The men and women in the film are short on talk, but strong in character.
|
|
It was said that Han Huang was capable at evaluating officials and strong in character, and during the five years he served as Libu Yuanwailang, he paid great attention to detail and knew the records well.
|
|
It is not known when Li Shouzhen was born. It is known that he was from Heyang (河陽, in modern Jiaozuo, Henan). He was said to be intelligent and strong in character in but poor in his youth. He became an officer at Heyang Circuit (headquartered at Heyang).
|
|
I made her strong in character and sexy in form. The funny part is that years later, while in Korea on a National Cartoonists trip, I met a dancer who was the exact image of the Black Canary. And I went out with her for three years. Bob didn't ask me for a character sketch [for the Black Canary].
|
|
I made her strong in character and sexy in form. The funny part is that years later, while in Korea on a National Cartoonists trip, I met a dancer who was the exact image of the Black Canary. And I went out with her for three years. Bob didn't ask me for a character sketch [for the Black Canary].
|
|
Ann Brewster contributed to 36 comics for Fiction House, most while an artist for Jerry Iger's studio. Fiction House was more inclined to publishing comics about heroic women who are both strong in character and depicted in the popular "good girl" art style. The Iger Studio became synonymous with this "Good Girl Art", and Brewster's work depicted that of the sexy heroine. Brewster's work for Fiction House includes art for: Jane Martin, The Hawk, Rip Carson, Sheena, and ZX-5 Spies in Action.
|
|
Harry Clayton Richards (March 24, 1908 - January, 1980) was an American Thoroughbred horse racing jockey and the first president of the Jockeys' Guild. Hall of Fame jockey Eddie Arcaro said Richards: "was strong in character and who maintained a steady belief in our organization [Jockeys' Guild]. Incidentally, he was one of the greatest riders of my time, the first switch-hitter in our business and the one from whom I copied switch-hitting." Born in Brooklyn, New York, Richards began riding professionally in 1924.
|
|
The work is in standard four- movement form and scored for flute, two oboes, two bassoons, two horns, two trumpets, timpani and strings. #Allegro moderato (sonata form; C minor, ending in C major) #Andante (variation form; E major) #Menuetto – Trio (ternary form, C minor, trio in C major) #Finale: Vivace (rondo form; C major) The first movement opens with the main theme, which consists of two contrasting parts—the first is strong in character and the second is more lyrical. The transition to the relative major has elements of the head of the main theme. The secondary theme contrasts the main theme by being very subtle in nature, and has a dance-like rhythm.
|
|
The idea was discarded until Phillips was making his fourth studio album Sides (1979) when Arista Records agreed to package the first 5,000 copies of Sides with Private Parts & Pieces as a free accompaniment. Phillips felt particularly lucky with Arista agreeing to put out the album as he deemed it "the best of the home recordings" with tracks that were "simple, a bit rough at the edges" with substandard presentation but were strong in character and emotion. Whereas before Phillips gave reasons why not to include a track on an album he was making, producing Private Parts & Pieces made the excuses no longer matter. The songs on Private Parts & Pieces were recorded between 1972 and 1976 at Send Barns, a recording facility set-up at the home of Phillips's parents in Woking, Surrey.
|
|