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18 Sentences With "stood on end"

How to use stood on end in a sentence? Find typical usage patterns (collocations)/phrases/context for "stood on end" and check conjugation/comparative form for "stood on end". Mastering all the usages of "stood on end" from sentence examples published by news publications.

It was a gruesome sight: Body parts were being thrown into huge plastic bags that stood on end.
The biggest dredges today are more than 700 feet long; stood on end, they would top a 60-story apartment building.
Cold leeks in vinaigrette make an appearance, too, though they've undergone a little remodeling: trimmed into bite-size segments that are stood on end in a foundation of ravigote sauce and then covered with toasted hazelnuts.
Her pale silky hair, cut short, seemed to lift in a perpetual breeze of static; as she searched for the right sentence, or the detail of a scene, she combed her fingers through it unconsciously until it crackled and stood on end.
The donkeyman shrugged, but the hairs on his ears stood on end.
Man applying surfboard wax to a skimboard. Riders typically favor a board length which reaches about their mid-chest height when stood on end. Thickness of the board depends somewhat on the materials used in construction, but typically ranges from . The most common thicknesses are .
After Taema freed the dragon god, it starts to rain and thunder. Taema flees from the mountains and heads elsewhere. When Narukami woke up, his hair stood on end and says “I am so bitter to be deceived!” And starts throwing his students in a fit of rage.
The mud is prepared, placed in wooden forms, tamped and leveled, and then turned out of the mold to dry for several days. The bricks are then stood on end to air-cure for a month or more. In the southwest United States and Mexico adobe buildings had massive walls and were rarely more than two stories high. Adobe mission churches were never more than about .
The pool became known as "Fleeman's Pot". Fleeman's sister, Martha, was a Presbyterian and often conversed by quoting Psalms and had the reputation of being demented. Fleeman's brother is believed to have died aboard HMS Serapis. Fleeman is described as having a large round head with dull hair that stood on end giving the impression he had been "scared out of his wits", broad shouldered and possessing formidable strength.
Larger timbers, like the comparatively gigantic sill, which lay along the edge of the northern bench, were absolutely intact. They were excellent examples of primitive joinery. Some of the broad, notched staves—which Cushing judged had been used as symbolic ancestral tablets, probably attached to the gables of houses, or set up in altars—lay on their edges. Flat boards sometimes stood on end, and other long, slender articles, stood slantingly upward, the lowermost ends or edges firmly stuck in the clay- marl of the bottom.
Shortly after that incident, at the Tenryuji temple in Saga Tenryu-ji, Kyoto, Gensai told his confederates, "It was the first time I actually felt I'd killed someone, the hair on my head stood on end because he is the greatest man of the time." While other assassinations have been attributed to him, only his murder of Shōzan can be proven. After this, he withdrew to Chōshū and took part in the military actions of Takasugi Shinsaku's Kiheitai against the shogunate's Chōshū Expeditions. During the second Chōshū campaign by the Tokugawa regime, he participated for Chōshū and eventually won the battle.
Bevel-tops are separated into an early and a late (or revival) period, the former generally dating from the 1870–1880 period, and the latter from 1890 to 1900. They are characterized by a distinct trapezoidal shape when viewed from the side, although the earlier period tended to have a much shorter flattened top section than the later did. These tend to be extremely rare, although are not as popular or sought-after as many of the other varieties. Wardrobe trunks generally must be stood on end to be opened and have drawers on one side and hangers for clothes on the other.
The clown was most often printed in red, and was even used for company Christmas cards once upon a time (Jordan 2015). The logo was probably OK from the 1930s through the 1960s, but as an advertising gimmick, the design would probably would not work well with children today. Some of the early cars and trucks were offered in plastic bags stapled to attached red cardboard pegboard- punched hangers marked with the Fun Ho! logo. Midget Toy boxes were very similar to earlier British Budgie Toys with red and yellow alternate colors on sides – and also in that the Midget Toys logo was portrayed in 'portrait' style with box stood on end.
In Barton's third year of college, in 2007, he successfully auditioned for the BBC reality television talent show Any Dream Will Do, where he worked closely with Andrew Lloyd Webber. The show was hosted by Graham Norton and was the second West End talent show to be produced by the BBC and Lloyd Webber. Barton was selected from thousands of auditionees and was invited to attend "Joseph School" where, after surviving further auditions and elimination rounds, he reached the final 12, singing live on television every Saturday night. One of the judges, Denise Van Outen, commented at Barton's early audition, that when he performed, the "hairs on her arms stood on end".
Willis' fans showed support for her by throwing stuff at the Man of Steel, when suddenly, lightning struck the stage, setting it on fire. Superman pushed Willis to safety as a second bolt of lightning electrified the metal tower on the stage; the electricity ran through Superman's body and into a wire on stage which Willis then stepped on, shocking Willis and changing her appearance. When Willis woke up, she saw that her skin had turned ghostly white and her hair turned blue and stood on end. She watched Superman talking to reporters on live TV about the accident: one reporter insinuated that Superman, fed up with Willis's hateful comments, may have pushed her into harm's way to punish her, which he denies of course.
The interior of Fort Stedman in 1865, showing a parapet constructed with gabions to protect gun positions Early gabions were round cages with open tops and bottoms, made from wickerwork and filled with earth for use as military fortifications. These early military gabions were most often used to protect sappers and siege artillery gunners. The wickerwork cylinders were light and could be carried relatively conveniently in the ammunition train, particularly if they were made in several diameters to fit one inside another. At the site of use in the field, they could be stood on end, staked in position, and filled with soil to form an effective wall around the gun, or rapidly construct a bulletproof parapet along a sap.
In 1924 Gerard Olivier, a habitually frugal man, told his son that he must gain not only admission to the Central School of Speech Training and Dramatic Art, but also a scholarship with a bursary to cover his tuition fees and living expenses. Olivier's sister had been a student there and was a favourite of Elsie Fogerty, the founder and principal of the school. Olivier later speculated that it was on the strength of this that Fogerty agreed to award him the bursary. Peggy Ashcroft, a contemporary and friend of Olivier's at the Central School of Speech Training and Dramatic Art, photographed in 1936 One of Olivier's contemporaries at the school was Peggy Ashcroft, who observed he was "rather uncouth in that his sleeves were too short and his hair stood on end but he was intensely lively and great fun".
In 1704, the magistrate of Jeju wrote that he had "burnt every spirit robe and every spirit metal of the mobs of shamans," where "spirit metal" must refer to the brass mengdu."巫覡輩神衣神鐵一並燒盡" In the late eighteenth century, a local nobleman included the earliest known use of the word mengdu in a description of how his parents had hired a shaman when he had been very ill as a child: > At the night of the Rat [00:00—02:00] they glared fiercely with their eyes > and raised their voices. When expelling the spirits [of sickness] they > stabbed at my limbs and body in a disorderly manner with a mengdu [明刀 > myeongdo "bright sword"] so that the hair on my head and my body all stood > on end."子夜瞋目高聲比逐鬼魅以明刀亂刺肢體則毛髮盡竪" The first, albeit brief, scholarly mention of the mengdu was in the 1932 publication Shamans of Korea, written by the Japanese ethnologist Murayama Chijun with the support of the Japanese colonial government.

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