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622 Sentences With "stringed instruments"

How to use stringed instruments in a sentence? Find typical usage patterns (collocations)/phrases/context for "stringed instruments" and check conjugation/comparative form for "stringed instruments". Mastering all the usages of "stringed instruments" from sentence examples published by news publications.

The other big change: the gray hair and stringed instruments.
I smashed my bass apart on stage and renounced stringed instruments completely.
And there are a shit ton of stringed instruments on this record.
Otherwise she accompanies herself: on percussion, various stringed instruments and vocal overdubs.
Imagine those underwater scenes in "Jaws" without the menacing strains of those stringed instruments.
Stringed instruments are one unifying factor, whether fluttering ornately or humming quietly in the background.
If piano isn't your thing, the app includes 127 other instruments, including stringed instruments and choir sounds.
It begins with a few held notes on various stringed instruments, all magnetizing and repelling each other.
Guitar aficionados should be warned that these shows include six-stringed instruments both smashed and set aflame.
The third musician, a twenty-eight-year-old singer from Greensboro, was starting to experiment with stringed instruments.
It thrived even though it practically faced Manny's, an emporium of stringed instruments that was one of Music Row's main draws.
Indeed, musicologists have traced country music's iconic banjo back to the ngoni and xalam, plucked stringed instruments rooted in West Africa.
The cello was made by Mario Miralles, a well-known maker of stringed instruments, of Alta Dena, according to the Tribune.
Miniature stringed instruments hang on the wall: fretted lutes like a giraffe-necked tembur and a rawap with ornamental goat horns.
"It took us a few years to convince the museum to let us use 500-year-old stringed instruments," he said.
As he played recreations of early stringed instruments and a goat horn, a sense of timelessness and awe swept through the crowd.
Some sources suggest that the Denis d'or was also capable of mimicking the sounds of plucked stringed instruments including harps and lutes.
The sound of 100 stringed instruments being played with great skill by these high schoolers sent a wave of joy through me.
It's just this perfectly gooey combination of stringed instruments that I have no idea what's going on and really interesting rhythms with percussion.
Participants, about 150 so far, learn traditional arts like luthiery — the making and repairing of stringed instruments — under the tutelage of skilled artisans.
The system also allows you to add multiple stringed instruments – you can set up profiles for your electrics and acoustics and even your banjo.
The woman, identified by the news outlet as Rebecca Mankey, has been fired by her employer, Gryphon Stringed Instruments, a store in Palo Alto.
Young visitors will then use materials including cardboard, long tubes, colored wire, rubber bands and rice to design and build their own stringed instruments and shakers.
There's also a Roadie Bass version for people like myself who have given up on the more difficult stringed instruments but still want to join the jam.
In a meadow where they had pitched their tent on Day 342, a family showed up with stringed instruments and treated them to an open-air concert.
Paracho soon gained fame as Mexico's capital for the manufacture of stringed instruments, and "Coco" has now brought its craftsmen global fame and booming sales, artisans said.
His playing, full of clustered filigree and loosely rendered rhythms, nods toward Ethiopia's tradition of solitary folk playing, typically on the krar or the masinko, both stringed instruments.
In the middle are the musicians—eight ensemble players, the stars Qasimov and Qasimova, and their two sidemen, playing Azerbaijani stringed instruments that I will not try to describe.
Richard Johnston, the owner of Gryphon Stringed Instruments, told the outlet that people started calling his store after Mankey's Facebook post, raising questions or extending threats against the business.
It feels like a pretty natural place, because it really was the foundation of what I was listening to when I was young and it really got me into stringed instruments.
Ms. Shyu is a commanding vocalist and player of folkloric stringed instruments — in this instance, moon lute and gayageum (a Korean zither) — who is drawn to fascinating and often challenging designs.
He ranged from bells and other percussion to a makeshift didgeridoo and a MIDI keyboard; Ms. Shyu played stringed instruments and sang, often lifting and folding her limbs to the music.
Both masters lived during the late 17th and early 18th centuries, in a small town in northern Italy called Cremona, and garnered a reputation for making the best stringed instruments in the world.
Mr. Frey and Mr. Henley, with two other members of Ms. Ronstadt's band, the bassist Randy Meisner and Bernie Leadon, who plays guitar and other stringed instruments, were the first incarnation of the Eagles.
The sounds are collaged over one another in ways that run contrary to their natural state—distant birdsongs are spliced together with crackling fires, and droning cicadas with the sideways thrums of elastic stringed instruments.
Cremona, in northern Italy, has more than 100 workshops making violins and other stringed instruments for musicians worldwide, following in the tradition of its great violin-makers which have included Antonio Stradivari and Nicolò Amati.
Image: APStradivarius stringed instruments—the finely constructed, highly sought after multi-million dollar wood boxes* crafted in the 17th and 18th century by Italian luthier Antoni Stradivari—are a bit of a mystery to modern day observers.
Over a swell of stringed instruments and a parade of movie posters from Raging Bull to Twins, the new DVD rental company explained itself ("You won't have to search for a video store that carries more than a few titles").
One user of Weibo, a popular Chinese microblogging site, posted one photograph of Mr. Putin, and six images of former President Jiang Zemin playing piano, a traditional Chinese flute, two kinds of traditional stringed instruments and even a Hawaiian guitar.
The clarinet and soprano dominated at the start, but as the group inched higher and higher, it was the stringed instruments that could be heard above all others, their notes haunting as the musicians strained to achieve something just beyond their grasp.
The spinning wheel turns out to be just one piece in Cka Ka Qellu's collection of antique tools, stringed instruments, yokes, brass coffee mills, manual typewriters, dishes of hammered metal and embroidered costumes that the owner, Ramiz Kukaj, brought over from the old country.
Sergei Parkhomenko, a journalist, wrote on Facebook that at $6 million each, the $2 billion reported to have been stashed offshore was enough to buy more than 300 of the rare violins, cellos and other stringed instruments made in the 17th and 18th centuries by Antonio Stradivari.
VERMILLION, S.D. — Visitors to this town of about 11,000 on a bluff near the Missouri River have long been surprised to learn that it's home to a set of rare Stradivari stringed instruments, which are housed in a museum here along with the world's oldest playable harpsichord, the oldest surviving cello and some 15,219 other historic instruments.
Plucked stringed instruments include the lute-like saz, chang, gopuz, tar and oud, originally barbat, and the dulcimer-like qanún (also sometimes hammered). Bowed stringed instruments include the kamancha.
This is a list of pages with repertoire for stringed instruments.
Finnen on guitars and African, Indian and Turkish percussion and stringed instruments.
A string ensemble has multiple violinists and possibly multiples of other stringed instruments.
Mannheim Chamber Orchestra is the most selective group and consists entirely of stringed instruments.
The craft of luthiers, lutherie (rarely called "luthiery", but this often refers to stringed instruments other than those in the violin family), is commonly divided into the two main categories of makers of stringed instruments that are plucked or strummed and makers of stringed instruments that are bowed. Since bowed instruments require a bow, the second category includes a subtype known as a bow maker or archetier. Luthiers may also teach string-instrument making, either through apprenticeship or formal classroom instruction.
There is collection of stringed instruments including a violin by Andrea Amati from the royal collection of France.
Another example of a claviorgan playing stringed instruments is described in a letter from Henry Oldenburg in 1664.
The modern version of the instrument developed gradually from older European acoustic stringed instruments such as the lira.
Like the other stringed instruments of Tuva, it is traditionally used as an accompaniment for a solo performance.
Plucked stringed instruments include the saz, a family of long-necked lutes including the guitar-sized bağlama (the most common) and the smaller cura and kanun, a type of box zither. Several regional traditions use bowed stringed instruments such as the kabak kemane (gourd fiddle) and the Black Sea Kemançe.
Organ pipes, the bodies of woodwinds, and the sound boxes of stringed instruments are examples of acoustic cavity resonators.
It has a bright and surprisingly loud sound. I purchased it from Griffin Stringed Instruments in Palo Alto California.
Subsequently, he formed a quartet called "Eddie Wood's Little Splinters" in which he sang and played multiple stringed instruments.
A person who is specialized in the making of stringed instruments such as guitars, lutes and violins is called a luthier.
Antonio Pinto de Carvalho's APC luthiery is one of the largest in Europe, and produces thousands of traditional Portuguese stringed instruments.
A modern built mandore. This one has five courses of strings; 4 single strings and one set of double strings Michael Praetorius detailed four tunings for the Mandore in his book Syntagma Musicum in 1619. He listed three tunings (with one repeated) for tuning the mandore. His tuning illustrate tuning for both 4-stringed instruments and 5-stringed instruments.
He taught stringed instruments for the Etobicoke Board of Education from 1969 to 1989. He performed with Nexus and with Oscar Peterson.
Tonewood refers to specific wood varieties that possess tonal properties that make them good choices for use in woodwind or acoustic stringed instruments.
Maybelle Carter played a variety of stringed instruments but her primary instruments in terms of public performance were guitar, autoharp, guitaro, and banjo.
Picea asperata is occasionally grown as an ornamental tree in Europe and North America. It is also used in the production of stringed instruments.
Mixed with the salt air was the vibrant sound of stringed instruments from a Spanish orchestra that performed throughout the evenings on the weekend.
There was a band in every joint, with harps, guitars, and > other stringed instruments predominating.Morrow Mayo, Los Angeles (New York: > Alfred A. Knopf, 1933), 38.
Stringed instruments were prominent in Middle Age Europe. The central and northern regions used mainly lutes, stringed instruments with necks, while the southern region used lyres, which featured a two-armed body and a crossbar. Various harps served Central and Northern Europe as far north as Ireland, where the harp eventually became a national symbol. Lyres propagated through the same areas, as far east as Estonia.
Almost every culture had musical instruments made of gourds, including drums, stringed instruments common to Africa and wind instruments, including the nose flutes of the Pacific.
The church used stringed instruments until a harmonium was purchased in 1857. In 1869 a new pipe organ was installed by local builder Lloyd and Dudgeon.
Le nouveau Théo: L'Encyclopédie catholique pour tous, p. 1843 (electronic edition). Fleurus. ; capo :1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g.
The "Trembita" Musical Instrument Factory manufactures stringed instruments. Since 1948 it has manufactured banduras, a Ukrainian instrument; it also produces guitars. The factory is located in Lviv, Ukraine.
Salvador Ibáñez (1854–1920) was a Spanish luthier. He made guitars, ukuleles, mandolins and other stringed instruments. These instruments were prized for their excellent quality and impeccable workmanship.
Debra Hand's work can be found in diverse collections ranging from Museum collections such as the Smithsonian Anacostia Museum - which acquired a cello by Debra Hand - to corporate and private collections. Hand's body of work is noted for its contemporary and figurative sculptures, dancers, musicians, and stringed instruments. The collection of stringed instruments titled "Strings Attached' was created after she was given a real violin by the Illinois Philharmonic Orchestra and challenged to use it as a canvas for a work of art. Debra Hand's sculptures, paintings and stringed-instruments have been filmed by every major network in Chicago and in 2005 she was featured by Harry Porterfield of WLS-TV, as "Someone You Should Know.
While stringed instruments of China were designed to produce precise tones capable of matching the tones of chimes, stringed instruments of India were considerably more flexible. This flexibility suited the slides and tremolos of Hindu music. Rhythm was of paramount importance in Indian music of the time, as evidenced by the frequent depiction of drums in reliefs dating to the Middle Ages. The emphasis on rhythm is an aspect native to Indian music.
Singing and Musical Theatre: Singing. Teaching: Teaching. Keyboards and Percussion Instruments: Organ, Harpsichord, Piano, Percussion instruments. Stringed Instruments: Harp, Lute, Guitar, Viola da Gamba, Baroque violin, Violin, Viola, Cello, Double Bass.
Charles E Brasher was a Canadian inventor, and maker of stringed instruments. His inventions include a novel cone for the resonator guitar, which he patented in Canada in 1935. (Canadian patent #349662).
The NMM's holdings of 17th- and 18th-century Dutch woodwind instruments by such makers as Richard Haka (represented here by a soprano recorder made ca. 1690), Hendrik Richters, Philip Borkens, and Abraham van Aardenberg is unique outside of the Netherlands. The Witten-Rawlins Collection of early Italian stringed instruments crafted by Andrea Guarneri, Antonio Stradivari, three generations of the Amati family, and others by far surpasses any in Italy. Included are two 17th-century Cremonese stringed instruments preserved in unaltered condition.
Sears also sold a number of non-stringed instruments under the Silvertone name, such as electronic organs and chord organs manufactured by the Thomas Organ Company, and harmonicas made by the Wm. Kratt Company.
Bachi (桴, 枹) (also batchi) is the name for the straight, wooden sticks used to play Japanese taiko drums, and also (written 撥) the plectrum for stringed instruments such as the shamisen and biwa.
The pardessus was most popular in French-speaking countries, but by 1770 it was starting to disappear from the landscape as viols generally were being eclipsed by the louder stringed instruments of the violin family.
The word cythara was used generically for a wide variety stringed instruments of medieval and Renaissance Europe, including not only the lyre and harp but also necked, string instruments. In fact, unless a medieval document gives an indication that it meant a necked instrument, then it likely was referring to a lyre. It was also spelled cithara or kithara and was Latin for the Greek lyre. However, lacking names for some stringed instruments from the medieval period, these have been referred to as fiddles and citharas/cytharas, both by medieval people and by modern researchers.
Commemorative plate to Samuel Nemessányi in Budapest Sámuel Nemessányi (Nemessànyi), (January 12, 1837, in Verbicz-Hušták, Liptószentmiklós, Liptó County – March 5, 1881, Budapest) was a Hungarian luthier, a maker of stringed instruments, such as: violins, violas, and cellos. Nemessányi is considered the most talented and important maker in the Hungarian violin-making school. During his lifetime, he was already acknowledged as the most outstanding craftsmen of stringed instruments in all of Hungary and his instruments are of great importance to Hungarians. His life and work strikingly parallels that of Italian luthier Giuseppe Guarneri del Gesù.
When choosing a bass with a fifth string, the player may decide between adding a higher-pitched string (a high C string) or a lower-pitched string (typically a low B). Six-stringed instruments are coming back into popularity after a lot of updates. To accommodate the additional fifth string, the fingerboard is usually slightly widened, and the top slightly thicker, to handle the increased tension. Most five-string basses are therefore larger in size than a standard four-string bass. Some five- stringed instruments are converted four-string instruments.
The cythara is a wide group of stringed instruments of medieval and Renaissance Europe, including not only the lyre and harp but also necked, string instruments. In fact, unless a medieval document gives an indication that it meant a necked instrument, then it likely was referring to a lyre. It was also spelled cithara or kithara and was Latin for the Greek lyre. However, lacking names for some stringed instruments from the medieval period, these have been referred to as fiddles and citharas/cytharas, both by medieval people and by modern researchers.
Dave Golden (born December 24, 1978) is a musician and a Fulbright Scholar. His plays stringed instruments, composes and produces music, including jazz, classical and folk. He also works as a music supervisor and music editor for film.
Music was thought to reflect the orderliness of the cosmos, and was associated particularly with mathematics and knowledge.Habinek (2005), p. 90ff. Various woodwinds and "brass" instruments were played, as were stringed instruments such as the cithara, and percussion.
A tritare is an experimental guitar invented in 2003 by mathematicians Samuel Gaudet and Claude Gauthier of the Université de Moncton of a family of stringed instruments which use Y-shaped strings, instead of the usual linear strings.
The majority of his vast output (over 700 pieces survive) include sacred motets, often for double choir, in the Renaissance style or stile antico as well as sacred villancicos. It often includes accompaniments for organ or various stringed instruments.
He is also a trained classical violinist and has poured thousands of his own dollars into the "Hayden Tinto Academy of Fiddling" in downtown Port of Spain to provide poor young Trinidadians opportunities to learn to play stringed instruments.
The rajão () is a 5-stringed instrument from Madeira, Portugal. The instrument traces back to the country's regional folk music, where it is used in folklore dances of Portugal in addition to other stringed instruments from the same region.
Louis Spohr subtitled his violin concerto No. 8 "in moda d'una scena cantata," "in the manner of a sung [operatic] scene"; opera arias exerted a strong influence on the "singable" cantabile melodic line in Romantic writing for stringed instruments.
" Top10cinema.com wrote it was a "prevalently fashioned tune of Yuvan Shankar Raja: more vitality exists on both vocalism and instrumentals. Followed by his previous composition Telugu song ‘Oye’, Yuvan has used live drums. Interludes with stringed instruments enhance the song.
Back in Baroque: The String Tribute to AC/DC is a classical version of the album Back in Black by hard rock band AC/DC. It replaces the vocals and guitars of the original songs with an array of stringed instruments.
The term thaat is also used to refer to the frets of stringed instruments like the sitar and the veena. It is also used to denote the posture adopted by a Kathak dancer at the beginning of his or her performance.
Blais was born in Hudson, Quebec. Blais states that he comes from an "incredibly musical" family. His mother leads a church choir; Blais joined the choir when he was three. He also plays drums, piano, and stringed instruments including guitar.
Though this was the case for other works, Polymorphia is based on an opposition of metal and wood. Since the piece is written solely for stringed instruments, Penderecki used a variety of methods to create opposing sections of metal and wood.
The American String Teachers Association (ASTA) is a professional organization for bowed string music teachers (violin family) based in the United States. It is the largest organization in the U.S. for string teachers. ASTA provides access to fine string playing and teaching and promotes values of community, excellence, teaching and learning, passion, integrity and diversity and inclusion. ASTA serves teachers and students in all areas of stringed instruments from kindergarten to the collegiate level, private teachers, performers, institutions of higher learning and business partners serving all instruments, accessories, sheet music and more for the teachers, students and players of stringed instruments.
The violin octet is a family of stringed instruments developed in the 20th century primarily under the direction of the American luthier Carleen Hutchins. Each instrument is based directly on the traditional violin and shares its acoustical properties, with the goal of a richer and more homogeneous sound. Unlike the standard modern stringed instruments, the main resonance of the body of the violin octet instrument is at a pitch near the two middle open strings, giving the instruments a more balanced, clearer sound. The instruments were proposed by composer Henry Brant in 1957 and the first octet was completed in 1967.
The Ertegun family in 1942. Ahmet was born in 1923 in Istanbul, Turkey. His mother, Hayrünnisa, was an accomplished musician who played keyboard and stringed instruments. She bought the popular records of the day, to which Ahmet and his brother, Nesuhi listened.
Guitar and lute French Psalter from the 9th century (c. 830) shows an unspecified plucked string instrument. Stringed instruments hanging on a wall. Shown here are 4 Lookoeos, 2 mandolins, a banjo, a guitar, a violin, a Guraitar and a bass guitar.
In the Middle Ages, cythara was also used generically for stringed instruments including lyres, but also including lute-like instruments. The use of the name throughout the Middle Ages looked back to the original Greek kithara, and its abilities to sway people's emotions.
Warren Yates produces the Ron Stewart Signature Series Banjo, designed to look and sound like a 1933 banjo. Stewart and his father Frank re-voice, restore, and repair acoustic stringed instruments, and they build violins under the name F&R; Stewart Violins.
Stringed instruments—primarily guitars and basses—and amplifiers account for most of Harley Benton brand revenue. The product lines target entry-level and intermediate musicians. The entry-level guitars typically have basswood bodies. More expensive models typically other woods and better hardware.
Mongolian folk songs have a "long tune" and a "short tune". The Mongolians have a variety of stringed instruments such as morin khuur or horsehead fiddle. It is named because of its headstock carving of a horse used as decoration on the pillar.
Tursun was born in Ghulja, to musician Tursun Chang. Her father taught her to play stringed instruments including dutar and satar. She trained and worked professionally as a chang (hammer dulcimer) player. In May 2014, she gave a performance at University of London.
Fishman (established 1981) is an American company based in Andover, Massachusetts. They are known for making guitar pickups and other guitar related equipment. They have been known for specializing in producing equipment involved in the amplification of acoustic guitars and other stringed instruments.
Casa Del Vecchio Ltda. is a traditional guitarmaking company headquartered in São Paulo, Brazil. Since its foundation by Angelo Del Vecchio in 1902, it has produced a wide range of acoustic stringed instruments instruments. In the 1930s, Del Vecchio began producing resonator guitars,James, Steve.
Poulenc told him, "Much more at home with wind instruments than strings, I admit I am tempted by this combination", as he had always preferred winds – with their similarities to the human voice – to stringed instruments. In August he agreed to go ahead.Battioni, Isabelle (2000).
Musica notturna delle strade di Madrid (Night Music of the Streets of Madrid), Opus 30 No. 6 (G. 324), is a quintettino (quintet) for stringed instruments (ca. 1780), by Luigi Boccherini, the Italian composer in service to the Spanish Court from 1761 to 1805.
The main stringed instruments are tar and kamancha, which are the part of the national music mugham. They together with ghaval create trio in mugham. Tar is a keyhole-shaped and kamancha is round shaped instrument. Their strings are made of silk or horsehair.
Born in Wolverhampton, England,"Dave Holland." Contemporary Musicians. Vol. 27. Detroit, MI: Gale, 2000. Retrieved via Biography in Context database 2017-04-02 Holland taught himself how to play stringed instruments, beginning at four on the ukulele, then graduating to guitar and later bass guitar.
The Amaryllis Chamber Ensemble is a Boston area chamber music ensemble. Founded in 2000, the group presents concerts of music for woodwind and stringed instruments throughout New England. They perform music from the standard chamber music repertoire as well as music by contemporary composers.
Marchione Guitars of Houston, Texas, is a manufacturer of stringed instruments, such as acoustic and electric guitars, fretless bass guitars, and violins. The company was founded in Manhattan by Stephen Raphael Marchione, and moved to Houston in 2001. Marchione has been a luthier since 1990.
Yehudi Menuhin founded the School to provide an environment and tuition for musically gifted children from all over the world to pursue their love of music, develop their musical potential, and achieve standards of performance on stringed instruments and piano at the highest level. Today's School provides a holistic musical and academic education for around 85 musically gifted boys and girls aged from 8 to 19, with specialist tuition on the stringed instruments, piano and classical guitar. The majority of the School's pupils are boarders, with roughly a dozen day pupils, mainly in the younger age groups. It is the School's ambition to be 'needs-blind' in its admission process.
Instead of one hand fretting and the other hand plucking, both hands sound notes by striking the strings against the fingerboard "behind" (in guitar parlance, this means a short distance towards the tuning machines) on the appropriate frets for the desired notes. For this reason, it can sound many more notes at once than some other stringed instruments, making it more comparable to a keyboard instrument than to other stringed instruments. This arrangement lends itself to playing many lines at once, and many Stick players have mastered performing bass, chords, and melody lines simultaneously. Typically, the Chapman Stick is held via a belt-hook and a shoulder strap.
The Japanese koto belongs to the Asian zither family that also comprises the Chinese zheng (ancestral to the other zithers in the family), the Korean gayageum, and the Vietnamese dan tranh. This variety of instrument came in two basic forms, a zither that had bridges and zithers without bridges. An 1878 depiction by Settei Hasegawa of a woman playing the koto When the koto was first imported to Japan, the native word koto was a generic term for any and all Japanese stringed instruments. Over time the definition of koto could not describe the wide variety of these stringed instruments and so the meanings changed.
Chord Bible is the generic name given to a variety of musical theory publications featuring a large number of chord diagrams for fretted stringed instruments. The subject matter applies exclusively to chordophones, stringed musical instruments capable of playing more than one note at a time. Members belonging to the chordophone family include the guitar, banjo, mandolin, ukulele, charango, balalaika, bajo sexto and many other stringed instruments. With the chord bible, the format only tends to apply to fretted or keyboard instruments where a clear diagram can be illustrated to show the musician where to place his or her fingers on the fingerboard or keyboard.
Numerous stringed instruments of Chinese make on display in a shop String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when the performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate.
William Cary Zucker (October 7, 1955 – September 19, 2016) was an American actor, comedian, writer, performer and musician. He was a classically trained musician and could play guitar (acoustic and electric), pianos, synthesizers and strings, drums and percussion, violin, harmonica, bass and other assorted stringed instruments.
The band has gone through many changes in structure and performance. With a floating membership of around 100 individuals playing sax, brass, percussion, and stringed instruments, it has appeared both as a mobile unit for parades, and as an amplified band with bass, fiddle, guitar, and banjo.
Singing continues through later grades in chorus. All students also learn to play musical instruments. The early grades use a flute and recorder; the upper grades begin with stringed instruments and eventually into orchestra. Movement and Physical Education is introduced in the form of games and eurythmy.
John Edward Betts (1755–1823) was an English luthier, a crafter of stringed instruments such as violins, cellos, guitars and harps. Betts, the leading instrument dealer of his time in London, was one of the first to import Italian instruments. He is buried at Cripplegate Church.
Concheras or conchas are Mexican stringed-instruments, plucked by concheros dancers. The instruments were important to help preserve elements of native culture from Eurocentric-Catholic suppression. The instruments are used by Concheros dancers for singing at "velaciones" (nighttime rituals) and for dancing at "obligaciones" (dance obligations).
Venezuelan Concert Cuatro. The cuatro is a family of larger 4-stringed instruments derived from the cavaquinho that are popular in Latin-American countries in and around the Caribbean. Versions of the iconic Venezuelan cuatro are very similar to the Brazilian cavaquinho, with a neck like a Portuguese cavaquinho.
Violin pegbox, retouched image Medieval bone tuning pin. One end is pierced for the string; the other is squared off to fit in a tuning lever socket. The middle section, which would pass through the wood, is tapered. A variety of methods are used to tune different stringed instruments.
Later, Philadelphia publishing song and music on discs and cassettes. The name was later changed to REX forlag AS, which is now merged with Hermon Forlag . Especially in the 1950s, 1960s and 1970s string music was both common and popular. These were smaller singing groups with stringed instruments.
48–53 The New York Public Library at Lincoln Center, Billy Rose Collection, has a rare tape of this broadcast. Years after this television broadcast and after the original teleplay had been unsuccessfully optioned as a non-musical Broadway play, director Albert Marre called Wasserman and suggested that he turn his play into a musical. Mitch Leigh was selected as composer, with orchestrations by Carlyle W. Hall. Unusually for the time, this show was scored for an orchestra with no violins or other traditional orchestral stringed instruments apart from a double bass, instead making heavier use of brass, woodwinds, percussion and utilizing flamenco guitars as the only stringed instruments of any sort.
In the 1960s, scholars and writers began to seriously examine the traditional music of West Africa in their search for the roots of the blues, jazz, and the other music forms that had emerged in the African diaspora. However, in this quest there was very little study and documentation of West African stringed instruments done other than in the overall context of general musical and cultural traditions. For the most part, the only stringed instruments to receive specific attention were those of the griots, such as their plucked lutes (e.g. the Mande ngoni, the Wolof xalam, the Fula hoddu, the Soninke gambare, and the kora (the 21-string harp-lute of the Mandinka griots).
Cilappatikaram makes reference to five types of instruments: Tolkaruvi (lit. 'skin instruments' = percussion), Tulaikaruvi (lit. 'holed instruments' = wind instruments), Narambukaruvi (stringed instruments), Midatrukaruvi (vocalists) and Kanchakaruvi (gongs and cymbals). The flute and the yaazh were the most popular instruments, while there were numerous kinds of percussion instruments suited for various occasions.
The area epitomizes the Ozark region in general. Nearby Mountain View is the "Folk Music Capital of the World." Nearly every family in the vicinity has stringed instruments and many residents are proficient at a variety of traditional mountain instruments including the guitar, harmonica, dobro, upright bass, mandolin, fiddle, and banjo.
After the 2000 Paralympics, Dumapong played and worked with a rondalla, an ensemble of stringed instruments composed of musically-inclined youth with disabilities. She also assists the Philippine Sports Association of the Differently Abled in various events. Dumapong gave birth to Alyssa Mei in May 2002, her first child and daughter.
Other Hamilton accessories include capos for stringed instruments, and instrument stands. Musician Bob Dylan frequently used a Hamilton capo on his guitars, and studio and concert photos reveal their distinct look. Michael Nesmith of the Monkees referenced a Hamilton stand in his song "Circle Sky", in the line "Hamilton's smiling down".
The Habesha people have a rich heritage of music and dance, using drums and stringed instruments tuned to a pentatonic scale. Arts and crafts and secular music are performed mostly by artisans, who are regarded with suspicion. Sacred music is performed and icons are painted only by men trained in monasteries.
Camelford retreated upstairs and fired upon the crowd with a pistol. During the 19th century, Bond Street became less known for its social atmosphere but increased its reputation as a street for luxury shopping. The auctioneer Phillips was established in 1796 at No. 101 Bond Street, specialising in stringed instruments and sheet music.
Parallel to Cremona, a plant in Blatná, the Dřevokov cooperative, was experimenting with electric stringed instruments led by Josef Ruzicka. They introduced the first Resonet guitars in 1954. The solid body Grazioso was a true sales success. In 1958 Ruzicka and his team moved to a new big plant in Hradec Králové.
The Council also operates a Musical Instrument Bank. Established in 1985, the Instrument Bank has acquired many valuable stringed instruments that are loaned mainly to Canadian musicians. The loans are often made to musicians as a result of juried competitions. The creation of the instrument bank was championed by Canadian cellist Denis Brott.
Gerwig made numerous LP recordings of Baroque and Renaissance lute repertoire. He received the prize of the Deutschen Schallplattenkritik in 1965, for the recording of J.S. Bach's Suite in G minor (BWV 995) a year before his death. In addition, Gerwig also composed several works for lute, guitar and other stringed instruments.
Nick Pynn at The Old Market, Brighton Nick Pynn (born 17 November 1962) is a British musician and composer noted for his use of bass pedals and live looping with electroacoustic stringed instruments. He has been described as an ‘avant folk’ artist, whose early interests were in world folk and experimental music.
The new album is more roots rock than her earlier blues rock. Fish wrote five songs on the record. She co-wrote five other songs with Jim McCormick in Nashville, Tennessee. Luther Dickinson produced the album, as well as played various stringed instruments (guitar, bass, mandolin, lap steel) to flesh out the sound.
The people of Mesopotamia preferred stringed instruments, as evidenced by their proliferation in Mesopotamian figurines, plaques, and seals. Innumerable varieties of harps are depicted, as well as lyres and lutes, the forerunner of modern stringed instruments such as the violin. Ancient Egyptian tomb painting depicting lute players, 18th Dynasty ( BC) Musical instruments used by the Egyptian culture before 2700 BC bore striking similarity to those of Mesopotamia, leading historians to conclude that the civilizations must have been in contact with one another. Sachs notes that Egypt did not possess any instruments that the Sumerian culture did not also possess. However, by 2700 BC the cultural contacts seem to have dissipated; the lyre, a prominent ceremonial instrument in Sumer, did not appear in Egypt for another 800 years.
An ancient Hindu system named the Natya Shastra, written by the sage Bharata Muni and dating from between 200 BC and 200 AD, divides instruments into four main classification groups: instruments where the sound is produced by vibrating strings; percussion instruments with skin heads; instruments where the sound is produced by vibrating columns of air; and "solid", or non-skin, percussion instruments. This system was adapted to some degree in 12th-century Europe by Johannes de Muris, who used the terms tensibilia (stringed instruments), inflatibilia (wind instruments), and percussibilia (all percussion instruments). In 1880, Victor-Charles Mahillon adapted the Natya Shastra and assigned Greek labels to the four classifications: chordophones (stringed instruments), membranophones (skin- head percussion instruments), aerophones (wind instruments), and autophones (non-skin percussion instruments).
B'ee plays the guitar, cittern, harps (both mouth harps and folk harps), harmonica, recorder, reeds and flutes. He is largely self-taught (though says he has didactically studied "16th century polyphony"). He designs and fabricates his own stringed instruments. As a live performer, B'ee is commonly associated with his pear-shaped and double-necked guitars.
He taught himself mandolin and guitar as he worked out currently popular songs in recreational pursuit. He began his musical career at the age of eight in Boston. He did not finish grade school, dropping out in the eighth grade. In 1914, Franchini joined Tony Colucci and Gus Sullo in a trio of stringed instruments.
The Ottawa Folklore Centre (OFC) was an instrument and music store in Ottawa, the national capital of Canada. It closed in July 2015 due to bankruptcy. It mostly sold stringed instruments, such as guitars, banjos, basses, and many uncommon ethnic instruments. They sold mostly acoustic guitars, however, they did sell electric guitars and amplifiers.
The Etruscan musical instruments seen in frescoes and bas- reliefs are different types of pipes, such as the plagiaulos (the pipes of Pan or Syrinx), the alabaster pipe and the famous double pipes, accompanied on percussion instruments such as the tintinnabulum, tympanum and crotales, and later by stringed instruments like the lyre and kithara.
