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220 Sentences With "station identification"

How to use station identification in a sentence? Find typical usage patterns (collocations)/phrases/context for "station identification" and check conjugation/comparative form for "station identification". Mastering all the usages of "station identification" from sentence examples published by news publications.

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After a painfully dull station identification message and a cascade of stars, Gadot's Diana Prince leaps onto the screen, wielding her shield, diving into the Themysciran sea, riding horses, lassoing bad guys, and deflecting bullets with her wrist amor.
In fact, the photo of Buzz Aldrin planting a flag in the rocky, cratered face of the moon is one of the most recognizable images of the last hundred years (in no small part because it later became part of the station identification for MTV).
A repeater station handling properly identified transmissions of others is not required to send its own station identification.
KPOI Shifts to Alternative - (accessed August 13, 2014) KPOI 105.9 plays station identification shout-outs using local business owners, musicians, and personalities.
The station also obtained a permanent waiver of the FCC rule that required a station identification announcement every thirty minutes. This meant that a live concert performance no longer had to be interrupted for station identification. The WCRB engineering staff worked with the National Association of Broadcasters (NAB) to codify the RIAA LP record frequency-response curve, and create the NAB standard. Other technical innovations followed.
The FCC clarified what is required in these cases: > § 73.1201 Station Identification. (b) Content. (1) Official station > identification shall consist of the station's call letters immediately > followed by the community or communities specified in its license as the > station's location; Provided, That the name of the licensee, the station's > frequency, the station's channel number, as stated on the station's license, > and/or the station's network affiliation may be inserted between the call > letters and station location. DTV stations, or DAB Stations, choosing to > include the station's channel number in the station identification must use > the station's major channel number and may distinguish multicast program > streams.
On February 12, 2007, the ESPN2 branding was stripped from most on- air presentation and replaced with ESPN: the ESPN2 brand is now solely used for station identification.
In Puerto Rico, Telemundo O&O; WKAQ-TV carries "NBC Puerto Rico" over their third subchannel, which is effectively a simulcast of WNBC with some local advertising and station identification.
The station format is late-1960s to late-1980s album rock. It is fully automated, has no DJs and does not play any commercial announcements other than its own station identification.
Domo and friends on a bus advertisement for NHK is the official mascot of Japan's public broadcaster NHK, appearing in several 30-second stop-motion interstitial sketches shown as station identification during shows.
In the United States, the only time broadcasting stations are required to mention their call signs is during station identification announcements, made at a "natural break in programming" as close to the beginning of each hour as possible. (Code of Federal Regulations: Station identification.) Stations are also required to identify their community of license. Television stations have the option of displaying a small graphic or text ("digital on-screen graphic" or "bug") at the bottom of the screen listing their call sign, community of license, and other identifying information. Sometimes station identification is displayed non-intrusively in small type during short promotions, either for an upcoming show or their next local newscast (even incorporating these identifications at the start of newscasts), that air just before the top of each hour.
However, digital television standards generally include station identification. A common worldwide practice is to use a small overlay graphic known as a Digital on-screen graphic (DOG), "bug" or watermark created by a character generator in the corner of the screen, showing the logo of the channel. While not a substitute for proper station identification, this makes it easy to identify the station at a glance. VH1 originated the practice in the United States around 1993, with most other cable networks following until most started using them in the early 2000s.
The station's construction permit was initially issued on June 2, 2010 under the calls of K32JS-D. The current KAJS- LD calls were assigned on May 30, 2013. The station identification placard presently in use on-air denotes Omaha.
In those countries, the local television station has no station identification and, from a consumer's point of view, there is no practical distinction between a network and a station, with only small regional changes in programming, such as local television news.
The station format is late-1960s to late-1980s album rock. It is fully automated, has no DJs and does not play any commercial announcements other than its own station identification and local political ads as required by Federal Election Commission rules.
In August 2009, the station began to show only a slide with the Univision logo and station identification. Comcast immediately removed WUDT from its lineup and reverted to carrying the national Univision feed. On August 26, at about 5PM, WUDT switched to Daystar.
The network's newest Station ID featuring the dedication and spirit of the Filipino athletes was launched during It's Showtime In 2014. The song "Ito ang Ating Sandali", composed and performed by former Rivermaya vocalist Rico Blanco was used for the station identification.
From August 2009, ITV began testing a HD simulcast of ITV Granada on satellite, before later switching to ITV London. On 26 November 2009, the ITV1 HD logo appeared as a digital on-screen graphic during programming and the off air station identification.
The station identification logo first used on 'The Engadget Show' on June 1, 2011 The original station identification logo used on 'The Engadget Show' On September 8, 2009, Joshua Topolsky announced that Engadget would be taping a new video show once a month in New York City. The show will be free admission and will later be put onto the site. It features one-on-one interviews, roundtable discussions, short video segments, and live music. At first it was taped at the Tishman Auditorium at Parsons The New School for Design, but after the fifth show they began taping at The Times Center, part of The New York Times Building.
Prior to the addition of the phase-modulated time code, WWVB identified itself by advancing the phase of its carrier wave by 45° at ten minutes past the hour, and returning to normal (a −45° shift) five minutes later. This phase step was equivalent to "cutting and pasting" of a 60 kHz carrier cycle, or approximately 2.08 μs. This station ID method was common for narrowband high power transmitters in the VLF and LF bands where other intervening factors prevent normal methods of transmitting call letters. When the phase modulation time code was added in late 2012, this station identification was eliminated; the time code format itself serves as station identification.
Station identification (ident, network ID or channel ID) is the practice of radio or television stations or networks identifying themselves on-air, typically by means of a call sign or brand name (sometimes known, particularly in the United States, as a "sounder" or "stinger", more generally as a station or network ID). This may be to satisfy requirements of licensing authorities, a form of branding or a combination of both. As such, it is closely related to production logos, used in television and cinema alike. Station identification used to be done regularly by an announcer at the halfway point during the presentation of a television program, or in between programs.
The news feeds were triggered by a microswitch which was attached to a Western Union clock and tripped by the minute hand of the clock, then reset the stepping relay. Originally, 30-minute station identification was accomplished by a simulcast switch in the control booth for sister station WSJM, whereupon the disc jockey in the booth would announce "This is WSJM-AM and... (then pressing the momentary contact button) ...WSJM-FM, St. Joseph, Michigan." This only lasted about six months, however, and a standard tape cartridge player was wired in to announce the station identification and triggered by the Western Union clock. Solidyne GMS200 tape recorder with computer self- adjustment.
Yonohommachi Station is served by the Saikyō Line which runs between in Tokyo and in Saitama Prefecture. Some trains continue northward to via the Kawagoe Line and southward to via the TWR Rinkai Line. The station is located 20.6 km from Ikebukuro Station. The station identification colour is "flesh".
Digital TV Market Listing for WQDT-LD Sometime before the station signed on, DTV America decided to move WQDT to the New Orleans area. The station identification placard presently in use on the air mentions New Orleans even though the city of license officially remains to be Lumberton, Mississippi.
The site is contained within an active military base and requires prior reservation to visit. Visitors are asked to allow 90 minutes per visit and are shuttled to the site in NPS vehicles from the Concord Naval Weapons Station Identification Office.National Park Service. Port Chicago Naval Magazine National Memorial. Directions.
Kita-Akabane Station is served by the Saikyō Line which runs between in Tokyo and in Saitama Prefecture. Some trains continue northward to via the Kawagoe Line and southward to via the TWR Rinkai Line. The station is located 7.0 km north of Ikebukuro Station. The station identification colour is "lilac".
Ukimafunado Station is served by the Saikyō Line which runs between in Tokyo and in Saitama Prefecture. Some trains continue northward to via the Kawagoe Line and southward to via the TWR Rinkai Line. The station is located 8.6 km north of Ikebukuro Station. The station identification colour is "tokiwa green".
However, tests were made periodically of the new transmitting facilities. These tests apparently produced the long-held belief that WJMY never transmitted anything beyond its station identification slide. Plans may have seemed more concrete by 1968, when talk of a studio complex in the 11 Mile Road area was mentioned.
Toda Station is served by the Saikyō Line which runs between in Tokyo and in Saitama Prefecture. Some trains continue northward to via the Kawagoe Line and southward to via the TWR Rinkai Line. The station is located 12.3 km north of Ikebukuro Station. The station identification colour is "vermillion".
Older children were targeted with live action and music video interstitials. Several of the interstitial shorts, along with some of the station identification sequences that were shown during the block, continued to be used by some PBS member stations after PTV aired for the last time on September 5, 1999.
Naka-Urawa Station is served by the Saikyō Line which runs between in Tokyo and in Saitama Prefecture. Some trains continue northward to via the Kawagoe Line and southward to via the TWR Rinkai Line. The station is located 17.3 km from Ikebukuro Station. The station identification colour is "canary yellow".
Minami-Yono Station is served by the Saikyō Line which runs between in Tokyo and in Saitama Prefecture. Some trains continue northward to via the Kawagoe Line and southward to via the TWR Rinkai Line. The station is located 19.0 km from Ikebukuro Station. The station identification colour is "tokiwa green".
While terms of this agreement were not disclosed, KKLQ markets itself locally as Positive, Encouraging 100.3, and its station identification contains the slogan "The K-Love for Christian music", in order to distinguish it from KLVE. In addition, the station markets itself as Positive, Encouraging 100.3 when used in advertising.
Kita-Yono Station is served by the Saikyō Line which runs between in Tokyo and in Saitama Prefecture. Some trains continue northward to via the Kawagoe Line and southward to via the TWR Rinkai Line. Kita-Yono Station is located 21.7 km from Ikebukuro Station. The station identification colour is blue.
Kita-Toda Station is served by the Saikyō Line which runs between in Tokyo and in Saitama Prefecture. Some trains continue northward to via the Kawagoe Line and southward to via the TWR Rinkai Line. The station is located 13.7 km north of Ikebukuro Station. The station identification colour is "orange".
Toda-Kōen Station is served by the Saikyō Line which runs between in Tokyo and in Saitama Prefecture. Some trains continue northward to via the Kawagoe Line and southward to via the TWR Rinkai Line. The station is located 11.0 km north of Ikebukuro Station. The station identification colour is sky blue.
Programme controller Craig Denyer introduced the Greatest Memories Latest Hits format in the late eighties. The format was launched on April Fool's Day when presenters supposedly went on strike because of the format. Station identification was provided by Airforce Productions. They were also responsible for the earlier 'Together we can Make it' package.
Therefore, satellite radio rarely carries commercials or tries to raise money from donors. The lack of commercial interruptions in satellite radio is an important advantage. Often the only breaks in a satellite music station's programming are for station identification and DJ introductions. Internet radio stations exist that follow all of these plans.
KXPD returned to the air full-time on December 29, 2010, broadcasting full-time "classic radio" or "old time radio" content featuring comedy, mystery, and adventure programs from the 1930s through 1960s. Between some episodes, KXPD broadcast a brief, pre-recorded station identification message. On January 31, 2011, KXPD went silent again.
Cayo Largo Del Sur VOR-DME. In aviation, pilots use radio navigation aids. To ensure that the stations the pilots are using are serviceable, the stations transmit a set of identification letters (usually a two-to-five-letter version of the station name) in Morse code. Station identification letters are shown on air navigation charts.
He has written music for commercials with Larry King, Brenda Sykes, Sugar Ray Leonard, Leslie Nielsen, and Muhammad Ali. He penned the music for the PBS movie One Night’s Run and the PBS series Small Business Magazine. In addition he wrote station identification theme for the University of Michigan public television station.PBS Current Magazine, 2001.
Whittaker says much of the appeal of "The Last Farewell" comes from the classical-sounding nature of the opening French horn solo. This arrangement was done by Lawrence for the song's initial airing on Whittaker's radio program. From the late 1970s until about 1981, WGN-TV used the introductory fanfare in its station identification.
Kirby and Bean were indicted six weeks later for the robbery of Shard, where they were appointed counsel. A pretrial motion by Kirby to exclude the police station identification was denied. A jury convicted both defendants of robbery. Kirby's conviction was affirmed on appeal, where the Illinois appellate court held that the Supreme Court precedents United States v.
Beginning on the hour is 15–20 minutes of 25.0 kHz, including morse code station identification and time code. This is followed by 3- or 4-minute intervals of 25.1, 25.5, 23.0 and 20.5 kHz of unmodulated carrier precisely phase-locked to UTC(SU) time scale. No time code is sent during the last quarter of an hour.
Red signal ahead of Silver Spring pocket track on the B Route. Signaling and operation on the Washington Metro system involves train control, station identification, train signaling, signage, and train length. As with any working railroad, communication between train operators, dispatchers, station personnel and passengers is critical. Failures will result in delays, accidents, and even fatalities.
KXXX (790 AM) is a radio station broadcasting a farm radio format. Licensed to Colby, Kansas, United States, the station serves the tri-State region of Northwest Kansas, Northeast Colorado and Southwest Nebraska. The original station identification was "Ranch and Farm Radio," but soon changed to "Town and Country Radio." It was not affiliated with any national network.
News, time-checks, real-time travel advice and weather reports are often valuable to listeners. The news headlines and station identification are therefore given just before a commercial. Time, traffic and weather are given just after. The engineer typically sets the station clocks to standard local time each day, by listening to WWV or WWVH (see atomic clock).
