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175 Sentences With "stage lights"

How to use stage lights in a sentence? Find typical usage patterns (collocations)/phrases/context for "stage lights" and check conjugation/comparative form for "stage lights". Mastering all the usages of "stage lights" from sentence examples published by news publications.

The house and stage lights went off for several minutes.
Despite the makeup and stage lights, she looked like herself.
I was super into the stage lights and the pink glow.
There's a pole center stage, with bright stage lights illuminating the base.
Around the crown, its dollhouse mirrors would have glinted in the stage lights.
Twist #2: The stage lights up to show WHO voted for the chosen team.
Ariana Grande doesn't need a band, stage lights or microphone to give you goosebumps.
No joke, this room was pitch black, with the exception of the stage lights.
Away from the stage lights, I would study others and look for that good.
"We do not work under bright stage lights or on the big screen," they wrote.
In two minutes, the stage lights will go up, and I couldn't be more excited.
You could hear the hum of the stage lights, the squeak of the camera rigs.
Stage lights shifted from blue to white as the backing band played a drifting melody.
Rickey stepped into the glow of the purple stage lights and looked out into crowd.
The stage was small and the stage lights undistracting, leaving all the theatrics to the songs.
This time, the company inexplicably dimmed the stage lights and someone got into the driver's seat.
Colbert ended the bit saying, "Melissa McCarthy everyone!" as the stage lights went down on Spicer's podium.
Backstage, I also apply body glitter for more sparkle under the stage lights before I get dressed.
The world of ballet is not without its moments of high drama, even beyond the stage lights.
Mr. Battista, 63, then pointed to the stage lights and made a dramatic gesture with his hands.
During the drummer's solo, his sticks moved faster than the flash rate of the LED stage lights.
Now it's a boxing gym for the Instagram era: all neon signs and vintage posters and stage lights.
She wore her hair curly in what appeared to be a bright blue shade under the strong stage lights.
It is heavier than everyday makeup because it needs to be seen from afar and under the stage lights.
The audience that night was mostly white and under the stage lights they collectively took on a pinkish tone.
For most of the second half of 173, the stage lights fixed themselves back on the 31-year-old Serb.
Dwarfed beneath high rows of stage lights, in front of painted trees, they bopped happily along the pretend stone wall.
Eventually, once Faraday Future dimmed some of the stage lights around the EV, it slowly and quietly cruised to center stage.
The stage lights were bright and my visibility was low, but that made it easier to get over the stage fright.
This generative spatial experience is made from hundreds of stage lights that are all hooked up to an arched metal frame.
At the Toronto concert, when the stage lights came up, the outline of her silhouette materialized, to feral applause and hoots.
Rosanne Cash grew up as the daughter of country music royalty — but behind the bright stage lights was a dark side.
Advertise on Hyperallergic with Nectar Ads SIEM REAP, Cambodia — The sun sets, the stage lights turn on, and the conversations pause.
Three grotesque, wax-covered creatures sit in a darkened space littered with detritus and lit by lava lamps and colorful stage lights.
She sings, "Bunny's lost her way," looking up into the stage lights and threatening to lose her boozy audience for a moment.
Of course, had the Pacquiao fight gone ahead, he might have had the opportunity to stare at the stage lights for real.
During the enthusiastic ovation at the Met, the stage lights went up and I could finally see what everyone really looked like.
But both men still feel anxious about anyone eating a fish sandwich that has sat for an hour near hot stage lights.
We watched endless episodes of the show, studying each investor's questions we would likely need to answer under the glare of stage lights.
Partners whispered instructions to her as she moved, and she used the glare of stage lights to indicate the approximate locations of exits.
A 105' spire, armed to the teeth with stage lights, projectors, and industrial lasers, rises out an artificial body of water in Shanghai.
With stage lights shining a halo over her head, she ends her set with "The Lord's Prayer," her voice swelling higher and louder as she sings, "Give us this day, our daily bread…lead us not into temptation…deliver us from evil…" As she sings, the camera pans to the dumbstruck crowd—a throng of faces lit up by the stage lights.
They bring out a fog machine, stage lights and a fan for blowing the hair on the wigs around for that 80s video feel.
