praising his work. His style of writing is always compared to that of Javed Aktar.
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A style of writing, called epistolary, tells a fictional story in the form of the correspondence between two or more characters. A makeshift mail method after stranding on a deserted island is a message in a bottle.
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Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in setting the tone, mood, and atmosphere of a poem to convey the poet's intention.
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The measurements of the fragment are 182 by 87 mm. The fragment contains 13 lines of text. The text is written in a good-sized round formal uncial hand. The style of writing resembles great biblical codices.
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Many of the conventions he instituted - for example, writing the main text in English with Hebrew footnotes on the same page - became standard in the field of English works of Jewish law. R. Eider developed a style of writing intended to be clear for the new student while still useful for the scholar. R. Eider frequently consulted with major Rabbinic authorities in the writing of his books, as seen from the countless footnotes. His style of writing is the foundation of most English works of Halacha published today.
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She considered herself as a fan of John Mayer for his inspiring style of writing lyrics. Mohan credits the 1971 released song "Imagine" by John Lennon for inspiring on achieving her dreams with the "right kind of dedication".
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His early difficulties led him to write short stories. He had a precise method and style of writing. His stories employed realism and an honest visual style. His first collection of short stories took four years to write.
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The word is derived , . Polemics often concern issues in religion or politics. A polemic style of writing was common in Ancient Greece, as in the writings of the historian Polybius. Polemic again became common in medieval and early modern times.
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Varkey's literary creations are in-depth analyses of his characters, which reflect different shades of his views. His style of writing is personal and sardonic. Most of his writings are serious comedies, although their tone and fictional strategies may "muffle" things.
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Periodicals Archive Online. Retrieved 23 October 2011. Critics would often excuse perceived faults in her novels by recalling her overall charm, cleverness, and entertaining style of writing. The Academy called her "one of the cleverest of living lady novelists";Smith, G. Barnett.
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Nicole Atkins (born October 1, 1978) is an American singer-songwriter. Her influences include 1950s crooner music, 1960s psychedelia, soul music, and the Brill Building style of writing. Atkins has been compared to Roy Orbison and singers from the Brill Building era.
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An example of D'Nealian print writing The D'Nealian is a style of writing and teaching cursive and print (block) handwriting for English, and is a derivative of the Palmer Method. It was designed to ease the learning of cursive and print handwriting.
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The codex contains the text of the four Gospels, on 256 parchment leaves (size ). The text is written in one column per page, 22 lines per page. It is neatly written in minute hand. The style of writing resembles codex 542 (Scrivener's 555).
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Brewer, The Fighting Editor, pg. xvi. The paper's popularity was powered by a folksy style of writing and the participation of many leading literary luminaries of the Socialist movement, including Upton Sinclair, Jack London, Mary "Mother" Jones, Eugene Debs, and Helen Keller.
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The accents are placed over the succeeding consonant of the vowel. "The whole style of writing resembling a careless scrawl" (Scrivener). There are numerous marginal notes written by a beautiful hand. This hand wrote words Ειμι Ιλερμου Χαρκου at the top of the first page.
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His style of writing is not easily categorized, and he eschewed labels of genre placed on his works. In 1963, he married Doris Roberts, the actress perhaps best known for her work in Everybody Loves Raymond; they remained together until his death in 1983.
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Muhammad 'Ismail's style of writing was contrary to the genre of Marxist literature that was popular during his time. His works were famous for deep imagery and profundity that resulted from Zen like simplicity. He is famously called "Sada balakudu", meaning Eternal child (of poetry).
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Parker, pp. 97, 103, 187, 225, 887 and 898 Like W. S. Gilbert, the Kendals and Bernard Shaw, Alexander was in favour of the naturalistic style of writing and acting propounded by Robertson.Durbach, Errol. "Remembering Tom Robertson (1829-1871)", Educational Theatre Journal, October 1972), pp.
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Gourish Kaikini wrote a total of 62 books, most of them in Kannada and Marathi. He has written novels as well as poetry collections. He served as a writer and a columnist for several newspapers and periodicals. His style of writing attracted widespread acclaim.
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Saltykov's style of writing, according to D.S.Mirsky, was based on the bad journalistic style of the period, which originated largely with Osip Senkovsky, and which "today invariably produces an impression of painfully elaborate vulgarity."D.S. Mirsky. A History of Russian Literature. Northwestern University Press, 1999. .
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His studies helped in the understanding of Brahmi and Kharoshti scripts and their etymologies. His style of writing was heavily leaned on to footnotes and his findings have, at times, attracted criticisms. Besides 50 books, he also published over 700 articles in various national and international journals.
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Fan Changjiang is considered as one of the most prominent journalists in Chinese history. He had written a huge number of outstanding news articles and taken up a lot of leading positions in this field. His style of writing are considered as very modern, righteous and vivid.
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After the First World War Eliza struggled financially, as her husband became an invalid and her style of writing went out of fashion. However Queen Mary liked her books and ordered a complete set. Eliza’s final book was an autobiography ‘Recollections of a Literary Life’ (1936).
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The censored, verse edition Le Festin de pierre (1677), by Thomas Corneille changed the style of writing — and thus changed the intent of the play — by exaggerating Dom Juan's libertinism to render Molière's comedy of manners into a cautionary tale of the unhappy fate of irreligious people.
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Berlin: Walter de Gruyter. p. 439, as cited in Grzelczyk, Johan. 2005. "Féré et Nietzsche: au sujet de la décadence" . . via HyperNietzsche. In 1867 Nietzsche wrote in a letter that he was trying to improve his German style of writing with the help of Lessing, Lichtenberg and Schopenhauer.
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The novel is divided into four books. Each book takes its name from a book of the Bible and follows a different style of writing. Notably, the third is in the form of a statement taken from a witness and the fourth (mostly) takes the form of court proceedings.
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Vladimir Nikolayevich Krupin (, September 7, 1941) is a Soviet Russian writer, editor, religious author and tutor. The major proponent of the Village prose movement, noted for his quirky, folklore-rooted style of writing, Krupin is best known for his 1980 Novy Mir-published satirical novel Zhivaya Voda (Aqua Vitae).
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The letters and words are not separated from one another (scriptio-continua). There is frequent insertion of a point as a mark of interpunction. This has been supposed to occur in an ancient stichometrical style of writing. A dot is always used to denote the end of the stichos.
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Munawwar has published several ghazals. He has a distinct style of writing. Most of his shers (couplets) have Mother as the centre point of his love. He also wrote a poem praising Indian National Congress leader and politician Sonia Gandhi because she was seen as a good mother.
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Jones uses a fragmented style of writing to incorporate the Corregidora family history of trauma into Ursa's present narrative. Overall, Corregidora considers difficult themes of generational trauma, preservation of memory, domestic and sexual violence, and womanhood and motherhood. Literary critics have highly regarded Jones' writing in this novel.
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Pliny the Elder notes he died in the reign of Augustus (Natural History IX.39, X.23). His simple style of writing has made him, in the UK at least, a standard choice for passages of unseen translation in Latin exams, from prep school, even up to degree level.
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The style of writing was more accessible than previous vitae written by the Cappadocian Fathers and some elements style seem to have been influenced by New Testament Greek. Nicholas' vita mostly takes place in a rural setting. His cult was later absorbed by that of Nicholas of Myra.
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In Caroling Dusk, an anthology edited by Cullen, he expands on his belief of using a Eurocentric style of writing. He writes, "As heretical as it may sound, there is the probability that Negro poets, dependent as they are on the English language, may have more to gain from the rich background of English and American poetry than form the nebulous atavistic yearnings towards an African inheritance." Countee Cullen believed that African-American poets should work within the English conventions of poetry to prove to white Americans that African Americans could participate in these classic traditions. He believed using a more traditional style of writing poetry would allow African-Americans to build bridges between the black and white communities.
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Olivia Laing of The Guardian states that Hendrickson is "a miraculously lovely writer." In her review of Hemingway's Boat, she reflects on his style of writing as "twists and turns through time, moving sensitively between the books and life. He understands too the deep allure the ocean held for Hemingway".
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The following year she published her first collection of poems: Situationer ("Situations"). In 1963 she became a household name in Sweden after publishing Husfrid. She became known for her distinct style of writing, describing daily life and commenting on society. The feminist movement embraced Åkesson's work and often cited it.
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Ithareya Brahmans Harishchandropakyana is the main example, that it is originated from Vedic period. Also Champu-kavya is seen 2nd century BC, in Rudradamana Girinars inscription on rocks. It is also seen in Ramayana, Mahabharata, Puranas, and the other Mahakavyas and was a later development in the style of writing.
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Immanuel Kant employed technical terms that were not commonly understood by the layman. Arthur Schopenhauer contended that post-Kantian philosophers such as Johann Gottlieb Fichte, Friedrich Wilhelm Joseph Schelling, and Georg Wilhelm Friedrich Hegel deliberately imitated the abstruse style of writing practiced by Kant.Schopenhauer, Manuscript Remains, Vol. 4, "Cogitata I," § 107.
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The reviewer of this book from Barnes & Noble wrote that even though none of the eleven short-stories are out of the ordinary, the author does however find strange goings on. This reviewer surmises that this collection of stories is uneven and the style of writing can make for monotonous reading.
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" Confronting some critics' views that her content and style of writing is unchristian,Inside Higher Ed: Calling Off Ann Coulter. December 1, 2005. Coulter said that she is "a Christian first and a mean-spirited, bigoted conservative second, and don't you ever forget it." She also said: "Christianity fuels everything I write.
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Fløgstad's style of writing, as demonstrated in both fiction and non-fiction, is very characteristic; many puns, allusions to other texts and to films and a mix of sociolects. He is one of the best-known authors associated with magic realism in Norway, and his overall realistic plots often feature many fantastic twists.
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The Barom Khru Foundation, which claims to supervise Hem's works, issued a statement warning the film's producer Five Star Production not to violate the copyright of Hem's writing. The director countered that The Unseeable was not an adaptation but was generally inspired by Hem's style of writing and illustrations.Rithdee, Kong. November 3, 2006.
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However, 'ethnographic realism' has also been used to refer to a style of writing that narrates the author's experiences and observations as if the reader were witnessing or experiencing events first hand. A work written using ethnographic realism may be referred to as a realist ethnography, and classified as a subgenre of ethnography.
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The contest has been on hold since 2005 while it seeks a new corporate sponsor. The objective of the contest is to create the best entry to parody William Faulkner's uniquely artistic style of writing, his themes, his plots, or his characters, in a short-short story of 500 words or fewer.
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The specialty of his style of writing is that it is mostly Telugu, unlike Nannayya whose work was mostly sanskritized. Tikkana used Telugu words even to express very difficult expressions and ideas. He used Telugu words and parables extensively. He is titled Ubhayabashakavimitrudu, as his poetic style pleases both Sanskrit and Telugu poets.
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Just as there is a unique style of writing associated with Ashkenazi scrolls, and another style for Sephardic scrolls, so too is there a style of writing that is peculiar to Yemenite scribes of the previous centuries. Each community, however, makes use of the square Hebrew script. In the older Torah scrolls of Yemenite provenance, there was not a practice among scribes to write the Hebrew letters with their Tagim, since the accurate tradition of doing so had long been lost.Subeiri, Yosef (1964), "Massoret Meduyeket", section 9 The ancient practice in Yemen when writing the letter ḥet (ח) is to make its roof flat, and not a "gable-roof," as prescribed by Rabbeinu Tam (Yaakov Meir), although more modern scrolls have adopted Rabbeinu Tam's method.
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A minister like Yan of the Tang dynasty, Liu was a native of today's Tongchuan, Shaanxi, a devout Buddhist and follower of Yan's style of writing. Like him an expert of the regular script, Liu's works were imitated for centuries after and he is often referred in unison with his famed predecessor as "Yan-Liu".
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The album is filled with messages of hope, confession and worship to our great God and Savior. Jeremy Camp's enthusiastic and reverent style of writing and singing praise and worship songs has consistently been a draw for me. Camp's prayerful sentiments are consistently filled with his personal adoration of God. Reckless is no exception.
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Lettering can be confused with similar terms, such as calligraphy or typography. Several pages have taken to distinguish the three in comprehensive guides. Calligraphy is known as a more rigid process, that requires learning the shapes of letters and combining thick downstrokes with thin upstrokes. This style of writing is generally created with dip pens and inks.
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Seaver was not the only baseball star to react angrily and conspicuously to Young's style of writing. During the 1979 World Series, Young interviewed Ray Poitevint, the Baltimore Orioles scout who had signed Eddie Murray six years earlier, and wrote about his protracted negotiations with Murray's family: > He [Poitevint] offers $20,000. He gets cursed at. He leaves.
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How did he receive old treatises and from whom ? Who explained him the secret meanings of the Sanskrit verses ? Many questions like these arise in the mind when one reads his biography and the books written by him. His style of writing is of his own and he has put forth his own views absolutely keeping the Vedic discipline.
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Angleberger has stated that partial inspiration for the book came from Origami artist Fumiaki Kawahata, whose origami Yoda has been seen on the Web. Inspiration also came from the unique style of writing associated with Star Wars. The name of McQuarrie Middle School is a reference to Star Wars artist Ralph McQuarrie, who seems to have heavily influenced Angleberger.
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This may have been Sanders, but the style of writing bears little resemblance to the Evening Journal pieces. Sanders edited a paper called Music from 1896 to 1900. In 1913 or earlier he established "Sanders' Piano Warehouse" at 81 Grenfell Street, selling pianos and organs. The firm was still operating in 1950, managed or owned by Ray Sanders.
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Instead, it is a functional style of writing that is quick to write and easy to read. Every literate Ottoman was expected to be able to use the ruqʿah.M. Uğur Derman, Letters in Gold: Ottoman Calligraphy from the Sakıp Sabancı Collection, Istanbul, New York, Metropolitan Museum of Art, 1998, p.20 It was widely used in the Ottoman Empire.
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They were often adept in Telugu and Sanskrit, in addition to Kannada. The Veerashaiva monasteries that had sprung up in various regions including Mysore, Tumkur, Chitradurga and Bangalore sought to spread their influence beyond the Kannada speaking borders.Nagaraj (2003), pp. 377-378 Sadakshara Deva, a Veerashaiva writer, tried to rejuvenate the classical champu style of writing.
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He is the author of a number of well-known, path-breaking studies and has published over 30 books and numerous articles on a variety of subjects, including Women Studies, Bengali Language and Literature, and Socio- cultural History of Bengal. He has a unique, lucid style of writing that distinguishes him from many other leading authors in South Asia.
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His preoccupation with the use of language and his Dickensian style of writing, including repetitions, piling up of adjectives, and using popular phrases, quickly remind the reader of Jamalzadeh's background and of his sincere intentions. However, his physical distance from the scenes of the events described in his stories somewhat compromises the accuracy of his works.
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Reviewing Snyder's book, The New York Times describes the author as "nimble-fingered craftswoman". However, Jane Langton calls Snyder's style of writing "sober" and states that there are many loose ends in the book that a reader could build "a bird's nest out of them."JANE LANGTON. in the New York Times Book Review. March 31, 1974, p.8.
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Health blog users can be broadly categorized into authors and readers. Started for different reasons, health blogs characterise owners' interest and objectives. Usually, the owner is the author who updates its content. The author determines the tone, language, frequency of posting, style of writing and other factors that determine the overall feel and look of the blog.
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Mittoorodi Pustakam is a compilation of some of his stories in one. Illustrations have been done by Bapu. Namini Iskoolu Pustakam is also a compilation of his books like Pillala Bhashalo Algebra, Iskoolu pilakayala katha and others. His style of writing, he says has been inspired from small town people, their lives, conversations and his relation with them.
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Norito were (and still are) traditionally written in a variety of man'yōgana where particles and suffixes are written in a smaller script than the main body of the text. This style of writing, used in imperial edicts (宣命 senmyō) preserved in the Shoku Nihongi and other texts dating from the 8th century (Nara period), is known as senmyōgaki.
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It had the most comprehensive budget of news among all the regional language papers of that time. In 1917, Desabhaktan, another Tamil daily began with T.V. Kalyansundara Menon as editor. He was succeeded by V.V.S. Iyer, a colleague of the Savarkar brothers. These two editors were scholars with a natural, highly readable but polished style of writing.
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Grundtvig and his followers are credited with being very influential in the formulation of modern Danish national consciousness. He was active during the Danish Golden Age, but his style of writing and fields of reference are not immediately accessible to a foreigner, thus his international importance does not match that of his contemporaries Hans Christian Andersen and Søren Kierkegaard.
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Césaire wrote his book in a poetic style, discussing the negative effects of colonization on colonies. He writes in poetic prose as, "a method of achieving clairvoyance, of obtaining the knowledge we need to move forward". His unique style of writing sets him apart from other postcolonial academics who published works alongside him at the same time.
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Lindsay Ashford is a British crime novelist and journalist. Her style of writing has been compared to that of Vivien Armstrong, Linda Fairstein and Frances Fyfield. Many of her books follow the character of Megan Rhys, an investigative psychologist. Raised in Wolverhampton, Ashford became the first woman to graduate from Queens' College, Cambridge in its 550-year history.
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Shahan Shahnour (August 3, 1903, Istanbul - August 20, 1974, Saint-Raphaël), in Armenian Շահան Շահնուր, French transliteration Chahan Chahnour), who signed his French language writings as Armen Lubin (in Armenian Արմէն Լիւպէն) was a French-Armenian writer and poet. He is considered a renowned Diasporan author in the Western Armenian tradition with his own style of writing.
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Welsh's style of writing involves mainly Scottish English; but incorporates elements and loans from the Scots language (e.g. "tae" is "to", "dae" is "do"), mainly the Edinburgh dialectal form. Also, Bruce uses rhyming slang, a common element of urban Scots dialects (such as "Sherman tank" – wank; Demi Moore – "hoor" (i.e. whore), Jackie Trent – "bent", and so on).
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Michael Fried, What was Literary Impressionism?, Harvard University Press The term is used to describe a work of literature characterized by the selection of a few details to convey the sense impressions left by an incident or scene. This style of writing occurs when characters, scenes, or actions are portrayed from a subjective point of view of reality.
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The content is quite abundant and the style of writing is elegant. This book talks about rain, flowers, beauties, mountains, rivers, etc. All of these are composed in a new way with full of witty remarks.Ling Yutang classified the content into 6 parts: human life, personal character, women and friends, nature, the house and home, reading and literature.
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After retirement started his life as a poet; Kashmiri being the medium. Style of writing remained mainly apprehensive and humorous. Thrust of the poetry has been to portray the social evils and exterminate them by arousing public consciousness. Imbalances in the society, plight of the weaker sections and environmental filth have remained the main theme of the writings.
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Mullapudi Venkata Ramana (; 28 June 1931 – 24 February 2011) was a Telugu story writer. He was especially known for his hilarious style of writing. He also created a child character called Budugu. Many other memorable characters like Radha, Gopalam, Contractor (in Muthyala Muggu), Tutti (in Mister Pellam) in modern Telugu literature/cinema flew from this master writer's pen.
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Act III begins after Bayes's injury from his previous fall, whereupon he tells Johnson and Smith he plans to end every act with a dance. Bayes then continues to describe his style of writing, adding that some scenes of his play might be entirely unnecessary to the plot, but are full of “Wit” and are very popular in the "new style" of writing. In fact, the further the play continues, the less sense it makes, and the more Bayes defends it. Discussion continues to include Bayes' approval of such devices as “songs, ghosts, and dances,” as a way of filling the theatre seats. Finally, Bayes calls his play a “Touch-stone,” and says he will be able to judge the character of any man by observing his reaction to the play.
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The poetical narrative of Don Juan (1819–24) is told in sixteen thousand lines, arranged in seventeen cantos, written in ottava rima (eighth rhyme); each stanza is composed of eight iambic pentameters, with the couplet rhyme scheme of ab ab ab cc. The ottava rima uses the final rhyming couplet as a line of humour, to achieve a rhetorical anticlimax by way of an abrupt transition, from a lofty style of writing to a vulgar style of writing. In the example passage from Don Juan, canto I, stanza 1, lines 3–6, the Spanish name Juan is rhymed with the English sound for the words true one. Therefore Juan is spoken in English, as , which is the recurring pattern of enunciation used for pronouncing foreign names and words in the orthography of English.
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Yu Hua's writing style focuses on quality over quantity. Known by the complexity and unique linguistic styles, his effective style of writing and communication breaks the everyday rule of linguistics to form and, in a sense, its own linguistic system. With its complex foundations, Yu Hua's work has been successful at constructing mysterious and rich literary universes in both fiction and non-fiction.
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While many praised the New Journalist's style of writing, Wolfe et al., also received severe criticism from contemporary journalists and writers. Essentially two different charges were leveled against New Journalism: criticism against it as a distinct genre and criticism against it as a new form.Murphy 1974, p. 15See for example, Jack Newfield, Columbia Journalism Review, July–August, 1972, p. 45.
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He published numerous books, both fiction and non- fiction. His style of writing was calm, and at times dreamy. He wrote about people who stand outside of ordinary society, but attempts the impossible. In the short story Riestopher Josef from Around the Sun in a Circle he wrote about a boy who can't leave his house due to skin disease.
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Esther Mona Friesner-Stutzman, née Friesner (born July 16, 1951) is an American science fiction and fantasy author. She is also a poet and playwright. She is best known for her humorous style of writing, both in the titles and the works themselves. This humor allows her to discuss with broader audiences about issues like gender equality and social justice.
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During this time, he became fascinated with the poems and style of writing of Victor Hugo, Charles Baudelaire, Edgar Allan Poe and several others and began writing his own. In the late 1920s, he served as a nurse in a military hospital and later went on to study veterinary medicine at the University of Toulouse in France, graduating in 1933.
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This was a Romanized style of writing Hmongic languages in Vietnam. It bears resemblance to the Quốc ngữ writing used for Vietnamese today, but uses the tone letters, in similarity to RPA. This Vietnamese RPA script is only known to a few in Vietnam, predominantly of Christian faith, and it is thought that it will not be in use for much longer.
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Daniela Dahn (born 9 October 1949, in Berlin) is a German writer, journalist and essayist. Since the reunification of Germany in 1990, Dahn has been an outspoken critic of the reunification process.Rado Pribić, The trouble with German unification: essays on Daniela Dahn, NoRa-Novitäten & Raritäten, 2008, Her highly personal style of writing,Daniela Dahn, “Conformists like me.” New German Critique.
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Classic, Thriller and Technical fiction. The style of writing reflects on the struggles and challenges that one faces during intense projects and commands. Along with his wife Mini Varkey Shibu, he set up Mishan Design Point Private Limited in 2007. MINC-eco fashion is the brand promoted by Mishan design point Pvt Limited that promotes the concept of eco-friendly living.
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All of Ham's novels have been set in small communities of Australia. She has admitted that if she wrote an urban novel, her style of writing would be changed with the change in landscape, which she does not want to do. In all her novels, revenge, gossip, love, betrayal, small communities, isolation, treachery, manipulation and human nature are the common themes.
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The work is also known for its discussion of the principle of decorum (the use of appropriate vocabulary and diction in each style of writing) (l.81–106), and for Horace's criticisms of purple prose (purpureus pannus, l.15–16), a term coined by him to mean the use of flowery language.The Norton Anthology of Theory and Criticism, p. 123.
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Rhymed prose is a literary form and literary genre, written in unmetrical rhymes. This form has been known in many different cultures. In some cases the rhymed prose is a distinctive, well-defined style of writing. In modern literary traditions the boundaries of poetry are very broad (free verse, prose poetry, etc.), and some works may be described both as prose and poetry.
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Giorgio Saviane (16 February 1916 – 18 December 2000) was an Italian author. He received a Laurea in Giurisprudenza from University of Padua and then moved to Florence to practice as a lawyer. During his period in Florence he started his career as a writer. From the very beginning, Saviane adopts an introspective style of writing that will characterize all his future writings.
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Subsequently he began his career as a writer. Daniel Chavarría defined himself as a Uruguayan citizen and a Cuban writer. Chavarría’s style of writing is within the Latin American tradition of political writers, such as Gabriel García Márquez. He mentioned that as a child, he read Jules Verne, Emilio Salgari and Alexandre Dumas, and their influence can be detected in his writing.
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SEE-I also lends itself to a natural descriptive style of writing where important concepts or topics are described in a clear, repetitive manner. This same method is sometimes referred to as the “C-I paradigm”.Paul and Elder (2005) SEE-I was originated by Richard Paul and Linda Elder and further refined into the current form by Gerald Nosich.
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Adresse-Tidende was started on 18 June 1849, in a city which was conspicuously small for hosting a newspaper. The newspaper also covered Brevik's surrounding districts. The founder and first editor-in-chief was William Thrane, theologian, former journalist in Statsborgeren and first cousin of Marcus Thrane. The theologian Thrane had a conservative tint, but had an unconventional style of writing.
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He also has 4 grandchildren, Madeleine, Cecilia, Tabitha and Iris. Together, Clark and Bernstein decided to become freelance writers, and earned their living as self-employed authors. Clark's style of writing was that of unadorned and spare prose, while his wife preferred to use more adjectives and write in a 'flowery' manner. In 1974, he received his first prospective commission.
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Nshan Beshiktashlian was born in Istanbul and left at an early age. Due to his abrupt leave, he was forced to leave school at an early age. However, he began to write at 12 years old with his satirical style of writing. He left Istanbul and continued his writing career in Paris, France where he remained until his death in 1972.
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Joan Helene Hambidge (born 11 September 1956 in Aliwal North, South Africa) (the English surname notwithstanding), is an Afrikaans poet, literary theorist and academic. She is a prolific poet in Afrikaans, controversial as a public figure and critic and notorious for her out-of-the-closet style of writing. Her theoretic contributions deal mainly with Roland Barthes, deconstruction, postmodernism, psychoanalysis and metaphysics.
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The term is also used in literary criticism to describe a mannered "Chinese-esque" style of writing, such as that employed by Ernest Bramah in his Kai Lung stories, Barry Hughart in his Master Li & Number Ten Ox novels and Stephen Marley in his Chia Black Dragon series.Marley rejects the chinoiserie label in favour of his own term, "Chinese Gothic".
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Hu Lancheng approaches a fragmented style of writing, which is quite suitable for writing short fictional novels as it can jump from one point to another very quickly and frequently. Some people say that Hu Lancheng gained fame through the fans of Eileen Chang. Some even admitted that it was because they loved Chang's literary works that they also appreciated Hu's writings.Wang, Xiangfu.
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Bedhab Banarasi ('बेढ़ब' बनारसी) was a Hindi writer of the Twentieth century, famous for his witty style of writing. He has written a number humorous and satirical articles, novels and poems in Hindi under the pen name of Bedhab Banarasi. He has published about a dozen books in prose and poetry. Bedhab's poems deal with issues of society, romance, modernity and politics.
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Despite the Op. 1 designation, these trios were not Beethoven's first published compositions; this distinction belongs rather to his Dressler Variations for keyboard (WoO 63). Clearly he recognized the Op. 1 compositions as the earliest ones he had produced that were substantial enough (and marketable enough) to fill out a first major publication to introduce his style of writing to the musical public.
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He chose the problems of the Lower Middle Class as a theme for his writing, as he himself belonged to the same deprived class of the society. A social theme along with bold and blunt style of writing about life's harsh realities makes him stand out from other writers. Till now he has written more than 60 dramas for TV channels.
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A book hand was any of several stylized handwriting scripts used during ancient and medieval times. It was intended for legibility and often used in transcribing official documents (prior to the development of printing and similar technologies). In palaeography and calligraphy the term hand is still used to refer to a named style of writing, such as the chancery hand.
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Penny dreadfuls were often written carelessly and contained themes of gore and violence. The String of Pearls is no different. Its style of writing makes it a perfect example of a penny dreadful, having a sensational, violent subject matter that plays off of the public's real fears. The success of the stories lies in the gut reaction people have towards it.
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He composed the romantic epic Badarul Munir – Husnul Jamal (1872) at the age of 17. It was a fictional love story of Prince Badarul Muneer and Husnul Jamal and it included many fantasy pieces as well. Towards the end of his life, he followed another style of writing. Among all his works, Mappilappattu (light /folk songs of Muslim communities) made him popular poet.
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Berezin's novels work within the boundaries of hard science fiction and is labelled by some critics as a "turborealist". Calls his style of writing "science fictional/philosophical technothriller". Berezin's first published novel is the science fiction novel Ash () in 2001. He recognize the influence of H. G. Wells, Kurt Vonnegut, Stanislaw Lem or Arkady and Boris Strugatsky in his work.
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Hemadri introduced use of Modi script for Marāthi (cursive style of writing Marathi) in government correspondence. He conceived of Hemadpanti architecture of buildings and temples which did not use lime. He introduced plantation of pearl millet (Bājari) as a staple crop. He encouraged and supported many artists and writers like Bopadev and studied their books and presented his own criticism.
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He was quite fond of using rhythm and repetition of sounds giving a majestic grace to the style of writing. He was very skillful in using Alankaras (figures of speech) like similes and metaphors. Pothana imparted the knowledge of the divine to the Telugu people along with lessons in ethics and politics through Andhra Maha Bhagavatamu. He lived for sixty years.
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Several people were brought in for questioning. They had to account for songs, toasts, whom they toasted to, and speeches. Wergeland sent an accusatory letter to the police department for the treatment of his uniform; the style of writing was such that it was reportedly received with some amusement. Wergeland's subsequent questioning made him a public hero and figure for the national day.
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Furthermore, with the accrual of one's online activity, his or her mask is increasingly defined by his or her style of writing, vocabulary and topics. The kind of mask one chooses reveals at least something of the subject behind the mask. One might call this the "metaphor" of the mask. The online mask does not reveal the actual identity of a person.
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The Survivors series has been released in e-book format for popular e-readers such as the Barnes & Noble Nook and Amazon Kindle. The series has also been translated into several languages. In addition, the series has a website featuring games, promotional videos, quizzes, and news. Survivors has garnered positive reviews, with critics praising the pacing, characters, and "magical" style of writing.
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He was hapless, only getting through an inning by the miraculous fielding plays of his team or simply pure luck. Lefty's style of writing was self-effacing and his ability backed it up. The best of these columns were compiled into a book that was popular locally in Houston. Herskowitz covered the first game in 1962 played by the Colt .
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Tan wrote poetry as a young adult, but did not start writing seriously until she was on maternity leave in 1961. Tan's husband, Tan Joo Liang, encouraged her to explore her personal style of writing during her leave. She wrote her first story, "Robert and the Beetroots" at that time. In 1974, her short story, "The Goddess of Mercy" was aired on BBC.
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Aleshkovsky has a distinct style of writing - a combination of skaz and satire of Soviet social or scientific experiments. The majority of his writings are profoundly witty. The novella Nikolai Nikolaevich mocks Soviet stupidity in pseudoscientific biological experiments. His novel Kenguru (Kangaroo) tells the story of an old thief and his ordeals during the Stalinist era trials; Stalin himself is a character.
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Sexual Dissidence: Augustine to Wilde, Freud to Foucault (1991; second edition 2018) is a book about the philosophy of sex by the social theorist Jonathan Dollimore. The book received both positive and mixed reviews. Dollimore was complimented for his discussions of the theologian Augustine of Hippo and the writers Oscar Wilde and André Gide, but was criticized for his repetitive style of writing.
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Anna Komnene is the only female Greek historiographer of her era, and historians are keen to believe that her style of writing owes much to her being a woman. Despite including herself in the historiography and the other qualities that make her style vastly different from the typical historiography of the era, Anna Komnene's Alexiad has been seen as a "straightforward" history.