The Ley Federal de Telecomunicaciones y Radiodifusión enacted in 2014 does not include a requirement for regular on-air station identification. However, many stations continue to air twice an hour their call letters (in Spanish) along with their city of license, as was required previously under Article 76 of the Ley Federal de Radio y Televisión.
The Beijing Waiyu Guangbo (), also known as the Beijing Foreign Broadcast, is a radio station which broadcasts on FM92.3 AM774. The radio station is part of the Beijing Ren Min Guangbo Dian Tai group. There are many languages represented on this radio station including Japanese and English with the commercials, announcements and station identification done in Mandarin Chinese.
In the United States, the policy on radio identification depends on the service. Station identification is usually done in the station's standard mode of operation, though the FCC considers Morse code identification to be universally acceptable no matter what mode the station is operating in. Low-power (Part 15 in the U.S.) stations do not always identify, being unlicensed (this would be essentially impossible for small FM transmitters for consumer use, such as those used to broadcast music from an MP3 player to a car radio), but those that run as community-based radio stations (including college stations using carrier current) usually do. Station identification in that case usually consists of the station's name, frequency, and a slogan; unlicensed stations are not allowed to use formal call signs.
The TWO ident in a stencil style font The BBC Two 'Two' ident was the station identification used on BBC2 between 30 March 1986 and 16 February 1991. Website contains videos of the idents and presentation itself. It was the last non corporate look for the channel, and the only look until 2018 that did not feature a numeral '2' in the design.
The name Emmis is taken from the Hebrew language, meaning "truth." They purchased WSVL-FM with the goal was to move the radio station into the larger nearby Indianapolis radio market. WSVL-FM relaunched as adult contemporary music formatted WENS on June 4, 1981. WENS was known as the "Flagship Station of Emmis Communications" according to its hourly legal station identification.
Since October 2011, several brief audio recordings, including a station identification, promotional announcements and at least one commercial, have been available on YouTube. As home videotape recorders were not yet commonplace when KCND-TV left the air in 1975 and as stations often reuse or discard their own videotape stock, no video recordings of the station's programming are known to survive.
The electronic 2 ident The Computer Generated 2 was an ident used by BBC Two between June 1979A recording exists of this ident in use on 23 June 1979, and of its predecessor in use on 14 June 1979. No recordings between the two dates have so far appeared. and 30 March 1986. It was the first computer generated television station identification in the world.
T4 was a scheduling slot on Channel 4 (T4 Saturday usually 9 am until 2 pm) and E4 (T4 Sunday usually 9 am until 5 pm). It also aired on weekdays in the school holidays. The slot had a separate station identification on screen graphic from Channel 4 and E4. Channel 4 originally produced the strand in- house until 2002, when production was passed onto independent companies.
In 2004, Astral Media revamped the Rock Détente network with a new logo. This resulted in "Rock-Détente" being renamed to simply 107,5 RockDétente. As such, the station no longer publicly uses its callsign (although the callsign was resurrected as station identification in 2011). CITF-FM is programmed locally with their own staff, personalities and playlist, independent from the rest of the Rouge FM network.
These appeared daily on The Steve Wright Show. In addition to this he became the station identification image voice of Capital Gold, XTRA AM, Radio Tay, Lincs FM Group, South City Radio, KFM, Dream 100. Magic 1152, City 194, Hospital Radio Colchester, Radio Kuwait and dozens more stations around the UK and abroad. He has also produced voice work for BBC Radio 1,2, and 4.
On 29 October 2012, SBS TV became South Korea's second channel to go 24/7, but it had discontinued in 2017 thus, have reverted back to daily sign-off routines during overnights (alongside MBC TV). The network's current advertising slogan is Together, we make delight (함께 만드는 기쁨), as used in a new station identification video with apl.de.ap's "We Can Be Anything" as background music.
The programming remained at a standstill in preparation for the launching of a new image of the station. It was on May 27, 1994 when IBC launched its new slogan "" () with a Filipino-like visually enticing music video featuring Grace Nono, an innovation in terms of station identification. Despite limited resources, programming improved but the battle for audience share continued. Advertisers became more responsive to marketing efforts.
The show divided each hour into segments, with four three minute commercial breaks inserted per hour. Each hour consisted of five segments, the last of which was the shortest; the last segment for each hour consisted of one song and a teaser by Kasem used to segue into the next hour, followed by a musical bumper for stations to play their hourly required station identification.
Atlantic Avenue – Barclays Center station identification on the BMT Brighton Line platform Many New York City Subway stations are decorated with colorful ceramic plaques and tile mosaics. Of these, many take the form of signs, identifying the station's location. Much of this ceramic work was in place when the subway system originally opened on October 27, 1904. Newer work continues to be installed each year, much of it cheerful and fanciful.
WQZS is an oldies and classic rock station that broadcasts from Meyersdale, Pennsylvania. WQZS also airs many oldtime radio shows. The station is 100 percent owned by Roger Wahl, a Larimer Township Supervisor, doing business as Target Broadcasting, Inc. The station covers Somerset County and the surrounding area, as well as nearby Cumberland, Frostburg, and Oakland, Maryland; the station identification states that it can be heard in sixteen counties.
The set is a ground mobile, two course, VHF aural Radio Range with station identification, periodic sector identification and simultaneous voice transmission. it is a crystal controlled set and operates in the frequency range of 100 to 156 Mc. for use in guiding aircraft equipped with VHF radio receivers, such as SCR-522, to a landing field, or for use along ferry routes. effective range is 100 Miles.
The following are simulated sounds for the Silver Lake low-frequency radio. The range station--located about 10 miles north of Baker, California--would preempt the navigational signals every 30 seconds to transmit its Morse code identifier ("RL"). The station identification would be heard once or twice, possibly with different relative amplitudes, depending on the aircraft location. Pilots would listen to and navigate by these sounds for hours while flying.
WCPO station identification in 1991, while the station was a CBS affiliate. The station first signed on the air at noon on July 26, 1949, and the first face seen was Big Jim Stacey. Originally operating on VHF channel 7, it was Cincinnati's third television station. The call letters came from The Cincinnati Post, who also owned WCPO radio (1230 AM, now WDBZ and 105.1 FM, now WUBE).
January is normally the coldest month, averaging . The lowest temperature ever recorded at the site was in 1962."Valley Falls, OR US", Data Tools: 1981-2010 Normals, National Climatic Data Center, National Oceanic and Atmospheric Administration, Asheville, North Carolina, 30 July 2014."Valley Falls, Oregon: Period of Record General Climate Summary – Temperature", period 1948 to 2003, NOAA Weather Station Identification: 358812 (Valley Falls, OR), Valley Falls, Oregon, 30 July 2014.
Packet radio is frequently used by amateur radio operators. The AX.25 (Amateur X.25) protocol was derived from the X.25 data link layer protocol and adapted for amateur radio use. Every AX.25 packet includes the sender's amateur radio callsign, which satisfies the US FCC requirements for amateur radio station identification. AX.25 allows other stations to automatically repeat packets to extend the range of transmissions.
The last release from his band Bag We Bag was on January 16, 2009. As of June 12, 2012, Hearty White came out of retirement and resumed the show on WFMU. It is now called Miracle Nutrition and airs on Thursdays from 7 to 8pm EST. As of November, 2014, Morris, in his "Hearty White" persona, filmed a series of station identification clips for Cartoon Network's "Adult Swim" block.
The Automatic Transmitter Identification System (ATIS) is a communications protocol used for the station identification of television channels carried on satellite television. ATIS is only required for analog television transmission and only via satellites or earth stations under United States jurisdiction. It is continuously repeated whilst an earth station is using a transponder on a satellite. The Federal Communications Commission (FCC) rules for ATIS are set forth in 47 CFR §25.281.
The station identification in English was “"This is Radio RSA, the Voice of South Africa, from Johannesburg", with similar announcements in other languages: "Ici R. RSA, la Voix de l'Afrique de Sud". Johansen, Oluf Lund. World Radio and TV Handbook: 1978 edition, page 146World Radio TV Handbook, 1992 edition, p. 168 In 1992, following the fall of apartheid and the election of an ANC government, the service was renamed Channel Africa.
Station Identification is the first album by Channel Live. The album was released on March 21, 1995, on Capitol Records and was produced by KRS-One, Rheji Burrell, and Salaam Remi. The album did fairly well on the Billboard charts, reaching 58 on the Billboard 200 and 9 on the Top R&B;/Hip-Hop Albums. The album is best known for its lead single, "Mad Izm", which was a collaboration with KRS-One.
Showers was born on the north side of Mobile, Alabama. After graduating high school, he joined the United States Air Force, where he served as a Military Intelligence Analyst in the Far East, Middle East, and other territories. He joined the team at local television station WKRG-TV in 1969, working part-time. He began employment full-time in March 1970, working as a booth announcer, providing live station identification and reading live commercials.
During October and November, test transmissions were made which consisted only of playing music and no station identification was given. On 9 November, Spangles Muldoon spoke live on air. A force 11 storm on 13 November resulted in Mi Amigo losing her anchor and the mast collapsing. A makeshift aerial was erected on 30 November. Broadcasting began on 1 December, still without the DJs giving their name or using a station name.
The logo with which Tyne Tees was most identified. Various versions were used in the 1970s to the 1990s, and it was integrated within some generic ITV logos in the late 1990s. The station identification, or idents for short, of Tyne Tees varied over time; however, most were based the letters TTTV arranged in a box format. The launch ident featured a white anchor which then gradually turned into three letter T's alongside each other.
He describes his technique: Enamel station-identification signs Through the 1930s, Vickers ordered some enamel signs for the IRT and BMT from both Nelke Signs and the Baltimore Enamel Company. These signs were located on girder and cast-iron columns, and made them easier to identify stations. Shortened station names on the porcelain-enamel signs had a condensed sans serif capital-letter font. Vickers continued to work on subway projects for 36 years, until 1942.
NRN offices in Newcastle, New South Wales in 2013 NRTV was later sold to Telecasters Australia, who also owned the Queensland affiliate of Network Ten. In 1994, the station was renamed Ten Northern NSW, and its station identification was changed to that of Network Ten. The station stopped producing regional news for Coffs Harbour, Lismore and Gold Coast. They had previously produced a licence-wide bulletin, but that was axed due to poor ratings.
Musashi-Urawa Station is served by the orbital Musashino Line and the Saikyo Line which runs between in Tokyo and in Saitama Prefecture. Some trains continue northward to via the Kawagoe Line and southward to via the TWR Rinkai Line. The station is located 16.1 km from Ikebukuro Station on the Saikyo Line and 29.8 kilometers from Fuchūhommachi Station on the Musashino Line. The station identification colour for the Saikyō Line platforms is "cherry blossom".
ZM originally commenced transmission to Manawatu on 9 March 1987 on 90.6 MHz. The program was a relay of the Wellington ZMFM station with local commercial breaks and station identification. ZMFM Manawatu also ran its own breakfast show – "Jackson and The Morning Crew" featuring Pete Jackson. In 1989, 90.6 ZMFM re- branded as 2 Double Q, subsequently dropping the relay of ZMFM Wellington and beginning a seven-year absence of the ZM name in Manawatu.
Stations as part of Metro Transit's aBRT (arterial bus rapid transit) service are unique to differentiate them service from local bus stops. Each station has a pylon marker that provides station identification, real time information, and audible departures. Unique shelters will have lighting, heating, emergency telephones and security cameras, and station areas will have seating, bike parking, and trash and recycling. To speed up boarding, platforms are raised from the pavement to facilitate near-level boarding though any door.
The original Totally Gospel Radio Network format returned to the airwaves on WBBF- AM in January 2016 during drive times with a blend of Urban Gospel and Hispanic Christian programming throughout the week. Totally Gospel Network returned as the primary format on WBBF as of September 2017. WBBF went silent July 16, 2019 and resumed broadcasting December 20. It has again simulcast WHTT as temporary programming since the AM station returned to air, identified only in station identification.
On the air, the stations usually only used the FM's dial position, except once per hour for the formal station identification. Under Red Zebra, WXTG-AM-FM aired a sports radio format. "102.1 The Game" carried most of the Fox Sports Radio lineup as well as all games of the Washington Redskins (like Red Zebra, owned by Daniel Snyder). The station had one local weekday show, The 757 Club, which is named for the region's area code.
It continued to run a lot of first-run cartoons and some new ones, such as The Funtastic World of Hanna-Barbera and The Transformers, and a few low-budget movies, some drama series, and a few classic sitcoms. But the station was not able to get first-rate syndicated programs. Star 64 station identification in 1995. WSTR used variations of this logo from 1990 to 1998. A star design returned to WSTR's logo in 2009.
Beijing Yinyue Tai, but commonly called "Beijing Yinyue Guangbo" by the radio announcer with Chinese "北京音乐广播", is also known in English as "Beijing Music Radio" at 97.4 FM in Beijing, China. Since the broadcast is done in Mandarin Chinese, the English moniker "Beijing Music Radio" is only referred to on the hour for station identification. The radio station is one of the radio stations under the Beijing Ren Min Guangbo Dian Tai group.
CBN-8 Orange commenced broadcasting on 17 March 1962, licensed to Country Broadcasting Services, owners of local radio station 2GZ. They soon changed their name to Country Television Services. CWN-6 Dubbo began transmission on 1 December 1965. Also owned by Country Television Services, they became the first station to completely relay another station's programming, although some station identification, such as test patterns, remained separate and program output for CWN originated from CBN's studios in Orange.