Variations in the frequency of harmonics can also affect the perceived fundamental pitch. These variations, most clearly documented in the piano and other stringed instruments but also apparent in brass instruments, are caused by a combination of metal stiffness and the interaction of the vibrating air or string with the resonating body of the instrument.
It is valued for making drums in Africa due to its tonal resonance. The wood is also favored for its use in stringed instruments (namely acoustic and electric guitars) for its tonal attributes and durability. Dust from the wood produced during wood processing can cause dermatitis in some people.Kiec-Swierczynska, M., Krecisz, B., Swierczynska-Machura, D., Palczynski, C. (2004).
This tari zapin shows footwork quickly following the pounding of punches on a small drum called marwas . The rhythmic harmony of the instrument is increasingly melodious with stringed instruments. Because of the influence of the Arabs, this dance does indeed feel educative without losing the entertainment side. There is an insert of a religious message in the song lyrics.
Johnson String Instrument is a full service provider of new and previously owned stringed instruments and accessories, including their rental, sales, restoration, repair and appraisal. Located in Newton Upper Falls, Massachusetts, the company was founded in 1976 by Carol and Roger Johnson, and is currently owned by their son, Adam Johnson. The company is privately held.
Mbaku 189. Musical accompaniment may be as simple as clapping hands and stomping feet,Mbaku 191. but traditional instruments include bells worn by dancers, clappers, drums and talking drums, flutes, horns, rattles, scrapers, stringed instruments, whistles, and xylophones; the exact combination varies with ethnic group and region. Some performers sing complete songs by themselves, accompanied by a harplike instrument.
Seraphin's stringed instruments use a varnish that ranges in color from golden brown to an orange red. The varnish is usually transparent, lustrous and soft, but occasionally displays a hard, dry and crackled appearance. A Seraphin violin ranges in value from $20,000 to $850,000, depending on condition and provenance. Approximately 300 Seraphin instruments are known to exist.
One common example of plastic purfling is a sandwich of three alternating strips in black and white, measuring about . However, many distinctive variations are used. Binding is a narrow outer strip of material on the edges of the body of stringed instruments such as lutes, mandolins, guitars and ukuleles. Binding may be made of thin wood strips.
Tanglewood Guitars is an English manufacturer of stringed instruments, including electric, steel-string acoustic and classical guitars, bass guitars, banjos, mandolins, ukuleles, and guitar amplifiers.Tanglewood Guitars are Coming, Premier Guitar magazine, published 12 December 2007, retrieved 27 February 2015. Instruments are designed in the United KingdomAbout Us, Tanglewood Guitar Company, retrieved 26 February 2015. and manufactured in China.
1600–1750), it more commonly had five courses (still double-strung) and used a variety of tunings, some of them re-entrant. By the early eighteenth century, six double-strung courses had become common. Up to this point, most stringed instruments were strung with gut strings. At around 1800, quality metal-wire strings became widely available.
The song uses piano, electric guitar, triangle, and various stringed instruments. "M", unlike Hamasaki's antecedent songs, does not follow the verse-chorus form; rather, the song opens with an introduction that is followed by a brief instrumental bridge that precedes two verses.The sheet music of "M" from Ayumi Hamasaki - Piano Solo - New Piano Sounds Top 25. Volume 7.
Stringed instruments use different techniques such as bowing, picking, or a technique by plucking the strings with the hand. This technique is called pizzicato. String instruments use these methods to achieve different articulations, varying the speed, pressure, and angle of the bow or pick. Musicians use articulation to create a link between notes, such as legato.
Stella was an American guitar brand owned by the Oscar Schmidt Company. It was founded around 1899.Vintage Guitar Price Guide The Stella brand consists of low and mid-level stringed instruments. Stella guitars were played by notable artists, including Robert Johnson, Lead Belly, Charlie Patton, Doc Watson and Willie Nelson who learned to play on one.
Stella was one of several musical instrument brands made in Jersey City, New Jersey, by the Oscar Schmidt Company. Other Schmidt brands included "Sovereign" and "La Scala". The company produced low and mid-level stringed instruments such as guitars, mandolins, banjos and autoharps. The company thrived during the first quarter of the 20th century, producing many thousands of instruments.
Stringed music is prominent in China, especially in the Jiangnan region, where it is the name of all the instruments made from wood and string. This form of performance started from the Jin dynasty (265–420). The most common Chinese stringed instruments are the guqin, zheng, erhu, and pipa. These instruments were developed over thousands of years.
The bodies of these angels are elongated and folded in order to fit the form of the architecture. Very different are the musician angels which are seated directly below. Some of their instruments are recognizable: two little organ, a tambourine, a big flute, different harps of various shapes and other stringed instruments like the rebec, lute and psaltery.
The New York Times, 29 > October 1920. accessed online In addition to this repertoire, Torello also performed with Mardones in Mozart's aria "Per questa bella mano". Torello's use of his three stringed solo instrument was at a time when performance on three stringed instruments had mostly disappeared,Brun, Paul. A New History of the Double Bass.
The company BassLab produces stringed instruments, mainly basses and guitars, and also some versions of the Chapman Stick and a viola model for Ned Steinberger. Each instrument is crafted of a mixed material, "Tunable Mixed Composite". The company was founded by the physicist Heiko Hoepfinger in Kassel, Germany. Every instrument is still hand-crafted in Germany.
It is also considered an acceptable, though not ideal, wood for construction of aircraft.Kroes, Watkins, and Delp: Aircraft Maintenance and Repair, sixth edition, page 66, McGraw Hill, 1993 However, it is considered more than acceptable for use in stringed instruments. Its fine grain, good strength and tonal quality are highly regarded for soundboards in guitar making.
The Borobudur's musicians play lute-like stringed instruments, kendang drums, suling flutes, small cymbals and bells. Some of these musical instruments are indeed included in a complete gamelan orchestra. Musical instruments such as the bamboo flute, bells, drums in various sizes, lute, and bowed and plucked string instruments were identified in this image. However it lacks metallophones and xylophones.
The Museum has three permanent galleries, alongside regularly changing displays and exhibitions. Together they cover an array of eras, instruments and subjects, including stringed instruments from the 16th century onwards. The galleries act as a showcase for the work of performers, composers, instrument makers and scholars from a wide range of musical and other relevant disciplines.
The Amaryllis Chamber Ensemble was founded in 2000 by students from The Boston Conservatory. The original instrumentation of the ensemble was flute, violin and cello, however the group soon expanded to include other woodwind and stringed instruments. The ensemble took its name from flutist and composer Bonnie Cochran's piece entitled, Amaryllis—the first piece ever performed by the ensemble.
Cuneiform sources reveal an orderly organized system of diatonic scales, depending on the tuning of stringed instruments in alternating fifths and fourths. Instruments of ancient Mesopotamia include harps, lyres, lutes, reed pipes, and drums. Many of these were shared with neighbouring cultures. Contemporary East African lyres and West African lutes preserve many features of Mesopotamian instruments .
The oldest form of merengue was typically played on stringed instruments. When the accordion came to the island in the 1880s, introduced by German traders, it quickly became the primary instrument, and to this day is still the instrument of choice in merengue tipico. Later on, the piano and brass instruments were introduced to the genre.
In the background the Brussels Town Hall is discernible. The sitters comprise men, women and children and a mix of aristocrats and bourgeois. Five of them are holding stringed instruments (lute, viols and violins). At the centre of the group is a child who is wearing red heels, an indication that he is of royal descent.
Alexander "Sandy" Bull (February 25, 1941 – April 11, 2001) was an American folk musician and composer. Bull was an accomplished player of many stringed instruments, including guitar, pedal steel guitar, banjo, and oud. His early work blends non-western instruments with 1960s folk revival, and has been cited as important in the development of psychedelic music.
Spookey Ruben is a Canadian musician, producer, songwriter, composer, and filmmaker. Best known for his song and music video "These Days Are old", Deil's songwriting and eccentric production techniques often contrast high and low vocals, analogue keyboards, found sounds, sampled beats and stringed instruments such as electric and Spanish guitar. Spookey has released seven full-length solo albums.
The unfretted stringed instruments from the violin family (the violin, the viola, the cello and the double bass) are quite flexible in the way pitches can be adjusted. Stringed instruments that are not playing with fixed pitch instruments tend to adjust the pitch of key notes such as thirds and leading tones so that the pitches differ from equal temperament. Trombones have a slide that allows arbitrary tuning during performance. French horns can be tuned by shortening or lengthening the main tuning slide on the back of the instrument, with each individual rotary or piston slide for each rotary or piston valve, and by using the right hand inside the bell to adjust the pitch by pushing the hand in deeper to sharp the note, or pulling it out to flatten the note while playing.
Presently, the term in Filipino culture refers to any group of stringed instruments that are played using the plectrum or pick.Filipino Arts & Music Ensemble , Filipino Heritage, The Making of a Nation, Volume 9, 1978, famenyc.org The Filipino instruments are made from indigenous Philippine wood and the plectrum, or picks, are made from tortoise-shell. Other stringed instruments composing the standard Filipino rondalla are the bandurria, the laúd, the octavina, the Twelve-string guitar, the Ukulele, the bajo de uñas or double bass, the Guitarrón mexicano, and other Filipino-made instruments modeled and developed after the violin. The Philippine rondalla’s repertoire include folk songs such as the collar de sampaguita, la bella filipina, No te vayas a Zamboanga, Balitaw, the Kundiman, the "Zarzuela", the "Subli", the "Harana", the "Tinikling", and the "Cariñosa".
Gunn was born in Edinburgh about 1765. Gunn taught violoncello and flute in Cambridge. From 1789 he was in London for several years, making studies in languages and history in his leisure moments. He wrote at Cambridge his Treatise on the Origin of Stringed Instruments, and published it with his Theory and Practice of Fingering the Violoncello, with Examples, about 1789.
The most familiar examples of acoustic resonators are in musical instruments. Every musical instrument has resonators. Some generate the sound directly, such as the wooden bars in a xylophone, the head of a drum, the strings in stringed instruments, and the pipes in an organ. Some modify the sound by enhancing particular frequencies, such as the sound box of a guitar or violin.
The Stringed Instruments Museum in Portuguese: Museu dos Cordofones is located in Tebosa, in the surroundings of the city of Braga, Portugal dedicated to traditional Portuguese string instruments. The collection features Portuguese instruments from the Middle Ages through to modern times, some have fallen into disuse. In the exhibit are Cavaquinhos, Portuguese guitars, Mandolins, banjos among others. The museum opened in 1995.
Dongjing is traditional performed during the Chinese Lunar New Year. The President of the Dayan Naxi Ancient Music Association, Xuan Ke, has claimed that donjing originated from the religious and imperial music of the Tang and Song dynasties . (thus placing its origins between 618 and 1279). This same period saw the developed of ci poetry, which accompanied music led by stringed instruments.
The connection of Scotland its love of stringed instruments is both ancient and recorded. An Iron Age lyre dating to circa 300 BC was discovered on the Isle of Skye making it Europes earliest surviving stringed instrument. The earliest descriptions of a European triangular framed harp i.e. harps with a fore pillar are found on carved 8th century Pictish stones.
Grupo Aymara are a Bolivian folk troupe that have been acclaimed worldwide for its inspiring interpretations of traditional music of pre-Hispanic and contemporary music of the Andes, particularly that of the Aymara and Quechua speaking people of Bolivia. They perform their evocative music on indigenous flutes, panpipes and drums, as well as stringed instruments introduced since the Spanish conquest.
With only two stringed instruments, this option was not available. Instead, Tchaikovsky treats the violin and cello as melodic soloists, with the piano both conversing with them and providing harmonic support.Brown, Man and Music, 239. The String Sextet, entitled Souvenir de Florence, is considered by some to be more interesting than the Piano Trio, better music intrinsically and better written.
In 1987, Yeubrey and musician Robin George of the band Magnum invented the onboard 'compact tuner', which allowed stringed instruments to include built-in frequency counting tuning device (Patent EP0269652). The Yeubrey/George form of tuning is now a worldwide standard. Yeubrey is also leading a campaign to honour the former England captain Billy Wright CBE, with a posthumous knighthood.
Sadler was born in Buffalo, New York, the son of Jane and William Sadler. He is of mostly Scottish descent, with smaller amounts of English and German ancestry. From an early age, he took to performing in front of an audience. Playing a variety of stringed instruments, Sadler found hometown success during his high-school years at Orchard Park High School.
Luis and Clark, or L&C;, is a small, family run company that sells carbon fiber stringed instruments invented and designed by cellist Luis Leguía (Louie) of the Boston Symphony Orchestra. Their line consists of a violin, viola, cello and double bass, and they have recently started producing half- sized cellos, with plans for a classical guitar currently in development.
His next older half brother was Pete Seeger. His uncle, Alan Seeger, the poet who wrote "I have a rendezvous with Death", was killed during the First World War. Seeger was a self-taught musician who began playing stringed instruments at the age of 18. He also sang Sacred Harp with British folk singer Ewan MacColl and his son, Calum.
Pekarek was born and raised in Denver, Colorado. She grew up in a household with her parents and one sibling, an older sister. She began playing the cello at age nine, performing in her school's orchestra. She chose the cello because the school's policy was that only fifth-graders could play woodwind instruments, while fourth-graders could play stringed instruments.
Valencian folk group 'La Rondalla de la Costera' performing live in Dénia. The rondalla is an ensemble of stringed instruments played with the plectrum or pick and generally known as plectrum instruments. It originated in Medieval Spain, especially in the ancient Crown of Aragon: Catalonia, Aragon, Murcia, and Valencia. The tradition was later taken to Spanish America and the Philippines.
Cumpiano is writer/consultant for the Question & Answer column of Acoustic Guitar. Cumpiano is putting the finishing touches on the manuscript of "The Cuatro Project", which he and his comrades began fifteen years ago, tracing the roots and evolution of Puerto Rican traditional stringed instruments. He has been active giving community instrument-making workshops in Chicago, Massachusetts and Puerto Rico.
Abdennour began playing stringed instruments at age 8, including mandolin, mondol, banjo and guitar. He met Amar Ezzahi, one of the masters of the Algerian chaâbi in 1983, when he was only 17 years old. Two years later, he began to work with him, playing banjo and performing. Working with the experienced musician gave him knowledge and experience and he refined his technique.
In Russian, Ukrainian and Belarusian, the instrument is called "wheel lyre" (колёсная лира, колісна ліра, колавая ліра). In Poland it is called "cranked lyre" (lira korbowa). Leier, lant, and related terms today are generally used to refer to members of the lute or lyre family, but historically had a broader range of meaning and were used for many types of stringed instruments.
The story is usually told by a small number of people. The most standard number is 1 or 2, sometimes extending to 4 or higher. Quyi is often accompanied by clappers, drums, or stringed instruments, with the presenter wearing costumes at times. Unlike Chinese operas which has a fixed style for costume, quyi costumes vary depending on the era of the story plot.
While living in Tennessee, Fred Hedges founded two companies. In the mid-1960s Hedges established an industrial engraving business which specialized in the manufacturing of guitar parts. In 1974 Hedges started a retail music store located in Mt. Juliet, Tennessee. Fred Hedges is credited for hundreds of people learning to play the guitar and other stringed instruments in Nashville, Tennessee.
The show brought together the orchestra's stringed instruments, piano, guitar, bandoneons, singers, and dancers. Other singers like Gustavo Nocetti, Susana Rinaldi, Daniel Cortés, Eladia Blázquez, Darío Solari, and Miguel Ángel Maidana have also performed with the Philharmonic. On this occasion, the Philharmonic and Canoura gave a tour around Brazil, passing through the cities of Porto Alegre, Rio de Janeiro, and São Paulo.
Senakah incorporates heavy guitar influence along with harmonic vocals and stringed instruments such as the cello and viola. Lead singer Rob Hope has been compared to "Eddie Vedder on his best day." Sweeter than Bourbon, the debut studio album from the band, deals with Ireland's social issues including domestic violence which is evidenced by the lyrics in their single "Clarity".
Walter Hamma was president of the international violin making society EILA from 1963-1965. He was named as one of the leading experts for stringed instruments, and his book about Italian and German instruments are still very important books in the world of violin making. In 1982 he retired and the family business that had existed since 1864 was closed.
U.S. POWs were then able to communicate securely with one another via the quadratic alphabet code. The tune has been used innumerable times as a coda or ending in musical pieces. It is strongly associated with the stringed instruments of bluegrass music, particularly the 5-string banjo. Earl Scruggs often ended a song with this phrase or a variation of it.
An augmented tuning is a tuning system for musical instruments that is associated with augmented triads, that is a root note, a major third, and an augmented fifth. The augmented fifth is constructed by stacking the major third with another major third. Consequently, all of the intervals are major thirds. Augmented tunings are used for stringed instruments, especially guitars, and for wind instruments.
The se piri is the smaller, thinner, and much quieter one. Additionally, because of its quiet tone, it is used along with voices or soft stringed instruments. The Dang/Tang piri is wider and is similar to the Chinese guanzi instrument. Additionally, the dae piri is a modernized piri, with keys and a bell, looking much more like a western oboe.
Standing waves on a string A wave on a string experiences a 180° phase change when it reflects from a point where the string is fixed. Reflections from the free end of a string exhibit no phase change. The phase change when reflecting from a fixed point contributes to the formation of standing waves on strings, which produce the sound from stringed instruments.
The film was shot on location at Brodick Castle in North Ayrshire, Wrotham Park in Hertfordshire, and London. Interiors were filmed at the Pinewood Studios in Buckinghamshire. For the soundtrack, composer Edward Shearmur relied on the piano, harp, stringed instruments, ethnic flutes, santour, violin, and Eastern percussion instruments to imitate Sephardi melodies of the era. Songs were performed in Ladino by Ofra Haza.
The open front end of the sound box is covered with snake skin. As with many of the diverse instruments in China, many Huqin stringed instruments were used in feudal times to accentuate traditions, festivals, rituals, and court life. Chinese operas, especially in Beijing, required the use of elegant music and instruments, thus many woodwinds, drums, and stringed instruments including the Jiaohu were used in ensembles to give operas more emotional meaning. It has two strings and its sound box is made from the horn of a cow. The open front end of the sound box is covered with snake skin. The instrument is used primarily by the Gelao people of the southern Chinese province of Guangxi. The instrument's name is derived from the Chinese words jiǎo (角, meaning "horn") and hú (胡, short for huqin).
As well as more than 20 sacred vocal works, a few organ and keyboard works survive. Best known among his sacred works is O amantissime sponse Jesu, a cantata for soprano and five stringed instruments. A number of musicologists, amongst them Hans Joachim Moser and Richard Buchmayer, author of the first major study on Ritter, assess his compositions as being of exceptionally high quality.
There are spurious claims by two other military bands, for being the oldest in the kingdom, but these cannot be substantiated, and that there is a significant difference between bands of drums and fifes, or trumpets, and those in which all instruments play in both four part harmony and counterpoint. In the case of the Artillery, their musicians were also required to play stringed instruments.
Gärtner Lyre.This modern lyre was created by Edmund Pracht and W. Lothar Gärtner in 1926. Lyres from various times and places are sometimes regarded by organologists as a branch of the zither family, a general category that includes not only zithers, but many different stringed instruments, such as lutes, guitars, kantele, and psalteries. Others view the lyre and zither as being two separate classes.
The band signed a contract with Polygram Records. Animal Bag made three albums, the self-titled debut "Animal Bag" in 1992, the acoustic EP "Offering" and the unreleased album "Image Damage". Rich appeared with the group on the pilot episode of the television program My So-Called Life. His talents lay in writing, composing, and playing music, especially all types of stringed instruments, but particularly the guitar.
From 1961 to 1967, Standel had a short period as a manufacturer of stringed instruments. Bob Crooks made several attempts to market a Standel guitar. The first attempt resulted in 10 prototypes made by Semi Mosely. Joe Hall built the next line of guitars, a run of Mosrite-inspired double-cutaway guitars and a basses that featured an aluminum casting that housed the pickups, bridge and tailpiece.
Recording rosters show that beginning in September 1935, Wills utilized two fiddles, two guitars, and Leon McAuliffe playing steel guitar, banjo, drums and other instruments during recording sessions.Townsend, pp. 339 and 340. The amplified stringed instruments, especially the steel guitar, gave the music its distinctive sound. As early as 1934 or 1935 Bob Dunn electrified a Martin O-series acoustic guitar while playing with Milton Brown's Brownies.
Secret Messages is the tenth studio album by Electric Light Orchestra (ELO), released in 1983 on Jet Records. It was the last ELO album with bass guitarist Kelly Groucutt, conductor Louis Clark and real stringed instruments, and the last ELO album to be released on the Jet label. It was also the final ELO studio album to become a worldwide top 40 hit upon release.
Mentor has four orchestras in its program, including Concert, Sinfonia, Symphony, and Mannheim. Concert Orchestra is the smallest group, composed of stringed instruments and requires no audition to join. Sinfonia is a string-only ensemble for younger students who are committed to practicing but not yet prepared for Symphony Orchestra. Symphony Orchestra is the largest group and consists of string, percussion and wind instruments.
Various types of stringed instruments and drums have been recovered from Harrappa and Mohenjo Daro by excavations carried out by Sir Mortimer Wheeler.World History: Societies of the Past By Charles Kahn (p. 11) The Rigveda has elements of present Indian music, with a musical notation to denote the metre and the mode of chanting.World Music: The Basics By Nidel Nidel, Richard O. Nidel (p.
The November 1903 of BMG magazine, first published by Clifford Essex in London. The Banjo, Mandolin and Guitar (BMG) movement is a music genre based on the family of fretted stringed instruments played with a plectrum or fingers, with or without fingerpicks. The instruments include the banjo, mandolin and guitar. This became popular in the USA in the late 19th century and into the 20th century.
With the advent of electronic music technology and availability of traditional instruments, fusion forms of the two eventually arose. Such genres use electronic musical instruments and/or traditional folk arrangements, acoustic instruments, and the like, to create distinct styles. For example, they may use acoustic instruments―stringed instruments―while incorporating hip hop, or four-on-the-floor rhythms,Jurek, Thom. "Crowder" by Neon Steeple. Allmusic.
Musicians have used plectra to play stringed instruments for thousands of years.Hoover, pp. 11-12. Feather quills were likely the first standardized plectra and became widely used until the late 19th century. At that point, the shift towards what became the superior plectrum material took place; the outer shell casing of an Atlantic hawksbill sea turtle, which would colloquially be referred to as tortoiseshell.
The song had been re- written slightly to include some high notes and a belly dancing routine was added. Erener sang counter to the rhythm in places and the backing vocals were synthesised with Turkish stringed instruments. The voting on the night saw Russia, Turkey and Belgium switch places at the top a number of times before Slovenia eventually gave Turkey the victory by just two points.
Bachi for string instruments Bachi used for stringed instruments are actually picks. They are very distinct in form and use from Western-style picks, which are usually smaller in order to be held between or mounted to fingers. In shape, bachi are similar to an ice scraper or a putty knife. Bachi can be made of various materials and with varying levels of strength.
Traditional Ecuadorian music can be classified as mestizo, Indian and Afro-Ecuadorian music. Mestizo music evolved from the interrelation between Spanish and Indian music. It has rhythms such as pasacalles, pasillos, albazos and sanjuanitos, and is usually played by stringed instruments. There are also regional variations: coastal styles, such as vals (similar to Vals Peruano (Waltz)) and montubio music (from the coastal hill country).
Leopold played stringed instruments, in particular the viola de gamba. While some of Bach's music for that instrument written for the virtuoso Christian Ferdinand Abel to perform, it appears that easier music would have been performed by Leopold. Leopold and Bach appear to have had a good relationship. The prince stood as godfather for Bach's son, Leopold Augustus, who died in infancy in 1719.
As the tin content in a bell or cymbal rises, the timbre drops. Bronze is also used for the windings of steel and nylon strings of various stringed instruments such as the double bass, piano, harpsichord, and guitar. Bronze strings are commonly reserved on pianoforte for the lower pitch tones, as they possess a superior sustain quality to that of high-tensile steel.McCreight, Tim.
Ramos settled into a role providing vocals and playing banjo as well as other stringed instruments. He was noted as being "one of the more popular ones" as he "stood out like a sore thumb." They recorded their 1962 debut album, Presenting The New Christy Minstrels, which subsequently won a 1963 Grammy Award for Best Performance by a Chorus. Ramos toured almost every day for three years after joining the group.
The Charanguita (a Spanish hybrid word of "Charango" and "guitar") is a modern instrument created in the traditional Bolivian style of stringed instruments., resembling an upside-down guitar, with the body of the instrument nearer to the head of the performer, like a violin. The charanguita is, thus, a hybrid of a charango and a guitar. A charanguita player can vary the notes and volume independently of its pitch.
Because of the history of stringed instruments like the seprewa in the region, musicians were happy to incorporate the guitar. They also used the dagomba style, borrowed from Kru sailors from Liberia, to create highlife's two-finger picking style. Guitar band highlife also featured singing, drums and claves. E.K. Nyame and his Akan Trio helped to popularize guitar band highlife, and would release over 400 records during Nyame's lifetime.
Appalachian dulcimers are often made by individual craftsmen and small, family-run businesses located in the American South and particularly in Appalachia. It is easy and relatively common to order custom instruments, and custom-built Appalachian dulcimers can run considerably less in cost than other custom-built stringed instruments (e.g., guitar, mandolin, or banjo). Cheap imports from Romania, Pakistan and China are slowly making inroads into the American market.
During the 1960s and 1970s, Pearse was much in demand as a studio session musician and record producer for several companies. He continued to write tuition books for the guitar and other stringed instruments. He became well known in Germany, headlining folk festivals and described by the weekly magazine Stern as "the nation's guitar teacher". In 1978 he moved to the USA, where he designed products for the Martin Guitar Company.
Electro-Spanish Model B The Electro-Spanish Model B was the world's first production, solid body (Bakelite) electrified lap steel guitar, officially released in 1935 by Rickenbacker. Commercially, it was the most successful musical instrument manufactured by Rickenbacker. Though not entirely solid - it had thick plastic (Bakelite) walls and a detachable Spanish neck. The instrument was created to eliminate the feedback found in conventional electrification of stringed instruments.
In 1960, Newman and two fellow ASU students decided to tour the world with their stringed instruments. Newman sold one of his guitars and an amplifier to help fund their six-month trip. Newman played guitar, John Southern played the banjo, and Ron Iverson provided vocals. They started out with $160 cash and paid for their rest of their travel expenses by performing and finding money-making opportunities along the way.
Also influenced by Western culture, it is relatively diversified. Of major note in Tunisian classical music is the Malouf. Deriving from the reign of the Aghlabids in the 15th century, it is a particular type of Arab-Andalusian music. In urban areas it uses stringed instruments (fiddle, oud and Kanun) and percussion (darbuka) while in rural areas, it may also be accompanied by instruments like the mezoued, gasba and the zurna.
His late father was a keyboardist and songwriter in a gospel band called Pro Fide, his mother is a cantor and brother a drummer. Kela began his musical career playing various stringed instruments, including the violin, cello and contrabass. However he was more interested in rock music, and wanted to play bass instead. At the age of 13 in 1985 Kela formed a gospel band Yhdeksäs hetki with his school mates.
He said his orchestra intends to restring their mandolone, to tune it in fourths instead (which he says is standard with bass-family, stringed instruments). Another way of tuning the mandolone has been written about by Vincent Schisano. He indicates that a version of the instrument could have its strings tuned individually instead of in pairs, showing a tuning pattern D-E-F-B-E-G-C-F.
In 1920, the company was said to be the world's largest manufacturer of stringed instruments. Stella instruments were noted for their good tone and relatively low price. Top of the line Stella and Sovereign guitars cost a fraction of the lowest end Gibson or C. F. Martin instruments. After struggling through the Great Depression, the company sold their fretted instrument division in the late 1930s, but continued to make autoharps.
12) which described musical techniques of the time, indicate polyphony. One pipe in the aulos pairs (double flutes) likely served as a drone or "keynote," while the other played melodic passages. Instruments, such as the seven holed flute and various types of stringed instruments have been recovered from the Indus valley civilization archaeological sites. Indian classical music (marga) can be found from the scriptures of the Hindu tradition, the Vedas.
"Don't Stop Movin'" is a song by S Club 7, released as a single on 23 April 2001. The song was written by the group, along with their regular songwriter Simon Ellis, together with Sheppard Solomon. Solomon had worked on hits in the 1990s by Eternal and Michelle Gayle. The song features lead vocals by Bradley McIntosh and Jo O'Meara and has a disco style with violins and other stringed instruments.
Barnes also wanted to add an element of technical sound making to the project. Barnes and his collaborators often modify or create their own musical instruments in order to get specific sounds for their tracks. Some examples of these instrument and sound creations include stringed instruments, pre-amps, amplifiers and other acoustic instruments. Barnes reportedly is fascinated with waveform manipulation, another theme that is prominent throughout Amps for Christ.
Fender Musical Instruments Corporation (FMIC, or simply Fender) is an American manufacturer of stringed instruments and amplifiers. Fender produces acoustic guitars, bass amplifiers and public address equipment, but is best known for its solid-body electric guitars and bass guitars, particularly the Stratocaster, Telecaster, Precision Bass, and the Jazz Bass. The company was founded in Fullerton, California, by Clarence Leonidas "Leo" Fender in 1946. Its headquarters are in Scottsdale, Arizona.
Come to the HamilTron bluegrass Muffin show. Te Awamutu Courier. p. 21 with robotic group The Trons and the legendary Hamilton County Bluegrass Band. Since 2012 the band have almost exclusively performed live and on recordings using ukuleles and other stringed instruments made by Galbraith, who is a professional instrument maker in his own right who uses native New Zealand timbers in construction of his ukuleles and basses.
In the left hand, each finger is responsible for exactly one fret. For each hand-position of four frets, the left hand is stationary while its fingers move. Consequently, three hand-positions (of frets 1-4, 5-8, and 9-12) cover the 12-fret octave of each string. In common with other classical stringed instruments, classical guitar playing and notation use formal positions of the left hand.
Stradivari Paganini was in possession of a number of fine stringed instruments. More legendary than these were the circumstances under which he obtained (and lost) some of them. While Paganini was still a teenager in Livorno, a wealthy businessman named Livron lent him a violin, made by the master luthier Giuseppe Guarneri, for a concert. Livron was so impressed with Paganini's playing that he refused to take it back.
In Hindustani music, meend (Hindi: मीण्ड, ) refers to a glide from one note to another.Introduction to Meend at the ITC Sangeet Research Academy. It is an essential performance practice, and is used often in vocal and instrumental music. On the veena, sitar, sarangi and other plucked stringed instruments, it is usually done by pushing the strings across the frets to vary their effective length and tension; compare portamento and finger vibrato.
The > "Ashiko" dance is chiefly performed by Christian people, and has only one > kind of music, rather quicker than the "Sakara" . . . and resembles a fox- > trot. No stringed instruments are employed, only drums and carpenter's saw, > used occasionally to make a kind of noise on its sharp edge, as an > embellishment to "Ashiko" drum music. Sometimes a bottle is also used, a > nail beating time on it, for the same purpose.
The culture of these northern people extends far into Togo's neighbouring states, Ghana and Burkina Faso. The Dagomba people play stringed instruments such as the kologo (xalam) and the gonjey), flute and voice, with poly-rhythms clapped or played on the talking drum, gourd drums or brekete. The tradition of gyil xylophone music is also common, with several players producing intricate cycling rhythms. Other folk instruments include the bow.
On stringed instruments, this is played by sounding a muted string. "Muted to the point where it is more percussive sounding than obvious and clear in pitch. There is a pitch, to be sure, but its musical value is more rhythmic than melodic or harmonic...they add momentum and drive to any bass line." Occurring in a rhythmic figure, they are purposely deemphasized, often to the point of near silence.
Since 2011 Becker Guitars has introduced its second production line, the HeadHunter Series. The HeadHunter Series consisted of 24 fret, neck-through guitars with figured maple tops, burst finishes, and semi-hollow options. In addition to the Retro and HeadHunter series, Becker continued to build custom guitars, basses, and other stringed instruments until the spring of 2016 when Martin left the company. Unable to produce instruments Becker was forced underground.
Bluegrass artists use a variety of stringed instruments. Bluegrass, as a distinct musical form, developed from elements of old-time music and traditional music of the Appalachian region of the United States. The Appalachian region was where many English and Ulster-Scots immigrants settled, bringing with them the musical traditions of their homelands. Hence the sounds of jigs and reels, especially as played on the fiddle, were innate to the developing style.
The Collection possesses stringed instruments by Stradivari, Guarneri, and Stainer. Also included are a number of historical wind instruments, world instruments, and a large collection of bells given in 1975 by Robyna Neilson Ketchum. The Collection maintains permanent exhibits, regularly mounts special exhibitions, and is open to the public during regular visiting hours. In addition to presentations made to Yale classes, the Collection offers tours and lecture- demonstrations to school and private groups by appointment.
