An exhibition of Rooum's work was held at Conway Hall in 2008. Wildcat, a short film by Adam Louis-Jacob (2018) has an animated, coloured Wildcat walking past some of Rooum's black and white strip cartoons for Freedom, drawing attention to the speech balloons.
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NdA Press also produced various small press publications including a series of mini-comic books Small Packages from 1984-1988 featuring d'Arbeloff's fictional alter-ego character Augustine. Developed through internet forms - the webcomic and blogosphere—in 2007 d'Arbeloff published one of her series of web-based strip cartoons The God Interviews as a full color paperback comic book.
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He illustrated and painted book covers for a total of thirty-three William books for the publisher Newnes. He also produced numerous William strip cartoons for magazines. He drew about eight hundred cartoons of three frames per story for Woman's Own magazine from 1947 to 1962. The illustrations for the magazines were done in a traditional hatch style.
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In 1991, he wrote for Pulse! upon the popularity of Gregorian chants with college dope-smokers. Pulse! magazine published a monthly cartoon and his editorial policy was to ask artists to submit three strip cartoons to choose from. He now writes for the journals Nature and his web magazine Disquiet on the subject of ambient sound and experimental music.
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Roland Oxford Davies (23 July 1904, Stourbridge – 1993) was a Welsh graphic artist who produced comics and animated film. The range of his work included a variety of cartoons: sports, topical, and strip cartoons. He also produced animated cartoons, and provided material for children's books and boys' weeklies. Later in life he also became a painter.
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The East German Ministry of the Interior had the idea to bring the two traffic light figures to life and turn them into advisors. Die Ampelmännchen were introduced with much media publicity. They appeared in strip cartoons, also in situations without traffic lights. The red Ampelmännchen appeared in potentially dangerous environments, and the green Ampelmännchen was an advisor.
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Mouzillat's invention and his work came to the attention of Georges Remi as a result of his success at the Brussels World Fair. Together they established a collaboration to market Tintin stories as 3D strip cartoons. A number of gouache drawings in colour were prepared for conversion to 3D photographic images. This was an important collaboration as it proved that 3D images could be created from 2D content.
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The Boy's Own Paper, front page, 11 April 1891 Magazines intended for boys fall into one of three classifications. These are comics which tell the story by means of strip cartoons; story papers which have several short stories; and pulp magazines which have a single, but complete, novella in them. The latter were not for the younger child and were often detective or western in content and were generally greater in cost. Several titles were published monthly whereas the other two categories were more frequent.
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The Dream and Lie of Franco is presented in a format similar to the popular Spanish strip cartoons of the period known as aleluyas. It has been called a "unique fusion of words and visual imagery". Art historian Patricia Failing notes that Picasso, who had until this point never made any overtly political work, produced a work "specifically for propagandistic and fundraising purposes." The Dream and Lie of Franco was intended to be sold as a series of postcards to raise funds for the Spanish Republican cause.
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While at college in Manchester Dakin was drawing Abe for his college magazine when he met Paul Gravett, who introduced him to the concept of self publishing comics in zine form and distributing them via the mail and Gravett's Fast Fiction service. While initially dismissive he soon became interested, corresponding with Eddie Campbell and Phil Elliott amongst others. Dakin has cited Tove Jansson's Moomin strip cartoons and novels as an influence for Abe and the optimistic melancholy present in his work.The Comics Journal 238 When Gravett launched Escape Magazine Dakin became a regular contributor.
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17 A series of strip cartoons which present the adventure of Tayap development and the problems of African villages facing deforestation and cultivation on burned ground has likewise been created within the framework of the project. In 2015, the AFD (French Development Agency) and the CIRAD (Centre for international cooperation in agronomical research for development) awarded the Ecological Orchards of Tayap “Agriculture and Forests Climate Challenge” prize for Lessening of climatic disruption in agriculture. In 2016, the ISTF Innovation Prize from Yale University was awarded to the project.
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J. K. Annand translated poetry and fiction from German and Medieval Latin into Scots. The strip cartoons Oor Wullie and The Broons in the Sunday Post use some Scots. In 2018, Harry Potter and the Philosopher's Stane, a Scots translation of the first Harry Potter book, Harry Potter and the Philosopher's Stone, was published by Matthew Fitt. In 2020, the Scots Wikipedia received a burst of attention after a Reddit post criticized it for containing a large number of articles written in very low- quality Scots written by a single prolific contributor who was not a native speaker of Scots.