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This practice, in effect, represents a 'blend' of the Chinese style of writing and the Indian style of writing and allows Sanskrit texts in Siddhaṃ to be differentially interpreted as they are read, as was done with Chinese characters that the Japanese had adopted. This led to multiple variants of the same characters. With regards to directionality, Siddhaṃ texts were usually read from left-to- right then top-to-bottom, as with Indic languages, but occasionally they were written in the traditional Chinese style, from top-to-bottom then right-to- left. Bilingual Siddhaṃ-Japanese texts show the manuscript turned 90 degrees clockwise and the Japanese is written from top-to-bottom, as is typical of Japanese, and then the manuscript is turned back again, and the Siddhaṃ writing is continued from left-to-right (the resulting Japanese characters look sideways).
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Rita Indiana admits to having a passion for reading and writing from a young age. The piece of literature to first spark her interest in literature was Tom Sawyer by Mark Twain. She credits her style of writing for the marginalized youth to Mark Twain's similar subject matter. Rita Indiana began her writing career with short stories in the mid 1990s, shortly after leaving Autonomous University.
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Thus "he who has fallen" would be literally translated as "death dragon", both rather obvious references to Lucifer. Neither Kelley nor Dee mention this in their writings. One argument against Kelley's fabrication of angelic language is that the English translations are in a very different style of writing to that of Kelley's own work. This raises the possibility that Kelley actually plagiarized material from a different source.
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Faturānanda is well known for his distinctly unique and original style of writing. He uses simple and colloquial language with a natural flow. Underlying theme in all his works is social issues addressed either directly or indirectly. According to Faturānanda “Stories I wrote initially were of tragic nature. After publication of “Dagaro” from Cuttack I started noticing the comic and humorous stories in it.
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Miller compared the book to "an online discussion". She described Crews's discussion of recovered- memory therapy as "scathing" and praised his style of writing. She credited Crews with supporting his objections to Freud's personal qualities and theories empirically with careful research, but also wrote that Crews's work could seem crankish and obsessive. She observed that scientific debate about repression could continue interminably, like an Internet "flame war".
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Thereafter Sir Charles had many thought-provoking sessions on just about any subject with Ramavtar Sarma, his admiration rising with each. Ramavtar's style of writing verse was such that scholars of the era were convinced that he would author the fifth Veda. Hopes were also expressed that he would be able to decode the Indus Valley Script. It was he who rescinded the Ashokan script.
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Through the Observer Simpson continued his letters of " Brutus" criticizing the U.S. Bank. His style of writing along with his frank and openly hostile manner were once again evident, no different than in his former articles. Simpson made no further attempt to conceal the fact that 'Stephen Simpson' was indeed the author of the original articles published by The Aurora. Once again public curiosity grew.
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Fictocriticism is a postmodern style of writing which can be described as "Gonzo [in reference to the journalism style] Anthropology". Blending fact and fiction, ethnographic observation, archival history, literary theory and memoir. Professor Carl Rhodes defines fictocriticism as "a writing engaged in genre-bending as a literary and theoretical engagement with existence and selfhood." It is a new sub-categorization and therefore still being defined and redefined.
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Fiction of the period combined mature style of writing with social analysis. Famous authors in the period include Mao Dun, Lao She, Shen Congwen, Zhang Tianyi, Ba Jin and Wu Zuxiang. Mao Dun's major pieces of fiction are Eclipse (1928), Hong or Rainbow (1933), and Ziye or Midnight. His early work experiment with the late Qing social novel with naturalism or realism, European technique.
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Sinclair is best known for his exposé style of writing, epitomized by The Jungle, his 1906 novel exposing unsavory practices in the meatpacking industry. Sinclair was awarded the Pulitzer Prize for Fiction in 1943. Many of Sinclair's later works were written while he lived here, in a studio space created in the garage. The grounds also include a concrete vault where he kept all his papers.
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Many critics and scholars consider Shakespeare's first plays experimental and believe the playwright was still learning from his own mistakes. Gradually his language followed the "natural process of artistic growth, to find its adequate projection in dramatic form". As he continued experimenting, his style of writing found many manifestations in plays. The dialogues in his plays were written in verse form and followed a decasyllabic rule.
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Pramatha Choudhury endeavored to introduce new literary ideals, preferred spoken Bengali to the written and a new style of writing, often called 'Birbali', after his pseudonym 'Birbal'. From then forward, the colloquial Bengali is dominating the Bengali literary scene. Even Tagore's later prose works and modern Bengali literature vindicates the success of Sabujpatra's motto. Sabujpatra initially contained writings from Rabindranath Tagore, Satyendranath Dutta and the editor himself.
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Unlike other classical plays, none of them mentioned the author, but one was the Swapnavāsavadatta. Comparing the style of writing and techniques employed in these plays and based on the knowledge that Swapnavāsavadatta was Bhāsa's work, all of them were credited to him. Some scholars have disputed Bhāsa's authorship of all the plays but over the years the plays have generally come to be ascribed to Bhāsa.
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And It had a more organic feel. Now because of a > combination of maturity and honestly just feeling sick of the same old > formula, we really focused on creating something different sounding." Cocchi concluded: > "We went back to a more organic style of writing and production. I > personally was finally able to abandon a lot of my writing habits or > 'rules,' if you will.
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Chardin's style of writing is simple and graphic, and he gives a faithful account of what he saw and heard. Montesquieu, Rousseau, Gibbon, and Helvetius acknowledge the value of his writings; and Sir William Jones says he gave the best account of Mahometan nations ever published. Extracts from his works appear in all the chief collections of travels, but there is no complete English translation.
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Critics often cite certain works by García Márquez, such as A Very Old Man with Enormous Wings and One Hundred Years of Solitude, as exemplary of magic realism, a style of writing in which the supernatural is presented as mundane, and the mundane as supernatural or extraordinary. The term was coined by German art critic Franz Roh in 1925.Franz Roh: Nach-Expressionismus. Magischer Realismus.
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The Alexandria Link is Steve Berry's fifth published novel and was released in 2007. On the heels of Berry's New York Times best seller The Templar Legacy, this thriller is based on the mystery of the ancient Library of Alexandria. An amalgam of fact and fiction, the novel received mixed responses from readers. However, most responses to the plot and the style of writing were positive.
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Catherine Ross, "Reaney, James Crerar," Canadian Encyclopedia (Edmonton:Hurtig, 1988), 1831. During the 1940s and 1950s Reaney also wrote and published short stories. While not published in book form until years later, his stories were influential in establishing the style of writing later called Southern Ontario Gothic (later made world-famous by Alice Munro). In 1960 Reaney began teaching in the University of Western Ontario's English Department.
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15bI, Inv. 4, Blackwell's letters – dated 15 germinal an 7 (4 April 1799) and addressed to Jean Debrie, French minister plenipotentiary at the Rastadt negotiations. In a pretentious and often French-coloured style of writing Blackwell never failed to express his loyalty to the Revolution, let alone the great services he claimed to have rendered in France. He presented himself always in favourable light.
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Darco was born in 1968 in Germany (Bielefeld) and moved to France in 1976. There, Darco developed an early interest in art and more specifically Graffiti-Writing. Darco painted his first "piece" (painting) in a suburb of Paris in 1984. Since the early 1980s, he has received worldwide recognition for his style of writing, and is credited for influencing generations of graffiti-writers across the globe.
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Inscrbed handwriting (in Kannada characters) of Ranna reads Kavi Ratna ("gem among poets") at Shravanabelagola Ranna () was one of the earliest and arguably one of the greatest poets of the Kannada language. His style of writing is often compared to that of Adikavi Pampa who wrote in the early 10th century. Together, Ranna, Adikavi Pampa and Sri Ponna are called "three gems of ancient Kannada literature".
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The best- known originator of Roman historiography was Quintus Fabius Pictor (3rd century BCE). His style of writing history defending the Roman state actions and using propaganda heavily eventually became a defining characteristic of Roman historiography. Another example of early propaganda is the 12th-century work, The War of the Irish with the Foreigners, written by the Dál gCais to portray themselves as legitimate rulers of Ireland.
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The book is unusual in that Bouton fully acknowledges that he didn't write much of it, nor did he do the research. Reporter Neil Offen was hired by Bouton to research the material, and he and Bouton made the selections themselves. Bouton's candor in crediting Offen is much like his style of writing in Ball Four. The book is also unusual in how it lampoons the publishing industry.
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The American Civil War had a profound effect on American journalism. Large newspapers hired war correspondents to cover the battlefields, with more freedom than correspondents today enjoy. These reporters used the new telegraph and expanding railways to move news reports faster to their newspapers. The cost of sending telegraphs helped create a new concise or "tight" style of writing which became the standard for journalism through the next century.
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2–4 The literary figure Mother Goose represents common incarnations of this style of writing. The second, newer source of literary nonsense is in the intellectual absurdities of court poets, scholars, and intellectuals of various kinds. These writers often created sophisticated nonsense forms of Latin parodies, religious travesties, and political satire, though these texts are distinguished from more pure satire and parody by their exaggerated nonsensical effects.Malcolm, p. 4.
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A gag-a-day comic strip is the style of writing comic cartoons such that every installment of a strip delivers a complete joke (or other kind of artistic statement). It is opposed to story or continuity strips, which rely on the development of a story line across a sequence of the installments.Brian Walker, "The Comics: Since 1945", 2006, , p.13 Most syndicated comics are of this type.
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Anders Bodelsen (born 1937) is a prolific Danish writer primarily associated with the 1960 new-realism wave in Danish literature, along with Christian Kampmann and Henrik Stangerup. Bodelsen prefers the social-realistic style of writing, often thrillers about middle-class people who face the consequences of materialism, which often clashes with their human values. His thrillers also experiment with ordinary persons tempted by e.g. theft and border-morale issues.
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The manuscript has been dated at the end of the 18th Century, though this is not certain. The style of writing in the manuscript suggests that much of the information included was copied from older works. The work references many figures in Maya mythology who are for the most part unknown from other works. The manuscript was discovered in the winter of 1914-1915 by Frederic J. Smith through unknown circumstances.
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The Art of Investing in America is printed in a dual-language format, with the Chinese text appearing in the first half of the book followed by the English text. A table of contents is provided in both languages. Unkovic's style of writing is strictly informative and the language used to discuss the topic of foreign investments is explanatory. The content is a mixture of facts, personal opinions and observations.
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As a member of the Cadwgan Circle,Guide to Wales, Welsh Literature Go Britannia! website he mixed with fellow members J. Gwyn Griffiths, Pennar Davies and Gareth Alban Davies, and was especially close to J. Kitchener Davies. From this informal group of like- minded intellectuals, Williams developed a style of writing and literal ethic opposed to eisteddfodic tradition. Amongst his heroes were writers Aldous Huxley, W H Auden and George Orwell.
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This was a collection of essays that refuted quotes from "accepted" philosophers and established authoritative support, a style of writing that was inspired by the ideals of the seventeenth and eighteenth centuries. Her inspiration for writing A Survey of the Women Problem steamed from her belief that the basis of the women's movement was caused by three issues: economic, social, and ethical-psychological sources.Mayreder, Rosa; Scheffauer, Herman, Translator.
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Ben Mezrich maintains that the book is not a work of fiction despite his narrative style of writing. Some of his sources are his conversations with Facebook co-founder Eduardo Saverin and the court documents made available to him because of "all these college kids suing each other."Maslin, Janet. (2009-07-19). "Harvard Pals Grow Rich: Chronicling Facebook Without Face Time" at The New York Times Book Review.
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172; She first coined the term "performance poetry" to name her style of writing poetry for oral presentation, instead of for print publication, in a 1981 press release.Hedwig Gorski official website The term was widely adopted to name the new genre by later practitioners in the mid-1980s, which is distinct within and parallel to the following practices: spoken word, slam, poetry readings, performed poetry, and performance art.
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Aziz had a profound love for words and writing. He authored 44 valuable books on the modern history of the Muslims of the Indian subcontinent. He had a unique style of writing that stimulated readers' thought process. He wrote on many significant issues related to Pakistan and also came up with volumes of significant details on important dignitaries who helped in shaping the history of the Indian subcontinent.
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The Father marked a turning point for Strindberg, as he went to a style of writing he deemed "artistic-psychological writing". In an essay "Psychic Murder", written just after "The Father" was completed, Strindberg discusses Henrik Ibsen’s play Rosmersholm, and suggests how Ibsen might have handled Rebecca West’s "psychic murder" of Mrs. Rosmer, which Ibsen doesn’t describe. It might be affected, according to Strindberg, by planting jealousy in Mrs.
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In her books, she has established a unique style of writing that boldly explores the boundaries of creative expression from within and without. Her books unfold for her readers a dense tapestry of affinities and allusions to Hebrew and world literature, erecting multi-layered and polyphonic texts. With genre-defying prose, often blending into existential essayist writing, she brings to the surface questions about home, place and space.
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Ruins of the ancient city of Aquincum, in modern Hungary – one site where Marcus Aurelius worked on Meditations. The Meditations is divided into 12 books that chronicle different periods of Aurelius' life. Each book is not in chronological order and it was written for no one but himself. The style of writing that permeates the text is one that is simplified, straightforward, and perhaps reflecting Aurelius' Stoic perspective on the text.
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Her style of writing, which proposes that comparisons of each ethnic group's music should be completed only after the music of those ethnic groups are understood, was considered innovative for Brazil. Brazilian ethnomusicologist Elizabeth Travassos wrote of Cameu in Music in Latin America and the Caribbean that the brief reference within the book could not "possibly do justice to the monumental contribution she made in her unprecedented effort at synthesis".
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Between the 1940s and the 1990s, Xiao wrote many famous articles. Many of his published feature reports are distinctive for their combination of news-accuracy and literary style of writing. The early reports are considered of great historical value by the academic community in China and are currently in the care of the Chinese Literature Society. Most of Xiao's featured reports were based on first hand experience from the front line.
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Welch had a unique style of writing from "'an outside observer with an insider's understanding' of Native American experience." Although he was raised on the reservation as a young boy, he lived most of his life off of it. He said that he felt a lack of close connection with the tribal community. In 1968, James Welch married Lois Monk, a comparative literature professor at the University of Montana.
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The Modi script has several characteristics facilitate writing so that moving from one character to the next miminises lifting the pen from the paper for dipping in ink. Some characters are “broken” versions of their Devanagari counterparts. Many characters are more “circular” in shape. Thus, Modi was a sort of “cursive” style of writing Marathi. The Modi script does not have long ‘ī’ (ई) and long ‘ū’ (ऊ) of Devanagari.
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As one of the most productive layers of society, rulers of neighbouring countries readily accepted Huguenots. In many places, Huguenots were granted privileges and credits, and in the countries where they immigrated, they were often responsible for the flourishing of the economy and especially agriculture. With the transformation of the original name Vallot into the German style of writing Wallot, the national assimilation of the family is considered to be completed.
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The language has a literary quality related to the style of writing of the day and the strong influence of the King James Bible. Buster explained: After both won Oscars at the 86th Academy Awards, it was reported that McQueen and Ridley had been in an ongoing feud over screenplay credit. McQueen reportedly had asked Ridley for shared credit, which he declined. McQueen appealed to Fox Searchlight, which sided with Ridley.
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Friedrich Wilhelm IV of Prussia acquired it in 1827 for the Berlin Museum, where it is still housed. The style of writing is that of the 19th Dynasty, and it is dated between 1350 and 1200 BC. The papyrus was studied initially by Heinrich Karl Brugsch, but was translated and published by Walter Wreszinski in 1909. Only a German translation is available. The papyrus contains twenty-four pages of writing.
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Longinus critically applauds and condemns certain literary works as examples of good or bad styles of writing. Longinus ultimately promotes an "elevation of style" and an essence of "simplicity". To quote this famous author, "the first and most important source of sublimity [is] the power of forming great conceptions." The concept of the sublime is generally accepted to refer to a style of writing that elevates itself "above the ordinary".
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The Vosges mountain range is the setting for most ghost stories by the French writing team of Erckmann-Chatrian. One of the earliest writers of ghost stories in English was Sir Walter Scott. His ghost stories, "Wandering Willie's Tale" (1824, first published as part of Redgauntlet) and The Tapestried Chamber (1828) eschewed the "Gothic" style of writing and helped set an example for later writers in the genre.
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Hateful Things was written in the form of a list of the author's dislikes.Mark Vickers, "The Pillow Book – Sei Shonagon" (educational notes), University of Indiana This short essay is an example of her preference for a list-based style of writing. She lists her hates within topics such as etiquette, women, men, and society. Sei slowly begins by explaining some habits she feels are intolerable that are practiced by others.
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The principal characteristics of are that they were written in prose, had a forceful style of writing, were of political historical nature which appealed to Maratha patriotism, were often commissioned by a patron, displayed an acceptance of tradition and also a belief in the supernatural. Early were sparsely written and contained a number of words of Persian derivation, later works tended to be voluminous and contained Sanskritised prose.
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There are certain ways in which Plautus expressed himself in his plays, and these individual means of expression give a certain flair to his style of writing. The means of expression are not always specific to the writer, i.e., idiosyncratic, yet they are characteristic of the writer. Two examples of these characteristic means of expression are the use of proverbs and the use of Greek language in the plays of Plautus.
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The purpose of this poem was to satirize in a style known as Dunciad. This piece exemplifies the resurrection of Pope's style of writing. “Like that of Byron after them, the parody and satire of the contributors to the Anti-Jacobin is the voice of a vibrant neo-classicism, engaging in debate with the new spirit of age”.Strachan, "Poetry of the Anti-Jacobin," in Duncan Wu, ed.
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The script contains 52 letters including 16 vowels and 36 consonants, which forms 576 syllabic characters, and contains two additional diacritic characters named anusvāra and visarga. The earlier style of writing has been superseded by a new style as of 1981. This new script reduces the different letters for typesetting from 900 to fewer than 90. This was mainly done to include Malayalam in the keyboards of typewriters and computers.
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Irakli Kakabadze was an Editor-in-Chief of the bi- lingual (Georgian-English) literary-social science magazine “Peace Times” in 2001-2004 in Tbilisi, Georgia. This is where he started to explore multi- lingual and multi-discourse style of writing. The magazine combined the discourse of creative multi-media art with multi-disciplinary peace science. It was at this journal that Kakabadze started to publish Georgian, Russian, English and German texts.
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And Fall Out Boy. Top 40s music inspires me too, country music inspires me. I did live in Nashville for one year when I was going to Temple University so I think that country sound and style of writing has worked its way into me a little bit and comes off in my music sometimes. And I love pop artists, I love Lady Gaga, I think she’s a great artist of our time.
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This is a list of books written in the style of the King James Bible (excluding translations of the Bible derived from the King James Bible itself). Historian Eran Shalev has called this style of writing "pseudo- biblicism", but it is also known as "Scriptural Style", or the "Style of Ancient Antiquity". The style became popular in 1740 and spread to British North America, ending in popularity around the middle of the 19th century.
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This book series (currently made up of thirteen installments) is deeply rooted in dispensationalist theology and could be said to be written in Christianese (books eleven and twelve perhaps more so than the rest of the series). When the first three installments were adapted into motion pictures by the Christian film company Cloud Ten Pictures, the Christianese style of writing was folded into the dialogue, offering a clear example of Christianese in speech.
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Jean Devanny c.1931 Devanny joined the Communist Party of Australia in the early 1920s, and had a long-term affair with the general secretary Jack Miles; called "Leader" in her memoirs. However, many in the party disagreed with her "forthright avant-garde views" and her candid discussion of sexual activities and women's sexuality. The style of writing of Sugar Heaven was called "reportage" or "fact in the form of fiction" by Egon Kisch.
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Her style of writing has been likened to that of Amanda Quick, blending mystery and romances in a Regency setting. Romantic Times described her first novel as "lively, exciting, cleverly plotted" with an "independent, intelligent heroine and equally smart hero." Born in Michigan, Mallory now lives in California. As of January 2013, the author went on hiatus from historical romance in order to write in a different genre under a different name.
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He persisted and succeeded in recruiting her for the Avex label in the following year. Hamasaki started vocal training, but skipped most of her classes after finding her instructors to be too rigid and the classes dull. When she confessed this to Matsuura, he sent her to New York to train her vocals under another method. During her foreign sojourn, Hamasaki frequently corresponded with Matsuura and impressed him with her style of writing.
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Apotropaic texts consist of short protective spells for warding off threats to the body and tomb. Due to the archaic style of writing, these texts are considered to be the oldest, and are the most difficult to interpret. These utterances were meant to be chanted by those who were reciting them. They contained many verbs such as "fly" and "leap," depicting the actions taken by the pharaohs to get to the afterlife.
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Correia spent nearly his entire life in India, and drew primarily from materials available there. His style of writing is also much more entertaining, intense and replete with 'gossipy' details. Although not regarded as reliable, Correia's account supplies a lot of information that the others miss or prefer to remain silent on. Besides these comprehensive chronicles, there are many accounts of particular armadas – on-board diaries, accounts, memoirs and letters written by their passengers.
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From the 2010s, Illumine Lingao became an increasingly concerned work in China's Internet literature studies for its collective and collaborative style of writing, and for its detailed descriptions of the proto-industrialized "new world" built by the time travelers. The novel is praised as the "encyclopedia of time travel" among readers. Some critics also call it "a unique phenomenon of contemporary Chinese literature". Illumine Lingao has some similarities with the 1632 series by Eric Flint.
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Before becoming a journalist Huang immersed himself in writing literature, as classical Chinese literature was still popular in the late Qing dynasty. He was known for writing fluently, with major use of rhetoric and allusion. However, Huang realized that news articles should be comprehensible enough to be read by many people and that the use of classical Chinese language might obstruct the flow of expression. He therefore decided to change his style of writing.
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Phan eschewed this traditional style to write in a direct, ordinary prose style, especially in his analytical and argumentative sections. The book precipitated a new style of writing among scholar gentry revolutionaries, who later tended to use a more direct style.Marr, p. 115. The book created a reaction in China, sparking follow-up essays by Chinese writers who were taken aback by the Phan's description of Vietnamese life under French colonial rule.
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A section of the Papyrus of Ani showing cursive hieroglyphs. Cursive hieroglyphs, or hieroglyphic book hand, are a form of Egyptian hieroglyphs commonly used for handwritten religious documents, such as the Book of the Dead. This style of writing was typically written with ink and a reed brush on papyrus, wood, or leather. It was particularly common during the Ramesside Period, and many famous documents, such as the Papyrus of Ani, utilize it.
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The fantasy cannot last, but it is the ceaseless movement away from the vulgar reality that has the potential to resurrect the self from existential insecurity, loneliness, or despair. Such romantic individualism is heightened by the sensitive, lyrical style of writing that reflects Yun's poetic sensibilities. Yun's novels deal with the relationship between fantasy and reality in individuals' lives. In a similar fashion, his poetry deals with the connection between the profound and the mundane.
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In this way Bach contrasts his antiquated way of notation with his modern style of writing. The upper manuals play the alto voice with the marking Cantabile, while the soprano voice plays the cantus firmus in plain minims. The lower voices in the canon, mostly play in intervals of thirds and sixths. Yearsley describes Bach's galante style—characteristic of the alto melody—as full of musical motives containing "spontaneous and unpredictable ornamentation".
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Scalzi at the National Book Festival in 2017 Scalzi's books are known for their humor. His style of writing has been influenced by Robert Heinlein, Orson Scott Card, and Joe Haldeman. Scalzi's first novel, Agent to the Stars, was written in 1997 and published free to read on his website in 1999. He asked readers to donate money to him if they enjoyed the novel, and earned around $4,000 over a period of five years.
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Since the early 1920s, this modern vernacular form has been the standard style of writing for speakers of all varieties of Chinese throughout mainland China, Taiwan, Malaysia and Singapore as the written form of Modern Standard Chinese. This is commonly called Standard Written Chinese or Modern Written Chinese to avoid ambiguity with spoken vernaculars, with the written vernaculars of earlier eras, and with other written vernaculars such as written Cantonese or written Hokkien.
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Michael was the first Hebrew author to make the Arab the protagonist in his stories and his referring to him neither with arrogance nor idealization. His style of writing milks both the treasures of the Hebrew language and the wealth of the Arab language. In all his writing the sanctity of life is uppermost. Michael's books have been translated into many languages and used as text books at universities and schools in Israel and abroad.
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" This new style of writing had an impact on Manson's vocal delivery, who sings in a "more baritone way" than on previous releases. We Are Chaos contains ten songs, and no additional tracks were recorded during the album sessions. Manson explained that once his and Jennings's respective bands found a mode to collaborate, the songs "flowed quickly" and "there were no extra songs. There was no fat to cut off the music.
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Heavily dependent on imagery, the thief, Said, is depicted as a tragic hero being Rady chased down by those he perceives as dogs. The recurring images of prison, betrayal and darkness amongst others also permeate the text. The novel is remarkable because it is the first novel to employ the stream of consciousness style of writing in Arabic. It helped, therefore, to confirm Mahfouz's stature as a pioneer in the field of literature.
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This conformity enables a more consistent readability of composite works produced by many authors and promotes usability of, for example, references to other cited works. In many kinds of professional writing aiming for effective transfer of information, adherence to a standardised style of writing helps readers make sense of what the writer is presenting. Many standardised styles are documented in style guides. Some styles are more widely used, others restricted to a particular journal.
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Russo contributed edgy, controversial storylines involving sexual content, profanity, swerves or unexpected heel turns, and worked shoots in the storylines. As well as short matches, backstage vignettes, and shocking angles. Russo's style of writing came to be known as "Crash TV" and was inspired by The Jerry Springer Show. In early 1997, Russo became head writer for the WWF and wrote their flagship show Raw Is War as well as their monthly pay-per-views.
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Commentary is usually confined to a separate section, though each paper may have a different overall slant. Editorial policies dictate the use of adjectives, euphemisms, and idioms. Newspapers with an international audience, for example, tend to use a more formal style of writing. The specific choices made by a news outlet's editor or editorial board are often collected in a style guide; common style guides include the AP Stylebook and the US News Style Book.
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When Delano reached Marysville, California, he earned $400 in three weeks drawing portraits of whiskered gold miners at an ounce of gold dust per head. After reaching San Francisco, Delano became a correspondent for the San Francisco Daily Courier and the Pacific News. Along with Prentice Mulford,Starr, p. 83 Delano was one of the first to use “California Humor”, a style of writing that uses satirical social commentary that exaggerates situations.
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Amidst a plethora of deliberate misspellings, he lists no fewer than ten members of the Five, not counting a dog named Cragesmure. A man warns them off Woenow Abbey and they subdue and question him. The story, like many other stories in this nonsense volume, stops there. Viz comic has parodied the series' style of writing and type of stories on a number of occasions, most notably in its Jack Black strip.
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David's opinionated style of writing is what made him valuable at The New Yorker. He only gave his opinion of things that he was knowledgeable about, which included movies and sports. The "Notes on Sports" column continued intermittently for more than two years, but was discontinued permanently when David left to cover World War Two in London. He asked for an overseas assignment after being rejected for military service because of poor eyesight.
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Her collection was broke down into five sections: the Treacherous Texts, Campaign Material, Women's Sphere, A Masque of Teachers, and The Unconscious Suffragists. Each section varied in the style of writing employed by Miller from poetry, to prose, to lists, to a short play, but all of the writings promoted feminist and suffragist themes and ideals. Title Page: Are Women People? A Book of Rhymes for Suffrage Times by Alice Duer Miller.
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Muir's friend, zoologist Henry Fairfield Osborn, writes that Muir's style of writing did not come to him easily, but only with intense effort. "Daily he rose at 4:30 o'clock, and after a simple cup of coffee labored incessantly. ... he groans over his labors, he writes and rewrites and interpolates." Osborn notes that he preferred using the simplest English language, and therefore admired above all the writings of Carlyle, Emerson and Thoreau.
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The terse and understated accounts there make their point wittily without the need of further elaboration.Will Rowe and David Tipton’s “Introduction”, Land of Angels 1985, p.3 The style was further elaborated in his next, equally successful collection, Canto ceremonial contra un oso hormiguero (1968); there too a growing familiarity with the new style of writing in the United States led Cisneros to experiment from then onwards with a more flowing, longer-lined poetry.
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Early in her career, she coined a concept she named "bookjoy" which describes the pleasure of reading. Mora's style of writing often incorporates code switching between English and Spanish words. As a writer, she allows a free-flow of ideas in her first draft: she doesn't question her motivation for writing and writes using "as little conscious analysis as possible." She prefers to use her critical eye for editing her own work later.
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Dykstra and Oldenhof, pp. 38–40. Nevertheless, at least some of Halbertsma's poems, for instance Sibbel fan De Ryp ("Sibbel from De Ryp") and Nacht ("Night") have made a lasting impression.Terpstra, p. 318. That said, Halbertsma's short stories were much more acute thanks to his limber use of language, his lively style of writing, and the fact that he refused to mince his words, leading to a rough, scoffing, and sometimes darkly grim atmosphere.
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Nigar Hasan-Zadeh was born in Baku the capital of Azerbaijan. Her poems have been translated into many languages and have appeared in translation all over the world including UK, Italy, Germany, Canada, Australia, Hungary, Poland, Turkey, Iran, Israel, and Russia ext. Her eastern style of writing had won her the reputation of poet with unique language combining different traditions of writings. From 2000-2014 Nigar had lived and worked in London/UK.
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After that, Zhu turned into a scholar, a critic. He intervened in the field of cultural criticism, using a completely new style of writing. With the publication of a series of essays, including: Escapee's Dossiers, The Festival of Liumang, Review of the 21st Century Chinese Culture, Zhu caused a storm in the intellectuals.Zhu Dake: Silence is my last line (朱大可:沉默是我最后的底线), Douban.com.
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Petronius' development of his characters in the Satyricon, namely Trimalchio, transcends the traditional style of writing of ancient literature. In the literature written during Petronius' lifetime, the emphasis was always on the typical considerations of plot, which had been laid down by classical rules. The character, which was hardly known in ancient literature, was secondary. Petronius goes beyond these literary limitations in his exact portrayals of detailed speech, behaviour, surroundings, and appearance of the characters.
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The lyrics are inspired by the style of writing of poets and authors like Jacques Brel, Léo Ferré, Boris Vian or Jacques Prévert. It is these rich influences that follows the specific Jean-Pierre Riou poetic, turned to melancholy. They define themselves as a popular music band open to the world. Besides their collaboration with French, Breton, Berber and Ukrainian musicians, they also have performed with British or American musicians, either on records or live.
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He clarified it as attention to the minutiae of daily life, taking in mind elements of the everyday that are important owing to their supposed lack of importance. He believes it to be an effective style of writing because it captures reality by depicting banal features as well as interesting ones. Wood emphasises throughout the book How Fiction Works (particularly in the final chapter) that the most important literary style is realism.
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Jeremy Taylor (1613 – 13 August 1667) was a priest in the Church of England who achieved fame as an author during The Protectorate of Oliver Cromwell. He is sometimes known as the "Shakespeare of Divines" for his poetic style of writing. Taylor was educated at The Perse School, Cambridge before going onto Gonville and Caius College, at Cambridge, where he graduated in 1626. He was under the patronage of William Laud, Archbishop of Canterbury.
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Walmsley's style of writing ranges from the naturalistic to the poetic and, at times, the absurd. He moves easily between dramatic and comedic, and some of his "darkest" work is treated with a cutting sense of humour. His most common themes include sex (both hetero- and homosexual, often involving sado-masochistic fetishes, adulterous affairs, and, in the case of Blood, incest), violence, addiction (to alcohol and heroin in particular), and God (from a Christian perspective)."Finding sobriety and God".