Hence musicians took up the violin, tsimbl (or cymbalom), and other stringed instruments. The first musician to play klezmer in European concerts, Josef Gusikov, played a type of xylophone which he invented and called a "wood and straw instrument". It was laid out like a cymbalom, and attracted comments from Felix Mendelssohn (highly favourable) and Liszt (condemnatory). Later, around 1855 under the reign of Alexander II of Russia, Ukraine permitted loud instruments.
Vladimir Mulyavin was born in Sverdlovsk (now Yekaterinburg) in the family of a worker at the Uralmash plant. He started playing the guitar at the age of 12. In 1956, after graduating from school, he entered Sverdlovsk Musical School, department of stringed instruments. He was expelled from the school for misconduct and an overt interest in jazz, nevertheless he was reinstated after some time, and he left the school by own initiative.
Besides guitar, Stever plays other stringed instruments such as the lap steel, banjo, mandolin, and dobro. He is credited with these instruments on various tracks of Coheed albums, and experiments with many of them on the Davenport Cabinet albums. He uses a guitar talk box, as seen in Neverender Box Set. He contributed to The Prize Fighter Inferno's My Brother's Blood Machine by playing lap steel on "Wayne Andrews, The Old Beekeeper".
Greg Smallman (born 19 June 1947 in Cronulla, Australia) was the first internationally successful non-traditional Australian guitar-maker. He is known worldwide for his innovative guitar designsThe Classical Guitar Book A Complete History" published by Backbeat BooksThe Twang Dynasty A history of plucked stringed instruments in Australasia from 1836 to 2012 " published by Boss Publishing Although his guitars are in outward appearance similar to a traditional Spanish classical guitar, there are numerous innovative differences.
In subsequent dynasties, the development of Chinese music was strongly influenced by foreign music, especially that of Central Asia. Chinese vocal music has traditionally been sung in a thin, nonresonant voice or in falsetto and is usually solo rather than choral. All traditional Chinese music is melodic rather than harmonic. Instrumental music is played on solo instruments or in small ensembles of plucked and bowed stringed instruments, flutes, and various cymbals, gongs, and drums.
Old-time music is played using a wide variety of stringed instruments. The instrumentation of an old-time group is often determined by what instruments are available, as well as by tradition. The most common instruments are acoustic string instruments. Historically, the fiddle was nearly always the leading melodic instrument, and in many instances (if no other instruments were available) dances were accompanied only by a single fiddler, who often also acted as dance caller.
Composer Fabio Frizzi also contributed to Paura nella città dei morti viventi, ...E tu vivrai nel terrore! L'aldilà, Manhattan Baby, and Fulci's 1990 film Un gatto nel cervello. The film's score was performed on a carillon, accompanied by stringed instruments, synthesisers and piano notes. The score has been described as "simple, elegant and gravely beautiful", and has been noted for "steer[ing] clear of rampant atonality and shrieking strings", unlike typical giallo film scores.
Also played in the Theatre of Massimo in Rome. After his son died and he used music as a way to "stifle and conquer his grief". He taught as a professor of stringed instruments at the college level and worked as a conductor of the Philharmonic Society. He also helped found the Liceo Musicale di St. Cecilia in rome and taught as a professor of harmony there and worked as a librarian.
One of the 'original'-style Shubb capos Shubb is a company that specialises in producing capos for all kinds of stringed instruments. The company was formed in 1974 by banjoists Rick Shubb and Dave Coontz. Shubb capos remain a top- selling capo forty years after their invention. Shubb wanted to create a capo that would not make his instrument go out of tune, which has resulted in ongoing efforts to refine his invention.
The history of the se extends back to early Chinese history. It was one of the most important stringed instruments to be created in China, other than the guzheng. The se was a highly popular instrument during the Western Zhou and Spring and Autumn period. Together with the qin, it is mentioned in the well-known first poem of the Classic of Poetry, "Guan ju", a work dating to the seventh century BCE.
"Australia" uses a combination of "subtle drumbeats", acoustic guitar and stringed instruments to create its sound. The use of the violin and cello are said to give the "song some extra depth". The "strong marching-band beat" of Rob Nassif's drum kit, along with the contribution of Sanders' "intimate delivery" on vocals are a main feature of the song, which is credited for its "lush melodic arrangement with perfectly placed orchestral flourishes".
His first few guitars were nylon-stringed instruments for classical players. He soon found himself drawn to the construction of steel- string guitars, a descendant of the classical guitar, but used by a wide range of artists in folk and rock, and finger-picking virtuosos such as Alex De Grassi and Leo Kottke. The steel-string crowd — players and builders — was "more easy-going than the classical people. Not as uptight," Somogyi said.
S. Patent No. 508858) awarded to Back with half-ownership assigned to Orme. The critical feature described in the patent is a "raised longitudinal belly ridge" extending along the top of the instrument, under the strings, from the end of the fingerboard to the tailpiece. The innovation is depicted on a guitar in the patent application but the patent text makes mention of its applicability to other stringed instruments. A subsequent design patent (U.
Dating to around c. 13,000–BC, a cave painting in the Trois Frères cave in France depicts what some believe is a musical bow, a hunting bow used as a single-stringed musical instrument. From the musical bow, families of stringed instruments developed; since each string played a single note, adding strings added new notes, creating bow harps, harps and lyres. In turn, this led to being able to play dyads and chords.
Glogovica (central Slovenia) Drone zithers in Europe, type "Scheitholt" Drone zithers or droned zithers are stringed instruments of the zither family that have few (sometimes only one) melodic strings and a greater number of drone strings. The oldest known form of drone zither is the Scheitholt. The Scheitholt developed into many different variants of drone zithers, such as the Langspil, the Epinette des Vosges or the Hummel. The Appalachian dulcimer is a traditional American form.
Strengleikar (English: Stringed Instruments) is a collection of twenty-one Old Norse prose tales based on the Old French Lais of Marie de France. It is one of the literary works commissioned by King Haakon IV of Norway (r. 1217-1263) for the Norwegian court, and is counted among the Old Norse Chivalric sagas.Marianne E. Kalinke and P. M. Mitchell, Bibliography of Old Norse–Icelandic Romances, Islandica, 44 (Ithaca: Cornell University Press, 1985), p. 105.
Victor Hugo Mathushek, Piano-forte. United States Patent 447,963, March 10, 1891 ; V. H. Mathushek, Sounding Board for Stringed Instruments. United States Patent 534,900 February 26, 1895; V. H. Mathushek, Metallic Frame for Pianofortes. United States Patent 556,273, March 10, 1896 Mathushek & Son piano factory, corner of Broadway and 47th st. ca. 1903Mathushek & Son's factory and warerooms were at 1569 Broadway, at the corner of 47th street, New York in 1900,advertisement.
Karl Höfner GmbH & Co. KG is a German (originally Austro-Bohemian) manufacturer of musical instruments, with one division that manufactures guitars and basses, and another that manufactures other string instruments, such as violins, violas, cellos, double basses and bows for stringed instruments. Much of Höfner's popularity is attributed to Sir Paul McCartney's use of the Höfner 500/1 bass throughout his career. This violin-shaped model is commonly referred to as the "Beatle bass".
Rice granaries (alang) are protected by a wooden guardian (bulul). Men wear a loincloth (wanoh) while women wear a skirt (ampuyo). On special occasions, men wear a betel bag (pinuhha) and their bolo (gimbattan). Musical instruments include gongfs (gangha), a wooden instrument that is struck with another piece of wood (bangibang), a thin brass instrument that is plucked (bikkung), stringed instruments (ayyuding and babbong), nose flutes (ingngiing) and mouth flutes (kupliing or ippiip).
He toured extensively in India, USA and Europe and was fulfilling his father's wishes by introducing the instrument to new situations and audiences. It was through Gopal Shankar Mishra that the vichitra veena finally found wider international fame. The veena is associated with Saraswati, the Goddess of learning in Hindu mythology. In Hindi "vichitra" means peculiar and the veena is part of a family of chordophone or stringed instruments said to predate the sitar.
Pächt doesn't see Jan's hand in the rendering of their expressions, and speculates if they are remnants from Hubert's initial design.Pächt (1999), 152 In the right-hand panel, the only angel fully visible is the organist around whom the others gather. Although a larger group is suggested, only another four angel's faces can be seen in the closely cropped huddle. These other angels carry stringed instruments, including a small harp and a type of viol.
In fact, Chinese tradition attributes many musical instruments from this period to those regions and countries. Cymbals gained popularity, along with more advanced trumpets, clarinets, pianos, oboes, flutes, drums, and lutes. Some of the first bowed zithers appeared in China in the 9th or 10th century, influenced by Mongolian culture. India experienced similar development to China in the Middle Ages; however, stringed instruments developed differently as they accommodated different styles of music.
One example is a simple paste made by cooking flour in water. Starch-based adhesives are used in corrugated board and paper sack production, paper tube winding, and wallpaper adhesives. Casein glue is mainly used to adhere glass bottle labels. Animal glues have traditionally been used in bookbinding, wood joining, and many other areas but now are largely replaced by synthetic glues except in specialist applications like the production and repair of stringed instruments.
The critical feature described in the patent is a "raised longitudinal belly ridge" extending along the top of the instrument, under the strings, from the end of the fingerboard to the tailpiece. The innovation is depicted on a guitar in the patent application but the patent text makes mention of its applicability to other stringed instruments. A subsequent design patent (U. S. Patent No. D27560) shows the concept applied to a guitar-shaped mandolin.
Engraving of François Xavier Tourte, J. Frey, 1818 François Xavier Tourte (1747 - 25 April 1835) was a French bow maker who made a number of significant contributions to the development of the bow of stringed instruments, and is considered to be the most important figure in the development of the modern bow. Because of this, he has often been called the Stradivari of the bow. Raffin, Jean-François; Millant, Bernard (2000). L'Archet. Paris: L'Archet Éditions. .
The Strings gallery. A selection of Cremonese instruments is on display in the Strings gallery. The exhibition features examples of instruments by makers Stradivari and Amati, as well as historical information, prints and engravings. The exhibition includes the ‘Viotti ex-Bruce’ violin by Stradivari which was saved for the nation in 2005. The instruments on display form part of the Royal Academy of Music’s fine collection of over 250 stringed instruments from the violin family.
As with stringed instruments, finger substitution is used for a variety of reasons on piano passages. The technique is often used to create a connected, flowing legato phrasing, or smooth out sequence of consecutive thirds. For complex passages, finger substitution is sometimes used to make a fingering pattern more consistent and easy to remember. To change fingers on a key, the shorter finger is usually moved under the longer one in a quick motion.
Hill violins, cellos and cases are also highly regarded. Their other products included varnish cleaner, violin e-strings, rosin, peg paste, music stands, chinrests, and specialist tools. Over the years many of the most celebrated instruments by Stradivari, Amati, and Guarneri passed through Hill & Sons. They built up one of the most notable collections of stringed instruments which can be seen at the Ashmolean Museum in Oxford, including the "Messiah" Stradivari from 1716.
In the 17th century, folk music from Jiangsu and Zhejiang provinces began influencing the popular music scene in Changde's Yuan and Li river district. A unique style of theatrical folk music called Changde Sixian (; lit. "Changde strings") evolved from this combination. It includes short expressive sections of lyrics spoken and sung in turns in Changde dialect by a group of singers accompanied by traditional Chinese stringed instruments such as the yangqin, pipa, sanxian, and huqin.
The popularity of Brother Robert's version spawned a unique parody, Saga Af Tristram ok Ísodd, as well as the poem Tristrams kvæði. In the collection of Old Norse prose-translations of Marie de France's lais – called Strengleikar (Stringed Instruments) – two lais with Arthurian content have been preserved, one of them being the "Chevrefoil", translated as "Geitarlauf". von Rudolph, Meissner (trans.), Die Strengleikar : ein Beitrag zur Geschichte der altnordischen Prosalitteratur (Halle a.S : M. Niemeyer, 1902).
Hailing from the West Central region of Venezuela , mainly states Lara, Portuguesa (Portuguese saw) and Yaracuy . Played by a variety of stringed instruments (Four , Middle Five , Five and Six) together with Tambora and Maracas produce a very particular and unique sound among other Venezuelans joropos . Celebrity tocuyanos hits are "Amalia Rosa" , "Montilla" , "Gavilan Tocuyano" and "Ah mundo! Barquisimeto" , "Los Dos Gavilanes" , "The Fright" , "Pajarillo Tocuyano" , "Garrote Encabullao" , "Fire Fire", among many others.
The Academy's public museum is situated in the York Gate building, which is connected to the Academy's building via a basement link. The museum houses the Academy's collections, including a major collection of Cremonese stringed instruments dated between 1650 and 1740, a selection of historical English pianos from 1790 to 1850, from the famous Mobbs Collection, original manuscripts by Purcell, Mendelssohn, Liszt, Brahms, Sullivan and Vaughan Williams, musical memorabilia and other exhibits.
In the early 1930s, Nick and Bernice were musical arrangers, eventually forming the Calumet Music Publishing Company. For many publications, Nick and Bernice arranged songs, music, and instructional methods for stringed instruments such as the guitar, dobro, and ukulele—particularly for music played with a slide. Over 180 works by Nick appeared in over 253 publications. An example was the method book Nick Manoloff's Complete Chord and Harmony Manual for the Guitar.
Clagget was born in Waterford, Ireland, in 1740. He led theatre bands in Dublin (Smock Alley, 1762–4; Rotunda and Crow Street, 1763–7), Liverpool (1771–3), Manchester (1773–5) and Newry (1778–9). In 1776, he patented his earliest invention, a fingerboard for the violin and other stringed instruments, marked to show the position of tones and semitones, with movable nuts for changing keys without changing hand position. In 1788, in patent declaration no.
Ancient Egyptians developed stringed instruments, such as harps, lyres and lutes, which required making thin strings and some type of peg system for adjusting the pitch of the strings. Ancient Egyptians also used wind instruments such as double clarinets and percussion instruments such as cymbals. In Ancient Greece, instruments included the double-reed aulos and the lyre. Numerous instruments are referred to in the Bible, including the horn, pipe, lyre, harp, and bagpipe.
A unique feature of the Pura Beji is that the aling-aling (a kind of barrier structure to deflect evil spirits) is carved with a figure of two Dutchmen playing stringed instruments, flanking a figure of Naga. The main shrine in the form of pelinggih is located in the inner sanctum, dedicated to Sang Hyang Widhi. Other deities honored in the temple are Dewa Braban, Dewa Ayu Manik Galih, and Dewi Sri.
The Bull Headed Lyre is one of the oldest stringed instruments ever discovered. The lyre was excavated in the Royal Cemetery of Ur during the 1926-27 season of an archeological dig carried out in what is now Iraq jointly by the University of Pennsylvania and the British Museum. Leonard Woolley led the excavations. The lyre was found in “The King’s Grave,” near the bodies of more than sixty soldiers and attendants.
One of the notable songs from the film was Talat Mehmood's expressive "Zindagi Dene Wale Sun", the start of which employs western stringed instruments before the tune blends into Raga Bhoop. The second song was Mehmood's "Mohabbat Ki Dhun Beqararon Se Poochho" with co-singers Sudha Malhotra and Jagjit Kaur.RB, p.140 The other popular numbers were Jagjit Kaur's "Khamosh Zindagi Ko Ek Afsana Mil Gaya" and Talat's "Jo Khushi Se Chot Khaye".
Krzysztof Penderecki, Polymorphia for 48 stringed instruments (Celle: Hermann Moeck Verlag, 1963). Sections of various lengths are apparent throughout the score. For example, a two second section appears at rehearsal 66 on page 23 of the score, just before the final C major triad. One of the longer sections at 25 seconds appears on the first page of music (page 5, as the pages are numbered in this version) of the score at rehearsal 3.
Samoa police brass band marching in Apia to flag raising ceremony. The band marches every morning Mondays - Fridays in Samoa. With the introduction of Christianity, especially after the arrival of LMS missionaries in 1830, the music of Samoa was greatly influenced by Western evangelical hymnody and popular music, particularly North American popular music. Two stringed instruments quickly became commonplace in the islands: the guitar (kitara) and in the early 20th century the 'ukulele.
Guitarists have an important role in bluegrass. They are used primarily for rhythmic purposes and keep the sound moving while other instruments take time for a break as well as taking breaks themselves on occasion. The instrument originates from eighteenth century southern Europe but American made models were not being produced until the C.F. Martin Company started to manufacture them in the 1830's. Unlike mainstream country music, bluegrass is traditionally played on acoustic stringed instruments.
Instead of writing a score for the regular orchestra—which would have produced only a paltry effect—I had the idea of having a quartet of thirty-six stringed instruments corresponding to a large orchestra. Then I added three trombones to represent the three Erinnyes: Tisiphone, Alecto and Megere, and a pair of kettle-drums. So I had my forty. The well known "Invocation'" accompanies Electra's pouring of libations on the tomb of Agamemnon in act 2.
Omer Faruk Tekbilek (, born 1951) is a Turkish musician and composer, who plays a wide range of wind, string, percussion and electronic instruments. He has developed a style that builds on traditional Sufi music, but includes inspiration from ambient electronic musicians, most notably Brian Keane. He is best known for his performances with the flute-like ney, but also plays the piccolo-like kaval, and the double-reed zurna. Among stringed instruments, he plays the oud and the bağlama.
Music of the cumbia is easily recognized by its binary rhythm and short phrases which never descend and finalize, but seem to repeat continuously. As a musical form the cumbia is well-known today because the melodies and rhythm have been adapted to the modern and very popular pindín. In earlier times as violin, guitar, tambor, caja, triangle and maraca or churuca accompanied the cumbia. Today the accordion replaces the stringed instruments in most musical groups.
Leigh grew up in the East End of London. He started out playing classical guitar at the age of 12. Graduating to the bass guitar two years later, he developed a unique, classically rooted, extremely fast and funky style. Leigh made the acquaintance of Marc Bolan's road manager who gave him free-range to use all of Marc's spare equipment, Leigh was able to play virtually anything he picked up, but quickly found an affinity with stringed instruments.
Joe Veillette (born March 13, 1946), is a luthier and the owner of Veillette Guitars. He specializes in the crafting of unusual and innovative handmade guitars, basses, and other stringed instruments. Veillette's diverse client list includes John Sebastian, James Taylor, Ani DiFranco, Dave Mathews, John Mayer, Jorma Kaukonen, Steve Miller, Todd Rundgren, Chris Martin, Jimmy Vivino, Tim Pierce, Colin Hay, David Torn, Brian May, Kaki King, Neal Schon, Mike McCready, Eddie Van Halen and other notable players.
The play hour by Rosa C. Petherick from First Steps. From the Osborne Collection. Courtesy of the Toronto Public Library Her four sisters were talented musicians and played as the Petherick Quartet from about 1905 onwards.. The Strad, the leading periodical of the time dealing with stringed instruments and their music, mentions the quartet five times from April 1905 to March 1908. The Violinist report that they played at the Mozart Society Concert on 15 January 1910.
The Orutu is a one-stringed fiddle originated in the pre-colonial societies of western Kenya, especially amongst the Luo community. The Luo had a strong tradition of stringed instruments and was famous for their skills with harps and lyres. When played with a bow, Orutu creates different notes determined by finger pressure against the central stick. Although this musical instrument is played a bit like a violin, it has a different, more African sound to it.
19th-century English flute made of boxwood (detail) Due to its high density, resistance to chipping, and relatively low cost, boxwood has been used to make parts for various stringed instruments since antiquity.See Theocritus Idyll 24.110, where Heracles is taught to play a boxwood lyre. It is mostly used to make tailpieces, chin rests and tuning pegs, but may be used for a variety of other parts as well. Other woods used for this purpose are rosewood and ebony.
William Richard Cumpiano (born April 30, 1945) is a builder of stringed musical instruments and is known for his writing and teaching of the art of luthiery. He has been involved in the preservation and understanding of the fading musical and musical craft traditions of his native Puerto Rico. Cumpiano was instrumental in the development of the first feature-length documentary about the cuatro and its music, Our Cuatro: The Puerto Ricans and Stringed Instruments, Volumes 1 and 2.
In 1974, Cumpiano left to establish his first private guitarmaking studio in Williamstown, Massachusetts. During the next twenty-five years he would move his workshop to North Adams, Leeds and then to Amherst, Massachusetts. In 1997, Cumpiano moved his studio to Easthampton Road in Northampton where it currently resides. A "Thinline" Cumpiano Cuatro Cumpiano's career spans almost forty years of hand- crafting all sorts of fretted stringed instruments from the North American, European and Latin American traditions.
The Strings Festival, a music event focusing on stringed instruments, was hosted by Ballinasloe library in July 2017 and 2018. A "Zombie Walk" is held at Halloween on the grounds of the Garbally estate. First held in 2015, the event involves "zombie" tour-guides bringing groups through Garbally woods. The 2019 Zombie Walk event was shortened to one day due to the weather, and the 2020 event was cancelled outright in response to the COVID-19 pandemic in Ireland.
A pipe organ was later installed in June of 1746. They memorized hundreds of hymns and sang them by heart, sometimes in the form of polyglot singing, often in their own native or known languages. At one point in time there were as many as 13 different languages spoken within the community and sung within the Gemeinhaus Saal. Other musical instruments accompanied the singing including horns, brass, and stringed instruments, some of which are on display there today.
So Blood Inside was an outburst of sorts. I guess this record is a withdrawal again, so that's an inherent dynamic...flux and reflux." Commenting on the use of the Oslo Session String Quartet, Rygg said, "We worked a lot with simulating stringed instruments, so it's always good for us to get some people in and play the real thing. I suppose strings and piano are our instruments of preference; those are the sounds we like to work with.
Sound board of a harpsichord with Chladni patterns A portion of the sound board of a Vose & Sons upright piano 15\. Soundboard A sound board, or soundboard, is the surface of a string instrument that the strings vibrate against, usually via some sort of bridge. Pianos, guitars, banjos, and many other stringed instruments incorporate soundboards. The resonant properties of the sound board and the interior of the instrument greatly increase the loudness of the vibrating strings.
Fretted guitar fingerboard Fretless violin fingerboard The fingerboard (also known as a fretboard on fretted instruments) is an important component of most stringed instruments. It is a thin, long strip of material, usually wood, that is laminated to the front of the neck of an instrument. The strings run over the fingerboard, between the nut and bridge. To play the instrument, a musician presses strings down to the fingerboard to change the vibrating length, changing the pitch.
Court musicians appear in traditional costume, maintain a rigid proper formal posture, and play stringed five-stringed instruments. Teaching by this the "yeak sasang" principles of Confucianism, perfection of tone and acoustic space is put ahead of coarse emotionality. Famous works of court music include: jongmyo jeryeak, designated a UNESCO world cultural heritage, Cheoyongmu, Taepyeongmu, and Sujecheon. Korean folk music or pansori is the base from which most new music originates being strongly simple and rhythmic.
His father died when he was a child and his mother then remarried. Sisamouth learned to play stringed instruments at the age of six or seven, and showed a natural singing talent. He was often invited to perform music at school functions. At about age 16 he graduated from primary school and moved to Phnom Penh to study medicine; this plan was apparently meant to please his parents when his true goal was to become a musician.
Another form of traditional music was mohori music, which was the entertainment music of the courts of Cambodia, Siam and Laos. While the pinpeat music was religious and "for deities", the mohori music was made for noblemen, focusing on themes and moods to "delight their souls." This music "favors soft instruments", including khloy flute, krapeu, tro chhé, tro sor and Tro Ou stringed instruments, and roneat ek xylophone, roneat thong metallophone, skor romonea drums and chhing finger cymbals.
Hipkins account of Hawkins' instrument in the 1890 Encyclopædia Britannica described that it was "poor in the tone.""Pianoforte" The Encyclopædia Britannica 9th edition, Vol. XIX The Henry G. Allen Company, 1890 p. 75 In 1820 Wornum patented a system of equal tension for pianos (and "certain other stringed instruments") that he specified would be achieved by employing "one size steel wire throughout", and in the shortened wrapped bass strings also by adjusting the size of the windings.
Cenobio Hernández (1863–1950) was a Mexican-American composer, born in San Luis Potosi, Mexico and died in San Antonio, Texas. He began by playing cello and eventually moved to bass, bajo sexto, and other stringed instruments. While in Mexico, Cenobio's father, Don Cenobio, taught his children the fine art of music, providing to them a rigorous musical education. Cenobio Hernández was heavily active in the late 1920s performing in orchestras in the silent film industry.
Lamellophones are instruments which have little tines, or "lamellae", which are played by plucking. Unlike stringed instruments or air-column instruments like flutes, the overtones of a plucked lamella are inharmonic, giving the mbira a characteristic sound. The inharmonic overtones are strongest in the attack and die out rather quickly, leaving an almost pure tone. When a tine is plucked, the adjacent tines also create secondary vibrations that increase the harmonic complexity of an individual note.
The light falls from the left, creating sharp shadows and intense highlights. Two men with stringed instruments are singing while the third, the youngest, has an instrument of his own under his arm and a glass of wine in his hand; he displays the glass with a mocking smile, pointing out the wine that inspires the musicians. In the background can be seen a monkey with a pear in hand. The monkey emphasizes the grotesque nature of the scene.
Jens Ritter Instruments is a manufacturer of high-end electric stringed instruments. It was founded by Jens Ritter in the mid-1990s and was known as Ritter Bass Guitars until 2010 when Jens expanded his line to include guitars. Jens produces 50 to 60 handmade instruments each year in his shop located in the small wine town of Deidesheim, Germany. A number of well-known bassists play Ritter Basses including Phil Lesh, Josh Dunham and Doug Wimbish.
For more on how strobe tuners work see the dedicated section. The least expensive models only detect and display a small number of pitches, often those pitches that are required to tune a given instrument (e.g., E, A, D, G, B, E of standard guitar tuning). While this type of tuner is useful for bands that only use stringed instruments such as guitar and electric bass, it is not that useful for tuning brass or woodwind instruments.
Heywood born in Tunapuna, Trinidad and Tobago, in 1896. He showed an aptitude for playing the piano and with other stringed instruments at an early age. Heywood's father, a physician, was intent that his son follow in his footsteps, and sent young Heywood to college at Queens Royal College in Trinidad, and then to Fisk University in Nashville. Heywood studied at Fisk for two years before moving on to Northwestern University in Evanston, Illinois for medical studies.
Ricciardi began to play the cello at the age of six, and as a boy he studied under Michael Flaksman. He graduated from the Niccolò Paganini Conservatory in Genoa. He embarked on a solo career, and has performed with major symphony orchestras in different countries. He has won numerous competitions including the international competition for the city of Stresa, the international competition for the Premio Rovere d'Oro, and the national competition for stringed instruments in Genoa.
Fayette Christian School offers a variety of sports for junior and senior high students including, volleyball, soccer, and basketball, It also offers elementary soccer each fall and elementary basketball in the winter. The Drama department at FCS presents a play each spring as well as programs in December and May put on by the Kindergarten class, Elementary School and High School. The Music department offers choir as well as orchestra including brass, woodwinds, percussion and stringed instruments.
But the relationship between the two companies was both amicable and symbiotic. Aria focused on sales in both domestic and export markets and provided design development, while Matsumoku devoted its energies to engineering and building guitars and other stringed instruments. Throughout its 22-year business relationship, Aria remained Matsumoku's principal client. Matsumoku often preferred using Aria as its business agent, and many of Matsumoku's contracts were written by Aria with Matsumoku stated or implied as sub-contracted manufacturer.
Findings from Paleolithic archaeology sites suggest that prehistoric people used carving and piercing tools to create instruments. Archeologists have found Paleolithic flutes carved from bones in which lateral holes have been pierced. The Divje Babe flute, carved from a cave bear femur, is thought to be at least 40,000 years old. Instruments such as the seven-holed flute and various types of stringed instruments, such as the Ravanahatha, have been recovered from the Indus Valley Civilization archaeological sites.
Matt Bissonette (born July 25, 1961) is an American bass player. According to Guitar 9, an online musicianship magazine, he has played bass and other stringed instruments on at least 22 albums, with music styles ranging from jazz, jazz fusion, progressive metal and instrumental rock. Bissonette has played bass with performers such as David Lee Roth (1987–1992), Jeff Lynne and ELO (2001), Ringo Starr (2003–2005), and currently, Elton John (2012–present)."Off the Record", Exploring, May 1988, p.
Neue Pizzicato Polka (German for "New Pizzicato-Polka"), Op. 449, is a polka composed by Johann Strauss II. It was written in 1892 for concerts to be given under Eduard Strauss in Hamburg. Strauss later inserted the work as a ballet between the second and third acts of his operetta ' (Princess Ninetta). The work is named Pizzicato Polka because the stringed instruments were plucked (pizzicato) throughout. There is also an old which Johann Strauss composed in 1869 with his brother Josef.
Born in Vienna, Alice Hoffelner studied violin and other stringed instruments as a student of Josef Mertin, and subsequently became interested in baroque violin. In 1953, she married Nikolaus Harnoncourt, and the couple founded the period instrument ensemble Concentus Musicus Wien in the same year. Their ensemble strongly influenced and changed the performance and recording of early music by contemporary musicians, as it emphasized the use of period instruments. Until 1968, Harnoncourt performed on a Jakob Stainer violin made in 1658.
Tenor guitars are four-stringed instruments normally made in the shape of a guitar, or sometimes with a lute-like pear shaped body or, more rarely, with a round banjo-like wooden body. They can be acoustic, electric or both and they can come in the form of flat top or archtop wood-bodied, metal-bodied resonator, or solid- bodied instruments. Tenor guitars normally have a scale length similar to that of the tenor banjo and octave mandolin of between .
Their music has been enjoyed by Pakistani youth for over ten years, compensating internationally for the departure of Vital Signs and Nazia and Zoheb. While Nusrat Fateh Ali Khan promoted Qawwali music and Junoon rock music, Strings blend Pakistani pop, classical music and rhythms on stringed instruments. Although Strings' music revolves around a male lead singer, the band has also featured other artists on their albums. Since the release of their third album, Duur, their music has combined Eastern and Western music.
A lyrist on the Standard of Ur, The so-called lyres of Ur, excavated in ancient Mesopotamia (modern Iraq), date to 2500 BC and are considered to be the world's oldest surviving stringed instruments. Over time, the name in the wider Hellenic space came to be used to label mostly bowed lutes such as the Byzantine lyra, the Pontic lyra, the Constantinopolitan lyra, the Cretan lyra, the lira da braccio, the Calabrian lira, the lijerica, the lyra viol, the lirone.
Fraser was the author of more than 500 short stories for magazines, including Argosy, Collier's, Mystery, Real Detective Tales & Mystery Stories and Redbook."Ferrin Fraser, 65, Writer for Radio," The New York Times. April 2, 1969, p 47. Ferrin and his wife Beatrice Fraser published Bennie, the Bear Who Grew Too Fast (1956), a musical nonsense tale that teaches the names of various stringed instruments and the differences in their sizes and sounds, Arturo and Mr. Bang (1963) and other children's music books.
In classical music, soloists may perform unaccompanied solos on their instrument, as occurs with pianists who play works for solo piano or stringed instruments who play Baroque suites for one instrument (e.g., Bach suites for solo cello). In many cases, though, soloists are accompanied, either by a pianist, a small chamber music ensemble, or, in the case of a concerto, by a full symphony orchestra. In the 2014–2015 season, the majority of concerto soloists who performed with major Canadian orchestras were male.
The only real difference between those instruments and the modern violin is that Ferrari's have three strings and a rather more extravagant curved shape.Boyden, p. 6-8 It is not clear exactly who made the first violins, but there is good evidence that they originate from northern Italy, near (and theb the political orbit) of Milan. Not only are Ferrari's paintings in that area but also towns like Brescia and Cremona then had a great reputation for the craftsmanship of stringed instruments.
An album titled Legend of Bill Monroe and More Bluegrass was engineered By Bernard Rousseau of the Harriman Sound Lab and made available through Scott Morgan's Morgan Stringed Instruments on CD. Williams enjoyed a long-time collaboration with Scott's father Tom Morgan, himself an IBMA Hall of Fame inductee. On this album, Benny plays fiddle on "Never Again" and "The Legend of Bill Monroe" and banjo on "Soldier's Joy". On other tracks he plays cross pick mandolin and Travis -tyle guitar.
He wrote his doctorate on the revival in painting of themes inspired by antiquity in mid-nineteenth-century France. He catalogued all the French Drawings in the Ashmolean, and authored and co- authored several books on artists including Ingres, Puvis de Chavannes and Claude Lorrain. He published a book on the Ashmolean's Stringed Instruments in 2009, and was working on a catalogue of the later French paintings in the Museum. His wife was art historian Linda Whiteley; the couple had two children.
