That night, Grimes shaved off the inverted V that he had stencilled along his neckline.
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The artwork, created in Banksy's trademark stencilled graffiti style, appeared in Birmingham central England over the weekend.
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Much of the graffiti scrawled or stencilled on empty buildings and shuttered shop fronts has a resentful tone.
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During the week, Case had noticed that people were peeing everywhere, despite the many stencilled "Do Not Urinate Here" warnings.
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" A graying inmate collected an absentee-ballot form and sat down near a wall stencilled with the words "Reading Area.
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Roberts had an advert for Golden Palace, an American online casino, stencilled on to his chest at the Super Bowl.
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Along the wall was a stencilled motif of a green agave plant with a chemical flask in place of the piña .
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Then, with an astonished lurch, you notice sly, subversive genius Banksy has stencilled Mickey Mouse and Ronald McDonald either side of her.Wham!
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On top of each house is a water tank stencilled with images of such popular heroes as Che Guevara and Eva Perón.
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There was a decoration of some kind of Asian bird, a crane stencilled cheaply over a body of water, and a Korean Air calendar.
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The graffiti shows a young girl in a headscarf, stencilled onto the side of a house in the Barton Hill area of Bristol with black and white paint.
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These pasty Scotsman wore mostly black, unless one of them felt like offending prudes with a custom-made, white button-up that bore "Fuck Cunt Candy Cunt" in stencilled letters.
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The words "Irish Cab" and a phone number were stencilled on the door, and Niall would be in the driver's seat, reading some paperback book in the dim inside luminance.
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A decorative pattern is copied from a book, transferred to tracing paper, stencilled on cloth, cut out, and pasted onto a muslin, then painted to see how the colors harmonize.
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A pamphlet had circulated in San Vicente del Caguán, a town near FARC territory, bearing a stencilled machine gun and the insignia of the fearsome paramilitary group Autodefensas Unidas de Colombia.
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"Drink More" (1964) is a crudely slapped together assemblage in which the title phrase is stencilled over a canvas of the stars and stripes; a plaster hand protrudes, grasping a bottle of Coke.
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The wreath completed, the sidewalk swept, Miller's tag (LMDXNYC) stencilled in chalk on a railing, the team piled into a taxi and sped up to Fourteenth Street to meet the van with the carnations.
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Nina Chanel Abney's work revisits democracy (from demokratia: the political authority of the common people), initiated by the Athenians in 510 BC. Ms Abney's cheerful palette and stencilled silhouettes belie her fraught depictions of race.
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Hemingway, too, once said something about Estonia; a version of his pronouncement—"No well-run yacht basin is complete without at least two Estonians"—had been spray-stencilled on the wall, along with his face.
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Ten years later, his single van has grown into a fleet of second-hand ambulances whose red, hand-stencilled Aamin Ambulance logo and nasal sirens are instantly recognized on the battle-scarred streets of Mogadishu.
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HARROGATE, England (Reuters) - A convoy of Dutch-registered campervans lines one of the leafy roads leading into Harrogate and stencilled in white paint on the wet tarmac is the face of Mathieu Van der Poel.
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If you took a paper and pencil and stencilled the outline of the average person's online presence—like a modern day Vitruvian man—you could sketch out a web of stretching connections, too numerous to count.
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It's a heavy-duty beast, built in 1980, now painted sky blue, with seating for ten on facing benches (two more up front) and, stencilled across the windshield, " PANCRACIO ," for the patron saint of the young.
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Jose Leon, 24, has been covering the faces of national heroes on the smallest bills of two bolivars - worth one fifth of a U.S. cent at the black market rate - with the intricately-stencilled faces of American superheroes.
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The Sacramento Bee , adapting the iconic image of a protester at Tiananmen Square, published a cartoon that depicted Chiang as a lone resister before a line of Hummers, with "Arnold" stencilled on the bumper of the lead vehicle.
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A lyrical rendering of a fingerprint, by Moira Dryer; a blue-and-white abstraction that's as fresh as a sea breeze, by Mary Heilmann; and a stencilled word painting, by Christopher Wool, epitomize the dénouement of the period.
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But among the grey, four-storey blocks of La Muette estate, built in the 1930s, there is a wooden cattle wagon, stencilled with a Star of David on one door as well as lettering of SNCF, France's national railway company.
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The words on the statue read: 'Give us your tired, your poor, your masses yearning to be free' This is the statue stencilled onto a wooden shelter where a family live in a refugee camp / slum in Northern France known as 'The Jungle.
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2008 Sections of the polychrome stencilled ceilings in the auditorium remain.
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Whitley 2005, pp. 7-9. Miniature stencilled art has been found at two locations in Australia and one in Indonesia.
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These windows generally date from 1830 to 1860. Powell was a major supplier of impressed and stencilled quarries. Medieval foliage and Classical Figures.
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In general, these wagons have been painted in Victorian Railways Wagon Red livery; well faded and with instructions stencilled on wagon sides or ends as required.
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At this time the only uniform items issued to Observer Corps personnel were steel helmets bearing the stencilled letters 'O C', together with blue/white (vertically striped) armbands bearing the same. Both items of equipment were similar in style to those issued to members of the civil defence emergency services, including the Auxiliary Fire Service ('AFS') and Air Raid Precautions ('ARP'). The initial batch of helmets issued to Observer Corps members were the same as those issued to Police forces; black in colour with the word 'POLICE' stencilled in white. (This led some Observer Corps members to simply scratch off the stencilled letters P, L, I, and E, to leave letters O and C remaining).
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The front wall, most interior walls and the ceilings of the main section are clad with beaded boards. The main room is lined with wide plain boards and has a stencilled dado on the end walls. The upper wall is pale blue and the lower wall pinkish grey, divided by a pink line and a grey/pink stencilled anthemion pattern above. Some boards which carried part of this design have been removed.
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Original decorative colour schemes survive and include stencilled stylised iris on the upper walls of the living room and a stencilled dado in the bedroom to the north. On the ground floor the central section between the stumps is built in with vertical corrugated iron sheeting, creating four rooms including a dining room and storerooms. The area surrounding this core is concreted and serves as a verandah. There is a detached bathroom beside the house at the northwest corner.
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On the ground floor of the front elevation two sets of shuttered French doors flank each side of the central front door. All windows are six- pane sashes and featured shutters, although the windows at the front are slightly larger than those on the rear and sides. Many windows retain the original glazing and feature the remains of stencilled floral patterns. The impressive double front doors, capped by a three-paned stencilled fanlight are painted red on the exterior.
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'Landmine Trail': On Sunday 1 April 2007. he placed 100 fake 'landmines' made from stencilled enamel plates in five parks around Dublin, Ireland."100 Landmines in Dublin". woostercollective.com. Retrieved 21 April 2007"Landmine Trail".
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Collectors of her work include Rihanna, Brad Pitt, Adele, Robbie Williams, and Take That's Mark Owen. Bambi’s stencilled work is described as gritty and masculine in appearance while exploring themes of feminism, and popular and street culture.
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Promoting it as a tourist attraction, Nothomyrmecia has been adopted as the emblem of the Poochera community. Pictures of the ant have been stencilled onto the pavements, and a large sculpture of Nothomyrmecia has been erected in the town.
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The three-second filmstrip depicts a boy who writes "", removes his hat, and bows. The frames were stencilled in red and black using a device for making magic lantern slides, and the filmstrip was fastened in a loop for continuous play.
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A 4,000 lb blockbuster bomb being loaded onto a De Havilland Mosquito of the RAF, circa 1944. The explosive filling of Tritonal 80/20 is clearly stencilled on the side, inside the chalked "O" of Adolf A 750 lb M117 bomb. The explosive filling of Tritonal is stencilled on the nose Tritonal is a mixture of 80% TNT and 20% aluminium powder, used in several types of ordnance such as air- dropped bombs. The aluminium improves the total heat output and hence impulse of the TNT — the length of time during which the blast wave is positive.
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The ceiling of the balconies flanking the Central Hall are also decorated, albeit to a far more simple design. The ceilings are painted with a stencilled motif of square panels, each containing a small illustration of a different plant or animal. All the birds and insects from the archaic panels are included; the panels also feature cacti, cockatoos, crabs, daisies, fish, hawks, lizards, octopuses, pinecones, pomegranates, snails and snakes. The ceilings of the lobbies at the northern end of each balcony—originally the entrances to the museum's refreshment room—are each decorated with a single large panel of stencilled birds, insects, butterflies and paterae.
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The making of artwork and stencils may have been a way of connecting with ancestral beings, embodied in the natural features of the country including rock outcrops such as the one in Earlwood. The practise of stencilling was the way in which older, initiated members of a group introduced the ancestral being to younger group members. The initiated members stencilled the forearm and hand on the rock embodying their ancestors and younger members had their only their hands stencilled. The foot stencils are a rare phenomena and the significance of these cannot be definitely determined although they may indicate direction or were accidental/ casual occurrences.
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Miniature rock art of the stencilled variety at a rock shelter known as Yilbilinji, in Limmen National Park, is one of only three known examples of such art. Usually stencilled art is life-size, using body parts as the stencil, but the 17 images of designs of human figures, boomerangs, animals such as crabs and long-necked turtles, wavy lines and geometric shapes are very rare. Found in 2017 by archaeologists, the only other recorded examples are at Nielson's Creek in New South Wales and at Kisar Island in Indonesia. It is thought that the designs may have been created by stencils fashioned out of beeswax.
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The arcades between the nave and the aisles are carried on slender piers. At the west end of the church is a gallery carrying the organ. At the east end of both aisles is an altar. The ceiling of the apse has painted and stencilled decoration.