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Aami aar Feluda is ghost-written by author Sebabrata Banerjee. Sebabrata has tried to follow the smart and fluent style of writing introduced by Satyajit Ray which has made the new Feluda number a good reading experience. He has made a video-documentary film on the late Kishore Kumar in the year 1989. In 2003, Sandip Ray began working on adapting his father Satyajit Ray's original 1962 story Bankhubabur Bandhu into a Bengali television film of the same name.
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Padmanabha Tirtha (died 1324) was a Dvaita scholar and the disciple of Madhvacharya. Ascending the pontifical seat after Madhva, he served as the primary commentator of his works and in doing so, significantly elucidated Madhva's terse and laconic style of writing. His pioneering efforts in expanding upon the Dvaita texts to uncover the underlying metaphysical intricacies was taken forward by the 14th Century philosopher, Jayatirtha. Padmanabha is also credited with disseminating the philosophy of Dvaita outside the Tulunadu.
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Heywood, ed. Davison (1963, vii). To validate this theory, however, and to distinguish the sections of the play written by him from those written by a co-author, one must have a firm sense of Heywood's style of writing and preferred subject matter. While it is difficult to define what makes a play strictly Heywoodian, the playwright appears to have had a preoccupation with portraying the home and business lives of the English middle class of his time.
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His sonatas for violin and continuo contributed to the development of an idiomatic style of writing for the violin (including virtuosic runs, leaps, and forays into high positions), expanding the instrument's technical capabilities and expressive range. Like other 17th- century Italian sonatas, Uccellini's consist of short contrasting sections (frequently dances) that flow one into another. Uccellini's innovations influenced a generation of Austro-German violinist-composers including Johann Heinrich Schmelzer, Heinrich Ignaz Biber, and Johann Jakob Walther.
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In 2007, the English conductor Harry Christophers commissioned her to write a choral work for The Sixteen, a choir and period instrument orchestra. This led to her developing a new style of writing, which she calls "classical contemporary", and the composition entitled Ave Generosa was released on CD, sung by The Sixteen and conducted by Christophers. It premiered at the Queen Elizabeth Hall on London's South Bank in 2008, and in the United States in 2009.
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He was often asked to fix the screenplays of other writers, with much of his work uncredited. Occasional flashes of what came to be called the "Mankiewicz humor" and satire distinguished his films, and became valued in the films of the 1930s. The style of writing included a slick, satirical, and witty humor, which depended almost totally on dialogue to carry the film. It was a style that would become associated with the "typical American film" of that period.
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These were illustrated by Harold Copping. A 1911 copy of her Children's Stories from Dickens, from a limited edition of 500 copies signed by herself and four other granddaughters of Charles Dickens, was owned by Eleanor Roosevelt. It was sold at auction by Christie's at their New York sale in 2001.Christies Catalogue -February 2001 By the early 1900s her sensationalist style of writing had fallen out of fashion, and by about 1916 she had stopped writing.
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Chaudhuri's representation of Carmen, from French, never published. He wrote Torquato Tasso Ebang Tanhar Sidhha Betaler Kathopokathan, a translated piece from Italian, for Sadhana in 1893. Jayadeva (Bharati, 1890) was Chaudhuri's first original prose to be published. Though he followed a conventional style of writing here, he did not accept Jayadeva, the composer of Gita Govinda, as neither a first-rank poet nor he would recognize him as a pious person and convincingly established its depiction of sensuous delights.
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Led by Yovanovich – Nikolic editorial team, JadranSport's rating was on a high rise between 2000 and 2002. At its peak, JS employed more than fifteen correspondents and columnists and five full-time journalists plus two copy-editors. The result was unique style of writing, production of approximately forty articles, stories and interviews a day with high level of attention given to athletes abroad and support to regional leagues. As JadranSport was mainly financed from private funds, in 2002.
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Louis-Ferdinand Céline ( , ) was the pen name of Louis Ferdinand Auguste Destouches (; 27 May 1894 – 1 July 1961), a French novelist, pamphleteer and physician. He developed a new style of writing that modernized French literature. His most famous work is the 1932 novel Journey to the End of the Night. Céline used a working-class, spoken style of language in his writings, and attacked what he considered to be the overly polished, "bourgeois" language of the "academy".
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Closet dramas were published in manuscript form, including dramatis personae and elaborate stage directions, allowing readers to imagine the text as if it was being performed. This created an "unusually tight fusion between book and reader as it endeavours to stimulate the theatrical imagination." The playwrights did not have to worry about the pressure to impress an audience due to their audience being who they chose. Thus, it was considered to be a freeing style of writing.
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Braga's most famous work is Noctambulli, a series of four novels written in Oniric style of writing, which is a writing technique introduced by the Romanian Onirist writers in the 1960s. Three books in the series, Claustrofobul, Hidra, and Luiza Textoris were published in 1992, 1996 and 2012 respectively. The fourth book of the series is slated for a 2019 release. He has also written two journals of dreams, Oniria (1985-1995), in 1999, and Acedia.
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In 1828 after the Berlin lectures, Humboldt began formulating his vision in writing. His factual text, heavily loaded with footnotes and references, was sent in proof sheets to all the various specialists for comments and corrections before publication. In this way, he aimed to ensure that what he wrote was both accurate and up-to-date. He continually looked to his friend and literary advisor Varnhagen von Ense for advice in the matter of his style of writing.
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In the 16th century, a new style of stone inscriptions emerged, with Kanbun on one side and sōrō-style Japanese on another side. This style of writing is noted for heavy linguistic interference from Okinawan. An example of this style is the Sōgen-ji geba-hi (1527), which reads: The first part of the inscription, anji mo gesu mo, is a characteristically Okinawan phrase. The word kuma (this place) is an Okinawan word that corresponds to Standard Japanese koko.
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Gilbert West influenced Montagu's thinking about religion, history and literature. He also affected her style of writing for a time. Based on his example, she began writing in more formal syntax, but eventually became irritated by the restrictions and reverted to her freer, more natural style. Montagu corresponded with George Lyttelton frequently about literature and history, a relationship which would later lead to Lyttleton to include three of her works in his Dialogues of the Dead.
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" He said that the third section ("Getting There") "poignantly captures the ritual humiliations of sickness and age", and dubbed the play "a striking memento mori for an age without faith". Verity Healey of Exeunt argued, "Life seems so brief and yet so expansive. And Churchill’s style of writing follows suit with its short, truncated sentences as she untangles, in an essayist fashion, the meaning of existence, its cessation and our helpless but natural struggle against it.
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Being that Caro de Mallén was a poet, a poetic style of writing shone through in her dramas. She was known for writing dialogue that included single stanza verse shifts between characters that were made up largely of exchanges of metaphor. Many consider the bantering style of Caro de Mallén's plays witty. The majority of her plays include a wide range of characters, from servant characters who speak in low-brow humor to characters born of nobility.
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For italic writing, that can be 45°. For general cursive, traditionally with a stub dip pen, they would hold the pen at 0°, or parallel to the line of writing. The best advice is to experiment and see which angle seems more pleasing with your style of writing. One modern example of someone using a stub nib for rapid, and most certainly, extensive writing was the author Shelby Foote, the historian of the American Civil War.
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His exile forced Chateaubriand to examine the causes of the French Revolution, which had cost the lives of many of his family and friends; these reflections inspired his first work, Essai sur les Révolutions (1797). An attempt in 18th-century style to explain the French Revolution, it predated his subsequent, romantic style of writing and was largely ignored. A major turning point in Chateaubriand's life was his conversion back to the Catholic faith of his childhood around 1798.
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An example of D'Nealian cursive writing D'Nealian, sometimes misspelled Denealian, is a style of writing and teaching cursive and manuscript ("print" and "block") handwriting for English. It derived from the Palmer Method and was designed to ease the learning of manuscript and cursive handwriting. D'Nealian was developed by Donald Thurber while teaching in a primary school, and was first introduced in 1978. The name of the script comes from Thurber's first name contracted with his middle name ("Neal").
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He found time, however, to pursue many other interests, physical, artistic and intellectual. Twice he walked the from London to Cambridge, each time leaving on Friday afternoon and arriving at St John's College for breakfast on Saturday. Reed was a competent swimmer, and won a Royal Humane Society medal for saving a cousin from drowning in rough seas. He was an accomplished pianist, a skilful pen-and-ink illustrator, and had an engaging style of writing.
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Melinda Camber was born on 18 September 1953 in London and grew up on Wimpole Street. Her father was a psychoanalyst who kept his offices in the family home in the center of London's medical district. From early on, she was exposed to the arts, frequenting the National Gallery, and immersing herself in drawing and painting. At age 6, she was given William Blake's Songs of Innocence and Experience which would later influence her visual style of writing.
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The Aligarh Movement has made a weighty and lasting contribution to the political emancipation of Indian Muslims. The Deoband school was opposed to the movement as Aligarh Movement. The Aligarh Movement introduced a new trend in Urdu literature. Sir Syed Ahmad Khan and his association left the old style of writing in the Urdu language, which was rhetorical and academic, and started a simple style which helped Muslims to understand the main purpose of the movement.
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Simon dedicated the book to the memory of Richard Lederer, his friend and fellow bridge expert. "Portrait" (Simon's title for his preface to his book) exemplifies his style of writing: According to Simon, the two primary reasons for losing at bridge are (a) lack of technical skill and (b) losing tactics. Simon claims to address the latter alone, but that is not entirely true: for example, Chapters II and III include sound technical advice on cardplay.
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Critics argued that the prequel to the book, Dongri to Dubai, was better in terms of story. The review by Mumbai Boss said: > The difference is Zaidi’s sensational style of writing that’s more suited to > a cheap potboiler. The book has more clichés than a magazine of bullets. For > example, “The night always seems eerier in the wilderness than in the city. > Especially if death is in the air” and “Men would kill to possess her.
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18 is his sole prosaic volume; it contains seven dream narratives and seven oneiric texts; the former retain some bizarre linear coherence, while the latter come close to so-called automatic writing.one author claims Hinojose wrote the same way as Miró painted, Rattray 2004, p. 38 and another note „Miróesque” style of writing, Matilde de Moreno Escobar, La sangre en libertad: una reelaboración surrealista del petrarquismo, [in:] Jaume Pont (ed.), Surrealismo y literatura en España, Lleida 2001, , pp.
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Stokoe was born in England, graduated from University of East London where he studied economics, and has lived in Australia, New Zealand, and the US (Santa Monica, CA).Matthew Stokoe (in Russian) Stokoe has written several books and film scenarios and also co-wrote the internet comic Flick and Jube.Welcome to Flick and Jube He is mostly known for his brutal, noir, violent style of writing. Among his favorite authors are Raymond Chandler, Hubert Selby, and Nelson Algren.
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The Age of Reason provoked a hostile reaction from most readers and critics, although the intensity of that hostility varied by locality. There were four major factors for this animosity: Paine denied that the Bible was a sacred, inspired text; he argued that Christianity was a human invention; his ability to command a large readership frightened those in power; and his irreverent and satirical style of writing about Christianity and the Bible offended many believers.Smylie, 210; Claeys, 185–86.
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A patriot, his historical plays were inspired by a yearning for national liberation. His Armenian school teacher was Hagop Baronian, the satirist. Educated in French, Tourian was well read in Hugo, Lamartine, and de Musset and brought a lyrical and sentimental quality to his native language of Armenian poetry. Spontaneous, eloquent and richly endowed with imagery and metaphors, his poems reveal natural artistic brilliance, and paved the way with innovation from the old style of writing.
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In further publications, published by Goslich in the journal Körperkultur, she referred to the importance of sport as compensation for unhealthy city life. Her articles were often illustrated with smug scenes of townsfolk doing sport. During the First World War her style of writing became more patriotic and increasingly communicated the will to hold out for the many women left on their own. To date only one article from this era after the First World War is known.
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Cambridge: Harvard University Press (1976) and Felicity A. Nussbaum, The Autobiographical Subject: Gender and Ideology in Eighteenth- Century England. Baltimore: Johns Hopkins University Press (1989). However, as Wollstonecraft scholar Mitzi Myers has made clear, Wollstonecraft manages to use this style of writing to articulate a stable and comprehensible self for the reader. Increasingly confident in her ability as a writer, she controls the narrative and its effect on readers to a degree not matched in her other works.
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Edson left Charleston for New York in 1927 in an attempt to revive his career, but his recent publishing failure and long absence from the city undermined his efforts. Times were changing as well, and his style of writing was losing its appeal. He earned some money by ghostwriting the story of prize fighter Abe the Newsboy. The Life Story of Abe the Newsboy was published in 1930 and still in print in 1960, but Edson received no royalties.
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Some poets concentrate on simile while others on style. But “Magh” was one great poet who used simile with great effect, had great felicity with the language, used meaningful words and was the master of ornate and exotic style. So it has been aptly said about him: “Maghe” santi trayo Guna It has been acknowledged by scholars that he combined in his persona, Kalidas's mastery over simile, Bharvi” flair for drawing word-pictures and dandi” elegant style of writing.
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'Shakespeare and His Friends at the Mermaid Tavern' (1850, oil on canvas) by John Faed. The painting depicts (from left in back) Joshua Sylvester, John Selden, Francis Beaumont, (seated at table from left) William Camden, Thomas Sackville, John Fletcher, Sir Francis Bacon, Ben Jonson, John Donne, Samuel Daniel, Shakespeare, Sir Walter Raleigh, the Earl of Southampton, Sir Robert Cotton, and Thomas Dekker. William Shakespeare's style of writing was borrowed from the conventions of the day and adapted to his needs.
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In Poetics (c. 335 BCE), Aristotle describes organic unity by explaining how writing relies internally on narration and drama to be cohesive; but without balance between the two sides, the work suffers. The main theme of organic unity relies on a free spirited style of writing and by following any guidelines or genre-based habits, the true nature of a work becomes stifled and unreliable on an artistic plane.(Encyclopædia Britannica) The concept of organic unity gained popularity through the New Critics movement.
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Yamazaki’s work in Transposition 21 heavily influenced Sakate’s theater work, as it was the first kind of theater he had encountered. Inspired from his time in the theater company, he established his own company on this principle. By using real live and historical events as a basis for his plays, they are able to concentrate on political and social commentary going on in modern Japan. Sakate was also influenced by Yamazaki’s journalistic style of writing social criticism by dramatizing contemporary events.
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Vergilius Augusteus, Georgica 141ff, written in capitalis quadrata and in scriptio continua. Scriptio continua (Latin for "continuous script"), also known as scriptura continua or scripta continua, is a style of writing without spaces, or other marks between the words or sentences. The form also lacks punctuation, diacritics, or distinguished letter case. In the West, the oldest Greek and Latin inscriptions used word dividers to separate words in sentences; however, Classical Greek and late Classical Latin both employed scriptio continua as the norm.
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Poovankery Francis Mathew is an Indian author of Malayalam literature and a screenplay writer in Malayalam film and Television industries. A Winner of a National Film Award for Best Screenplay and multiple State television and other literary awards, he is known for his original style of writing. Literary works such as Iruttil Oru Punyalan, Chaavunilam, Njayarazhcha Mazha Peyyukayayirunnu, Jalakanyakayum Gandarvanum and 2004il Alice and screen plays which include Sararaanthal, Mikhayelinte Santhathikal, Megham, Kutty Srank and Ee.Ma.Yau are his major works.
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Each grade level has specific units of study tailored to meet developmental and curricular needs. Students have a large amount of choice in their topic and style of writing. The teacher acts as a mentor author, modeling writing techniques and conferring with students as they move through the writing process. Direct writing instruction takes place in the form of a mini-lesson at the beginning of each workshop and is followed by a minimum of 45 minutes of active writing time.
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Much of her formative years were spent travelling and participating in various festivals and workshops. She also sang in choirs, which Lother later credited as an influence in her style of writing harmony. At 15, her brother invited her to join his rock band, and she was exposed to the likes of Todd Rundgren, The Police, and Led Zeppelin. In 1978 she took home first prize at the Concours de Musique du Canada and the Canadian Outstanding Artist Award in 1987.
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Jennifer Schuessler of The New York Times praised the "stylishly lurid graphics and goofy asides". James Hannaham of The Village Voice stated that the book might start controversy. He picked the example of slavery, saying that White claimed it was nearly eradicated, which he argues is not true if human trafficking is accounted for. He does compliment the style of writing: "even reading this world bummer with a grain of salt, you can't resist White's witty prose or put the damned thing down".
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This style of writing can lead to idiosyncratic word choices. For example, 非常感謝 (much appreciated) may be rendered as 大変感謝; while 感謝 (gratitude) is common to both languages, 非常 is used as an intensifier in Chinese whereas 大変 serves the same purpose in Japanese. Commentators on Baidu have noticed the surprising similarity between pseudo-Chinese and Classical Chinese, with such expressions as 貴方明日何処行？ (Where will you go tomorrow?).
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Sharma joined Patna University as a lecturer in the Hindi department – same department his father had helped build. Nalin had a critical and explorative mind and he was well versed in European literature. In Europe as well as India, Marxist poetry had swept the stage with an immensity that overwhelmed academia. In India the Chayavaad style of writing verse had dominated the scene between 1918 and 1936 when it started yielding place to Pragativaad, or progressive poetry, between 1936 and 1950.
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Gay Science: The Ethics of Sexual Orientation Research is a 1997 book by the philosopher Timothy F. Murphy about scientific research on sexual orientation. The book received both positive reviews and more mixed assessments. Reviewers credited Murphy with providing a useful discussion of the ethical implications of sexual orientation research, including the work of scientists such as the neuroscientist Simon LeVay and the geneticist Dean Hamer, and with convincingly criticizing the philosopher John Finnis. However, his style of writing was criticized.
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In his collection of poems To the Three for Whom the Book Cullen uses Greek methodology to explore race and identity and writes about Medusa, Theseus, Phasiphae, and the Minotaur. Although Cullen's continued to develop themes of race and identity in his work, Cullen found artistic inspiration in ancient Greek and Roman literature. Cullen was also influenced by the Romantics and studied subjects of love, romance, and religion. John Keats and Edna St. Vincent Millay both influenced Cullen's style of writing.
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Following this philosophy, Suda himself dislikes making games based on other people's concepts, instead preferring his own concepts and designs. Suda's style of writing and direction has been compared to the works of Quentin Tarantino. A defining part of Suda's original work has been its balance of humor, dark or mature themes, violence and sexuality. His focus on death is because he feels it needs a rationale behind it, and so he focuses on those closely tied with death such as assassins.
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The principle of duality is due to Joseph Diaz Gergonne (1771−1859) a champion of the then emerging field of Analytic geometry and founder and editor of the first journal devoted entirely to mathematics, Annales de mathématiques pures et appliquées. Gergonne and Charles Julien Brianchon (1785−1864) developed the concept of plane duality. Gergonne coined the terms "duality" and "polar" (but "pole" is due to F.-J. Servois) and adopted the style of writing dual statements side- by-side in his journal.
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Lundin has stated explicitly that he enjoys playing with and overturning the conventions of fantasy, presenting characters that violate the stereotypes associated with their roles. They embody the multidimensional characteristics found in human beings, making them more realistic and giving the story more depth, which is why his books are anything but predictable. He deliberately began Gardens of the Moon mid-plot rather than beginning with a more conventional narrative. The writer's style of writing includes complex plots with masses of characters.
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Upon his return home, Magtymguly worked as a silversmith while he taught and wrote poetry.Azemoun, Youssef. “The Significant History” He went on to develop a realistic style of writing about 18th century Turkmen that proved very popular and ultimately led to him becoming one of the most cherished Turkmen poets of all time. He was a devout naqshbandi sufi who was said to have traveled throughout all the lands comprising modern Turkmenistan, teaching and praying for the salvation of his people.
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In 2003, Pezzali began work on his first solo album, Il Mondo Insieme a Te, which was released in 2004. His style of writing differed very little from his music with 883. The main themes of his songs were still friendship, honesty, and relationships. In 2005, a greatest hits album was released, credited '883/Max Pezzali' and which included a DVD with all of the music videos made to date; it stayed at the top of the album chart for 10 weeks.
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Symfony's YAML parser does not support line breaks inside [] or {} structures, which is a major incompatibility with JSON. This is because JSON's semantic structure is equivalent to the optional "inline-style" of writing YAML. While extended hierarchies can be written in inline-style like JSON, this is not a recommended YAML style except when it aids clarity. YAML has many additional features lacking in JSON, including comments, extensible data types, relational anchors, strings without quotation marks, and mapping types preserving key order.
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Piece of code from a module of the Linux kernel, which uses snake case for identifiers. Snake case (stylized as snake_case) refers to the style of writing in which each space is replaced by an underscore (_) character, and the first letter of each word written in lowercase. It is a commonly used naming convention in computing, for example for variable and subroutine names, and for filenames. One study has found that readers can recognize snake case values more quickly than camel case.
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In the early years of his career, Moore's work was largely generic, and had he died at this point he would likely not have been considered an Irish poet.Kelly, p. 151. From 1806 to 1807, Moore dramatically changed his style of writing and focus. Following a request by the publishers James and William Power, he wrote lyrics to a series of Irish tunes in the manner of Haydn's settings of British folksongs, with Sir John Andrew Stevenson as arranger of the music.
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In his tune, "Baby You're a Fine Piece of Meat," he used the line, "you got... the right size feet", a reference to Waller's "Your Feets Too Big." He also emulated Waller's style of writing odd tunes such as "The Stuff's Out," "Papa's in Bed with His Britches On," and others with silly lyrics. He recorded with this ensemble for three years for Decca Records, which at the time published Louis Jordan. His style evoked many eras of blues, vaudeville, and jazz fusion.
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The most distinguished character of Qasmi's column is his satire on social inequalities of the society and his anti-dictatorship stance which he boldly takes in his columns. He has a unique style of writing compared to any other columnist due to the humorous way he handles even the serious issues in the country.Profile of Ata ul Haq Qasmi on hipinpakistan.com website Retrieved 19 May 2019 He served as the Ambassador of Pakistan in Norway and Thailand from 1997 to 1999.
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Pilnyak is generally considered the greatest Russian novelist of 1920s and was the second most read writer of that time, only behind Maxim Gorky. His modernist style of writing influenced a whole generation, not only Russian but also many Yugoslav writers, the most famous of them being Danilo Kis, Dubravka Ugresic and Miodrag Bulatovic among others. Kis often cited Pilnyak as one of his main influences and one of his favourite Russian authors along with Yury Olesha and Isaac Babel.
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In Western classical rhetoric, elocution was one of the five core disciplines of pronunciation, which was the art of delivering speeches. Orators were trained not only on proper diction, but on the proper use of gestures, stance, and dress. (Another area of rhetoric, elocutio, was unrelated to elocution and, instead, concerned the style of writing proper to discourse.) Elocution emerged as a formal discipline during the eighteenth century. One of its important figures was Thomas Sheridan, actor and father of Richard Brinsley Sheridan.
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Mykhailo Mykhailovych Kotsiubynsky (), (September 17, 1864 – April 25, 1913) was a Ukrainian author whose writings described typical Ukrainian life at the start of the 20th century. Kotsiubynsky's early stories were described as examples of ethnographic realism; in the years to come, with his style of writing becoming more and more sophisticated, he evolved into one of the most talented Ukrainian impressionist and modernist writers. The popularity of his novels later led to some of them being made into Soviet movies.
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Christopher Fowler wrote the book series Bryant and May; horror novels from the ‘80s and ‘90s. Born in 1953, Fowler grew up in Greenwich, London. He has written more than forty novels and short-story collections and also writes a weekly column in The Independent called Invisible Ink. Christopher created the pen name L. K. Fox specifically for Little Boy Found because it is not his usual style of writing. The name is non-gender specific and also uses his mother’s initials.
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The Ryukyu Kingdom (1372–1879) on Okinawa Island used various writing conventions, all of which were markedly different from spoken registers. A unique feature of Ryūkyū's writing conventions is that in the Old Ryūkyū period (?–1609), it developed a predominantly kana writing convention that was based on sōrō-style Written Japanese but exhibited heavy Okinawan influence. After the conquest by Satsuma Domain in 1609, however, this style of writing was replaced by standard sōrō-style Japanese that was written predominantly with kanji.
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In such a world, the protagonist lives by only timidly striving for basic desires, food, sleep, and sex. Kim Um-Ji narrates such characters’ lives that are meaningless, repetitive, and without any achievements, through a concise style of writing, and the repetition of discontinuous scenes. By portraying the view of the inner side of the protagonist who has lost the ability to imagine for the future, the author evokes the instability of young people in their 20s and 30s.Minumsa. Retrieved 2017-5-10.
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Lippincott Publishers asked Munce to finish her mother's book, and she took on that challenge. Writing under the pen-name, Ruth Livingston Hill, Munce attempted to continue in her mother's style of writing. She says that J. B. Lippincott could not tell the difference between what content was hers and what was her mother's, and Munce refused to show him any of the written variations. Completion of her mother's novel led to her own career as an author, writing six more Christian romances.
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It also saw the first publication of music in Hungary, in Kraków. At this time Hungarian instrumental music was well known in Europe; the lutenist and composer Bálint Bakfark, for example, was famed as a virtuoso player. His compositions pioneered a new style of writing for the lute based on vocal polyphony. The lutenist brothers Melchior and Konrad Neusiedler were also noted, as was Stephan Monetarius, the author of an important early work in music theory, the Epithoma utriusque musices.
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Sex is described in this novel and the various ways it is thought of before and after marriage. Engaging in pre marital sex in the novel has negative consequences for some of the characters who face rejection as a result. The novel also features instances of arranged and failed marriages and discusses the gamble a Saudi women takes when entering into one. The novel is written in a relatable, confessional style of writing which critics have likened to a global style of chick lit.
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Quintet writing in which two brass instruments (commonly trumpet and saxophone) may proceed in fourths, while the piano (as a uniquely harmonic instrument) lays down chords, but sparsely, only hinting at the intended harmony. This style of writing, in contrast with that of the previous decade, preferred a moderate tempo. Thin-sounding unison bebop horn sections occur frequently, but these are balanced by bouts of very refined polyphony such as is found in cool jazz. "So What" chord uses three intervals of a fourth.
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It was probably Lichtenberg (along with Paul Rée) whose aphoristic style of writing contributed to Nietzsche's own use of aphorism. Nietzsche early learned of Darwinism through Friedrich Albert Lange.Note sur Nietzsche et Lange: "Le retour éternel", Albert Fouillée, Revue philosophique de la France et de l'étranger. An. 34. Paris 1909. T. 67, S. 519–25 (on French Wikisource) The essays of Ralph Waldo Emerson had a profound influence on Nietzsche, who "loved Emerson from first to last",Walter Kaufmann, intr. p. 11 of his transl.
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Valérie Valère was the pseudonym of Valérie Samama (1 November 1961 – 17 December 1981), a French writer. She published her first work, the book Le Pavillon des enfants fous, in 1978 after spending four months confined to a psychiatric hospital for anorexia nervosa. The book is an autobiographical account covering her relationship with her abusive parents, experiences as a child in French society, and in particular her institutionalized years. Critics praised her style of writing and her expressive, philosophically sophisticated articulations of systemic mistreatment and misunderstanding.
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Though Han Sorya's name has been since been all but forgotten in official North Korean accounts, his influence on contemporary North Korean literature has been significant. Literately, Han's style of writing has been described as experimental in his employment of various narrative structures. Andrei Lankov considers Han mediocre as a writer and assess his rivals Kim Namch'ŏn and "marginally more gifted", however considering North Korean literature of the period "boring and highly politicized propaganda" across the board. Lankov describes Han "unscrupulous" as an opportunist and careerist.
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Starting around 1990, a new style of writing about testing began to challenge what had come before. The seminal work in this regard is widely considered to be Testing Computer Software, by Cem Kaner. Instead of assuming that testers have full access to source code and complete specifications, these writers, including Kaner and James Bach, argued that testers must learn to work under conditions of uncertainty and constant change. Meanwhile, an opposing trend toward process "maturity" also gained ground, in the form of the Capability Maturity Model.
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Amália paid back homage to António by attending his funeral celebration. From his extensive travels abroad, he got acquainted with the work of foreign artists like David Bowie, Bryan Ferry, The Kinks, Elvis Presley and The Beatles. This encounter with a different musical culture left a deep impression on him; a testament to this is the fact that his first song experiments were written in English (although he soon abandoned this approach, in search of a more authentic and personal style of writing, in Portuguese).
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As of 2018, Daguguguji has reached more than three million followers on Sina Weibo, the Chinese equivalent of Twitter. His unique style of writing and his creation of new phrases have a wide influence among his readers and even the general public. The anti-nationalistic nature of some of his works has also gained attention from Chinese citizens who are dissatisfied with the political status quo in China. For the same reason, he has also been criticized by Global Times, a pro-establishment news publication.
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"Richard, Ted and I all appreciated Tucker's gonzo style of writing in his book", Tatiana Siegel, June 10, 2008."Three in the Can for Beer in Hell", The Hollywood Reporter, July 8, 2008. I Hope They Serve Beer in Hell was a New York Times #1 Bestseller and made the Best Seller List each year from 2006 to 2012.New York Times Bestseller List Paperback Nonfiction, February 5, 2006New York Times Bestseller List Paperback Nonfiction 5/7/07NYT Bestseller List Paperback Nonfiction, April 13, 2008.
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He used Nature as a supplement to his religious beliefs. Milton Goldstein had many different influences throughout his journey as a photographer as one read his collections you begin to pick up on just who influenced him the most. We see his style of writing which is very flowery and poetic of his love for nature just like the many quote he has above each of his manuscripts. Most of the people he would often quote were people such as William Shakespeare, Kahlil Gibran, and John Muir.
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Rather than exposing the problems in life, he concentrates on resolving them through his work. Lee often uses aphorisms—old ones reshaped or new ones penned by the author and strategically placed throughout the text—that attempt to express a certain universal truth about life. Another characteristic of Lee’s fiction is humor and wit. The comedy of a given situation is brought to life through the author’s multi- layered style of writing that initially delays understanding and then allows his characters an epiphanic moment later on.
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A common folk tune for North India, "Prabhu Yeshu Ji Khulala Darbaar Baay," with lyrics by Ambika Prasad, 2018 Lorikayan, the story of Veer Lorik contains Bhojpuri folklore from Eastern Uttar Pradesh. Bhikhari Thakur's Bidesiya is a play, written as a book. Phool Daliya is a well-known book by Prasiddh Narayan Singh. It comprises poems of veer ras (A style of writing) on the theme of azaadi (Freedom) about his experiences in the Quit India movement and India's struggle with poverty after the country gained independence.
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10 Questions for David Sedaris at Time Magazine Retrieved 17 April 2013 Some online fans have written that Sedaris' style of writing on this particular collection is precise, at times dark, and very funny.Holidays on Ice on Hachette Book Group Retrieved 17 April 2013 The most popular essay is “Santaland Diaries”, which is Sedaris’ take on working as an elf at a department store grotto during Christmas season. "Holidays on Ice" was re- released in October 2008 by publisher, Little, Brown & Company. The book has 176 pages.
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The lead roles were played by Siobhán Cullen (Josie Kilbride), Olwen Fouéré (Hester Swane), and Conor McDermottroe (Carthage Kilbride). Other characters such as Catwoman were played by Joan O’Hara, Carline Cassidy played by Flonnuala Murphy and Xavier Cassidy by Tom Hickey. Irish writer Frank McGuinness wrote the programme note of the Abbey production of By the Bog of Cats... in 1998. His description of the play analyses Carr's style of writing, which he likens to Greek writing: The Theatre of Marina Carr: 'before rules was made.
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The feelings behind all actions chosen are far more important than the actions themselves; the actions are mere secondary behaviors in response to the psychological decisions of the character. Another element is the stream of consciousness, or inner monologue style of writing. The majority of the storyline takes place in the mind of the lead character rather than externally through actions and interactions with other characters. In addition to inner monologues, memories of dialogues or even imagined dialogues with other important characters aid in plot movement.