Dominique Regef Dominique Regef (b. Paris, 1947) is a French improvisor, composer, and musician specializing in stringed instruments: the cello, the rebec, the vièle à archet, and the Rajasthan dilruba. Dominique Regef is recognized as an exceptional soloist on the hurdy-gurdy; he is known for surprising and moving audiences with his sound on the instrument. His concerts, be it a solo recital or a small group performance, shock listeners from all over the world with their originality and their strength.
Claudio Monteverdi is considered the first great composer of the new musical form, opera, the person who turned Florentine novelty into a "unified musical drama with a planned structure." The years 1600 to 1750 encompass the musical Baroque. A new dominance of melody within harmony at the expense of text led to great changes, including the expansion of instrumental resources of the orchestra. The keyboard was extended, and the making of stringed instruments by Antonio Stradivari became a great industry in Cremona.
Klaus Wiese (January 18, 1942 – January 27, 2009 in Ulm) was a veteran e-musician, minimalist, and multi-instrumentalist. A master of the Tibetan singing bowl, he created an extensive series of album releases using them. Wiese also used the human voice, the zither, Persian stringed instruments, chimes, and other exotic instruments in his music. Wiese is considered by some as one of the great ambient or space music artists such as Robert Rich, Steve Roach, Michael Stearns, Constance Demby, and Jonn Serrie.
The Bukharan Jews have a distinct musical tradition called Shashmaqam, which is an ensemble of stringed instruments, infused with Central Asian rhythms, and a considerable klezmer influence as well as Muslim melodies, and even Spanish chords. The main Instrument is called Dayereh. Shashmaqam music "reflect the mix of Hassidic vocals, Indian and Islamic instrumentals and Sufi-inspired texts and lyrical melodies." Ensemble Shashmaqam was one of the first New York based Ensembles created to showcase the music and dance of Bukharan Jews.
Instrument-specific symbols can be written above notes. For example, in music for stringed instruments it is common to see wavy lines representing rolls. Fingering can be marked using four different kinds of finger symbol, respectively appearing like a lightning strike, the top half of a semicircle, a backslash, and the bottom left corner of a square. Other instrument-specific symbols that are sometimes used include one resembling three slashes progressing diagonally downward, placed to the lower right of the numeral.
As a result, she had to give up her aspirations to teach. Members of each caste are allowed only to marry other members of society within the same caste and the entire society is divided by castes politically, economically, and culturally. Movement outside of a particular caste is forbidden. She learned to play the traditional stringed instruments only women play, especially the ardin harp, and was taught traditional Mauritanian music by her father, who enjoyed an eclectic mix of music.
The examiners were Sir Frederick Arthur Gore-Ouseley Bart. (Heather Professor of Music), Charles William Corfe (organist of Christ Church, and the Choragus) and Leighton George Hayne (organist of Queen's College, Oxford). The first examination was held in the Hilary term and the second in the Michaelmas term.Archive at New College, Oxford Candidates for the BMus were required to summit a composition in five-part harmony with at least five stringed instruments to which no more than four wind instruments could be added.
Graduated in the Jerusalem music Academy and later a part of Angelo Gilardino soloists class, under the tutorship of M° Angelo Gilardino & M° Luigi Biscaldi, Avital performed around the world for several years. After that he has focused on creating his own original compositions and on collaborations with masters and soloists of both creative and traditional music. Avital uses elements from the tradition of stringed instruments in the Middle East, Central Asia and Far East, combined with extended techniques for classical guitar.
On 4 May 1899, Johannes Matthias Augustus Stroh applied for a patent in Great Britain, GB9418 titled Improvements in Violins and other Stringed Instruments which was accepted on 24 March 1900. This described the use of a flat metal (other materials are also mentioned) diaphragm in the voice-box (reproducer) of a violin to mechanically amplify the sound. Then on 16 February 1901 he applied for a second Great British patent, GB3393 titled '. Which was accepted on 14 December 1901.
This led to a long succession of donations over many years, both for acquisitions and for improvements, such as the courtyard, with Mike Tuma's 1987 sculpture "Generations".Museum courtyard webpage University of South DakotaInventories of American Painting and Sculpture Smithsonian American Art Museum. Many of these donations were in the form of stocks in which Bob had invested, the most notable being the transfer of shares worth $3 million to buy the Witten collection of early stringed instruments in 1984.
Krek was a regular member of the Slovenian Academy of Sciences and Arts (SASA) and corresponding member of the Croatian Academy of Arts and Sciences. Although he was strongly influenced by earlier 20th-century classical music and use of neo-classicist aesthetics, he was also noted for incorporating elements of folklore into his compositions. Krek's compositions covered virtually all musical ensembles, but his best work was created for stringed instruments. His music has also been performed in drama, and theatrical and film music.
He was disciple of Shri Ashudheer Maharaj, also his Father who followed the Nimbarka Sampradaya , He is Said to be the Avatar of Shri Lalita Sakhi.He was a disciple of Bhai Mardana ji(a master who played Rabab with Guru Nanak Dev ji). He was deeply learned and widely acquainted with the music of his time. Mention is found in his works of stringed instruments such as the kinnari and aghouti, and of drums such as the mridang and daff.
The National Guitar Museum (NGM) was founded to promote and preserve the legacy of the guitar, and is dedicated to its history, evolution, and cultural impact. The NGM addresses the history of the guitar as it has evolved from ancient stringed instruments to the wide variety of instruments created over the past 200 years. It focuses on the guitar's inventors and innovators, along with the science and technology behind the guitar's construction, shape, and sound. "GUITAR: The Instrument That Rocked The World" exhibit.
The only known biographical detail about Camilla is her Roman citizenship. She always signed the title pages of her manuscripts as Romana, or a woman of Roman descent. Rossi composed four oratorios for solo voices and orchestra, all of which were commissioned by Emperor Joseph I of Austria and were performed in the Imperial Chapel in Vienna. All of Rossi’s surviving works demonstrate an intimate knowledge of stringed instruments and, as Barbara Garvey Jackson describes, "a keen interest in tone color".
Other plucked stringed instruments included the mandore, gittern, citole and psaltery. The dulcimers, similar in structure to the psaltery and zither, were originally plucked, but musicians began to strike the dulcimer with hammers in the 14th century after the arrival of new metal technology that made metal strings possible. The bowed lyra of the Byzantine Empire was the first recorded European bowed string instrument. Like the modern violin, a performer produced sound by moving a bow with tensioned hair over tensioned strings.
The scroll of a double bass A scroll is the decoratively carved beginning of the neck of certain stringed instruments, mainly members of the violin family. The scroll is typically carved in the shape of a volute (a rolled-up spiral) according to a canonical pattern, although some violins are adorned with carved heads, human and animal. The quality of a scroll is one of the things used to judge the luthier's skill. Instrument scrolls usually approximate a logarithmic spiral.
In his early teens, he took lessons in many musical instruments including the guitar, the bouzouki and saz (stringed instruments), the dhol (drums) and the piano, later forming a band called Erebouni. His interest in music was initially influenced by his mother, a singer. Erebouni went from village to village playing everything from Charles Aznavour to Deep Purple and Elvis, at weddings and universities. Due to restrictions under the Soviet Union, Harout and most of his family left Soviet Armenia in 1975.
The Academy holds a collection of more than 200 stringed instruments from the violin family. These have been acquired for the benefit of students and recent leavers and they are maintained by the Academy's resident luthier. The collections include several instruments of the Stradivarius family, including the Rutson (1694), Kustendyke (1699), Viotti-ex-bruce (1709), Maurin (1718), and the Habeneck (1734), violas Archinto (1699), cello Marquis de Corberon-ex- Loeb (1726). Other instruments include Nicolo Amati violin (1662), Girolamo II violin (c.
1^), composed ... Tiểu nhạc (literally :small music) or // true Tiểu nhạc (UYrB%:) : small group of silk or stringed instruments and bamboo flute. Ty khanh: ... Traditional Vietnamese Music 67." Court Music "He with the profound knowledge about Vietnamese Court Music not only taught the performance skill of such repertoires as Liên hoàn, Bình bán, Tây mai, Kim tiền, Xuân phong, Long hổ, Tẩu mã extracted from Ten bản ngự (Small music); Mã vũ, Man (Great music) but introduced their origin and performance environment.
The lute- and vihuela-like round or oval ports or rosettes became a standard feature of German and Austrian viols and was retained to the very end. That feature was unique to viols and reminded one always of the viol's more ancient plucked vihuela roots, the "luteness" of viols. Historians, makers, and players generally distinguish between renaissance and baroque viols. The latter are more heavily constructed and are fitted with a bass bar and sound post, like modern stringed instruments.
The gayageum or kayagum is a traditional Korean plucked zither with 12 strings, though some more recent variants have 18 or 21 (North Korea), 25 strings. It is probably the best known traditional Korean musical instrument.Jan. 11, 2007,Korean Instruments Seoul Metropolitan Government It is related to other Asian instruments, including the Chinese guzheng, Japanese koto, Mongolian yatga, Vietnamese đàn tranh, Sundanese kacapi and Kazakh jetigen. When played, the sound varies between traditional Eurasian stringed instruments and the Appalachian banjo.
Ukulele varieties include hybrid instruments such as the guitalele (also called guitarlele), banjo ukulele (also called banjolele), harp ukulele, lap steel ukulele, and the ukelin. It is very common to find ukuleles mixed with other stringed instruments because of the amount of strings and the easy playing ability. There is also an electrically amplified variant of the ukulele. The resonator ukulele produces sound by one or more spun aluminum cones (resonators) instead of the wooden soundboard, giving it a distinct and louder tone.
Dan Redlaurer was raised in La Habra Heights, California (Southeastern range of the Puente Hills). He started playing music at the age of 8 with guitar and later learned piano, bass, accordion and various other stringed instruments. Great inspiration came from his parents Ed and Ruth Radlauer, who are well known book authors. The advanced musical training he received was while attending school in the music department at Fullerton College in the late 1970s, playing and writing for their jazz and pop groups.
Marchione started building stringed instruments in 1990 after graduating from Naropa University where he received B.A. in Music. Marchione found an apprenticeship with Pensa-Suhr Guitars, and worked with John Suhr and Mas Hino, acquiring a reputation as an "expert luthier". He opened Marchione Guitars in 1993 on 20th St. After the September 11 attacks in 2001, Marchione decided to move back with his family to his hometown of Houston. Since 1999 Marchione has collaborated with Mark Whitfield, on five different archtop guitars.
Dorothy Carter (born New York City, 1935, died June 7, 2003 in New Orleans) was an American musician.Billboard - 1998 8 8 " ... in Berlin in 1996. While there, she hooked up with MEDIAEVAL BAEBES Dorothy Carter, an older woman ..." Carter performed contemporary, folk, traditional, medieval, and experimental music with a large collection of stringed instruments such as the hammered dulcimer, zither, psaltery, and hurdy-gurdy. She is regarded as an important figure in the genres of psychedelic folk music and medieval music revival.
There is also a wind instrument namely Bia Skin (Shellfish). In the culture of Maluku, there are also stringed instruments namely Ukulele and that can also be found in the Hawaiian culture in the United States. This can be seen when Maluku music from the past until now still has a characteristic in which there is the use of Hawaiian musical instruments both in pop songs and in accompanying traditional dances such as Katreji. Other musical instruments is the Sawat.
The arpa jarocha is from Veracruz, Mexico. one of the various forms of harp that evolved from models introduced by Spain in the 16th century, and traced even back further to the Arabs who had occupied Spain for 700 years. The indigenous people of Veracruz had never before seen stringed instruments before the Conquest, and quickly adapted their own version which became a pivotal instrument used in many different musical ensembles in Veracruz, but also the rest of Mexico and the Latin Americas.
Public Service Broadcasting are a London-based musical group consisting of J. Willgoose, Esq. on guitar, banjo, other stringed instruments, samplings and electronic musical instruments, Wrigglesworth on drums, piano and electronic musical instruments, and J F Abraham on flugelhorn, bass guitar, drums and assorted other instruments including a vibraslap. The band has toured internationally and in 2015 was announced as nominee in the Vanguard breakthrough category of the fourth annual Progressive Music Awards, staged by Prog magazine, which they won.
Hammered dulcimers of various types are now very popular not only in China, but also Eastern Europe, the Middle East, India, Iran, and Pakistan. The instruments are also sometimes known by the names "santoor" and "cymbalom". This instrument had an influence on the Thai classical instrument, known as Khim (ขิม). The yangqin was traditionally fitted with bronze strings (though older Chinese stringed instruments used silk strings, resulting in their, and the yangqin's, categorisation as a silk, or "si" instrument), which gave the instrument a soft timbre.
Chokun used ryuka, the classical poetry of Okinawa, and classical music for his songs. Instruments typically included three stringed instruments: the sanshin (brought from China), the kutu, and the kucho; the hanso, a flute; and two drums, the odaiko and the kodaiko. The lyrics were usually sung by the sanshin players, who were the most important instrumental component, and songs were used to heighten the mood in intense situations. These songs were crucial to the performance, and often replaced dialogue much like in Broadway musicals (Foley 8).
This is an alphabetical list of bluegrass bands. A bluegrass band is a group of musicians who play acoustic stringed instruments, typically some combination of guitar, mandolin, fiddle, banjo, dobro and upright bass, to perform bluegrass music. Each band on this list either has published sources — such as a news reports, magazine articles, or books — verifying it is a performing or recording bluegrass band and meeting Wikipedia's notability criteria for bands, or a Wikipedia article confirming its notability. For individual musicians, see the List of bluegrass musicians.
This convention will be followed for the rest of the article. With the Appalachian dulcimer revival of the 1950s and 1960s players began to favor higher-pitched tunings; this is not uncommon in the history of many stringed instruments, with players often claiming that the higher tunings make their instrument sound "brighter". In consequence, the original traditional tunings migrated up a whole step, and became: D3-A3-A3; D3-A3-D4; and D3-G3-D4, which are the most common modern tunings for three-course Appalachian dulcimers.
During 1875–1880, 1881–1883, and 1886–1889 he belonged to the Bergakademischen Senate. Gretschel wrote and lectured in a wide range of fields, publishing books about meteorology, physics, chemistry, astronomy, geometry and cartography. He and Georg Bornemann wrote about the organization of the periodic table, published as Das Naturliche System der Elemente (1883). Gretschel also wrote about the construction of stringed instruments in the violin family and co-wrote a book on the construction of the pianoforte with Julius Blüthner, Lehrbuch des Pianofortebaues (1872).
Before the New Kingdom, dancers were mostly accompanied by clapping or percussion instruments. Afterward, performers could dance to a greater range of music with the introduction of stringed instruments like the lute and the lyre. The ancient Egyptians used a vast array of musical instruments such as sistrums, harps, drums, flutes, cymbals, clappers, and tambourines that played a prominent role in melodic compositions of ancient Egyptians composers and musicians. It was rare to find wind or stringed instrument players close to dancers in the same scene.
Guitar use and popularity grew throughout the 19th century and more acoustic instruments were crafted, such as the double bass. As electric instruments took hold during the 20th century, many stringed instruments were redefined as acoustic. Instruments that involve striking or vibrating the strings, such as the violin, viola and cello, fall under the acoustic category. The violin became popular during the 16th and 17th centuries, due to technological advancements in building them, brought on by luthiers such as Antonio Stradivari and Andrea Amati.
It has been suggested that the word clàrsach / cláirseach (from clàr / clár, a board) was coined for the triangular frame harp which replaced the cruit, and that this coining was of Scottish origin.John Bannerman, 'The Clàrsach and the Clàsair' in Scottish Studies 30, 1991, pp. 3–4. The connection of Scotland its love of stringed instruments is both ancient and recorded. An Iron Age lyre dating to circa 300 BC was discovered on the Isle of Skye making it Europes earliest surviving stringed instrument.
Instruments such as the seven- holed flute and various types of stringed instruments, such as the Ravanahatha, have been recovered from the Indus Valley Civilization archaeological sites.The Music of India By Reginald MASSEY, Jamila MASSEY. Google Books India has one of the oldest musical traditions in the world—references to Indian classical music (marga) are found in the Vedas, ancient scriptures of the Hindu tradition. The earliest and largest collection of prehistoric musical instruments was found in China and dates back to between 7000 and 6600 BC.
The same design principle was used by Hutchins to design a complete family of eight stringed instruments, commonly called the violin octet, of which the vertical viola has been the most successful. Since all of the instruments are designed based on the violin, Hutchins gave the name alto violin to her vertical viola design. Hutchins's instrument has attracted admiration for its power and beauty of tone. The cellist Yo-Yo Ma has employed a Hutchins vertical viola to perform and record Béla Bartók's Viola Concerto.
The term may also be used as an adjective to describe a situation where a singer or musician is performing a note in which the intonation is an eighth or a quarter of a semitone too high in pitch. shred : An adjective that is mainly used in connection to the electric guitar (or less commonly, to other stringed instruments such as banjo or electric bass); it describes intense, virtuosic, rapid playing of the instrument (e.g. "shred guitar"). It can also be used as a verb (e.g.
This is because the town's craftsmen are reputed to make the best sounding guitars and vihuelas in all of Mexico. The town is full of music shops that sell handmade stringed instruments. Some instruments that can be found in Paracho are: ten-string mandolins, armadillo-backed guitars (concheras) and mandolins, and acoustic bass guitars, as well as regular classical guitars and mandolins, bajo sextos, vihuelas, guitarrones and many others. Many of the stores and workshops allow visitors to watch the guitar-making process directly.
Headset mounted and tie-clip mounted microphones are often used with wireless transmission to allow performers or speakers to move freely. Early adopters of headset mounted microphones technology included country singer Garth Brooks, Kate Bush, and Madonna. Other types of input transducers include magnetic pickups used in electric guitars and electric basses, contact microphones used on stringed instruments, and pianos and phonograph pickups (cartridges) used in record players. Electronic instruments such as synthesizers can have their output signal routed directly to the mixing console.
It is said that among the original performers there were good music interpreters, excelling in playing the chirimía, that is made up of flutes (transverse cane), guacharacas, drums, castrueras and triángulos, making its appearance in the traditional celebrations of Popayán, especially at Christmas time and at the end of the year. On the plateau of Popayán, groups of farmers play stringed instruments, composed of three guitars and maracas which have incorporated into their repertoire paseos, merengues, pasillos and boleros in vocal and instrumental form.
Diagram of the different vibration paths of sound to the inner ear by bone conduction and air conduction. Bone conduction is one reason why a person's voice sounds different to them when it is recorded and played back. Because the skull conducts lower frequencies better than air, people perceive their own voices to be lower and fuller than others do, and a recording of one's own voice frequently sounds higher than one expects. Musicians may use bone conduction using a tuning fork while tuning stringed instruments.
It was while he was with this regiment that his fame gradually spread throughout the Austrian Empire. His congenial appearance, friendly nature and energetic conducting soon made him a firm favourite of the Viennese public, who regarded him as one of the leading military composers. An important contribution of Komzák to the development of Austrian military music was his use of stringed instruments. His band contained no less than fourteen first violins and could therefore be compared favourably with the usual concert orchestra of the period.
The ''''', also called ''''' and ''''', is a six- or seven-stringed zither which, unlike the koto and other stringed instruments, is believed to be truly native to Japan, and not imported from mainland Asia. Both names translate literally to "Japanese stringed instrument." According to Shintō myth as written in the Kojiki, the yamatogoto played an important role in the origins of Japan itself. In the myth, Amaterasu, goddess of the sun, is insulted by her brother Susano-o no Mikoto and hides in a cave, refusing to emerge.
Also in the same year she taught the hand movements for eleven different services to address specific issues. In 1877, she began to teach the stringed instruments for the service. She also urged her followers to perform the service. It was on the lunar calendar date of 26 August 1880 that the service was performed for the first time with the full set of instruments, it might be said that this marked the provisional completion of the followers' implementation of what oyasama had taught about the service.
From her mother, father, and her grandmother, she learned vocal styles and how to play stringed instruments. According to Mendoza, her maternal grandmother was a public school teacher named Teofina Reyna, of both Italian and Spanish heritage, who gave Lydia's mother guitar lessons. Her own account of her interest in playing the guitar, was one of wanting to mimic her mother's singing and talent with the guitar. As a pre-schooler, she had a natural curiosity about the instrument her mother played so well.
They recorded two Silver Bell songs, "Truth No. 2" and "Top of the World," for their 2003 album Home, the latter as the concluding track. Beginning quietly with Home's mixture of acoustic stringed instruments, and with the vocal line shifting around among one-, two-, and three-part singing, "Top of the World" begins by portraying an almost unbearable level of regret p. 23. at things not done: Tension is built up with pauses, then midway through a string section begins accompanying in an ominous fashion.
Musical instruments, such as the seven-holed flute and various types of stringed instruments such as Ravanahatha, cymbals have been recovered from Indus Valley Civilization archaeological sites. Evidence suggests use of drum or dhol in the Indus valley civilization. There have not been a lot of depictions of musical instruments from IVC, but contemporary BMAC civilization which traded with it has archaeological depictions of lyre or harp. A kind of harp is also depicted in the chalcolithic cave drawings of India along with Gong.
It has been claimed the sound-producing mechanism did not generate sufficient power to fill the large halls that were becoming home to modern stringed instruments, brass, woodwinds, and percussion. That the instrument was made with glass, and subject to easy breakage, perhaps did not help either. By 1820, the armonica had mostly disappeared from frequent public performance, perhaps because musical fashions were changing. A modern version of the "purported dangers" claims that players suffered lead poisoning because armonicas were made of lead glass.
In Europe, it served as the basis for the development of other stringed instruments used in Western classical music, such as the viola. Accessed 5 September 2015. Violinists and collectors particularly prize the fine historical instruments made by the Stradivari, Guarneri, Guadagnini and Amati families from the 16th to the 18th century in Brescia and Cremona (Italy) and by Jacob Stainer in Austria. According to their reputation, the quality of their sound has defied attempts to explain or equal it, though this belief is disputed.
He also discovered and supported young Areti Ketime, producing her first album. Apart from his prominent singing career, Dalaras is considered to be one a talented musician as he plays most of the stringed instruments of a Greek folk band with great success, including the guitar, bouzouki, baglamas, tzouras and outi. He has accompanied Al Di Meola and Paco de Lucía, among others. Dalaras' most important projects include collaborations with several international singers, including British singer Sting, releasing together a duet of Sting's song Mad About You.
Special purpose wire is however made from other metals (e.g. tungsten wire for light bulb and vacuum tube filaments, because of its high melting temperature). Copper wires are also plated with other metals, such as tin, nickel, and silver to handle different temperatures, provide lubrication, and provide easier stripping of rubber insulation from copper. Metallic wires are often used for the lower-pitched sound-producing "strings" in stringed instruments, such as violins, cellos, and guitars, and percussive string instruments such as pianos, dulcimers, dobros, and cimbaloms.
During the 19th and early 20th centuries, other stringed instruments began to be added to the fiddle-banjo duo that was essential to dance music of the early 19th century United States. These other instruments included the guitar, mandolin, and double bass (or washtub bass), which provided chordal and bass line accompaniment (or occasionally melody also). Such an assemblage, of whatever instrumentation, became known simply as a "string band." In the 1870s African- American dance houses of Cincinnati had musicians who played violin, banjo, and bass fiddle.
The truss rod is component of a guitar or other stringed instruments that stabilizes the lengthwise forward curvature (also called relief), of the neck. Usually it is a steel bar or rod that runs inside the neck, beneath the fingerboard. Some are non-adjustable, but most modern truss rods have a nut at one or both ends that adjusts its tension. The first truss rod patent was applied for by Thaddeus McHugh, an employee of the Gibson company, in 1921, Patent on truss rod.
Instruments such as the seven- holed flute and various types of stringed instruments, such as the Ravanahatha, have been recovered from the Indus Valley Civilization archaeological sites.The Music of India By Reginald MASSEY, Jamila MASSEY. Google Books India has one of the oldest musical traditions in the world—references to Indian classical music (marga) are found in the Vedas, ancient scriptures of the Hindu tradition. The earliest and largest collection of prehistoric musical instruments was found in China and dates back to between 7000 and 6600 BC.
Dean Guitars, commonly referred to simply as Dean, is an American importer and maker of stringed instruments and musical products with its headquarters in Tampa, Florida. Its products include solid-body electric guitars, bass guitars, and acoustic guitars. The company also distributes resonators, basses, banjos, mandolins, ukuleles, amplifiers, guitar cases, accessories, and custom guitar pickups. The company was founded in Chicago, Illinois, in 1976 by Dean Zelinsky, but came to prominence under Elliott Rubinson in 1997 after his company, Armadillo Enterprises, purchased the Dean trade name.
Mad Grandiose Bloodfiends is Ancient's third full-length release. The album was recorded, mixed and mastered in Cue Recording Studios, Falls Church, Virginia during September 1997. This album hearkens a rather drastic change of musical focus for the group, into a more melodic/gothic-oriented approach with an influx of clean/female singing, slower tempos and majestic stringed instruments, though much of the group's original black metal roots are still present. Song/lyrical topics also moved in a new direction, particularly with topics about vampires/vampirism.
Roadie tuners are automatic stringed instrument tuners created and developed by the music-tech startup, Band Industries, Inc. Roadie is compatible with stringed instruments that have a guitar machine head including electric, acoustic, classical and steel guitars, 6-7-12 string guitars, ukuleles, mandolins and banjos. There are currently three products in the Roadie family: Roadie Tuner, Roadie 2 and Roadie Bass. The latest version of the tuner, Roadie Bass, is designed to tune bass guitars as well as the instruments Roadie 2 can tune.
A trombone playing a glissando Musical instruments with continuously variable pitch can effect a portamento over a substantial range. These include unfretted stringed instruments (such as the violin, viola, cello and double bass, and fretless guitars), stringed instruments with a way of stretching the strings (such as the guitar, veena, or sitar), a fretted guitar or lap steel guitar when accompanied with the use of a slide, wind instruments without valves or stops (such as the trombone or slide whistle), timpani (kettledrums), electronic instruments (such as the theremin, the ondes Martenot, synthesizers and keytars), the water organ, and the human voice. Other wind instruments can effect a similar limited slide by altering the lip pressure (on trumpet, for example) or a combination of embouchure and rolling the head joint (as on the flute), while others such as the clarinet can achieve this by slowly dragging fingers off tone holes or changing the oral cavity's resonance by manipulating tongue position, embouchure, and throat shaping. Many electric guitars are fitted with a tremolo arm which can produce either a portamento, a vibrato, or a combination of both (but not a true tremolo despite the name).
It was the first classical quartet to be performed at a presidential inauguration. Obama officially became the President while the piece was being performed, at noon, as the United States Constitution stipulates. Although it appeared that the piece was being performed live, it was in fact mimed while a recording made two days before was fed to the television pool and speakers. Yo-Yo Ma told NPR's All Things Considered that the piano keys had been decoupled from the hammers, and the bows of the stringed instruments had been soaped to silence them.
Born in 1979 and brought up in Northeastern France, he started playing the guitar when he was eight. He is now known for singing, playing the piano, drums, bass, cello and other stringed instruments, as well as exotic instruments like the dilruba, sarangi or kalimba. Self-taught in every instrument and his production techniques, his music always focuses on the songwriting rather than musicianship. His most well-known project is named Demians, mixing a wall of sound with more delicate performances, with influences ranging from experimental and ambient music to alternative rock.
Three magnetic pickups on a Peavey Raptor with the pickup configuration of a fat-strat (H-S-S). The bridge (right) pickup is a humbucker and the neck (left) and middle pickups are single coils. A pickup is a transducer that captures or senses mechanical vibrations produced by musical instruments, particularly stringed instruments such as the electric guitar, and converts these to an electrical signal that is amplified using an instrument amplifier to produce musical sounds through a loudspeaker in a speaker enclosure. The signal from a pickup can also be recorded directly.
The Royal Artillery Band was the first official, and permanent British military band (and former symphony orchestra) originating in 1557, but granted official status in 1762. Consisting of woodwind, brass, and percussion instruments (and until 2014, also stringed instruments), it represented both the Royal Regiment of Artillery, and the state. The Royal Artillery Orchestra (of the Royal Artillery Band) [disbanded on 9 February 2014] was Britain's first permanent professional orchestra.Groves Dictionary of Music & Musicians All other bands in the British Army received official, permanent status from 1763 onward.
Instruments used commonly include lap harps, mandolins, whistles, bag pipes, and guitars. Bards utilise archaic words such as "t'was", "thence", and "deeds", while speaking in a grandiose manner of intonation. The general purpose of bardism, according to scholar of religion and bard Andy Letcher, is to create an "ambience" of "a catchall ahistorical past; a Celtic, medieval, Tolkienesque, once-upon-a-time enchanted world". Instruments commonly used by Druidic Bards include acoustic stringed instruments like the guitar and the clarsach, as well as the bodhran, bagpipe, rattle, flute and whistle.
Amateurs play a string sextet However, recent surveys suggest there is, on the contrary, a resurgence of home music making. In the radio program "Amateurs Help Keep Chamber Music Alive" from 2005, reporter Theresa Schiavone cites a Gallup poll showing an increase in the sale of stringed instruments in America. Joe Lamond, president of the National Association of Music Manufacturers (NAMM) attributes the increase to a growth of home music-making by adults approaching retirement. "I would really look to the demographics of the [baby] boomers", he said in an interview.
A representative stated that after the group wraps up with promotions for "Shock", the second single the group will be performing is a ballad track, which will showcase the members' vocals. With a surprise, the music video for "Nae Yeojacinguleul Butaghae (Say No)" was released on April 14. On April 29, a new version of "Easy" titled "Easy (Sincere Version)" was released in digital format in order to help promote the group's second EP even more. The lyrics for this version was rearranged and included stringed instruments and the piano with a soft rap.
The Ephraim Paddock House was constructed for Paddock's family in 1820. This federal style brick mansion on St. Johnsbury's Main Street still stands, and continues to be a private residence. Paddock was a talented musician, proficient on several stringed instruments as well as the piano; his home included a piano manufactured by Jonas Chickering. According to town histories, Paddock's home was a showpiece and tourist destination, with visitors traveling to St. Johnsbury to admire the brickwork, the unique woodwork of the windows and doors, which had been handcrafted by Thaddeus Fairbanks, and Paddock's piano.
The Lyres of Ur (or Harps of Ur) are considered to be the world's oldest surviving stringed instruments. In 1929, archaeologists led by Leonard Woolley discovered the instruments when excavating the Royal Cemetery of Ur between from 1922 and 1934. They discovered pieces of three lyres and one harp in Ur located in what was Ancient Mesopotamia and now is Iraq.Golden Lyre of Ur , Bill Taylor They are over 4,500 years oldQueen's Lyre - From Ur, southern Iraq, about 2600-2400 BC, British Museum from ancient Mesopotamia during the ED III.
With a seeming infinite number of possible pitches to create modes, musicians had to choose which notes to use, and which to play together. One way of bring order to the infinite number of tones was to examine music with mathematics. The Sumerians and Akkadians, the Greeks, and the Persians all used math to create notes used on lutes and lyres and other stringed instruments. Using the idea that a plucked or bowed string produces a note, they noticed the difference in tone when a string is stopped.
The fiddle is considered the core instrument, though other stringed instruments can be used, such as the guitar, banjo, bass and mandolin, as well as the piano, accordion, flute, clarinet and more. Some contra dances are even done to techno music. Music in a dance can consist of a single tune or a medley of tunes, and key changes during the course of a dance are common. Many callers and bands perform for local contra dances, and some are hired to play for dances around the U.S. and Canada.
During his career, he advised Yehudi Menuhin, Arthur Grumiaux, Isaac Stern, Anne-Sophie Mutter, cellists such as Maurice Gendron and Yo-Yo Ma, as well as Mstislav Rostropovich, whom he has known since the 1960s. He advised him to buy the Duport Stradivarius cello which he had appraised. He convinced Yehudi Menuhin to resell his Soil Stradivarius, which he deemed unsuitable for his playing, to Itzhak Perlman. In 1973, he acquired a quartet of stringed instruments made in the same wood by luthier Jean- Baptiste Vuillaume and nicknamed "les Évangélistes".
In order to accommodate students who are at an early stage in the study of stringed instruments, the Greater Baltimore Youth Orchestras added the Sinfonia in the Fall of 2005. The Sinfonietta was created a year later to create more capacity and to accommodate a wider range of young musicians. Members of the Sinfonia and the Sinfonietta are primarily elementary and middle school-aged students who are playing literature through the first four Suzuki books. Since this group is non-auditioned, it is asked that private or school music teachers complete a student assessment.
Harry DeArmond retired in 1976, by which time his company had designed and manufactured over 170 different pickups for a wide range of stringed instruments, and many amplifiers and effects units. DeArmond and Rowe each received multiple patents for their various music-related efforts, and for more prosaic work: > During the 1960s, in addition to their music-related products, Rowe > Industries produced components for radar, aerospace and missile defence > systems, including the Nike-Hercules missile, the Nike-X, the Apollo moon > shot and the B-52 communications system.