The station signed on as W42AU in 1988 airing a low-powered analog signal, on UHF channel 42, from a transmitter on Mount Tom in Holyoke. The station served as the Pioneer Valley's over-the-air repeater of the Trinity Broadcasting Network without any local deviation outside of station identification. In 1994, it moved to UHF channel 67 and became W67DF. Originally, CBS was seen in the Pioneer Valley on WHYN-TV (now WGGB-TV) from 1953 until 1959.
Stations have lighted canopies, on-demand heating, security cameras and emergency telephones, benches, and bike parking. Pavement in boarding areas are treated with a darker shade of concrete to delineate them from the sidewalk. Ticket vending machines and Go-To card readers are located on platforms for off-board fare collection, speeding up the boarding process and reducing bus dwell time. Each station has a pylon marker that provides real- time bus arrival information and station identification.
As Merriweather Post Pavilion showed more of an ambient side to Animal Collective, Centipede Hz features more samples and live instrumentation. Radio commercials and station identification announcements were additional influences on the album's sound. This influence is reflected in the album's use of radio interference and white noise. Animal Collective got the idea for using radio interference while re-writing the songs on Centipede Hz for a live performance at the 2011 Coachella Valley Music and Arts Festival.
Subpart B contains eleven sections, numbered 97.101–121. Subpart B details the standards of communication conduct expected of amateur operators, including the types of transmissions authorized and prohibited by the FCC, limitations pertaining to third-party and international communications, and on-air station identification requirements. Among other limitations, this section forbids the transmission of "music using a phone emission," except incidentally during authorized rebroadcasting of signals from a U.S. government space station (typically communications from the Space Shuttle).
Channel Live is an American hip hop duo composed of Vincent "Tuffy" Morgan and Hakim Green, which recorded for Capitol Records and Flavor Unit Records. Discovered by KRS-One, the duo released its debut album, Station Identification, in 1995. It spawned the group's biggest hit, "Mad Izm", which peaked at 54 on the Billboard Hot 100. After the album ran its course, the group continued to make appearances throughout the 1990s, including on KRS- One's self-titled album and on the Blade soundtrack.
LORAN Data Channel (LDC) is a project underway between the FAA and United States Coast Guard to send low bit rate data using the LORAN system. Messages to be sent include station identification, absolute time, and position correction messages. In 2001, data similar to Wide Area Augmentation System (WAAS) GPS correction messages were sent as part of a test of the Alaskan LORAN chain. As of November 2005, test messages using LDC were being broadcast from several U.S. LORAN stations.
The video is accompanied by a custom-made orchestra piece (composed by Shirō Fukai), and features three doves, each representing the three televisions networks in Japan at the time (NHK, Nippon Television and TBS). The doves begin to fly off one by one, and eventually, only one dove remains: the one representing Nippon Television. Although in later years, more national television networks began broadcasting, no new doves were added to represent these new networks. The video is then followed by standard station identification.
A television timeout (alternately TV timeout or media timeout) is a break in a televised live event for the purpose of television broadcasting. This allows commercial broadcasters to take an advertising break, or issue their required hourly station identification, without causing viewers to miss part of the action. Programs making use of timeouts are usually live-action sporting events. However, other live programs occasionally make use of timeouts for advertising purposes, such as the Academy Awards and the Eurovision Song Contest.
It remained a ValueVision affiliate, however it also carried children's programming during the afternoon hours (such as The Flintstones and Mighty Max). Station identification card in Equity era; all Equity Univision stations featured the same layout for their on-air IDs. In 2004, the station was purchased by Equity Media Holdings. Shortly after it was finalized, in January 2005, the station became the market's Univision affiliate; reflecting this, its callsign was changed to KUKC-LP (for " _U_ nivision _K_ ansas _C_ ity").
The LeRoy and Lucile Melcher Center for Public Broadcasting where KUHT is housed. Station identification with logo as Houston Public Television, used from 1993 until the early 2000s. Collective branding share with NPR station KUHF as Houston Public Media, used until February 19, 2020. In 1970, the Public Broadcasting Service (PBS), the successor network to National Educational Television, began service, combining televised educational lectures with popular programs such as Sesame Street, NOVA and Masterpiece Theatre that remain PBS staples to this day.
KAOX formerly broadcast from a tower located northeast of Kemmerer, and with its 13,500 watt signal, covered much of southwestern Wyoming. The station identified itself as "The X" and mentioned the towns of Evanston, Rock Springs, and Green River when it played its station identification. KAOX had two sister stations KMER 940 AM, which is from Kemmerer, and KDWY 105.3 FM, which is licensed to Diamondville. KAOX had satellite fed music from a network identifying itself as SAM, or Simply About Music.
The computer would simply rotate among the tape players until the computer's internal clock matched that of a scheduled event. When a scheduled event would be encountered, the computer would finish the currently-playing song and then execute the scheduled block of events. These events were usually advertisements, but could also include the station's top-of-hour station identification, news, or a bumper promoting the station or its other shows. At the end of the block, the rotation among tapes resumed.
After one final show on the station, playing music commercial-free, with just breaks for station identification on the hour and half-hour; the program director went on the air at 10:55 and said, "Due to circumstances beyond our control, WXKW will cease operations at this time." The final songs played on WXKW were Auld Lang Syne and the National Anthem, and the chief engineer smashed the main transmitter tube at 11:00 a.m. That ended the second chapter of WXKW radio in the Capital District.
In 1991, KRS-One appeared on the alternative rock group R.E.M.'s single "Radio Song", which appeared on the band's album Out of Time, released the same year. In 1992, Bradley Nowell from Sublime featured an acoustic song named "KRS-One" with his voice and DJ's samples. In 1995, KRS organized a group called Channel Live, whose album Station Identification he produced most of, along with Rheji Burrell and Salaam Remi. In 1997, KRS surprised many with his release of the album I Got Next.
In addition, BBN retained the WYFY call letters; as a result, the station was renamed WRUY, swapping with the construction permit for a BBN station in Cambridge, Ohio. WRUY tested its signal with public service announcements and station identification (which claimed service to the nearby Syracuse market) in late February 2012, but on April 1 the call letters were changed back to WKAL. The station returned to the air again on May 4, 2012, but went silent three days later due to technical difficulties.
Hugh Wilson has worked as a session vocalist, including on jingles for TV ads: "Turn Me on TEN" for Channel Ten's station identification and "I Want My Foxtel" for that network's promotion. The Leigh brothers have been members of various cover bands. James toured with the Idols of the 80s band in 2005, which included former members of Pseudo Echo, 1927, Boom Crash Opera, Kids in the Kitchen, and Uncanny X-Men. Christian Argenti also worked as a guest vocalist and was later a radio announcer.
WHSG-TV, virtual channel 63 (UHF digital channel 22), is a TBN owned-and- operated station serving Atlanta, Georgia, United States that is licensed to Monroe. The station is owned by the Trinity Broadcasting Network. WHSG's studios are located on Agape Way in Decatur, and its transmitter is located in Atlanta's Cabbagetown section. Because it airs no local content (except for local insertion of the required station identification), it is not carried as a local channel on DirecTV; the national TBN feed is already available.
Some announcers work in television production, radio or filmmaking, usually providing narrations, news updates, station identification, or an introduction of a product in television commercials or a guest on a talk show. Music television announcers were also called video jockeys (VJ). Announcers are often voice actors who read prepared scripts, but in some cases, they have to ad-lib commentary on the air when presenting news, sports, weather, time, and television commercials. Occasionally, announcers are also involved in writing the screenplay or scripts when one is required.
It is also featured on Oceanic Time Warner Cable digital channel 856 for the entire state of Hawaii.Digital Cable Program Guide / Lineups - Oceanic Time Warner Cable (accessed March 20, 2011) It was originally on 920 kHz and moved to 940 kHz in 1962. A unique feature of KKNE is a greeting and current time given in Hawaiian and English along with the station identification at the top and bottom of each hour (at :00 and :30 past the hour), with a steel guitar playing as background music.
In the early 1990s, the station was sold to Ross Biederman, who flipped the formats of both stations. WKJF-AM became a simulcast of news/talk WTCM-AM in Traverse City, and eventually standards, then sports WCCW (AM) also in Traverse City, and WKJF-FM became a WTCM-FM clone, marketing itself as WTCM though they only simulcasted part of the time, plus WKJF played more classic country than their Traverse City sister, and referred its own call letters only hourly with the FCC-mandated station identification.
Ultimately, WVWA decides to go one step further and strip out all spoken-word content, leaving only a rapid-fire, barely intelligible station identification once an hour and the word "NINE!" screamed between each song. Even before an ending could be added to it, "NINE" immediately turned viral in the entire radio industry when an unfinished copy found its way to New York City's 99X (now WEPN-FM). The creators decided to leave the planned ending off since the payoff stood well on its own.
In January 2008, the station launched a third digital subchannel, WBAY RTV (formerly "RTN 2–3"), which aired a customized schedule of Retro Television Network programming for much of its history to avoid any conflicts with shows seen on RTV that were carried on other Green Bay stations, though with the network's June 2011 restructuring and loss of program rights it carried RTV's default feed with little deviation. Because of the network's technical and internal contractual problems, the subchannel ran a station identification on-screen at all times in case RTV ran into technical difficulties due to the network's ownership transfer in January 2009 where identification was not done on the network level; RTV also erroneously identified themselves as being on WBAY-DT2, which was never rectified through their entire run on the station. On February 6, 2012 at 4 a.m., RTV was replaced with a 480i letterboxed feed of the Live Well Network as part of a group deal with the network and Young. The 24/7 ID was removed on this date due to station identification being inserted at the master control level.
Station identification tabletThis station opened on January 5, 1918, as the BMT Broadway Line was extended north from 14th Street–Union Square to Times Square–42nd Street and south to Rector Street. Service at this station was provided by local services running between Times Square and Rector Street. Service was extended one station to Whitehall Street–South Ferry on September 20, 1918. On August 1, 1920, the Montague Street Tunnel opened, extending local service from Lower Manhattan to DeKalb Avenue in Downtown Brooklyn by traveling under the East River.
Station management replied in a counter-filing that it saw nothing wrong in promoting itself as a Tulsa market station, and suggested that these and other issues raised in the complaint considered to be unfair trade practices should be appealed to the Federal Trade Commission instead. The FCC dismissed the complaint on September 2, noting that there were issues with past violations and inaccurate claims pertaining to its facilities and signal coverage; Tulsa Broadcasting admitted to failing to comply with station identification rules, but made assurances that it stopped such practices.
On 12 March 2012, Celador announced Newbury Sound and Andover Sound would be rebranded as The Breeze, falling in line with an existing network of stations serving South Hampshire and the West of England (Bristol, Somerset and West Wiltshire). Both stations rebranded at midnight on Monday 2 April 2012. The Newbury, Andover & Basingstoke stations now share the same presenters and programming with separate links, news bulletins, station identification and adverts for all three areas. Breakfast and weekday drivetime programming is presented from Basingstoke with networked output from Southampton broadcast during off-peak hours.
Member Marina Davis left in 1998 for religious reasons, with Maybelle and Lavina continuing as a duo. The group released their second album, Angel in 1999, with a heavier, drum and bass-inspired sound. Both Maybelle Galuvao and Lavina Williams were nominated for the Most Promising Female Vocalist award at the 2000 New Zealand Music Awards, losing to Vanessa Kelly of Deep Obsession. In 2000 the duo recorded a version of "I Only Want to Be with You" that was used as the station identification jingle for TV2.
WOIO surpassed channel 61 in the ratings immediately and WBNX steadily grew in its own right as an independent by increasing its cable coverage as well as its over-the-air signal coverage. It became apparent that Cleveland was unable to support four independent stations at the same time and as a result, WCLQ began to experience profit losses. It was at this time that WCLQ was dropped from TV Guide listings and cable television lineups in St. Thomas, Ontario, Canada (across Lake Erie from Cleveland). Former WQHS-TV station identification, circa 2006.
Melody Radio launched with the slogan 'At last - radio without the speakers'. One of Melody Radio's distinctive features was its lack of pre-produced station identification. Presenters also acted as the station's newsreaders, and the inclusion of regular financial bulletins was precipitated by Lord Hanson's own interest in business affairs. Long-running programmes included a nightly Saga-sponsored Classic Hour and Melody Showtime, a tribute to songs from musical theatre, later replaced by Nice And Easy, which featured many of the artists that had formed Melody's core playlist in 1990.
98.7 the Dove immediately began identifying as KTXR-FM when the call sign change was registered by the FCC on August 20. Since KTXR was a prominent part of "The Outlaw" branding, 101.3 FM also continued to identify as KTXR for a short time (with the exception of their top of the hour station identification messages saying "101.3, KWTO-FM Springfield.") On September 17, 2020, 101.3 FM changed their format from red dirt country to classic country, branded as "101.3 Real Country" and began officially identifying as KWTO-FM.
C.) Star, September 18, 1932, Part 2, page 4. NBC stated that: "The purpose of the chimes... is to synchronize local station identification announcements and to serve as a cue to engineers at relay points all over the country to switch various branches of the networks on or off as the programs change every 15 minutes.""Chimes of NBC to Change Tone by Electrical Device", (Portland) Oregonian, September 18, 1932, Section 4, page 2. This reflected the organization of the network schedule, which was divided into 15 minute program blocks.