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The Canadian writer Margaret Atwood is a post- colonial writer who dealt with themes of identity-seeking through her Southern Ontario Gothic style of writing. Canadian Michael Ondaatje, is an internationally acclaimed author with Sri Lankan roots, which he has explored in works like Running in the Family (1983) and The Cat's Table (2011). Cyril Dabydeen (born 1945) is a Guyana-born, Canadian writer of Indian descent. He grew up in a sugar plantation with the sense of Indian indenture rooted in his family background.
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Most of the songs of the film were Tukaram's own verses, except one song by Shantaram Athavale, written so realistically in Tukaram's style of writing that confused scholars contacted the film makers to know more about the source. The rendering of music had a telling impact on the audience, as the narration was poetic and devotional. The music score was provided by Keshavrao Bhole. He had moved to Prabhat Films with an impressive record of giving music scores for 14 films, in many languages.
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He turned then to Alfred North Whitehead and his notion of prehension or perspective. A universe of orders composed of orders composing other orders, of perspectives, is an inexhaustible universe without totality. Everything is limited, including every limit, an inexhaustible play of limit and unlimit. In 2002 he came to believe that such a sense of inexhaustibility required a very different style of writing, more literary and oblique, and found this in post-Heideggerian writings, especially Michel Foucault, Jacques Derrida, Emmanuel Levinas, and Deleuze and Guattari.
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In 2012, Tontz released the video for her first single, "Better Than Nothing" featuring Thomas Hrvatin, via YouTube. Shot on an iPhone 4S, the song features Tontz's quirky, playful style of writing. "Better Than Nothing" was also featured on the March 24, 2013 episode of The Mentalist. In June 2014, repped by music industry powerhouse Danny Goldberg of GoldVE, Tontz won a Daytime Emmy Award for Outstanding Original Song for a Drama Series for "Parachute", an original song she wrote for All My Children.
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The diary is written in the first person; the Shah is directly communicating with his readers. He uses a relatively dry style of writing. Indeed, while oriental works of literature are usually written with numerous ornamentations of diction, the diary of the Shah is written in a very simplistic style. Preview of the Diary of the Shah The diary is full of passionate and enthusiastic phrases that Naser al-Din Shah uses to express the various feelings that he had when discovering the novelty of European lands.
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Erlend Loe worked at a psychiatric clinic, as a substitute teacher and as a freelance journalist for Norwegian newspaper Adresseavisen. Loe now lives and works in Oslo where in 1998 he co-founded Screenwriters Oslo - an office community for screenwriters. His first book Tatt av kvinnen (Gone with the Woman) was published in 1993, and a year later published a children's book, Fisken (The Fish), about a forklift operator named Kurt. Loe has a distinctive style of writing which is often likened to naïve art.
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Probably the most renowned ironic texts and poems in that era were written by Heinrich Heine, who developed a very distinct tongue-in-cheek style of writing, embracing Romantic ideals while mocking at the same time, often even within one poem. Up until today Heine remains to be titled one of the most insightful and witty among German writers. One of the most important figures in the beginning of filmed comedy in Germany was stage comedian Karl Valentin who produced short films from 1912 to 1941.
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Benjamin Orr was the lead vocalist and did not play an instrument. Cap'n Swing soon came to the attention of WBCN disc jockey Maxanne Sartori, who began playing songs from their demo tape on her show. After being rejected by several record labels, Ocasek got rid of the bass player and drummer and decided to form a band that better fit his style of writing. Orr took over on bass and Robichaud was replaced by David Robinson, best known for his career with the Modern Lovers.
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Stations is a poetry collection by Seamus Heaney, who received the 1995 Nobel Prize in Literature. It was published in 1975. This particular collection presents a style of writing which was then new to Heaney, known as "verse paragraphs" or prose poems. He believed this style of poetry was his own invention, but halfway through writing the collection, while teaching in an American university in 1971, English poet, Geoffrey Hill published a collection of poetry called "Mercian Hymns", which were presented in this style of "prose poems".
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His fiery editorials and humorous and sarcastic style of writing started making the younger generation furious with anger against the British rule. Kaal continued to be a popular weekly even sometimes surpassing Tilak' Weekly Kesari until Paranjape was arrested in 1908. British authorities convicted him of “sedition” and sentenced him to nineteen months of imprisonment with hard labor. In 1910, when he was set free, British authorities banned the publication of Kaal and also confiscated collections of his past essays and editorials in the weekly.
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Hong utilizes a unique and innovative style of writing in Dance Dance Revolution. The Guide, who speaks through the majority of the poems speaks in English slang, Korean, Spanish, Latin and many other languages. Hong depends strongly on sound in this book as much of the English is spelled as they sound and the Korean is written in the English alphabet. For example: "chillins call me bbak-bbaggi, trow pebbles at mine ball head",Cathy Park Hong (2007), Dance Dance Revolution, New York: W.W. Norton & Company, Inc.
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She was attacked by the male-domineering groups, when she became controversial in the prevalent Muslim society due to her writings. She made her place in the history of Urdu literature and Urdu fiction with bold imagination and writing of short stories in a non-traditional way. She wrote simple yet effective prose, had a down-to-earth style of writing. She wrote several books of short stories in which she raised the social, political, legal, and economic rights for women equal to those of men.
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Rosina Zornlin wrote many popular books including The World of Waters and The Earth as It Is in which she compares the earth before and after mankind. Rosina Zornlin initially wrote for juvenile readers but eventually wrote more works for adult audiences ranging in many different scientific topics often using dialogues to explain the subject she was writing about. Her style of writing became very popular among many different groups of people, giving them an entertaining way to learn about geology and various other physical sciences.
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De Chirico's conception of Metaphysical art was strongly influenced by his reading of Nietzsche, whose style of writing fascinated de Chirico with its suggestions of unseen auguries beneath the appearance of things.Holzhey 2005, p. 14. De Chirico found inspiration in the unexpected sensations that familiar places or things sometimes produced in him: In a manuscript of 1909 he wrote of the "host of strange, unknown and solitary things that can be translated into painting ... What is required above all is a pronounced sensitivity."Holzhey 2005, p. 15.
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Finally, another inscription, the Aramaic inscription of Laghman was also discovered in 1970. The Aramaic inscription of Kandahar is an inscription in "Indo-Aramaic" alternating Indian language and Aramaic language, but using only the Aramaic script, the Aramaic parts translating the Indian parts transcribed in the Aramaic alphabet. It does not explicitly refer to Ashoka in the fragment that was found, but the place of discovery, the style of writing, the vocabulary used, allows to link the inscription to the other Ashoka inscriptions known in the region.
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When the text is finished twelve pages follow that do contain the "Contents". These contents are divided into sections, that do not coincide with the division in letters, neither are they clearly marked in the text. Keynes remarks that the identity of M.H. is nowhere apparent, and that his style of writing is so remarkably similar to Petty's that Petty may not improbably have been the author of the whole. Fitzmaurice is more explicit when he mentions the letters written by an imaginary correspondent.
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Stationmaster Donald phoned the local policeman. Upon seeing see the stranger's identity cards that had no immigration stamp on their cards and a continental style of writing the game was up and the two were arrested. The third spy, Werner Walti, had gone to Buckpool railway station and was eventually arrested in Edinburgh after making several equally suspicious errors. The trio had intended to spy on the military facilities in the area, especially the airfields, in preparation for the German invasion of the United Kingdom, code named 'Operation Sea Lion'.
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Horrible Histories are noted for making "heavy use of visual and verbal textual interplay". While the series' direct address to its child audience makes it a popular choice for independent reading, it can make the books ineffective as read-aloud books due to their personalized style of writing and the visual aspects of the books. However, some teachers have reported using these books in a read-aloud manner. Consuming history by Jerome De Groot suggests that "the series' wider popularity is due to their tone and style rather than their content".
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Barghouthi's popularity came from his experimentation with literature, both in his narrative and poetry. His holistic approach to each genre of literature, which combined philosophy and unbound experimentation with language, was a new and revolutionary method of writing. His poetry was not popularized in its first years, due to the style of writing being different from conventional Arabic poetry. In many of his poetic writings, he creates new words which he conceived from philosophical exploration; it was his style, more than the work itself, that gained Barghouthi his uniqueness and popularity.
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Bean also – uniquely – reported ultimately on his own involvement in the manoeuvring around command decisions regarding Gallipoli, and the appointment of the Australian Corps Commander, and did not spare himself some criticism with the wisdom of hindsight. Bean's style of writing profoundly influenced subsequent Australian war historians such as Gavin Long (who was appointed on Bean's recommendation), and the Second World War series, describing the battles of North Africa, Crete, New Guinea and Malaya, retain Bean's commitment to telling the story of individuals as well as the bigger story.
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Eugene Luther Gore Vidal (; born Eugene Louis Vidal, October 3, 1925 – July 31, 2012) was an American writer and public intellectual known for his epigrammatic wit, patrician manner, and polished style of writing. Vidal was openly bisexual and his novels often dealt with LGBT characters, which was unusual at the time. Beyond literature, Vidal was heavily involved in politics. He twice sought office—unsuccessfully—as a Democratic Party candidate, first in 1960 to the United States House of Representatives (for New York), and later in 1982 to the U.S. Senate (for California).
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Akkitham Achuthan Namboothiri (18 March 1926 – 15 October 2020), popularly known as Akkitham, was an Indian poet and essayist who wrote in Malayalam. He was known for a simple and lucid style of writing, exploring themes of profound love and compassion in his works. Some of his prominent works included Irupatham Noottandinte Ithihasam (English: Epic of the 20th century), Balidarshanam (English: The vision of Bali), and Nimisha Kshetram (English: Holy moment).ഒരു ഇന്ത്യൻ കവിയും ഉപന്യാസകനുമായിരുന്നു അക്കിതം എന്നറിയപ്പെടുന്ന അക്കിതം അചുതൻ നമ്പൂതിരി (18 മാർച്ച് 1926 - 2020 ഒക്ടോബർ 15) മലയാളത്തിൽ എഴുതിയത്.
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Laura Restrepo tried to find a style of writing that fit her, eventually developing a mix of reality and fiction to create a style she calls "report style". In her work, she uses history and investigative journalism woven together. Restrepo says, "I needed a formula that would allow me to slightly violate the verifiable facts so that my personal interpretation would not be offensive, and this explains the dual character of the chapters, some strictly investigative, others with license to lie a little." In basic terms, she wrote political non-fiction.
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According to author, journalist Bhawna Somaya, "It was the most popular film magazine of its time, widely appreciated for its bold stand on current issues and a scintillating style of writing. It was said that Baburao's column made and broke careers". His "acid reviews" were dreaded by producers and directors". Dev Anand stated, "When I first came to Bombay looking for a break in the movies, somewhere within me lurked a desire to meet the man and have a look at this magician who meant the Indian movie industry to me.
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McPhee's writing career began at Time magazine, and led to a long association with the weekly magazine The New Yorker from 1963 to the present. He has been a staff writer for The New Yorker since 1965.Eighty Five from the Archive, The New Yorker Many of his twenty-nine books include material originally written for this latter periodical. Unlike Tom Wolfe and Hunter Thompson, who helped kick-start the "new journalism" of the 1960s, McPhee produced a gentler, more literary style of writing that more thoroughly incorporated techniques from fiction.
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Along with Elizabeth David, Grigson is widely credited with transforming the British cookery book into something more than a collection of recipes. Like David's, Grigson's writing offered not only lists of ingredients and instructions for preparation and cooking, but also interesting historical and social background. The obituaries were warm and full of praise for Grigson's style and wide appeal. In The Independent, Alan Davidson wrote: > She won to herself this wide audience because she was above all a friendly > writer, equipped by both frame of mind and style of writing to communicate > easily with them.
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Posner criticized Bryant's views, writing while the causes of a same-sex preference are not well understood, the main factors involved appear to be genetic, hormonal, developmental, or some combination thereof, not recruitment, and that Bryant's assertion that gay people can change their sexual orientation is false in most cases. The philosopher Mark D. Jordan criticized Bryant's style of writing. He suggested that Bryant's use of "ritual repetition" made her language resemble psalmody. He viewed The Anita Bryant Story as an effort by Bryant to show her "benign intentions and reasonableness".
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According to the letters, Vlad offered to join his forces with the sultan's army against Hungary if the sultan restored him to his throne. Most historians agree that the documents were forged to give grounds for Vlad's imprisonment. Corvinus's court historian, Antonio Bonfini, admitted that the reason for Vlad's imprisonment was never clarified. Florescu writes, "[T]he style of writing, the rhetoric of meek submission (hardly compatible with what we know of Dracula's character), clumsy wording, and poor Latin" are all evidence that the letters could not be written on Vlad's order.
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In Nathalia Wright's view, Melville's sentences generally have a looseness of structure, easy to use for devices as catalogue and allusion, parallel and refrain, proverb and allegory. The length of his clauses may vary greatly, but the narrative style of writing in Pierre and The Confidence-Man is there to convey feeling, not thought. Unlike Henry James, who was an innovator of sentence ordering to render the subtlest nuances in thought, Melville made few such innovations. His domain is the mainstream of English prose, with its rhythm and simplicity influenced by the King James Bible.
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Book III of his History differs from the previous ones in style of writing and date. It deals with the Caspian expeditions of the Rus' and their conquest of Partav in the tenth century. Because of such time lapse and difference in style, attribution of the work to a single author seems doubtful. For this reason it has been common to assume two consecutive authors or editors, Kaghankatvatsi (7th century) as the author of Books I and II, and Daskhurantsi (tenth century) as the editors of Kaghankatvatsi's text and the author of Book III.
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The Congress Spelling System did not seem to gain acceptance of people in general. The reason was that it was not practical for use by the ordinary people and certain graphemes proposed by the system were not represented in the typewriters. Even then, certain groups, particularly those affiliated to the Literary Movement 1950 used the Congress graphemes for diphthongs in their own publications. This group even reverted to the Wilkinson style of writing the vowels in closed final syllables which was, similar to the Republican style in Indonesia.
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Céphale et Procris was part of a movement to introduce a more Italianate style of writing recitative, arias and ensembles into serious French opera. It thus has much in common with such contemporary works as Philidor's Ernelinde, princesse de Norvège (1767) and Gossec's Sabinus (1773), both of which were also played during the Comte d'Artois' wedding festivities.Dratwicki, pp. 20–21 Although Marmontel described the opera as a ballet héroïque, the musicologist Benoït Dratwicki writes that Céphale et Procris does not really fit the genre as conceived earlier in the 18th century.
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Although this demonstrated Landor's distinctive style of writing, it suffered from his failure to study the art of drama and so made little impression. The plot is difficult to follow unless the story is previously known and concerns a complicated situation after the defeat of the last Visigoth King of Spain. It carries the moral tone of crime propagating crime. Southey undertook to arrange publication and eventually got it published by Murray in 1812, after an initial refusal by Longmans which led Landor to burn another tragedy "Ferranti and Giulio".
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Under his editorship, this London paper became increasingly strident and oppositional in its politics. Jackson gained notoriety for his bold style of writing and harsh criticisms of public figures. It was in his capacity as the editor of ‘‘The Public Ledger’’ that he was introduced to Elizabeth Chudleigh (the self-styled Duchess of Kingston, who was facing trial for bigamy) by one of her lawyers, John Cockayne. Even if Jackson had not met Chudleigh before, he was certainly familiar with her history, for her first (and true) husband was his former employer, Augustus Hervey.
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He also was keenly interested in the natural sciences, and over his lifetime collected numerous specimens of animals, minerals and other natural objects. Unfortunately his scientific method was limited when it came to interpreting fossil evidence on mountain tops; the only possibility he allowed for was a miraculous Biblical Flood (Flood geology) as the cause for their deposition. He had a very clear and precise style of writing. In 1709 he joined Francesco Scipio Maffei and Apostolo Zeno in editing a literary journal, Giornale de' Letterati d'Italia, which had a brief life.
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After a while, Esto no tiene nombre and Conmoción stopped publishing because of a lack of funds. Around 1995, de la tierra decided to change her style of writing a bit. She noticed that she had spent many years writing about Latina lesbianism in an effort to give that community a voice, but now she wanted to try writing more about whatever she pleased. De la tierra was diagnosed with lupus in 1990 and this prompted her decision to try something different to better herself as an author.
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Cap'n Swing soon came to the attention of WBCN disc jockey Maxanne Sartori, who began playing songs from their demo tape on her show. After Cap'n Swing was rejected by several record labels, Ocasek got rid of the bass player and drummer and decided to form a band that better fit his style of writing. Orr took over on bass and David Robinson, best known for his career with the Modern Lovers, became the drummer. Hawkes returned to play keyboards and the band became "the Cars" in late 1976.
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Bill Blakemore of ABC News praised the elegant use of humor in the book, furthermore calling it a "fascinating, new, big and easy-to-read reference book". He called the style of writing "crystal clear" and said that "White’s list of the 100 Deadliest Atrocities is full of surprises". Randy Dotinga of The Christian Science Monitor said of the book that "despite being a kind of encyclopedia of evil, it actually manages to be a fascinating read thanks to White's keen grasp of history and his wry take on the villains of the past".
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Early seventeenth century Japan saw a large amount of extremely detail oriented text being produced. For instance, Hitomi Hitsudai spent sixty years taking field notes on 499 types of edible flowers and animals in his book Honchō shokkan(The Culinary Mirror of the Realm). This overly detailed style of writing was characteristic of the years prior, when the majority of literate people were of higher classes. Soon after, literacy rates began to increase as hundreds(by some accounts thousands) of schools taught children the vocabulary of geography, history, and individual crafts and callings.
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Gordon ranked the book four of five stars and called it "another winner". Shipley stated that the author "intelligently and creatively produced a story that allows the reader to gain an insight into a politically turbulent time, and has used a unique approach to do so." Henry Yunwei Wang, also of the Reading Chinese Network, stated that the original book had "brisk style of writing and exquisite command of language", and that the translation was a "brilliant English equivalent" in which the features of the original "are well reflected" and "shine through well".
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Jack Dalrymple is an American musician, hailing out of San Francisco, California, who started his music career in 1995 with his first band One Man Army. They released their first EP entitled Shooting Blanks in 1996. One Man Army found moderate success in the late 90s punk rock explosion due to Jack's unique voice and melodic style of writing. They played on Warped Tour, the 2001 Holidays in the Sun Festival, traveled the world touring and released 3 full-length albums and a split full length with Alkaline Trio before breaking up in 2004.
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Chinese characters for the words 'seal script' in regular script (left) and seal script (right). Seal script () is an ancient style of writing Chinese characters that was common throughout the latter half of the 1st millennium BC. It evolved organically out of the Zhou dynasty script. The Qin variant of seal script eventually became the standard, and was adopted as the formal script for all of China during the Qin dynasty. It was still widely used for decorative engraving and seals (name chops, or signets) in the Han dynasty.
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Therefore, the claim is false (at the time of writing) since the kidnapper had not even encountered the child when he wrote the note. Kidnappers may write statements that later end up being true, such as "your child is being held in a private location" being written ahead of time. Ransom demands in the style of written notes have been present in many notable cases. The style of writing used in ransom notes are examined by forensic linguists in order to determine the writing's true intent, as well as determining who wrote the note.
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Lu's calligraphy works include various ancient rudimentary calligraphy styles. Those were written on tortoise shell and bone in the Shang Dynasty (11-16th century BC) or on metal or stone. His calligraphy ranged from a "square style" of writing to scrawl and modern styles such as xingshu (running style) and caoshu (cursive style). An example of Lu's unorthodox approach is his 3,420 variations of 福 or fu, "good fortune."Why fu comes in 3,000 ways, Straits Times, January 22, 1986, Singapore For years, Lu studied how calligraphers wrote this word.
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Each of the six pieces is aphoristically short, and unique in character. Following the expressionist aesthetic, each piece can be understood to be a long composition condensed into a single brief miniature. Schoenberg regarded this style of writing as a necessary compositional reaction to the diminishing power of tonality and this compositional style would be a huge influence on Schoenberg's pupil, Anton Webern, whose works are well known for their brevity. The work is commonly described as atonal, or at least any resemblance to tonality is fleeting, but it predates Schoenberg's later dodecaphonic development.
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He moved to Istanbul as part of the theory faculty at the Istanbul Municipal Conservatory. In 1936 Béla Bartók visited Turkey to research the native folk music. Saygun accompanied Bartók on his travels around the country, collecting and transcribing folk songs all through the Anatolia and Osmaniye (a region of Adana), Turkey. Saygun gained immense knowledge of Bartók's style of writing during this trip and learned a great deal about string quartets: they became great friends. In 1939 he was invited back to Ankara to further promote Western musical activities and practices.
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Due to Cullen's mixed identity, he developed an aesthetic that embraced both black and white cultures. He was a firm believer that poetry surpassed race and that it could be used to bring the races closer together. Although race was a recurring theme in his works, Cullen wanted to be known as a poet not strictly defined by race. Countee Cullen developed his Eurocentric style of writing from his exposure to Graeco-Roman Classics and English Literature, work he was exposed to while attending prestigious universities like New York University and Harvard.
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The style of writing is rough and colloquial, such as would be found in personal correspondence, and the story line contains great degree of spontaneity, with many Mecklenburg proverbs thrown in, mostly in the Low German style. The main character is portrayed as an honest, hard working and modest man with a simple lifestyle. Elements of humor are interspersed throughout the book. The book, which was said to have an earthy charm, enjoyed some success in Germany around the time of its release, with over a million sold.
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Of course, the shift this piece underwent in moving from the church to the concert hall was accompanied by necessary changes in style and production, but as time has shown, Bach was able to adjust seamlessly to the changes in the times. Bach's overall style of writing oratorio is clearly influenced by the earlier German composer George Frideric Handel. Bach's themes, musical effects, and affinity for the Old Testament all indicate a respect for and heavy influence by Handel's oratorios, particularly, one of his better-known works, Messiah.
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Falling between these two poles may be a more moderate position. Oliver Crisp, one of the founders of the contemporary AT movement, comments that AT is indeed more than just a theological style of writing. It also involves work by theologians who hold that “there is some theological truth of the matter and that this truth of the matter can be ascertained and understood by human beings (theologians included!).” Such writers also hold to “instrumental use of reason.”Oliver Crisp, “On Analytic Theology,” in Analytic Theology: New Essays in the Philosophy of Theology, ed.
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The book was rediscovered by William Wotton of the Royal Society in 1696 and an English summary became widely available. Scilla was apologetic about being but an untrained artist and the style of writing was commented on by Wotton as lacking art. Scilla argued that his training gave him a painter’s eye with the ability to probe into nature and interpret things better, and depict nature without mediation. Shark teeth and glossopetrae drawn by Scilla Scilla argued that fossils were not lusus naturae, whimsical simulacra of animals and plants created by God or divine Nature.
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An example of one such unspoken scene in the film was the piano duet between Rooney and Michael Sr., intended to convey their relationship without words. In the final 20 minutes of Road to Perdition, the script was written to have only six lines of dialogue. Max Allan Collins originally wanted to write the adapted screenplay, but was not given the opportunity. He chose to stay out of the scripting process out of respect for the different style of writing for a different medium, though he served as a consultant in the process.
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His informal and passionate style of writing and his emphasis on visual and geometric intuition (supported by the inclusion of numerous illustrations) made The Fractal Geometry of Nature accessible to non- specialists. The book sparked widespread popular interest in fractals and contributed to chaos theory and other fields of science and mathematics. Mandelbrot also put his ideas to work in cosmology. He offered in 1974 a new explanation of Olbers' paradox (the "dark night sky" riddle), demonstrating the consequences of fractal theory as a sufficient, but not necessary, resolution of the paradox.
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He played in Dave Taylor's "Taylor's Dixieland Orchestra (Serenaders)" from 1929, with his first known recording in 1931, as a vocalist and on alto sax. In 1934 he moved to New York City, where he played with Charlie Alexander before joining the house band at the New York night club, the Savoy Ballroom. In 1936 he played with Fats Waller, primarily alto sax, this time was clearly highly influential on Tolberts own style of writing and arranging. He played in a band with athlete Jesse Owens in 1937.
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Some notable texts include the Tale of Neferty, the Instructions of Amenemhat I, the Tale of Sinuhe, the Story of the Shipwrecked Sailor and the Story of the Eloquent Peasant. Instructions became a popular literary genre of the New Kingdom, taking the form of advice on proper behavior. The Story of Wenamun and the Instruction of Any are well-known examples from this period. During the Greco-Roman period (332 BC − AD 639), Egyptian literature was translated into other languages, and Greco-Roman literature fused with native art into a new style of writing.
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She wrote lyric poems (gazef) and odes (kaside). She also wrote a narrative poem (mesnevi) under the title "Hürşid and Cemşid", which consisted of more than three thousands of beyits. Her style of writing poetry was not feminine, and wrote just like her male colleagues. She was praised in tezkires for her poetic skills. The poetic persona (mahlas) “Hubbi”, with which Hubbi Hatun signed her gazels in the last hemistich, can also be found at the end of a risale (message or letter), a short work on religious warfare entitled “İmadu’l-Cihad”.
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A writing circle is a group of like-minded writers needing support for their work, either through writing peer critiques, workshops or classes, or just encouragement. There are many different types of writing circles or writing groups based on location, style of writing, or format. Normally, the goal of a writing circle is to improve one's own craft by listening to the works and suggestions of others in the group. It also builds a sense of community, and allows new writers to become accustomed to sharing their work.
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With German and Romansh printed side to side, Sez Ner portrays the life of a group of men and their daily chores on an Alp. Characters are only represented by their profession and do not have proper nouns. Critics widely recognized Sez Ner as a lively but fictional portrayal of Swiss Alpine live. Camenisch's style of writing especially within Sez Ner sometimes evokes a feeling of reality being depicted, which Camenisch denies continuously - instead he insists on his writing as a result of extensive knowledge about people, landscape and culture he chooses to describe.
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However, her stories tend to be character-driven rather than plot-driven, and some readers may be put off by that. One novel which is also plot-driven is The Fortune Hunter."The Fortune Hunter by Diane Farr" , The Romance Reader Farr has described her style of writing and why she does not write sex scenes, as well as given some tips to aspiring writers in electronic chats."W2P GUEST SPEAKERS: Ms Diane Farr" 21 March 2005, e-chat on how to edit and format a manuscript with website Writing to Publish.
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From the Original Italian of Onuphrio Muralto, Canon of the Church of St. Nicholas at Otranto. This first edition purported to be a translation based on a manuscript printed at Naples in 1529 and recently rediscovered in the library of "an ancient Catholic family in the north of England". This "ancient Catholic family" is possibly the Percy family, as Walpole would have known the Duke of Northumberland and his wife Elizabeth Percy, though this is not proven. He employed an archaic style of writing to further reinforce this.
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Apart from being the first ever literary description of Brazil, what sets Caminha's letter apart from other documents like it was his style of writing. Whilst writing this letter, Caminha was not trying to create a literary work but trying to report exactly what he found; it was a detailed commentary on the "customs, religion and physical characteristics of native people." It is devoid of hyperbole and does not use excessive metaphors to validate descriptions. He states things for what they are, not for what he thinks they represent.
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Ned Sherrin and Neil Shand wrote a sequel 1956 and All That, with the subtitle a memorable history of England since the war to end all wars (Two). Scoular Anderson has written a humorous history of Scotland in two volumes: 1314 and All That and 1745 and All That. Although the titles reflect Sellar and Yeatman's work, the style of writing and illustration is very different. In 2005 Craig Brown released 1966 and All That, which copied the book's style (including elements like the end of chapter tests), recounting the remainder of the 20th century.
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"Ash-Wednesday" is the first long poem written by Eliot after his 1927 conversion to Anglicanism. Published in 1930, it deals with the struggle that ensues when a person who has lacked faith acquires it. Sometimes referred to as Eliot's "conversion poem", it is richly but ambiguously allusive, and deals with the aspiration to move from spiritual barrenness to hope for human salvation. Eliot's style of writing in "Ash-Wednesday" showed a marked shift from the poetry he had written prior to his 1927 conversion, and his post-conversion style continued in a similar vein.
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Frederic G. Kenyon writes that Simonides created "a considerable sensation by producing quantities of Greek manuscripts professing to be of fabulous antiquity – such as a Homer in an almost prehistoric style of writing, a lost Egyptian historian, a copy of St. Matthew's Gospel on papyrus, written fifteen years after the Ascension (!), and other portions of the New Testament dating from the first century. These productions [...] were then exposed as forgeries." In 1854 and 1855 Simonides tried unsuccessfully to sell some manuscripts for the British Museum and the Bodleian Library.
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Lynne Truss writes: "There are people who embrace the Oxford comma, and people who don't, and I'll just say this: never get between these people when drink has been taken." Omitting a serial comma is often characterized as a journalistic style of writing, as contrasted with a more academic or formal style. Journalists typically do not use the serial comma, possibly for economy of space. In Australia, Canada and South Africa, the serial comma tends not to be used in non-academic publications unless its absence produces ambiguity.
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She closes her essay saying to ignore the rules and the ways of society and to allow the voice that lies within yourself to come out and sell it. Anzaldúa’s speech received responses from people of different sexualities, rape survivors, and people of color. Her speech opened up the eyes of African American and Latina professors who suffered from self-doubt and self-hate caused by racism and sexism. Anzaldúa’s style of writing and speech was used to describe Linda Kerber’s keynote address to the American Studies Association.
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The year 1934 saw the publication of Hkit san pon byin (, Experimental Tales), a collection of short stories in a new style of writing, by his students Theippan Maung Wa, Zawgyi and Min Thu Wun, followed by an anthology called Hkit san kabya (, Experimental Poems). Professor Pe Maung Tin explained in his foreword that he coined the word hkit san (, testing the times) as he wanted his students to experiment and test the reaction of the readers. He was also an accomplished musician and had helped sponsor the Rangoon College Philharmonic Society.
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By far the highest figure of Cuban narrative literature in the 20th century was Alejo Carpentier (1904–1980). Novelist, essayist and musicologist, he greatly influenced the development of Latin American literature, particularly by his style of writing, which incorporates several dimensions of imagination—dreams, myths, magic and religion—in his concept of reality. He won a Miguel de Cervantes Prize, regarded as a sort of Spanish-language Nobel Prize in Literature, and was nominated for a Nobel Prize. José Lezama Lima and Guillermo Cabrera Infante were two other important Cuban novelists of universal stature.
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An early reviewer opined that the author wished to remain unknown because "Anonymity makes truthfulness much easier". Later commentators called the publishing of the book under an anonymous identity an effective marketing strategy that produced more publicity for the book, and thus more sales, without calling into question the author's actual inside knowledge. Several people, including former Clinton speechwriter David Kusnet, believed the style of writing had similarities to that of Klein. This was also supported by a quantitative stylometric analysis of the book by Vassar professor Donald Foster.
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Gehn teaches Atrus the Art, a skill the D'ni used to create special books which allow transport between worlds known as Ages. Atrus is awed by the Art at first, but he is horrified when he witnesses Gehn's manipulation and dismissive attitude to the inhabitants of the Ages. He also comes to understand Gehn's selfish, cold cruelty and his own power-hungry nature; Gehn believes that he creates the Ages he writes, instead of creating links to preexisting universes. Gehn destroys Atrus' first Age, Inception, because it does not follow Gehn's style of writing.
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The first and second editions (1955 and 1969) provide an overview of the entire range of vertebrate evolution, and are illustrated by the distinctive drawings of Lois Darling. The style of writing is very light and readable, and technical concepts kept to a minimum. In the book vertebrate evolution is studied utilizing comparative anatomy & functional morphology of existing vertebrates, and fossil records. The book is considered a classic and has been used very frequently as a college-level or university introductory level text on the subjects of basic paleontology and vertebrate evolution.