Xhosa women's outfit, made from cotton blanket fabric coloured with red ochre and decorated with glass beads, mother of pearl buttons and black felt trim Traditional crafts include bead-work, weaving, woodwork and pottery. Traditional music features drums, rattles, whistles, flutes, mouth harps, and stringed-instruments and especially group singing accompanied by hand clapping. There are songs for various ritual occasions; one of the best-known Xhosa songs is a wedding song called "Qongqothwane", performed by Miriam Makeba as "Click Song #1". Besides Makeba, several modern groups record and perform in Xhosa.
At the beginning of the 1960s, along with tamburitza instruments (and other stringed instruments banjo, bouzouki, balalaika, then piano, mouth organ, fife, kazoo, ocarina) Nikolić also played the electric guitar. Along with Krunoslav Kićo Slabinac, he formed the band Tornado and then, in 1963, the legendary rock band Dinamiti, which was the most famous rock band in ex- Yugoslavia in the 1960s, and which also performed around Europe. In 1967 Antun Nikolić Tuca went into military service. After serving in the military he came back in 1969 to tamburitza music.
In 2013 Sano embarked on a project to combine his love of stringed instruments with the construction of the Bing Concert Hall, a key performance venue for the music ensembles he conducts and advises. He commissioned four instruments to be built from Alaskan yellow cedar scraps that were salvaged from the construction of the Bing Hall Stage. Twin tenor 'ukuleles were built by Rick Turner (luthier) and a guilele was built by luthier Pepe Romero Jr. , son of renowned guitarist Pepe Romero. A kasha-style guitar by Jay Hargreaves is still in process.
On 4 May 1899, Stroh applied for a UK patent, GB9418 titled Improvements in Violins and other Stringed Instruments which was accepted on 24 March 1900. This described the use of a flat metal (other materials are also mentioned) diaphragm in the voice-box (reproducer) of a violin to mechanically amplify the sound. Then on 16 February 1901 he applied for a second UK patent, GB3393 titled Improvements in the Diaphragms of Phonographs, Musical Instruments, and analogous Sound-producing, Recording and Transmitting Contrivances. Which was accepted on 14 December 1901.
Frank Kovanda (September 14, 1904 – April 21, 1993) was an internationally known American maker of bows for stringed instruments (an archetier). Born in Chicago, he began his profession there in 1921, learning from and working for violin maker John Hornsteiner. He was for many years associated with William Lewis and Son in Chicago, where he gained recognition for his outstanding ability as a maker of fine bows and their fittings. While in the employ of Lewis and Sons, he also repaired and restored the finest bows that came through the shop.
The methodist chapel was built in the nineteenth century by subscription from local workers and is still used for worship. Like many villages in the area, Greenmoor was and still is part of the north Sheffield local Christmas carolling tradition, with a more Methodist flavour than most village sings, and its village anthem is "Christians awake". From 1900 to the 1970s Greenmoor singers would travel by foot for up to 12 hours of visiting houses and performing the local songs. The Walton family performed accompaniment on stringed instruments.
A Chaozhou tihu Teochew string music or Chaozhou xianshi ( also called "string-poem music") is classed as a type of sizhu music (chamber music for strings and woodwind, literally "silk/bamboo") although it typically uses stringed instruments only. It is found in northeastern Guangdong and parts of Fujian and also in regions with overseas Teochew populations, such as Malaysia, Singapore, Thailand, and the United States. The Chaoshan region of Guangdong, bordering on Fujian and comprising the cities of Chaozhou, Shantou and Jieyang, forms its own cultural sphere. Teahouses often accompany with Chaozhou music.
The third common method of sound production in stringed instruments is to strike the string. The piano and hammered dulcimer use this method of sound production. Even though the piano strikes the strings, the use of felt hammers means that the sound that is produced can nevertheless be mellow and rounded, in contrast to the sharp attack produced when a very hard hammer strikes the strings. Violin family string instrument players are occasionally instructed to strike the string with the stick of the bow, a technique called col legno.
Cumpiano met Juan Sotomayor, a prize-winning photographer who worked on the New York Times staff. They discovered that there was no serious effort being expended at the University of Puerto Rico to study or research the origins and history, the corpus, of the jíbaro musical and musical craft traditions. They decided to set out to discover the story of Puerto Rico's traditional stringed instruments and later the story of Puerto Rico's traditional music. In 1992, he co-founded "The Puerto Rican Cuatro Project" with Juan Sotomayor and Wilfredo Echevarría, an expert in media communications.
Odishan musicologists in ancient treatises have mentioned four distinct kinds of instruments or vadyas : tat or stringed instruments, susira or wind instruments, anaddha or leather instruments / drums & finally ghana or metallic instruments. Out of these four, the Mardala falls under the category of anaddha vadyas or drums. Raghunatha Ratha, an ancient musicologist of Odisha extols the Mardala in his treatise, the Natyamanorama as : The Jagannatha temple of Puri has for centuries had a Mardala servitor. This was known as the 'Madeli Seba' and the percussionist was ritually initiated into the temple by the Gajapati ruler.
The implementation of musical chords on guitars depends on the tuning. Since standard tuning is most commonly used, expositions of guitar chords emphasize the implementation of musical chords on guitars with standard tuning. The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano), open-string notes are not fretted and so require less hand-motion.
Tunisian Bendir (frame drum) with snare According to Mohammed Abdel Wahab, Tunisian music has been influenced by old Andalusian songs injected with Turkish, Persian and Greek influences. Of major note in Tunisian classical music is the Malouf. Deriving from the reign of the Aghlabids in the 15th century, it is a particular type of Andalusian music. In urban areas it uses stringed instruments (fiddle, oud and Kanun) and percussion (darbuka) while in rural areas, it may also be accompanied by instruments like the mezoued, gasba and the zurna.
Short octaves were very common in the early organ. Here, the practice would not have yielded poor tone quality (since the associated pipes would have to be built with the correct length in any event). Far more than on stringed instruments the financial savings would have been quite considerable, as the long pipes entailed quite an expense, even in materials alone. But as harmonic music developed more complexity in the late 17th and 18th centuries and the desire arose for completely chromatic bass octaves, short octaves ultimately came to be abandoned in organs as well.
There are also wire mutes that can press the strings on the tailpiece side of the bridge, leading to a lessened muting effect. Practice mutes can be used to heavily dampen stringed instruments to make practicing them in hotels or apartments less intrusive. Metal practice mutes, which are often coated in rubber, have a larger effect than rubber mutes. A practice mute limits the player's ability to hear the effect of the techniques they are working on, so players are advised to spend some practice time without the mute.
Members from the Philippine Cultural Dancers group perform tinikling Singkil performed at the World Pride 2012 in London Tinikling is a traditional Philippine folk dance which originated during the Spanish colonial era. The dance involves two people beating, tapping, and sliding bamboo poles on the ground and against each other in coordination with one or more dancers who step over and in between the poles in a dance. It is traditionally danced to rondalla music, a sort of serenade played by an ensemble of stringed instruments which originated in Spain during the Middle Ages.
In his review for AllMusic, Charie Wilmoth states "Maneri and Morris had developed utterly distinctive instrumental voices: Their senses of phrasing and harmony were, and are, uniquely theirs." The Penguin Guide to Jazz notes that "The two stringed instruments frequently exchange roles, with Maneri producing big chords and Morris teasing out single-note lines at great speed." The All About Jazz review by Glenn Astarita states "The musicians engage a very special musical language that is characterized by their remarkable intuition, distinctive craftsmanship and cultivated improvisational speak."Astarita, Glenn.
Instruments used in both traditional and modern genres of Bhutanese music include the lingm (six-holed flute), the chiwang (Tibetan two-stringed fiddle), and the dramnyen (similar to a large three-stringed rebec); modern musicians often update these instruments for use in rigsar. Other traditional instruments include tangtang namborong (four-holed bamboo bass flute), kongkha (bamboo mouth harp), and gombu (bull or buffalo horn). Newer instruments include the yangchen, brought from Tibet in the 1960s. While Bhutanese folk music often employs stringed instruments, religious music usually does not.
Title page of the first edition L'estro armonico (The Harmonic Inspiration), Op. 3, is a set of 12 concertos for stringed instruments by Italian composer Antonio Vivaldi, first published in Amsterdam in 1711. Vivaldi's Twelve Trio Sonatas, Op. 1, and Twelve Violin Sonatas, Op. 2, only contained sonatas, thus L'estro armonico was his first collection of concertos appearing in print. It was also the first time he chose a foreign publisher, Estienne Roger, instead of an Italian. Each concerto was printed in eight parts: four violins, two violas, cello and continuo.
This latter post involved furnishing instruments (of the whole violin family) awarded to first- prize winners. Lupot was ordered by King Louis XVIII to make an orchestra of stringed instruments which were to be decorated/embellished with the coat of arms of France. He ambitiously undertook in 1820 to replace all the instruments of the royal orchestra with new ones of his own make, but death in 1824 prevented him from fulfilling this plan. He frequently received the title of "The French Stradivarius" and in Mirecourt there is a street named after him.
Jörg Stenzel has, since the age of eleven, been interested in stringed instruments, the guitar in particular. The two brothers combined their talents in 1997 and project York was born. York has released four successful UK singles. Their first single, "The Awakening", reached #11 in the UK Singles Chart in October 1999. Their second single, "On the Beach" (which sampled Chris Rea's song, "On the Beach") was their biggest hit, the 'CRW edit' helped the single to reach #4 in the UK chart in June 2000, and it sold over 200,000 copies.
Professional bassists are more likely to have adjustable bridges, which have a metal screw mechanism. This enables the bassist to raise or lower the height of the strings to accommodate changing humidity or temperature conditions. The metal tuning machines are attached to the sides of the pegbox with metal screws. While tuning mechanisms generally differ from the higher- pitched orchestral stringed instruments, some basses have non-functional, ornamental tuning pegs projecting from the side of the pegbox, in imitation of the tuning pegs on a cello or violin.
From 1934 until the outbreak of World War II in 1939, Reinhardt and Grappelli worked together as the principal soloists of their newly formed quintet, the Quintette du Hot Club de France, in Paris. It became the most accomplished and innovative European jazz group of the period."Stephane Grappelli is Europe's gift to jazz", The Ottawa Journal, 9 June 1980 Reinhardt's brother Joseph and Roger Chaput also played on guitar, and Louis Vola was on bass. The Quintette was one of the few well-known jazz ensembles composed only of stringed instruments.
The hurdy-gurdy is a stringed instrument that produces sound by a hand crank- turned, rosined wheel rubbing against the strings. The wheel functions much like a violin bow, and single notes played on the instrument sound similar to those of a violin. Melodies are played on a keyboard that presses tangents-- small wedges, typically made of wood--against one or more of the strings to change their pitch. Like most other acoustic stringed instruments, it has a sound board and hollow cavity to make the vibration of the strings audible.
Historical collections of preserved instruments help researchers (St Cecilia's Hall, Edinburgh) The choice of musical instruments is an important part of the principle of historically informed performance. Musical instruments have evolved over time, and instruments that were in use in earlier periods of history are often quite different from their modern equivalents. Many other instruments have fallen out of use, having been replaced by newer tools for creating music. For example, prior to the emergence of the modern violin, other bowed stringed instruments such as the rebec or the viol were in common use.
For example, stringed instruments of uncertain design called nevals and asors existed, but neither archaeology nor etymology can clearly define them. In her book A Survey of Musical Instruments, American musicologist Sibyl Marcuse proposes that the nevel must be similar to vertical harp due to its relation to nabla, the Phoenician term for "harp". In Greece, Rome, and Etruria, the use and development of musical instruments stood in stark contrast to those cultures' achievements in architecture and sculpture. The instruments of the time were simple and virtually all of them were imported from other cultures.
Although civilizations in Central America attained a relatively high level of sophistication by the eleventh century AD, they lagged behind other civilizations in the development of musical instruments. For example, they had no stringed instruments; all of their instruments were idiophones, drums, and wind instruments such as flutes and trumpets. Of these, only the flute was capable of producing a melody. In contrast, pre-Columbian South American civilizations in areas such as modern- day Peru, Colombia, Ecuador, Bolivia, and Chile were less advanced culturally but more advanced musically.
Shape of the upper kantele is more traditional, while the one for kantele below is slightly modernised Musical instrument construction is a specialized trade that requires years of training, practice, and sometimes an apprenticeship. Most makers of musical instruments specialize in one genre of instruments; for example, a luthier makes only stringed instruments. Some make only one type of instrument such as a piano. Whatever the instrument constructed, the instrument maker must consider materials, construction technique, and decoration, creating a balanced instrument that is both functional and aesthetically pleasing.
His repertoire of Chinese folk songs began to grow – as did his Mandarin language skills. Soon he was performing for Chinese Embassy officials in Ottawa, which in turn led to an invitation to perform in China. Audiences loved him, disarmed and enchanted that a westerner would come into their midst and perform their songs with such depth and emotion. Upon returning to Ottawa, George formed a new band, The George Sapounidis Trio, with percussionist Ken Easton and Jeremy Moyer, another Sinophile who plays a variety of Chinese stringed instruments.
Other recent accomplishments are awards from the 2006 Adam International Cello Festival and Competition, New Zealand, and the 2005 Concert Artists Guild International Competition. Bae founded Angelos Mission Ensemble in 2004, a Christian music academy for students of stringed instruments. The purpose of the Ensemble is to educate and mold future Christian musician leaders. The organization was incorporated in 2006 as a non-profit corporation, and she continues to direct the organization with her fiancé Jason Suh. She collaborates with other musicians including with jazz saxophonist Paquito D’Rivera in November 2006.
In the first verse Torres's voice is heard accompanied by background stringed instruments; then comes the drums and the voices of Barrio Boyzz, which remain throughout the rest of the verse until the chorus. In the second verse, Torres's voice returns, keeping only his voice until the choir, then entering Barrio Boyzz repeating the chorus until the end of the song. "Reencuentro" talks about nostalgia and the joy of meeting again in the country where it comes from, also recognizing the suffering that the country has passed through the years, due to wars and violence.
By 1909, Smith had made twenty violins and a quartet, with his instruments having already become noted for their excellent outline, arching and scrolls. He migrated to Melbourne in an attempt to set up on his own in an environment with fewer established competitors. In 1912–14 he worked with the Hungarian Carl Rothhammer at San Francisco, then moving to Sydney where he briefly continued his partnership with Rothhammer. In 1919, he established A. E. Smith & Co. Ltd, an importer and repairer – as well as a manufacturer, of stringed instruments.
Diatonic accordion At first, merengue típico was played on stringed instruments like the tres and cuatro, but when Germans came to the island in the late 19th century trading their instruments for tobacco, the accordion quickly replaced the strings as lead instrument. Típico groups play a variety of rhythms, but most common are the merengue and the pambiche. In the 1930s–50s a bass instrument was also often used. Called marimba, it resembles the Cuban marímbula, and is a large box- shaped thumb piano with 3-6 metal keys.
Each episode begins with an introduction from Rhysider, followed by the theme music consisting of stringed instruments and a crunchy synthesizer, and then a structured narrative layered with interviews and suspenseful scoring. For the first 40 episodes, Rhysider was responsible for all of the research, writing, narrating, editing, sound design, publishing, marketing, and logistics. Later on, due to a passionate cult following, Rhysider was able to enlist the help of additional writers, researchers, editors, and graphic designers. By December 31, 2018, Darknet Diaries had amassed more than 1.2 million downloads.
During this period Björgvin composed the oratorios Strengleikar (English: Stringed Instruments) and Friður á jörðu (English: Peace on Earth), in addition to the cantata Adveniat regnum tuum. The cantata was performed in Winnipeg, Manitoba in the fall of 1925, after which the Icelandic Canadian population organized to support Björgvin to study musicology in London. Björgvin studied at London's Royal College of Music for two years. During that time, Icelandic poet Stephan G. Stephansson sent him his work Þiðrandakviða, to which Björgvin composed one of his greatest works, the oratorio Örlagagátan (English: Riddle of Fate).
The Joropo is played with the arpa llanera (harp), bandola, cuatro, and maracas (ibid), making use of polyrhythmic patterns, especially of hemiola, and alternation of and meters. It was originally played, most often also sung, by the llaneros, the Venezuelan Llanos, (plains), and thus also called música llanera (ibid). The singer and the harp or bandola may perform the main melody while a cuatro performs the accompaniment, adding its characteristic rhythmic, sharp percussive effect. The cuatro and the bandola are four-stringed instruments which are descendants of the Spanish guitar.
Further collaborations followed with comedians Boothby Graffoe, Jo Neary, Simon Munnery, Kevin Eldon, Omid Djalili and Stewart Lee. Pynn premiered a solo show in 2003 called 'Music from Hotels Rooms, Forests and Submarines', using wine glasses, playing cards and live sampling in addition to his various stringed instruments. In May 2004 Pynn's third solo album Afterplanesman was released, the reissue of which made it into The Sunday Times 100 Best Albums of 2008. In the following year at the Edinburgh Festival, Pynn won a 'Spirit of the Fringe Award' for his music.
Worldwide, there are various stringed instruments such as the wheel fiddle and Apache fiddle that are also called "fiddles". Fiddle music differs from classical in that the tunes are generally considered dance music, and various techniques, such as droning, shuffling, and ornamentation specific to particular styles are used. In many traditions of folk music, the tunes are not written but are memorized by successive generations of musicians and passed on in what is known as the oral tradition. Many old-time pieces call for cross-tuning, or using tunings other than standard GDAE.
Undoubtedly the emphasis on cantabile, especially the long drawn out and evenly sustained phrase, required a generally longer bow and also a somewhat wider ribbon of hair. – David Boyden These new bows were ideal to fill the new, very large concert halls with sound and worked great with the late classical and the new romantic repertoire. Today, with the rise of the historically informed performance movement, string players have developed a revived interest in the lighter, pre-Tourte bow, as more suitable for playing stringed instruments made in pre-19th-century style.
The harper on the Monifeith Pictish Stone, 700 – 900 AD Stringed instruments have been known in Scotland from at least the Iron Age. The first evidence of lyres were found in the Greco-Roman period on the Isle of Skye (dating from 2300 BCE), making it Europe's oldest surviving stringed instrument. Bards, who acted as musicians, but also as poets, story tellers, historians, genealogists and lawyers, relying on an oral tradition that stretched back generations, were found in Scotland as well as Wales and Ireland.M. J. Green, The Celtic World (London: Routledge, 1996), , p. 428.
From his cabinet-maker father, he learned about instrument making and helped fashion stringed instruments, including a miniature violin that he treasured all his life. Gibran lived in what is now Chinatown, Boston, and attended local public schools. As a boy, he frequented the Denison House where he occasionally would see social worker Amelia Earhart drive up in her famous yellow roadster. He regularly visited the local public library and enjoyed crafting exotic objects like the scimitar in Edgar Allan Poe's The Pit and the Pendulum or the guillotine from Tale of Two Cities.
Yerbabuena has brought a popular cross over appeal. Abrante y La Tribu have made fusions with Hip Hop. Tambores Calientes, Machete Movement, and Ceiba have fused the genres with various forms of Rock and Roll. The Afro- Puerto Rican bombas, developed in the sugarcane haciendas of Loíza, the northeastern coastal areas, in Guayama and in southern Puerto Rico, utilize barrel drums and tambourines, while the rural version uses stringed instruments to produce music, relating to the bongos. (1) “The bomba is danced in pairs, but there is no contact.
23: "For example, 'Corrine, Corrina,' now considered a Cajun standard, probably was originally an African American blues song. In the 1930s, it was adapted to western swing by Bob Wills, and, from there, worked its way into the standard Cajun repertoire, changing slightly with each transformation." "Corrine, Corrina" is also an important song related to Western swing's pioneering use of electrically amplified stringed instruments. It was one of the songs recorded during a session in Dallas on September 28, 1935, by Roy Newman and His Boys (OKeh 03117).
In the mid-seventies while in Germany, she received a commission from sculptor Helfried Hagenberg to compose music on a sculpture he had created from twenty-seven triangles. During the course of her commission, she developed the alemba, a keyboard percussion instrument. She is also the inventor of the Tosca Bells, a percussion instrument with hollow metal tubes that create a vibrating bell-like sound when hit. She also developed the 'noose' for stringed instruments that enables the composer to write 'natural' harmonics on virtually every note within the range of the string orchestra.
"Blues fiddle" is a generic term for bowed, stringed instruments played on the arm or shoulder that are used to play blues music. Since no blues artists played violas, the term is synonymous with violin, and blues players referred to their instruments as "fiddle" and "violin". While unequivocally an African- American creation, with the rising popularity of the blues, violinists in the Anglo-American dance fiddling traditions and white country fiddlers, adopted stylistic elements and added songs from the blues to their repertoire. Blues violin features most prominently in rural blues, string-band, jug band and jazz.
The action of the strings on the bridge causes the soundboard to vibrate, producing sound. Like any plucked instrument, mandolin notes decay to silence rather than sound out continuously as with a bowed note on a violin, and mandolin notes decay faster than larger stringed instruments like the guitar. This encourages the use of tremolo (rapid picking of one or more pairs of strings) to create sustained notes or chords. The mandolin's paired strings facilitate this technique: the plectrum (pick) strikes each of a pair of strings alternately, providing a more full and continuous sound than a single string would.
Roy has had a wide range of woodworking professionals as guests on his show from many different fields of woodworking, Frank Klausz, Nora Hall, Steve Latta, David Calvo, Michael Dunbar, Dan Mack, Don Weber, Wayne Barton and Curtis Buchanan as well as many lesser-known specialists in the fields of tinsmithing, spoon carving, cooperage (barrels, buckets, canteens), lutherie (stringed instruments), whirligigs, archery, puppetry, basket making, spinning wheels and blacksmithing. Guests have also included famous people with a woodworking hobby, such as Governor Mike Easley. Roy's wife and children have appeared on various episodes over the show’s thirty-plus-year span of production.
Instruments such as the seven-holed flute and various types of stringed instruments, such as the Ravanahatha, have been recovered from the Indus Valley Civilization archaeological sites. India has one of the oldest musical traditions in the world—references to Indian classical music (marga) are found in the Vedas, ancient scriptures of the Hindu tradition. The earliest and largest collection of prehistoric musical instruments was found in China and dates back to between 7000 and 6600 BC. The "Hurrian Hymn to Nikkal", found on clay tablets that date back to approximately 1400 BC, is the oldest surviving notated work of music.
Stornoway were a British alternative indie folk band from the Cowley area of Oxford that released three albums from 2010 to 2015. The band consisted of singer, lyricist, and guitarist Brian Briggs; keyboard player Jon Ouin, bassist Oli Steadman and his brother Rob Steadman on drums. Their sound incorporated an ever-changing selection of stringed instruments and keyboards, supported by a typical pop backline of guitar, drums, and bass guitar. Briggs and Ouin met during Freshers' week at Oxford; Briggs thought Ouin looked like a member of Teenage Fanclub, a band both of them liked that became a topic of their first conversation.
Hypothetical cello fingering of "Twinkle, Twinkle, Little Star" with hand positions with ordinals, fingers with numbers, and strings indicated with Roman numerals. The A could instead have been played open like the D and the entire line could have been in 1st position. In music, fingering, or on stringed instruments stopping, is the choice of which fingers and hand positions to use when playing certain musical instruments. Fingering typically changes throughout a piece; the challenge of choosing good fingering for a piece is to make the hand movements as comfortable as possible without changing hand position too often.
The curator of stringed instruments at the National Music Museum notes that most Italian Baroque guitars from that period were more ornate than the Stradivari guitars: "Stradivari was probably the first maker to highlight the natural beauty of the wood on a guitar. He used a spruce top and beautiful violin-style figured maple for the back and sides instead of ebony or the other tropical hardwoods that were commonly used at the time." It has a rosette design with decorative mother of pearl inlay. The guitar has a 29-inch scale length, which is a long scale length.
As mentioned above, the oud belongs to the family of short scale lutes. The widest interval that can be stopped between the open string and the end of the fingerboard is a fifth (quint); though it is possible to play wider intervals on the same string by stopping tones on the top of the corpus. Although Bashir has not invented this slightly unorthodox technique, he has integrated it into his style in an exemplary manner. Also, before Bashir, the usage of flageolets did not belong to the traditional playing techniques of the oud, even though this technique actually is characteristic for stringed instruments.
Knox was the youngest of four siblings, and although he was born in Ireland, he was raised in Scotland, to a family who all played a variety of musical instruments. The youngest of four children who all played stringed instruments, Knox chose to study the viola as his primary instrument. After studies at the Royal College of Music in London with Frederic Riddle, he became a member of Pierre Boulez's Ensemble InterContemporain in Paris (1983–1990) then joined the Arditti Quartet in London (1990–1997). He has given first performances by and worked with most of the leading composers.
The high price of pianos is one factor that is causing the closing of piano stores: "A good grand piano from a respected name costs about as much as a luxury automobile", and as such, children (and their parents) are choosing less expensive instruments, such as electronic keyboards or stringed instruments. Though sales of acoustic pianos and quality keyboard instruments continually declines in the United States, in China "piano sales are booming", with most instruments being intended for home use. This rise in sales is in part because the costly instruments are viewed as a status symbol in China.
The main instruments of Concheros dancers include two pre Hispanic drums called a huehuetl and a teponaztli, conch shell trumpets and conchas, lute instruments made from the shell of an armadillo or other stringed instruments. The drums are generally in the center with various dancers holding the other instruments and with rattles (like the ayoyotes) in their hands and on their legs. The altar is often profusely decorated with flowers, candles, colored paper and many other objects. Carrying standard of mesa or dance group Upon signal, the two circles of dancers move, dancing both as a group and individually.
Gilbert Raynolds Combs (January 5, 1863 – 1934) was an American pianist, organist, and player of stringed instruments; a composer of music for orchestra, piano, voice, and violin; a teacher; and an orchestral and chorus conductor.William Lines Hubbard, ed., The American History and Encyclopedia of Music (Irving Squire: London, 1908), 150. Gilbert Combs was founder of the Combs Broad Street Conservatory of Music in Philadelphia in 1885, one of the founders and president of Phi Mu Alpha Sinfonia national music fraternity, founder and vice president of the National Association of Schools of Music,John F. Ohles and Shirley M. Ohles.
The dissonances (ubiquitous minor seconds, major sevenths and ninths) are precisely chosen for their degree of "shock value". While working on the Piano Variations, Copland cultivated a tautness and clarity of form and texture that became a precursor to the style of his other works. Copland also experimented with the potential of the physical instrument, as he did with microtones on the stringed instruments in Vitebsk. In the Piano Variations, some notes are held down silently while pitches selected from their overtone series are struck, which produces an effect of ringing resonances without hammering the tones directly.
Roger John Barrett (born 30 May 1950), known professionally as Wild Willy Barrett, is an English experimental musician and multi-instrumentalist, best known for his collaborations with John Otway. His musical style has included folk, blues, psychedelia, pop and punk rock and his live performances are punctuated with his dry humour and onstage wit. He is known for virtuoso fiddle playing, ability with a great number of stringed instruments, and playing slide guitar with a whole raw egg (known as egg-necking). During recent Otway/Barrett performances, he has also introduced the 'wah wah wheelie bin'.
After H.H.'s death from a stroke, the company was run by his wife, Nona, and one of their children, Henry Jr. The company's manufacturing plant was later moved from Chicago proper to Niles, a suburb in Cook County, Illinois.Slingerland History on Cooper Vintage Drums Although the Slingerland company was best known as a drum kit manufacturer, it also made guitars in the 1930s."The Slingerland stringed instruments" on Slingerland Guitars.com The Songster electric guitar, featured in a 1939 company catalog, pre-dates Les Paul's "log" guitar and is probably the earliest Spanish-style solid-body electric guitar model.
The use of lute-like stringed instruments by Ukrainians dates back to 591. In that year, Byzantine Greek chronicles mention Bulgar warriors who travelled with lute-like instruments they called kitharas. There are iconographic depictions of lute-like instruments in the 11th-century frescoes of Saint Sophia's Cathedral, the capital of the vast medieval kingdom of Ruthenia. It is not known by what specific term these instruments were referred to in those early times, although it has been surmised that the lute-like instrument was referred to by the generic medieval Slavic term for a string instrument—"husli".
A performance of Antandroy dance Stringed instruments are common among the Tandroy. They construct marovany (box zithers) from pine planks, using unwound bicycle cables as strings. The mandolina and gitara are the Antandroy names of a popular Southern chordophone similar to the kabosy but with nylon fishing line for strings and five or seven movable frets that facilitate modification of the instrument's tuning. The lokanga is a stringed instrument popular with the Tandroy that has a gourd resonator and is played with a bow, much like the jejy voatavo played further north, but with the resonator carved to resemble a three-stringed fiddle.
Lister, who opened for Williams and his Drifting Cowboys, also recorded Hank's "There's a Tear in My Beer" and "Countryfied." "Little House We Built" is only one of two songs Williams wrote with Drifting Cowboy Don Helms (the other being "I Lost the Only Love I Knew"). Helms played and recorded with the country star from 1950 until the singer's death in 1953. Bill Lloyd, the curator of stringed instruments at the Country Music Hall of Fame and Museum, said of Helms: “After the great tunes and Hank’s mournful voice, the next thing you think about in those songs is the steel guitar.
Kokia likens the song to "Chowa Oto" from her Trip Trip album. She described the song as being like a magnificent film's soundtrack, such as Peter Jackson's Lord of the Rings trilogy. She also describes the song as being "like a horse running through a great plain." "Follow the Nightingale" is an upbeat song influenced by dark wave neoclassical music, with two major movements. The first movement (occurring three times, 0:00-0:40, 1:19-1:50 and 2:17-3:23) are quiet, featuring light chorus work by Kokia, the harp, stringed instruments and the piano.
Chelmsford, Massachusetts and Dracut, Massachusetts Vital records Barzillai, Dinah, and several of their sons and daughters sang and played wind and stringed instruments all over New England. They were noted throughout the 19th and 20th centuries as well- educated, skilled, and talented musicians. It was said "no family in Middlesex County from Lowell to Cambridge could produce so much good music." They formed a complete band in their family and were employed to play at assemblies in Portland, Maine, Boston, Massachusetts, other large cities and towns, as well as commencement exercises at several New England colleges.
The classic Sanskrit text Natya Shastra is at the foundation of the numerous classical music and dance of India. Before Natyashastra was finalized, the ancient Indian traditions had classified musical instruments into four groups based on their acoustic principle (how they work, rather than the material they are made of). These four categories are accepted as given and are four separate chapters in the Natyashastra, one each on stringed instruments (chordophones), hollow instruments (aerophones), solid instruments (idiophones), and covered instruments (membranophones). Of these, states Rowell, the idiophone in the form of "small bronze cymbals" were used for tala.
Mitch Leigh's Tony Award winning score, which onstage used no stringed instruments aside from guitar and string bass, is augmented in the film adaptation with discreet string orchestration by Herbert W. Spencer. The heaviest string orchestration is used in the deathbed scene. As in the stage version, a solo Spanish guitar provides accompaniment in the scene in which Don Quixote keeps vigil over his armor. Two songs from the musical, "What Does He Want of Me?" and "To Each His Dulcinea", were completely omitted from the film, as were two verses of "Aldonza" and the second verse of the deathbed reprise of "Dulcinea".
The Hondo guitar company was originally formed in 1969 when Jerry Freed and Tommy Moore of the International Music Corporation (IMC) of Fort Worth, Texas, formed a joint-venture with Korean manufacturer Samick Company. IMC's intent was to introduce modern manufacturing techniques and American/Japanese quality standards to the Korean guitar manufacturing industry. The Hondo concept was to offer an organized product line and solid entry-level market instruments at a fair market price. Hondo II banjo played by jazz band By 1975, Hondo had distributors in 70 countries worldwide, and had expanded to producing stringed instruments at the time.
In 1970, he came upon the book Classical Guitar Construction by Irving Sloane, one of the clearest guides to guitar-making, which was published in 1966. Before Sloane, wrote Barbara Stewart in The New York Times, "Anyone interested in guitar construction had to find a luthier [an expert craftsman of stringed instruments] — usually in Spain, Germany or Belgium — and try to become his apprentice." Somogyi read Sloane's book and said he thought to himself, "I can make a guitar!" He liked guitar music (he was, and is, an accomplished player), he liked working with his hands, and he had plenty of free time.
Most stringed instruments produce sound through the application of energy to the strings, which sets them into vibratory motion, creating musical sounds. The strings alone, however, produce only a faint sound because they displace only a small volume of air as they vibrate. Consequently, the sound of the strings alone requires impedance matching to the surrounding air by transmitting their vibrations to a larger surface area that displaces a larger volume of air (and thus produces louder sounds). This calls for an arrangement that lets the strings vibrate freely, but also conducts those vibrations efficiently to the larger surface.