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All built of hard white furnace bricks with contrasting red brick lintels & string courses. Large timber entrance porch and two-storey verandah to east & south fine interiors with cedar joinery, marble fireplaces, painted & stencilled ceilings. Constructed in a vernacular Scottish farmhouse style, the building is asymmetrical.
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The bombs were painted sky-blue with a yellow stripe in the tail cone, unless filled with Trialen in which case it was replaced by the silhouette of a sinking ship in yellow, and the warning nur gegen handelschiffe ("only against merchant ships") was stencilled on the bomb casing.
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Inside the church are five-bay arcades carried on quatrefoil columns. The nave has a hammerbeam roof, and in the chapel is a canted, stencilled ceiling. The reredos contains five niches containing paintings dating from 1905 by Sigismund Goetze. The octagonal font is in alabaster, and has a traceried cover.
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Some of the walls, covered by more recent paneling, may have been stencilled. The house was for many years in the Martin family (for whom the street is named), coming into the hands of Welcome Horton in 1895. The farmhouse was listed on the National Register of Historic Places in 1983.
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Graffiti tours have become a main tourist attraction in Barcelona, and Gràcia is home to some of the most intriguing pieces, adorning its serene streets with vibrant colours. For instance, Ozzy's art, appearing in many parts of Barcelona, is marked by bright poster designs, while the artist C215 produces detailed stencilled works.
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There are several disused sidings on the beach at Dungeness. These were used by fishermen to help move their hauls across the shingle. This joint provision was to allow transport of fish from Dungeness to Hythe and there to transfer it to road. The company had four-wheel fish wagons, stencilled "Fish Only".
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Pevsner commented that the strength of the interior lies in its timber-work. The walls are decorated with stencilled patterns in the Arts and Crafts manner. The wrought iron screen is by Douglas. The stained glass dated 1887 in the north aisle is by Kempe and that in the baptistry is by Frampton.
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Watson (2005b), p.2 Slowdive's US label SBK Records planned to release Just for a Day at the beginning of the year, but not before initiating a viral marketing campaign. The band's name was stenciled outside MTV and radio stations in New York. Fans stencilled their heads when Slowdive played in Manhattan.
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Once woven, the material is sent to the BIS laboratories for testing. After quality testing, the material, if approved, is returned to the factory. It is then separated into three lots which are dyed saffron, white and green. The Ashoka Chakra is screen printed, stencilled or suitably embroidered onto each side of the white cloth.
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The chancel arch was rebuilt. The plaster between the rafters of the chancel was stencilled and emblazoned by Mr Stansell of Taunton. The chancel was fitted with oak stalls, and the floor tiled with encaustic tiles from Maw & Co. The reredos was made by A.W. Blacker of Dawlish. The church reopened on 14 October 1864.
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The hall is austere; the architectural historian John Newman critiqued its decoration as "dilute" and "unfocused", Crook as "anaemic". It features stencilled ceilings and murals which resemble medieval manuscripts. The murals were designed by Horatio Lonsdale and executed by Campbell, Smith & Company. The furniture is by John Chapple, made in Lord Bute's workshops at Cardiff.
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In October 1958 the former GNR, by then the Great Northern Railway Board or GNRB, was split between Northern Ireland's Ulster Transport Authority (UTA) and the Republic's Coras Iompair Éireann (CIÉ). Nos. 83, 86 and 87 went to the UTA and Nos. 84 and 85 to CIÉ. The letters ‘UT’ or ‘CIE’ were stencilled on the front buffer beams.
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The church is stonebuilt, with Kentish rag capped with Bath stone externally and Hassock internally. The walls are now bare, but were once stencilled with designs of fruit and flowers. There were stained glass windows, but the windows are now plain. In 1854 the spire was erected and in 1902 the oak pews and floor tiling were installed.
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Rug canvases range from 3.3 holes per inch (hpi) to 5 hpi. The pattern may be stencilled onto the canvas or worked from a chart similar to a needlepoint pattern. Latch hook yarns may be bought pre-cut (usually 2.5 inch lengths) or in skeins and cut to the desired length. Late 20th century Thunderbird latch hooked rug.
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The walls are made of boulders and rubble stone, joined together with mud mortar. A shallow niche in the south wall might be a mihrab. The walls are decorated with stencilled friezes of palm tree and palmettes in blue-green. A barely legible inscription above the door gives a 14th-century AH (late 19th-century CE) date.
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In this specific work, a young Inuk boy plays with dogs, simulating a hunting scene where the dogs represent game and the boy is about to harpoon. The imitation of hunters is an important element in the education of boys. The stencilled drawing has soft shapes of little detail except for the boy's and animal's eyes, mouth and nose.
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Four roof trusses converge at the apsial end. The organ, with stencilled pipes, was built in 1887 and later enlarged. Two stained-glass windows, one each side of the organ, are said to have been removed from the Wesleyan chapel in Chapel Street. Other windows are filled with pastel-coloured glass of an Art Nouveau style.
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The majority of the interior detailing has been lost since the building's demise as a cinema although fine remnants remain in the McDonald's restaurant that is now in sections of the original foyer.Cinema Tour, retrieved 20.6.2008 These include sections of the beamed ceiling, typical Spanish motifs and superbly coloured and stencilled floral motifs on the ceiling.Cinema Tour Retrieved 20.6.
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Other features include mosaics, stencilled decoration, gargoyles, carved marble and alabaster. Above the chancel is a vaulted ceiling decorated with paintings of angels. On either side of the chancel the organ with some 3,040 pipes can be seen. Built by William Hill & Sons, the organ is one of only a few of its kind in Britain which has not been modified.
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The church's interior makes extensive use of Honduran mahogany carved with Gothic details. In the sanctuary it is used for the wainscoting, exposed hammerbeam rafters, organ screen and molded hood above the organ. The lectern and pulpit are original, as are the pews. There is a stencilled cornice line border and large yellow sunflower between all but one of the rafters.
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These include depictions of saints on the south wall of the chancel, and stencilled designs on the ceilings of the aisles. The pulpit is also highly decorated, with mosaic panels, and there is also mosaic in the reredos. The west window and in the windows of the apse contain stained glass. The glass in the apse was designed by Hardman & Co.
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It is well preserved. Internally, the rooms feature hand-painted ceilings, stencilled woodwork and memorabilia from the Ayers family, demonstrating the wealth of the owners at the time it was built. Ayers also commissioned a basement to escape the hot Adelaide summers. During its owner's parliamentary service, the house was the venue for cabinet meetings, parliamentary dinners and grand balls.
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The Broughtons made significant changes; the major ones that remain include the elaborate Victorian veranda which replaced the front portico, the stencilled ceilings in the double parlor, and the Victorian carriage house. Mr. Broughton died in 1902 and a decade later Mrs. Broughton sold the house and left for Mobile to be with her newly married daughter and other relatives there.
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The Public Works Department then undertook the construction phase of the project. The restoration involved some skill not commonly used today. These included matching the elaborate timber mouldings, architraves and doors and the painting of stencilled designs on the walls. The external façade of the building was cleaned and all painted surfaces were repaired and painted using the original colours.
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One form of pictograph found in ancient and traditional rock paintings is created by the hand first being placed against the panel, with dry paint then being blown onto it through a tube, in a process that is akin to air-brush or spray-painting. The resulting image is a negative print of the hand, and is sometimes described as a "stencil" in Australian archaeology. Miniature rock art of the stencilled variety at a rock shelter known as Yilbilinji, in the Limmen National Park in the Northern Territory, is one of only three known examples of such art. Usually stencilled art is life-size, using body parts as the stencil, but the 17 images of designs of human figures, boomerangs, animals such as crabs and long-necked turtles, wavy lines and geometric shapes are very rare.
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The initiated members stencilled the forearm and hands on the rock embodying their ancestors and younger members had their only their hands stencilled. The foot stencils are a rare phenomena and the significance of these cannot be definitely determined although they may indicate direction or were casual occurrences. While land closer to the town of Sydney was relatively quickly carved up as land grants to settlers in the first years of the European colony, the land on the southern side of the Cooks River was not subject to land granting until 1904. It was not until 1808 when a number of very large land grants were made over land which traditionally provided Aboriginal people access to the resource rich area of the Georges River, Kurnell Bay and Salt Pan Creek that land became the reason for conflict between the Bidiagal and European settlers.
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From about 1990 some louvred doors were replaced with flat doors, perhaps as a result of a lack of spare parts. By 1991 about one hundred VLCX vans were surplus to requirements and placed into storage. Around the same time, at least eight VLEX's were stencilled for "PAPER TRAFFIC ONLY DYNON - DRY CREEK". In 1993, three VLEX vans were destroyed in a derailment in Western Australia.
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In stripping the hall walls, a stencilled frieze was uncovered. From a section of this another stencil was cut and the design has been repainted around the back section of the hall and halfway up the stairway. The front door is semi-elliptical in shape with blunt triangles of glass within cedar mullions. There is a frieze along either side of the hall wall.
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Map is a 1961 oil-on-canvas painting by Jasper Johns. It represents the overall proportions and shapes of the states of the United States and parts of Mexico and Canada, although executed with a more "energetic application of paint"Museum of Modern Art, New York City than found in cartography. The names of the states and ocean areas are stencilled. The painting measures by .
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The "Eagle of Saladin" was first introduced as a symbol of the Egyptian Revolution of 1952. The current coat of arms was introduced during the Mubarak era, in 1984. In the Egyptian Revolution of 2011, the eagle became associated with the Mubarak regime. Mehrez (2012) describes a stencilled graffiti depicting the "Eagle of Saladin" turned upside down as a call for the regime's downfall.
