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15 Sentences With "stretched tight"

How to use stretched tight in a sentence? Find typical usage patterns (collocations)/phrases/context for "stretched tight" and check conjugation/comparative form for "stretched tight". Mastering all the usages of "stretched tight" from sentence examples published by news publications.

His left leg was fine, but the pants covering his right calf were stretched tight.
It was still small, about a pound, but the skin over her abdomen was stretched tight.
It's spare, with the plot stretched tight as a drum around a clean three-act structure.
Her gaze traveled over his broad shoulders where the T-shirt stretched tight, down his strong back.
A high PWV indicates the presence of stiff arteries (think of the surface of a drum that's been stretched tight) which could indicate high blood pressure.
The fabric's stretched tight over my face so I can't see and it's blocking my air supply but I'm doing my best to breathe through twill.
The Victor holding the card looked markedly thinner: his eyes were sunken, his cheekbones protruded out of his face, and his skin stretched tight against his brow.
Seeing each other in the restaurant, at our little market gathering supplies for an uncertain future, it had the air of the last day of school, stretched tight over a well of panic.
This space served too as the studio. Canvas in those was not easy to come by and was usually imported. During his time in Kashmir stretched cloth on a board served as his canvas. Jute when stretched tight is extremely taught, but the fibres from the strains of jute often shed.
Symptoms include the breasts being swollen and oedematous, and the skin appearing shiny and diffusely red. Usually the whole of both breasts are affected, and they are painful. The woman may have a fever that usually subsides in 24 hours. The nipples may become stretched tight and flat which makes it difficult for the baby to attach and remove the milk.
In March 1959, in a joint exhibition at the Galleria La Salita with Tano Festa and Giuseppe Uncini, Angeli exhibited his works for the first time. The magazine Azimuth, founded by Piero Manzoni and Enrico Castellani, featured him alongside Agostino Bonalumi, Jasper Johns, Yves Klein, Robert Rauschenberg, and Mimmo Rotella. In January 1960, the Galleria La Salita gave him his first solo exhibit. His featured works consisted of veils of oil paints and nylon stockings stretched tight and covered with gauze.
Most forms can be installed on either wood posts or steel t-posts. A variant, sometimes called "vinyl rail" or "strap fencing" consists of two or more vinyl-encased wires with vinyl or other synthetic between them to create a "rail" that is anywhere from wide. Some forms may be electrified by use of a special coating on the top wire of the "rail." Vinyl fence is installed in a manner similar to plain high-tensile fence and must be stretched tight.
The film is based on a true story of a female college student found dead in Busan in 1991, and her death was honored in a Cheondo ceremony. But when performing the final ritual that involves throwing rice into the sea using a bowl attached to a long piece of red fabric, the fabric stretched tight and suddenly snapped. Then the empty bowl floated back to the shore to stop in front of one young man. The father of the dead girl instinctively felt that he was the culprit, but there was no tangible evidence to prove he was.
His friend Théophile Gautier saw a resemblance between him and manner and those of these great cats that he painted, writing: "His tawny eyes, with their feline expression, his slender lips stretched tight over magnificent teeth, his firm jaw line emphasised by strong cheekbones... gave his features an untamed, a strange, exotic, almost alarming beauty." In French, the picture is called Jeune tigre jouant avec sa mère. Its fierce but also divinely animals represents the "delight in wildness" that Romantic artists like Delacroix was fascinated with.Matt Cartmill, A View to a Death in the Morning: Hunting and Nature Through History, Harvard University Press, 1996, p.118-19.
The frame of the machine consists of several rolling bars onto which layers of the quilt sandwich are placed. On one side of the machine, two rollers, known as the feeder bars, are present with a muslin leader onto which the backing and the quilt top can be attached. Material is attached by sewing pins, a snap system, or sewing zippers to the muslin leaders and then the material is stretched tight over the belly bar, which ensures that the layered material is smooth and taut according to the sewers’ desires. The backing of the quilt is attached by sewing pins, a snap system, or zippers to a third roller, known as the “take-up” roller.

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