The Music of Peru is an amalgamation of sounds and styles drawing on Peru's Andean, Spanish, and African roots. Andean influences can perhaps be best heard in wind instruments and the shape of the melodies, while the African influences can be heard in the rhythm and percussion instruments, and European influences can be heard in the harmonies and stringed instruments. Pre- Columbian Andean music was played on drums and string instruments, like the European pipe and tabor tradition. Andean tritonic and pentatonic scales were elaborated during the colonial period into hexatonic, and in some cases, diatonic scales.
Diomedes Matos is a Puerto Rican musician and master instrument maker who is most famous for building string instruments. He built his first guitar at age 12 and later studied and mastered construction techniques for several traditional stringed instruments including cuatros, requintos, classical guitars, and the Puerto Rican tres. Matos' instruments are in great demand and he has won many awards and honors for his work. In 2006, he was awarded a National Heritage Fellowship by the National Endowment for the Arts, which is the United States government's highest honor in the folk and traditional arts.
The sound of the song expanded upon previous Prince arrangements, incorporating stringed instruments, Middle Eastern finger cymbals, and even a harmonica on the extended version. The song was also more in the pop vein than ever before, though the 12-inch single and video of the song feature a funky intro. Although the song was originally recorded on April 27, 1982, in Studio 2 at Sunset Sound, Prince drastically reworked it in September 1984 with The Revolution to give it more of an international sound. The string section comprised Novi Novog on violin, Suzie Katayama and David Coleman on cello.
Poplar was the most common wood used in Italy for panel paintings; the Mona Lisa and most famous early renaissance Italian paintings are on poplar. The wood is generally white, often with a slightly yellowish colour. Some stringed instruments are made with one-piece poplar backs; violas made in this fashion are said to have a particularly resonant tone. Similarly, though typically it is considered to have a less attractive grain than the traditional sitka spruce, poplar is beginning to be targeted by some harp luthiers as a sustainable and even superior alternative for their sound boards: Rees Harps Website, "Harp Myth #8".
Bischoff has some fluency on a number of woodwinds (saxophone, clarinet), brass (tuba, trombone, trumpet) and stringed instruments (electric bass, guitar, ukulele, banjo, stand-up bass, cello, violin). As a composer, Bischoff is largely self-taught having attended part-time college classes on the topic and gaining experience by writing arrangements and compositions for fellow artists in the Seattle music scene. Music was also a family tradition. His father, who had studied music at the University of California, Davis with John Cage and Stanley Lunetta, had been in avant garde and experimental bands throughout the 1970s.
A luthier ( )Oxford Dictionaries is a craftsperson who builds and repairs string instruments that have a neck and a sound box. The word "luthier" is originally French and comes from the French word for lute. The term was originally used for makers of lutes, but it came to be used already in French for makers of most bowed and plucked stringed instruments such as members of the violin family (including violas, cellos, and double basses) and guitars. Luthiers, however, do not make harps or pianos; these require different skills and construction methods because their strings are secured to a frame.
He has been called a virtuoso on the Algerian mandole or mondol, "one of most gifted on this instrument very present in the Châabi music." In France he has worked with other artists including, providing background music or participating in their bands, as well as arranging music for film and theater. The bands he has played with have played a wide mixture of music, including rap, ragga, reggae, jazz and raï. In addition to showing what the mondol can do, he also has showed the capabilities of other stringed instruments used in North Africa, including the banjo, oud, mandolin, sintir, guitar and laúd.
Cripple Creek, performed by Gid Tanner and his Skillet Lickers (1929) "Cripple Creek" is an Appalachian-style folk song, often in old time arrangement for the fiddle, although it is played on stringed instruments such as the banjo. It has become a standard among bluegrass musicians and is often one of the first songs a banjo picker learns. No one knows exactly when it was composed, but there are theories about just where Cripple Creek is. Some say it is Cripple Creek, Virginia, while others say it is based on Cripple Creek, Colorado during the gold rush.
Alberti bass in Mozart's Piano Sonata, K 545 opening. Bass ( ) (also called bottom end) describes tones of low (also called "deep") frequency, pitch and range from 16 to 256 Hz (C0 to middle C4) and bass instruments that produce tones in the low-pitched range C2-C4. They belong to different families of instruments and can cover a wide range of musical roles. Since producing low pitches usually requires a long air column or string, and for stringed instruments, a large hollow body, the string and wind bass instruments are usually the largest instruments in their families or instrument classes.
Allmusic comments that the album is "a compelling and provocative one." Reviewer Thom Jurek says that "what is immediately striking is the lack of the piano's sonic presence on the session" but that the Burrel is "everywhere ... going for something else ... [a] textural and harmonic interaction of the various stringed instruments as they encounter and dialogue with each other." The Penguin Guide to Jazz relates the album to Burrell's earlier work of Echo due to "the first piece is fierce and intense, while the second majors rather on atmospherics."The Penguin Guide to Jazz by Richard Cook, Brian Morton, et al.
Other books followed, including Arnolt Schlick's Spiegel der Orgelmacher und Organisten ('Mirror of Organ Makers and Organ Players') the following year, a treatise on organ building and organ playing. Of the instructional books and references published in the Renaissance era, one is noted for its detailed description and depiction of all wind and stringed instruments, including their relative sizes. This book, the Syntagma musicum by Michael Praetorius, is now considered an authoritative reference of sixteenth-century musical instruments. In the sixteenth century, musical instrument builders gave most instruments – such as the violin – the "classical shapes" they retain today.
Eventually, pickers realized that all they needed was something to sink their fingerprints into so the pick wouldn't slip, such as a high relief imprinted logo. Celluloid was a material on which this could easily be done.Hoover, p. 30. Tony D'Andrea was one of the first people to use celluloid to produce and sell guitar picks. In 1902 he came upon a sidewalk sale offering some sheets of tortoise shell colored cellulose nitrate plastic and dies, and eventually he would discover that the small pieces of celluloid he punched out with the dies were ideal for picking stringed instruments.
Ben Tavera King (born 1952) is a Latin American musician, songwriter, recording artist, and performer from the United States. He has recorded various genres from Tex-Mex to new-age and is proficient on numerous stringed instruments including guitar, lute, and vihuela. King received notice in the 1980s and early 1990s on public radio for his releases, many of which were issued on his own labels, Inner Ear Records, Talking Taco Music, and Iago Records.Philip Krumm, [ Ben Tavera King] at Allmusic He has composed the music for several PBS programs including Heritage and Mujeres Con SIDA.
In Europe, especially, this tuning was sometimes preferred even for the larger instrument. The eight-string instrument appears to always have been tuned in fifths, either two octaves below the mandolin: G1 D2 A2 E3, or two octaves below the mandola: C1, G1, D2 A2. There is scant information as to how common this lower tuning (lower-ranging than the orchestral double bass) was, or in what circumstances people used it. In playing the instrument, the left-hand stops the strings against the top surface of the neck (fingerboard) for different pitches, in the same method as other stringed instruments.
Finger substitution is one of the skills that violinists need to master. On stringed instruments such as the violin, cello, and double bass, finger substitution is used for a variety of reasons. For complex, rapid passages, finger substitution is sometimes used to make a fingering pattern more consistent and easy to remember. In slow-moving music with expressive sustained bowed notes, finger substitution may be used so that a particular finger can be used for vibrato, to add emphasis to a note, or to introduce a subtle glissando effect (especially in Tango music and certain Romantic styles).
It is committed to lifelong learning, from Junior Academy, which trains musicians up to the age of 18, through Open Academy community music projects, to performances and educational events for all ages. The Academy’s museum is home to one of the world’s most significant collections of musical instruments and artefacts, including stringed instruments by Stradivari, Guarneri, and members of the Amati family; manuscripts by Purcell, Handel and Vaughan Williams; and a collection of performing materials that belonged to leading performers. It is a constituent college of the University of London and a registered charity under English law.
Since 2001, a major focus for Fujiie has been organizing the guitar quintet Kazuhito Yamashita Family Quintet, for which she also composes. Kasane is their main repertoire and typifies the music of a bygone era. This quintet seeks to revive the quintessential and older musical traditions of both Europe and Japan when such music was known and valued, and whose echoes can still be heard in the classic Japanese 11th century novel The Tale of Genji. In this piece, four guitars, multi-layering with shifting tonal colors, represent the various plucked stringed instruments of old Japan.
This direct knowledge of, and friendship with, Virchi and Antegnati's work opened up new artistic horizons resulting in notable improvements to the sound and design of strings and stringed instruments. An Appraisal of the Policy of 1568 (a tax return) testifies to a flourishing business, which continued to grow significantly. In 1575 he bought a house in the Cossere district, his historic headquarters, and subsequently manufactured many instruments. His workshop quickly became one of the most important in Europe in the second half of the 16th century for the production of every type of stringed instrument of the time.
Tone and sound are terms used by musicians and related professions to refer to the audible characteristics of a player's sound. Tone is the product of all influences on what can be heard by the listener, including the characteristics of the instrument itself, differences in playing technique (e.g. embouchure for woodwind and brass players, fretting technique or use of a slide in stringed instruments, or use of different mallets in percussion), and the physical space in which the instrument is played. In electric and electronic instruments, tone is also affected by the amplifiers, effects, and speakers used by the musician.
Ingvar Lidholm, private interview with Bruce Brolsma conducted 18 May 1978, in Rönninge, Sweden. This early period also included orchestration studies with Natanael Berg in Stockholm. Lidholm's primary performance area was stringed instruments; he eventually studied and mastered all four instruments of the string family. As a gymnasium student, he played viola and contrabass in the school orchestra, and studied violin from the German master Hermann Gramss. He remained active in composition throughout his school years and completed what may be considered his final student work early in 1940: the Elegisk svit (“Elegiac Suite”) for string quartet.
Monaco began assisting for composer Christophe Beck after graduating from the USC program, and through this connection he has contributed music to The Hangover film series, The Muppets, and Get Hard. Monaco credits the time he spent assisting Beck as key to his success as a scorer, and has described assistant positions as “some of the best education and experience a young composer can receive”. After assisting Christophe Beck for eight years, Monaco made the decision to begin scoring on his own. Monaco credits some of his inspiration as a composer to a stable of unorthodox stringed instruments he acquired from Rich Briggs.
To diversify their product line, Conn acquired as subsidiaries the New Berlin Instrument Company (1954) of New Berlin, New York which produced clarinets, oboes and bassoons for Conn, the Artley Company (1959), a manufacturer of flutes and clarinets, the Janssen Piano Company (1964), and the Scherl & Roth Company (1964), a manufacturer of stringed instruments. Conn divested itself of Leedy and Ludwig in 1955, Carl Fischer retail in 1959, and New Berlin Instrument in 1961. By 1958, over half of Conn's sales revenue was from their electric organs. In 1959 Conn built a new organ factory in Madison, Indiana.
Roadie Tuner The Roadie Tuner was launched in 2014 and is the first-generation product in the family of Roadie automatic guitar tuners. Roadie Tuner robotically rotates the pegs of stringed instruments to bring them to the desired pitch. To work, the tuner requires to be connected with its free Roadie Tuner mobile application available for both Android and iOS users. Roadie’s rotating head fits over the tuning pegs, and as the user plucks each string, the app will listen and send a bluetooth command to the device to adjust the tuning to the correct setting.
Ephraim Segerman also talked about plucked fiddles. A theory of stringed instruments with fingerboards was explained in his 1999 paper, A Short History of the Cittern, where part of the paper explained the existence of short lute-like instruments in Central Asia, and mentioned their entry in Europe around the 8th century. Citing Werner Bachman's 1969 book, The Origins of Bowing, Segerman mentioned that in Central Asia short lutes were invented that were as wide as they were deep, much longer than wide, with 3-5 strings and plucked with heavy plectrum. Some were widened and deepened further, becoming the barbat and entering Europe as the oud.
The instrumentation of the Royal Artillery Band in Aldershot came largely from the Royal Artillery Brass Band (formerly under the charge of Lawson), and consisted of 8 cornets, 3 tenor horns, two baritones, 2 E-Flat bombardons, and 1 pair of kettledrums. To this, 5 woodwinds, including E-Flat 'clarionette' and piccolo were added. All of the musicians were required to become proficient on stringed instruments - a required condition that has remained in all Royal Artillery bands from 1887 to the current day. In 1897 the 'mounted portion' of the Royal Artillery Band was disbanded, leaving the Aldershot band to fulfil all remaining mounted ceremonial duties.
The neck is made of light wood, with a veneer of hardwood (usually ebony) to provide durability for the fretboard beneath the strings. Unlike most modern stringed instruments, the lute's fretboard is mounted flush with the top. The pegbox for lutes before the Baroque era was angled back from the neck at almost 90° (see image), presumably to help hold the low-tension strings firmly against the nut which, traditionally, is not glued in place but is held in place by string pressure only. The tuning pegs are simple pegs of hardwood, somewhat tapered, that are held in place by friction in holes drilled through the pegbox.
The earliest violin makers, though highly skilled, did not advance any scientific knowledge of the acoustics of stringed instruments. During the nineteenth century, the multi-harmonic sound from a bowed string was first studied in detail by the French physicist Félix Savart. The German physicist Hermann von Helmholtz investigated the physics of the plucked string, and showed that the bowed string travelled in a triangular shape with the apex moving at a constant speed. The violin's modes of vibration were researched in Germany during the 1930s by Hermann Backhaus and his student Hermann Meinel, whose work included the investigation of frequency responses of violins.
Multiple neck "guitars" have also been made which include other stringed instruments among the alternate necks. Country guitarist Joe Maphis played a double-neck Mosrite instrument that had a regular 6-string neck on the bottom and an "octave guitar" for the top neck. This was a 6-string neck tuned an octave higher than the standard guitar, that both extended the range of the instrument, and allowed Maphis to play mandolin-like sounds. Between 1958-1968, Gibson made an instrument of this type which it called the "Double Mandolin" (Gibson EMS 1235). Hybrids with a 6-string guitar neck and a true 8-string mandolin neck were also made (e.g.
Reproduction of the lyre from the Sutton Hoo royal burial (England), A reconstruction of a Germanic lyre. Other instruments known as lyres have been fashioned and used in Europe outside the Greco-Roman world since at least the Iron Age. The remains of what is thought to be the bridge of a 2300-year-old lyre were discovered on the Isle of Skye, Scotland in 2010 making it Europe's oldest surviving piece of a stringed musical instrument. Material evidence suggests lyres became more widespread during the early Middle Ages, and one view holds that many modern stringed instruments are late-emerging examples of the lyre class.
The emergence of full-width frets also compelled makers to fret their instruments in equal temperament. The fret patterns on the older half-width- fret instruments rarely adhered to equal temperament, and intonation varied from builder to builder. With a simple melody played against the drone, these idiosyncratic scales could add warmth and a distinctive flavour to the music, but the old non-standard fret patterns often produce a dissonance when chorded that some find unacceptable. Using modern dulcimers with full-width frets arranged for equal temperament, contemporary players have borrowed from chord theory and imported technique from other stringed instruments to greatly expand the versatility of the instrument.
Plucked stringed instruments are common throughout Spain and Portugal, but they were proscribed in Galician or Asturian commercial folk music until recent years. Modern guitarists like Xesús Pimentel often use strong flamenco influences in their sound. The violin has a long tradition in the area, common since the early 20th century, when blind fiddlers traveled to fairs to play traditional and self-composed songs, as well as pieces by composers like Sarasate. The hurdy gurdy (zanfona) has been played in the area for many centuries, but had mostly died out by the middle of the 20th century before being revived by Faustino Santalices, Xosé Lois Rivas and the like.
After finishing a series of concerts of New York State colleges sponsored by ESP, Sun Ra decided to assemble a number of stringed instruments bought from curio shops and music stores. Ukuleles, Mandolins, Kotos, Koras, Chinese Lutes and 'Moon Guitars' were handed out to his reed and horn players in the belief that 'strings could touch people in a special way, different from other instruments.' The point was that the Arkestra didn't know how to play them - Sun Ra called it 'a study in ignorance.' > 'Next they prepared a number of homemade instruments, including a large > piece of tempered sheet metal with an "X" chiseled on it.
The shadow play is a form of puppetry that is performed by moving figures made of animal skins or cardboard held behind a screen lit by lamplight. The subject matter and singing style in shadow plays are closely related to local opera. Another popular folk art is the quyi, which consists of various kinds of storytelling and comic monologues and dialogues, often to the accompaniment of clappers, drums, or stringed instruments. Variety arts, including tightrope walking, acrobatics, animal acts, and sleight of hand date back at least as far as the Han dynasty (206 BCE-CE 220) and were very popular in the imperial court.
Volta is an electronic pop, experimental and world album. Stylistically, it's a distinctive and eclectic album that, while incorporating the efforts of many collaborators, touches on forms of music like brass music, Chinese folk music, percussive tribal music, electro, Malian folk music, ambient and industrial music. Björk opted to incorporate plucked stringed instruments "like the ocean ... but more dirty sounding than when [she] did, for example, Vespertine", and thematically, she intended the album to be "going for something more pagan". She used brass instrumentation for almost every song on the album, and most of the instrumentation is courtesy of an all-female Icelandic brass ensemble.
Music of Guangdong is a synthesis of a number of local Guangdong folk music styles. In modern times, the Chinese province of Guangdong has become known for Guangdong music (later Guangdong folk tunes), a synthesis of a number of local folk music styles (like kunqu opera), intended as an accompaniment for the region's folk operas when it arose along the Pearl River Delta in the 1920s. It gradually evolved into a string ensemble format by the 1960s, led by the gaohu with ruan, qinqin, yangqin, sanxian, yehu, and various woodwind (including houguan or saxophone) and percussion instruments. Formerly, bowed stringed instruments such as the erxian and tiqin were used.
Glissandi are represented by diagonal wavy lines with arrowheads at the end. The glissando symbol proceeds from bottom left to top right for an upward glissando, or from top left to bottom right for a downward glissando. It is used in place of a numeral. For stringed instruments, it usually indicates playing all the notes of the scale in rapid succession, i.e. for a downward glissando, : 6 5 3 2 1 and for an upward glissando, :1 2 3 5 6 Note that a pentatonic scale is normally used in Traditional Chinese music, so "all the notes of the scale" in this case are 1, 2, 3, 5 and 6.
This 2009 photo shows music production using a digital audio workstation (DAW) with multi-monitor setup. Music technology is the study or the use of any device, mechanism, machine or tool by a musician or composer to make or perform music; to compose, notate, play back or record songs or pieces; or to analyze or edit music. The earliest known applications of technology to music was prehistoric peoples' use of a tool to hand-drill holes in bones to make simple flutes. Ancient Egyptians developed stringed instruments, such as harps, lyres and lutes, which required making thin strings and some type of peg system for adjusting the pitch of the strings.
At birth, when they were wed and after they died. Strabo refers to them as wild and dwelling in dirty caves under dung-hills.Strabo,7.5, "The Dardanians are so utterly wild that they dig caves beneath their dung-hills and live there, but still they care for music, always making use of musical instruments, both flutes and stringed instruments" This however may have had to do not with cleanliness, as bathing had to do with monetary status from the viewpoint of the Greeks. At the same time, Strabo writes that they had some interest in music as they owned and used flutes and corded instruments.
Modern composers such as Henry Cowell wrote music that requires that the player reach inside the piano and pluck the strings directly, "bow" them with bow hair wrapped around the strings, or play them by rolling the bell of a brass instrument such as a trombone on the array of strings. However, these are relatively rarely used special techniques. Other keyed string instruments, small enough for a strolling musician to play, include the plucked autoharp, the bowed nyckelharpa, and the hurdy-gurdy, which is played by cranking a rosined wheel. Steel-stringed instruments (such as the guitar, bass, violin, etc.) can be played using a magnetic field.
Featuring instrumentation from drums, bass, and stringed instruments, "Who's That Girl" continued Madonna's fascination with Hispanic culture by incorporating Spanish lyrics and using the effect of double vocals. Critical reception was mixed to positive; some critics compared it to Madonna's previous single, "La Isla Bonita", while others found it forgettable. "Who's That Girl" became Madonna's sixth single to top the Billboard Hot 100, while peaking atop the charts in countries like the United Kingdom, Canada, Netherlands, Ireland and Belgium. It was also nominated for "Best Song Written for Visual Media" at the 1988 Grammy Awards and "Best Original Song" at the 1988 Golden Globe Awards.
The term harewood or airwood originally described a type of maple wood with a curled or "fiddleback" figure, used to make the backs of stringed instruments. In 17th-century England it was imported from Germany. The earliest published use of the term is probably that in the 1670 edition of Sylva: In the 18th century airwood came to be used by marqueteurs; for most artificial colours they used holly, which takes vegetable dyes very well, but airwood was employed either in its natural off-white state or stained with iron sulphate to produce a range of silver and silver-grey hues.Peter Weber, The Cabinet- Maker's Guide, 2nd edn.
The sheng's reeds vibrate at a fixed frequency unlike single reeds, double reeds, and pointed free reeds which vibrate at the pitch according to the length of the attached air column. Covering the hole(s) on a traditional sheng's pipe(s) would cause the entire length of the pipe(s) to resonate with the reeds' frequency. If the hole is open, the resonant frequency would not match, and hence no sound is produced. The sheng is sounded by either exhaling or inhaling into the mouthpiece, and players can produce a relatively continuous sound without pause by quickly switching between the two - much like bow changes for stringed instruments.
The vibration of the strings is thus directly transferred to both the top and back of the instrument. Unlike many other stringed instruments, there is no nut at the top of the strings: the strings are simply stretched between a tuning peg at the top and the tailpiece at the bottom, passing over the bridge (the playing strings) or through holes in the bridge (the sympathetics).The tailpiece is typically made out of bone, and secured to the carved projecting "endpin" by stout steel wire. The endpin also serves to hold the bottom of the instrument to a strap or belt worn by the player.
Unlike epic and lyric verse, which were accompanied by stringed instruments (the cithara and barbiton respectively), elegy was accompanied by a wind instrument (the aulos) and its performance therefore required at least two people—one to sing and one to play.J.P. Barron and P.E. Easterling, "Early Greek Elegy", P. Easterling and B. Knox (ed.s), The Cambridge History of Classical Literature:Greek Literature, Cambridge University Press (1985), page 128 Ancient accounts associate Mimnermus with a female aulos player, Nanno, and one makes him her lover (see quote from Hermesianax in Comments by other poets below). Another ancient source indicates that Mimnermus was a pederast,Alexander Aetolus fr.
Italian Violin by Ansaldo Poggi, Bologna, Stradivari model, front Italian Violin by Ansaldo Poggi, Bologna, Stradivari Model, Back Modern Bolognese Violin-Making Table Ansaldo Poggi was born in Villafontana di Medicina (Bologna), 9 June 1893 and died in Bologna, 4 September 1984. He demonstrated his talent for the making of stringed instruments at a young age. His father, also an artisan, musician and amateur violinmaker, encouraged his son, steering him toward the arts. After the end of World War I he dedicated himself to the profession, taking up the craft again alongside his father while at the same time graduating from the Philharmonic Academy of Bologna.
The decidedly anti- Aristotelian and anti-clerical music theorist Vincenzo Galilei (c. 1520 – 1591), father of Galileo and the inventor of monody, made use of the method in successfully solving musical problems, firstly, of tuning such as the relationship of pitch to string tension and mass in stringed instruments, and to volume of air in wind instruments; and secondly to composition, by his various suggestions to composers in his Dialogo della musica antica e moderna (Florence, 1581). The Italian word he used for "experiment" was esperienza. It is known that he was the essential pedagogical influence upon the young Galileo, his eldest son (cf.
Merengue típico is the oldest style of merengue still performed today (usually in the Dominican Republic and the United States), its origins dating back to the 1850s. It originated in the rural city of Navarrete (villa bisono), northern valley region around the city of Santiago called the Cibao, resulting in the term "merengue cibaeño". Originally played on the metal scraper called güira, the Tambora, and a stringed instrument (usually a guitar or a variant such as the tres). Stringed instruments were replaced with two-row diatonic button accordions when Germans began to travel to the island in the 1880s as part of the tobacco trade.
Since 2011 their trademark erhu has been complemented with stringed instruments including the koto and shamisen, as well as Tibetan Bells and shakuhachi and pgaki flutes, the latter of which are traditionally used by the aboriginal people of Taiwan. The band members are also acclaimed artists and political activists who advocate independence for Taiwan and self-determination for Tibetans and Uighurs. Singer Freddy Lim served as Chairman of the Taiwan chapter of Amnesty International from 2010 to 2014 and has been a legislator since 2016, first representing the New Power Party before becoming an independent. Since their formation, Chthonic has released eight studio albums.
He returned to Australia in July 2009, and played two shows in his home town, one at the revived Shack in Narrabeen, and another at the Excelsior Hotel in Sydney, where he was joined for several songs by former bandmates Agostino and Blanchflower. In January and February 2011 Quill toured Australia's east coast, playing 15 dates with Toronto singer-songwriter, Jon Brooks. Quill started recording an album of new material during 2012. Quill also performed with fellow expatriate Australian Terry Wilkins on bass guitar, (ex-The Flying Circus) in the band, Ironbark, which also featured Berger and MacInnes, with Mitchell Lewis on drums, guitar, and stringed instruments.
They play their stringed instruments with great skill and invention against the rock-steady drumming. Their voices merge well ... As the first group to bridge the gap between beat and folk, they deserve to be winners." The UK publication Music Echo was also enthusiastic about the album's contents, concluding that the record was "an album which easily lives up to the promise of their great knock-out singles." However, not all reviews of the album were positive: Record Mirror in the UK awarded the album two stars out of five, deriding it as, "The same nothingy vocals, the same jangly guitar, the same plodding beat on almost every track.
His disciple, Manohar Chimote, later implemented this concept, also making the instrument more responsive to key pressure, and called the instrument a samvadini—a name now widely accepted. Bhishmadev Vedi is also said to have been among the first to contemplate and design compositions specifically for the harmonium, styled along the lines of "tantakari"—performance of music on stringed instruments. These compositions tend to have a lot of cut notes and high-speed passages, creating an effect similar to that of a string being plucked. In 1954, Late Jogesh Chandra Biswas first modified the then-existing harmoniums, so it folds down into a much thinner space for easier-maneuverability.
Pianists need to master finger substitution to create a legato sound. Finger substitution is a playing technique used on many different instruments, ranging from stringed instruments such as the violin and cello to keyboard instruments such as the piano and pipe organ. It involves replacing one finger which is depressing a string or key with another finger to facilitate the performance of a passage or create a desired tone or sound. The simplest type of finger substitution is when a finger replaces another finger during a rest; the more difficult type is to replace one finger with another while a note is being played.
A number of hybrid instruments exist, crossing the banjo with other stringed instruments. Most of these use the body of a banjo, often with a resonator, and the neck of the other instrument. Examples include the banjo mandolin (first patented in 1882) and the banjo ukulele, most famously played by the English comedian George Formby. These were especially popular in the early decades of the 20th century, and were probably a result of a desire either to allow players of other instruments to jump on the banjo bandwagon at the height of its popularity, or to get the natural amplification benefits of the banjo resonator in an age before electric amplification.
Nacre inlay is often used for music keys and other decorative motifs on musical instruments. Many accordion and concertina bodies are completely covered in nacre, and some guitars have fingerboard or headstock inlays made of nacre (as well as some guitars having plastic inlays designed to imitate the appearance of nacre). The bouzouki and baglamas (Greek plucked string instruments of the lute family) typically feature nacre decorations, as does the related Middle Eastern oud (typically around the sound holes and on the back of the instrument). Bows of stringed instruments such as the violin and cello often have mother of pearl inlay at the frog.
England was born and raised in Waukegan, Illinois, the home of Jack Benny, to parents Sylvia and Lee England Sr. He was first exposed to the violin at the age of 6 during a class demonstration of stringed instruments. When he first attempted to play however, he assumed his violin was broken because it didn't sound like the one shown to him in class and wanted to quit. At the request of his father, England continued to practice his instrument for just 15 minutes a day, despite his resistance. As England continued to practice, his initial reluctance to practice was overcome by a passion for learning and growing as a musician.
As a member of a musical family, she learned to play piano and several stringed instruments, including banjo, mandolin, and guitar, but she developed a strong interest in drawing at an early age and aspired to become an artist. Bernloehr attended Indianapolis's public schools. At the age of twelve she received a scholarship to join Indianapolis's John Herron Art Institute's Saturday-morning art classes for children. (The Herron Art Institute was a forerunner to the Indianapolis Museum of Art.) Bernloehr continued to attend weekend classes at Herron through her high school years at Indianapolis's Arsenal Technical High School, where she studied with illustrator Frederick Polley.
To repay the blacksmith, who desired the heart of a fair maiden, the wizard fashioned the tooth into a pick that would give its holder unnatural prowess with stringed instruments. Infatuated by the prospect of becoming the next great rock star, JB immediately sets Tenacious D on a quest to steal the Pick of Destiny from a rock history museum. Along the way, the band briefly splits up, when KG decides that sex comes first in "sex, drugs, and rock 'n' roll" after getting invited to a party, while JB wants to stick to the mission at hand. They are eventually reunited after KG is kicked out of the party.
The Mood library consisted of medium- to slow-tempo songs in lush arrangements (with primarily stringed instruments). The music was derived from standards, show tunes and some pop music; the first song on each side of each record was often a current pop hit. The Industrial library consisted of lively, medium- to quick-tempo music to induce workers to be more productive. This was perhaps the most varied and adventurous of the libraries; it contained polkas, mariachi music, twangy guitar, Hawaiian songs, and occasionally synthesizer. A portion of the records were exchanged every three months: on April 1, July 1, October 1 and December 26.
He wrote as well in an essay for The Violin World, "As nothing can more clearly reflect the most intimate feelings of a nation than its folk music, Armenian music presents a picture of unique aspect." During his residence at Lansing, Michigan, Gudenian assembled a collection of oriental instruments from the Middle East, including stringed instruments, flutes, and drums, and subsequently began experimenting with the drums used by dervishes, including small and large gong drums and gypsy drums. He introduced them to western audiences in a recital of his own compositions in early December 1926 at Aeolian Hall, London that met with critical acclaim. His wife Katherine acquired some skill playing the drums and accompanied him in performance.
Arnold Schoenberg's Chamber Symphony Op. 9 (1906) displays quartal harmony: the first measure and a half construct a five-part fourth chord with the notes (highlighted in red in the illustration) A–D–F–B–E–A distributed over the five stringed instruments (the viola must tune down the lowest string by a minor third, and read in the unfamiliar tenor clef). center alt= The composer then picks out this vertical quartal harmony in a horizontal sequence of fourths from the horns, eventually leading to a passage of triadic quartal harmony (i.e., chords of three notes, each layer a fourth apart). Schoenberg was also one of the first to write on the theoretical consequences of this harmonic innovation.
Music was greatly enjoyed throughout this era, as seen through quite a few family evenings including musical performances. Children were taught to sing and dance at a very early age and became used to performing in public during such evenings. Keyboard instruments such as harpsichords, clavichords, dulcimers and virginals were played. Woodwind instruments like woodys, crumhorns, flutes and stringed instruments such as lutes and rebecs were also widely used. Court dances included the pavane and galliard, the almain and the volta, whilst among popular dances were the branle, The Barley-Break (a setting by William Byrd is in My Ladye Nevells Booke), Nobody’s Jig (of which a version was set by Richard Farnaby) and the Shake-a-Trot.
The name cello is derived from the ending of the Italian violoncello, which means "little violone". Violone ("big viola") was a large-sized member of viol (viola da gamba) family or the violin (viola da braccio) family. The term "violone" today usually refers to the lowest-pitched instrument of the viols, a family of stringed instruments that went out of fashion around the end of the 17th century in most countries except England and, especially, France, where they survived another half- century before the louder violin family came into greater favour in that country as well. In modern symphony orchestras, it is the second largest stringed instrument (the double bass is the largest).
The museum's collection presents Belgian musical history (including Brussels' importance in the making of recorders and various obscure proto-synthesizers (Ondes Martenot, Theremin, etc.) in the 18th and 19th centuries and as the home of instrument inventor Adolphe Sax in the 19th century), European musical traditions, and non-European instruments. Mechanical instruments are shown in the basement, traditional instruments on the ground floor, the development of the modern orchestral instruments on the first floor, and keyboard and stringed instruments on the second floor. Visitors are given infrared headphones in order to listen to almost 200 musical extracts of the instruments on display. Information is provided in French and Dutch, though not in English.