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He organized India's first-ever street art festival in Delhi in 2013. His works have been showcased at venues such as the Centre Pompidou, Venice Biennale and Triennale Design museum. He participated in the India Art Fair 2015 and created 100-meter-long stencilled mural on asphalt with the repeated slogan, This is commissioned vandalism. He designed a room in flat of Hrithik Roshan in 2015.
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Much of it is the creation of Richard and Joan Yarde who owned it from 1402. Richard Yarde was Sheriff of Devon in 1442. On the walls of an upstairs room is preserved a late medieval pattern of stencilled black fleur-de-lys. The great hall is emblazoned with the royal arms of Elizabeth I, and there are a number of other rare features.
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The parish church of St George is a 12th century Norman church built around 1125. Until around 1740 it was dedicated to St Matthew. Between 1868 and 1871, the incumbent, Rev W Wiggins, had the interior walls stencilled in a colourful medieval style. This was not appreciated by the parishioners who attempted to raise money to have it whitewashed but failed to raise the required amount.
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Jalmenus ictinus, the Ictinus blue or stencilled hairstreak, is a butterfly of the family Lycaenidae. It is found in Australia in the Australian Capital Territory, New South Wales, Queensland and Victoria. The wingspan is about 30 mm. The larvae feed on a various Acacia species, including A. bidwillii, A. dealbata, A. decurrens, A. harpophylla, A. implexa, A. mearnsii, A. melanoxylon, A. pendula and A. rubida, as well as Heterodendrum diversifolium.
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As well as stained glass, Shrigley and Hunt made ceramic tiles; in the late 19th century these formed an important part of the income of the company. Some of the tiles can be seen still in situ outside their former workshop on Castle Hill. The firm also produced craft decoration including stencilled wall and ceiling decoration. Lancaster City Museum has a significant holding of Shrigley and Hunt material.
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Shelters with art are characterised by stencil art or charcoal. Stencil is created by mixing ochre in the mouth and then into a wet paste, where it is sprayed over the object to be stencilled onto the wall of the shelter. Other forms of artwork include ochre paintings, charcoal drawings and etchings. Rock painting illustration usually feature humans, kangaroos, emus, echidnas, grid patterns, animal tracks, boomerangs, axes, hand stencils, among others.
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British soldiers on board a quarante et huit wagon in France in 1939. The stencilled sign in the top right of the picture says "HOMMES 40 : CHEVAUX (en long) 8". The shared experience among Allied soldiers spawned groups such as the Forty and Eight veterans organization. Between 1940 and 1944 occupying German forces used Forty-and- eights to transport troops, POWs, horses, freight, and civilian prisoners to concentration camps.
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Much of this was stencilled, but the work is unusually extensive and it is unusual for such designs to have survived in churches. Weather damage necessitated repairs in the 1950s, but by 1981 the murals' condition was so poor that whitewashing over them appeared to be the only course of action. Enough money was raised for a full restoration to take place; artist Charles Camm was responsible for this.
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Brook Sexual Health Clinic is the red bricked building in the middle, with the mural on the side wall. At the time of creation, the artwork was stencilled on the side wall of Brook Sexual Health Clinic on Frogmore Street, which has since relocated. However, since the mural is approximately above street level, it is almost level with, and can be best viewed from, the Park Street bridge, above Frogmore Street.
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The Captain Seth Chandler House is an historic house at 55 Converse Street in the East Woodstock section of Woodstock, Connecticut. With a construction history dating to 1760, it has a number of unusual features and form for a rurally sited house of that period, including unusually fine stonework in the chimney and stencilled plaster. The house was listed on the National Register of Historic Places in 1993.
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The templates include photographs, exhibition catalogues, newspaper clippings, magazines and illustrations or even cloth patterns. Many of the works show nocturnal urban scenes, fires, abstract shapes and patterns as well as short excerpts of stencilled texts. By focussing on the virtually infinite time span before his birth, van Eeden accepts his own existence as a merely insignificant part of a genuine time stream and discards the finiteness of his own existence.Galerie Zink (ed.): Sensational.
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Draftsmen worked standing up, keeping the ink on a separate table to avoid spilling ink on the drawing. Developments in the 20th century included the parallel motion drawing board, as well as more complex improvements on the basic T-square. The development of reliable technical drawing pens allowed for faster drafting and stencilled lettering. Letraset dry transfer lettering and half-tone sheets were popular from the 1970s until computers made those processes obsolete.
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On motorways distance marker posts also bear an arrow pointing towards the location of the nearest emergency telephone. The number used on distance marker posts is also encoded into the numbers associated with motorway emergency roadside telephones. In this way motorway control centre staff can pinpoint the telephone from which a call is being made. Items of highway furniture are commonly uniquely identified by a code number attached to or stencilled onto them.
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Taylor was first elected as a Member of Parliament for Vancouver--Burrard during the 1957 general election. He used an advertising campaign that featured signs with only a pair of stencilled foot prints, no slogan, no candidate name and no party affiliation. The signs created a buzz, after which their origin was revealed and then the slogan "Follow John" was added to them. The Diefenbaker campaign took up the slogan and used it across Canada.
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Japanese chair made from carved Zelkora wood with stencilled leather upholstery The term Asian furniture, or sometimes Oriental furniture, refers to a type of furniture that originated in the continent of Asia. Sometimes people also think of Asian furniture as a style of furniture that has Asian accents. With assimilation with western culture the term can also expand to modern Asian furniture. Europeans began to receive and collect Asian furniture in the 18th century.
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The Ante-Room has a small storage area to one corner. Between the Ante-Room and the Lodge Room, the timber wall has been modified to include removable boarded panels which allows the seating to extend into the Ante-Room when required. The interior is painted light blue with brown trims, and to the Lodge Room a brown dado with stencilled frieze. The interior walls are lined with wide beaded vertical boarding.
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DIN 1451 is a sans-serif typeface that is widely used for traffic, administrative and technical applications. It was defined by the German standards body DIN - Deutsches Institut für Normung (German Institute for Standardization), pronounced as "Din", in the standard sheet DIN 1451-Schriften (typefaces) in 1931. Similar standards existed for stencilled letters. Originally designed for industrial uses, the first DIN-type fonts were a simplified design that could be applied with limited technical difficulty.
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Around the time of the Brixton nail-bomb, 25 people received stenciled notes stating: At the time of the bombings, police authorities believed that former Combat 18 second-in-command Del O'Connor was the likely head of the White Wolves.Anti-terror police seek White Wolf racist over bombs 28 April 1999. The Guardian (UK) A stencilled message had been circulated reading C18 did not carry out the Brixton bombing. We, the White Wolves, did.
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Nijinsky's ears were extended with wax to look more pronounced and pointed while his makeup was designed to make his face appear more animal. The nymphs wore white muslin that was tailored into long pleated tunics and decorated with stencilled patterns in blue or rust red. Some tunics had checkered borders and others had wavy lines or leaves. The nymphs had little makeup, except that their eyes were painted in pale pink.
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Bubbles' logo for the right In 1979, riding on the reputation of his work for Stiff, Bubbles was engaged by the UK music newspaper New Musical Express to spearhead an overhaul of its decades-old brand. Bubbles' redesign incorporated elements of Pop art and 1920s Soviet poster art into a "sleek, forward- looking" graphic format. His restyling included a fresh logo with "clean, stencilled, military-style lettering", which heralded the title's change from New Musical Express to NME.
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Williams et. al. 2012. The Blue Mountains contain a large number of significant sites which capture the relationship that Aboriginal people have had with country for thousands of generations. The rich and varied evidence of traditional occupation of the reserves include archaeological deposits in open sites and rock shelters, stone implements, factory sites for tool production, axe grinding grooves and extensive art-work, including drawn, painted and stencilled images. Tracks and figurative motifs dominate the art sites.
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Haddock appeared at the offices of the Collector of Taxes and delivered a white cow "of malevolent aspect". On the cow was stencilled in red ink: Haddock tendered the cow in payment of his bill and demanded a receipt. During the hearing, the fictitious judge, Sir Basil String, enquired whether stamp duty had been paid. The prosecutor, Sir Joshua Hoot KC confirmed that a two-penny stamp was affixed to the dexter horn of the cow.
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Upstairs a wide central passageway leads to 6 bedrooms, an additional bathroom, living room, store room and out onto the suspended verandahs. The of living area has rooms with high ceilings. Some have marble, tiled and engraved brass fireplaces, original plaster and stencilled wall and ceiling finishes, rendered walls, cedar joinery and panelling. The interior decoration has been attributed to Lyon, Cottier & Co. Ewan was exposed to the company's work on a number of other occasions.
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Sources differ on whether the background was blue or green. Michael Chappell stated the white rose motif represented the Yorkshire regiments within the division, and that a green background represented the light infantry lineage of these regiments. "Examples of this sign made up for wear on uniform (with the rose stencilled on a felt patch) are in collections and indicate that the 23rd were probably one of [the few] formations wearing 'illegal' battle insignia in 1940".
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Depending on the nature of the troop movement, footlockers would be shipped when the military unit was deployed to a base. However, if the unit was simply a training assignment, the footlockers would remain at the training barracks and each soldier would either be issued or procure his own footlocker for transporting his possessions. The soldier's name would be stencilled on the outside, along with his APO address. Modern footlockers are used today in military installations and military academies.
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The middle cut then goes to an oak spirit receiver and from there to the filling vats in the spirit store. At this stage more water is added to reduce the concentration of alcohol from 75% to 64%. Each oak cask is handmade and therefore unique, so each must be weighed before and after filling to determine how much spirit is in each. Each cask is stencilled with the name, year, cask number and number of litres.
