" She stops, then stage-whispers this last line, for added effect: "It's all there.
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I realized that Ms. Solomon must have to deal with this kind of behavior all the time — stares and stage whispers and judgmental comments.
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Yet when one of Houston's two brothers leans forward and stage-whispers something like, "This family is full of secrets," it sounds like histrionics.
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Every time UEFA has to put the television rights for its prize competition out to tender, the clubs that drive much of its revenue start to talk, in stage whispers, about breaking away entirely, of forming their own competition, of keeping all of the money.
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He lived in Woodbridge, Suffolk. in later life, where he ran a wine bar called Sherlock's. Wilmer's autobiography Stage Whispers (Porter Press, ) was published in 2010. On 31 March 2016, after a short bout of pneumonia, Wilmer died aged 96 at Ipswich Hospital in Suffolk, England.
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Anu was born on 15 March 1970 in Cairns, Queensland, to a Torres Strait Islander mother from Saibai. Anu attended Emmaus College in Rockhampton where she graduated from in 1987 before studying at the National Aboriginal and Islander Skills Development Association in Sydney.(2013) Christine Anu: The New Bloody Mary, Stage Whispers. Retrieved 7 March 2020.
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Accessed 27 November 2017. In 2009, Bury suffered a two-metre fall while presenting at the inaugural Gold Coast Area Theatre Awards at the Gold Coast Arts Centre where he fell from the stage into the audience. He was uninjured and joked that he would do anything for attention, before continuing his hosting duties.TV star collapses during theatre awards, Stage Whispers, 2009.
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Stage Whispers. In 2012 O'Connor originated the role of Miss Shields in a limited run of A Christmas Story: The Musical. It ran for 51 performances in late 2012, and received a nomination for the 2013 Best Musical Tony Award, for its track "You'll Shoot Your Eye Out", featuring O'Connor, which was broadcast live on CBS during the 67th Tony Awards show on 9 June 2013.
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The 2010 senior musical, 13, was the Australian premiere of the musical and won the best production award at the Victorian Musical Theatre Guild awards (the fourth St Michael's musical to do so).Music Theatre Guild of Victoria Awards Presentation 2010, Stage Whispers, 5 December 2010, retrieved 3 August 2012. The senior musical in 2011 was Parade. St Michael's also conducts an annual compulsory house singing competition, in which all five of the school houses perform a musical item.
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His performance in this (otherwise mixed-reviewed) production was described as "the perfect Alpha male. Brooks nails it on every level, and when the play has him resorting to burlesque... he's also very funny. He impresses in everything he does, and Penelope is no exception."Review for Penelope (2013) by Coral Drouyn, Stage Whispers Brooks has reportedly committed to more mainstage roles for 2013 including Patricia Cornelius' new play Savages for fortyfivedownstairs, Sunday in the Park with George for [www.victorianopera.com.
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In 2015, McCune recorded "The Unbearable Price of War", a duet with Lee Kernaghan for his album Spirit of the Anzacs. Later that year, she joined David Hobson, Teddy Tahu Rhodes, and Greta Bradman for a concert tour, From Broadway to La Scala, of the five Australian mainland state capitals.From Broadway to La Scala, Stage Whispers In 2018, she appeared in the Network Ten comedy How to Stay Married with Peter Helliar. In 2019, McCune appeared in 33 Variations at the Comedy Theatre, Melbourne, opposite Ellen Burstyn.
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Percy Fitzgerald recalls his "tremendous force and rough declamation." His stage presence was generally described as commanding, although many observers noted that his voice tended to become hoarse in the later acts of challenging plays. He was, like Garrick, a restless, physically dynamic performer; critics also noted his skill in using his eyes to convey complex thoughts or emotions, and his ability to project stage-whispers even in a large venue. Little record of response to his early romantic roles exists; however, his technique in his mature tragic roles is abundantly recorded.
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And in a musical setting, with sharp, smart lyrics, the poignancy and politics are heightened and vividly coloured. This is a remarkable addition to Australian musical theatre". Judith Greenaway wrote for ArtsHub, "Evie May ends in a bareness of space, an echo chamber of those limited choices that empowered a modern movement. This is an entertaining, crafted, timely and relevant work." In his review for Stage Whispers, Peter Gotting wrote, "When the lights go up on this new Australian musical, there’s a sense of maturity - Sydney’s Hayes Theatre is now producing premieres of variety and accomplishment rarely seen in this country before.
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In 2012, Callaway sang "Journey to the Past" live at The New York Pops's 29th Birthday Gala: "Journey On" at Carnegie Hall, a concert celebrating the music of Ahrens and Flaherty. Callaway performed the song live during her cabaret show "Celebrate" at 54 Below in 2014. In 2017, Callaway sang the song during her concert "An Evening With Liz Callaway" at the Queensland Conservatorium Griffth University, a rendition Peter Pinne of Stage Whispers described as "undeniably thrilling." Describing it as a song that "everyone knows", Callaway recalled seeing fans "burst into tears" on numerous occasions upon hearing her sing it because it reminds them of their childhood.
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These enlarged images provide "magnified clarities for the audience to engage and learn from" and was described as an ingenious production approach as it has the effect of "[a]mplifying emotional moments for the audience" by allowing the audience "to see close-ups of their faces and be a fly on the wall for tough conversations". The reviewer for Stage Whispers expressed concerns that this use of projections and technology-facilitated communications would be a distraction, but praised its simple execution as seeming "entirely natural" and as adding to the experience by achieving a closeness to the actors that is rare, even in very intimate theatres.