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Namuwiki () is a Paraguay-based Korean wiki created on April 17, 2015, powered by the proprietary wiki software The Seed. Its name, "Namu" (나무) translates literally to "tree" in Korean. According to its slogan ("The tree of knowledge that you grow together") and self-description, Namuwiki strives to share community-driven knowledge and information, whilst respecting the freedom and equal rights of every user. Compared to Wikipedia, material found on Namuwiki largely retains the personal/subjective style of writing characteristic of the Rigveda Wiki, a Korean Otaku wiki from which Namuwiki forked.
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Narmad's poems were prescribed for studies in schools. Because he had introduced a new style of writing, students were finding it difficult to understand the meaning of many words of Sanskrit origin that he used in his poems. Complaints reached him and he decided to compile all of the difficult words he had used in his poems and of give their meanings, to enable students to fully comprehend them. Later he decided to expand this into a dictionary covering all the words in the Gujarati language which would be useful to students.
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Post-modernism was introduced to Urdu literature by Gopi Chand Narang. Many other critics in Urdu literature are also attached to this approach to criticism. Post-modernism does not claim to be a movement and does not demand any writer to adopt a particular style of writing. It generally concentrates on a method of understanding contemporary literature in the light of its content—mostly examining features like feminism, Dalit, regional and other types of literature as opposed to seeking uniformity in the global literature on the basis of internationally established trends.
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Illustrated edition of Journey to the West, a gods and demons novel Shenmo first appeared in the Ming Dynasty as a genre of vernacular fiction, a style of writing based on spoken Chinese rather than Classical Chinese. The roots of the genre are found in traditional folktales and legends. Plot elements like the use of magic and alchemy were derived from Chinese mythology and religion, including Taoism and Buddhism, popular among Ming intellectuals. The Sorcerer's Revolt (Pingyao zhuan, 14th century AD) is an early gods and demons novel attributed to Luo Guanzhong.
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This novella is set in a plague-ridden London in 1593. Someone calling himself "Tamburlaine", the name of the hero in one of Marlowe's most famous plays, has written a libelous and heretical pamphlet in a style of writing similar to Marlowe's. Marlowe is called before the Privy Council which accuses him of writing the pamphlet; however, he protests his innocence. Marlowe is sentenced to death for this blasphemous writing and only has three days to figure out who really wrote the pamphlet and track that individual down.
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Thurston, pp 47–48. The following year over 150 historical romance novels, many of them paperback originals, were published, selling over 40 million copies. Unlike Woodiwiss, Rogers's novels featured couples who travelled the world, usually were separated for a time, and had multiple partners within the book. The success of these novels prompted a new style of writing romance, concentrating primarily on historical fiction tracking the monogamous relationship between a helpless heroines and the hero who rescued her, even if he had been the one to place her in danger.
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Her style of writing is unconventional, in the face and gripping. Her novels have won critical and popular acclaim for the audacity of their themes and the lyricism of their style. Her novels and stories have been translated into a number of Indian and foreign languages like German, Czech, Japanese and English. She has been a columnist, writing on environment, women issues, child servitude and literature. She wrote a fortnightly column, Parivar in Ravivar magazine from Kolkata for five years between 1985-1990 and another column Kataksh (Satire) in India Today (Hindi) for 7 years, between 2003 and 2010.
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Minnie as she appears in the Ken Harrison strips By 2007, Minnie was struggling in the readers' poll, and in early 2008 several significant changes were made in response to this. Iain McLaughlin took over as writer, and in Beano issue 3422, dated 15 March 2008, former Desperate Dan artist Ken Harrison took over as the strip's artist. Harrison re-introduced many aspects of Leo Baxendale's original depiction of the character and reverted her jumper to its original colours. However, the style of writing changed, with McLaughlin placing greater emphasis on the relationship between Minnie and her Dad.
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Mail & Guardian. Friday, July 2:19.) “[W]ell written....maps an important field of research with intellectual rigour and exemplary fair- mindedness, and negotiates a complicated route through a plethora of contentious artistic manifestoes and critical opinions with sophistication and maturity.” ::Prof. Robert Gordon, Goldsmiths College, University of London “[Experiments in Freedom] shows Krueger's ability to bring an insightful critical perspective not only towards the play texts that he examines, but to theory itself...The style of writing is lucid and avoids obfuscation, the '(mis)management' of syntax and tortured logic, common to some authors writing in a post modernist vein.
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He, therefore, uses the second person to talk directly to the reader, as if he were talking to them in real life. He views Horrible Histories as one of the few non-fiction or fiction series which utilize this "underused style of writing". Deary uses the newspaper style to make the serious material more accessible so that the reader approaches the piece in "a more relaxed frame of mind than they would a school text", as in an article about the Massacre at Lidice. Newspapers are also used to illustrate light-hearted stories, such as might appear in a tabloid.
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Mulford spent five years as a writer and editor for various papers and was named by many San Franciscans a "Bohemian," for his disregard for money. Mulford states in his autobiography, "poverty argued for us possession of more brains" (Prentice Mulford's Story 130). He became known for his humorous style of writing and vivid descriptions of both mining life as well as life at sea. In 1872 Mulford returned to New York City, where he became known as a comic lecturer, author of poems and essays, and a columnist for [The New York Daily Graphic] from 1875–1881.
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His free-lance writings came to the attention of the Cape Argus as early as 1861, and he soon became a printer's reader for that paper's parent company, Saul Solomon & Co., from where he rapidly rose in position. In 1871 he was appointed editor for the Cape Argus, taking over from Thomas Ekins Fuller. He continued to do a great deal of the writing, and his humble manner and direct style of writing made him hugely popular. He was also known for his unpretentious manner and his "genuine journalistic faculty of mingling freely with his fellow men".
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Petrarch was an all-rounder writer, author and poet, but was particularly known for his Canzoniere, or the Book of Songs, where he conveyed his unremitting love for Laura. His style of writing has since become known as Petrarchism. Boccaccio was better known for his Decameron, a slightly grim story of Florence during the 1350s bubonic plague, known as the Black Death, when some people fled the ravaged city to an isolated country mansion, and spent their time there recounting stories and novellas taken from the medieval and contemporary tradition. All of this is written in a series of 100 distinct novellas.
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The "Hip Hop Hit List" was also the first to define hip hop as a culture introducing the many aspects of the art form such as fashion, music, dance, the arts and most importantly the language. For instance, on the cover the headliner included the tag "All Literature was Produced to Meet Street Comprehension!" which proved their loyalty not only to the culture but also to the streets. Most interviews were written verbatim which included their innovative broken English style of writing. Some of the early charts were written in the graffiti format tag style but was made legible enough for the masses.
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From this period to his decease he was a contributor to the columns of that periodical, and in 1870 he succeeded Mark Lemon as editor. One of his best known series of articles was The Essence of Parliament, a style of writing for which he was peculiarly fitted by his previous training in connection with the Morning Chronicle. On 14 March 1872 Brooks was elected a fellow of the Society of Antiquaries. He was always a hard and industrious worker, and the four years during which he acted as editor of Punch formed no exception to the rule.
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Ram Khamhaeng Inscription, the oldest inscription using proto-Thai script (Bangkok National Museum) The Thai alphabet is derived from the Old Khmer script (, akson khom), which is a southern Brahmic style of writing derived from the south Indian Pallava alphabet (). Thai tradition attributes the creation of the script to King Ramkhamhaeng the Great () in 1283, though this has been challenged. The earliest attestation of the Thai script is the Ram Khamhaeng Inscription dated to 1292, however some scholars question its authenticity. The script was derived from a cursive form of the Old Khmer script of the time.
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Fazlıoğlu characterised his works by their "high level of geometry, trigonometry (especially spherical trigonometry), and numerical analysis", and their style of writing that is easy to understand and apply. Among his earliest works was a book of mathematical geography titled I'lam al-'ibad fi a'lam al-bilad ("Notices on the Distances of Cities of the World"), written in Ottoman Turkish. It includes a list of 100 major cities from Morocco to China, and the coordinates, distance from Istanbul, the qibla (direction that indicates Mecca) of each city. It was written in 1525 and was dedicated to Suleiman the Magnificent.
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It has been argued that Dunsany's inexperience with the novel form shows in the episodic nature of Don Rodriguez. In 1924, Dunsany published his second novel, The King of Elfland's Daughter, a return to his early style of writing, which is considered by many to be Dunsany's finest novel and a classic in the realm of the fantasy writing. In his next novel, The Charwoman's Shadow, Dunsany returned to the Spanish milieu and to the light style of Don Rodriguez, to which it is related. Though his style and medium shifted frequently, Dunsany's thematic concerns remained essentially the same.
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Cao trained calligraphers in a common style of writing before carving the wood blocks for printing. The work was finished in the remarkably short time, though Cao felt called upon to apologize to the emperor for the delay. More than one hundred craftsmen worked on the printing, for which paper was specially procured. Although the emperor decided that Cao's name would be the first to be listed in the book itself, in the catalog to the Four Collections of Imperial Treasures, the Complete Tang Poems are listed as an "Imperial Compilation" () that is, of the emperor.
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In early 1990s Mahmoud published two collections of short stories: Didar (Visiting) 1990, Qesseh-ye Ashna (Familiar Tale) 1991, Az Mosafer Ta Tabkhal (From Passenger To Cold Sore) 1992, Madare-h Sefr Darejeh (Zero Degree Orbit) 1993, Adam-e Zendeh (The Live Human) 1997, and Derakht-e Anjir-e Ma'abed (The Fig Tree Of The Temples) 2000. Mahmoud's last book won the "golshiri's book prize" and garnered much acclaim. In memory of his brother who died in the Iran-Iraq war, he wrote "the burned ground". Ahmad mahmoud Had a realist style of writing and was essentially a technical author.
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It has a surreal coloring but it's much less random than you'd expect." About how his writing style has changed over the years, he has said, "...I began with a much more structured style of writing that fit the conventional pop song structure, I think within that structure you can create puzzles and language is a beautiful instrument to manipulate in this way. I have tried to move into more abstract, DADA territory with some of the later work, the meaning becomes coded like hypertext. The narrative is back to front or a zig-zag pattern of small movies.
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The Bounds of Sense has been praised by philosophers such as John McDowell, Charles Parsons, Roger Scruton, and Howard Caygill. Allais, writing in 2019, stated that the book "remains a classic work"; she also praised its style of writing. She credited Strawson with encouraging analytic philosophy to engage with past philosophers and with creating "enormous interest in the anti- sceptical possibility of transcendental arguments" as well as in "the nature of experience of objectivity and the unity of consciousness". While she noted that Strawson's interpretation of the Deduction is controversial, she believed that he correctly identified the questions Kant was trying to answer.
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According to his obituary,'The Late Mr. Edward Pinnington.' Unattributed obituary in The Montrose Standard. Pinnington began his working life as a journalist in the United States and was for a number of years the editor of Scotch American. However, there is as yet no corroborating record of this part of his life, though his style of writing suggests a training in journalism. In 1881, he was living in Edinburgh and by 1891 he had settled in Montrose, living with his spinster sister, Mary Ann, while his wife and family lived with her parents in Glasgow.
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304 Most literary critics commend Haqqi's style of writing and his language precision. He was editor of the literary magazine Al-Majalla from 1961 to 1971; this was a dangerous position, as the publication had been banned in Egypt by order of the government of Gamal Abdel Nasser. During that period and even before Haqqi championed budding Egyptian authors whose works he admired and believed in. In the 1960s also Haqqi took the very courageous step of retiring from writing short stories and novels, but he continued to write articles that critics described as artistic sketches.
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Angot writes using short, fragmented sentences in her writing to create an environment of unreliability. By using contradictory phrases and unresolved paths of thought, Angot replicates the thoughts of a superficially conscious individual, and expects the readers to piece together the disconnected thoughts. Angot also uses a style of writing known as autofiction, where the author and the protagonist share the same name and occasionally the same experiences. Angot has repeatedly described how her writing echoes her life, but she also has described the character Christine as her own entity whose identity shifts within the various novels she is featured in.
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The number of extant works ascribed to Jayatirtha are 22 in number with one non-extant work associated with him, 18 of which are commentaries on the works of the 13th century Hindu philosopher and theologian, Madhvacharya. He also crafted few but significant independent treatises dealing with the epistemology of Dvaita philosophy and refutation of the ontological aspects of Advaita. His precise and lucid style of writing earned him the distinction of Tikacharya or commentator par-excellence. His works were heavily commented upon by subsequent Dvaita philosophers like Vyasatirtha, Vijayendra Tirtha, Vadiraja Tirtha and Raghavendra Tirtha.
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The novel is written in 144 unnumbered vignettes, that share the memories of the protagonist in three completely different environments: Her childhood home in Vietnam, a refugee camp in Malaysia, and the town of Granby in Quebec, Canada. The style of writing resembles memories shared by the narrator, which are woven together to create a narrative. The characters included in the novel are the narrator's family members, both immediate and extended, as well as friends and individuals whom she encountered along her journey. The family members of the narrator are not given names, but rather given numbers.
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The Lillywhite Sessions (tLWS) is a collection of songs recorded by Dave Matthews Band in 1999 and 2000 and produced by Steve Lillywhite. The songs, recorded by the band as a follow-up to their 1998 album Before These Crowded Streets, were ultimately scrapped by the band's label. Upon being forced by the label to abandon the album-in-progress, Dave Matthews was assigned to work with producer Glen Ballard who, in association with Matthews, wrote the album Everyday in just ten days. This contrasted with the band's prior style of writing, which included significant collaboration between the band members in the studio.
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Since emperor Constantine did not mention the Pope's name, historians have different opinions about the agreement. Some, like Franjo Rački, Nada Klaić, and Tadija Smičiklas, consider it to be fake, while others, like Ferdo Šišić, believed that it is legitimate mostly due to the style of writing which matches with that of the Roman Curia. Šišić believed that this event took place in the 9th century during the reign of Duke Branimir. According to other sources, the Pope addressed Slavs as the converted people, so Stjepan Krizin Sakač believed that Croats indeed made an agreement with Pope Agatho in year 679.
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Well-versed in Buddhism, mysticism, and Western traditions, he blended the Eastern concepts with Western techniques, thereby creating a kind of poetry unsurpassed in the history of Persian literature. He had his own style of writing in his poems that he used short sentences rather than longer ones which is used in Persian poetry for centuries. To him, new forms were new means to express his thoughts and feelings. In one of his works called 'Footsteps of Water' or ‘The Water’s Footfall’ Sepehri introduces himself, his family, and his way of thinking in a poetic form.
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Inoue is also responsible for most of the Kamen Rider films within the 2000s, including two original films, Kamen Rider the First and Kamen Rider the Next, which were retelling of the original Kamen Rider series, and Kamen Rider V3, respectively. In 2013, Inoue was appointed as the head writer of Shougeki Gouraigan, created by fellow tokusatsu veteran Keita Amemiya. Inoue's style of writing leans towards the skepticism of "complete integrity of the heroic ideal". His protagonists have a tendency to be calculative, have a scruffy attitude, or be generally flawed, allowing for "trauma" within the series.
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Gail Gibbons first book was Willy and His Wheel Wagon,Children's book author and illustrator, Gail Gibbon a 32-page self-illustrated picture book published by Prentice-Hall. By 1978, Gibbons had published 5 children's books, including Things to Make and Do for Halloween and Salvador and Mister Sam: A Guide to Parakeet Care. By 1979, Gibbons was pushed to publish solely non-fiction children's books, and she released Clocks and How They Go, which exhibits a more direct teaching style in writing. Gibbons continued with this style of writing, growing into a prolific non-fiction children's book author and illustrator.
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Additional musicians were brought in, including support from Tool drummer Danny Carey and Static-X frontman Wayne Static. Key worked with guest musicians one-on-one to avoid "making it an overwhelming situation with too many cooks in the kitchen". The band dropped the jam session style of music making they had used in the past and adopted a more focused style of writing, where one member would come up with an idea and the others would take turns expanding on it. The band produced 40 demo tracks from which Ogre choose what he felt best suited his lyrics.
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His working life began at the Victorian Railways and he acquired his first journalistic experiences as a writer for the house magazine The Victorian Railways Magazine which is where he acquired the poetic style of writing for which he later became famous.an article by Hughes, 'Right Away!' in the June 1929 edition of The Victorian Railways Magazine is an example of the writing style for which he later became famous. He later worked within the Frank Packer organisation. Hughes was a war correspondent in the North African campaign of World War II and the Korean and Vietnam wars.
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Yovkov’s war experiences greatly influenced his mentality and style of writing. Whereas his first literary effort was a short story about village life and patriarchal customs, published in 1910, his post-war pieces were more harsh and militaristic. Eventually he moved away from melancholic, depressive themes towards authentic descriptions of villagers and country life. In his short story Shibil, he used turkisms to give a sense of realism to the work. His works Legends of Stara Planina (1927, Staroplaninski legendi, alternately known as the Balkan Legends ) and Inn at Antimovo (1927) established him as a major writer.
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She was sixty-two years old when her first book, The Greek Way, was published in 1930. It was an immediate success and a featured selection by the Book-of-the-Month Club in 1957. Hamilton's other notable works include The Roman Way (1932), The Prophets of Israel (1936), Mythology (1942), and The Echo of Greece (1957). Critics have acclaimed Hamilton's books for their lively interpretations of ancient cultures, and she is described as the classical scholar who "brought into clear and brilliant focus the Golden Age of Greek life and thought ... with Homeric power and simplicity in her style of writing".
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She had to take whatever work was available, including teaching, translating, writing books, editing and sometimes helping stage plays. She felt that the media raised impossible expectations of a woman's role, describing a super-woman with a stylish way of life who is the perfect professional artist, who supports her children, husband and parents, and who is a breadwinner and markets their own books. She felt that women writers had to overcome prejudice against negative views of emotional aspects of their work, labeled as "sentimental", "melodramatic" or "weak". She had won competitions only when she consciously adopted a male style of writing.
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Dylan's new style of writing moved away from the urban sensibility and extended narratives that had characterized his most recent albums, Highway 61 Revisited and Blonde on Blonde, toward songs that were more intimate and which drew on many styles of traditional American music. While some of the basement songs are humorous, others dwell on nothingness, betrayal and a quest for salvation. In general, they possess a rootsy quality anticipating the Americana genre. For some critics, the songs on The Basement Tapes, which circulated widely in unofficial form, mounted a major stylistic challenge to rock music in the late sixties.
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Fitzmyer 1993, p. 74, who notes that the Ekklesia, Eucharist and eschatology (especially the parousia) are not present in Romans The breakdown of Romans as a treatise began with F.C. Baur in 1836 when he suggested "this letter had to be interpreted according to the historical circumstances in which Paul wrote it." Paul sometimes uses a style of writing common in his time called a "diatribe". He appears to be responding to a "heckler" (probably an imaginary one based on Paul's encounters with real objections in his previous preaching), and the letter is structured as a series of arguments.
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She modelled the Burger family in the novel loosely on Fischer's family, and described Burger's Daughter as "a coded homage" to Fischer. While banned in South Africa, a copy of the book was smuggled into Mandela's prison cell on Robben Island, and he reported that he "thought well of it". The novel was generally well-received by critics. A reviewer for The New York Times said that Burger's Daughter is Gordimer's "most political and most moving novel", and a review in The New York Review of Books described the style of writing as "elegant", "fastidious" and belonging to a "cultivated upper class".
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The development of polyphonic forms, with different voices interweaving, is often associated with the late Medieval Ars nova style which flourished in the 1300s. The Ars Nova, which means "new art" was an innovative style of writing music that served as a key transition from the medieval music style to the more expressive styles of the post-1400s Renaissance music era. The earliest innovations upon monophonic plainchant were heterophonic. "Heterophony" is the performance of the same melody by two different performers at the same time, in which each performer slightly alters the ornaments she or he is using.
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Nadar Fabre was a popular teacher, physicist, chemist and botanist. However, he is probably best known for his findings in the field of entomology, the study of insects, and is considered by many to be the father of modern entomology. Much of his enduring popularity is due to his marvellous teaching ability and his manner of writing about the lives of insects in biographical form, which he preferred to a clinically detached, journalistic mode of recording. In doing so he combined what he called "my passion for scientific truth" with keen observations and an engaging, colloquial style of writing.
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Example of a PHASE 2 piece on a subway car, utilizing the bubble letter style. In late 1972, Phase 2 first used an early version of the "bubble letter" or "softie", a style of writing which would become extremely influential and is considered a "giant leap" in the art form. The puffed-out, marshmallow-like letters drawn by Phase 2 were soon copied by other artists who added their own variations. Phase 2 quickly embellished on his original form, creating and naming dozens of varieties of softies, such as "phasemagorical phantastic" (bubble letters with stars), "bubble cloud", and "bubble drip".Castleman, p56.
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Revolution was criticised by reviewers for its lack of substance and style of writing. The writing was described as "atrocious: long-winded, confused and smug; filled with references to books Brand has half read and thinkers he has half understood" by Nick Cohen in The Observer. Robert Colville in The Daily Telegraph wrote that although "he comes across as palpably sincere in his convictions," Brand "has not even the faintest fragment of an inkling of how his Revolution will come about" and "[a]s for how things would work afterwards, don’t ask." Colville called the book "sub-undergraduate dross".
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It has been said that she uses too much profanity in her writings, often gratuitously, and that her style of writing is "unliterary." She has also been accused of being obsessed with sex, the redeeming feature being that descriptions of sex in her works are always from the perspective of a woman character, and no work of fiction ever produced by her has failed to feature at least one intensely sexualised woman character. A selection of her major works are published in Sobti Eka Sohabata. Her publications have been translated to multiple Indian and foreign languages such as Swedish, Russian and English.
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Thomas was born in Swansea, Wales, on 28 June 1926, to parents Heber Lesley Thomas and Beatrice Ida Carmmen. He attended the Bible College of Wales School (later renamed Emmanuel Grammar School) in Derwen Fawr, Swansea, where his former biology teacher described his essays as "succinct and attractive style of writing." Thomas later earned his Bachelor of Science and Bachelor of Medicine, Bachelor of Surgery degree from University College London. While there, he developed an interest in anatomy under the guidance of Professor John Zachary Young and together they investigated the structure and function of axons in fish.
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When writing reflectively, a writer attempts to convey their own thought process. Therefore, reflective writing is one of the more personal styles of writing as the writer is clearly inserted into the work. This style of writing invites both the reader and the writer to introspect and examine their own thoughts and beliefs, and gives the writer and the reader a closer, less distant relationship. Reflective writing tends to consist of description, or explaining the event and its context; interpretation, or how the experience challenged existing opinions; and outcome, or how the experience contributed to personal or professional development.
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The fictional town of Karuthupuzha is the setting for both of Manu Bhattathiri's works, Savithri's Special Room and The Town That Laughed. According to Bhattathiri, "it (Karuthupuzha) has enough violently funny, emotionally intense and beautifully imperfect people to write many stories about." The Hindu's review of The Town That Laughed has this to say: "Where the author truly excels, however, is in his characterisation." His style of writing, especially the setting of his stories in a small town, has been repeatedly compared to RK Narayan's Malgudi by The Hindu, the New Indian Express, and the Hindustan Times.
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He is officially recorded as having shot 8-man-eating leopards (7 males and 1 female) and 7 tigers (5 males and 2 females) on the Government records from 1939 to 1966 though he is rumored to have unofficially shot over 18 man eating panthers and over 15–20-man eating tigers. He also shot a few rogue elephants. Anderson's style of writing is descriptive, as he talks about his adventures with wild animals. While most stories are about hunting tigers and leopards – particularly man-eaters – he includes chapters on his first-hand encounters with elephants, bison, and bears.
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De Vries' compositions can be described as a search for an own musical identity, the main goal being the creation of a style of writing in which he can be freed from given compositional necessities. The music of Berio influenced him to abandon The Hague school style and its static harmonic blocks. In his work bewegingen (English: movements) (1979) he experimented with the usage of fluent transitions and continuity (Oskamp 124). De Vries puts more focus on his own notes to be convincing themselves, instead of the notes being the result of pre-compositional systems (Schneeweisz 10, 11).
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The novel is divided into 60 short vignettes, each focusing on different fictional characters in different periods of time. According to Tokarczuk, this fragmentary form of storytelling, which she further explored in Dom dzienny, dom nocny ("House of Day, House of Night", 1998), is representative of the novel's perception of reality. According to the author, the style of writing arouses this fragmentary perception and conveys that the separate vignettes are part of something greater. Tokarczuk was not fully conscious of the structure's purpose when she wrote the novel, but she strongly defended it against the publisher who suggested changing it.
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5 In 1861 Oleksa Storozhenko became known as Ukrainian-language writer. His works were published in Osnova journal (Ukrainian journal published in Saint Petersburg). However, measures undertaken by the Imperial Russia’s agencies enforcing the Valuev Circular (a legal decree reflecting persecution against the Ukrainian language) became the reason why Oleksa Storozhenko had to continue his writings in Russian. Storozhenko’s style of writing is marked by earthy Ukrainian language and picturesque representation of the folk proverbs, anecdotes, sayings and songs. The leading topics of his works are: Ukrainians’ everyday life, customs, folklore and demonological believes, historical events, particularly kozaks and Zaporozhian Sich.
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Horace is guided to visit the local church, his teacher's house, his high school, the Crosstown Theater, and finally Tims Creek Elementary, where he confronts Jimmy at gunpoint. Kenan also uses a few unconventional story- telling elements in this story. Three pivotal scenes from Horace's and Jimmy's past are written in a screenplay style of writing. Moreover, the book starts and ends with detailed scenes of community from the past, namely the "hog killing" scene individually titled "Advent (or The Beginning of the End)" at the beginning and the individually titled "Requiem For Tobacco" at the end.
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It was during the initial phases of Ameer's Paruthiveeran (2007) that Sasikumar began his groundwork for Subramaniapuram and left the production to focus on his film. Sasikumar started collecting old photos, banners and boards of shops to imitate the style of writing from that period and also searched the Internet extensively for photographs of the 80s. He especially researched photographs of wedding processions along the streets for a clear picture of how the roads looked and the kind of vehicles in use. The team relied on this visual information to construct the sets for the film.
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Anna Komnene's somewhat unusual style of writing history has been attributed to her gender. Her style is noteworthy in that it included both a history of her father's actions during the First Crusade, and her reactions to some of these events. Her opinions and commentary on particular events in an otherwise historical text have been assigned to her gender both positively and negatively. This interpretation of her histories is known as a "gendered history", meaning it is both the history of Alexos and of Anna herself through her particular style, which is not seen in male authors.
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His work was well received: Paul A. Chadbourne, a board member and future president of the Massachusetts Agricultural College himself, once stated Flint's treatise on grasses "embodies the most practical and scientific information on the history, culture and nutritive value of the grasses and the grains. His style of writing is plain, simple, forcible and judiciously adapted to the ends he has in view. The large number of illustrations of the different species of grasses are drawn with great care and accuracy, and greatly facilitate the study and identification of unknown specimens." After 25 years of service, Flint submitted his resignation to the Board.
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Vaikom Muhammad Basheer (21 January 1908 – 5 July 1994), also known as Beypore Sultan, was an Indian independence activist and writer of Malayalam literature . He was a writer, humanist, freedom fighter, novelist and short story writer, noted for his path-breaking, down-to-earth style of writing that made him equally popular among literary critics as well as the common man. His notable works include Balyakalasakhi, Shabdangal, Pathummayude Aadu, Mathilukal, Ntuppuppakkoranendarnnu, Janmadinam and Anargha Nimisham and the translations of his works into other languages have earned him worldwide acclaim. The Government of India awarded him the fourth highest civilian honour of the Padma Shri in 1982.
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Too, his militancy grew, first with his participation in the Argentine guerrilla organization FAR, and later the Montoneros. For Urondo, his writing and his militancy were inseparable, despite a mutual mistrust among the two groups. Juan Gelman, a fellow poet and friend, remembers Urondo as saying once that he “took up arms because he was looking for the right word.” "Palabras," Juan Gelman, Poemas de Batalla, Seix Barral, 1998 Along with Gelman and poets Roque Dalton and Mario Benedetti, Urondo developed a conversational style of writing in the 60s and 70s simultaneous with the increasingly strained dynamic between the corrupt state and its people.
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February pp. 74-75 Alfred Rahlfs noted that codex E of the Septuagint was also written partly in uncials and partly in minuscules, in the ninth or tenth century when the change from one style of writing to the other was taking place.A. Rahlfs, Nachrichten von der Kgl. Gesellschaft der Wissenschaften zu Göttingen, Philol: histor. Klasse, 1898, Heft 1, p. 98 The codex was held at Saint Catherine's Monastery on Mount Sinai in Egypt and was found by Constantin von Tischendorf in 1853, who took away only the uncial text (Luke-John) — along with Codex Tischendorfianus IV — and brought it to the Bodleian Library in Oxford, where it is now located.
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After her debut, she received the attention of the literary community for her unique style of writing. She has not published a novel yet, but Lee Jenny is still currently writing a novel along with poetry, and has expressed that she would like to publish a novel when the opportunity arises. In 2010 she published Amado Africa (아마도 아프리카 Maybe Africa), and in 2014 she published Waenyahamyeon urineun urireul moreugo (왜냐하면 우리는 우리를 모르고 Because we don't know ourselves). She was awarded the Pyeon-un Literature Award in 2011, and won the Kimhyeon Munhakpae in 2016. She is a member of the experimental text collective ‘Ru’.
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In addition, Mehra and Rahman chose him to sing for one of the songs. Joshi, one of the lyricists, was impressed with the director, Rakeysh Mehra, who was ready to adjust to his style of writing as well as his creativity. Confessing that the film's soundtrack was his favourite out of all his previous works, Joshi felt that it "was a wonderful experience getting to know the mindset of today's youth and to pen down their feelings". Speaking about one of his songs, "Luka Chuppi", in which veteran Lata Mangeshkar sang with Rahman, Joshi said that it was developed while discussing with Rahman the scene about a mother losing her son.
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Jan of Holešov was considered a theological opponent of Jan Hus, and in the 19th century a letter criticizing Jan Hus, called "Utrum credit possit in Papam", surfaced, supposedly sent by Jan from Holešov to the Pope. Modern linguistics cast doubt on the authorship of the letter, because Jan from Holešov used a different style of writing, but, because of that allegation, he and his works were ignored for a long time and remain widely unknown until now.Bibliographic medailons of Czech linguists (in Czech) Besides the two works mentioned above, Jan of Holešov may be the author of five other books, but his authorship of these is not certain.
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Patterson's debut book The Quants went on to become a New York Times Bestseller. Due to the success of the first book, Patterson began working on Dark Pools to expand on the issues covered in The Quants. Patterson's style of writing has been compared to author Michael Lewis, due to his ability to relay complex financial topics in a way suitable for mass appeal. His journalism has been praised for its depth, particularly in cataloging the roots of current market technologies. Patterson’s work has been featured in The Wall Street Journal, New York Times, CNBC, Forbes, CNN, Fortune magazine, Rolling Stone, Scientific American, and the Financial Times, among others.
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A critical précis is an expository style of writing, analogous in structure to an essay but which contains a summary of another piece of text. In essence, the entire content summarizes all the main ideas, arguments and abstractions within the text into a shorter passage a fraction of its original length, in order to provide insight into the original author's thesis. The writer of the précis is careful to avoid copying any direct wording from the original text in order to avoid academic plagiarism, except in short passage quotations where necessary. The précis is a common assignment in the humanities and liberal arts streams in higher education.