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These windows are usually patterned with fleur de lys and other floral motifs that were suited to the shape of the diamond panes. They added a pleasant glowing ambience to an interior and in many churches in the early 19th century made up the entire glazing. They could be painted or stencilled with designs and are sometimes mould-cast or have impressed motifs. They were systematically replaced one by one when more elaborate windows were donated.
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Empègue around a doorway Empègues are small images stencilled on doorways in southern France. The empègue symbolises that the household has contributed to groups of youths gathering funds for celebrations each August. The drawings are made by the youths of a village and are said to date from the early part of the twentieth century when the local male youths would be conscripted into the military. Conscription is no longer practised in France but the tradition continues.
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It was sold to a private collector in 2011. The depiction of chimpanzees echoes Banksy's 2002 work Laugh Now, a 6-foot-long stencilled work showing a row of apes wearing aprons with the inscription "Laugh now, but one day we'll be in charge". A reworked and retitled version of the painting was exhibited in Bristol in March 2019, with changes to details such as a banana and some lamps. Banksy commented, "Laugh now, but one day no-one will be in charge".
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The naming system was a reference to the contemporary octane rating system for leaded petrol in the UK. Premier also marketed a Zyn 70. Production of all Zyn types concluded in 1984, replaced by Premier's then-expanding distribution and promotion of Zildjian cymbals. However, the name has since been revived on two occasions, first in the late 1990s with a German-made Zyn. All previous Zyn cymbals featured stamped logos but the Made in Germany Zyn title was stencilled in capital letters.
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Although the outlines of the states are recognisable, the colors do not always respect state borders, perhaps suggesting the blurring of boundaries and homogenisation of post-war American society, reinforced by the mass-produced effect of the stencilled names. It has been suggested that the painting may be a visual pun, as Johns "deliberately put American painting on the map" in the 1950s.Lanchner, p.20 Johns considered that he was painting a map, not making a painting of a map.
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P/O Barrett.) Starting in August 1941 Spitfire Mk Vbs began arriving. At least 20 of the Mk Vs had been paid for by a subscription fund in which citizens of New Zealand and Pacific Island 'Protectorates' could participate. Most of these aircraft bore the names of New Zealand Provinces stencilled on the fuel tank cover, just ahead of the cockpit (e.g.: W3579 'Southland II'.) A comprehensive account of these aircraft is given in Morris, Gerard S. Spitfire, the New Zealand Story.
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22 no.23 (June 27, 1896) p.1 The court overruled a demurrer by the defendants and found in favor of the plaintiffs, and although The Music Trade Review reported that in its opinion the stencilled words "The Lindeman Piano Co. Cincinnati" could not deceive a prospective purchaser, but that it was deceptive to represent that the two firms were the same, and H. Lindeman & Son was enjoined from selling pianos as previously labelled.Tended to Deceive the Public The Music Trade Review vol.
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These rooms contain elaborate joinery and marble chimney pieces, and a rich, masculine, painted and stencilled decorative scheme on the walls and ceilings, with remnants of embossed wallpaper of importance. The remnant building is also of significance because it demonstrates, by means of its surviving form, fabric and finishes the evolution of building conservation during the 1970s.Teece, Jackson, 2005, p.31 NSW Club building was listed on the New South Wales State Heritage Register on 2 April 1999 having satisfied the following criteria.
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It occupies a prominent position in the projecting wing in the centre of the facade. It retains its original painted and stencilled wall patterns beneath later paint layers and is the most intact early prison chapel in Australia. Its interior features include an early and substantial example of a laminated arch construction in the colonies and the first in WA, handsome decalogue boards and some original and elegant joinery. Behind the Anglican chapel altar, there is a painted representation of the Ten Commandments.
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In 2007, he appeared in Sugarhouse, a low-budget independently made film, playing local crime lord Hoodwink, who terrorises an east London housing estate. For the role, Serkis shaved his head and had sessions lasting 20 hours each to have temporary tattoos stencilled onto his body. The film premiered at the 2007 Edinburgh Festival and released in the UK on 24 August. Also that year, Serkis provided the voiceover for Monkey Life, on Five broadcast for three weeks from 13–31 August 2007.
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300 In 1905, Georgiana arranged the publication of The Flower Book, a limited-edition facsimile of an album of watercolour flower paintings by Edward Burne-Jones. Three hundred copies were issued in cooperation with the Fine Art Society of London. It was printed by Henri Piazza, who hand-stencilled watercolour over collotypes using the pochoir technique to produce brilliant colours. These copies of the Flower Book were sold in both bound and unbound form, with the unbound copies contained in a clamshell box.
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The building is surrounded by a verandah extending in an unbroken pitch from the hipped roof. The interior is subdivided into three compartments by cavity red brick walls; a series of low arches at intervals along the walls denote receiving hatches for each room. Above the top lights along the transom a stencilled sign saying LABORATORY designates the function of the building. One of the key features of this building is the cartridge filling room, provided with weighing and work benches along one the walls.
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The Muro di Sormano () is a hill located in Sormano, Italy. This climb is one of the most severe to have been used in road cycling, with an average gradient of 17% and a maximum of 27%Gazzetta dello Sport. Giro di Lombardia.. The road up the climb, fell into disuse from 1963 to 2006. After pressure from local cyclists it was restored, and now features split-times and quotes from the riders of the climb in the 1960s era stencilled on the road.
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In the bedrooms, which did not have varnished walls, the stencilled designs are more intact. The house was also reputedly the first in Charters Towers to have electric lighting, run by a 32 volt generator under the house. When Dakingsmith wound up Daking-Smith & Co. in 1925 his property and store in Deane Street, adjacent to Aldborough, was transferred to bakers Herbert Powell Jones and William John Lang in January 1926. After their business folded the land was sold to Jessie Beach in 1947.
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Herzog's ornate interiors often combined stencilled geometric patterns with painted floral and classical-inspired scenes: > Herzog's interiors--commonly consisting of wall as well as ceiling > treatments--mixed meticulous German training with late-Victorian American > tastes. Their closest analog is the oeurvre of the Herter Brothers, > European-trained partners who designed interiors for New York's elite. Like > the Herter Brothers, Herzog frequently exercised control over the entire > interior design process, including walls, ceilings, furniture, draperies and > glass.Donna J. Rilling, Disston House, Summer 2000, p. 12.
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Pollard and Pevsner describe the interior as being "glorious" and "richly coloured" due to the "resplendent display of Bodley fittings and the vibrant decoration". The citation in the National Heritage List for England states it is "one of the finest examples of Victorian polychromy". The walls and the roofs are all richly stencilled, and in addition there is a wall painting on the east wall of the nave by C. E. Kempe. The gilt reredos dates from 1871 and has panels painted by Kempe.
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Outlines of groups of figures were drawn, then corrected and reach their final form when the artist paints them in, colour by colour. There is no trace of drawing away from the tracts of plaster the painter was decorating. Most was done freehand, but on other buildings there are clear signs of dotted stencilled outlines; arcs and straight lines were aided by string. Townscapes were constructed with a straight-edge. Unfinished examples depicting Jaipur survive in a Nawalgarh chhatri and in Khetri’s Bakhtawar Mahal.
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Allegro is a serif typeface intended for display use. It was designed by Hans Bohn for the Ludwig & Mayer type foundry of Frankfurt, and released in 1936. Allegro is inspired by the Didone style dating from around the start of the nineteenth century onwards, that emphasised alternation of very thick and very thin strokes. However, it emphasises this through breaks in the letter where thin strokes would normally be found, producing an effect similar to stencilled lettering, with a slight inclination suggesting handwriting and ball terminals and swashes suggesting music.
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Toward the end of the 18th century the chapel had become too small for the number of pilgrims visiting it, and it was decided to build a larger church. The nearest available land was about from the house, and this was purchased. The church and attached presbytery were built in 1792–94, shortly after the passing of the Roman Catholic Relief Act 1791. In about 1844–47 the interior of the church was lavishly painted, stencilled and gilded by Andrew Carter of Preston, and stained glass windows were installed.
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The former First Universalist Church building is located in the town center of Kingston, on the east side of its expansive common at the southwest corner of Main Street and Cemetery Lane. It is a rectangular wood frame structure, with a gable roof and a four-stage square tower projecting out of its northwest corner. The first stage of the tower has paired stencilled rectangular windows, and the second has single four-leaf-clover windows. The third stage is louvered on all four sides, and houses the church bell.
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Mackintosh was engaged to design the wall murals of her new Buchanan Street tearooms in 1896. The tearooms had been designed and built by George Washington Browne of Edinburgh, with interiors and furnishings being designed by George Walton. Mackintosh designed stencilled friezes depicting opposing pairs of elongated female figures surrounded by roses for the ladies’ tearoom, the luncheon room and the smokers’ gallery. In 1898, his next commission for the existing Argyle Street tearooms saw the design roles reversed, with Mackintosh designing the furniture and interiors, and Walton designing the wall murals.
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While similar to art for political change, subversive or deconstructivist art may seek to question aspects of society without any specific political goal. In this case, the function of art may be simply to criticize some aspect of society.Spray-paint graffiti on a wall in Rome Graffiti art and other types of street art are graphics and images that are spray-painted or stencilled on publicly viewable walls, buildings, buses, trains, and bridges, usually without permission. Certain art forms, such as graffiti, may also be illegal when they break laws (in this case vandalism).
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Hand stencils and prints are the most common and feet appear to be the least common motifs for stencilling. The art site at Earlwood contains stencilled hands and feet. The stencils were made by spraying from the mouth a mixture of white ochre and water over an individual's hand. It is not known with certainty why traditional Aboriginal people made stencils or other art on particular rock formations although discussion with Aboriginal people has indicated that it is highly likely that the reasons differed from region to region throughout Australia.