"Valley Falls, Oregon: Period of Record General Climate Summary – Precipitation", period 1948 to 2003, NOAA Weather Station Identification: 358812 (Valley Falls, OR), Valley Falls, Oregon, 30 July 2014.Van Denburgh, A. S., "Climate" (PDF), Solute Balance at Abert and Summer Lakes, South-Central Oregon, Geological Survey Professional Paper 502-C, United States Geological Survey, United States department of Interior, United States Government Printing Office, Washington, District of Columbia, 1975, p. C4."Oregon Topics: Weather/Climate", Oregon Blue Book, Oregon State Archives, Oregon Secretary of State, Salem, Oregon, January 2013.
Jingles are often replaced by recorded voice-overs (called "stingers", also depending on region more often "liners"). In order to build station loyalty, the station announces time, station calls letters and frequency as often as six to twelve times per hour. Jingles and stingers (liners) help to give the station a branded sound in a pleasant, minimal amount of air-time. The legal requirement for station identification in the U.S. is once per hour, approximately at the top of the hour, or at the conclusion of a transmission.
On November 25, 2017, WZHF began broadcasting Radio Sputnik, the Russian government's international, English- language broadcast network. WZHF fully simulcasts Radio Sputnik, aside from the hourly station identification. In October 2018, in a legal case at Florida's federal court, RM Broadcasting LLC of Jupiter Florida sued the United States Department of Justice (DOJ) over the requirement it should register as a Russian agent under the Foreign Agents Registration Act (FARA). In May 2019, Judge Robin Rosenberg, ruled that the station must register as an agent of the Russian government.
The television network became a semi-official carrier for Family Rosary Crusade. The network utilized as part of its station identification at the top of every hour a plug wherein the Blessed Virgin Mary speaking before Filipinos appealing to pray the Rosary and with the closing standard slogan, "The family that prays together stays together." The plug ran on ABC from the reopening to the relaunching as Iba Tayo in 2004 after businessman Tonyboy Cojuangco purchased the network. With more airtime, means more original programs to produce and this called in for more volunteers. Mrs.
This allowed the two delays to be read simultaneously against the scale, and then looked up on the navigational chart. Signals from different chains were closely spaced in frequency, close enough that the wide-band R1355 receiver would often tune in more than one chain at a time. For station identification, the A' signals were only sent periodically. After the display was stabilized so the pulse trains were appearing in a single location on the screen, the A' pulses could be seen blinking on and off with a set pattern (thus "ghosting" on the display).
In December 2010, as part of the game's one year anniversary event, George Lowe, as himself, became a fightable NPC in EpicDuel, ArtixEntertainment's PvP MMO. Lowe has done voice-over work for various media outlets and other companies. For example, San Francisco Bay Area active rock station KSAN-FM "107.7 the Bone", a Cumulus Media Networks station, uses Lowe's voice in station identification spots. Lowe also has done voiceovers for Cleveland rock station WNCX, the Fox, FX, and FXX television networks, and commercials for Dunkin' Donuts and Capital One.
Short commercial breaks would feature local television spots as well as LWS' station identification. A format change took place when it became a UPN affiliate on August 31, 1999 (displacing that network from secondary carriage on WOOD-TV and WOTV), prompting the move of LWS to the early morning hours and the adoption of new calls, WXSP-LP. The call-sign WXSP-CA was acquired after it became a Class A station, which meets stricter requirements than most low-powered television stations. On January 24, 2006, the Warner Bros.
The radio station was formerly a Spanish language station broadcasting a variety format, branded as "La Que Buena", and owned by Ga-Mex Broadcasting from 2001 until 2008. Ga- Mex Broadcasting fell into financial difficulties in 2008. That required the station to go dark from mid-July 2008 until Ga-Mex Broadcasting declared bankruptcy and the station was sold to DTS Broadcasting in 2009. WAZX was again heard broadcasting on August 3, 2009 during a testing period with only oldies and classic rock music plus the station identification at the top of the hour.
Originally known as 'Radio Waitaki' on 1395 am, then as 'Classic Hits 98.4 Waitaki FM' after they converted to FM. The 'Waitaki' name was later dropped from most station identification and the station was then known as 'Waitaki's Classic Hits 98.4'. Following the rebrand to The Hits the breakfast announcer Josh McIntyre was moved to present the local 9 am – 3 pm show but later in 2014 Josh was moved to The Hits Timaru in the same time slot presenting the same show to both Timaru and Oamaru listeners. From 2017 The Hits Oamaru receives its breakfast show from the Dunedin station.
At 2:00 p.m. EST, CBS took an extended station identification break so the affiliates in the Mountain and Pacific time zones could join the rest of the network in covering the story. Cronkite, now at his desk in the newsroom, appeared on camera for the first time and, for the sake of any new viewers who might not have been aware of what was happening, told the audience of the attempt made on the President's life. From the time the CBS affiliates joined Cronkite in the news room at the top of the hour to approximately 2:38 p.m.
Most controllers also decode Continuous Tone-Coded Squelch System tones, which allows the repeater to activate only if the station is sending a particular pre-programmed code, preventing unauthorized stations from using the repeater. Additionally, as repeaters are placed on high locations it also prevents distant stations on the same frequency from interfering. A Morse code or a synthesized voice module may produce station ID to comply with station identification regulations; this is most common on amateur radio repeaters, some LMR stations must also identify to be legal in some areas. Along with the repeater units, most stations utilize duplexers.
From the grant of its original construction permit on December 12, 1994 through June 26, 2014, the station was assigned the translator-style call sign of K11TW, and retained it even after obtaining Class A status in 2001. However, outside of Federal Communications Commission (FCC)-required station identification, the station has always called itself "KIIT" on the air. It signed on in August 1995 as a UPN affiliate; it switched to Fox on January 22, 2001. Prior to K11TW's switch to Fox, KHGI-TV served as a secondary affiliate of the network for the purposes of carrying its sports programming.
WMFO is a freeform station that imposes no content restrictions on its air staff, apart from FCC requirements for content, station identification and public service announcements. Musical programming ranges from rock and roll; rock and all its subgenres including hard rock, punk, glam, garage, indie, goth, rock- a-billy, psycho-billy, metal; blues; reggae; folk; easy-listening; hip-hop; dance; jazz; & classical. Spoken word programming includes humorous shows, political talk, sports talk, and community issues. As a condition of the station's FCC license, a portion of the weekly program schedule must be allotted to volunteer DJs from the local community.
In 2001, the station re-branded itself as "Y-92.5, Today's Hits and Yesterday's Favorites" (resurrecting the slogan from 1988 when Group W originated the slogan after dumping the KAER call letters). The station began using the "Best Mix in Denver" jingle package created for KIMN by JAM Creative Productions, including the famous "Y-92.5 KGBY, Sacramento" top-of-the-hour station identification. In 2002 and 2003, the weekday lineup included Paul Robbins and Phil Cowan (KGBY's morning show host since the 1980s), Mary Ellen Murphy (voice-tracked from a Clear Channel station in Grand Rapids, Michigan), and Dana Hess.
Title pun: Laughter is the best medicine Station identification shown for Sky1 in the United Kingdom Synopsis: Scratchy walks down the street and sees a painted sign on the ground reading "UNSAFE". He steps forward onto a square reading "SAFE". Due to a pun, Itchy throws a pile of safes onto Scratchy, crushing him. He is taken to the hospital where he is relieved to see a sign that seems to read "A&E;" (which shows that this is a British ident—in America, the A&E;, or Accident and Emergency, is called ER) - which soon turns out to be "SUPER KILLING LASER".
Braunbeck was born in Newark, Ohio (the city that serves as the model for the fictitious Cedar Hill in many of his stories). He writes in a number of different genres, but principally horror. His work has received several awards, including the Horror Writers Association Bram Stoker Award for Superior Achievement in Best Short Fiction in 2003 and 2005 for "Duty" and "We Now Pause for Station Identification", respectively. In 2007, he won two Bram Stoker Awards, for Long Fiction with "Afterward, There Will Be a Hallway", and for Anthology with Five Strokes to Midnight (edited with Hank Schwaeble).
Bumper music, or a bump, is a term used in the radio broadcasting industry to refer to short clips of signature or theme music used to buffer transitions between programming elements. It is also a term for music played at music venues such as concerts before show time, to fill the air, with a musical atmosphere. Bumper music is commonly employed when a syndicated program takes a break for local station identification or "goes to a radio commercial." More often than not it is called a "bump" in today's radio; NPR also uses the term "button".
On the network's flagship television station WNBT (now WNBC), this was accompanied by the same announcer saying "WNBT, New York." At the beginning of telecasts, a card was shown with a different NBC logo with the letters in cursive and enclosed in a rectangle (a logo also used at the end of broadcasts in the early 1950s). This was replaced by another card depicting an NBC cameraman operating an RCA camera was shown underneath the text "NBC Television Presents." The letters "NBC," lighting in tune with the chimes, indicated time for station identification or the end of a telecast.
The airborne Rebecca interrogator transmitted a 4-5 μs (microsecond) long pulse at a rate of 300 pulses per second on a frequency between 170 and 234 MHz. Upon receiving this signal, the Eureka rebroadcast the pulses on a different frequency. The Eureka unit also included a keying system that periodically lengthened the pulses over a period of seconds, allowing a morse code signal to be sent for station identification. This rebroadcast signal was received by two directional yagi antennas on the aircraft carrying the Rebecca unit, the usual location for the aerials being on either side of the aircraft cockpit.
Wi-Fi access points are not required by law to identify (they are unlicensed transmitters) but the Wi-Fi standards include provision for an identifier called an SSID, which is transmitted as a routine part of Wi-Fi network traffic. However, since a number of standard Wi-Fi channels are shared with the amateur radio spectrum, amateur radio-operated High Speed Multimedia (HSMM), or "hinternet", access points usually use the call sign of the control operator as the SSID, this suffices as proper station identification for the access point being operated as an amateur radio transceiver.
Teletext, an information service provided by many broadcasters, provides station or network identification in many countries worldwide. As almost all modern sets can display this information, it is a simple matter of checking teletext if the identity of the station is not clear. Some broadcasters do not provide a teletext service, and there is no specific requirement or standard for station identification in it. While teletext is widespread in Europe and is closely associated with the PAL television system worldwide, it was non-existent in North America during the analog television era, in which the NTSC standard was used.
Three tubes sat in tanks of distilled water that boiled off into steam and then condensed back into water to be returned to the system. The antenna system consisted of a complex and elaborate array, composed of 16 dipoles phased together directed towards an azimuth of 340 degrees true. The program of broadcasting consisted of continuous top 40 rock music controlled primarily by a computer audio sequencing system, with automated song title and station identification announcements inserted as required. The same computer system was also used to change frequency 4 times daily, completely eliminating operator error.
In the station's early days, its slogan was "WTOG... As Far as the Eye Can See", which was made famous by its mid-1970s station identification package. WTOG caught on with viewers immediately; so much so, in fact, that it forced competitor WSUN-TV (channel 38, frequency now occupied by WTTA) off the air in 1970. For the rest of the 1970s into the early 1980s, WTOG was the only independent station in the Tampa Bay area. During the 1970s, WTOG gradually expanded its programming hours: by 1972, the station signed on at 10:30 a.m.
Between 1991 and 1993, he hosted First Flights with Neil Armstrong, an aviation history documentary series on A&E.; In 2010, Armstrong voiced the character of Dr. Jack Morrow in Quantum Quest: A Cassini Space Odyssey, an animated educational sci-fi adventure film initiated by JPL/NASA through a grant from Jet Propulsion Lab. Armstrong guarded the use of his name, image, and famous quote. When it was launched in 1981, MTV wanted to use his quote in its station identification, with the American flag replaced with the MTV logo, but he refused the use of his voice and likeness.
In 1971, Olson was hired to perform radio commercials for Kirk's Electronics in Tempe, Arizona. Over the years he recorded several station identification ads for Phoenix, Arizona area radio stations. In 1973, Olson was the opening act for The Allman Brothers and Boz Skaggs, with more than 22,000 people in attendance. The same year, he recorded his first album, Western Winds with Phoenix label, Joplin Records. In 2012, on the 100th anniversary of Arizona's statehood, the title song from this album was listed in the Phoenix New Times magazine as one of Arizona's 100 greatest songs.
WXYT began a simulcast with FM sister station WKRK, which dropped its "hot talk" format in the process, on October 1, 2007. On WXYT's end, Mike and Mike in the Morning was replaced by Deminski & Doyle, and the ESPN Radio affiliation was dropped in favor of Sporting News Radio. The AM/FM simulcast took the name "Detroit's Sports Powerhouse: 97.1 FM & 1270 AM." That November 6, the simulcast was renamed "97.1 The Ticket" (WKRK was also renamed WXYT-FM in the process). Any mention of the 1270 facility came during top of the hour legal station identification.
Each station has a pylon marker that provides real- time bus arrival information and station identification. Illuminated signage at the top of the station blinks when a bus is one minute away. Curbs at stations have tactile warning strips and are raised from the road surface, facilitating near-level boarding to speed up and make boarding easier. To increase travel speed and reduce delay related to pulling in and out of traffic while stopping, stations are located far-side of intersections and curbs are extended out to the travel lane where buses stop to board passengers.
