The bad news is that it feels just as stomach-churningly horrible for everyone.
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Well he's back, and this time he's doing something that's even more stomach-churningly dangerous.
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It was both a reductionist view of the country's most accessible myths and also stomach-churningly right.
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Srdjan Spasojevic's A Serbian Film or "New French Extreme" films such as Gaspar Noe's Irreversible and Pascal Laugier's Martyrs were not just stomach-churningly violent, they shared a deeply nihilistic worldview, which made viewing them a truly bleak experience.
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Sylvester Stallone, Janine Turner, John Lithgow and more The mountain-peak rescue mission that kicks off this, the latest wide-screen epic from Stallone, is about the most stomach-churningly intense 10 minutes I've ever sat through in a movie.
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However, given the recent resurgence of openly white supremacist views in the light of Donald Trump's rise to prominence, Green Room can't help but feel stomach churningly timely: White power slogans and stickers pepper Saulnier's frame to nauseating ambient effect.
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Here they are greeted by four strangers of dubious provenance, and a putative road movie transforms into a claustrophobic chamber piece—you will not be surprised to learn that the film features yards of natter and oodles of graphic violence, the majority of which is visited, stomach-churningly, upon Daisy.
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Not only is there the premiere of "Searching for Unison," a new commission by Louis Andriessen, who seems to be everywhere at the moment, but also a virtually unheard piece by Debussy, Alkan's stomach-churningly difficult Symphony for Solo Piano, and, believe it or not, the American premiere of a newly discovered piece by Pierre Boulez, the "Prelude, Toccata, and Scherzo," dating to around 1944.212-247-7800, carnegiehall.org
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Joe Neumaier of the New York Daily News was in agreement with Puig when he referred to the film as "stomach-churningly anti- human" because of its violence, and questioned why Goldwyn and Potter even signed on to the film. Neumaier suggests that the film's violence fails to create the sense of "theatricality of the Saw or Hostel films", or even provide audiences with "the unkillable-monster nostalgia of [the] Friday the 13th re-do". Neumaier also states that the 2009 film lacks the reasoning to exist that Craven's 1972 original had, which was to push the "boundaries of cinema's new permissiveness". When comparing the 2009 film to its 1972 counterpart, Newsdays Rafer Guzman stated that Iliadis's film contains better "production values" than the 1972 original, but overall it keeps the "marrow of the story".
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