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The committee began meeting in the new church a year later, and by the end of 1876 the sexton had taken up occupancy. At that time construction began on the spire. Costs of construction ultimately reached $100,000 ($ in modern dollars), well over the original budget, when the church was formally dedicated in 1881. Originally, the interior walls were completely covered by the stencilled designs that today remain only between the ceiling rafters At the time the church stood out within Tarrytown, which had only incorporated as a village a decade earlier.
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RAF Wig Bay is situated five miles north of Stranraer on the West shore of Loch Ryan and it is to here that Hancock was assigned to the Marine Craft Section. His principle duties appear to have been the custody of a heap of coal and a boiler house. So he made the decision to endow himself with the title of "fuel controller" and hung a sign stencilled by himself to that effect on the door of his hut. He was also responsible for the lighting of fires in the nissen huts.
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Well Hung Lover is stencilled graffiti and depicts a naked man hanging from a windowsill by his right arm; his left arm covering his genitals. Looking out of the window are two people: a suited man on the left, and a woman in lingerie on the right, touching his shoulder. The scenario portrayed is that the suited man is the woman's husband, and, suspecting her of having an extramarital affair with the naked man, is looking out of the window to search for him. The mural as seen from Park Street in 2006.
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The Normblatt ("standards sheet") DIN 1451, Schriften ("Typefaces") was released preliminarily in 1931; then, with some minor changes in 1936, it was released as an official standard. In 1938, Temporary Order No. 20 required DIN 1451 to be used on the new German Autobahn (motorway) system. Due to this and similar regulations, DIN 1451 still dominates German public lettering today. Stencilled and DIN-style lettering on a street sign in Steinlah, a district of Haverlah In 1923, Stempel was the first type foundry to produce printing type according to a DIN Standard.
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A large room with a marble and tiled fireplace opens to the northeast through French doors, with casement windows above, which may date from the 1850s. The main entrance, in the northeast wall, has side lights of clear and red glass with an early stencilled glass fanlight. The main foyer, formerly verandah space, contains some early brickwork free of paint or render. Abutting the two-storeyed structure, on the southwest face, is a small chamferboard, single-storeyed building with a hipped roof and a separate curved roof over a narrow verandah.
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None of this lettering uses his fonts, but rather DIN 1451 or a variant of it below and stencilled lettering above. Walbaum was the son of a clergyman, Johann Erich Walbaum. Initially apprenticed to a grocer and confectioner, he became interested in engraving through working to make moulds for confectionery. After briefly working for the publisher Johann Peter Spehr as an engraver, he received a concession to set up a type-foundry in Goslar in 1796, in 1802 moving it to Weimar where there was more of a market for his work.
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The cathedral's pipe organ was built by T. C. Lewis and Co of Brixton, England. Over six and half thousand pounds were spent on its construction, shipping and installation before it was played at the cathedral's inaugural service in 1891. Various modifications and maintenance works have been carried out since then, culminating in an A$726,000 restoration which was completed in 1990 with the help of a National Trust appeal. In its restored state the organ has four manuals and pedals with 53 stops, all with electro-pneumatic action, and is housed in the cathedral's south transept behind newly stencilled façade pipes.
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The Victorian stencilled and painted sanctuary ceiling was executed in 1874 with parts, notably the main beam, perhaps by Christopher Dresser. Much of the church's most elaborate neo- Gothic furnishings were removed in a zealous, post-War refurbishment of 1951. The remainder, including the large stone altar with its porphyry columns, and the terracotta altar rails by Messrs Blashfield of Stamford, were swept away in another extensive re-development of 1982 (although a fragment of the latter remains within the Lady Chapel). The current sanctuary arrangement and freestanding altar of Collyweston stone date from the 1982 refurbishment.
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The range consisted of just four cymbal types: pairs of 14 inch hi-hats, 20 inch Medium Ride, plus 16 and 18 inch Crash cymbals. Unlike previous Zyns, there were no concert cymbals or Super Zyn variants marketed on this occasion. The second and final reintroduction was announced by Premier in 2006: the new Zyn was machine-hammered B20 alloy, while the new Super Zyn was combination hand- and machine-hammered B20 alloy. Both types were made in China and can be identified by their stencilled nametag (distinct from the stencilling of the German-made Zyn range).
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National Museum of Wales Press Release, "Kennixton — Blood Red Farmhouse celebrates 50 years at St Fagans: National History Museum", 9 December 2005. Accessed 28 September 2013 Another theory is that it simply showed that the family were rich enough to be able to afford this type of pigment. The main living room or "kitchen" is an addition, dating from around 1680, as is the wooden staircase and sleeping area above it. The walls of the dining room (originally the only ground-floor room) are painted with a stencilled decoration of a type which pre-dates the general use of wallpaper.
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These were reportedly collected in 1931 near the Russell Range, inland from Israelite Bay in Western Australia. After its initial discovery, the ant was not seen again for four decades until a group of entomologists rediscovered it in 1977, away from the original reported site. Dubbed as the 'Holy Grail' of myrmecology, the ant was subject to great scientific interest after its rediscovery, attracting scientists from around the world. In Poochera (the rediscovery site), pictures of the ant are stencilled on the streets, and it is perhaps the only town in the world that thrives off ant-based tourism.
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The naval infantry battalions later standardized on the M-1 1964 model provided with the US Army Mitchell "Clouds" camouflage pattern cover (an embroidered yellow fouled anchor motif was often added to the latter), though many ship crewmen and naval gunners continued to wear the older US and French steel helmets throughout the war. On parade, the marines were issued white-painted M-1 helmet liners with the standard FARK cap badge stencilled at the front and colour bars painted at the sides, worn with a white chinstrap; after 1970, a FANK cap badge stencil replaced the earlier royal arms.
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The principal entrance to the club-house is from Bligh Street, the frontage of which is constructed in Pyrmont stone. The entrance is approached by a flight of stairs and lined with cast-iron lamp standards, leading to a spacious hall on the ground floor. The NSW Club building is marked by high ceilings and tall windows; the windows being semi circular headed on this floor. The ground floor's entrance hall and original dining room contain elaborate joinery and marble chimney pieces and is further distinguished by its richly painted and stencilled decorative scheme on its walls and ceilings.
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"As Russia's leading expert on tattoo iconography, Mr. Arkady Bronnikov can tell the prisoner's story from looking at the designs on his body. The huge spider in a web that is drawn on his skull reveals, in prison tattoo code, that he is a drug addict. Also, he is a repeat offender: The onion domes of a Russian church fan across his shoulder blades, each of the seven domes representing a different stay in prison. Above the church, across the back of his neck, the convict has stencilled, in Russian, "Not just anyone can hold his head this high.
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The southeast bay has a textured glass panel in place of a similar image which was originally located there. Aberfoyle has ornate pressed metal ceilings and cornices, woodgraining to internal doors with fretwork panels above, and stencilled friezes, with a portion of the original frieze surviving intact in the entry foyer. Internal walls are lined with vertically jointed boards, and some early changes involving doorways and partition walls are evident in the fabric. The entry foyer has an arched timber opening to the narrower hall beyond, and the two middle bedrooms have early linoleum floor coverings.
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Local interest in the fate of this landmark building attracted 300 people to the auction, and the sale made the front page of The Northern Miner. Sometime in the 1920s or the 1930s the main section of the house was painted internally, with stencilled patterns over the base colours. Accounts differ as to whether it was painted during the ownership of Edmeades, or the Beaches. As the paint was applied over the varnished timber walls and ceilings of the hallway, living room and dining room, it soon cracked into a crazed pattern, which remains a feature of Aldborough's interior to this day.
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He began writing by producing a series of pamphlets which became collectors' items and which he worked up into The Giro Playboy (Faber and Faber, 2006). Shorty Loves Wing Wong (Faber and Faber, 2007), a prequel to The Giro Playboy, incorporating art by Jim Medway, was the follow-up. Both Faber books were preceded by collectable limited editions, published by Simon Finch and To Hell, respectively. The Simon Finch edition collected together the early The Giro Playboy pamphlets and a compact disk of readings, set to music by collaborator Flora, packaged in a hand-stencilled pizza box.
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In late 2000, Wesley Weber scanned the $100 banknote, and for weeks used graphics software to correct the "fuzziness of the image" and improve its sharpness. He then conducted research to find a paper stock similar to that used for the real banknotes that would not fluoresce under ultraviolet light, and chose Mohawk Super Fine soft-white cotton fibre stock with eggshell finish. He used an inkjet printer to print three counterfeit bills per page, and stencilled onto each bill a metallic patch similar to the optical security device that he obtained from a company in New Jersey.
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British soldiers on board a quarante et huit wagon in France in 1939. The stencilled sign in the top right of the picture says "HOMMES 40 : CHEVAUX (en long) 8", meaning "Men 40 : Horses 8" The covered goods wagon has been used to carry passengers, especially during wartime. In both world wars, French boxcars known as forty-and-eights (40/8) were used as troop transports as well as for freight; in World War II first by the French forces, then the German, and finally the Allies. The shared experience among Allied soldiers spawned groups such as the Forty and Eight veterans organization.
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For periods of time, each parish had their own style of constructing, mainly shown in the lavish front porches and otherwise elaborate entrances. Some areas, foremost the coastal parishes, lacked front porches entirely; instead they had more costly doors and door fittings. Inside the farms houses of Hälsingland are magnificent and well-preserved interiors with art painted on the walls, stencilled wall decorations, and expensive wallpaper. Biblical motifs were transformed into Hälsingland milieu, funny stories and cautionary tales mixed in the artwork with the decorative style of the wandering painters from Dalarna, characterized by religious motifs, ribbons and large flowers.