In many musical idioms it belongs to the tradition of stringed instruments to work with different tunings, adapted to the demands of the piece of music. Therefore, it is not surprising, that Bashir experimented with a lot of tunings. A common tuning of the Arabian oud – "Arabian" in contrast to the almost identical Turkish instrument, that has a slightly different history – is: Julien Weiss Discusses Traditional and Contemporary Arab Music, by Sami Asmar The reesha is held in the palm of one's hand, resulting in a difficultly learnable picking technique; furthermore the doubled strings have a less controllable attack than single strings. Therefore, the inevitable rhythmic reliability in fastest, asymmetric accented, melodies is a special trademark of virtuosos.
Hall performed on a variety of stringed instruments, including the standard ukulele, the taropatch ukulele, banjo, and the hybrid banjolele, as well as the tiple. Like so many of the other performers during the era, Hall was a big fan of the instruments created by the C.F. Martin & Company, particularly their Taropatch. Like other performers, he was unsuccessful in obtaining an endorsement deal with Martin, but in response to his letter offering to endorse their product, Martin offered their 20% discount for professional performers and to inlay his name in the head of the instrument. He published an instruction book, Wendell Hall's Ukulele Method, with Forster Music in 1925, that was edited by May Singhi Breen.
The Webber siblings grew up in Westford and Boston, Massachusetts listening to the Smothers Brothers (particularly their version of "Streets of Laredo"), "Weird Al" Yankovic and Tom Lehrer. They were part of a musical and artistic family; their father, Stephen Webber, is a music professor at Berklee College of Music, and they claim to have been playing music since before they could read; their mother, Susan Webber, is a fiber artist and former Spanish teacher. Both attended Abbot Elementary, where they first learned to use stringed instruments, and Westford Academy, with Aubrey graduating in 2003 and Laser in 2006. They were part of a rock band in high school but had no plans to form a duo.
After the war, Salvi returned to Chicago and joined conductor Paul Schreiber's St. Louis Sinfonietta orchestra, with whom Salvi toured the country as a soloist from 1948 to 1950. Described by Columbia Artist Management as having been founded with "... the purpose of bringing symphonic music to audiences everywhere", Sinfonietta was a distinctively unique ensemble, "... a chamber orchestra which would have not only the delicacy and refinement of the stringed instruments, but a reasonable degree of the extended tonal altitude, color variety and sonority of the symphony orchestra – an ensemble whose instrumentation would permit equally authoritative presentation of the classic symphonies ....""The Community Concert Association presents The Saint Louis Sinfonietta" (Press Release). Columbia Artists Management. 1948. Retrieved January 13, 2014.
Metal Front guitar Zemaitis (born as Antanas Kazimeras Žemaitis) was born 1935 in London, England of Lithuanian family and left school at the age of sixteen to help out with family finances. He took up a five-year apprenticeship as a cabinet maker, but it was only when he found an old damaged guitar in his family attic that he found his real passion in life. After completing his national service, Zemaitis expanded this hobby in 1957 by producing a few basic guitars to learn about construction, soundhole shapes, tonewood, and string length. He experimented with differing multi-stringed instruments with some of these models making their way onto the folk scene.
The group was formed in 1966. The original members were: :David Lindley (born March 21, 1944, Los Angeles, California) :Solomon Feldthouse (born January 20, 1940, Pingree, Idaho) :Chris Darrow (born July 30, 1944, Sioux Falls, South Dakota, died January 15, 2020) :Chester Crill (a.k.a. Max Budda, Max Buda, Fenrus Epp, Templeton Parcely) (born Oklahoma City, Oklahoma) :John Vidican (born Los Angeles, California) Lindley was an experienced performer on a variety of stringed instruments, notably the banjo, winning the Topanga Canyon Banjo Contest several years in a row in the early 60s. While studying at La Salle High School in Pasadena, he formed his first group, the Mad Mountain Ramblers, who performed around the Los Angeles folk clubs.
The term bandore and bandora were occasionally incorrectly applied to a Ukrainian folk instrument now more commonly known as the bandura, an instrument with up to 68 strings that differs considerably from the bandora. During the Renaissance there were no naming conventions and terms were used loosely. The Spanish bandurria, though this term was once also interchangeable, now applies to a treble instrument like a mandolin - a similar confusion as has occurred with mandore, mandora, mandola (q.v.). All these instruments are thought to derive their names originally from the ancient Greek pandura (which term, once again, is found applied to a variety of stringed instruments in different regions at an early date).
Dobson and Howart, founded Black Lace in 1974 together, after four years with the other band members Steve Scholey, Nigel Scott and Alan Barton. Dobson left the group in 1973, a short time after Howarth, but both later rejoined after a couple of line up changes involving Neil Hardcastle (drums for three months) and Nigel Scott (bass guitar for four years). They finally arrived at the line up in 1976 consisting of Steve Scholey (lead singer), Alan Barton (lead guitar, lead singer and backing vocals), Dobson (drums and backing vocals) and Colin Routh (Gibb) (bass guitar, backing vocals and stringed instruments). Following the band's split in January 1981, Dobson joined the Castleford-based band Stormer, formerly known as Method.
Originally the sister station of a similarly-styled AM station (now WYFN which simulcasts the Bible Broadcasting Network's religious programming), WSIX-FM is credited with pioneering the "countrypolitan" "Nashville sound" of country music, which developed in the 1960s. Violins and other stringed instruments (and occasionally horns) were added to the traditionally fiddle- and guitar- driven sound of country music. During those years (beginning in 1967 until the late 1970s) WSIX-FM used the slogan "We're metropolitan country." As such, WSIX-FM became one of the first successful country-formatted stations on the FM dial in the U.S., as country music formats were typically found on AM stations until well into the early 1980s.
The skill of contemporary Korean performing artists, who have had great recognition abroad, particularly in stringed instruments and as symphony directors, or operatic sopranos and mezzos, takes part in a long musical history. Korean music in contemporary times is generally divided into the same audiences as the west: with the same kind of audiences for music based on age, and city (classical, pop, techno, house, hip-hop, jazz; traditional) and provincial divisions (folk, country, traditional, classical, rock). World music influences are very strong provincially, with traditional musical instruments once more gaining ground. Competition with China for tourists has forced a much larger attention to traditional Korean musical forms in order to differentiate itself from the west, and east.
The string section is a body of instruments composed of various bowed stringed instruments. By the 19th century orchestral music in Europe had standardized the string section into the following homogeneous instrumental groups: first violins, second violins (the same instrument as the first violins, but typically playing an accompaniment or harmony part to the first violins, and often at a lower pitch range), violas, cellos, and double basses. The string section in a multi- sectioned orchestra is referred sometimes to as the "string choir." The harp is also a stringed instrument, but is not a member of nor homogeneous with the violin family and is not considered part of the string choir.
In addition, he elides caesuras and makes use of the stringed instruments' ability to sustain far longer than a human voice. Among the passages new to the string quartet are measures 17-24, 125-126, and a cello part beginning at measure 63. Some cause of the variation is that the quartet is a celebration of the fall of Nicolae Ceauşescu, whereas Out of the Ruins is an expression of the hopelessness after an earthquake. Siônpp. 174-175 describes numerous places where the accents and descriptors of the work indicate a very different feeling and approach to the music, with the quartet being much more aggravated, while the choral work reflects sorrow without indignation.
There were no serious repercussions, however, and he continued in his rare books business, though relocated shortly afterwards to Southport, CT. He also wrote a number of scholarly papers related to his collecting interests, published in academic journals, and was co-author of a catalogue of manuscripts donated to the Beinecke Library by Paul and Mary Mellon, published in 1977.Laurence Witten et al., "Alchemy & the Occult: From the Collection of Paul and Mary Mellon", New Haven CT, Yale Beinecke Library (1977) In 1983, Laurence suffered a minor heart attack, which prompted him to offer the stringed instruments collection for sale in November of that year, at an asking price of $3 million.
Larry Campbell (born February 21, 1955, New York City) is an American multi- instrumentalist, who plays many stringed instruments (including guitar, mandolin, pedal steel guitar, slide guitar, and violin) in genres including country, folk, blues, and rock. He is perhaps most widely known for his time as part of Bob Dylan's Never Ending Tour band from 1997 to 2004. Campbell also has extensive experience as a studio musician. Over the past years, Larry has recorded with such artists as Levon Helm, Judy Collins, Lucy Kaplansky, Richard Shindell, Linda Thompson, Sheryl Crow, Chris Castle, Paul Simon, B. B. King, Willie Nelson, Eric Andersen, Buddy and Julie Miller, Kinky Friedman, Little Feat, Hot Tuna, Cyndi Lauper, k.d.
Many psalms (116 of the 150) have individual superscriptions (titles), ranging from lengthy comments to a single word. Over a third appear to be musical directions, addressed to the "leader" or "choirmaster", including such statements as "with stringed instruments" and "according to lilies". Others appear to be references to types of musical composition, such as "A psalm" and "Song", or directions regarding the occasion for using the psalm ("On the dedication of the temple", "For the memorial offering", etc.). Many carry the names of individuals, the most common (73 psalms—75 if including the two Psalms attributed by the New Testament to David) being of David, and thirteen of these relate explicitly to incidents in the king's life.
This is a standard design feature of stringed instruments; however, it differs from the piano, which has only one location for each of its 88 notes. For instance, the note of open A on the violin can be played as the open A, or on the D string (in first to fourth positions) or even on the G string (very high up in sixth to ninth positions). Each string has a different tone quality, because of the different weights (thicknesses) of the strings and because of the resonances of other open strings. For instance, the G string is often regarded as having a very full, sonorous sound which is particularly appropriate to late Romantic music.
Galton whistle, one of the first devices to produce ultrasound Acoustics, the science of sound, starts as far back as Pythagoras in the 6th century BC, who wrote on the mathematical properties of stringed instruments. Echolocation in bats was discovered by Lazzaro Spallanzani in 1794, when he demonstrated that bats hunted and navigated by inaudible sound, not vision. Francis Galton in 1893 invented the Galton whistle, an adjustable whistle that produced ultrasound, which he used to measure the hearing range of humans and other animals, demonstrating that many animals could hear sounds above the hearing range of humans. The first technological application of ultrasound was an attempt to detect submarines by Paul Langevin in 1917.
The cultural life in Helenendorf began with the formation in 1893 of the German Society (Deutscher Verein), originally a male club with a library, a reading room and a bowling alley. Later on, the amateur wind and string orchestras and the theater studio were organized, which held concerts and performances both in the hall of the society, where up to 400 spectators could be accommodated, and at various festive events, including in the public garden of Helendorf. In 1930, a music school was opened with classes of pianofortes and stringed instruments. Various festivals, which gathered musical groups from all the Transcaucasian colonies were often held in Helenendorf (by the 1930s there were 21 colonies).
Cozio's meticulous notes on nearly every instrument that passed through his hands contributed enormously to the body of knowledge surrounding Italian violinmaking. In 1920, a huge collection of original Stradivari family tools, such as wooden models, documents and artisanal equipment for the creation of stringed instruments were purchased from the count's descendants by the violin maker named Giuseppe Fiorini of Bologna in order to create an Italian school of lutherie. However, after failing to do so after ten years, he decided to donate the whole collection to the Town Hall of Cremona in 1930. The municipal administration of Cremona later created the "Stradivarian Room" () inside the Palazzo Affaitati, where all the objects of the Salabue-Fiorini collection were exhibited.
The music was composed in collaboration between Pink Floyd member Roger Waters and Ron Geesin, the same year they worked together on Atom Heart Mother and employs biomusic, including sounds made by the human body (slaps, breathing, laughing, whispering, flatulence, etc.), in addition to more traditional guitar, piano and stringed instruments. The album's final track, "Give Birth to a Smile", features all four members of Pink Floyd, plus Geesin on piano, although David Gilmour, Nick Mason and Richard Wright are uncredited. The child heard on opening track is Ron's son Joe Geesin. The LP features a different track listing to the original film soundtrack, and a 3 sided acetate does exist of the full version.
Roadie 2 Roadie 2 is the second-generation product in the family of Roadie automatic guitar tuners. Roadie 2 automatically rotates the pegs of stringed instruments that have a guitar machine head including electric, acoustic, classical and steel guitars, 6-7-12 string guitars, ukuleles, mandolins and banjos. Roadie 2 was upgraded from its predecessor to work as an independent standalone device which does not require the Roadie Tuner mobile application to function. For that, it has a built-in OLED screen and a selection wheel for users to choose their desired tuning out of preset alternate tunings or to access the string-winding mode when changing the strings on an instrument.
Usually they tend to share the stage with Roth while he interviews them. So far these have included: Anrew Shulman (Principal Cellist Los Angeles Philharmonic, LA Chamber Orchestra & Conductor) - subjects: Cello, stringed instruments, conducting orchestras, Robby Krieger (The Doors) Subject: song-writing & Q&A;, Bruce Dukhov (concert master of the Hollywood Bowl Orchestra)- subject: Violin playing, Bach Partita, Ben Woods (Flametal) - Flamenco guitar and dance, Further guest speakers have been Michael-Angelo Batio, Joe Stump, Vernon Reid, Gilby Clarke, Leon Hendrix. Sky Academy 2006 included three extensive concerts which took place during the course of the 5-day seminar. They were designed to invoke the spirit of musical freedom and featured many special guests, apart from Uli's band.
All stringed instruments featured in this song, both guitars and basses, are tuned to standard tuning. The original recording of the song is notable for its interesting instrumentation: Asian instruments such as a gong and sitar-like-guitar feature, along with an overdubbed Warwick twelve-string bass. This instrument was only used for effect during the intro to emphasize several accented notes and then a standardly tuned 4-string bass was used as the main bass instrument throughout the remainder of the recording. The song is performed frequently during the band's live concerts, and was performed with the San Francisco Symphony Orchestra (conducted by Michael Kamen) on the live S&M; and its companion DVD, as well as the 2019 S&M2.
During the tour of New Zealand, by the Royal Artillery (Woolwich) Band (May 1913 - March 1914), approximately half of that band remained in London to provide an orchestra. The RA Bands Committee chose to allow Mr Henry Sims and the Royal Artillery Mounted Band to fulfill the London concerts at Queen's Hall, although the strings were actually augmented by those string players remaining in Woolwich. Orchestral music in all of the Royal Artillery's bands has always been maintained as an important, and integral feature of the Regiment's music, and the string sections in general, have always comprised mainly those musicians, whose primary instruments were/are stringed instruments. Likewise, primary brass, woodwind, and percussion players, would specialize in the military band ensembles.
Heinrich Ignaz Franz Biber introduced noises into string music for programmatic effects Percussive effects in imitation of drumming had been introduced to bowed-string instruments by early in the 17th century. The earliest known use of col legno (tapping on the strings with the back of the bow) is found in Tobias Hume's First Part of Ayres for unaccompanied viola da gamba (1605), in a piece titled Harke, Harke.Walls 2001, §2 xi. Carlo Farina, an Italian violinist active in Germany, also used col legno to mimic the sound of a drum in his Capriccio stravagante for four stringed instruments (1627), where he also used devices such as glissando, tremolo, pizzicato, and sul ponticello to imitate the noises of barnyard animals (cat, dog, chicken).
The head of an early 18th-century instrument, featuring blindfolded Love. Scordatura notation was first used in the late seventeenth century as a way to quickly read music for violin with altered tunings. It was a natural choice for viola d'amore and other stringed instruments not tuned in the usual fifths, especially those whose intervals between strings are not uniform across their range. Heinrich Ignaz Franz Biber, Antonio Vivaldi and Johann Joseph Vilsmayr (a student of Biber), among others, wrote pieces for violin with one or more strings retuned to notes other than the usual fifths. Given that the viola d’amore was usually played by violinists and that many different tunings were used, scordatura notation made it easier for a violinist to read the music.
Caveman Plunk has discovered that plucking on the string of his bow produces a pleasant "plunk" sound. An offscreen choir explains (as the animation shows) how to create a simple harp from Caveman Plunk's bow by adding a jar to make a resonator, adding some extra strings, changing the jar to a box of wood, sliding it down and adding tuning pegs, and rearranging it all (and Plunk invents the first harp). Professor Owl mentions that you can either pluck the harp, or play it with a bow. We then briefly visit several periods in history, where we see several stringed instruments being played in similar fashion, and finish with a string quartet, and all of them ending with the strings being broken.
Bending strings during an electric guitar solo can change a string's tension, causing it to go out of tune. Stringed instruments, particularly guitars, have a tendency to get out of tune during playing, especially if strings are bent. In the late 1980s,Citation Needed Gibson developed a system called the Gibson Robot Guitar which used an onboard computer, motors, and a battery to keep the instrument in tune, but the system was complex and did not gain much marketplace acceptance, according to one report. Guitarist and engineering student Cosmos Lyles came up with a device to keep his guitar in tune, and with the help of engineer Paul Dowd produced a prototype of the EverTune bridge, which uses a spring and lever system that maintains string tension.
The charango is a small Andean stringed instrument of the lute family, which probably originated in the Quechua and Aymara populations in the territory of the Altiplano in post-Colonial times, after European stringed instruments were introduced by the Spanish during colonialization. The instrument is widespread throughout the Andean regions of Bolivia, Peru, Ecuador, northern Chile and northwestern Argentina, where it is a popular musical instrument that exists in many variant forms. About long, the charango was traditionally made with the shell from the back of an armadillo (called quirquincho or mulita in South American Spanish), but it can also be made of wood, which some believe to be a better resonator. Wood is more commonly used in modern instruments.
Bolivia Manta are a Bolivian group created in France in 1977 by Carlos and Julio Arguedas who perform traditional music of pre-Hispanic and contemporary music of the Andes, particularly that of the Aymara and Quechua speaking people of Bolivia and also traditional music of peoples of Peru and Ecuador. Bolivia Manta albums is an encyclopedia of Andean folklore, these dances and songs are collected in different parts of Peru, Bolivia and Ecuador, and the vast majority of tracks are authentical performance of traditional rural music. They perform their music on indigenous flutes, panpipes and drums, as well as stringed instruments introduced since the Spanish conquest. In 1981, the group wins the Académie Charles Cros Grand Prix for the album Winayataqui.
The Puerto Rican Cuatro Project is a non-profit organization dedicated to fostering the traditions that surround the national instrument of Puerto Rico, by means of gathering, promoting and preserving its cultural memories of Puerto Rican musical traditions, folkloric stringed instruments and musicians. The Cuatro Project is also dedicated to promoting and preserving the Puerto Rican décima verse form and the traditional song as created by its greatest troubadours, living and past. Cumpiano, who is also a founding board member and president of the Association of Stringed Instrument Artisans (ASIA), has lectured about his skills at conventions of the Guild of American Luthiers (GAL). He has received the recognition of various institutes, among them the American Institute of Architects and the Smithsonian Institution.
From the organological point of view, the Byzantine lyra is in fact an instrument belonging to the family of bowed lutes; however, the designation lyra (Greek: λύρα ~ lūrā, English: lyre) constitute of a terminological survival relating to the performing method of an ancient Greek instrument. The use of the term lyra for a bowed instrument was first recorded in the 9th century, probably as an application of the term lyre of the stringed musical instrument of classical antiquity to the new bowed string instrument. The Byzantine lyra is sometimes informally called a medieval fiddle, or a pear-shaped rebec, or a kemanche, terms that may be used today to refer to a general category of similar stringed instruments played with a horsehair bow.
The company initially manufactured only traditional folk instruments such as mandolins, tenor guitars and banjos, but eventually grew to make a wide variety of stringed instruments, including violins, cellos, double basses and a variety of different types of guitars, including electric, classical, lap steel and semi-acoustic models. Some of Kay's lower-grade instruments were marketed under the Knox and Kent brand names. In addition to manufacturing instruments for sale under its own brands, Kay was also a prolific manufacturer of "house branded" guitars and folk instruments for other Chicago-based instrument makers and, at times, for major department stores including Sears and Montgomery Ward. Kay also made guitar amplifiers, beginning with designs carried over from the old Stromberg company.
A strum or stroke is a sweeping action where a finger or plectrum brushes over several strings to generate sound. On most stringed instruments, strums are typically executed by a musician's designated strum hand (typically the musician's dominant hand, which is often responsible for generating the majority of sound on a stringed instrument), while the remaining hand (referred to as the fret hand on most instruments with a fingerboard) often supports the strum hand by altering the tones and pitches of any given strum. Strums are often contrasted with plucking, as a means of vibrating an instrument's strings. In plucking, a specific string or designated set of strings are individually targeted to vibrate, whereas in strumming, a less precise targeting is usually used.
A lot of crazy stuff happens on the road, and we took our experiences from on and off the stage, and brought them into the studio with us. Life is ridiculous, all our lives, like an amusement park ride. In this case, we picked a funhouse, since those are ridiculous too. And we wanted to expand the range of what we can do instrumentally but still keep it non electric so we added a few more gritty and twangy stringed instruments that were fun to spank, like banjos, resonator guitars and ukuleles, as well as an orchestra of kitchen appliances for some additional percussive bang.” The music video for the first single "Raise The Dead" premiered on American Songwriter on March 8, 2012.
Intensified proprioception, increased awareness of the postural reflexes, as well as the various processes affecting respiration and movement can be obtained by means of a sensorimotor and psychomotor re-education 2) The individual, optimal adaptation of the instrument to the body by means of specialised ergonomic aids. All aspects of ergonomics are being considered, such as: Sitting supports for orchestra instruments and keyboard instruments (adaptable in height and angle of inclination); endpins, adaptable in shape, length and dimension; chin rests and shoulder pads for stringed instruments; belts, thumb or knee supports for wind and plucked instruments. The adaptation of these ergonomic aids in turn depends on a physiologically sensible posture when playing the instrument, which can simultaneously be in the process of transformation.
After the 6th century BC it is known that people of Mongolian ethnicity played stringed instruments. The most ancient instrument is probably the tsuur, which is shown in cave wall paintings dated to the 4th or 3rd millennium BC. Other instruments were adopted or modified from instruments in use from neighboring countries, or from conquered countries (for example the Hun/Xioungnu empire 200 BC - 600 and the Mongolian empire between the 12th and 18th century founded by Genghis Khaan). Before the democratic revolution in 1911 several instruments had been restricted to noblemen or for use in monastery ceremonies. The yatga especially wasn't allowed to commoners if the number of strings exceeded eight; only at court could the eleven or twelve stringed yatga be played.
In the early 1990s, start to learn to build guitars and basses with the master luthier Horacio Suarez and parallel enters the Conservatory to study the art of luthieria of stringed instruments, with the master Theodore Massi master luthier of Teatro Colón at Buenos Aires. After a few years with his friend and colleague Miguel Roldan founded Logos, and from then on, both continurán working together to present. In 1993, they released their first album with Logos, Industria de Poder, presenting the Germans with Accept, then produced by Rudy Sarzo (Quiet riot Ozzy Osbourne, Dio), recorded Generacion Mutante (1995), edited at United States, Puerto Rico and Spain. By the end of 1997, recorded Tercer Acto a live album in Buenos Aires in the Auditorio Promúsica.
Polland's achievements as an artist and performer in Hawaiian music are such that she was requested to appear at Tony Curtis's 81st birthday party as well as a command performance for Anthony Hopkins. In June 2010, Polland released "Hawaiianized", a five-track digital download EP available internationally via iTunes and other digital outlets. The mini-album, part one of an envisaged series, featured pop classics interpreted in Hawaiian style with new vocal arrangements and 'ukulele accompaniment from Polland. The collection was produced by John McFee of The Doobie Brothers, who had played on Polland's self-titled Columbia debut, and who also played a variety of acoustic and electric stringed instruments on the EP. The set's distinctive background vocals were sung by Sharon Celani, famous for her work with Stevie Nicks and others.
Al Gromer Khan was born on April 8, 1946, at Frauenzell in the alpine foothills of Bavaria between Lake Constance and Munich. During his college time he founded a skiffle-group became a jazzguitarist and left his home to become a jazz musician and a beat poet, spending time in London, Tangier and India. Gromer Khan claims that he was drawn to the "mysteries of sound", from early childhood, be it the sound of the bells worn by the Bavarian cows grazing in the alpine meadows near his birthplace, or the "singing" telephone wires on the wind in the freezing Bavarian winters, and later American blues and country music, Indian stringed instruments, the drums of North Africa. Gromer Khan claims to have rejected the academic or diplomatic careers his parents expected him to take up.
B-flat tuning. B tuning, or A tuning, is a method of guitar tuning (and stringed instruments per se) in which all strings on a six-stringed instrument, most often guitar, are tuned down by 3 steps. For example, standard guitar tuning is E A D G B E. B♭ tuning starts by tuning the lowest string on a guitar E, to B♭ and then tuning all strings down in the same interval of 3 steps down. Strings on a guitar tuned to B♭ are B♭ E♭ A♭ D♭ F B♭ Seven-string guitars achieve B and B♭ tuning because they have a lower B string below the E string, which is the lowest string on a conventional guitar.
When a string is bowed or plucked, it vibrates and moves the air around it, producing sound waves. Because the string is quite thin, not much air is moved by the string itself, and consequently if the string was not mounted on a hollow body, the sound would be weak. In acoustic stringed instruments such as the cello, this lack of volume is solved by mounting the vibrating string on a larger hollow wooden body. The vibrations are transmitted to the larger body, which can move more air and produce a louder sound. Different designs of the instrument produces variations in the instrument’s vibrational patterns and thus changes the character of the sound produced. A string’s fundamental pitch can be adjusted by changing its stiffness, which depends on tension and length.
However, any 64-beat tune will do; for instance, three 8-beat parts could be played AABB AACC, or two 8-beat parts and one 16-beat part could be played AABB CC. Tunes not 64 beats long are called "crooked" and are almost never used for contra dancing, although a few crooked dances have been written as novelties. Contra tunes are played at a narrow range of tempos, between 108 and 132 bpm. In terms of instrumentation, fiddles are considered to be the primary melody instrument in contra dancing, though other stringed instruments can also be used, such as the mandolin or banjo, in addition to a few wind instruments, for example, the accordion. The piano, guitar, and double bass are frequently found in the rhythm section of a contra dance band.
Tibetan street-musician Dramyins are often used as accompaniment while narrating stories for providing ambience and keeping time, as shown in the Bhutanese film Travellers and Magicians Dramyins are notably used in the performance of Dramyin Cham - a cham dance of subjugation performed by Drukpa monks during the singing of Dramyin Choeshay - a religious song. These are performed at religious festivals called tsechus - banned in Tibet, but continuing unabated in Bhutan much as they have been for the past four centuries. The Dramyin music in the cham is notable as it is one of the very few instances of stringed instruments in monastic music in Bhutan, or for that matter in Tibetan Buddhism in general. A Dramyin player leads the dance and keeps time for the dancers by plucking the instrument.
The two musical panels are commonly known by variants of the titles Singing Angels and Music-making Angels, and are both 161 cm × 69.3 cm. Each features a choir; on the left angels gather behind a wooden carved music stand positioned on a swivel, to the right a group with stringed instruments gather around a pipe organ, played by a seated angel, shown full-length. The presence of the two groups on either side of the Deësis reflects a by then well-established motif in representations of the heavens opening; that of musical accompaniment provided by celestial beings.Pächt (1999), 124, 151–152 As was common in the Low Countries in the 15th century, the angels are dressed in liturgical robes, a custom that migrated from Latin liturgical drama to the art of the period.
Chrono Trigger Orchestra Extra Soundtrack is an album of orchestral arrangements of Chrono Trigger pieces, arranged by Natsumi Kameoka. Published by Square Enix on November 20, 2008 exclusively as a pre-order bonus of the Nintendo DS port of Chrono Trigger, this soundtrack consists of two tracks, "Chrono Trigger ~Orchestra Version~" and "Chrono Trigger Medley ~Orchestra Version~", the latter spanning the pieces "A Premonition", "Guardia's Millennial Fair", "Yearnings of the Wind", "Frog's Theme", "Battle with Magus", "Epilogue ~To Good Friends~", and "To Far Away Times". Mitsuda expressed difficulty in selecting the pieces for the orchestral medley, eventually picking a track from each era and certain character themes. While both tracks involve a full orchestra, "Chrono Trigger" is more heavily horn- based, while "Medley" relies more on stringed instruments.
However, cheaper and more abrasion- and chemical-resistant finishes, such as polyurethane, have almost completely replaced it in decorative residential wood finishing such as hardwood floors, wooden wainscoting plank panelling, and kitchen cabinets. These alternative products, however, must be applied over a stain if the user wants the wood to be coloured; clear or blonde shellac may be applied over a stain without affecting the colour of the finished piece, as a protective topcoat. "Wax over shellac" (an application of buffed-on paste wax over several coats of shellac) is often regarded as a beautiful, if fragile, finish for hardwood floors. Luthiers still use shellac to French polish fine acoustic stringed instruments, but it has been replaced by synthetic plastic lacquers and varnishes in many workshops, especially high-volume production environments.
The violin in its present form emerged in early 16th-Century Northern Italy, where the port towns of Venice and Genoa maintained extensive ties to central Asia through the trade routes of the silk road. The modern European violin evolved from various bowed stringed instruments from the Middle East[4] the Byzantine Empire.[5][6] It is most likely that the first makers of violins borrowed from three types of current instruments: the rebec, in use since the 10th century (itself derived from the Byzantine lyra[7] and the Arabic rebab), the Renaissance fiddle, and the lira da braccio[8] (derived[5] from the Byzantine lira). One of the earliest explicit descriptions of the instrument, including its tuning, was in the Epitome musical by Jambe de Fer, published in Lyon in 1556.
A mural from the tomb of Xu Xianxiu in Taiyuan, Shanxi province, dated 571 AD during the Northern Qi Dynasty, showing male court musicians playing stringed instruments, either the liuqin or pipa, and a woman playing a konghou (harp) The Imperial Music Bureau, first established in the Qin dynasty (221–207 BC), was greatly expanded under the emperor Han Wudi (140–87 BC) and charged with supervising court music and military music and determining what folk music would be officially recognized. In subsequent dynasties, the development of Chinese music was influenced by the musical traditions of Central Asia which also introduced elements of Indian music.A History of Sino-Indian Relations: 1st Century A.D. to 7th Century A.D. by Yukteshwar Kumar. p.76 Journal of Music in China, Volume 4, p.
The topics covered by EarMaster are interval singing, interval comparison, interval identification, scale identification, chord identification, chord inversion identification, chord progression identification, rhythm dictation, rhythm reading (sight reading), rhythm clap-back, rhythmic error detection, melodic dictation, melody sing-back and melodic sight-singing. Questions are answered with on-screen interfaces (staff, piano, guitar, bass, violin, cello, banjo and other stringed instruments), a functional keyboard with scale degrees and solfege syllables, multiple-choice buttons, a MIDI instrument, or through a microphone (voice, clapping or acoustic instruments). The user can choose between several note-naming systems to complete the exercises: Anglo-Saxon (A, B, C, etc.), Fixed-Do Solfege, or Relative-Do Solfege, which makes it compatible with the Kodály method. The results of each lesson are recorded and analyzed in a statistics window.
The term "false fingering" is used in instruments such as woodwinds, brass, and stringed instruments where different fingerings can produce the same note, but where the timbre or tone quality is distinctly different from each other. For example, on a guitar, the same note played on a wound string will sound significantly different than one played on a solid wire string, so playing the same note on different strings in short succession can accentuate the different tone colors without actually changing the note. When the note is played in such a way as to draw the distinction from the expected tone quality (which will vary depending on the exact musical passage it appears in) it is often called a "false fingering". The technique is common in jazz contexts, especially on wind instruments such as the saxophone.
In 1798, when Rossini was aged six, his mother began a career as a professional singer in comic opera, and for a little over a decade was a considerable success in cities including Trieste and Bologna, before her untrained voice began to fail. In 1802 the family moved to Lugo, near Ravenna, where Rossini received a good basic education in Italian, Latin and arithmetic as well as music. He studied the horn with his father and other music with a priest, Giuseppe Malerbe, whose extensive library contained works by Haydn and Mozart, both little known in Italy at the time, but inspirational to the young Rossini. He was a quick learner, and by the age of twelve he had composed a set of six sonatas for four stringed instruments, which were performed under the aegis of a rich patron in 1804.
Those specialists maintain that the zither is distinguished by strings spread across all or most of its soundboard, or the top surface of its sound-chest, also called soundbox or resonator, as opposed to the lyre, whose strings emanate from a more or less common point off the soundboard, such as a tailpiece. Examples of that difference include a piano (a keyed zither) and a violin (referred to by some as a species of fingerboard lyre). Some specialists even argue that instruments such as the violin and guitar belong to a class apart from the lyre because they have no yokes or uprights surmounting their resonators as "true" lyres have. This group they usually refer to as the lute class, after the instrument of that name, and include within it the guitar, the violin, the banjo, and similar stringed instruments with fingerboards.