On June 5, 2013, the CBC announced that it would be phasing out the Radio-Canada brand from its French-language broadcast properties, and unifying them under names prefixed with "Ici" ("this is" or literally "here"). For instance, the CBC planned to re-brand Télévision de Radio-Canada as "Ici Télé", Première Chaîne as "Ici Première", and move its French-language website from radio-Canada.ca to ici.ca. Radio-Canada vice- president Louis Lalande stated that the new name complemented its multi- platform operations, while also serving as an homage to the broadcaster's historic station identification slogan since the 1930s, "ici Radio-Canada" ("this is Radio-Canada").
WKAL again resumed broadcasting on April 24, 2013, with nostalgia programming from the 1920s Radio Network, as well as a station identification announcing that the station was conducting an "engineering test broadcast" and that "a brand new WKAL" would launch soon. However, on May 8, 2013, satellite problems, an interference complaint, and the theft of copper strapping from the station's tower led WKAL to again leave the air. Following further test broadcasts, WKAL finally resumed regular broadcasts March 11, 2014. The station's current format provides a mix of lifestyle and regular talk radio (primarily syndicated, along with some drive time local programming), and also provides coverage of Rome Free Academy athletics.
London Calling (later renamed BBC Worldwide, then BBC On Air) was a monthly magazine that contained programme listings for the BBC World Service shortwave radio broadcasting service. Originally called the Empire Programme Pamphlet (for what was then known as the BBC Empire Service) and then BBC Empire Broadcasting, the title was changed to London Calling in mid-1939 when the magazine expanded from 12 pages to 16."So What's In a Name? Quite a Lot", London Calling, October 1992 The title alludes to the BBC World Service's station identification: "This is London calling ...", which was used during World War II, often in broadcasts to occupied countries.
KTIP became one of the first radio stations in the West to sign on after World War II. Its construction permit was granted by the Federal Communications Commission (FCC) in August 1946, to Porterville businessman Jack Tighe (pronounced "tie"). He owned Tighe Chevrolet Company and an appliance store. Construction of the station was completed by Christmas, 1946. Its exact sign-on date is not known, but the station was notified by the FCC's San Francisco office in January 1947 for failure to issue a proper station identification during one hour of programming that month, so it has been concluded that KTIP was "on the air" in January 1947.
The network was subsequently rebranded as Root Sports Southwest on November 17, 2014, becoming the first Root Sports network to not be a rebranded Fox Sports Networks affiliate. In April 2016, following the completion of the acquisition of DirecTV by AT&T;, DirecTV Sports Networks rebranded under the AT&T; name as AT&T; Sports Networks. Following this announcement, the channels began to downplay the Root Sports brand by replacing their logo bugs with an AT&T; Sports Networks logo, restricting the Root Sports brand to station identification only. Three of the channels were re-branded as AT&T; SportsNet on July 14, 2017, introducing new logos and on-air graphics.
Signage systems are visually oriented information systems, consisting of signs, maps, arrows, color-codings systems, pictograms and different typographic elements. Signage systems differ from other methods of information presentation because they are typically used to guide people's passage through the physical world; road signs on a highway, station identification signs in a subway and overhead signs in an airport are all common examples of signage systems. The act of following a signage system is known as wayfinding, waysigning or signposting. While any collection of correlated signs can be considered a signage system, the term is typically used to refer to a group of signs with a coherent design and purpose.
The two stations gradually had their on-air looks mirror each other while their respective websites became identical. New logos for the stations and updated websites debuted in January 2009 including combined operations for sports and weather. Due to the duopoly, WYTV and WKBN maintain separate primary anchors for news, weather, and sports during the week but share most general assignment reporters and video footage. The two initially maintained separate websites as well; however, after LIN Media took over ownership of WKBN/WYFX and operations of WYTV, WYTV's website became a redirect to WKBN's website with only WYTV's station identification information available on WKBN's site.
Former station personalities Dawn Carr and Dennis DeNapoli were on hand at its 60 Main Street studios to announce that the station would be off the air as its studios were relocated and thank all of its current personalities and staff at the time. This was followed by a vintage programming promo voiced by Jack Ainslie from its days as WBET and the playing of "Bye, Bye, Baby (Baby Goodbye)" by The Four Seasons. DeNapoli read the final station identification before the station went silent. Azure Media constructed new studios on 250 Belmont Street in Brockton with new studio equipment and replaced the station's transmitter.
Although stations that program "Real Country" use it for a majority of their programming, affiliates -- like most others who use satellite programming -- will often replace the network feed at certain points of the day for local programming, most often news, sports and markets (depending on the station). Up to six minutes are given to affiliates at the top of every hour for news or commercials. In addition, at least one block of one to three minutes is provided for local commercials every ten minutes. After each commercial block and 14 seconds before the top of the hour, time is provided for affiliate station identification.
During the Second World War, Hixon was the location of a Royal Air Force Station built for RAF Bomber Command. The station opened in 1942Details about RAF Hixon retrieved 16 April 2013 on a site located north west of the village and had the station identification code of HX. Three intersecting concrete runways were built on the station, which were surfaced with tarmac for use by Class-A bombers. The station building and technical site were located on the south east of the station and included accommodation and communal facilities for 2,938 RAF personnel. There were also four T-2 type hangars and one MAP B-1 aircraft hangar.
The lowest common denominator technique enables any manufacturer's ALE radios or software to be used for HF interoperability communications and networking. Known as Ham-Friendly ALE, the amateur radio ALE standard is used to establish radio communications, through a combination of active ALE on internationally recognized automatic data frequencies, and passive ALE scanning on voice channels. In this technique, active ALE frequencies include pseudorandom periodic polite station identification, while passive ALE frequencies are silently scanned for selective calling. ALE systems include Listen Before Transmit as a standard function, and in most cases this feature provides better busy channel detection of voice and data signals than the human ear.
A station identification logo for "SFA television" is seen in the top left and a green graphic appears, showing the volume level being turned up. The camera pans back to reveal a TV which switches channel from "SFA" to a station showing golf. The rest of the video continues this pattern, continually flicking between the band and a variety of other stations, which generally feature similar logos to real life channels but with slightly different names e.g. "Cartoon Animals" (Cartoon Network), "CVQ" (QVC), "Animal Channel" (Discovery Channel) Actors, news presenters, puppets, a golfer, an astronaut and weatherman sing along with the track as the television stops on the channel each appears on.
In 1989, KWIC was granted an FCC construction permit to move to the 2,000 foot Devers tower and provide service to Houston. The upgrade was finalized in 1991 and the station began including Houston in its station identification. On January 17, 1992, KWIC and sister station KKFH were forced off the air due to financial problems by owner Modern World Media, whose principal shareholder was former Texas Governor Mark White. White was ordered to transfer his shares in the station to former presidential candidate Ross Perot, but he instead attempted to sell the station outright to Stephen G. Allison, then-owner of KDGE in Dallas, who likely would have made KWIC a modern rock station targeting Houston.
This left the news/talk format solely on the AM side once again, until May 23, 2016, when sister WZRR dropped their country format and began simulcasting WAPI. However, WZRR is now branded as the main station; it took the moniker "Talk 99.5," without any references to the AM 1070 frequency (except for legally mandated station identification). Although it boasts the most powerful daytime signal in Alabama, WAPI doesn't travel as far as most other 50,000-watt stations due to this area's poor ground conductivity. It does, however cover all of central Alabama during the day from a single tower, and can be heard as far as the Atlanta suburbs under the right conditions.
"After a year of trying news, WIQI-FM 101 switches to adult hits", Chicago Tribune. July 17, 2012. Retrieved February 7, 2019. Though WCFS uses WBBM's on-air branding ("NewsRadio 780 and 105.9 FM, WBBM"), its official call sign remains WCFS, call letters only mentioned once per hour. Arbitron's use of the Portable People Meter for Chicago radio ratings does not need call letter verification to give credit for listening to 105.9 FM. WBBM thus identifies both signals in a rushed form of station identification at :56 past the hour as "WBBM-HD Chicago, WCFS-FM-HD1 Elmwood Park-Chicago." The two stations have simulcast continuously since August 1, 2011, with one exception.
For that matter, if the originating station experienced technical difficulties and had to leave the air, the receiving station would be left without network programming during the outage as well. Additionally, during network breaks when local commercials and station identifications were aired, the receiving station would have to cut away from their off-air network feed to substitute their own local material. This was often accomplished without cues, merely by having the master control operator monitor the feed, prepared to "punch up" the local inserts when appropriate. But this required very careful timing, and often a bit of the originating station's commercials or station identification would mistakenly be rebroadcast by the receiving station.
From that point, the subchannel played only music without on-air personalities, with Mike Gallagher voicing the top-of-the-hour station identification. Three weeks after the switch, "Boom! 107.3"—intended as a tribute to Ric Bennett's late coworker and longtime WMMS personality Len "Boom" Goldberg—was abruptly dropped after CBS Radio filed a cease and desist order, as they held an existing trademark to the "Boom" brand (the trademark is current owned by Urban One). As a result, WNWV temporarily re-branded as "107.3 Cleveland" before settling on "V-107.3"; then-general manager Lonnie Gronek later revealed that there were some misgivings about the "Boom!" brand among the staff in the days leading up to the launch.
CBS then rejoined the telecast of ATWT during a commercial break, which was followed by show announcer Dan McCullough's usual fee plug for the first half of the program and the network's 1:45 pm station identification break. Just before the second half of ATWT was to begin, the network broke in with the bumper slide a second time. In this bulletin Cronkite reported in greater detail about the assassination attempt on the President, while also breaking the news of Governor Connally's shooting. Cronkite then recapped the events as they had happened: that the President and Governor Connally had been shot and were in the emergency room at Parkland Hospital, and no one knew their condition as yet.
In broadcasting, program test authority (PTA) is an authorization to conduct on-air testing of broadcast station facilities authorized to be built under a construction permit. Once this testing is successfully completed, and all measured parameters match what was authorized in the permit, the permittee can apply to the broadcasting authority for a broadcast license to cover the permit. PTA lasts until the license is issued (or, rarely, denied). "Program" refers to the permission to broadcast regular radio programming or TV programming, instead of just a test transmission such as a test card or bars and tone (TV only), broadcast callsign or other required station identification, or dead air (which may not be permissible).
CBS Radio retained the calls to keep control of the historic callsign rather than risk having another Bay Area station take them and trade on their nine-decade heritage in the area. KFRC's call letters are only mentioned in form of station identification as "KCBS-AM, KFRC-FM and HD1, San Francisco, Oakland, San Jose" at :59 past the hour. On February 2, 2017, CBS Radio announced it would merge with Entercom. CBS Radio to Merge with Entercom KFRC-FM, along with KCBS, KITS, KLLC and KZDG were retained by Entercom, while KMVQ was placed in a divestiture trust (along with Entercom's KOIT, KBLX and KUFX) in preparation of a sale to a permanent owner.
Other devices include: Graphics inserters – At least one Graphics inserter, or one with several layers. This allows for Station identification/Logo/Digital on-screen graphic (Dog or Bug) insertion, and can also be used for end credits sequences, coming next graphics or programme information straps Subtitling inserters – This can be either closed or open – i.e. in vision as a graphic for all to see, or closed either as an MPEG stream item, Closed Captioning or World System Teletext. Audio servers – An audio playout system would provide scheduled voiceovers Aspect Ratio Converters – These alter the picture shape or send an embedded signal to allow the material format to be displayed correctly on a particular feed (e.g.
Station identification mosaic The Dual Contracts, which were signed on March 19, 1913, were contracts for the construction and/or rehabilitation and operation of rapid transit lines in the City of New York. The contracts were "dual" in that they were signed between the City and two separate private companies (the Interborough Rapid Transit Company and the Brooklyn Rapid Transit Company), all working together to make the construction of the Dual Contracts possible. The Dual Contracts promised the construction of several lines in Brooklyn. As part of Contract 4, the IRT agreed to build a branch of the original subway line south down Seventh Avenue, Varick Street, and West Broadway to serve the West Side of Manhattan.
In computer communications, enquiry is a transmission-control character that requests a response from the receiving stationZDNet Definition for: Enquiry Character with which a connection has been set up.ATIS Telecom Glossary It represents a signal intended to trigger a response at the receiving end, to see if it is still present. The response, an answer-back code to the terminal that transmitted the WRU (who are you) signal, may include station identification, the type of equipment in service, and the status of the remote station. Teletype Model 33 answer-back drum (brown, lower center left) for coding inquiry response message. Some teleprinters had a "programmable" drum, which could hold a 20 or 22 character message.
The video floppy saw a lot of uses during its heyday in the 1980s and 1990s, besides being used for still video cameras. Many medical endoscopy and dentistry video systems, as well as industrial video borescopes & fiberscopes, used VF disks for storing video images for later playback and study. Standalone VF recorders & players were also used by television stations and video production studios as a still-store system for stills & graphics for use in a television production, or for on-air slides used for station identification or during technical difficulties (such as a "Please Stand By" still). A similar sized disk was also used by the Zenith Minisport laptop computer from 1989, digitally formatted for data storage.
An early station identification. The station was established by Dr. John C. Schwarzwalder, a professor in the Radio-Television Department at the University of Houston,John C. Schwarzwalder Papers, "Historical Note." and first signed on the air on May 25, 1953 as the first station to broadcast under an educational non-profit license in the United States, and one of the earliest member stations of National Educational Television,"KUHT-TV: The University of Houston’s Second Great Vision." which was succeeded by PBS. KUHT, co-located with FM station KUHF, originally operated from the Ezekiel W. Cullen Building on the University of Houston campus. Its dedication ceremonies were broadcast on June 8 of that year.