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The entrance to Block F retains an area of stencilled, poly-chrome painted concrete slab. The main entrance from Nicholson Street, northeast of Block F, is landscaped with modern pavers and garden beds that contain a range of shrubs. A decorative metal archway (possibly pre-1961), set on modern concrete plinths, frames a pedestrian entrance from the corner of the Warrego Highway and Nicholson Street, featuring "DALBY STATE HIGH SCHOOL" in metal lettering. The splayed open courtyard spaces between the 1950s buildings, which were formed as part of the 1950s planning, are sealed in bitumen, with large areas finished with modern synthetic turf and sheltered by modern open shade structures.
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Who Are You is the eighth studio album by English rock band the Who, released on 18 August 1978 by Polydor Records in the United Kingdom and MCA Records in the United States. The album received mixed reviews from critics, though it was a commercial success, peaking at number 2 on the US charts and number 6 on the UK charts. Who Are You was the Who's last album to feature Keith Moon as their drummer, who died three weeks after it was released. The ironic nature of the text "Not to Be Taken Away" that was stencilled on Moon's chair on the album cover was noted by some critics.
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Over its 33-year history, more than 300 artists showed at Pinacotheca, including significant and challenging art by Australians Rosalie Gascoigne, James Gleeson, Bill Henson, Tim Johnson, Tony Tuckson and Stelarc. Ti Parks was the last artist to show there in August 2002. An example of the often hermetic austerity of some exhibitions was Hunter's 1970 solo show for which he stencilled 11 grids onto the gallery's walls with grey paint, explaining later that : "I want to make something alien - alien to myself" and described his intention to avoid the creation of objets d'art.Robert Hunter quoted in Gary Catalano, 'Robert Hunter', Art and Australia, 17/1, March 1979, p.
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In Winkel he and his friends started a publishing house, Walpurgisnacht, which brought stencilled books with their own work to the market. In that period, Sjoerd published a story in Het Noordhollands Dagblad and a poem in De Groene Amsterdammer. A poem he had published in the school newspaper was included in the national anthology ‘een 10 voor tieners’ ('a 10 for the teenagers') and he wrote a song, De NAVO Blues (The NATO Blues), which he sang with friends in the TV programme 'Dit is het begin' (This is the beginning). In 1969 he passed the HBS-A exam and left for Amsterdam to study philosophy.
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Crass were an English art collective and punk rock band formed in Epping, Essex, England in 1977"In August 1977 Dave King went (...) As Dave exits stage left, Steve Ignorant returns to Dial House and (...) Crass was born." who promoted anarchism as a political ideology, a way of life and a resistance movement. Crass popularised the anarcho-punk movement of the punk subculture, advocating direct action, animal rights, feminism, anti-fascism, and environmentalism. The band used and advocated a DIY ethic approach to its albums, sound collages, leaflets, and films. Crass spray-painted stencilled graffiti messages in the London Underground system and on advertising billboards, coordinated squats and organised political action.
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Two UK punks in a train carriage in 1986. Note the hand-stencilled Crass symbol painted on the coat of the man on the right Japanese punk rock musicians Early punk fashion adapted everyday objects for aesthetic effect: ripped clothing was held together by safety pins or wrapped with tape; ordinary clothing was customised by embellishing it with marker or adorning it with paint; a black bin liner became a dress, shirt or skirt; safety pins and razor blades were used as jewellery. Also popular have been leather, rubber, and PVC clothing that is often associated with transgressive sexuality, like BDSM and S&M.;Walker, John.
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The UK release featured a cover image of the band standing beside some oil drums and looking upward to the camera, with splashes of colour added by the red and blue stencilled letters of the title and a jacket patterned after the Union Flag thrown over John Entwistle's shoulders.The Who’s Pete Townshend on Raiding Vaults for ‘My Generation’ Box Set Rolling Stone. Pete Townshend was wearing his school scarf. For the US release, this was replaced with a portrait of the band standing beneath Big Ben. The UK mono album was briefly reissued in Britain in 1979 by Virgin Records, during the height of the country's Mod revival.
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The two married after two years of dating, and they eventually had two children together, Robert and Barbara. Years later, during the Korean War, Bolt had the words "Darling Dottie" stencilled on the side of his North American F-86 Sabre jet as a tribute to this wife. After commissioning, Bolt was assigned as a cadet training instructor, training aviation cadets at Naval Air Station Jacksonville and at Naval Auxiliary Air Station Green Cove Springs, Florida, until December 1942, when the unit was deactivated. Until May 1943 he was trained on the F4F Wildcat, a carrier-based aircraft, in preparation for movement to a front-line combat unit.
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Funded by an exhaustive fund-raising effort, that included generous support from the State and Federal governments, the community, and regional corporations, the Warner Theatre closed its doors in early August 2002 to complete Phase One of its restoration of the vintage Art Deco auditorium. Construction crews cleared the venue of its 1956 seating, worn wall hangings, and interim floor covering. For the next two months, the auditorium was filled with 45 ft. high scaffolding to enable the restoration of the intricately stencilled ceiling, refurbishment of the huge, silver and gold star-shaped light, and cleaning and gilding for the complex, interweaving pattern that tops the theatre's walls.
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He claims he changed to stencilling while hiding from the police under a rubbish lorry, when he noticed the stencilled serial number and by employing this technique, he soon became more widely noticed for his art around Bristol and London. He was the goalkeeper for the Easton Cowboys and Cowgirls football team in the 1990s, and toured with the club to Mexico in 2001. Banksy's first known large wall mural was The Mild Mild West painted in 1997 to cover advertising of a former solicitors' office on Stokes Croft in Bristol. It depicts a teddy bear lobbing a Molotov cocktail at three riot police.
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Also in March 2008, a stencilled graffiti work appeared on Thames Water tower in the middle of the Holland Park roundabout, and it was widely attributed to Banksy. It was of a child painting the tag "Take this—Society!" in bright orange. London Borough of Hammersmith and Fulham spokesman, Councillor Greg Smith branded the art as vandalism, and ordered its immediate removal, which was carried out by H&F; council workmen within three days. In late August 2008, marking the third anniversary of Hurricane Katrina and the associated levee failure disaster, Banksy produced a series of works in New Orleans, Louisiana, mostly on buildings derelict since the disaster.
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Elements of the house suggesting the involvement of Mortimer Lewis are: narrow "slit" side light windows flanking the front door; internal skirting boards with "window- panelling" insets; papier mache ceiling friezes and roses (from Bealerfeld & Co. in London)(much used in the 1840s, e.g. by Surveyor-General Sir Thomas Mitchell at Parkhall in Douglas Park; who influenced Lewis; and at Government House, Sydney (which Lewis supervised construction of) (NB: these were later removed and the ceilings stencilled); the "Gothic" black marble fireplace in the major room; the niches and arched vault openings in and off the entrance lobby (as at Garry Owen house in Lilyfield, by Lewis).
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Expensive, imported wallpaper was combined with popular painting into something entirely new, and the stencilled paintings in many places flowed onto walls, ceilings and fireplaces. The amount of well-preserved interiors kept in its original site, is unique in the world. With the farms in Hälsingland also came a large number of out buildings, freely placed outside the courtyard. Grand barns, large log cabins, smithies, breweries, grain storage houses, stables and liveries all give a picture of the system of many outhouses, which by the end of the 19th century was replaced by large multifunctional buildings that housed many functions under the same roof.
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Rights to it were acquired by Linotype and others, leading to it becoming available in other formats such as digitally. Compacta Bold on Letraset transfers Compacta was reportedly designed to be similar to stencilled alphabets of the 1920s and to the 'much lusted-after' Schmalfette Grotesk, an upper-case only predecessor to Haettenschweiler, which had attracted attention among British designers but was not available in the UK. Impact was released slightly later for similar reasons. Lambert taught typography at the London College of Printing as well as working for Letraset; he also curated the Graphic Design Britain anthology, as well as a book on lettering. The style of lettering Compacta is based on has been called gaspipe.
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Belmond Charleston Place is a hotel in the historic centre of Charleston, South Carolina. It was built in a style to fit with the architecture of surrounding 1800s buildings and opened on September 2, 1986. Works by prominent artists are found throughout the hotel. Some of the guest rooms’ wood floor foyers were stencilled by the local artisan, Karl Beckwith Smith III. The “Quadriga” sculpture in the fountain at the front entrance (between Meeting and Hasell Street) is by John W. Mills, a member of the Royal Society of British Sculptors and the Royal Society of Arts. Its four 9-foot bronze horses represent the significance of the horse in Charleston’s history, as well as its present-day role.
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Noah and the Whale appearing on the Thekla in 2007 Throughout the 1990s and into the early 2000s, Thekla was taken over and run as an underground nightclub, becoming a cornerstone of Bristol's drum & bass music scene. Over these years some of Bristol's best known artists (including Massive Attack, Portishead and Roni Size) began by playing in Theklas hull. Work by the artist Banksy can be seen stencilled over the bulkheads inside the club as well as his much larger work on the outside of the hull at the waterline. This piece was painted over by the harbour master, much to the annoyance of the club's owners, who threatened the council and harbour master with legal action.
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Before his death in 1907, he provided seven windows for the church; he also designed a rood screen for the chancel, which was carved in the German village of Oberammergau. (The village, famous for its woodcarving tradition, also supplied an intricately carved reredos to St Martin's Church in Brighton's Round Hill district.) There are other painted and stencilled panels from the 19th century throughout the church, representing various Biblical scenes. The reredos was also designed in the late 19th century, and depicts various figures including St Richard of Chichester. View across the churchyard from the southwest, showing the yew tree by the entrance door A chapel was built on the south side in 1907.