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In this album Thompson draws predominantly on the musical styles of 1960s England—the time and place of his youth. The lyrics have a nostalgic tinge and are rich with allusion to fairy tales and children's books as well as to Shakespeare and T. S. Eliot. Thematically, Mock Tudor is split into three sections: Metroland—comprising the first five songs, "Cooksferry Queen" to "Hard on Me", Heroes In The Suburbs—covering "Crawl Back (Under My Stone)" through "Walking the Long Miles Home", and concluding with Street Cries And Stage Whispers—encompassing the last three songs (on the original release). Widely regarded by critics and Thompson fans as one of his best works, Mock Tudor did not enjoy much popularity among the public, despite positive critical acclaim.
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In 2010, Bowart premiered LaLaLuna in New ZealandLindsay Clark, "Everyday objects made magic with extraordinary skill", Theatreview, July 18, 2010 and Austria, and returned to the UK,"Physical Theatre Performer to Tour Internationally", Stage Whispers, April 6, 2010 where the production was part of the Brighton FestivalLaura Gooch, "LaLaLuna, Theatre Royal Brighton", The Argus, May 6, 2010 (curated that year by Brian Eno), the Salisbury International Arts Festival, and completed seasons at the York Theatre Royal (see reviewCharles Hutchinson, "Review: Wolfe Bowart in LaLaLuna", York Press, June 10, 2010), The Lowry in Salford, and Newcastle's Northern Stage, among others. Bowart continues to tour LaLaLuna internationally. Recent seasons include the Bahrain Summer Festival (2015), Australia's 2015 Awesome Festival (see review), and the 2016 Kuala Lumpur International Arts Festival in Malaysia.
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Review for The Heretic (2012) by Heather Bloom, Australian Stage In June 2012 it was announced Brooks would play the lead role of Philip in the Australian premiere of Alexi Kaye Campbell's Laurence Olivier Award-winning play The Pride. Directed by Gary Abrahams for Red Stitch Actors Theatre, Brooks received positive reviews ranging from "terrifically brave and nuanced"Review for The Pride (2012) by Sara Bannister, Stage Whispers to displaying "impeccable comic timing and delivery and also a firm grasp of the dramatic".Review for The Pride (2012) by Kate Herbert, Herald Sun Brooks was rewarded for his efforts with a Green Room Award nomination for Best Ensemble alongside fellow cast members Ben Geurens, Ngaire Dawn Fair and Ben Prendergast. In March 2013 Brooks teamed up with Red Stitch Actors Theatre again, to play the lead role of Quinn in their production of Penelope by Enda Walsh.
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Rebecca Massey is an Australian film, television and theatre actress. She has been nominated and won numerous awards for her performances including the prestigious Helpmann Award for both Steve Martin's The Underpants (Belvoir) and Steven Sewell's It Just Stopped (Belvoir). Her talent caught the eye of Director Rob Carlton who cast her as Lucy Canon in the award-winning TV series Chandon Pictures (ABC), after which she went on to star in another award- winning TV series playing Beverly in Utopia (ABC). Her work in leading roles with major theatre companies nationwide such as The Sydney Theatre Company, Belvoir St Theatre, Bell Shakespeare Company, State Theatre Company of South Australia, and Griffin Theatre Company has garnered her reviews from highly esteemed critics revering her as a ‘rare performer’ (Time Out) ‘riveting’ (SMH),, ‘impeccable comic timing’ (SMH), ‘Excellent’ (The Australian), ‘sexy, strong and smart’ (Australian Stage), a ‘tour de force’ (Theatre Diary), and ‘exceptional’ (Stage Whispers).
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Halloran sang the title role in Tosca for Melbourne Opera in 2009, and again in 2017 for the West Australian Opera. In 2010, she sang the title role in The Merry Widow for Opera Queensland (her Brisbane début) and Rosalinde in Die Fledermaus for Opera Australia."Australia's Newest Merry Widow – Operetta's Leading Lady" by Peter Pinne, Stage Whispers (July 2010) She returned to Victorian Opera in 2017 as The Fox Zlatohřbítek in Leoš Janáček's The Cunning Little Vixen."Cycle of life is central in Leos Janacek's Cunning Little Vixen" by Peter Burch, The Australian, 26 June 2017 In 2018, Halloran, Dimity Shepherd and Ali McGregor appeared in a new work, Lorelei, for Victorian Opera (Melbourne); this production travelled in 2020 to Opera Queensland.Lorelei production details, Opera Queensland Halloran's concert performances include Mozart's Requiem with the Hong Kong Philharmonic Orchestra, Orff's Carmina Burana with the Melbourne Chorale, John Adams' El Niño with Sydney Philharmonia, Haydn’s Creation and Fauré's Requiem with the Royal Melbourne Philharmonic.
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Lyall Brooks Urban Display Suite (2012) Brooks has enjoyed a varied career on stage with a long list of credits in musical theatre including the role of Jakub in Dutch Courage and as Man for The Thing About Men, both produced by Magnormos, Brandy Bottle Bates in Guys and Dolls, Knuckles in Sugar for The Production Company and as Andy in John and Fiona Thorn's musical cabaret hit Kiss of Death, which debuted at the 2011 Melbourne Fringe Festival. He has also appeared in two works by Michael Dalley, Vaudeville X in 2009 and Urban Display Suite in 2012 for which he received rave reviews and comparisons to Anthony Newley, Rik MayallReview for Urban Display Suite (2012) by Chris Baldock, Theatre People and The Office's David Brent.Review for Urban Display Suite (2012) by Sarah Braybrooke, Arts Hub More recently Brooks has moved into dramatic theatre, making his mainstage debut with the 2012 Melbourne Theatre Company production of Richard Bean's award-winning play, The Heretic. Playing the character of Geoff Tordoff, he received largely positive reviews for his stage presenceReview for The Heretic (2012) by Coral Drouyn, Stage Whispers and being the standout performer.
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