On January 3, 2018, due to the purchase of Los Angeles station KAZA by Weigel Broadcasting, KAZA became a MeTV owned-and-operated station, in addition to continual coverage via KDOC channel 56.3. Both affiliates are separately owned and operated, broadcasting to specific areas within the Los Angeles region due to signal strength. Before a signal upgrade in late 2018, KAZA's over-the-air signal was not available in much of western and southern Los Angeles County, due to its channel-sharing agreement with a low-powered UHF station, which necessitated the continual co-affiliation through KDOC. In addition, each feed was known by a different station identification; MeTV Los Angeles and MeTV KDOC.
Advertisements, jingles, and the top-of-hour station identification required by law were commonly stored on Fidelipac endless-loop tape cartridges, known colloquially as "carts". These were similar to the consumer four-track tapes sold under the Stereo-Pak brand, but had only two tracks and were usually recorded and played at 7.5 tape inches per second (in/s) compared to Stero-Pak's slower 3.75 in/s. The carts had a slot for a pinch roller on a spindle which was activated by solenoid upon pressing the start button on the cart machine. Because the capstan was already spinning at full speed, tape playback commenced without delay or any audible "run-up".
The channel also broadcast the Rio Carnival live. In general, the channel adopted the same station identification and commercial bumpers from Rede Globo, the largest commercial TV network in South America and the second- largest commercial TV network in annual revenue worldwide just behind the American ABC Television Network and the largest producer of telenovelas, with the music and graphics being adapted for the channel. In 1993 Telemontecarlo became a member of Eurovision Network where they were broadcast parts of 1992 Summer Olympics, the 1992 America's Cup and the UEFA Euro 1992 football championship. In 1994, Italian film producer Vittorio Cecchi Gori, who at that time already owner of Videomusic, acquired TMC, and then, in 1996, created TMC2 to compete with RAI and Mediaset networks.
REM Island was a platform off the Dutch coast used as a pirate radio station in 1964 before being dismantled by the Netherlands Marine Corps. Pirate radio or a pirate radio station is a radio station that broadcasts without a valid license. In some cases radio stations are considered legal where the signal is transmitted, but illegal where the signals are received--especially when the signals cross a national boundary. In other cases, a broadcast may be considered "pirate" due to the nature of its content, its transmission format (especially a failure to transmit a station identification according to regulations), or the transmit power (wattage) of the station, even if the transmission is not technically illegal (such as an amateur radio transmission).
Trans TV is the first that never leaves its logo during commercial breaks, the practice later followed by other networks as well as local channels. For the station identification, the logo will remain on-screen, but sometimes it will disappear prior to the identification. Some of networks/channels ever show its logo in color even in the breaks, such as TVRI (until its massive rebranding in 2019), Antv (until mid 2005), Lativi (former name of tvOne) (until mid 2010), and some of local channels. Since 2011, most networks started to display additional contents all the time on their programming and disappeared during commercial breaks, such as rating classification and, in some networks since 2013, the name of the current program.
WXER is a Hot AC FM radio station broadcasting on 104.5 MHz in Sheboygan County, Wisconsin, which is owned by Midwest Communications. The station is licensed to the city of Plymouth and broadcasts from a tower southwest of the city. The station also has a translator station with the calls W241AG broadcasting at 96.1 FM from the tower site behind the Midwest studios in Sheboygan, which was launched in June 2006 due to ongoing interference problems with WBFM and WHBZ within the city on the 104.5 frequency, along with summer co-channel interference with Muskegon, Michigan's WSNX-FM across Lake Michigan. The stations are marketed together as 104-5 & 96-1, The Point, with the call letters completely de-emphasized beyond station identification purposes.
Amplitude modulated signal of DCF77 as a function of time The DCF77 signal uses amplitude-shift keying to transmit digitally coded time information by reducing the amplitude of the carrier to 15% of normal (−16½ dB) for 0.1 or 0.2 seconds at the beginning of each second. A 0.1 second reduction (7750 cycles of the 77500 Hz carrier amplitude) denotes a binary 0; a 0.2 second reduction denotes a binary 1. As a special case, the last second of every minute is marked with no carrier power reduction. There was also a Morse code station identification until 2006, sent during minutes 19, 39 and 59 of each hour, however this was discontinued as the station is easily identifiable by the characteristic signal.
Broadcast stations in Europe do not identify by a callsign (with the digital age, most networks share one or two metropolitan transmitting facilities within a certain region, making identification of the actual transmitter superfluous), however most networks use a brand based on their common channel number. A form of station identification clip is played between programmes, traditionally incorporating the channel's logo, and accompanied by a continuity announcer that introduces the next programme (and promotes other programmes). These identifiers evolved from mainly being mechanical models (such as the BBC globe), to becoming more advanced through the evolution of CGI during the 1980s. From the 1960s to the 1990s, most broadcasters only used a single identifier, sometimes using special variations for holidays and special events.
Station identification in Australia is unlimited to the designated common or on-air name of the station or network affiliation, both for radio and television. A radio station may have call letters related to its town or district name, and the company name; for example, Charters Towers, Queensland station 4CHT and Ceduna Community Radio Inc's 5CCR in Ceduna, South Australia. The station may have a name-callsign completely different from its licensed callsign, such as Wollongong, New South Wales station 2UUL, which is branded on-air as "Wave FM". A television station usually associates with its network; for example, the Regional Television Queensland station RTQ is known as WIN Television (itself associated with the larger Network Ten), and WIN's original station at Wollongong bears the callsign WIN.
The song's first verse celebrates partying barefoot with cheap "grapefruit wine", but the narrator (Fagen) is dismayed by the music selection playing on the accompanying FM radio—"nothing but blues and Elvis / And somebody else's favorite songs," instead of the "hungry reggae" and "funked-up Muzak" he would like to hear. Other listeners, he realizes, are indifferent to the specifics of the radio playlist: "The girls don't seem to care ... as long as the mood is right ... as long as they play till dawn". The chorus's overlapping harmonies of "no static at all" suggest a station identification. But it seems "less like a technical boast than an admission that nothing on the airwaves was likely to surprise anyone," Breithaupt writes.
The pulse sequence is designed to allow horizontal sync to continue during vertical retrace; it also indicates whether each field represents even or odd lines in interlaced systems (depending on whether it begins at the start of a horizontal line, or midway through). In the television receiver, a sync separator circuit detects the sync voltage levels and sorts the pulses into horizontal and vertical sync. Loss of horizontal synchronization usually resulted in an unwatchable picture; loss of vertical synchronization would produce an image rolling up or down the screen. Counting sync pulses, a video line selector picks a selected line from a TV signal, used for teletext, on-screen displays, station identification logos as well as in the industry when cameras were used as a sensor.
New Castle is home to two commercial AM stations: talk station WKST 1200 and sports talk station WUZZ AM 1280, the latter being a Fox Sports Radio affiliate. For FM, WKPL FM 92.1, first a full- time country music station called WFEM or C92 then rebranded as Classic Gold an oldies station, was licensed in New Castle before its license was moved back to Ellwood City in 2004, though it still includes New Castle as one of its local communities as part of its FCC-mandated station identification. The AM stations are owned by Altoona-based Forever Broadcasting, LLC while classic rock station WKPL 92.1 FM is owned by Froggy parent Keymarket Communications of Pittsburgh. NCRadio450 operates as an internet radio station from NCTV45.com.
However, Bonneville instead decided to sell the station to Chancellor Media, which also owned WHTZ, WLTW, WKTU, and WAXQ."WDBZ is Optioned to 2 Broadcasters", Geraldine Fabrikant, New York Times, August 8, 1997 "Signals Getting Stronger: Chancellor Broadcasting Set to Add WDBZ to City Collection", Phyllis Furman, The Daily News, August 6, 1997 As a result, the format change for 105.1 was canceled and the station remained "The Buzz" for a while longer, with the reverted WNSR call letters. Gradually, from September through November 1997, the station returned to Hot AC, and then Mainstream AC. For the next few months, the station would simply be known on-air as "FM 105.1", and only used the WNSR call sign for the legal station identification.
Channel Master editor Once a scan is complete, the channels can often be sorted alphabetically, in satellite/transponder order, or in scrambled/unscrambled order. Additionally, third-party software often allows the option of sorting by the channel's Station Identification (SID) number. This is so that the individual channels can be numbered in a way that mimics the lineup of Dish Network or Bell TV. Channels can also be renamed or deleted, either in an on- screen menu or with external software. The most popular software used to configure and sort channels was a database program called Channel Master, which allowed the user to name, number, sort, and delete channels and then save them in a format that can then be written to the receiver.
KLRA station ID from 2004. The station became an affiliate of Spanish-language network Univision in 2001. On May 8, 2004, Equity began simulcasting the station's programming on sister station KUOK in Woodward, Oklahoma as well as its three translators (K69EK (now KOCY-LP) and KCHM-LP (now KUOK-CD) in Oklahoma City; KUOK-CA (now defunct) in Norman; and KOKT-LP (also now defunct) in Sulphur), forming a regional mini-network known as Univision Arkansas-Oklahoma. Local commercials from the Little Rock area that were inserted by that station during national commercial breaks and KLRA-LP's station identification bumpers were broadcast through this simulcast to Oklahoma viewers (the Oklahoma City repeaters were identified only through text-only IDs placed at the bottom of the screen each half-hour).
The station later switched to rock music in the late 1970s before becoming a Top 40 station in Fall 1981. A year later, the station boosted their power to 100,000 watts and moved to the former WRDU- TV (now WRDC) tower at Terrell's Mountain in northern Chatham County. This allowed WDCG-FM to put a city grade into Raleigh, Durham and Chapel Hill, as well as a 60 dbu signal into Greensboro-High Point-Winston-Salem where the station even beat the local Top 40s from 60 miles away. WDCG, licensed to Durham, was the first station in the Raleigh-Durham market to obtain a dual city of license in terms of their station identification in 1982, and surprised the stations in Raleigh with its designation of WDCG-Durham, Raleigh, Chapel Hill.
WXXB signed on the air in early 1989 as WNJY, Joy 103, featuring an oldies format. In the mid-1990s, Joy 103 renamed itself "Oldies 103" and began aiming programming toward the Lafayette market using the top of the hour station identification "WNJY-FM and AM, Delphi/Monticello...Lafayette's New Oldies Station!" followed by an "Oldies 103!" sing. As Oldies 103, the station featured mainly network programming from Jones Radio Networks' Goodtime Oldies format with the exception of Rich Anthony's local midday shift. The station earned respectable ratings in Lafayette, according to Arbitron in the mid-90s, which ultimately lead WASK-A/F to drop their news/talk format in favor of oldies in 1997. When WNJY was sold to RadioWorks in 1999, the station moved to Lafayette and programming from Goodtime Oldies was dropped.
Transtar was founded in 1981 by C. Terry Robinson. The network debuted at around the same time as the Satellite Music Network, based in Mokena, Illinois. Both companies marketed themselves to prospective affiliates by offering carefully selected music presented by major market talent of high quality that a local station could never afford, as well as the capability of using existing studio equipment like reel-to-reel tape decks and cartridge playback machines to help make an affordable transition. A station signing up for the service would likely need a satellite antenna and receiver, a 25 Hz tone generator to place at the end of commercial clusters at the end of a break recorded on the reel, and 25/35 Hz tone sensors to trigger local liners and station identification.
This format continued until 2004, when the music was dropped and WWDJ moved to a Christian brokered format. Around this time, Pillar of Fire Church-owned WAWZ (99.1 FM) in Zarephath dropped all but a few religious programs to play contemporary Christian music 18 hours a day, and Salem picked up many of the bumped shows; this caused Salem to decide to air programming full-time on WWDJ. For about two years, the station billed itself "WMCA II" all the time, with the WWDJ call letters used only in the hourly station identification. The station's on- air identity reverted to "970 DJ" by 2007, but programming continued to be overflow programs from WMCA, as well as some syndicated mostly-secular personalities such as Laura Schlessinger and Kevin McCullough.
The United States' Federal Communications Commission (FCC) enforces specific requirements for identification that must be followed by all terrestrial radio and television stations. Stations must, when they sign on, sign off, and as close to the top of each hour as feasibly possible (such as within a "natural break" in programming, like a commercial break), present a visual (television) or aural (radio) station identification that contains, at minimum, the station's callsign, followed by its designated city of license. As a courtesy, top-of- hour identifications may also contain additional information, such as frequencies and a declaration of the station's ownership. Only the name of the licensee, the station's frequency or channel number as stated on its license, and/or network affiliations, may be inserted between the call letters and station location.
In 1986, broadcasters Larry and Susan Thompson set up Thompson Creative with the idea of updating the "traditional" jingle sound. Utilizing a wide variety of singers, composers, arrangers and engineers, Thompson Creative has become one of the top producers of musical station identification jingles and promo music for radio stations worldwide. Packages like Crescent City Magic, The Edge, Houston Mix, Cuddle, Holly Days and contributed more than 150 packages and resings. Thompson have creative and syndicated radio IDs for radio stations all over the world, including WOR, WYYY, WMGQ, WDRC-FM, WRCH, KOSI KBAY and KEZY in America, as well as Atlantic 252, Clyde 1 and Amber Radio in the UK. In 1991 Ben Freedman was recruited from TM Century to become Vice President and Sales Manager at Thompson.