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The Earlwood site is of State heritage significance as an extremely rare example of an occupation site which comprises a rock shelter with both midden deposit and painted stencils. The presence of the stencils mark it out as by far the most significant Aboriginal site in the local area, while the number of stencils, the presence of relatively rare forearm plus hand stencils and the very uncommon foot stencils, make it a rare site within the central Sydney region and the State. The other site demonstrating foot stencils is at Bantry Bay on the South Coast. This stencil uses red ochre making the white foot stencilled shelter in Undercliffe rare in terms of motif and stencil variation.
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Monticone lived as a recluse, except for his French housekeeper, until 1979. The estate was put up for auction by Raine & Horne in 1984, with of grounds with access to the Nepean River and a private boat ramp.SMH, 26/5/1984 The present owners purchased the house in 1984 and are in the process of reinstating the interior and renovating the building more generally.Mariette, 2003 Painter William Whittlam was responsible for the three-year project of helping restore Glenleigh's interior paint finishes by scraping away unsympathetic fluoro orange paint a previous owner had applied to engraved brass fire surrounds, removing cream distemper from walls once covered in stencilled butterflies and swirling floral patterns.
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Extensions at the top of the walls are stencilled concrete. A Multi-purpose Hall and Music Block (2010) has been built over the stone-pitched retaining terraces and stairs. Many mature trees are located within the school grounds, including: a hoop pine (Araucaria cunninghamii), eucalypts (Eucalyptus spp.) and leopard trees (Libidibia ferrea) on the corner of Sherwood Road and Oxley Road; a leopard tree in the parade ground; and a grove of eucalypts to the north of the school buildings. These mature trees, along with jacarandas (Jacaranda mimosifolia), poinciana (Delonix regia) and eucalypts along the Sherwood Road boundary of the playing fields, enhance the school's prominence in its location and contribute to its picturesque setting.
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The furniture is mainly by Chapple and post-dates Burges, although the washstand and dressing table are pared-down versions of two pieces – the Narcissus Washstand and the Crocker Dressing Table – that Burges made for his own home in London, The Tower House. This bedroom is also less richly ornamented than many in the castle, making extensive use of plain, stencilled geometrical patterns on the walls. Crook suggested this provided some "spartan" relief before the culmination of the castle in Lady Bute's Bedroom but Floud considered the result "thin" and drab in comparison with the more richly decorated chambers. The bedroom would have been impractical for regular use, lacking wardrobes and other storage.
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A small room, probably intended as a "stand to" area for gunners is situated at the north end of the tunnel wall. At the south, the tunnel branches southeasterly to a stair connecting to the filled gun pit and westerly to a tunnel portal recently re-opened that led to the barracks. At various places both above and below ground are original cast and wrought iron fittings either built into the stonework as hooks or loose items having been partly dismantled from their original form. There are also other parts of surviving fittings such as timber door frames, glazed brick vents, brass fixings, terracotta pipe drains and traces of white lime wash to walls and some black stencilled lettering.
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Released in December 2011 by Limited Appeal Records, Stories was recorded and mixed by Tim Shea in January 2011 in Boston, MA. Dean Styers was in charge of photography and provided the album's cover art. The original pressing was a small, numbered edition of 117 copies, and contained merely three tracks, the vinyl for which was cut by Bob Weston at CMS. The EP was re-released in a CD version which included three further tracks, all instrumental versions of the songs contained in the vinyl pressing. The vinyl release of the EP is single-sided, the B-side containing stencilled artwork by Dean Styers, who has in the past provided artwork for The Jesus Lizard, Aerosmith, and others.
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The memorial was defaced with graffiti two weeks after its dedication ceremony in 2009, with words written on the memorial with a black marker pen.7/7 bombings memorial vandalised, BBC News, 20 July 2009 It was vandalised for a second time in 2014, on the morning of the ninth anniversary of the attacks. In the 2014 incident slogans such as "4Innocent Muslims", "Blair Lied Thousands Died" and "J7 Truth" were stencilled in red and black on the memorial, and were removed shortly after being discovered by the park's manager.7/7 memorial in Hyde Park vandalised on eve of commemorations, BBC News, 7 July 2014 In June 2015, there were concerns that the site was being used by a group of rough sleepers.
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Many examples of American Empire cabinetmaking are characterized by antiquities-inspired carving, gilt-brass furniture mounts, and decorative inlays such as stamped-brass banding with egg-and-dart, diamond, or Greek-key patterns, or individual shapes such as stars or circles. The most elaborate furniture in this style was made around 1815-25, often incorporating columns with rope-twist carving, animal-paw feet, anthemion, stars, and acanthus-leaf ornamentation, sometimes in combination with gilding and vert antique (antique green, simulating aged bronze). The Red Room at the White House is a fine example of American Empire style. A simplified version of American Empire furniture, often referred to as the Grecian style, generally displayed plainer surfaces in curved forms, highly figured mahogany veneers, and sometimes gilt-stencilled decorations.
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ATM attacking a girl, Rosebery Avenue, London, January 2008 Because of the secretive nature of Banksy's work and identity, it is uncertain what techniques he uses to generate the images in the stencils, though it is assumed he uses computers for some images due to the photographic quality of much of his work. He mentions in his book Wall and Piece that as he was starting to do graffiti, he was always either caught or could never finish the art in one sitting. He claims he changed to stencilling while hiding from the police under a rubbish lorry, when he noticed the stencilled serial number. He then devised a series of intricate stencils to minimise time and overlapping of the colour.
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Australian Vexillology Das Boxende Känguruh, an 1895 German silent film directed by Max Skladanowsky, and an English silent film produced by Birt Acres in 1896 also both featured kangaroos boxing against men, while the American animated shorts The Boxing Kangaroo (1920), Mickey's Kangaroo (1935) and Pop 'Im Pop! (1949) helped establish the concept of a boxing kangaroo as a popular culture cliché.. The 1978 Hollywood movie Matilda, which starred Elliott Gould and Robert Mitchum, featured a boxing kangaroo that was exploited for prize fighting. During World War II boxing kangaroos were stencilled on Australian fighter aircraft of No. 21 Squadron RAAF based in Singapore and Malaya to differentiate their aircraft from British planes. The practice soon spread to other units, as well as onto ships in the Royal Australian Navy.
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The organ recess has a stencilled, half-domed ceiling with a rich moulding to its reveal, and is framed with floriated colonettes. The windows are mostly richly patterned stained glass, including two-light tracery windows lining the east and west walls, a larger four-light window over the choir loft, and rosettes to the side gables and above the organ recess. The internal refurbishment is similar to that of the 1870 building, and has included an extensive timber mezzanine with beams which abut existing walls, exposed air conditioning ducts, new toilets and a kitchen in the vestry area, and additional partitioning for offices. Externally, the two buildings are unusually complementary in form, materials and details, the later building being a richer elaboration of the modest but fine earlier building.
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Charters Towers was an extraordinarily rich goldfield which made a major contribution to the economy of Queensland in the late nineteenth and early twentieth centuries, and Aldborough is a product of the wealth generated by a successful retailer in what was then Queensland's second largest town. The place is important in demonstrating the principal characteristics of a particular class of cultural places. Aldborough is a very intact example of a large, fine quality house designed for the North Queensland climate, complete with single-skin timber walls, high ceilings, a central hallway, extended eaves, roof ventilator, and verandah shading in the form of lattice work, timber slat blinds and hedge plantings close to the house. It contains pre-World War II stencilled paintwork, early fittings and early linoleum floor coverings.
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At the climax, Tweety has managed to trap Sylvester inside the birdcage, and has introduced a "wittle puddy dog" (rhymes with "puppy dog"; a not-so-little "pug dog", an angry bulldog - in his first appearance). Their deadly battle occurs under the wrap the bird has thrown over the cage. The film ends with the lady of the house calling the pet shop again, this time ordering a new cat, while Tweety lounges in Sylvester's old bed. Overhearing the woman telling the pet shop that the cat will have a nice home here, Tweety reveals the silhouette of a cat now stencilled on the wall, and closes the cartoon with a comment to the camera, "Her don't know me very well, do her?" a variant on one of Red Skelton's catchphrases by his "Mean Widdle Kid" character from radio.
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The monument was constructed using mortar in 1932 by architect Garo Balian and is considered to be the second oldest of its kind in the world. It was inaugurated on 24 April 1932 by Archbishop Bedros Saradjian and was also, unofficially, dedicated to the fallen of the famous Battle of Arara. The monument bore the following inscription in Armenian: > Յիշատակարան մէկ միլիոն Հայ նահատակաց 24 Ապրիլ 1915ի կանգնեցաւ կոթողս 24 > Ապրիլ 1932 ի Կիպրոս (Memorial of one million Armenian martyrs of 24 April > 1915 this obelisk was erected on 24 April 1932 in Cyprus) All that survives of it today is its base, as the obelisk was taken down by the Turkish soldiers, who defaced its base. Until 2011, it bore a stencilled quote of Mustafa Kemal Atatürk, which was removed during the restoration of the Armenian compound.
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The very year that Chomón died, the Surrealists organized a soirée that would rehabilitate the artistic reputation of Georges Méliès and to begin the long process of recovering his films. Chomón was effectively forgotten in the wake of his death, though over time silent film collectors began to recognize some of his shorts and he was dubbed "The Spanish Méliès" in English-speaking lands.Anthology Film Archives, "The Singular Segundo de Chomón" Two of his films, Le spectre rouge (1907) and Hôtel électrique (1908), persistently circulated in the collector's market and were also circulated by the Museum of Modern Art film library; the first as an example of stencilled color and the second as a Pathé Frères film by an unknown director. The Italian film Cabiria (where he was director of photography & special FX) featured what may have been the first "dolly shot" in the movies, utilizing a device built by Chomón.