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In Hindi and Urdu, he word Ustad refers to teacher, and Shagird means student or disciple. The Tomb of Ustad is of Muhammad Mumin Hussaini, a musician and nobleman from the time of Jahangir, as identified by an inscription on the tomb dating it to 1612-13 CE. The Tomb of Shagird is of Haji Jamal, the student of Mumin Hussaini, and dates it to 1657, during the reign of Shah Jahan. The similarity of the inscriptions, both in terms of the same chapters and verses of the Quran as well as the style of writing, point to both being done by the same calligrapher.
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7 He also parallels Adalard's role in the Church to that of a mother, which is a concept attributed to Cistercian spirituality in the 12th century, three hundred years after Paschasius' death. The grief felt over the death of Adalard is extremely strong in the book – although Paschasius knows that suffering should give way to joy, as depicted by his forefathers, such as Jerome, Paschasius' grief for the loss of his friend surpassed that of his literary models. This style of writing is also not seen elsewhere prior to the 12th century. Paschasius' justification of excess mourning is his most distinctive contribution to the tradition of consolation literature.
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Bucharest: Editura Ziarului Universul, 1936 In 1910 and 1911, Streitman worked as a translator for Biblioteca Lumen company, publishing Henri Murger's Scènes de la vie de bohème, Bebel's Women and Socialism, and the short stories of Vladimir Korolenko. Streitman's version of Henri James de Rothschild's play, La Rampe, was used in production by the Alexandru Davila company. N. D. Cocea, a fellow socialist and a theater chronicler, noted that the production failed, not least of all because of Streitman's adaptation. According to Cocea, Streitman had an "elevated style" of writing, but was also a "very busy man", which meant that his text was published with many grammatical mistakes.
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However, he argued that Freud provided multiple definitions of psychoanalysis, some of which could be understood as viewing it as a form of hermeneutics. Luborsky praised Grünbaum's openness to "cogent evidence" and agreed with him that inferences by therapists about their patients' past were questionable. Marmor credited Grünbaum with extensive knowledge of psychoanalytic literature in general and Freud's work in particular, with showing that free association, as well as other aspects of psychoanalytic theory, were scientifically unsupported, and with summarizing much evidence against the view that the success of psychoanalysis or other forms of therapy establishes the correctness of their underlying theories. However, he criticized his style of writing.
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This tabloid is notable for being directed to an audience of middle and lower socioeconomic strata. It uses the Chilean Spanish non-formal register with a series of slang and informal expressions of Chile. It also addresses issues that are mostly of a sensationalist, mostly about sex, crime reports and on the national entertainment news, this last section is called La Cuarta Espectacular and differs from the rest of the day as to design. In a way his style of writing and presentation of content, are closer to the red or yellow press Style The Sun (UK), The National Enquirer (USA) and Bild-Zeitung (Germany).
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"Stick It Out" developed from a guitar riff that Lifeson had come up with which Lee had liked, so they "stretched it out a bit, added a few more things and it became that song". "Cut to the Chase" is one of the few songs on the album where Lifeson's original guide guitar solo on the demo tape was used on the final take. "Between Sun & Moon" features lyrics co-written by Peart and Pye Dubois, who had also shared lyrical credits for "Tom Sawyer" and "Force Ten". Peart had always been welcome for Dubois to contribute ideas as he had liked his style of writing.
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The Roaring Twenties was the breakout decade for sports across the modern world. Citizens from all parts of the country flocked to see the top athletes of the day compete in arenas and stadia. Their exploits were loudly and highly praised in the new "gee whiz" style of sports journalism that was emerging; champions of this style of writing included the legendary writers Grantland Rice and Damon Runyon in the U.S. Sports literature presented a new form of heroism departing from the traditional models of masculinity.David Imhoof, "The Game of Political Change: Sports in Göttingen during the Weimar and Nazi Eras", German History, July 2009, Vol.
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Born in Bagnacavallo, Leo was son of Paolo Longanesi, director of a gunpowder factory in Lugo, and Angela Marangoni, member of a wealthy landowner family of Bagnacavallo. In 1911, when Leo was aged 6, the Longanesi family moved to Bologna, where according to the family wealth, Leo attended the most prestigious schools and learned French language, studying at the Galvani High School. In 1920, Leo wrote his first printed sheet, Il Marchese, at the age of 15. Following he wrote the monthly magazine Zibaldone dei giovani (1921), Il Toro (1923) and Il Dominio (1924), arousing attention for his young age and the style of writing.
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Ray Davies suffered a nervous breakdown just prior to the major recording sessions for the album. In contrast to the band's earlier "raunchy" sound, he had started to introduce a new, softer style of writing the previous year with compositions such as "A Well Respected Man" and "Dedicated Follower of Fashion". In July 1966, the single "Sunny Afternoon", also written in that style, reached No. 1 in the UK Singles Chart, and the song's popularity proved to Davies and the Kinks' managers that the group could find success with this style of songwriting. The new album would follow this pattern, as would the group's recorded output for the next five years.
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Thus Gelasius, for all the conservative Latinity of his style of writing, was on the cusp of Late Antiquity and the Early Middle Ages. During the Acacian schism, Gelasius advocated the primacy of the See of Rome over the universal Church, both East and West, and he presented this doctrine in terms that became the model for successive Popes, who also claimed Papal supremacy because of their succession to the Papacy from the first Supreme Pontiff, Peter the Apostle. In 494, Gelasius authored the very influential letter Duo sunt to Anastasius on the subject of the relation of Church and state, which letter had political impact for almost a millennium after.
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His earliest poems followed the conventions of traditional pantuns, including a four-line structure and rhyming couplets. Later works departed from this traditional structure, although Jassin considers Amir to have maintained an unmistakably Malay style of writing. Themes in his work varied: Boeah Rindoe, chronologically the first anthology written, was filled with a sense of longing and loss, while works in Njanji Soenji tended to be distinctly religious. Amir received wide recognition for his poems; Jassin dubbed him the "King of the Poedjangga Baroe-era Poets", while Dutch scholar of Indonesian literature A. Teeuw described Amir as the only international-class Indonesian poet from before the Indonesian National Revolution.
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Many of his books have already become obligatory references in the Spanish written philosophical heritage of the last 60 years. Some of his works such as Treaty on Passion, Beauty and the Sinister, The World's limits or The Age of the Spirit have become classics of the Spanish written philosophical thought of the 20th century. His work is regarded by the criticsFor instance, the newspaper ABC, August 27, 2002 as one of two most significant philosophical pillars of the contemporary Spanish thought. Critics have praised his work for his particular style of writing (in which the philosophical thought gets poetic antennas with a great literary value).
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They can be performed separately and were published individually. Apart from Reger's characteristic quasi-improvisatory style of writing for the organ, varying from brilliant virtuosic passages to dark inward-looking episodes, each piece contains one or more traditional chorale, hymn or anthem from which the musical material of the piece itself is derived. No. 1, Trauerode, contains the chorale "Was Gott tut, das ist wohlgetan". No. 2, Dankpsalm, begins with a lengthy passage which leads into the first chorale—another rendition of "Was Gott tut, das ist wohlgetan"; a reprise of the same material then culminates with the second chorale "Lobe den Herren, den mächtigen König der Ehren".
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Furthermore, the children never refer to themselves as "the Runaways"; the group remains unnamed. Despite Vaughan's efforts to break down the superhero clichés within Runaways, Marvel's handbooks and website still refer to the characters by their codenames. Also, Vaughan doesn't focus on an actual genre or tone; despite humour, horror and fantasy are common themes and genres, Vaughan mentions that while it may not be a "mature readers book," his style of writing is also dark, challenging and unpredictable. Penciller Adrian Alphona's style of drawing consists of crisp lines and monotone shading, and as a result, all of the characters are very clear and distinct.
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Shimizu was the first professional woman journalist in Japan, forced to turn to writing when public activism was barred. Though she experimented with style, employing genbun itchi (), a more colloquial, less narrative style of writing which more closely mimics speech, for a while before settling on the gesaku () style, Shimizu's writing is centered on social issues. She wrote about the right to equality, evaluating such themes as women's education, marriage, divorce, double standards towards men and women, and discrimination towards the Burakumin. She strove to impart her works with encouragement for women to seek their own emancipation and have the courage to express themselves.
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"Anna Hume, 1644". . Philadelphia: Henry Carey Baird. pp. 58–60. Throughout the poems, Hume writes in rhyming couplets, “but each rhymed pair does not represent an individual thought; rather, her sentences bridge several couplets, and a given line of poetry usually begins mid- clause.” The following lines from “The Triumph of Death” show Hume's specific style of writing: ::The glorious Maid, whose soul to Heaven is gone ::And left the rest cold earth, she who was grown ::A pillar of true valor, and had gain’d ::Much honour by her victory, and chain’d ::That God which doth the world with terror bind, ::Using no armour but her own chaste mind.
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The technology quickly gained popularity among publishers, and was used to produce affordable prints as well as books. As a result, Japan began to see something of literary mass production and increasing literacy. The content of these books varied widely, including travel guides, advice manuals, kibyōshi (satirical novels), sharebon (books on urban culture), art books, and play scripts for the jōruri (puppet) theatre. Often, within a certain genre, such as the jōruri theatre scripts, a particular style of writing would come to be the standard for that genre; in other words, one person's personal calligraphic style was adopted as the standard style for printing plays.
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The book Men Own the Fields, Women Own the Crops is an anthropological study based on the in-depth looks of the Nso’ people with their gender-based roles changing the government overtime. The book is a scholarly perspective for the Nso’ and their influences that change over time, economically and socially. The authors style of writing was based on observational data, with a perspective that was mainly direct contact of the Nso’ people, and analyzing any kind of change overtime. The author didn't have much outside sourcing to influence the style of the book, but when deemed necessary for citing reasons, made sure the writing was not biased.
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Her analysis and writing influenced and inspired the work of contemporary feminists such as Catharine MacKinnon, Gloria Steinem, John Stoltenberg, Nikki Craft, Susan Cole, and Amy Elman. Pdf. Rebecca Traister stated that Dworkin's Intercourse was one of the books that inspired her 2018 book Good and Mad. However, Jessa Crispin reproved contemporary feminists for abandoning Dworkin's work in her 2017 book Why I Am Not a Feminist: A Feminist Manifesto. Dworkin's uncompromising positions and forceful style of writing and speaking, described by Robert Campbell as "apocalyptic", earned her frequent comparisons to other speakers such as Malcolm X (by Robin Morgan, Susie Bright, and others).
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220 The Financial News was a major step forwards for British financial newspapers; it was the first London financial paper to publish on a daily basis, and pioneered a popular, Americanised, accessible style of writing that appealed both to the industry professionals and to small private investors. The Financial News was active at investigative reporting, exposing a number of fraudulent share schemes as well as playing a part in the corruption scandals that led to the downfall of the Metropolitan Board of Works in the late 1880s.Epstein (2006) As a result, it achieved a good reputation for integrity and honesty, widely respected among small investors.Robb (1992), p.
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Paine, "The Resistant Writer", 109 This highly consumed, but less educated style of writing clashed, however, with that of nineteenth-century intellectuals, who considered criticism vital to defining and upholding the standards of taste. Because persons not considered "elite" had access to a large body of readers, intellectuals' authority, and thus importance, was deteriorating in American culture.Paine, "The Resistant Writer", 120 Hill's views on culture sided him with the intellectuals of his time. As early as 1856, Hill vocalized about the dangers of "uneducated" newspaper journalists,Paine, "The Resistant Writer", 94 bemoaning the lack of control he as an "educated" man, was able to exert over the minds of his readers.
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A History of the Mind received positive reviews from the science journalist Marek Kohn in New Statesman and Society, Francisca Goldsmith in Library Journal, and from Publishers Weekly, mixed reviews from the biologist Lewis Wolpert in New Scientist and the psychologist George Armitage Miller in The New York Times Book Review, and negative reviews from John C. Marshall in The Times Literary Supplement and McGinn in the London Review of Books. Kohn described the book as "absorbing and stimulating". It referred to Humphrey's style of writing as "personal and informal". Goldsmith wrote that the book would appeal to both "interested lay readers" and scholars.
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This contributed to Chilean prose of the nineteenth century, and was adopted by later writers including Baldomero Lillo and Olegario Lazo Baeza. After the fall of President José Manuel Balmaceda, Riquelme continued to work as a writer periodically, but abandoned his light and adorned style of writing to instead engage in works on various historical events, a task that continued during his years at the El Mercurio of Santiago until 1911. Sick with tuberculosis, Riqueme traveled to Paris and then moved to Switzerland. He died in Lausanne in 1912, and his remains were interred there until 1942, when they were thrown into a common grave.
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Thompson is often credited as the creator of Gonzo journalism, a style of writing that blurs distinctions between fiction and nonfiction. His work and style are considered to be a major part of the New Journalism literary movement of the 1960s and 1970s, which attempted to break free from the purely objective style of mainstream reportage of the time. Thompson almost always wrote in the first person, while extensively using his own experiences and emotions to color "the story" he was trying to follow. Despite him having personally described his work as "Gonzo", it fell to later observers to articulate what the term actually meant.
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Despite and ever since Stan Rogers' death on June 2, 1983 (just a few weeks before Stan, Garnet and bass player Jim Morison were to tour America), Garnet Rogers has pursued his own career. At first, Garnet had difficulty getting a permit from the U.S. Immigration Service, which only granted one after a campaign on his behalf was launched by Odetta, The Boston Globe, and a PBS TV station in New York. While his brother's style of writing was more traditional and often based on Canadian Maritime styles, Garnet's style is more modern, utilizing influences from blues, rock, country/bluegrass, and classical. Rogers' instruments include the guitar, mandolin, violin, and flute.
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157 Flaubert believed in and pursued the principle of finding "le mot juste" ("the right word"), which he considered as the key means to achieve quality in literary art. He worked in sullen solitude, sometimes occupying a week in the completion of one page, never satisfied with what he had composed. In Flaubert's correspondence he intimates this, explaining correct prose did not flow out of him and that his style was achieved through work and revision.Edmund Gosse (1911) Flaubert, Gustave entry in Encyclopædia Britannica Eleventh Edition, Volume 10, Slice 4 This painstaking style of writing is also evident when one compares Flaubert's output over a lifetime to that of his peers (for example Balzac or Zola).
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This novel, published in 1972, sold over 2.3 million copies in its first four years of publication and is credited with spawning the modern romance genre, becoming the first romance novel "to [follow] the principals into the bedroom." The success of this novel prompted a new style of writing romance, concentrating primarily on historical fiction tracking the monogamous relationships between helpless heroines and the heroes who rescued them, even if they had been the ones to place them in danger. The romance novels which followed in her example featured longer plots, more controversial situations and characters, and more intimate and steamy sex scenes. Woodiwiss had a direct impact on the career of fellow novelist LaVyrle Spencer.
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After coming to Delhi, he changed his style of writing, which included the life, problems and the struggle of common man and middle class society in the metropolitan city. He used his wit to highlight the struggle of the common man and he wrote some of the masterpieces like Kalakar, Harap Ram Gadap, Buzo Bahadur, Juta, Apna Utsav, Govind Gatha etc. His first collection of short stories "Himayati" was published in 1986, since then more than 25 books, which includes collection of short stories, novel, children books and books especially written for National Book Trust campaign on Adult Education were published. Also, he translated more than 70 books from Bengali to Hindi.
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Several times she had the opportunity to meet her half-compatriots, Polish soldiers, who fought on the side of the British or organized the Polish Army in the Soviet Union. Curie's reports from this journey were published in American newspapers, and in 1943 they were gathered in the book Journey Among Warriors, which was nominated for the Pulitzer Prize for Correspondence in 1944 (eventually losing to Ernie Pyle) An article in the Autumn 1943 issue of The Russian Review critiqued Curie's book. The reviewer, Michael Karpovich, complimented her enthusiastic and sympathetic style of writing about people she met and interviewed in the Soviet Union. However, Karpovich felt that Curie did not characterize believably the Russians she described.
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Oktenberg described Virtual Equality as "a deeply democratic, deeply moral, and optimistic book" which "every gay person should read and take to heart and to action." She believed that it benefited from Vaid's experience as an activist, and that it helped show the way toward "true equality" for gay people. She credited Vaid with providing a useful history of the gay rights movement, including its failures and mistakes, as well as with synthesizing the arguments of major gay activists to provide an insightful discussion of past and present problems facing the movement. Oktenberg praised Vaid's critique of the "mainstreaming" of gays and lesbians and its associated civil rights strategies, and her style of writing.
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Landay viewed Defending Jacob as a deviation from his usual style of writing, explaining: "My first two books were easy to categorize as “crime novels.” I have no problem with that label, but the fact is a lot of mainstream readers simply won’t even consider them. You could call Defending Jacob a crime novel, too, but you could just as easily call it a family drama". In an interview with The Huffington Post, Landay said that while he tried to avoid using real-life cases for his books, "there were many cases that inspired various aspects of [Defending Jacob], most of them of only local interest in the Boston area, where I live".
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While preparing to co-star as Vladimir to John Alderton's Estragon in Michael Rudman's acclaimed production of Waiting for Godot at the National Theatre in November 1987, McCowen also spent a busy autumn staging Martin Crimp's trilogy of short plays Definitely the Bahamas at the Orange Tree Theatre in Richmond upon Thames, having previously enjoyed Crimp's style of writing in a BBC radio version of Three Attempted Acts. As Charles Spencer wrote in The Daily Telegraph: "As a director McCowen captures both the subtlety and the richness of these three original and beautifully written plays." At the Hampstead Theatre in December 1972 he directed a revival of Terence Rattigan's wartime London comedy While the Sun Shines.
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Playing the role as a notary, he advanced the cause of classical learning and the use of classical texts through his use of these texts and employ classical imagery in his poetry. In his writings, from the first instances of his poetical composition, as seen in the letters of 1267/68, they would be the first "written by an Italian since late antiquity to employ classical diction for the expression of private thoughts and feelings"Witt, 2000, p. 99 through a conscious discarding of the vernacular taste that had been influenced by the French works. Among those specifically influenced and dedicated to Lovato's style of writing and expression was Albertino Mussato, one of his disciples.
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An Interethnic Companion to Asian American Literature. Cambridge: Cambridge University Press, 1997 Even Mori's work while in the internment camp was from the 'optimistic perspective', a style of writing in the internment camps which encouraged Japanese Americans not to be pessimistic and have faith in the American democratic system. Though the majority of Mori's work was considered lighthearted and even comical, some of his works did emphasize the taut emotional strain that a Japanese American felt, before, after and during the war. Most of his works prewar described the slightly comical problems that a Japanese American dealt with on a daily basis, trying to balance their Japanese culture with the American one.
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With the posthumanist turn, however, the art of ethnographic writing has suffered serious challenges. Anthropologists are now thinking of experimenting with a new style of writing – for instance, writing with natives or multiple authorship. It also undermines the discipline of identity politics and postcolonialism. Postcolonial scholars’ claims of subaltern identity or indigeneity and their demand of liberal rights from a state is actually falling back into the same signifying Western myth of Oedipal complex of ego and the Id. Instead of looking for a non-unitary subject in multiplicities organized into assemblage and montage; postcolonial studies limit flows into the same Western category of identity thus undermining the networks that sustain people's everyday lives.
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Erikson attributes paper and pen Role-Playing games, specifically AD&D; and GURPS, as being the biggest influence in his writing career, and even calls it the fundament the Malazan Empire, from his Malazan Book of the Fallen series, is based on. Stephen R. Donaldson's, The Chronicles of Thomas Covenant and Glenn Cook's The Black Company, both ushering post-Tolkien style of writing, are among some of the works that have influenced his storytelling. He also credits the works of Robert E. Howard, Edgar Rice Burroughs, Homer, Arthur C. Clarke, Roger Zelazny, John Gardner, Gustav Hasford, Mark Helprin and Robin Hobb as some of the influences he used in the Malazan works.
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This changed after their debut album was released, and each member began contributing music and ideas to all following releases. Zeraphine’s debut album, Kalte Sonne (2002), gained notoriety for its lyrics; unlike Dreadful Shadows, whose songs were written entirely in English, Sven elected to pen an album completely in German, citing that "I simply tried to transfer my style of writing to my mother tongue and I liked it quite a lot. I always thought it would be impossible." Their following album, Traumaworld (2003), saw Sven return to English, with only two songs written in German. Tonally, the album’s lyrics were harsher, as the band drew inspiration from their feelings on the Iraq War.
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Caridad Bravo Adams can easily be identified as the Margaret Mitchell of telenovelas. Though she has her own style of writing Caridad's most successful stories are the ones in which she deals with the Margaret Mitchell- like topic of loveless marriage and the process of conquering one's wife. In Corazón salvaje, La mentira, Bodas de odio (and later Amor real), El otro (and later Por tu amor) she deals with the subject of a seemingly loveless marriage that turns out not to be so. Just like Mitchell, Caridad explores the human psychology from the perspective of a protagonist who ignores her true emotions and goes through a process of realizing the feelings that were there all along.
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The following year, he moved to the St James's Theatre, where he remained, acting and producing, for the rest of his career. Among the most successful of the new plays he presented were Oscar Wilde's Lady Windermere's Fan (1892), A. W. Pinero's The Second Mrs Tanqueray (1893) and Wilde's The Importance of Being Earnest (1895). Alexander followed Robertson and the Kendals in preferring a naturalistic style of writing and acting to the extravagantly theatrical manner favoured by some earlier actor- managers. He built around him a company of fine actors, many of whom were or later became leading figures in the profession, including Henry Ainley, Arthur Bourchier, Constance Collier, Julia Neilson, Fred Terry and Marion Terry.
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In 1887, Axon published an article on Shelley's vegetarian aspects of living, for the fifth issue of Almonds and Raisins, along with an essay on vegetarianism in Buddhism, and several short poems. In this article, it is noted that Shelley's diet was "in keeping with his whole character, and essential to his imaginative style of writing." On May 15 and June 20, 1890, he sent two advance letters to writer and ethical vegetarian reformer Henry S. Salt, who was also in the Vegetarian Society, as reported in The British Library Catalogues, concerning the planned lecture on the topic of Shelley's vegetarianism. An advertisement for this lecture appears in the November 9 issue of the secular humanist journal The Freethinker.
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His style of writing and scholarship is termed formalism, derived to an extent from the philosopher Immanuel Kant's notion of autonomy in art, from his work Critique of Judgement, in Kant's own words, art is "a mode of representation which is purposive for itself and which although devoid of a purpose, has the effect of advancing the culture of the mental powers in the interests of communication."Immanuel Kant, Critique of Judgement, Translated by James Creed Meredith, Oxford: Oxford University Press, 2007 (original publication date 1952), para. 44306. . Kaufmann was influential on later formalistic architectural historians and critics such the British-American academic Colin Rowe in the 1950s and the Italian architect and theorist Aldo Rossi in the 1960s.
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Although the council probably ended on 1 April, Eugene asked a number of attendees to stay after the formal close of the council to consider the case of Gilbert of Poitiers, who was under investigation for heresy, connected with his teachings. The main concern against Gilbert seems to have been his convoluted vocabulary and style of writing, which led to his writings being easily misunderstood. The specific problem came when Gilbert's writings attempted to explicate the relationship between God and his "divinity", which led to his opponents claiming that Gilbert was attempting to create two Gods, rather than just one. His opponents claimed that this occurred in Gilbert's treatise on Boethius' theological work De Trinitate.
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Brooks at a book signing at the 2017 Phoenix Comicon Brooks had been a writer since high school, writing mainly in the genres of science fiction, western, fiction, and non-fiction. One day, in his early college life, he was given a copy of J. R. R. Tolkien's The Lord of the Rings, which inspired him to write in one genre. While Tolkien inspired the genre, Brooks stated during his TEDxRainier talk "Why I Write about Elves", as well as at the Charlotte Literary Festival that he credits the inspiration of his style of writing to William Faulkner's works. With this inspiration, he then made his debut in 1977 with The Sword of Shannara.
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Her Moscow Diary, the record she kept of the months during which she established Amnesty International's Information office in Moscow, was published posthumously in 2018.Marjorie Farquharson, Moscow Diary, Matador, 2018 Marjorie's work at that time, combined with her acute perception and entertaining style of writing, make this a very interesting account: it brings together insights into the politics of human rights and observations of the unusually wide range of people she then encountered. Her love of Russia, its language, culture and people accompanied her throughout her life. She liked reading and translating Russian authors, among them stories by Gogol and Bulgakov,in The Body in the Library: A Literary History of Modern Medicine, ed.
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In 1886 a large article by K. K. Arsentyev on Maykov and his political activities was published by Vestnik Evropy. The years 1891 and 1892 saw a renewed interest in Maykov's set of ideas when A. N. Tchudinov published in Literary Pantheon (Пантеон Литературы) his Critical Exercises (Критические опыты), which inspired a lively discussion in Vestnik Evropy, Russkaya Mysl and Istorichesky Vestnik magazines. Later a large article on this work was published by Akim Volynsky in his Russian Critics series. According to the Brockhaus and Efron Encyclopedic Dictionary, Maykov "wasn't a gifted writer in the common sense of the word," his style of writing was "anemic and occasionally murky", his analysis of Herzen and Tyutchev's works not original.
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The conference is regarded as a major milestone in African literature, and is thought to have defined many African authors' style of writing. For example, Currey notes that Ngũgĩ wa Thiong'o as a young student ventured to ask Chinua Achebe at the conference to read the manuscripts of his novels The River Between and Weep Not, Child, which would subsequently be published in Heinemann's African Writers Series, launched in London that year, with Achebe as its first advisory editor. Ngũgĩ subsequently rejected Christianity in 1976, and changed his original name from James Ngugi, which he saw as a sign of colonialism. He also resorted to writing in Gikuyu language instead of English.
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Zuihitsu style is a style of writing in which a person is reacting to his or her surroundings. In Hojoki, the Zuihitsu style is seen as Chomei is giving his account of what is happening around him and is contemplating on how others are reacting to certain situations. Zuihitsu writings tend to focus on themes that are reflective of the time period in which they're written in. Chomei focuses on the theme of dissatisfaction that comes from people of lower rank and the hardships they face because of this. > “All in all, life in this world is difficult; the fragility and transience > of our bodies and dwellings are indeed as I have said.
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Scholar Timothy D. Ireland argues that Freire does not offer anything new in Pedagogy of Hope; rather, he argues, the merit of the book is Freire's willingness to expound and clarify his work. Denis Collins offers a similar view, noting that he could not identify new concerns or theories put forward by Freire. Mary Ellen Sullivan asserts that Freire has an almost stream of consciousness style of writing, making the translation "awkward [and] literal". Conversely, Sarah Hendriks argues that "Freire's dialogical method of writing, as if he were letting us read the very pages of his personal diary, captivates his audience and thus his message becomes personally applicable to our own lives and practice of education".
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Burroughs's early novels emphasized the power of Scientology to combat a controlling society. For example, in both The Ticket That Exploded (1962) and Nova Express (1964), Scientology, along with the cut-up technique, silence, and apomorphine (which he believed was an extremely effective treatment for heroin addiction), allows the characters to resist social control. These works reflected Burroughs's initial belief that Scientology could be an instrument of liberation from social control, much as he used his own cut-up style of writing. He sought to use cut-ups "to expose the arbitrary nature and manipulative power of all linguistic systems," and connected cut-ups to the theories of the self expounded by Hubbard's Dianetics.
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Gradually the term "Insha " came to represent a distinct branch of learning that enabled one to discern the merits and defects of the prose composition of letters and documents as a distinct type of writing from regular treatises and books. "Insha" writing is mainly concerned with the expression of one's innermost feelings, rather than the use of prose in scientific treatises. Insha writing developed into an art form and,involved detailed rules and regulations that a well lettered person was supposed to learn, and artful and well written epistolography, was considered a form of Adab. The devices employed in Insha include verbal puns, and tricks, riddles, and a mannered , elegant style of writing.
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Another crucial distinction between Renaissance and Baroque writing is its texture: the shift from contrapuntal polyphony, in which all voices are theoretically equal, to monody and treble-bass polarity, along with the development of basso continuo. In this new style of writing, solo melody and bass line accompaniment were now the important lines, with the inner voices filling in harmonies. Caccini, Le Nuove musiche, 1601, title page The application of this principle to instrumental writing was partly an extension of the forces of change in vocal writing stemming from the Florentine Camerata and their head Count Giovanni de' Bardi, who deliberately sought to change the way music was written, and adopted an overarching goal of a music renaissance. In a c.
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Women were generally the subject of the writings of troubadours, however: "No other group of poets give women so exalted a definition within so tightly circumscribed a context of female suppression.""Troubadours, trouvères" The tension between the suppression of women present in the poetry of the troubadours and similar themes in the poetry of the trobairitz is a major source of discussion for modern commentators. Trobairitz poetry pertaining to love tended to offer a less idealized conception of the subject than the poetry of their male counterparts, with a more conversational and less flourished style of writing intended to more closely emulate a more grounded vision of relationships. The trobairitz wrote in the canso (strophic song) and tenso (debate poem) genres.
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Another important influence on his nascent career was the Southland pioneer W. H. S. Roberts. He assisted Beattie's 'chronicling apprenticeship' and provided a nucleus of information about the early southern runs and runholders around which Beattie constructed later publications. His interests in placenames, and his style of writing about them, can also be traced to Roberts's Maori nomenclature. Beattie was familiar with the archive-based regional histories of his time, such as T. M. Hocken's Contributions to the early history of New Zealand (Otago), and Robert McNab's Murihiku; but lacking academic training, and with opportunities for collecting first-hand accounts all about him, his writings were based upon interviews, buttressed with information from family notes, genealogies, and newspaper articles amongst more orthodox sources.
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Joshi, one of the lyricists, was impressed with the director, Rakeysh Mehra, who was ready to adjust to his style of writing as well as his creativity. Confessing that the film's soundtrack was his favorite out of all his previous works, Joshi felt that it "was a wonderful experience getting to know the mindset of today’s youth and to pen down their feelings". Speaking about one of his songs, "Luka Chuppi", in which veteran Lata Mangeshkar sang with Rahman, Joshi said that it was developed while discussing with Rahman the scene about a mother losing her son. Joshi wrote the lyrics about the mother and son playing hide-and-seek with the sad reality of the son being hidden forever.
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He has proficiency in three languages: English, Arabic and Urdu. A polymath, and a prolific writer, he has wide interests and can freely write – journalistically – on advanced scientific topics such as cellular biology, quantum physics, or conundrums faced by the scientists in astrophysics. An interesting feature of his writings – apart from the fact that he writes on subjects not dealt by many – is that, in each of his book he adopts a new style of writing. He has been editing the monthly magazine Young Muslim DigestYoung Muslim Digest – an Islamic monthly magazine in India (issued from Bangalore) since last 35 years in which his editorials and answers to the letters by the readers are followed with interest in several countries.
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The beginnings of this genre of literature in can be traced back to the early twentieth century when important literary impulses came from the journalistic and literary efforts of Mahmud Tarzi (1865–1933). Tarzi's regular elaborations in his influential newspaper Seraj al-Akhbar on Western literature and its various genres and movements were not only noticed by Afghan literati but also greatly influenced their work. In this manner, the new forms of prose writing gradually entered the literature of . Pazhwak's turning away from traditional style of prose writing, for example, his limited use of the picturesque metaphorical prose of the East and his turning to increasingly more realistic style of writing are in tune with what Tarzi defined as the important criteria for modern prose writing.
