Rockaway Baby sheet music cover with photo of Fanny Brice Samuel Howard Stept (aka Sammy Stept; 18 September 1897 – 1 December 1964) was an American songwriter who wrote for Broadway, Hollywood and the big bands. He became known simply as Sam Stept or Sam H. Stept – he rarely used his full middle name.
|
|
Born in Odessa, Ukraine, Stept came to the United States at the age of three and grew up in Pittsburgh. Sam was the son of Solomon (1874–1969,) and Clara Stept (born 1872), who were married around 1895, in Russia. Sam Stept married Jessie E. Stept (née McBride, c. 1901–1967). Jessie was the daughter of George B. McBride and Ada F. McBride of Pittsburgh.
|
|
They then went to Hollywood to work for the movie industry. He and Stept eventually sold their company to Warner Bros. and returned to New York. He collaborated with many artists and fellow songwriters, including Les Brown, Buddy De Sylva, Al Dubin, Ella Fitzgerald, Slim Gaillard, Ray Henderson, Ben Homer, Raymond Scott, Sam H. Stept, and Harry Warren.
|
|
The documentary had over a million views in first five days after being published online.Взгляд: «Война» перешагнула границы, Vzglyad: "War" stept over all boundaries.
|
|
Early in his music career, Stept worked for a local publishing house as staff pianist (song-plugger), then in vaudeville as accompanist to performers that included Anna Chandler, Mae West, and Jack Norworth. During the early 1920s, Stept lived in Cleveland, OH, where he led a dance band. Within the next few years, he began composing with lyricist Bud Green. Their first hit came in 1928 with vocalist Helen Kane's rendition of "That's My Weakness Now," and the duo would collaborate on tunes through the early '30s.
|
|
You Have Stept Out of Your Place (Louisville, Kentucky: Westminster John Knox Press, 1996), 122. She insisted that the Bible and its various pronouncements about women were for a specific span of time and certainly not applicable to the 19th century.
|
|
"Comes Love" is a 1939 jazz standard. It was composed by Sam H. Stept, with lyrics by Lew Brown and Charles Tobias. It was featured in the Broadway musical Yokel Boy, starring Phil Silvers and Buddy Ebsen, when it was introduced by Judy Canova.
|
|
1\. "I'll Always Be in Love with You" (Bud Green, Ruby, Sam H. Stept) – 5:57 (Note: the actual length of "I'll Always Be in Love with You" is 08:13 in spite of the official Pablo information) 2\. "Snooky" (Count Basie) – 3:42 3\. "Blues for Charlie Christian" (Basie) – 5:24 4\. "Jaws" (Basie) – 5:34 5\.
|
|
C. Handy) – 5:12 Originally released on Two Pianos Vol. I # "Please Don't Talk About Me When I'm Gone" (Sam H. Stept, Sidney Clare) – 4:25 Originally released on Two Pianos Vol. I # "Girl of My Dreams" (Sunny Clapp) – 6:00 Originally released on Two Pianos Vol. II # "I Got Rhythm" (George Gershwin, Ira Gershwin) – 4:50 Originally released on Two Pianos Vol.
|
|
Stept worked with many other lyricists through his career, including Sidney Mitchell and Ned Washington (while songwriting for Hollywood from the mid-1930s to mid-'40s), Lew Brown, Charles Tobias, and Eddie DeLange. Some of his popular tunes for the big screen are "Laughing Irish Eyes" for the 1936 film of the same name, "Sweet Hearts" for Hit Parade of 1937 and for the 1942 movie Private Buckaroo, "Don't Sit Under the Apple Tree" and "Johnny Get Your Gun." Stept's output slowed down in the late 1940s, and by the late 1950s, he was concentrating fully on his music-publishing business. Songs written by Stept have been recorded by many other big names in pop and jazz, including, Sarah Vaughan, Glenn Miller, Fats Waller, Louis Armstrong, as well as by Henry "Red" Allen, Bunny Berigan, Count Basie, Fletcher Henderson, and Josephine Baker.
|
|
On 20 October 1758 he was appointed colonel of the 55th Regiment of Foot. During the French and Indian War he was given command of the British force at the Battle of Fort Niagara, promoted as Brigadier General. However, on 19 July 1759 he was killed by being struck in the head with a shell fragment. On the morning of that day, being still dusk, the recently appointed General was inspecting his artillery, when he suddenly stept in front of a British mortar.
|
|
When We Reach That Old Port Somewhere In France is a World War I song written by Albert Selden and composed by Sam H. Stept. The song was first published in 1917 by Stasny Music Co., in New York, NY. The sheet music cover depicts a soldier and a woman embracing with an artillery unit in the background and an inset photo of Anna Chandler. The sheet music can be found at the Pritzker Military Museum & Library.Stept, Sam H., Albert Selden, and Barbelle. 1917.
