How to use staticity in a sentence? Find typical usage patterns (collocations)/phrases/context for "staticity" and check conjugation/comparative form for "staticity". Mastering all the usages of "staticity" from sentence examples published by news publications.
In the early 1960s, Mottram travelled to the United States and met a number of writers, including William Carlos Williams, Allen Ginsberg and others. He became friendly with William Burroughs during his time in London. These contacts resulted in three of Mottram's best- known critical books - William Burroughs: the algebra of need (1971, British edition 1977), Allen Ginsberg in the Sixties (1972) and Paul Bowles: staticity & terror (1976). These studies did much to help introduce the Beat Generation writers to a wider British audience.
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These kinematic compositions that took into account both staticity and dynamism were not just a new description of the external world created by the artist, but also the inner world. Paintings of the Renaissance could not entirely convey these aspects of the world since their subjects were immobilized in a depiction based on one unique point of view; but the real world better corresponds to multiplicity of vision (we have two eyes). And here is precisely where an ambiguity or uncertainty arises as regards interpretation. This period was in fact marked by the unification of disparate concepts.
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Albert Einstein in 1921 Einstein's field equations include a cosmological constant to account for the alleged staticity of the universe. However, Edwin Hubble observed in 1929 that the universe appears to be expanding. By the 1930s, Paul Dirac developed the hypothesis that gravitation should slowly and steadily decrease over the course of the history of the universe. Alan Guth and Alexei Starobinsky proposed in 1980 that cosmic inflation in the very early universe could have been driven by a negative pressure field, a concept later coined 'dark energy'—found in 2013 to have composed around 68.3% of the early universe.
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Eadweard Muybridge, 1887, Animal Locomotion, Plate 187 – woman dancing (fancy), no. 12 Eadweard Muybridge, 1887, Animal Locomotion, Woman Dancing (Miss Larrigan), animated using still photographs: one of the production experiments that led to the development of motion pictures. With the overthrow of classical perspective and its implicit staticity quasi-complete, the new concept of mobile perspective, first propounded by Metzinger in his 1910 publication Note sur la peinture,Jean Metzinger, Note sur la peinture, Pan (Paris), October–November 1910 implied explicitly the dynamism of motion within multiple-spatial dimensions. In the article Metzinger notes the similarities between Robert Delaunay, Henri Le Fauconnier, Georges Braque and Pablo Picasso, stressing the distance between their works and traditional perspective.
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