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Where some of her notable contemporaries like Robert Lowell and John Berryman made the intimate details of their personal lives an important part of their poetry, Bishop avoided this practice altogether.Helen Vendler phone interview on Robert Lowell and Elizabeth Bishop audio podcast from The New York Review of Books. Accessed 2010-09-11 In contrast to this confessional style involving large amounts of self-exposure, Bishop's style of writing, though it sometimes involved sparse details from her personal life, was known for its highly detailed, objective, and distant point of view and for its reticence on the kinds of personal subject matter that the work of her contemporaries involved. She used discretion when writing about details and people from her own life.
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The use of Latin script began to expand in the fields of administration and education whereby the influence of English and Dutch literatures and languages started to penetrate and spread gradually into the Malay language. At the same time, the technological development in printing method that enabled mass production at low prices increased the activities of authorship for general reading in the Malay language, a development that would later shifted away Malay literature from its traditional position in Malay courts. Munshi Abdullah, a prolific writer and pioneer of the factual journalistic style of writing in Malay literature, marks an early stage in the transition from the classical to modern literature, taking Malay literature out of its preoccupation with folk-stories and legends into accurate historical descriptions.
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Although examples of mixed- script writing are as old as hangul itself, the mixing of hangul and hanja together in sentences became the official writing system of the Korean language at the end of the nineteenth century, when reforms ended the primacy of literary Chinese in literature, science and government. This style of writing, in competition with hangul-only writing, continued as the formal written version of Korean for most of the twentieth century. The script slowly gave way to hangul-only usage in North Korea by 1948, while it continues in South Korea to a limited extent. However, with the decrease in hanja education, the number of hanja in use has slowly dwindled and in the twenty- first century, very few hanja are used at all.
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"I Am A Lonesome Hobo" is a song written and recorded by Bob Dylan, released in 1967 on his eighth studio album, John Wesley Harding. The lyrics to "I Am A Lonesome Hobo" tells of the typical riches to rags tradition, where a man openly admits to being a hobo having "tried my hand at bribery, Blackmail and deceit", yet has "served time for ev'rything 'cept beggin' on the street". Dylan's style of writing often leans towards writing ballads that present his listeners with a chance to get inside the minds of social outcasts, a perspective that everyday people may overlook or misunderstand. This "hobo" has seen it all, once being an affluent yet selfish man unable to trust anybody, including his own brother.
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Although Bahār was a 20th-century poet, his poems are quite traditional and decidedly patriotic. Many scholars have strongly emphasized and documented that Bahār's style of writing and the beauty of his poetry, in addition to his deep passion for Iran and his persistent opposition to fanaticism, have indeed made him one of the greatest cultural icons of modern Iran. Although he worked for some period of time as a clergyman and preacher, his first and foremost passion had always been writing, especially of poetry, as well as carrying out historical researches and teaching. Through his literary magazine, The Magazine of the Academy (Majaleh-ye Dāneshkadeh), Bahār had a significant impact on the development of modern Persian poetry and literature.
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However, he believed that Girard's analysis of the ancient Greek dramatists, his reappraisals of Freud and Lévi-Strauss, as well as his "African and Asian comparisons with ancient Greek ritual and religious practice", would be questioned by scholars. He criticized Girard for failing to distinguish between the concept of violence and that of power, and for basing his thesis about religion and violence primarily on ancient Greek religion while largely ignoring contemporary religions such as Christianity and Islam, as well as the Eastern religions. He also criticized his style of writing, finding it repetitive, pompous, and verbose. Aho believed that the book deserved "careful consideration by researchers studying the links between religion and violence" and that it showed both the positive and negative aspects of interdisciplinary scholarship.
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Taylor provided a style of writing that was not bound by the constructs of classical learning, as most poets of the time would have been products of their grammar school education, whether they intended it or not. John Taylor's development of travel literature, which came into popularity in the 1500s, solidified his career and public image, and his travels were often funded through bets made by the public as to whether he would complete his journey. > He entertained no gout, no ache he felt, The air was good and temperate > where he dwelt; While mavisses and sweet-tongued nightingales Did chant him > roundelays and madrigals. Thus living within bounds of nature's laws, Of his > long-lasting life may be some cause.
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Waller's poems were widely read during the late seventeenth and early eighteenth centuries, with four separate editions being published in 1645, followed by new collected editions in 1664, 1668, 1682, and 1686. The interest continued after his death, with two volumes of previously uncollected writings, "The Maid's Tragedy Altered" and "The Second Part of Mr Waller's Poems" published in 1690. Gerard Langbaine considered his writings as "fit to serve as a Standard, for all succeeding poems" and Francis Atterbury called him "the Parent of English Verse, and the first that shew'd us our Tongue had Beauty and Numbers in it". Waller's popularity endured in the Restoration period, his style of writing, described as "sweet", "soft" and "smooth", lending itself to being set to music.
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His most well-known books are The Psychology of Computer Programming and Introduction to General Systems Thinking, both of which are considered to be classics, having been re-issued by the publisher in "Silver Editions". His book Becoming a Technical Leader is one of fewer than a dozen books specific to managing software programmers and teams. Weinberg is well known for an engaging style of writing that calls upon his own humorous aphorisms, such as his Law of Twins, which states that most of the time, no matter how much effort one expends, no event of any great significance will result. He described it in his book The Secrets of Consulting (1985), in which he explains the origin of its name.
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Elinor Fettiplace provides recipes for various forms of bread, such as buttered loaves; for apple fritters; preserves and pickles; and a celebration cake for 100 people. New ingredients such as the sweet potato, which had arrived from the New World, feature in the book. The following recipe for dressing a shoulder of mutton calls for the use of the newly-available citrus fruits: it also illustrates the nature of Fettiplace's spellings and her individual style of writing: Fettiplace included a recipe for "White Bisket Bread", nowadays called meringue, using one and a half pounds of sugar, a handful of flour, and twelve beaten eggwhites. The recipe is older than François Massialot's 1692 work Nouvelle instruction pour les confitures where meringues first appear in French cuisine.
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Reymont's first successful and widely-praised novel was The Promised Land from 1899, which raised attention on the bewildering social inequalities, poverty, conflictive multiculturalism and labour exploitation in the industrial city of Łódź (Lodz). The aim of the novel was to extensively emphasize on the consequences of extreme industrialization and how it affects the society as a whole. In 1900, Reymont was severely injured in a railway accident, which halted his writing career until 1904 when he published the first part of The Peasants. Władysław Reymont was heavily popularized in communist Poland due to his style of writing and the symbolism he used, including socialist concepts, romantic portrayal of the agrarian countryside and toned criticism of capitalism, all present in literary realism.
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Each episode of Murder is a stand-alone story, which tells the story of the events leading up to and after a murder has been committed. Its unique style includes a style of writing which uses a technique in which none of the characters interact with each other in any one given scene. Each character is seen to break the "fourth wall" and give a monologue to the audience, explaining their involvement and/or role in the crime committed. Although critically well- received, even receiving the BAFTA award for Best Single Drama in 2013, the first stand-alone film did not receive the same level of public acclaim; with six out of nine reviewers for the DVD release giving the film one star.
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The style of > writing is brilliant for all choirs of the orchestra. The main theme has a > Puckish lilt, not unlike Strauss' Till, and is expertly interwoven and > tossed about with ease among the different instruments. There is a second > theme of a more lyrical and wistful character which contrasts well with the > first, changing the mood for only a short time—the boisterous, loud main > theme bursting in again with joie de vivre and good fun... Although Leplin > is a string player himself, he has a fine feeling for the woods and brass > whether writing singly or in combinations for these choirs; nothing is > unclear; everything sounds clean and fresh. The work is of medium difficulty > for the performers demanding, nevertheless, good solo players.
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Retrieved on 27 September 2016. According to Walsh,Nation Review: a study of an Australian alternative newspaper, (1972-81), Woolly Days. Retrieved on 27 September 2016. his aim with the Nation Review was to take part in the creation of a "more stimulating, more sophisticated and more passionate Australia". Referring to the Nation Review under Walsh's editorship, John McLaren wrote: "As [the Nation Review] developed..., it consciously adopted the role of an alternative press, publishing news that others ignored and cultivating a brash larrikin style of writing that bruised many sensitivities but also recalled some of the older traditions of Australian journalism going back through Smith's Weekly to the early Bulletin".John McLaren, "Book Reviewing in Newspapers, 1948-1978", in: Bruce Bennett, ed.
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Nothing is pulling me towards them, Neither do I feel the loving touch of breeze coming from your village No one is there to meet me with affection Or waiting for me, Hiding behind the Kikkar trees, and alone I am passing by your village As if it is a graveyard, not a village. :(Translation from Jagrate) Without being overburdened by excessive symbolism or extreme emotions, Kunjahi's poetry is a realistic and balanced expression of his social consciousness in a relatively simple and straightforward manner. He played a crucial role in setting new directions for Punjabi poetry and he opened doors for Punjabi poets to move away from the traditional style of writing poetry and experiment with new modes and techniques.
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The title may be alluded to Strauss himself, as a 'carnival ambassador' to Venice having accomplished the year's Fasching festivity commitments in Vienna. Unsurprisingly for him in Venice, although his wife had intended the honeymoon as a complete rest for him, he found himself duly inspired to pen this lovely waltz in a period of great personal happiness. The waltz is unique in that its Introduction is more like a fanfare rather than serving as a prelude for later melodies to come in the further five two-part waltz sections like many of Strauss' waltzes dating around that time and for many waltz compositions till the end of his life. The short fanfare-like Introduction probably harks back at Johann Strauss I's style of writing waltzes with only a rudimentary Introduction.
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With the fragmentation of political power, the style of writing changed and varied greatly throughout the Middle Ages, even after the invention of the printing press. Early deviations from the classical forms were the uncial script, a development of the Old Roman cursive, and various so-called minuscule scripts that developed from New Roman cursive, of which the insular script developed by Irish literati & derivations of this, such as Carolingian minuscule were the most influential, introducing the lower case forms of the letters, as well as other writing conventions that have since become standard. The languages that use the Latin script generally use capital letters to begin paragraphs and sentences and proper nouns. The rules for capitalization have changed over time, and different languages have varied in their rules for capitalization.
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Ivan Sergeevich Sokolov-Mikitov (Иван Серге′евич Соколо′в-Микито′в, May 30 (17) 1882 - February 20, 1975) was a Russian/Soviet writer and journalist who took part in numerous journeys and expeditions (including the famous Otto Schmidt-led trip to the Arctic Circle on icebreaker Georgy Sedov in 1929-1930). Sokolov-Mikitov, best known for his engaging traveller's sketches, was also regarded as a fine nature-observing stylist, in the line of Konstantin Paustovsky and Mikhail Prishvin. Following the tradition of Russian realism (that of Tolstoy, Chekhov and Bunin), but still influenced by 1900s modernist authors (mostly Aleksey Remizov, his good friend and mentor), Sokolov-Mikitov developed his individual style of writing, incorporating elements of traditional Russian folk tales, bylinas and fables. Autobiographical novel Childhood (1931) is regarded as one of his finest.
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The Tongcheng school of literary prose was founded by Fang Bao, Liu Dakui, and Yao Nai who were natives of Tongcheng Country, Anhui Province in the early years of the Qing dynasty. Fang Bao initiated the genre using what he had learned from his teacher Gui Youguang, creating the concept of Yi Fa. Yi refers to the central ideas or arguments within an article and Fa to the various literary forms and artistry that are present in the theory of the Tongcheng school. The style of writing was more stoic in nature in that it stressed the need to present the purpose of the article in a concise manner without excessive pomp or romance in the writing style. The school rose to prominence under the Kangxi Emperor and prospered throughout the Qing period.
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Rather than being material in nature, the 'Love' of the Dolce Stil Novo is a sort of 'Divine Love'. The two main concepts (introspection and love) are thus brought together as the poet enters his interior world to express his most inner feelings which are caused by an excessively divine female beauty. The first expression of this style of writing is credited to Guido Guinizelli and his poem Al cor gentil rempaira sempre amore, whereas the major exponent of this school of poetry was Dante Alighieri, who is most famous for his Divina Commedia. The importance of the Dolce Stil Novo lies in the fact that apart from being the manifestation of the first true literary tradition in Italy, it ennobled the Tuscan vernacular, which was destined to become the Italian national language.
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" Furthermore, Davis evoked that "this album provides listeners with thirteen tracks that seek to give a voice to humanity's acceptance of God's love in any circumstance", and that "Matt Maher's enthusiastic and reverent style of writing and singing praise and worship songs has consistently been a draw for me. Maher's prayerful sentiments are consistently filled with his personal adoration of God." The Phantom Tollbooth's Michael Dalton found that "though there are intimate moments with appropriate reverence, much of this has an air of boldness and confidence", and this is due to the "muscular backing from a band that rocks and an exuberant audience make it a boisterous affair." At Worship Leader, Amanda Furbeck called the album "sincere, honest, and unpretentious," and found that Maher "adds myriad dimensions to worship with his latest album.
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From the beginning of season seventeen's production cycle, South Park co-creators Trey Parker and Matt Stone wanted to ensure that there was a two- or three-part storyline somewhere in this season because they have always enjoyed doing them as they allow for a different style of writing. They decided to actually start a multiple-episode storyline with this episode after coming off "Ginger Cow", which they felt could have easily been expanded into two or three episodes. The fact that "Ginger Cow" unfortunately had to be compressed into the standard length of an episode left Parker and Stone wanting to doing something bigger even more. With four episodes left to be produced for this season, Parker and Stone contemplated making a four-part storyline but wrapped it up at three.
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Paul's epistle to Philemon in the Rochester Bible (12th century). A modern calligraphic rendition of the word calligraphy (Denis Brown, 2006) Western calligraphy is the art of writing and penmanship as practiced in the Western world, especially using the Latin alphabet (but also including calligraphic use of the Cyrillic and Greek alphabets, as opposed to "Eastern" traditions such as Turko-Perso-Arabic, Chinese or Indian calligraphy). A contemporary definition of calligraphic practice is "the art of giving form to signs in an expressive, harmonious and skillful manner."Mediavilla 1996: 18 The story of writing is one of aesthetic development framed within the technical skills, transmission speed(s) and material limitations of a person, time and place.Diringer 1968: 441 A style of writing is described as a script, hand or alphabet.
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In 1829, Mérimée found a new literary genre that perfectly suited his talents; the nouvelle or novella, essentially a long short story or short novel. Between 1829 and 1834, he wrote thirteen stories, following three basic principles; a brief story told in prose; a sparse and economical style of writing, with no unneeded lyricism; and a unity of action, all leading to the ending, which was often abrupt and brutal. In a short period Mérimée wrote two of his most famous novellas, Mateo Falcone, about a tragic vendetta in Corsica, and Tamango, a drama on a slave-trading ship, which were published in the Revue de Paris, and had considerable success.Notes on Colomba by Jean Balsamo (1995) He also began a series of long trips which provided material for much of his future writing.
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Dean designed the logo to the independent label Fly Records in 1970. This led to Dean working on a single for their musician Marc Bolan which involved typesetting the liner notes and lyrics, but Dean had not done the technique before and completed them by hand with the assistance of a graphic designer, in order to show the printing staff where the typesets were to be placed. The positive reaction Dean received from his style of writing led to him handwriting the text for further Bolan singles. This was a similar case for Dean's design for Clear Blue Sky (1970) by Clear Blue Sky, where a painting had been completed except the typesetting, "So to bluff my way through the meeting I had to handwrite it all and hope they would never ask about it".
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Although the character dialogue is usually written with an international audience in mind, Uchikoshi will sometimes incorporate humorous or important lines aimed towards Japanese audiences. This style of writing can be seen in Nine Hours, Nine Persons, Nine Doors, as a vital plot point hinged on a Japanese pun, which forced the localization team to play through the entire game again to determine if the story still made sense in English. Uchikoshi believes the most important aspect of writing visual novels is to envision what the player will think about in each scene, saying that he always has "a conversation with an imaginary player" when writing stories. Uchikoshi's works often deal with scientific and philosophical themes, including idealism, Rupert Sheldrake's theory of morphic resonance, and the prisoner's dilemma.
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However, as Chandler adapted and integrated the stories—which were originally written completely independently—he cared more about the style of writing and the characters than about making sure every plot point fit together with consistency and lucidity. As he said of his work, "my whole career is based on the idea that the formula doesn't matter, the thing that counts is what you do with the formula; that is to say, it is a matter of style." Chandler used this writing style to develop his themes of corruption, social decay, cynicism and fatalism. Chandler used recognizable locations in Los Angeles as settings, but he created the fictional town of Bay City as a stand-in for Santa Monica, known for its widespread corruption in city government during the Great Depression.
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The novel is in fact considered the first novel of this style of writing, but also contains themes of extreme realism and existentialism: the characters live in the margins of society and their lives are submersed in anguish and pain; the archetype of this theme is found in the protagonist of the novel, Pascual Duarte, who has learned that violence is the only way to solve his problems. The Family of Pascual Duarte has various narrators, the main being Duarte, who recounts his history in a rural dialect. The protagonist is from Extremadura and his life unfolds between 1882 and 1937, years in which the social and political structures of Spain were marked by extreme instability. This time is one of the most agitated periods of time under the historic constitution.
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Burke (¶ 41) He tried writing detective fiction but hated reading mystery stories and disliked writing them; he was not successful in this genre. More successfully, in late 1933 Howard took a character conceived in his youth, El Borak, and began using him in mature, professional tales of World War I-era Middle Eastern adventure that landed in Top Notch, Complete Stories, and Thrilling Adventures. The 1920s version was a treasure-hunting adventurer but the 1930s version, first seen in "The Daughter of Erlik Khan" in the December 1934 issue of Top-Notch, was a grim gun-fighter keeping the peace after having gone native in Afghanistan. The stories have a lot in common with those of Talbot Mundy, Harold Lamb and T. E. Lawrence, with Western themes and Howard's hardboiled style of writing.
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Wadley translated reports in French and Belgian papers, and cuttings sent by the magazine's correspondent at L'Auto and cycled around the Continent reporting the races he saw and writing accounts of the riders he had met. Adrian Bell, the British publisher who compiled a collection of Wadley's work, wrote: > And so began a pattern of working life and, with it, a unique style of > writing about cycling that Wadley was to maintain, to a greater or lesser > extent, for more than 20 years. When not required for race-reporting duties > in England, he would load the panniers of his bicycle – spare clothes and > maps in one, a portable typewriter in the other – and take to the roads of > France, Belgium Holland. Whatever the route, it was of his choosing.
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It is evident from both their contents written to support later viewpoints in North Korean politics, and the style of writing characteristic to Kim in his later years, that they have been written much later, specifically in the late 1960s to early 1970s. For instance, On Organizing and Waging Armed Struggle Against Japanese Imperialism, dated to December 1931, discusses little-known labor strikes in Korea far away from Kim's whereabouts in Manchuria that a young and uneducated guerrilla would unlikely to have known about due to Japanese censorship. Another particularly egregious example dated 1 June 1937, called Proclamation, stipulates that the Japanese are forcibly drafting Koreans to invade China and ultimately join WWII, when these did not take place until July 1937 and December 1941, respectively. They do, however, bear reassemble to his written style.
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Her own life was that of the haikai poets who made their lives and the world they lived in one with themselves, living a simple and humble life. She was able to make connections by being observant and carefully studying the unique things around her ordinary world and writing them down. At age twelve, Chiyo-ni's studied under two haiku poets who had themselves apprenticed with the great poet Matsuo Bashō, and many in her time saw her as one of Bashō's true heirs, both in her poetry and in her humble attitude of warm awareness toward the world and her simple living. She studied Basho's style of writing poems in her early years, although she did develop on her own as an independent figure with her own unique voice.
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After All Tomorrow's Parties, Gibson began to adopt a more realist style of writing, with continuous narratives – "speculative fiction of the very recent past." Science fiction critic John Clute has interpreted this approach as Gibson's recognition that traditional science fiction is no longer possible "in a world lacking coherent 'nows' to continue from", characterizing it as "SF for the new century". Gibson's novels Pattern Recognition (2003), Spook Country (2007) and Zero History (2010) are set in the same contemporary universe — "more or less the same one we live in now" — and put Gibson's work onto mainstream bestseller lists for the first time. As well as the setting, the novels share some of the same characters, including Hubertus Bigend and Pamela Mainwaring, employees of the enigmatic marketing company Blue Ant.
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Following the publication of One Day... Solzhenitsyn wrote four more books, three in 1963 and a fourth in 1966 which cataclysmically led to the controversy of his publications. In 1968, Solzhenitsyn was accused by the Literary Gazette, a Soviet newspaper, of not following Soviet principles. The Gazette's editors also made claims that Solzhenitsyn was opposing the basic principles of the Soviet Union, his style of writing had been controversial with many Soviet literary critics especially with the publication of One Day ... . This criticism made by the paper gave rise to further accusations that Solzhenitsyn had turned from a Soviet Russian into a Soviet enemy, therefore he was branded as an enemy of the state, who, according to the Gazette, had been supporting non-Soviet ideological stances since 1967, perhaps even longer.
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Patterson was born and raised in Connecticut, son of J. Tyler Patterson, a member of the Connecticut State House of Representatives who went on to serve as its speaker.” Patterson attended the Hotchkiss School before enrolling at Williams College, where he earned a B.A. in 1957. He then served for 6 months in the U.S. Army before taking a job at the Hartford Courant, where, he says, “I was responsible for writing 25 inches of news every day, and I learned to write quickly, using strong verbs, because I knew that the audience was made up of American adults at the breakfast table. This developed my style of writing, which seeks to be strongly narrative.” In fall of 1960, Patterson entered Harvard University, earning an M.A. in 1961 and a Ph.D. in history in 1964.
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Leskov's novel, Lady Macbeth of the Mtsensk District (written in Kiev in November 1864 and published in Dostoevsky's Epoch magazine in January 1865) and his novella The Amazon (Otechestvennye zapiski, No.7, 1866), both "pictures of almost unrelieved wickedness and passion", were ignored by contemporary critics but were praised decades later as masterpieces, containing powerful depictions of highly expressive female characters from different classes and walks of life. Both, marked by a peculiar "Leskovian" sense of humour, were written in the skaz manner, a unique folk-ish style of writing, which Leskov, along with Gogol, was later declared an originator of. Two more novellas came out at this time: Neglected People (Oboydyonnye; Otechestvennye Zapiski, 1865) which targeted Chernyshevsky's novel What's to Be Done?, and The Islanders (1866), about the everyday life of Vasilyevsky Island's German community.
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The book can be seen as belonging in the genre of spiritual literature that includes A Course in Miracles and Conversations with God. Gardner compares it with Oahspe, noting that though Oahspe is "vastly inferior to the UB both in ideas and style of writing," they are similar in claiming to have been written by celestial beings channelled through a human conduit, teaching that there is "one ultimate God who oversees a vast bureaucracy of lesser deities" while both outline an elaborate cosmology. The book's claimed supernatural origin has been compared to similar claims of the Book of Mormon, Science and Health, the Quran, and the Bible, with belief in it not being seen as necessarily a greater leap in reason. Comparisons with facets of various world religions are incorporated in the book, including Buddhism, Islam, Taoism, Judaism, Hinduism, Shinto, and Confucianism.
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The theories about Kakinomoto no Hitomaro's life espoused in his book Sarumaru Genshi-ko are taken from Takeshi's Minasoko no Uta. His style of writing history takes into account his thorough dissection and criticism of “the three great flaws of the study of history”, which include the “authoritarianism” of professional historical societies, an excessively empirical reliance on historical documents as opposed to the unsaid or unconscious factors of history, and the ignoring or belittling of mystical and religious aspects. He is vocal about problems with the way Japanese people perceive their history centering on World War II and frequently contributes articles on the subject to journals of opinion such as the biweekly magazine SAPIO. He is critical of the stance of the mass news media toward history including the Asahi Shimbun which he blasted in a book co-written with Yoshinori Kobayashi.
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Allmusic said "The music is among Zorn's most immediately engaging. It still consists of the juxtaposition of brief, sometimes jarringly disjunct musical ideas that has been a characteristic of much of his work, but while there are still some grindingly dissonant sections, the tone is predominantly lyrical... Femina is an album that reveals yet another facet of the composer's multifarious creative personality and is one that could attract new listeners to his work. Highly recommended".Eddins, S. Allmusic Review, accessed October 16, 2013 All About Jazz stated "The lyrical 35-minute piece lurches briskly from one mood to the next, vacillating from wispy introspective glissandos and airy impressionistic swells to concise thickets of caterwauling frenzy... In terms of aesthetics, Femina hearkens back to Zorn's early jump-cut style of writing and composing, bolstered by his current fascination with conventionally tuneful melodies and harmonies".
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Classical Chinese, also known as Literary Chinese (文言文, wényánwén or 古文, gǔwén) is the language of the classic literature from the end of the Spring and Autumn period through to the end of the Han dynasty, a written form of Old Chinese (上古漢語, shànɡɡǔ hànyǔ). Classical Chinese is a traditional style of written Chinese that evolved from the classical language, making it different from any modern spoken form of Chinese. Literary Chinese was used for almost all formal writing in China until the early 20th century, and also, during various periods, in Japan, Korea and Vietnam. Among Chinese speakers, Literary Chinese has been largely replaced by written vernacular Chinese, a style of writing that is similar to modern spoken Mandarin Chinese, while speakers of non-Chinese languages have largely abandoned Literary Chinese in favor of local vernaculars.
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This style of writing was first popularized by the Eugène Ionesco play The Bald Soprano (1950). Although the term is applied to a wide range of plays, some characteristics coincide in many of the plays: broad comedy, often similar to vaudeville, mixed with horrific or tragic images; characters caught in hopeless situations forced to do repetitive or meaningless actions; dialogue full of clichés, wordplay, and nonsense; plots that are cyclical or absurdly expansive; either a parody or dismissal of realism and the concept of the "well-made play". In his book Absurd Drama (1965), Esslin wrote: > The Theatre of the Absurd attacks the comfortable certainties of religious > or political orthodoxy. It aims to shock its audience out of complacency, to > bring it face to face with the harsh facts of the human situation as these > writers see it.
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Lekan Balogun has begun a new style of writing he calls "The Theory of Contradiction", which was inspired by the Absurd Theatre, but drawing from African history, myth and legend. In performance, ritual music and silence are technical components of realization. Plays written to develop the theory include Love and Colours in Delphi, Soyinka in the Eye of Shakespeare read as the National Troupe of Nigeria, 26th in the Series of Play Reading, Harlem Remembered, performed at the Duro Oni @ 60 celebrations, featuring highly talented actor Art-Osagie Okedigun, Wale Lampejo and Qamar Adekunjo; A Walk with Gandhi and Epitaph for Gaddafi. He also collaborated and wrote dialogue for an international production of The Power Play, by the German-based theatre company, FLINN THEATER, which opened to public viewing in September 2012 at Kulturhaus Dock 4, Germany.
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After graduating from Emory, and despite his previous experiences in anatomy and surgery, Roberts served as an intern in medicine at Boston City Hospital before pursuing a 3-year residency in anatomic pathology at the National Institutes of Health in Bethesda, Maryland. It was here, working with attending physicians such as Glenn Morrow and Eugene Braunwald that his career began to focus on cardiovascular pathology, and he focused his training exclusively on autopsies and surgical pathology. He also began reading the works of Jesse Edwards, which he credits with helping to develop both his style of writing and strong interests in medical authorship and publications. He next served as a resident on the Osler Medical Service at The Johns Hopkins Hospital in Baltimore before spending an additional year as a fellow in cardiovascular disease at the National Institutes of Health.
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Between the wars he published in different periodicals, particularly in Literatura Mondo ("Literary World"), and wrote two volumes of poetry. His poetic works Verdkata testamento ("The will of the green cat") (1926) and Stranga butiko ("The strange boutique")Stranga Butiko (1931) are imaginative and humorous fantasies involving word games, characteristics also found in Prozo ridetanta (1928) ("Smiling prose"). His short novel Anni kaj Montmartre ("Annie and Montmartre", 1930) recounts the adventures of a young naîve German woman in Paris; it departs from the conventions of original Esperanto literature, in particular because of its style of writing. From 1933 to 1935 he published the monthly satirical magazine La Pirato ("The Pirate"), which made him a sort of enfant terrible of the Esperanto movement, one for whom there were no secrets and for whom everything was an occasion for humour.
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Vasquez knew from the start that his previous works were definitely not suitable for Nickelodeon, so instead of adapting something he had already done, he decided to make something new. Since he was creating a show for a children's network, Vasquez compiled together many things he loved during his own childhood, including robots, monsters, horror films, science fiction films, paranormal investigators, Monty Python, the works of Douglas Adams, and aliens. Before settling on the darker concept of an alien invader, Vasquez briefly considered doing a more light-hearted show along the lines of Mork & Mindy, with a zany alien misunderstanding Earth customs and ultimately, learning a lesson at the end. Vasquez said that while this idea probably would have found more success on Nickelodeon, he quickly dropped the idea, believing it would not fit his style of writing.
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Henry Beadman Bryant, brother of John Bryant, both co-founders of the school Henry Stratton, brother-in-law of John Bryant, also a co-founder of the school John Collins Bryant, Henry Beadman Bryant, and Henry Dwight Stratton were early graduates of Folsom Business College in Cleveland, Ohio, which they later purchased from Ezekiel G. Folsom, who founded his school in 1848. Folsom was a former student of Platt Rogers Spencer who developed a standardized style of writing useful in business transactions before the invention of the typewriter. Platt Spencer played a role in the formation of Bryant & Stratton College serving as a partner and teacher at the school which originally focused on bookkeeping and standardized penmanship. Bryant & Stratton College was organized in 1854 to provide practical workplace education, and was formerly known as Bryant and Stratton Business Institute.
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He was born in Freiberg in Saxony. For a time an actor, he was appointed in 1788 controller on the estate of Count Caspar Hermann von Künigl at Besdiekau in Bohemia, where he died, almost insane, the result of his weird fancies, on 17 August 1799. Spiess, in his Ritter-, Räuber- and Geister-Romane, as they are called—stories of knights, robbers and ghosts of the "dark" ages—the idea of which he borrowed from Goethe's Götz von Berlichingen and Schiller's Die Räuber and Der Geisterseher, was the founder of the German Schauerroman (shocker), a style of writing continued, though in a finer vein, by Carl Gottlob Cramer (1758–1817) and by Goethe's brother-in-law, Christian August Vulpius. These stories, appealing largely to the vulgar taste, made Spiess one of the most widely read authors of his day.
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Waka were composed at uta-awase and other official events, and the private collections of well-known poets such as Ki no Tsurayuki (the Tsurayuki-shū) and Lady Ise (the Ise-shū) became well-known. During this period, since the language of most official documents was Chinese, most men of the nobility used Chinese characters to write poetry and prose in Chinese, but among women the kana syllabary continued to grow in popularity, and more and more men adopted this simpler style of writing as well. Most of the works of literature from the Heian period that are still well-regarded today were written predominantly in kana. Diaries had been written by men in Chinese for some time, but in the early tenth century Ki no Tsurayuki chose to write his Tosa Nikki from the standpoint of a woman, in kana.
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The letters were first published in 1774, by Eugenia Stanhope, the widow of the diplomat Philip Stanhope, Chesterfield's bastard son. Throughout the correspondence, Chesterfield endeavoured to decouple the matter of social manners from conventional morality, with perceptive observations that pragmatically argue to Philip that mastery of etiquette was an important means for social advancement, for a man such as he. Chesterfield's elegant, literary style of writing epitomised the emotional restraint characteristic of polite social intercourse in 18th- century society: In the 19th century, Victorian era (1837–1901) etiquette had developed into a complicated system of codified behaviours, which governed the range of manners in society — from the proper language, style, and method for writing letters, to correctly using cutlery at table, and to the minute regulation of social relations and personal interactions between men and women and among the social classes.