|
|
Originally titled "Anywhere the Bluebird Goes", the melody was written by Sam H. Stept as an updated version of the nineteenth-century English folk song "Long, Long Ago". Lew Brown and Charles Tobias wrote the lyrics and the song debuted in the 1939 Broadway musical Yokel Boy. After the United States entered the war in December 1941, Brown and Tobias modified the lyrics to their current form, with the chorus ending with "...till I come marching home". "Don't Sit Under the Apple Tree" remained in Your Hit Parade's first place from October 1942 through January 1943.
|
|
The temp music work ignited an interest in film scoring. Boekelheide began to explore this idea by furthering his music education at Mills College in Oakland. The Mills music department was known for its eclectic roots and broad-minded approach. Boekelheide studied harmony and counterpoint with Allaudin Matthieu, Indian raga singing with Terry Riley, conducting with David Rosenboom, and became a member of Lou Harrison’s Javanese gamelan. After his time at Mills, Boekelheide was asked to score his first film, a short, End of Innocence: June 19, 1953, directed by Stephen Stept. Carroll Ballard’s film Never Cry Wolf was next.
|
|
Tom Lehrer claims to have submitted "It Makes a Fellow Proud to Be a Soldier" in this contest. In 1952, Secretary of the Army Frank Pace asked the music industry to submit songs and received more than 800 submissions. "The Army's Always There" by Sam Stept won,Time magazine, January 19, 1953 and an Army band performed it at President Dwight D. Eisenhower's inaugural parade on January 20, 1953. However, many thought that the tune was too similar to "I've Got a Lovely Bunch of Coconuts," so the Army decided to keep much of the melody from the U.S. Field Artillery March but with new lyrics.
|
|
"That's My Weakness Now" is a song written by Sam H. Stept and Bud Green (words and music) in 1928. This became their first hit song together, having been made popular by singer Helen Kane that same year. Another recording in 1928 was by Paul Whiteman and his Orchestra, supported by a vocal group including Bing Crosby. It is used as the opening theme in the Vitaphone music and sound effects disc for the silent Laurel and Hardy short We Faw Down in 1928 and the same recording of the song is used to open the 1929 Laurel and Hardy talkie short The Hoose-Gow.
|
|
"Do Something" (1929) is a song written by Sam H. Stept and Bud Green for the Paramount Pictures film Nothing But the Truth (1929), in which the song was performed by Helen Kane.Nothing But the Truth (1929) at Richard Dix website The scene of Kane singing this song is missing from the only existing print of the movie. Kane also had a hit recording of the song for Victor Records, which she recorded in 1929.Jasen, David A., A century of American popular music: 2000 best-loved and remembered songs, page 47 The sheet music, bearing Kane's photo, and phonograph record both state that the song is from Nothing But the Truth.
|
|
Street or urban skiing consists of sliding or grinding skis on rails, walls, ledges, or other features found in urban areas. Some professional freestyle or newschool skiers, such as Clayton Vila and Will Wesson, specialize in skiing on urban features, while being filmed, producing segments for skiing film companies such as Level 1 productions, Stept Productions, or 4bi9 media. In 2016, the X Games created a video competition called “X Games Real Ski” where a group of professional skiers selected by the X Games have the opportunity to film and submit an urban segment. Winners are selected by a panel of judges, and the public is also given an opportunity to vote for the fan favorite.
|
|
John Earle's 'bold forward man' would 'if hee bee a scholler ... ha's commonly stept into the Pulpit before a degree; ... and his next Sermon is at Pauls Crosse, and that printed'. Indeed. from the 1580s onwards, it was increasingly usual to print the sermons for distributed to a wider audience; approximately 370 Paul's Cross sermons are now extant, with over 300 titles surviving in print. Because the pulpit stood in one of the few open spaces within an increasingly crowded city, and because royal proclamations were often delivered here, Paul's Cross was the site of several political disturbances in the early modern period. It was a speech here that triggered the 1517 Evil May Day anti-foreigner riots.
|
|
Starting his career in Halmstads BK youth team, he was raised up to the senior team in 2003 and debuted against GIF Sundsvall in the premier game of the season, coming on as a substitute. Prior to the 2004 season, he had established himself as a player in the starting line-up and aided the club to become runner-up, two points behind Malmö FF. Djuric continued on as a starting player during the poor season of 2005, as Halmstads BK qualified for the 2005–06 UEFA Cup group stage, in which Djuric became the only goalscorer for the club, against Sampdoria. During the following seasons he started mainly as a midfielder but gradually stept up to become a forward.
|
|
The Words and Rules model contradicts previous orthodox Chomskyan ideas hypothesizing that several irregular past tense forms arise from rules applied to verbs with phonological similarities (as seen with the example of sleep, weep, and keep above). He particularly notes discrepancies that would arise in application of a rule-based theory, as in the verb steep and its past-tense form steeped as opposed to steep/stept. Pinker accepts the notion of pattern associators from the connectionist model, which states that families of irregular verbs obtain their past-tense forms from associations between the phonological features of these verbs and those of their irregular past-tense forms. Pinker found that some adults and children will form the past-tense form splung from the novel verb spling in line with the pattern seen in fling/flung and cling/clung.
|
|