TVB found that its programs were being taped as they were broadcast in Hong Kong, mailed abroad, copied and shared between friends and hawked as a sideline by businesses serving the Chinese community. By having TCC as an affiliate TVB could better profit from its own products. However, as the fledgling channel sought to build up its subscriber base, (advertising revenue has always been weak given the fractured nature of the target audience) financial support from TVB became increasingly important leading to a rebranding of TCC as TVBS-Europe, (TVB Satellite-Europe ()). Station identification, colours, logos and jingles became variations of that used by TVB for it Jade brand in Hong Kong, and the station was no longer referred to on air or its promotional material as 時視 (CC).
KFAZ aired on August 11, 1953, with a Federal Telecommunication Labs (FTL) FTL-20B 1 kW (visual) transmitter and a Workshop Associates WA-25-43 14 dB gain antenna. The station's two studios shared two DuMont TA-142 Image Orthicon monochrome camera chains. One of the studio camera chains could also be used to broadcast film projected by either of two General Precision Labs 16mm motion picture projectors, with an FTL Poly-Efex dual flying spot monochrome slide scanner and effects mixer for televising still images (such as advertisement slides or station identification cards), and for producing limited special video effects. The noted equipment complement allowed for two-camera studio operations and switching to film without having to use a Monoscope test pattern or still slide while moving a studio camera into position for film operations.
Deutschlandsender I at first was the name of a powerful transmitter situated at Königs Wusterhausen in Brandenburg near Berlin, put into operation on 7 January 1926. The station was run by the Deutsche Welle GmbH, a commercial company - unconnected to today's similarly named international broadcaster - which had been set up by the Reichs-Rundfunk-Gesellschaft (RRG) network for nationally relaying programmes from Germany's nine regional broadcasting stations. Broadcasting on long wave (182 kHz) from what was then a central position in the German Reich, the Deutschlandsender I transmitter enabled programmes from these stations to be heard throughout the country and its name was adopted as a station identification. The first programme broadcast was a concert from the RRG Berlin regional station, the Funk-Stunde AG. With effect from 1 January 1933, the Deutsche Welle company was renamed Deutschlandsender GmbH.
On July 31, 2012, the station upgraded the main DT1 channel to 720p in preparation for the soft launch of the Spanish language network MundoFox the next day. Before the launch, it and Boston sister station WFXZ-CD used the same feed (including WFXZ's morning 'bulletin board') during testing of the MundoFox feed, and thus, both stations were featured in the same station identification card. The America One programming formerly featured on DT1 moved to DT4, and the DT5 subchannel with AMGTV programming, along with an audio channel on DT6 featuring NOAA Weather Radio's KIH28 were discontinued to facilitate high definition programming on DT. Eventually, DT4 came back to the air with programming from the Hope Channel, along with DT1's programming being simulcast throughout the market via Fox's WTXF, where WPSJ-CD1 is simulcast on WTXF-DT3.
In November 2019, WRME-LP began airing news and weather updates from WBBM-TV (channel 2) during the morning and afternoon drive times. To maintain the visual requirements of maintaining television service, WRME-LP's video signal displays a screen layout reminiscent of that used by cable radio service Music Choice mixed with The Weather Channel's automated Weatherscan service. On the top of the screen, the current artist/song title is displayed, with the station logo to the right, while below it, a consistently panning map of the Chicago metropolitan area displays the latest expressway travel times and weather radar conditions for several parts of the region. Finally, along the right side of the screen, a visual station identification with the station's calls is in the bottom right corner, along with a display ad for Xfinity and the hour's current featured advertiser.
Since 1976, most network television programs in the United States no longer use commercial bumpers; although some soap operas such as Days of Our Lives (which stopped using one in 2010) and The Young and the Restless, as well as the game show The Price is Right, still feature mid-show bumpers. Commercial bumpers are still a common feature of radio. In radio, they are often used during sports broadcasts to ease the transition from play by play to commercial break and back to live action, as well as notify local stations that they should insert their station identification and/or commercials, many times using obscure musical selections of the board operator's choosing. One notable example of commercial bumpers still in use can be found on Cartoon Network's late night programming block, Adult Swim, whose extensive usage of bumpers has even spawned its own website.bumpworthy.
Depending on the story being followed, the report may last only a few minutes, or continue for multiple hours – or with the longest uninterrupted news events, for days at a time –(events in which the latter instances has occurred include the assassination of John F. Kennedy and the September 11 attacks, which took place between November 22–26, 1963 and September 11–15, 2001, respectively). If coverage continues for an extended amount of time, the network may integrate analysis about the story through analysts in-studio, via phone, satellite, broadband (B-GAN) or through other means of communication. Depending on the severity of the event, regular commercial advertising may be suspended entirely for sustained coverage. Network affiliates will be required to insert their station identification in at the top of the hour overlaid during the report rather than through the usual means of a station imaging promo or program reminder.
In February 2007, WYLD-FM 98.5 FM began broadcasting a smooth jazz format on its HD-2 frequency. On August 1, 2012, the HD-2 frequency and translator of 98.5 FM WYLD-FM dropped its smooth jazz format for Top 40 (CHR) as "96.3 KISS FM." This marks the second time in this market that Clear Channel has used the Top 40 "KISS-FM" brand, which was last used at KSTE."Clear Channel To Kiss New Orleans" from Radio Insight (August 1, 2012) 96.3 and 98.5 HD-2 KISS-FM airs radio personalities from other KISS-FM stations in the United States, and is jockless. The station does have local insertion of station identification, local commercials, and traffic reports. "Rock 96.3" logo (2014-2017) On February 17, 2014, at noon, K242CE changed their format to active rock, branded as "Rock 96.3", relaying WRNO-FM HD2.
On September 3, 2017, Truth Channel formally ceased its test broadcast which began in the last quarter of 2014 as Ang Dating Daan Television (ADDTV) and officially launched its broadcast on digital terrestrial television, using Japan's Integrated Service Digital Broadcasting-Terrestrial (ISDB-T), the sole digital television (DTV) standard in the Philippines for its transition from analog to digital broadcast. on UHF Channel 38 as its frequency, together with the flagship station UNTV. On the same date, an exclusive ceremonial switch-on led by MCGI Assistant Overall Servant Brother Daniel Razon was held at the MCGI Headquarters in Apalit, Pampanga during the "Thanksgiving of God's People" (Filipino: "Pasalamat ng Buong Bayan ng Dios") international gathering of the Members Church of God International. Truth Channel revamped its programming line-up and introduced a new station identification (ID) and on-screen graphics to reflect major changes.
In September 2005, the ITV network celebrated its 50th anniversary with a season of ITV 50 programming that was run on the network, including a run down of ITV's 50 top programmes (presented by Phillip Schofield and Cat Deeley), a World of Sport retrospective, a seven-week Gameshow Marathon (presented by Ant & Dec), the launch of an "Avenue of the Stars", and most notably, a five-part documentary series presented by Melvyn Bragg which chronicled ITV's history. The regional companies owned by ITV plc also aired special regional retrospectives (even though none of them were themselves 50 years old), as well as using special ITV 50 station identification. While Scottish Television, Grampian Television, and UTV aired the network ITV 50 programming, they did not themselves air regional programmes of this sort, nor did they use the special identification. ITN also celebrated its 50th anniversary with special features in its programming.
In broadcasting, local insertion (known in the United Kingdom as an opt-out) is the act or capability of a broadcast television station, radio station or cable system to insert or replace part of a network feed with content unique to the local station or system. Most often this is a station identification (required by the broadcasting authority such as the U.S. Federal Communications Commission), but is also commonly used for television or radio advertisements, or a weather or traffic report. A digital on-screen graphic ("dog" or "bug"), commonly a translucent watermark, may also be keyed (superimposed) with a television station ID over the network feed using a character generator using genlock. In cases where individual broadcast stations carry programs separate from those shown on the main network, this is known as regional variation (in the United Kingdom) or an opt-out (in Canada and the United States).
WVFW-LD's signal also served a second purpose, as it provided the signal source for Estrella's national feed carried by pay television providers in markets without an Estrella TV affiliate on terrestrial TV. This was seen in the feed top-of-the-hour station identification sequence, which formerly identified WVFW-LD. Previously, the station was owned by and aired programming from Almavision, and its life dates back to 1983, when it was launched as a Monroe County-owned repeater station of PBS member station WPBT (channel 2) licensed to Marathon. WVFW-LD's future fate is undetermined in the wake of Liberman's announcement of the purchase of Key West-licensed WGEN-TV (channel 8) on January 8, 2018 (it began to carry Estrella TV on March 1 and also became the national pay television source), though WGEN has guaranteed full carriage in the Miami area.
Separate national feeds (formerly known as "i Plus" or "Ion Plus") have been made available to pay television providers Dish Network, DirecTV, Comcast and Charter Communications, and Ion Television stations not owned by Ion Media Networks, featuring programming sourced from Ion Life in place of paid programming that airs on the main network. Prior to the launch of Ion Life, the Ion Plus feeds carried reruns of cancelled Pax original programs (such as Miracle Pets and Beat the Clock), as well as public domain movies and sitcom episodes (such as I Married Joan and The Beverly Hillbillies). The feeds used the Pax name and bug after the network's rebrand as i, until about September 2005. As Ion has refocused towards its current schedule however, along with a de-emphasis on local advertising, the national feed effectively repeats Ion's main feed outside a lack of station identification. .
The redundancy-based scoring inherent in ALE thus allows for selecting the "best" available channel and (in more advanced ALE nodes) using all decoded traffic over some time window to sort channels into a list of decreasing probability-to-contact, significantly reducing co-channel interference to other users as well as dramatically decreasing the time needed to successfully link with the target node. Techniques used in the ALE standard include automatic signaling, automatic station identification (sounding), polling, message store-and-forward, linking protection and anti-spoofing to prevent hostile denial of service by ending the channel scanning process. Optional ALE functions include polling and the exchange of orderwire commands and messages. The orderwire message, known as AMD (Automatic Message Display), is the most commonly used text transfer method of ALE, and the only universal method that all ALE controllers have in common for displaying text.
New programs introduced in 2005 led to a ratings increase, following a relatively poor 2004. From 2010, the Seven Network began to implement the tactic of creating a 5 to 20-minute delay in the scheduled start time of non-live programming after 7:30 pm in an attempt to minimise viewer channel surfing between prime-time shows. This is done by increasing the duration of the commercial breaks and then decreasing them once the prime-time period is over. This tactic not only disrupts viewer recordings of the shows, but has a dramatic effect on their regional affiliates such as Prime and Southern Cross who must adapt their inserted commercials breaks as the live play-out from Seven's Melbourne facility occurs which can cause either both the regional station identification and the Seven identification being displayed with a possible black screen between them or the start of a program being missed entirely by the regional break overlapping.
After the Alexandra Palace, London 405-line BBC channel B1 TV service was introduced in 1936, it soon became apparent that television could be received well outside the original intended service area. For example, in February 1938, engineers at the RCA Research Station, Riverhead, Long Island, accidentally received a 3,000-mile (4,800 km) transatlantic F2 reception of the London 45.0 MHz, 405-line channel B1 TV service. The flickering black-and-white footage (characteristic of F2 propagation) included Jasmine Bligh, one of the original BBC announcers, and a brief shot of Elizabeth Cowell, who also shared announcing duties with Jasmine, an excerpt from an unknown period costume drama and the BBC's station identification logo transmitted at the beginning and end of the day's programmes. This reception was recorded on 16 mm movie film, and is now considered to be the only surviving example of pre-war, live British television. The BBC temporarily ceased transmissions on September 1, 1939 as World War II began.
ITV 50's logo, used between 10 September and 3 October 2005 In September 2005, the ITV network celebrated its fiftieth anniversary with a season of ITV 50 programming that was run on the network, including a run down of ITV's 50 top programmes, a World of Sport retrospective, a seven-week Gameshow Marathon presented by Ant & Dec, the launch of an "Avenue of the Stars", and most notably a five-part documentary series made by Melvyn Bragg, which chronicled ITV's history. The Post Office issued special ITV 50 postage stamps, and the regional companies owned by ITV plc also aired special regional retrospectives (even though none of them were themselves fifty years old), as well as using special ITV 50 station identification. While Scottish Television, Grampian Television, and UTV aired the network ITV 50 programming, they did not themselves air regional programmes of this sort, nor did they use the special identification. ITN also celebrated its fiftieth anniversary with special features in its programming.
On January 27, 2003, WWKB returned to music, playing oldies from the station's heyday in the 1950s and 1960s, featuring artists such as Elvis Presley, The Beatles, The Beach Boys, Frankie Lymon, The Four Seasons, The Who, The Four Tops, The Everly Brothers, Fats Domino, Ricky Nelson, Lovin Spoonful, and many others. The oldies format was an attempt to recreate the station's history as a popular music station (and was part of a nationwide fad of "real oldies" formats on AM radio stations in the early 2000s). While it maintained the official WWKB calls for station identification, it also played the original "WKBW Buffalo" jingles and featured many of the classic WKBW jocks including Armstrong and Neaverth, who is currently on air at WECK Buffalo. While not performing as well in Arbitron ratings as it had in its golden past, the revived "WKBW" earned the best ratings for the station since the 1990s, with approximately a 2 share, and was beginning to grow.