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The Master is written in the genre of Historical fiction and in a third person narrative that emphasises the intimate inner monologue of Henry James, a style of writing that The Telegraph (London)'s Benjamin Markovits refers to as 'Tóibín's speciality'. Markovits chooses to draw a direct line between Tóibín's prose and that of the man he is depicting in virtue of their shared lucidity and precision of language, 'so fine it can render the slightest variation in mood or circumstance'. Furthermore, Tóibín's emphasis on memory and recollection is such that when coupled with James's expertly realised interiority, the reader constantly finds themselves transported with James's consciousness back to the events of the memories he recalls. Tóibín, in doing so takes us beyond the temporal constriction of the four years that the novel takes place during.
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Toulson-Clarke was persuaded back to recording by Max Hole – a former contact at WEA – who had been given charge of the subsidiary company EastWest. He began work on a new album in collaboration with musician and arranger Alastair Gavin, as well as David Motion (who had produced The Circle & the Square), under the proviso that the 'tribal' elements which contributed so strongly to the sound of the earlier record be toned down. Motive is less tribal than its predecessor, with several tracks built around piano, brass provided by The Kick Horns and full orchestral arrangements. It also displays a more personal style of writing from Toulson-Clarke (the song "Moving" is dedicated to the memory of Kenneth Roy Wyles – father of Red Box drummer Chris Wyles – who died during recording), combined with the cultural and political allusions of the previous record.
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Like his contemporaries in the McGill movement Knister was a rebel, and his criticism showed his dissatisfaction with the state of Canadian poetry and the Canadian literary milieu. The most important point raised in Knister's critical writings, one which is applicable to his own verse, was his rejection of the sublime in the language and thought of poetry. In general Canadian taste favoured a style of writing which was "a refreshing haven of genuine romanticism to which the reader may retreat when he seeks an antidote to the intellectual tension imposed by the future progeny of 'The Wasteland' and 'Spoon River' "Lionel Stevenson, Appraisals of Canadian Literature (Toronto: Macmillan, 1926), p. 62. Knister, however, valued plough horses above winged ones, and in the foreword to the Collected Poems he set out his objectives as a poet.
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Burnett has also stated that his main concern as a performer, who is also a legitimate composer, is to present his own original music parallel to the traditions of the generations before him. He states that approaching this goal requires that one become a teacher of sorts by developing one's own approach to the musical language – not merely to imitate the melodic and harmonic statements of the established masters as a less mature student might be satisfied to do. Burnett's work around 2001, such as Time Stamps, is significant for a melding of his more mature style of writing with his ability to place emphasis on both the improvisational and composition structural aspects of jazz music. He achieves this by giving each instrumentalist the inherent responsibilities and enough freedom to create musical content over rich harmonic and melodic compositional bedrock.
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Monckton was discouraged by Edwardes's death and unwilling to adapt his style of writing to the newly popular syncopated American dance rhythms, ragtime, and other "noisy numbers" that were heard in theatres. Although he contributed to some revues, including Bric à Brac (1915, including another song for Millar: "Chalk Farm to Camberwell Green"), We're All in it, and Airs and Graces, he had little enthusiasm for this, or for other new forms of musical entertainment, and he soon retired from composing. Monckton's music remained popular in Britain until after World War II, when American musicals took over the stage"Lionel Monckton", Hyperion, accessed 9 August 2020 and even into the later half of the 20th century, in the case of his most popular shows.Scowcroft, Philip L. "A 107th Garland of British Light Music Composers", Musicweb- international.
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Ho Anh Thai first became known as a literary teenage prodigy with the publication of his first stories. As he matured, he became a voice for his generation, with his fresh, youthful style of writing, and works that centered on the lives and adventures of young people and students, highlighting their desire to discover the world. Some of his works of this period are the novels Men and Vehicle Run in the Moonlight (1986), The Women on the Island (1986), Behind the Red Mist (1989) and the short story collections The Goat Meat Special (1988), Fragment of a Man (1991), etc. Early in the 1990s, he published a series of humorous and thoughtful stories about the six years he has spent in India: The Man Who Stood on One Leg, The Indian, A Sigh through the Laburnums, The Barter, etc.
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In preparing the script, Resnais used the dialogue from Gailly's novel, since this had been the element which had particularly attracted him initially, and he repeatedly made reference back to Gailly's style of writing when seeking a rhythm for the film narrative or a visual equivalence for the hesitations and contradictions within his sentences. He also encouraged his set designer Jacques Saulnier and his director of photography Éric Gautier to follow the spirit of Gailly in the way that they used bold and contrasted elements of colour in the film's visual design. The composer of the music Mark Snow provided similarly varied and clear-cut musical styles for different episodes. In the two principal roles, Resnais used actors with whom he had worked many times before: Sabine Azéma, making her ninth appearance in a Resnais film, and André Dussollier, making his seventh appearance.
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It is being related that Burkhurdar Khan was a contemporary of Ahmed Shah Baba (Durrani) the founder of present day Afghanistan.” “More than his style of writing, Samad Khan’s unreserved thoughts on religion, jargas, drug addiction, pedophilia and other afflictions violating his beloved Pukthun and Pukhtun society force the reader to hasten to the next page”. “In the year 1928 I got married. To get married was a thing to be done so did I. The truth however is that for many years I did not understand the profound and lasting value and meaning of marriage,” writes Khan Abdul Samad Khan. “His memoirs are replete with similarly unexpected personal revelations, not ascribed usually to a Pukhtun”. Zama Zhwand aw Zhwandoon’ (The way I lived) were transliterated into English by Samad Khan's son, Mohammad Khan Achakzai who also served as governor Balochistan from 2013 to 2018.
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The Mismeasure of Desire: The Science, Theory, and Ethics of Sexual Orientation is a 1999 book by the philosopher Edward Stein, in which the author critically evaluates scientific research on sexual orientation, discusses "social constructionist" and "essentialist" views of the subject and related ethical issues, and responds to criticism of social constructionism. Part of the "Ideologies of Desire" series edited by the queer theorist David M. Halperin, the book was published by Oxford University Press. The book received positive reviews and was praised by philosophers and other commentators, who described it as an important and well-researched work and credited Stein with carefully examining the assumptions underlying scientific research on sexual orientation and refuting the idea that biological research on sexual orientation should be used to support arguments for gay rights. However, reviewers disagreed over Stein's style of writing, some finding The Mismeasure of Desire well-written and others poorly written.
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The Midland District was the chief centre of these opinions, and fifteen of the clergy of Staffordshire formed themselves into an association of which Joseph Berington was the leader, the primary object being to stand by their bishop, Thomas Talbot, who was partly on that side. Afterwards, however, they were led into other action, especially in taking up the case of Dom Joseph Wilkes, OSB, who had been suspended by his bishop in consequence of his action on the committee, which laid them open to criticism. Joseph Berington was by this time becoming well known as an author with an attractive style of writing, and advanced views. His State and Behaviour of English Catholics (1780) contained more than one passage of doubtful orthodoxy; his History of Abelard (1784) brought into prominence the same philosophical tendencies which had before manifested at Douai; and his Reflexions, addressed to Rev.
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'To The Muses' represents an attack on contemporary poetry, using the language and cadence of Augustan verse to mock that very style of writing. Blake describes how the nine muses, once so active amongst the poets of old, now seem to have left the earth; The poem also contains Blake's first reference to a topic with which he would deal several times in his subsequent work; the four elements, water, air, fire and earth (although he replaces fire with Heaven);Damon (1988: 117) In For Children: The Gates of Paradise (1793), Blake would assign each element a visual representation. In The Book of Urizen, the four elements are personified as the sons of Urizen (Utha is water, Thiriel is air, Fuzon is fire and Grodna is earth). In Jerusalem The Emanation of the Giant Albion (1820), Blake describes the original formation of the elements (30:27-40).
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However, although this is obviously central to the work, and although Reich has never subsequently (until his 2004 You Are (Variations)) set the Jewish scriptures to music, the real difference lies in the formal aspects of Tehillim. Typically, Reich's music is characterised by a steady pulse and the repetition of a comparatively small amount of melodic material emanating from a clear tonal centre (a style of writing which is called 'minimalist'). Both aspects are certainly to be identified in Tehillim (the composition in no way marks a complete aesthetic break for Reich), for example in the quick, unchanging tempo of the first two parts, which are played one after another without a break, and the close four-part canons of the first and fourth parts. However, these aspects together constitute only the broad outlines of the work; how they are presented is markedly different from his early work.
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One area of literature in which transcriptions and original literature coincide is what could be called the "French Conservatoire" style of writing,¹ dating roughly from the first half of the twentieth century and best exemplified by the composer Joseph Eduard Barat (1882–1963). Some of the pieces in this school were written specifically for trombone, such as Barat's Andante and Allegro (1935) and Alexandre Guilmant's Morçeau Symphonique (c. 1937), some for trombone or euphonium, such as Paul Veronge de la Nux's Concert Piece (1900), some for euphonium or tuba, such as Barat's Introduction and Dance, and at least one specifically for euphonium, Barat's Morçeau de Concours (1957). ¹So called because many of the pieces in this style were either written for professors at the French Conservatoire National de Musique, or were written as contest or instructional pieces to be used for students at the Conservatoire.
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The second section discusses the genres of poetry: heroic, pastoral, and tragedy, comedy, satire, and lyric. The third section discusses poetic practice: about what subjects to write; what are the distinctive qualities of good poetry; and what rules of composition apply to individual genres of poetry. Examples from classical and modern poetry illustrate how poetry achieves its purposes: to teach, to move, and to delight the reader. Proceeding from the work of scholar Julius Caesar Scaliger (1484–1558), Scott dwells upon the four virtues of poetry, which apply to the poet’s choice of matter (genus) and style of writing, noting that Scaliger: > observes that to strike with the pleasure of our poem the doors of men’s > sense, these four virtues are especially requisite: first a > proportionableness or uniformity; secondly variety; thirdly sweetness; > lastly that energeia, force effectualness, or vigour, which is the character > of passion and life of persuasion and motion.
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By 1990, Seigal's irreverent style of writing led him to writing assignments with a variety of Southern California newspapers, including The San Diego Union-Tribune, Los Angeles Times, The Orange County Weekly, San Jose Mercury News and a full-time writing position with the weekly La Jolla Light At the time of Seigal's death, he had been writing for several years for the OC Weekly alternative paper. In March 2002, The Union-Tribune issued a memo to its staff stating that one of Seigal's articles, which had run in the paper, used words like "old fart", "love turnips", "rat bastids", "crapola" and "pooh-butts" that were deemed unsuitable for readers. Seigal was known as the 'Lovable Curmudgeon' during his days writing weekly articles called “Blue Notes” that ran each Thursday in the Night & Day section in the Thursday edition of the San Diego Union- Tribune.
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After Sarah Lawrence, she worked as a ghostwriter for The Village Voice for about a year.Biography from Allmovie After quitting that job, she became interested in documentary film-making and soon gained national prominence in the United States as co-director and co-producer with Howard Smith of the 1972 film Marjoe (about evangelist Marjoe Gortner), which won an Academy Award for Documentary Feature. Kernochan's first screen credit as a screenwriter came with the 1986 film 9½ Weeks. She followed that film with the script for Dancers (1987), starring Mikhail Baryshnikov and directed by Herbert Ross, which chronicled the backstage drama of a ballet company (played by American Ballet Theatre dancers) and their director during the staging of the ballet Giselle. By the time she was brought in to work on the 1993 film Sommersby, she had become known for a particular style of writing in Hollywood.
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Royal Tunbridge Wells A "stuffy, reactionary image" was associated with the town of Tunbridge Wells by the novelist E. M. Forster in his 1908 book A Room with a View, in which the character Charlotte Bartlett says, "I am used to Tunbridge Wells, where we are all hopelessly behind the times". Tunbridge Wells was later granted a royal charter by King Edward VII in 1909 and renamed "Royal Tunbridge Wells". The BBC radio show Much-Binding-in-the-Marsh, first broadcast in 1944, is sometimes stated in newspaper reports to have popularised the term Disgusted of Tunbridge Wells for correspondence to newspapers. There were also suggestions that the use of Disgusted of Tunbridge Wells came from one regular contributor of letters to The Times in the early 20th century, who would use a particular style of writing to oppose people and organisations who came to his attention.
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Professor Reza Arasteh M. D. (remembered for his correspondence with Thomas Merton) wrote in honour of Sayyid Idries Shah, whose stature as a scholar was as fiercely disputed as his communication to a general public was successful. Nevertheless, Sayyid Idries Shah caused the English feed of the watershed to be explored – through his own accessible style of writing, by providing affordable publications of great classical texts, and rebelliously askew on the niceties of an Oxford/Cambridge kind of rivalry over Pr. Nicholson and Pr. Arberry – and to exactly what extent can now easily be verified by the student willing to compare for himself the eleven Naqshbandi rules or exercise-aims listed by Sayyid Idries Shah in chapter VII of Oriental Magic in 1957 with those presently divulged through the proper channel . They are indeed the same. "Oriental Magic" was read as a comparative study at the London Ethnological Institute.
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SNReview is a seasonal online literary magazine founded in 1999. It has published the poetry and prose of Stephen Gyllenhaal, Adrian Louis, and Steve Poleskie, among others. In the past three years, page views have risen almost sixfold with the average issue receiving more than 20,000 page views. It publishes prose works of less than 7000 words with traditional emphasis of good writing: strong characters, good plot and theme, imagery, style of writing, and point of view. On its guidelines page, the magazine quotes C. Michael Curtis, fiction editor of The Atlantic Monthly: “What most editors look for, in addition to a respect for conventional strengths of orderly composition, is a sentence or two sufficiently complex in structure and idea to signify a serious mind at work. Editors look for engaging sensibility, a writer with wit, imagination, and an appreciation for the benefits of a well- constructed sentence.” guidelines page These same qualities are what the editor is looking for from poets and writers of creative nonfiction.
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However, compositions for smaller ensembles range in date from the start of his career to the end, reflecting the changes his style of writing has undergone. In 1975 the Lyric Opera of Chicago had asked him to write a work to commemorate the US Bicentennial in 1976; this became the opera Paradise Lost. Delays to the project however meant it did not see its premiere until 1978. The music continued to illustrate Penderecki's move away from avant-garde techniques: it is tonal music and the composer explained: 'This is not music by the angry young man I used to be'. In 1980, Penderecki was commissioned by Solidarity to compose a piece to accompany the unveiling of a statue at the Gdańsk shipyards to commemorate those killed in anti-government riots there in 1970. Penderecki responded with Lacrimosa, which he later expanded into one of the best-known works of his later period, the Polish Requiem (1980–84, 1993, 2005).
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Together; Lila, Hari, Bela, and Kamal all form a plan to use Hari's saved money (which he made and brought back from Bombay) to start a small chicken farm as a start-up business for the family and financial support base for Hari's future repair shop. As Hari goes to the village to buy chicken netting fence and tools to build a chicken pen, Sayyid Ali Sahib a researcher who is staying in Mon Repos converses with him and marvels at Hari upon learning his plans. As the novel ends, Sayyid Ali Sahib highlights Hari and his sister's resolve to adapt and change in this growing and ever developing world. Anita Desai has explicitly described in her very own style of writing, and she shows how Hari in the dilapidated conditions of the Sri Krishna Eating House finds warmth and affection through Mr Andal Panwallah – owner and watch mender of the Ding-Dong watch shop.
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Old Roman cursive, also called majuscule cursive and capitalis cursive, was the everyday form of handwriting used for writing letters, by merchants writing business accounts, by schoolchildren learning the Latin alphabet, and even by emperors issuing commands. A more formal style of writing was based on Roman square capitals, but cursive was used for quicker, informal writing. Most inscriptions at Pompeii, conserved due to being buried in a volcanic eruption in 79 CE, are written in this script. Old Roman Cursive handwriting from the reign of Claudius (41 to 54 AD), with every i longum transcribed as "j": vobis · vjdétur · p · c · décernám[us · ut · etiam] prólátis · rebus ijs · júdicibus · n[ecessitas · iudicandi] jmponátur quj · jntrá rerum [· agendarum · dies] jncohata · judicia · non · per[egerint · nec] defuturas · jgnoro · fraudes · m[onstrósa · agentibus] multas · adversus · quas · exc[ogitauimus]... It is most commonly attested from the 1st century BCE to the 3rd century CE, but it likely existed earlier than that.
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In this book, Davie deals with the struggle during the 19th century in Scotland to maintain a generalist form of education which is not only philosophical but also scientific, humanistic and democratic. The book has been described as "a thesis about liberal education – pursued by a micro-historical investigation of the culture and academic politics of Scotland's universities in the 19th century. More than 40 years on, the book's discussions of the restriction of academic independence by centralisation, inter-university competition for prestige, research versus teaching and even versus scholarship, notions of abandoning moral discourse for ill-examined claims regarding scientific advance, are still relevant."Obituary in The Independent, Thursday, 29 March 2007. Davie's somewhat prolix style of writing is exemplified here: “It is possible to confirm still further the importance which this ideal of a philosophical education had for the Scots if we turn from the achieved pattern of national pedagogy to the plans which were being mooted for its development.
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He credited Grünbaum with providing "informed criticism of the philosophical bases of psychoanalysis", but concluded that the "value of his argument falls short of providing a useful basis for advancing psychoanalytic knowledge and particularly for promoting the quest for pertinent standards of validation within psychoanalysis." The philosopher James Hopkins argued that Grünbaum's criticism of Freud's theory of dreams is based on a misunderstanding of Freud, and that the modes of inquiry he endorses are inapplicable to motive and therefore inappropriate to assessing psychoanalysis. The philosopher Richard Wollheim criticized Grünbaum's style of writing, rejected his view that Freud employed the "Tally Argument", criticized his understanding of psychoanalytic practice, and accused him of ignoring the fact that clinical testing presupposes "a considerable body of extraclinical propositions." Robinson considered The Foundations of Psychoanalysis rigorous, but also poorly organized and difficult to understand for those without a background in philosophy, something that in his view had limited its influence.
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Posidonius, depicted as a medieval scholar in the Nuremberg Chronicle In his own era, his writings on almost all the principal divisions of philosophy made Posidonius a renowned international figure throughout the Graeco-Roman world and he was widely cited by writers of his era, including Cicero, Livy, Plutarch, Strabo (who called Posidonius "the most learned of all philosophers of my time"), Cleomedes, Seneca the Younger, Diodorus Siculus (who used Posidonius as a source for his Bibliotheca historia ["Historical Library"]), and others. Although his ornate and rhetorical style of writing passed out of fashion soon after his death, Posidonius was acclaimed during his life for his literary ability and as a stylist. Posidonius was the major source of materials on the Celts of Gaul and was profusely quoted by Timagenes, Julius Caesar, the Sicilian Greek Diodorus Siculus, and the Greek geographer Strabo. Posidonius appears to have moved with ease among the upper echelons of Roman society as an ambassador from Rhodes.
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" As evidence for this perspective, they put forward that the Pastoral Epistles contain 306 words that Paul does not use in his unquestioned letters, that their style of writing is different from that of his unquestioned letters, that they reflect conditions and a church organization not current in Paul's day, and that they do not appear in early lists of his canonical works.Stephen L. Harris, The New Testament: A Student's Introduction, 4th ed. (Boston: McGraw-Hill, 2002), 366: "In the opinion of most scholars, the case against Paul's connection with the pastorals is overwhelming. Besides the fact that they do not appear in early lists of Paul's canonical works, the pastorals seem to reflect conditions that prevailed long after Paul's day, perhaps as late as the first half of the second century C.E. Lacking Paul's characteristic ideas about faith and the Spirit, they are also un-Pauline in their flat style and different vocabulary (containing 306 words not found in Paul's unquestioned letters).
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In later years the covers were printed and still later the entire issue was printed. The newsletter encouraged an essay style of writing and some authors like Ramachandra Guha found their first opportunity to publish in it. The Newsletter for Birdwatchers continues to be popular among birdwatchers interested in the India region. The newsletter also pioneered large-scale collaborative studies on birds. In 1965 he was involved in organizing the IUCN meeting at New Delhi and became a member of its executive board in 1966. He became Vice-President of the IUCN in 1969, received the Padma Shri in 1970, Order of the Golden Ark in 1980 and the Karnataka Rajyotsava award of 1983. In 1973, Futehally was a member of the committee that was set up to study the impact of a dam on the river Kuntipuzha which threatened to destroy the forests of the Silent Valley region. He was also a steering group member of Project Tiger, during the early years of its establishment.
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Although Listen, Yankee was considered highly controversial, it was an exploration of the Cuban Revolution written from the viewpoint of a Cuban revolutionary and was a very innovative style of writing for that period in American history. The Sociological Imagination (1959), which is considered Mills's most influential book, describes a mindset for studying sociology, the sociological imagination, that stresses being able to connect individual experiences and societal relationships. Three components form the sociological imagination: # History: why society is what it is and how it has been changing for a long time and how history is being made in it # Biography: the nature of "human nature" in a society and what kinds of people inhabit a particular society # Social Structure: how the various institutional orders in a society function, which ones are dominant, how they are kept together, how they might be changing too, etc. Mills asserts that a critical task for social scientists is to "translate personal troubles into public issues".
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McDaid was the singer and songwriter of the band Vega4, whose second album You and Others was produced by Jacknife Lee. Its first single, "Life Is Beautiful", was featured on the US Contemporary Radio Charts Top 40 for 12 weeks in 2007, and was the song used for the theatrical trailer of My Sister's Keeper. In 2009, McDaid was the first person to sign to Snow Patrol's publishing company, Polar Patrol Publishing. McDaid went on to play guitar and piano and sing backing vocals in the alternative rock band Snow Patrol. While on the road with Snow Patrol, McDaid was developing his unique style of writing and working with artists in a variety of genres, scoring a hit with Example's “Say Nothing” which went to number 2 in the UK singles chart in 2012. Collaborations with artists as diverse as Robbie Williams' “Love My Life”, Biffy Clyro “Howl”, Rudimental “Never Let You Go”, “Bloodstream”, Birdy “Wild Horses” and Kodaline “Love Will Set You Free”.
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Winters's early poetry appeared in small avant-garde magazines alongside work by writers like James Joyce and Gertrude Stein and was written in the modernist idiom; it was heavily influenced both by Native American poetry and by Imagism, being described as 'arriving late at the Imagist feast'.Schmidt, Michael, Lives of Poets ,Weidenfeld & Nicolson, London 1999 His essay, "The Testament of a Stone," gives an account of his poetics during this early period. Although beginning his career as an admirer and imitator of the Imagist poets, Winters by the end of the 1920s had formulated a neo-classic poetics.Notes to the poems in The Collected Poems of William Carlos Williams, volume 1, 1909–1939, edited by A. Walton Litz and Christopher MacGowan Carconet Press, Manchester 2000 Around 1930, he turned away from modernism and developed an Augustan style of writing, notable for its clarity of statement and its formality of rhyme and rhythm, with most of his poetry thereafter being in the accentual- syllabic form.
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Ryle has been characterized as an "ordinary language" philosopher, for which the book's style of writing has attracted comment. Stuart Hampshire remarked in a review in Mind that: > There is only one property which I can discover to be common to Professor > Ryle and Immanuel Kant; in both cases the style is the philosopher - as Kant > thought and wrote in dichotomies, Professor Ryle writes in epigrams. There > are many passages in which the argument simply consists of a succession of > epigrams, which do indeed effectively explode on impact, shattering > conventional trains of thought, but which, like most epigrams, leave behind > among the debris in the reader's mind a trail of timid doubts and > qualifications. John Searle, who has often said that no great work of philosophy contains many footnotes and that philosophical quality varies inversely with the number of bibliographical references, considers the absence of footnotes in The Concept of Mind as a sign of its quality.
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Timaeus wrote with a negative view of Rome. Therefore, in defense of the Roman state, Q. Fabius Pictor wrote in Greek, using Olympiad dating and a Hellenistic style. Q. Fabius Pictor's style of writing history defending the Roman state and its actions, and using propaganda heavily, eventually became a defining characteristic of Roman historiography, while he is also known for the establishment of the "ab urbe condita" tradition of historiography which is writing history "from the founding of the city". Cincius also wrote in Greek, but seems to have been less esteemed by later historians:H J Rose, A Handbook of Latin Literature (London 1967) p. 113 thus for the Battle of Lake Trasimene, Livy states that he “has accepted Fabius as my main source, since he was contemporary with this war”, whereas earlier, on the question of Hannibal’s numbers, he says that “the most authoritative account should be that of Lucius Cincius Alimentus...but Cincius makes a mess of the numbers”.Livy, Hannibal’s War (Oxford 2009) p.
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Marion College, a two-year Lutheran women's college, operated from 1873 to 1967. Marion College, constructed in 1968 and named in honor of Francis Marion, is a residence hall at Roanoke College. Sherwood Anderson (1876-1941), the well-known American author who strongly influenced the style of writing in the United States between World Wars I and II, was a Marion, Virginia resident for several years, and is buried in the town's Round Hill Cemetery. His writing greatly influenced and impacted other notable authors such as Ernest Hemingway and William Faulkner, both of whom owe the first publication of their books directly to his efforts. Katherine Johnson (also known as Katherine Goble, August 26, 1918 – February 24, 2020), an American NASA mathematician whose calculations were crucial to the success of US crewed spaceflights, began her distinguished career by accepting her first job as a teacher at a black public school (The Carnegie school) in Marion in 1937.
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One of his poems reflected his dual identity, rendered dichotomous by the spread of antisemitism: According to Fondane: "Rodion wanted to live. That is a habit people tend to have, and Rodion wanted life, the same as a leaf of grass or the bird of flight. The son of a people with sideburns and robes, that survives by assimilation with earthworms, with stones, with mankind, with plots of land, his force has bumped [...], like a fly, upon the wall of the world..." Fondane noted that Rodion, with his "painfully Romanian style of writing" at a time when Zionism was still "vague", could only opt in favor of erasing his own Jewish identity. Steuerman's Romanian patriotism, frustrated by the antisemitic establishment, led him to write what are arguably his most- quoted lyrics: Rodion's verses were described as particularly eloquent in depicting the misfortune of Jewish intellectuals who sought integration into Romanian society but were still rejected—the piece is called "agonizing" by Zigu Ornea, and "immortal" by poet-essayist Radu Cosașu.
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He concluded that "the inscription may be confidently dated to the earlier half of the second century B.C." but noted that "the Piprahwa vase, found in the Basti District, U.P. (Uttar Pradesh), has an inscription scratched on the steatite stone in a careless manner. As the inscription refers to the remains of the Buddha, it was originally dated to the pre-Mauryan period, but it has been brought down to the third century B.C. on a comparison with Asokan Brahmi. The style of writing is very poor, and there is nothing in it that speaks of the hand of the Asokan scribes". Dani's dating of the inscription puts it around 250 years after the generally agreed 480 BCE death of the historical Buddha which suggests that the stupa itself was built after the Buddha's lifetime. The time difference is most likely explained by the Emperor Ashoka’s sudden conversion to Buddhism. After slaughtering tens of thousands to secure his kingdom, Ashoka issued a decree to build stupas and redistribute the Buddha’s remains across his kingdom.
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Kenyon suggested that the manuscript originated in Alexandria: "It is noteworthy that the section numeration of the Pauline Epistles in B shows that it was copied from a manuscript in which the Epistle to the Hebrews was placed between Galatians and Ephesians — an arrangement which elsewhere occurs only in the Sahidic version." A connection with Egypt is also indicated, according to Kenyon, by the order of the Pauline epistles and by the fact that, as in the Codex Alexandrinus, the titles of some of the books contain letters of a distinctively Coptic character, particularly the Coptic mu, used not only in titles but frequently at the ends of lines where space has to be economized.Frederic G. Kenyon, Handbook to the Textual Criticism of the New Testament, London2, 1912, p. 84. According to Metzger, "the similarity of its text in significant portions of both Testaments with the Coptic versions and with Greek papyri, and the style of writing (notably the Coptic forms used in some of the titles) point rather to Egypt and Alexandria".
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Skerlić became famous for his style of writing, which was clear, picturesque, and concise. Skerlić soon revealed a talent for scholarly, analytical thinking and for literary criticism. In a single decade Skerlić published several hundred essays and critical studies on all the major Serbian authors, collected in nine volumes as Pisci i knige (1907-1926; Writers and Books) as well as a cluster of long monographs, the more notable of which are Jakov Ignjatović, Svetozar Marković, Vojislav Ilić, Omladina i njena književnost 1848-1871 (Young Serbia and Its Literature 1848–1871), Srpska književnosti u XVIII veku (Serbian Literature in the 18th Century), and many others. These monographs provided a foundation for his major seminal work, Istorija nove srpske književnosti (A History of Modern Serbian Literature), completed just two months prior to his untimely death. The Istorija contains an objective, erudite, and thorough critical analysis of Serbian writers and poets who succeeded in extricating themselves and their countrymen from the thralldom of the Holy Roman Empire (Habsburg Monarchy) and the Ottoman Empire in the 18th, 19th, and early 20th centuries.
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Ross T. Christensen has propounded the theory that the Mulekites in the Book of Mormon were "largely Phoenician in their ethnic origin." In his 1871 book Ancient America, John Denison Baldwin repeats some of the arguments given for Phoenician visits to America, but concludes that: > if it were true that the civilization found in Mexico and Central America > came from people of the Phoenician race, it would be true also that they > built in America as they never built any where else, that they established a > language here radically unlike their own, and that they used a style of > writing totally different from that which they carried into every other > region occupied by their colonies. All the forms of alphabetical writing > used at present in Europe and Southwestern Asia came directly or indirectly > from that anciently invented by the race to which the Phoenicians belonged, > and they have traces of a common relationship which can easily be detected. > Now the writing of the inscriptions at Palenque, Copan, and elsewhere in the > ruins has no more relatedness to the Phoenician than to the Chinese writing.
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There is a touch of personal nostalgia here too: Beckett makes specific reference to the "Dee Dyan Button," the first car that Cream and Gorman ever saw, which was actually the De Dion-Bouton; Beckett's father was the first to own one in Ireland. It is the kind of detail Mercier and Camier could easily have squabbled about on their trek through and round about Dublin. Critics tend to by-pass the piece, treating it as Beckett- lite, which in many ways it is, but it also demonstrates something of a nostalgic looking-back from Beckett's own point of view, not simply to the Dublin he once knew but to a style of writing that he would never return to again after this year, 1960, the same year he completed his own Happy Days. If ever John Donne had in mind some specific “emergent occasion” then this was probably the last thing he would have thought of: two men, each waiting for their own particular “bell [to] toll”, each “an island, entire of itself” shouting across the strait to another man on another island barely able to hear a word the other is saying.
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Webster attributes this to the fact that Ryle's case that subjective aspects of experience such as sensation, memory, consciousness and sense of self are not the essence of "mind" has not been universally accepted by contemporary philosophers, neuroscientists, and psychologists. Webster believes that Ryle's willingness to accept the characterization of The Concept of Mind as behaviorist misrepresents its more nuanced position, writing that Ryle's acceptance of that description is not harmless, as Ryle himself suggested. Webster stresses that Ryle does not deny the reality of what are often called internal sensations and thoughts, but simply rejects the idea that they belong to a realm logically distinct from and independent of the external realm of ordinary human behaviour. The book's style of writing was commented on more negatively by Herbert Marcuse, who observes that the way in which Ryle follows his presentation of "Descartes' Myth" as the "official doctrine" about the relation between body and mind with a preliminary demonstration of its "absurdity" which evokes "John Doe, Richard Roe, and what they think about the 'Average Taxpayer'" shows a style that moves "between the two poles of pontificating authority and easy-going chumminess," something Marcuse finds to be characteristic of philosophical behaviorism.
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