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Block F (former administration building), north-east corner Block F is a long, single storey, brick veneer building with a low-pitched gable roof. In 2016 it is used as a student services building and comprises: a central entrance lobby and waiting area; two large and one small offices / meeting rooms to the southwest (former open-plan library), with a passageway along the northwest side; and two small office / meeting rooms (former Principal's Office), and a store room and kitchenette (part of former waiting room and an original store room), to the northeast. The main entrance from Nicholson Street is indicated by a flat-roofed metal-framed canopy and a stencilled, poly-chrome painted concrete slab; it has stained timber-framed wired-glass doors, with sidelights. A ground floor covered walkway connects the western side of the lobby with Block D to the west.
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This latter finding was through restoration efforts of the 1970s which found stencilled decoration on the main ground floor with bands at several levels along with gilded cornices and ceiling roses. In Wardell's original dining room, the walls were a combination of greens, creams and terra cotta in six individual friezes above a brown dado, with sill level emphasized by linking stripes. The entrance hall and the grand dining room had ceilings hand painted in gold, red and brown ochres and spatially the dining room dominated the floor with a comfortable 46 feet by 24 feet in length. The entrance hall had a porter's station, and retains its marble floor edging and a multicoloured arched screen and apart from the hall and dining room the ground floor also included two billiard rooms and a smoking room which opened through a veranda into the courtyard.
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The KB model's European pedigree was obvious, with instrumentation in the opposite order and steering column controls on opposite sides. All KB GL spec cars came equipped with a tachometer, however it was optional on XL spec cars (whereas later KC cars only gained a tachometer through special order, or as part of the Sports option package) Interior flow ventilation was improved over the larger Valiant models, as the Centura had two face-level ventilation outlets. Although the A55 6 cylinder Centura Sports Package was fitted to some vehicles ( included body stripes, styled wheels, woodgrain instrument cluster with tachometer, clock and Boca Raton cloth trim), it was common to see dealer fitted options including the styled road wheel option, and stencilled side stripes and bonnet black outs. The sixes also came with larger brakes (60 mm ventilated front discs and 25.4 mm rear finned drums) and a tandem brake reservoir.
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Rick’s Café Casablanca is a restaurant, bar and café located in the city of Casablanca, Morocco. Opened March 1, 2004, the place was designed to recreate the bar made famous by Humphrey Bogart and Ingrid Bergman in the movie classic Casablanca. Set in an old courtyard-style mansion built against the walls of the Old Medina of Casablanca, the restaurant – piano bar is filled with architectural and decorative details reminiscent of the film: curved arches, a sculpted bar, balconies, balustrades as well as beaded and stencilled brass lighting and plants that cast luminous shadows on white walls. There is an authentic 1930s Pleyel piano and As Time Goes By is a common request to the in-house pianist. Owned by The Usual Suspects company, this Casablanca landmark is usually described as the real Rick’s Café, finally bringing the legendary “Gin Joint” of cinema fame to life in today's Casablanca.
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Parts of a stencil Stenciled warning sign in Singapore Stencilled Gaelic type Japanese Ise-katagami stencil for printing textiles Stencilling produces an image or pattern by applying pigment to a surface over an intermediate object with designed gaps in it which create the pattern or image by only allowing the pigment to reach some parts of the surface. The stencil is both the resulting image or pattern and the intermediate object; the context in which stencil is used makes clear which meaning is intended. In practice, the (object) stencil is usually a thin sheet of material, such as paper, plastic, wood or metal, with letters or a design cut from it, used to produce the letters or design on an underlying surface by applying pigment through the cut-out holes in the material. The key advantage of a stencil is that it can be reused to repeatedly and rapidly produce the same letters or design.
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The houses, their timber bundled together and stencilled for ease of assembly, were despatched on rail cars from Cooran railway station. They were delivered with all their components from the stump caps up, with quantity lists and plans, mouldings, doors and windows, hardware and roofing. Pre-cut houses are sometimes referred to as "prefabricated", but more advanced forms of prefabrication involve whole walls, sections, or the complete house being manufactured off the building site, before transportation and assembly on site. Although prefabricated houses represent an attempt to bring the time and cost efficiencies of the factory assembly line to the building sector, they have never been popular, other than in times of absolute necessity. However, pre-cut (or kit) houses have been commercially successful in Australia since at least the early 20th century, perhaps because they provided an answer to labour shortages in rural areas without carrying the stigma of being fully prefabricated.
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Drawing on a variety of influences (feminism, structuralism, Marxism especially the work of Louis Althusser and Antonio Gramsci, sociology, critical race theory, and post- structuralism), over the course of several decades the Centre pioneered a variety of approaches to the study of culture, including: ideological analysis; studies of working-class cultures and subcultures; the role of media audiences; feminist cultural research; hegemonic struggles in state politics; and the place of race in social and cultural processes. Notable Centre books include Off-Centre: Feminism and Cultural Studies, Resistance through Rituals, The Empire Strikes Back, Border Patrols: Policing the Boundaries of Heterosexuality. The history of this development can be found in the series of stencilled occasional papers the Centre published between 1973 and 1988. To mark the 50th anniversary of the CCCS's founding, the University of Birmingham—in collaboration with former members of staff at the Centre, including Richard Johnson, Stuart Hall and Michael Green—created an archive of CCCS-related material at the Cadbury Research Library at Birmingham.
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Detail from front cover of Stations of the Crass, illustrating Crass' stenciled graffiti From their early days of spraying stencilled anti-war, anarchist, feminist and anti-consumerist graffiti messages in the London Underground and on billboards, Crass was involved in politically motivated direct action and musical activities. On 18 December 1982, the band helped co- ordinate a 24-hour squat in the empty west London Zig Zag club to prove "that the underground punk scene could handle itself responsibly when it had to and that music really could be enjoyed free of the restraints imposed upon it by corporate industry". In 1983 and 1984, Crass were part of the Stop the City actions co-ordinated by London Greenpeace which foreshadowed the anti- globalisation rallies of the early 21st century. Support for these activities was provided in the lyrics and sleeve notes of the band's last single, "You're Already Dead", expressing doubts about their commitment to non-violence.
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Paul Gauguin, Manao Tupapau ("The Spirit of the Dead Watching"), 1894-95, woodcut with hand and stencilled colour As well as the Great Depression, the monochrome tradition of Haden and Whistler had reached something of a dead end, "largely resistant" to "the need to find recognisably modern subject- matter and forms of expression".Carey, 222 A review in 1926 by Edward Hopper of Fine Prints of the Year, 1925 expressed this with some brutality: "We have had a long and weary familiarity with these 'true etchers' who spend their industrious lives weaving pleasing lines around old doorways, Venetian palaces, Gothic cathedrals, and English bridges on the copper ... One wanders through this desert of manual dexterity without much hope ... Of patient labour and skill there is in this book a plenty and more. Of technical experiment or strongly personal vision and contact with modern life, there is little or none".Quoted, Carey, 222-223 Etching, of urban subjects similar to his later paintings, had been important in establishing Hopper's early reputation, but around 1924 he decided to concentrate on painting instead.
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Commons chamber Main door to the House of Commons, as seen from the commons foyer The building's western wing contains the House of Commons chamber, along with its antechamber and lobbies for the government and opposition, on the east and west sides of the main commons space. The doors to all are of white oak trimmed with hand-wrought iron. The chamber is 21 metres long, 16 metres wide, and has seats for 320 members of parliament and 580 persons in the upper gallery that runs around the room's second level. The overall colour scheme is in green—visible in the carpeting, bench upholstery, draperies, paint within the gilded honeycomb cork plaster work of the cove, and the stretched linen canvas over the ceiling—and is reflective of the colour used in the House of Commons of the United Kingdom since at least 1663. That canvas, sitting 14.7 m above the commons floor and designed in 1920 by the New York decorating firm Mack, Jenney and Tyler, is painted with the heraldic symbols of the Canadian, provincial, and territorial coats of arms, with medallions at the intersections of diagonal stencilled bands in an argyle pattern.
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Mallard wore a variety of liveries throughout its career. These were: garter blue as 4468, LNER wartime black from 13 June 1942, later wartime black with the tender marked as "NE" from 21 October 1943 as 22 with yellow small stencilled numbers, post-war garter blue with white and red lining from 5 March 1948 with stainless steel cabside number 22, British railways dark blue as 60022 from 16 September 1949, Brunswick green from 4 July 1952 and its original LNER garter blue for preservation in 1963. The A4 class was built with streamlined valances, or side skirting, but this was removed during the war to ease maintenance. Mallard lost its valances during a works visit 13 June 1942, regaining them in preservation in 1963. Mallard was fitted with twelve boilers during its 25-year career. These boilers were: 9024 (from construction), 8959 (from 4496 Golden Shuttle, 13 June 1942), 8907 (from 2511 Silver King, 1 August 1946), 8948 (from 31 Golden Plover, Walter K Whigham, 10 January 1951), 29301 (from 60019 Bittern, 4 July 1952), 29315 (from 60014 Silver Link, 23 April 1954), 29328 (new-build boiler, 7 June 1957), 29308 (from 60008 Dwight D. Eisenhower, 27 August 1958), 29310 (from 60009 Union of South Africa, 9 March 1960) and 27965 (from 60009 Union of South Africa, 10 August 1961).
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