Henceforth, with the help of Steve Sweet, Clynes developed the software program, called SuperConductor himself. By 1996 they had a fully working version, incorporating all the new principles, with which they interpreted, first, all the Brandenburg Concertos of Bach, and then all of Bach's solo violin and cello works and the last six quartets of Beethoven. All these works were recorded on CDs. Clynes further expanded SuperConductor's capacity for real life expressive interpretation of music with a fourth principle he called "Self-tuning Expressive Intonation," which unfixes the equal temperament tuning and permits the sharpening of the leading tone and other modifications of the sort executed by fine players of stringed instruments and other instruments whose intonation is actively controlled in the playing; now even a piano could exhibit this technique—by means of a laptop computer and synthesizer.
By far the greater proportion of music "à quatre mains" consists of arrangements of orchestral and vocal compositions and of quartets and other groups for stringed instruments. Indeed, scarcely any composition of importance for any combination of instruments exists which has not been arranged and published in this form, which on account of its comparative facility of performance is calculated to reproduce the characteristic effects of such works more readily and faithfully than arrangements for piano solo. Sometimes, organ works and works for piano two hands with advanced difficulty have also been arranged for piano four hands, in order to make them accessible to amateurs. Such arrangements were especially popular before the development of recording technology, as the vast majority of the time there would be no other way to hear many of the best- known works of music.
According to the artist: > This explosion of activity [of group Ongaku] was characteristic of our > insatiable desire for new sound materials and new definitions (redefinition) > of music itself. Every week we discovered some new technique [or] method for > playing a previously unthought of 'objet sonor,' and argue endlessly about > how to extend its use, and what relationships of sound structure could be > created between each performer. We experimented with the various components > of every instrument we could think of, like using the inner action and frame > of the piano, or using vocal and breathing sounds, creating sounds from the > (usually unplayable) wooden parts of instruments, and every conceivable > device of bowing and pizzicato on stringed instruments. At times we even > turned our hands to making music with ordinary objects like tables and > chairs, ash trays and a bunch of keys.
Detail of the "Peace" panel of the Standard of Ur showing lyrist, excavated from the same site as the Lyres of Ur. The Lyres of Ur or Harps of Ur are considered to be the world's second oldest surviving stringed instruments after the ones discovered in the Maykop culture. In 1929, archaeologists led by the British archaeologist Leonard Woolley, representing a joint expedition of the British Museum and the University of Pennsylvania Museum of Archaeology and Anthropology, discovered the instruments when excavating the Royal Cemetery of Ur between from 1922 and 1934. They discovered pieces of three lyres and one harp in Ur, located in what was Ancient Mesopotamia and is contemporary Iraq.Golden Lyre of Ur , Bill Taylor They are over 4,500 years old, from ancient Mesopotamia during the Early Dynastic III Period (2550–2450 BC).
Enescu's composition stands in contrast to Felix Mendelssohn's Octet, which sets a soloistic violin part against an accompaniment of the other stringed instruments. Enescu's work on the other hand is "a genuine octet that finds its most natural expression just in its hallucinatory convergent and divergent contrapuntal voices" . Stylistically, the Octet stands outside the categories into which most of Enescu's works from before the end of the First World War fall, when he was still working his way through a wide range of styles and influences, including those of César Franck, Ernest Chausson, Henri Duparc, Claude Debussy, and Richard Strauss . The form is described by the composer as cyclic, and divided into four movements: #Très modéré () #Très fougueux (E major) #Lentement #Mouvement de valse bien rythmée A typical performance of the work takes around 40 minutes.
Cumpiano has been married to Jeanette Rodríguez for the last twenty-three years and has a stepson. He continues to run his shop and is active with The Puerto Rican Cuatro Project. He currently shares his Northampton studio with a partner of many years, the master luthier Harry Becker, and they call their studio, "Becker and Cumpiano Stringed Instruments". He has been featured in many magazines and he has written articles which have been featured in the following publications: Journal of Guitar Acoustics, Frets magazine, Guitar Player Magazine, Fine Woodworking Magazine, Stringed Instrument Craftsman, Acoustic Guitar, Guitarmaker, the journal of the Association of Stringed Instrument Artisans (ASIA), American Luthierie, the journal of the Guild of American Luthiers (GAL) and is the author of "Manuel Velázquez, guitarrero", an article included in the Houghton Mifflin Spanish language reader "Portales" (published in 1997).
As with the prior album, the band eschewed the use of guest musicians, with all music performed by band members Page (guitars), Plant (vocals), John Paul Jones (bass, keyboards), and John Bonham (drums). The range of instruments played by the band was greatly enhanced on this album, with Jones especially emerging as a talented multi- instrumentalist, playing a wide range of keyboard and stringed instruments, including various synthesizers, mandolin and double bass, in addition to his usual bass guitar. As with prior albums, Page served as producer on the album, with mixing done by Andy Johns and Terry Manning. The album was one of the most anticipated of 1970, and its shipping date was held up by the intricate inner sleeve design based around a volvelle, with numerous images visible through holes in the outer cover.
Using all of the common stringed instruments available, Martin desired to use the harp, harpsichord and piano not as accompanying, or 'basso continuo' instruments (as is often their role) but as solos, thus being a distant echo of J.S. Bach's Brandenburg Concerto No. 5, and justifying the work's title of symphonie concertante. The work gained Martin international recognition. The Petite symphonie concertante is in two movements, separated by the briefest of pauses. Each movement may then be divided into two 'halves', though the relationship between each part differs considerably between the two: the first comprises a slow introduction of forty-six bars out of which the following Allegro derives all of its motivic material; the second begins with an Adagio which showcases the three solo instruments (harp, piano, then harpsichord) before breaking into a lively march.
Iraqi jawza () player Salih Shemayil at the first Cairo Congress of Arab Music (1932) Rebabs, Mevlâna mausoleum, Konya, Turkey Rebab from Yemen. The rebab (, rabāba, variously spelled rebap, rubob, rebeb, rababa, rabeba, robab, rubab, rebob, etc) is the name of several related bowed (but sometimes plucked) string instruments that independently spread via Islamic trading routes over much of North Africa, the Middle East, and parts of Europe.The origins of the violin - the rebab, BBC It is one of the earliest known bowed instruments, named no later than the 8th century, and is the parent of many bowed and stringed instruments. There are chiefly 3 main types: A long-necked bowed variety that often has a spike at the bottom to rest on the ground (see first image to the right); thus this is called a spike fiddle in certain areas.
Tommy Marth was born in Las Vegas, Nevada, and was the middle of three children to Las Vegas singer Diane Eddington and father Thomas Christian Marth Sr., who met Marth's mother while playing stringed instruments throughout Las Vegas in the early 1960s. Tom Sr. taught Marth how to play the drums when he was 4, according to Marth who said in an interview, "When I saw that he liked the thought of me playing I stopped". It wasn't until Marth heard a cassette tape of Stan Getz when he decided to play the saxophone. Described by his sister as having a familial bond akin to "The Three Musketeers", Marth had a very close relationship with his musician siblings, who include older brother Ryan Marth and younger sister Melissa Marth, both members of the Las Vegas indie band The Big Friendly Corporation.
There is a legendary ancestor, one Jean Vuillaume, who was supposedly a pupil of Stradivari, but this remains a legend, and perhaps was invented as a joke.R. Millant Most of the Vuillaume family were destined to become instrument makers, the most famous being NFV's elder brother, the second son Jean-Baptiste Vuillaume (JBV) who became perhaps France's pre- eminent maker and dealer in stringed instruments. From the start, J.B. Vuillaume was the boldest, most audacious and most business-like of the family, moving to Paris at the age of 19, where he worked first in the workshops of François Chanot and Lete, and joining them in partnership before finally setting up his own.A. Mason Clarke: The Violin and old violin makers NFV, like his other siblings, joined his brother business in Paris, and initially made instruments that were labeled J B Vuillaume.
Old six-string zither banjo The six-string banjo began as a British innovation by William Temlet, one of England's earliest banjo makers. He opened a shop in London in 1846, and sold banjos which he marketed as "zither" banjos from his 1869 patent. A zither banjo usually has a closed back and sides with the drum body and skin tensioning system suspended inside the wooden rim, the neck and string tailpiece mounted on the outside of the rim, and the drone string led through a tube in the neck so that the tuning peg can be mounted on the head. They were often made by builders who used guitar tuners that came in banks of three, so five-stringed instruments had a redundant tuner; these banjos could be somewhat easily converted over to a six-string banjo.
Parker was raised on Long Island, New York and made his first guitar (out of wood and cardboard) at the age of 13. In his early 20s, after studying various aspects of tool-making and woodworking, he worked in a grandfather clock factory in a Rochester, New York and began building stringed instruments while working with the furniture-maker Richard Newman. Guitar lessons further sparked his interest in the instrument and in the 1970s he returned to the New York City area where he began working with a lute maker on Long Island. He then worked at Stuyvesant Music in Manhattan repairing string instruments. From 1983 had his own shop where he worked on the development and construction of violins, cellos, and especially Renaissance lutes.Freeth, Nick (2007). Classic Guitars: Identification and Price Guide, p. 219. Krause PublicationsBaker, Rorick (January 2009).
The disease, which mainly affects the quadriceps and hand muscles, is not life-threatening, but now requires him to use a cane; eventually, Krukow will have to use a walker and/or a scooter. Because of increasing hand weakness that limits his ability to play stringed instruments, he has recently taken up the drums, which require a different set of muscular movements. Krukow plans to continue broadcasting for the foreseeable future, but in 2017, he announced that he would reduce his schedule to 120 games a season working road games only west of Denver, except for postseason games. For the 2020 season, NBC Sports Bay Area announced that it would experiment with having Krukow comment from the network's San Francisco studio rather than on-site (promoted as "SplitKast") for 22 NL West road games, rather than on-site.
Map of Brescia in the early 18th century. Brescia has had a major role in the history of the violin. Many archive documents very clearly testify that from 1490 to 1640 Brescia was the cradle of a magnificent school of string players and makers, all styled "maestro", of all the different kinds of stringed instruments of the Renaissance: viola da gamba (viols), violone, lyra, lyrone, violetta and viola da brazzo. So you can find from 1495 "maestro delle viole" or "maestro delle lire" and later, at least from 1558, "maestro di far violini" that is master of violin making. From 1530 the word violin appeared in Brescian documents and spread in later decades throughout north of Italy, reaching Venezia and Cremona. Early in the 16th century Brescia was one of the wealthiest cities of Lombardy, but it never recovered from its sack by the French in 1512.
Regarding the development of the music for the film, Madonna further explained > "I had some very specific ideas in mind, music that would stand on its own > as well as support and enhance what was happening on screen and the only way > to make that a reality was to have a hand in writing the tunes myself. [...] > The songs aren't necessarily about Nikki [her character name in the movie] > or written to be sung by someone like her, but there's a spirit to this > music that captures both what the film and the characters are about, I > think." The song is composed in Madonna's typical style—mingling the drum machine, a bass synth line, and the sound of stringed instruments. The three parts of the song, namely the bridge, where Madonna sings "what can help me now", the chorus and the verse flow together strongly.
That is why the theory of French and Spanish influence on the German influence in other regions of Sinaloa is reinforced as the development of the music of the Sinaloan drum has records and previous history in distant places in the mountains of Sinaloa where there was no German influence. However, post-war French influence intervention and Spanish cultural remnants are present. There is also evidence of the formation of the first organological Mazatlán clusters as well as other parts of Sinaloa, for example: La Banda El Recodo de Don. Cruz Lizarraga in 1938, which had a strong German influence in its playing style, and included stringed instruments, in contrast with La Banda Los Tacuichamona (1888), La Banda Los Sirolas Culiacan (1920) and The Band of Brothers Rubio (1929) Mocorito, which were exclusively wind instruments and percussion akin to the Galo-Ibérico fanfare style.
The nave roof brackets are supported by fourteen angel sculptures, each playing a different late medieval instrument, believed to be the gift of James Stanley II. South side (from the east): Portative organ, harp, psaltery (plucked), dulcimer (played with hammers), lute, fithele, hurdy-gurdy North side (from the east): clavicymbal, trumpet, shawm, Scots pipes (mouth-blown), Irish pipes (bellows-blown), recorder, tabor It is supposed that, in the 19th century restoration of the nave, the clavicymbal and organ were inadvertently transposed; as otherwise the south side has stringed instruments, and the north side mostly wind instruments. Only the organ presents an instrument that would commonly have been heard in church in the early 16th century; the other instruments would have been more typically used to accompany secular songs and dances. All these instruments, however, might well have been heard accompanying mystery play performances in the street, and in popular religious processions.
That style, "if you want to call it a style", Laurence once told a local news reporter, arose more out of necessity than an attempt to imitate Hendrix. "I started out as a drummer and I didn't own a guitar", Laurence explained, "so whenever I would pick one up to play around with, it was always a right-handed instrument, and since it wasn't mine, I couldn't take the strings off and put them on backwards, I had to play it as is." Since Laurence began his career as a professional musician—a drummer, as he mentioned—at the age of 16, he had plenty of time and energy to learn a new instrument. In fact Laurence has made numerous recordings where he plays all the instruments himself, including woodwinds, keyboards, and various stringed instruments, in the manner of Todd Rundgren and Paul McCartney.
Musical instruments, such as the seven-holed flute and various types of stringed instruments have been recovered from the Indus valley civilization archaeological sites The Samaveda consists of a collection (samhita) of hymns, portions of hymns, and detached verses, all but 75 taken from the Rigveda, to be sung, using specifically indicated melodies called Samagana, by Udgatar priests at sacrifices in which the juice of the soma plant, clarified and mixed with milk and other ingredients, is offered in libation to various deities . In ancient India, memorization of the sacred Vedas included up to eleven forms of recitation of the same text The Nātya Shastra is an ancient Indian treatise on the performing arts, encompassing theatre, dance and music. It was written at an uncertain date in classical India (between 200 BCE and 200 CE). The Natya Shastra is based upon the much older Natya Veda which contained 36,000 slokas (; ).
According to CCÉ's official rules for 2005: : Solo competitions shall be held for the following instruments: fiddle; two-row accordion; concert flute; whistle; piano accordion; concertina; uilleann pipes; harp; mouth organ; banjo; mandolin – excluding banjo-mandolin; piano; old-style melodeon; bodhrán; war pipes; miscellaneous such as three- and five-row button accordion, piccolo, [chromatic] harmonica and other stringed instruments; céilí band drums; accompaniment – confined to piano, harp, guitar and bouzouki-type instruments; solo traditional singing in Irish and English; whistling; lilting; newly composed ballads and (newly composed songs in Irish). : Solo competitions for slow airs shall be held in all age groups for the following instruments: (a) fiddle; (b) concert flute; (c) whistle; (d) uilleann pipes; and (e) harp (as of 2010). There are also competitions for the following ensembles: duet, trio, céilí band, instrumental group (), accordion band, pipe band, and miscellaneous ensemble. The full rule set, which may change from year to year, is available from CCÉ web site in the Press Room section.
Gambian boy with bowed tin-can lute The music of West Africa must be considered under two main headings: in its northernmost and westernmost parts, many of the above-mentioned transnational sub-Saharan ethnic influences are found among the Hausa, the Fulani, the Wolof people, the Mande speakers of Mali, Senegal and Mauritania, the Gur-speaking peoples of Mali, Burkina Faso and the northern halves of Ghana, Togo and Cote d'Ivoire, the Fula found throughout West Africa, and the Senufo speakers of Côte d'Ivoire and Mali. The coastal regions are home to the Niger-Congo speakers; Kwa, Akan, the Gbe languages, spoken in Ghana, Togo, Benin, and Nigeria, of which Ewe is best known, the Yoruba and Igbo languages, spoken in Nigeria and the Benue–Congo languages of the east. Inland and coastal languages are only distantly related. While the north, with its griot traditions, makes great use of stringed instruments and xylophones, the south relies much more upon drum sets and communal singing.
The wind players of Bohemia were famed throughout Europe, and the Prague press specifically attributed the great success of the operas Die Entführung aus dem Serail and Le nozze di Figaro partially to their skillful deployment of wind instruments. It is also possible that the extensive use of winds in the Prague Symphony was simply the result of experiments with orchestration that Mozart had been cultivating in the orchestral accompaniments for his piano concertos for the previous two years and the new experience he had of writing for winds would have shown up in his symphonies regardless. No matter, the use of wind instruments in the Prague Symphony represents a major advance in Mozart's symphonic technique that was imitated in his last symphonies, and also by Haydn, Beethoven, and Schubert. Indeed, it would be difficult to identify any earlier symphony by any composer not of a special type that contains so many passages in which no stringed instruments play at all, only various types of wind ensembles.
Ancient Greek chelys or lyre from a drawing on a vase in the British Museum The chelys (, ), was a stringed musical instrument, the common lyre of the ancient Greeks, which had a convex back of tortoiseshell or of wood shaped like the shell. The word chelys was used in allusion to the oldest lyre of the Greeks, which was said to have been invented by Hermes. According to the Homeric Hymn to Hermes, he came across a tortoise near the threshold of his mother's home and decided to hollow out the shell to make the soundbox of an instrument with seven strings. Cylix of Apollo with the chelys lyre, on a 5th-century BC drinking cup (kylix) The word has been applied arbitrarily since classic times to various stringed instruments, some bowed and some plucked, probably owing to the back being much vaulted. Athanasius Kircher (Musurgia universalis, 486) applied the name of chelys to a kind of viol with eight strings.
However, the increase of power and variety obtainable by two performers instead of one offers a legitimate inducement to composers to write original music in this form, and the opportunity has been by no means neglected, although cultivated to a less extent than might have been expected. The earliest known printed works for the pianoforte à quatre mains were published in Dessau about 1782, under the title Drey Sonaten füre Clavier als Doppelstücke fur zwey Personen mit vier Handen von C. H. Müller. However, before this, Ernst Wilhelm Wolf, the musical director at Weimar in 1761, had written one or more sonatas for two performers, which were published after his death. So far as is known these were the first compositions of their kind, although the idea of the employment of two performers (but not on one instrument) may have originated with Johann Sebastian Bach, who wrote three concertos for two harpsichords, three for three, and one for four, all with accompaniment of stringed instruments.
A second type of short octave used the keys :B C D C D E F G to play the G major scale :G A B C D E F G. Here, the exotic bass notes C and D are sacrificed to obtain the more essential A and B. The notation for the pitch range of such an instrument is "G/B". The following diagram illustrates this kind of short octave: :none In stringed instruments like the harpsichord, the short octave system created a defect: the strings which were tuned to mismatch their keyboard notes were in general too short to sound the reassigned note with good tone quality. To reach the lower pitch, the strings had to be thickened, or tuned too slack. During the 17th and 18th centuries, harpsichord builders gradually increased the size and bass range of their instruments to the point where every bass note could be properly played with its own key.
In 2005, Keith McMillen founded Keith McMillen Instruments (KMI), a hardware and software company that designs music and stage equipment that interfaces with computers. He founded the company after touring as a musician with large, cumbersome gear and recognized the need for equipment compact enough to easily carry on an airplane. The resulting devices are "polyphonic multidimensional controllers," and in addition to USB and MIDI capability, some can use the proposed MIDI extension MPE, which enables polyphonic aftertouch and sophisticated responsiveness. KMI products include the K-Bow, a bluetooth- enabled sensor bow for stringed instruments; the K-Mix USB audio interface and programmable standalone mixer; the K-Board keyboard that uses "smart fabric" sensors under the keys detect velocity, pressure, and tilt; the QuNexus, a compact MIDI/CV smart sensor keyboard controller, supported by the second successful Kickstarter crowdfunding campaign for KMI, and was the first time a startup company had a successful repeat performance using a Kickstarter campaign.
Woodwinds (especially double reed instruments) and brass instruments were quickly found to be most useful outdoors, while brass instruments (especially trombones) were particularly effective in churches and large halls. Prior to the nineteenth century concert halls did not exist, and music for entertainment was reserved for the spacious chambers of the large homes of noblemen, or in palaces, where early stringed instruments such as viols, and lutes were gradually replaced by the more powerful violins (including violas and violoncellos) and guitars. By the sixteenth century woodcuts and other illustrations showed mounted fifers, and mounted bombard players and trombonists, especially in The Triumph of Miximilian (1512). In his eulogy Arte of Warre (1591) Garrard explains that "According to the stroke of the drum,...so shall they go, just and even, with a gallant and sumptuous pace..." Until the rise of the New Model Army, military musicians were solely employed as servants by the nobility, who often maintained their own private armies of armed men, and their minstrels.
Owing to the enormous popularity of military bands since the days of Queen Victoria, especially outdoors, where the general public could experience free of charge, concert performances of music which they would likely never otherwise encounter, combined with the more popular melodies of the day, composers have continued to write for the military band instrumentation, which has long since become standardized. There is no requirement for the musicians who perform military band music to themselves be uniformed members of the armed forces. An important musical development which is also derived directly from the military band, is the 'symphonic wind ensemble' (also known in the United States, as the 'concert band') which includes wind instruments not associated with marching bands (such as bass clarinet, contrabassoon, harp, and double bass), and which is modelled on the standard symphony orchestra, but without conventional stringed instruments. Both 'military band' and 'symphonic wind band' describe current ensembles which may be found throughout the world.
Raphael studied many natural products, especially of the type that were biologically active and which would provide a challenge for synthesis but might be the realistic target of a single PhD student's thesis. He and his students published syntheses of 2-deoxyribose, aaptamine, aphidicolin, apiose, arachidonic acid, arcyriaflavin B, baikiain, bullatenone, chrysanthemic acid, clovene, cordycepose, cuparene, erythrulose, exaltolide, farnesiferol C, geiparvarin, gibberone, histamine, linoleic acid, linolenic acid, lipoic acid, pseudomonic acid, pyrenophorin, Queen bee acid, shikimic acid, staurosporinone, strigol, steganacin, steganone, trichodermin and virantmicin. Raphael also investigated the composition of the wax coating of plant leaves, describing the hydrocarbons of which they are composed. In another intriguing publication in Nature, Raphael collaborated with David Rubio to identify components used in the surface treatment of the wood of stringed instruments made by Stradivarius in Cremona and showed that a version of these substances could be used to improve the tone of modern instruments.
As all harmonics are periodic at the fundamental frequency, the sum of harmonics is also periodic at that frequency. For example, if the fundamental frequency is 50 Hz, a common AC power supply frequency, the frequencies of the first three higher harmonics are 100 Hz (2nd harmonic), 150 Hz (3rd harmonic), 200 Hz (4th harmonic) and any addition of waves with these frequencies is periodic at 50 Hz. In music, harmonics are used on string instruments and wind instruments as a way of producing sound on the instrument, particularly to play higher notes and, with strings, obtain notes that have a unique sound quality or "tone colour". On strings, harmonics that are bowed have a "glassy", pure tone. On stringed instruments, harmonics are played by touching (but not fully pressing down the string) at an exact point on the string while sounding the string (plucking, bowing, etc.); this allows the harmonic to sound, a pitch which is always higher than the fundamental frequency of the string.
Moderator DJ Nihal introduces members of the Elysian Quartet (Laura Moody, cello, Vincent Sipprell, viola) before a performance on 23 August 2012, as part of the Birmingham Opera production of Mittwoch aus Licht at the Argyle Works, Digbeth, Birmingham A performance requires: four helicopters, each equipped with a pilot and sound technician, television transmitter and three-channel sound transmitter, and an auditorium with four columns of televisions and loudspeakers, a sound projectionist with mixing desk, and a moderator (optional), as well as the members of the string quartet. The piece focuses on Stockhausen's dreamed idea of a string quartet playing tremolos which blend so well with the timbres and the rhythms of the rotor blades that the helicopters sound like musical instruments. This is accomplished by using microphones placed so the helicopters may blend with the stringed instruments, with the instruments being heard as slightly louder than the blades. The piece is played as follows: A moderator, who may be the sound projectionist, introduces the quartet, and then explains the technical aspects of the piece.
The title track is composed in Madonna's typical style—mixing a drum machine, bubbling bass synth line, and the sound of stringed instruments. According to Rikky Rooksby, author of The Complete Guide to the Music of Madonna, the three parts of the song, namely the bridge, where Madonna sings "what can help me now", the chorus and the verse flow together in a coherent manner, with the chorus incorporating a haunting effect. The song epitomized Madonna's interest with Hispanic culture that continued after the release of her 1987 single "La Isla Bonita". Leonard and Madonna had added Spanish phrases in the chorus, over the trumpets of the second verse, and also in the added instrumental break in the middle. "Who's That Girl" also makes use of the sonic effect brought about by the combination of multiple vocal lines, which had been previously used by groups like The Beach Boys in their singles "God Only Knows" (1966) and "I Get Around" (1964) as well as R.E.M.'s singles "Fall on Me" (1986) and "Near Wild Heaven" (1991).
Because Poe was familiar with Hoffmann's works, he knew the story and cleverly drew from it using the elements for his own purposes. Another German author, Heinrich Clauren's, 1812 story The Robber's Castle, as translated into English by John Hardman and published in Blackwood's Magazine in 1828 as "The Robber's Tower", may have served as an inspiration according to Arno Schmidt and Thomas Hansen. As well as common elements, such as a young woman with a fear of premature burial interred in a sepulchre directly beneath the protagonist's chamber, stringed instruments and the living twin of the buried girl, Diane Hoeveler identifies textual evidence of Poe's use of the story, and concludes that the inclusion of Vigiliae Mortuorum secundum Chorum Ecclesiae Maguntinae (Vigils for the Dead according to the Use of the Church of Mainz) is drawn from the use of a similarly obscure book in "The Robber's Tower". The theme of the crumbling, haunted castle is a key feature of Horace Walpole's Castle of Otranto (1764), which largely contributed in defining the Gothic genre.
There are two manuscript scores of the symphony, one lacking the third movement and with a somewhat larger instrumentation than the later manuscript (and published) version. It is scored for (1) an orchestra consisting of: piccolo, 2 (or 4) flutes, 2 oboes, cor anglais, 2 (or 4) clarinets, bass clarinet, 3 bassoons, contrabassoon, 4 (or 8) horns, 4 trumpets (or cornets), 4 trombones, tuba, 4 timpani, tam-tam, cymbals, matracas, 2 (or 4) bass drums, 2 (or 4) side drums, (xylophone), celesta, 2 harps, piano, and strings, (2) a small brass band consisting of piccolo bugle in E, 2 bugles in B, 4 cornets, 4 trombones, 2 alto saxhorns, 2 bass saxhorns, 2 contrabass saxhorns in B, and 2 contrabass saxhorns in E, and (3), in the last movement, an optional mixed chorus. The earlier, three- movement version also specified the numbers of stringed instruments: 26 first violins, 24 second violins, 12 violas, 12 cellos, and twelve double basses, bringing the total number of orchestral players to 164, surpassing the gigantic orchestras called for by Richard Strauss in Elektra and Salome .
In her portrait for the National Portrait Gallery by Tom Phillips, a reproduction occupies most of the wall behind her head.the painting She said it was "something to do with human life and all its ambiguities and all its horrors and terrors and misery, and at the same time there’s something beautiful, the picture is beautiful, and something also to do with the entry of the spiritual into the human situation and the closeness of the gods ..."Paris Review. The novels are A Fairly Honourable Defeat (1970), The Black Prince (1973), and her last, Jackson's Dilemma (1995); Hale, 718 The general interpretation of the story of Marsyas was as an illustration of the inevitable disaster that followed hubris in the form of a challenge to a god. An idea of the contest reinforcing the general moral and artistic superiority of the courtly lyre, or modern stringed instruments, over the rustic and frivolous wind family was present in much ancient discussion, and perhaps retained some relevance in the 16th-century.
Steinhausen studied for years the movements of the violinists' shoulder and arm, also on the basis of his practice as an amateur of the instrument. In 1903 he published the fruit of his research in a book published in Leipzig: Die Physiologie der Bogenführung auf den Streich- Instrumenten (Physiology of the conduct of the bow on stringed instruments). Already in this study there are references to piano technique, to which he dedicated a specific and fundamental treatment in the volume Über die physiologischen Fehler und die Umgestaltung der Klaviertechnik (On Physiological Errors and the Transformation of Piano Technique), also published in Leipzig in 1905. In the history of piano technique Steinhausen plays an essential role: he illustrated the physiological foundations of the modern "weight technique", which between the nineteenth and twentieth centuries replaced (or at least corrected) the traditional technique based on the "articulation of the fingers" and their "independence" (which was at the time the basis of all the "piano methods", such as the widespread one of Lebert and Stark).
Largely occurring at the same time as the "New Orleans Traditional" revival movement in the United States, traditional jazz music made a comeback in the Low Countries. However, most Dutch jazz bands (such as The Ramblers) had long since evolved into the Swing-era while the few remaining traditional jazz bands (such as the Dutch Swing College Band) did not partake in the broader traditional revival movement, and continued to play ragtime and early jazz, greatly limiting the number of bands aspiring jazz musicians could join or (as they were using instruments unavailable to most Dutch musicians such as double basses and the piano) were forced to improvise, resulting in a new form of jazz ensemble generally referred to "Oude Stijl" ("Old Style") jazz in Dutch. Influenced by the instrumentation of the two principal orchestral forms of the wind band in the Netherlands and Belgium, the "harmonie" and the "fanfare", traditional Dutch jazz bands do not feature a piano and contain no stringed instruments apart from the banjo. They include multiple trumpets, trombones and saxophones accompanied by a single clarinet, sousaphone and a section of Marching percussion usually including a washboard.
Stage works: Operas: "Hoary Legend" (1978); "Francis Skaryna" (1988); concert opera "Apalon-zakanadautsa" based on Vardotsky’s opera (1991). Symphonic works: Symphony №1 (1962), Oktofoniya (1967), Symphony №2 (1982), №3 with solo piano (1985), №4 with solo violin (1986), №5 for chamber orchestra (1987), №6 (1989), №7 (1990), №8 based on poems by Joseph Brodsky (1992); №9 with solo electric guitar (1994); №10 "Ten revelations" with solo viola (1996); №11 (2003); №12 (2005); №13 (2007); №14 (2010); №15 (2014). Orchestral works: Festive Overture (1963), music for stringed instruments, 2 pipes, accordion and orchestra (1965), poem "Belarus" (1968), Symphonic Picture (1974); Aria for chamber orchestra (1978), "Symon Musician" for violin, violin ensemble and chamber orchestra (1982). Instrumental concerts: For piano and orchestra №1 (1960), №2 (1975), Concertino for violin (1972), for cello (1973); for cymbals and folk orchestra №1 (1961), №2 (1974), №3 (1983), Concerto for piano №2 (1996). For dance orchestra: "Basso-ostinato" based on the Belarusian folk song "Chamu zh mnie nia piec’?" Instrumental chamber music: For piano: Sonata №1 (1956), №2 (1959), Waltz (1964), Suite "Game of Light" (1964), three preludes and fugues (1982).
Jávorkai has ended many competitions with honours. As a pianist Javorkai was prize-winner at the National Piano Competition in Hungary in 1990 and was awarded a Franz Liszt Medal of Honour in 1991. As a cellist, he won the Hungarian Emil Vajda Stringed Instruments Competition for three years in succession after 1991 and the first prize of the National Cello Competition in Hungary in 1990, 1993 and 1996. 1998: Bohuslav Martinu Prize of the International Summer Academy Prague-Vienna- Budapest; 2000: Appreciation Prizes ‘Cellist of the Year’ and ‘Best Interpreter of Slovenian Compositions’, awarded by the Association of Slovenian Composers; 2002: Bartók Prize, Semmering, Austria; 2003: Kodály Prize for the duo with Sándor Jávorkai, Austria; 2008: in a duo with Clara Biermasz first prize at the international competition ‘Premio Città di Padova’, Italy, category chamber music, and at the same place awarded the ‘Primo Premio assoluto’ together with Clara Biermasz as the overall winners of all categories; the same year, first prize at ‘Soloist and Orchestra’, Italy. In 2009, Sándor and Adam Jávorkai were together honoured as ‘Artist of the Year’ by Jeunesse and Bank Austria.
Although the Brescian masters did not survive the plague, their prolific and accomplished output of instruments certainly did, as a letter from Fulgencio Micanzio to Galileo Galilei dated 1636 makes clear: "the instruments from Brescia are easy to buy..." and another document states "because you can find [them] on every corner...". Many Brescian stringed instruments are listed in inventories of musical instrument makers or instrument dealers in Europe, such as the list published by Francoise Lesure in 1954, wherein the following catalogue of instruments is recorded: 63 lutes from Padua, 17 from Venice, 24 violins from Brescia, 15 lots of strings of Firenze, 21 of Siena. It is also notable that the word "violino" appears in Brescian archival documents at least as early as 1530 and not in Cremona until some fifty years later. Quite a few of the Brescian violins were wonderfully decorated and many were superbly finished, while others retain some rough features of finishing, yet almost all of the authenticated surviving examples by da Salò, his workshop, or of his school or pupils, are noted for their beauty of tone and powerful projection.

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