Prior to the adoption of Jack, WBUF had a history of short-lived and rapidly changing formats (usually failed attempts to challenge other more dominant stations in the market), with the station typically changing formats every two years between 1993 and 2005. Similarly to other Jack FM stations, WBUF has no live disc jockeys, carries no syndicated long- form or short-form programming, and carries no time-sensitive information (such as news, weather or sports), only interrupting its music for commercials, pre-recorded one-line jokes and station identification; this format is followed uniformly, 24 hours a day, 7 days a week. At first, 92.9 was one of the only Jack FM stations which didn't use Howard Cogan as the voice of Jack due to its proximity to Toronto's CJAQ-FM, which identified itself as 92.5 Jack-FM. Using Cogan would have most likely caused confusion with listeners due to the fact the two stations are so close on the FM dial, 92.5 and 92.9.
The network maintains specific guidelines for the logo, including proper colors for reproduction, using either RGB, CMYK or Pantone colors. The usage guidelines are contained in the NBC Logo Legal Usage Guidelines, which is distributed to NBC employees involved in graphics as well as outside vendors, such as advertising agencies, who may need to use the logo. After the logo's introduction on May 12, 1986, many of NBC's affiliates (especially the stations part of NBC's O&O; group at the time: WNBC-TV in New York City, KNBC-TV in Los Angeles, WMAQ-TV in Chicago, KCNC-TV in Denver, WRC- TV in Washington, D.C. and WKYC-TV in Cleveland) started adding the new peacock to their station identification. However, a few stations still kept the previous "Proud N" from 1979 at least until the end of the 1986–87 television season, and NBC itself retained the "Proud N" in the title sequence for its movie/mini-series presentations.
His film work included the scores to British sex comedies such as the Confessions series (Confessions of a Pop Performer (1975), Confessions of a Driving Instructor (1976), Confessions from a Holiday Camp (1977)), Stand Up, Virgin Soldiers (1977), and Rosie Dixon - Night Nurse (1978). Also in 1978, he composed the score for the remake of The Thirty Nine Steps, including an extended piano piece entitled The Thirty Nine Steps Concerto (a nod to Richard Addinsell's Warsaw Concerto), later recording it with Christopher Headington as soloist. In the same year, he moved to the West Country where he was appointed Musical Director for Television South West (TSW). He composed the station identification music for TSW, as well as scores for TSW films such as the musical Doubting Thomas (1983; written by John Bartlett, starring Paul Nicholas and Stephanie Lawrence), and numerous local programmes, including Gus Honeybun in 1987. Welch also composed and conducted music for Television South (TVS), from 1987 until the channel disappeared on 31 December 1992.
In some cases, particularly during tropospheric ducting events, an HD Radio receiver will lock on to the digital sidebands of a distant station, even though there is a much stronger local analog-only station on the same frequency. With no automatic identification of the station on the analog signal, there is no way for the receiver to recognize that there is no correlation between the two. (Station identification is sent by voice, or as RBDS data, but not all stations use RBDS.) The listener can possibly turn HD reception off (to listen to the local station, or avoid random flipping between the two stations), or listen to the distant stations and try to get a station ID. Although the signals may be synchronized at the transmitter and reach the receiving equipment simultaneously, what the listener hears through an HD unit and an analog radio played together can be distinctly unsynchronized. This is because all analog receivers process analog signals faster than HD radios can process digital signals.
Citizen's Band radio no longer maintains a requirement for station or transmission identification, but operators are "encouraged to identify" transmissions using one of the following: a previously assigned callsign, "K" prefix followed by operator initials and residence zip code, operator's name, or "organizational description including name and any applicable operator unit number." The use of a "handle" (nickname) is encouraged by CB rule 17 only in conjunction with these methods, not by itself. Most CB operators prefer to use self-assigned handles reflecting some aspect of their personality; it is generally considered a breach of CB etiquette to use real names, even that of the user. Family Radio Service and Multi-Use Radio Service have no station identification requirement, though groups of individual users have their own procedures, such as using license plates or informal callsigns (some groups within the Boy Scouts of America, for example, use the troop number followed by the scout's initials as a callsign).
In 1936 William J. O'Brien, an engineer, contracted tuberculosis which put his career on hold for a period of two years. During this period he had the idea of position fixing by means of phase comparison of continuous wave transmissions. This was not the first such system, but O'Brien apparently developed his version without knowledge of the others, and made several advancements in the art that would prove useful. He initially imagined the system being used for aircraft testing, specifically the accurate calculation of ground speed. Some experiments were carried out in California in 1938, selecting frequencies with harmonic "beats" that would allow for station identification in a network of transmitters. Both the U.S. Army and Navy considered the idea too complicated and work ended in 1939. O’Brien's friend, Harvey F. Schwarz, was chief engineer of the Decca Record company in England. In 1939 O’Brien sent him details of the system so it could be put forward to the British military.
Similarly, unencrypted Ku band satellite television was also used temporarily in the aftermath of 2005's Hurricane Katrina as a means to feed NBC programming into New Orleans from the studios of an out-of-state broadcaster; the feeds contained the content, branding and station identification of the damaged New Orleans station in a form suitable for direct feed to a transmitter (with no further studio processing) in the target market. Paradoxically, many Equity-owned local UHF stations obtained solid national satellite coverage despite small terrestrial LPTV footprints that barely covered their nominal home communities. In many cases, this brought smaller networks and Spanish-language broadcasting to communities which otherwise would have no free access to this content. As television market statistics for these stations from firms such as Nielsen Media Research are based on counting viewership within the footprint of the corresponding terrestrial signal, television ratings severely underestimated or failed to estimate the number of households receiving programming such as Univision from FTA satellite feeds.
The station first signed on the air as W59DZ on May 5, 2004; originally licensed to Rehoboth Beach, Delaware and broadcasting on UHF channel 59, it operated at a low power, before upgrading its signal in 2005; that year, the station changed its call letters to WRDE- LP. Initially, the station ran a scroll with the callsign and city of license as a station identification, in order to meet the deadline for Federal Communications Commission (FCC) approval to keep the station's license. The station's original transmitter was located at the Nassau Valley Vineyards, directly off of DE 1 (Coastal Highway) by the Nassau Bridge. The station was originally an affiliate of Urban America Television; it changed its affiliation to America One after UATV ceased operations on May 1, 2006; WRDE- LP began airing programming from MyNetworkTV and the Retro Television Network on November 1, 2007. Then in early 2014, the RTN programming blocks were replaced with Cozi TV. The MyNetworkTV line-up shifted to 31.2 in June 2014 when NBC programming debuted on 31.1.
Prior to July 2, 2018, programming on KBYU-TV consisted of general PBS fare, with emphasis on children's, informational and entertainment programming. The station also airs special programs related to the LDS Church, and offered a nightly block of classic television programs, such as I Love Lucy, Perry Mason, My Three Sons, The Andy Griffith Show and Little House on the Prairie (as such, it was one of the only, if not the only, public television stations in the United States that broadcasts programming normally acquired for U.S. commercial syndication, something made possible by the station's roots as commercial station KLOR and its resulting commercial license). The only exception that KBYU-TV currently airs from the straight simulcast of BYU TV is the weekday student-produced half-hour newscast, Eleven News at Noon. As an educational station it does not carry advertising, and BYU TV itself does not carry advertising, instead carrying promotional spots for the network's programming during breaks (the national feed also carries KBYU- TV's hourly legal station identification).
Despite being carried by Fox, the block features no network branding or in- house promotional advertising (or even references to the "Weekend Marketplace" title) for the duration of the block – due to the fact that as it carries infomercials, commercial breaks do not appear during those featured within the block – and is only used mainly as a placeholder title within television listings and industry media; most stations that carry the block disregard this title when they distribute their listings to guide providers, and it usually is listed as four separate segments of "paid programming" instead so that viewers are not misled about the block's content. In addition, Fox stated that it ultimately intended to have the block contain programs that resemble normal programming (albeit still prominently advertising a product), though this never occurred. Presently the block consists of four traditional 28½-minute infomercials, with short-form direct response commercials airing at the end of each half-hour; no local station breaks are shown beyond a five-second station identification slot (to fulfill Federal Communications Commission rules) at the top of the first hour.
Prior to this, Univision was only receivable via local cable providers such as Cox Communications, which carried its programming from the Spanish language network's national feed; that feed was eventually replaced by a direct-from- studio fiber optic feed of KUOK (whose schedule now mirrors the national feed outside of local advertising, news inserts and occasional paid programming substitutions, and provided improved reception of the station throughout the market than that receivable over-the-air prior to the digital transition). In the first months of operation, the Univision Oklahoma stations ran a direct simulcast from KLRA-LP including local commercials from the Little Rock area that were inserted by that station during national commercial breaks and its station identification slides (the Oklahoma City repeaters identified through text-only IDs placed at the bottom of the screen during the top and bottom of each hour). In March 2005, K69EK, though still programmed via satellite from Equity's headquarters in Little Rock, ceased the KLRA-LP simulcast and became a direct simulcast of KUOK (which began operating its own separate feed), carrying advertising for businesses within the Oklahoma City market and separate station promotions.
With the advent of digital radio, station identification becomes more complicated, because more than one audio stream can be part of the same station. Stations broadcasting HD Radio feeds identify by their stream channel, and unlike television, the HD1 channel (which in the vast majority of cases, carries the same program as the analog signal) is included in the identification (for example, "WXSS-HD1, Wauwatosa/Milwaukee", "98.3, WZRL-HD1, Plainfield-Indianapolis" or "WCBS-FM- HD1, New York"). AM stations which simulcast via an FM HD subchannel identify both the main stream and the HD stream, and if broadcasting in HD Radio format in AM, also list that as part of the identification (for example, "WISN HD, Milwaukee, and WRNW-HD2, Milwaukee", or "WINS, WINS-HD, and WNEW-HD3, New York"). The same is done for AM stations airing on an FM translator, though the identification is flexible on whether the AM station or translator is mentioned first; for instance, WCLB in Sheboygan, Wisconsin prefers to brand using the FM translator rather than their maligned AM signal, thus their identification is said as "107.3 FM, W297CK, and 950 AM, WCLB, Sheboygan".
This station commenced operations on November 30, 1960, as WPTW- FM; licensed to Piqua, it was the FM adjunct to WPTW (1570 AM).Broadcasting Yearbook 1961-1962 page B-131 WPTW-FM served as an extension of the AM station's programming, as WPTW originally operated as a daytime-only station. While much of WPTW's programming was simulcast on both stations, by the 1960s, WPTW played middle of the road music using a sophisticated reel-to-reel automation system, while the FM had a beautiful music format, playing 15 minute sweeps of instrumental cover versions of popular songs, at first with no vocals. The exception was the "Dell-O Morning Show" hosted by Dell Olmay, and heard on both stations. WPTW-FM's station identification remained until 1974 as: "This is WPTW...FM Stereo...transmitting from Piqua, Ohio." It began using both Piqua and Troy in its legal I.D. in 1975. After Federal Communications Commission rules changed regarding daytimer AM stations operating on Mexican "clear channel" frequencies, WPTW was finally given approval by the FCC in 1986 to broadcast around the clock. That led WPTW-FM to end all simulcasting.
This is now considered to be the only surviving example of pre-war live British television. The images recorded included two of the original three BBC announcers, Jasmine Bligh and (in a brief shot) Elizabeth Cowell, an excerpt from an unknown period costume drama, and the BBC's station identification transmitted at the beginning and end of the day's programmes. The BBC temporarily ceased transmissions on 1 September 1939, the day of the German invasion of Poland, for the outbreak of World War II was imminent. After the BBC Television Service recommenced in 1946, distant reception reports were received from various parts of the world, including Italy, South Africa, India, the Middle East, North America and the Caribbean. The BBC lost its monopoly of the British television market in 1954, and the following year the commercial network ITV, comprising a consortium of regional companies, was launched. In 1964, the BBC launched its BBC2 service on UHF using only a 625-line system, which older sets could not receive. For several years BBC1 and ITV transmitted using the 405-line and BBC2 with the 625-line standard; the only way to receive them all was to use a complex "dual-standard" 405- and 625-line, VHF and UHF, receiver.
By February 1992, the station shifted to what was becoming a popular format: hot adult contemporary (hot AC); at about the same time a slightly different version was being pioneered in Houston at KHMX. In an attempt to differentiate itself from its competitors, WPLJ adopted the slogan "No Rap, No Hard Stuff, No Sleepy Elevator Music, Just the Best Songs on the Radio". In addition, the "Mojo Radio" moniker was dropped and the station began using the moniker "95-5 PLJ" (with the "W" typically omitted except for legal station identification). The station playlist featured many songs familiar only to New Yorkers and obscure oldies that would not have been typical for the format in other markets. (In a bit of irony, WPLJ may have helped pioneer many of the concepts made popular by the diverse-playlist, music-intensive adult hits format of 2005.) Initially, WPLJ leaned towards 1970s hits as well as mixing in liberal doses of disco and did regular theme weekends featuring one-hit wonders and number-one songs, among others. Eventually, it also dedicated Monday-Saturday nights to playing nothing but 1970s music, hosted by former WKTU disc jockey Al Bandiero, a practice that continued for the next few years.

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