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In former years, the magazine published collections of their strip cartoons. In particular, The Adventures of Barry McKenzie, the exploits of an uncouth Australian expatriate in Sixties London, written by Barry Humphries and illustrated by Nicholas Garland, was published in three collections, long since out of print and now collectors' items. The Bill Tidy strip The Cloggies was also issued in this form. Each year the magazine publishes a number of Christmas cards, which typically feature cartoons on Christmas themes from regular contributors. Patrick Marnham’s ‘’The Private Eye Story’’ (1982) was the first major attempt to tell the history of the magazine.
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It also featured strip cartoons for the early puppet TV series produced by Gerry Anderson and AP Films—Four Feather Falls, Supercar and Fireball XL5—until Anderson's titles became the focus of a rival publication, TV Century 21. The issues published in the 1960s are considered the most collectable in the comic's history. As well as Doctor Who and Anderson strips, other highly collectable material included Telegoons (which ran from 1963 to 1967), Space Patrol (from 1964 to 1965) and The Avengers (based on the TV series featuring John Steed; initially from 1965 to 1966 and again from 1968 to 1972).
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He recovered from cancer to become a graphics technician at Ewell Technical College, and in 1975 at the Lucca comics convention was declared as the best writer and illustrator of strip cartoons since the end of the Second World War. At the 1976 Comics 101 British comics convention he was given the Ally Sloper Award, as the best British strip cartoon artist. He died at Epsom in July 1985. His original Dan Dare drawings now command high prices, and have inspired a range of modern artists; Gerald Scarfe and David Hockney were first published in Eagle.
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Paw Oo Thet's oeuvre possesses four or five genres, or styles. First, there were his light-hearted strip cartoons which he published in magazines; in fact, he became the founder of a popular comic strip, Gali, published in Mandalay. Comic-strip painting was not new to Burma, and Ba Gyan (1902–1953), had earlier won the highest award in Burma for artistic accomplishment, the Alinga Kyaw Zwa, for his cartoon work, poking fun at the pompous and vulnerable side of human nature and sometimes political in nature. This history and taste for cartoon gave artists in Burma the inspiration to explore cartoon art as a serious form of expression.
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As a child, Jarrell first attended a one-room schoolhouse where he was encouraged by his teacher, Jessie Lois Hall, to explore his artistic side. He then went to a private Baptist school starting in the seventh grade before transferring to Athens High in the tenth grade. In high school his talent for art was apparent as he started creating his own comic strip, cartoons for the school paper, and illustrations for sports events, finally taking up oil painting. As a young man interested in art during the late 1930s and early 1940s he learned about painting and illustration through magazines such as the Saturday Evening Post and Collier's.
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Chris Priestley grew up in Wales and Gibraltar, where as a nine-year-old, he won a medal in a local newspaper's story-writing competition. In 1976, after spending his teens in Newcastle-upon-Tyne, he left to study illustration at Manchester Polytechnic, leaving in 1980 to freelance in London. He worked as an illustrator for a wide range of clients and his work appeared regularly in The Times, The Listener and The Observer. He also worked briefly as a poster designer for the Royal Court Theatre and others. He has produced several strip cartoons - Bestiary for The Independent on Sunday (with Chris Riddell), Babel for The Observer, 7:30 for 8:0 for The Independent and Payne’s Grey for the New Statesman. From 1990 to 1996 he was a weekly cartoonist on The Economist, and from 1996 to 1998 a daily cartoonist on The Independent.
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In 1961, Lord began work as a freelance illustrator, joining the agents Saxon Artists, in New Oxford Street, London. This required him to draw on demand, day in and out, often for long hours. He describes the difference between life as an art student and life as a professional illustrator in the following terms: > As well as drawing the insides of stomachs, I tackled everything that came > my way. I carried out portraits of company directors for their retirement > dinner menu covers, buildings for brochures, strip cartoons, maps and > humorous drawings for advertisements....gardens and their plants, > vegetables, mazes, refrigerators, dishwashers, totem poles, kitchen > utensils, resuscitation diagrams, all kinds of furniture, typewriters, > agricultural crop spraying machines, door locks, folded towels, decorative > letters, Zodiac signs, animals....When you are a student there is a tendency > at first to limit yourself to draw only what you like drawing.
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