Was that because Ford wanted her to leave, so the stage lights were turned off the moment she was supposed to leave the station?
The stage lights turn on to reveal a stripped set, where all the backdrops and wings are removed to create an industrial-style atmosphere.
Liz herself fully embraces her new role, even with only a handful of onlookers, writhing to the music under sinister blood-red stage lights.
Her choice, a long, intricately patterned black-and-gold Valentino couture dress that covered her like delicate armor, glittered subtly under the stage lights.
It's fucking loud, the stage lights are on, and, once the obligatory layer of London frost has been blown clear, there are feet moving.
It's a reminder that despite the stage lights and the starched suits, these broadcasts are still happening in the real, unpredictable world where we live, too.
It was empty now but the stage lights were on and the manager had assured us 23 minutes earlier that the show was about to start.
During a school production, the stage lights and effects started to go haywire – a conundrum that both Prince Charles and Prince Phillip couldn't help but chuckle at.
Complete with stage lights and full-volume audio of her new single "Make Me," Spears and crew pulled it off when a disoriented Kimmel looked around his room.
He wore a white shirt with light-blue pinstripes, a deep-red tie, and an oversized watch; his black hair was slicked back, shining under the stage lights.
PARIS (Reuters) - Paris sparkled under Chanel's stage lights on Tuesday as the French house created a hall of mirrors to showcase its latest couture collection at Paris Fashion Week.
In docs, obtained by TMZ, Bergstrom says the workers were lowering a 400-pound bar of stage lights back in 2015, but failed to give anyone a heads-up.
Side Street Shadows dissolved as the stage lights went up at the Public Theater in Manhattan, revealing Malik, a young man with a beret and an attitude to match.
She's playing the same set she's been playing for a year: Her, a microphone, and a computer—which plays the instrumentals of her songs—under blue and red stage lights.
It's easy to forget that the room they're in has only three walls, that they're surrounded by onlookers, blasted by hot stage lights, not necessarily actually attracted to their co-workers.
The stage lights are off, and lengths of scrim hang all over the stage with projections of light painting moving across them — a surreal environment created by designer Sergio Mora-Diaz.
He was looking into the crowd, his hand over his eyes to block the glare from the stage lights, when Secret Service agents grabbed him and escorted him off the stage.
Festivalgoers spent hours wandering through the custom-built structures of VTPro Design's Michael Fullman's dazzling grotto of stage lights, United Visual Artists' (UVA) orbiting moons, and Björk's life-changing VR experience.
Mr. Hui, the club owner, spent much of the afternoon filtering through a mellow crowd of perhaps 100 people, and occasionally pausing to dance amid artificial fog and pulsing stage lights.
Under the stage lights the blood could appear like a sheet of black glass, but the extra light really helped to get deep into the ruby red color under that reflective surface.
But then he advanced toward the stage lights with steady, almost predatory steps, and began to twist and bend his body into shapes — a stream of images from Mr. Taylor's vast repertory.
The stage lights and the moon illuminated the symbols painted on his skin in white, black, and brown, and the feathers and dried grass of his traditional dress rippled in the sea breeze.
As she took the stage, she assumed a steady position, often looking up at the stage lights, before gently gliding her pick across her guitar's strings while holding tight to its neck like a scepter.
Whether under the stage lights of the Echoplex, among the colorful sculptures of Wacky Wacko, or with the dance jams of his latest album, Bogart creates spaces where we can be ourselves, and celebrate ourselves.
We went to Memphis and recorded in Joe Walsh's studio, and people brought this stage, lights, and a PA into the main tracking room, so it was set up like we were playing a live show.
The 360 degree light tower sits at center of a giant fountain not dissimilar to the one outside of the Bellagio in Las Vegas, except that lasers, projectors, and stage lights operate in tandem with it.
The vision of a foggy theater auditorium may have been meant to simulate the effect of stage lights facing the actor when she looks out at the public, but the lack of visual detail diminished the illusion.
Iranian expats mingled among Europeans and Americans in the purple glow of the stage lights as an Iranian man with gray hair snapped his fingers and spun on his toes, cheered on by a circle of dancers.
Adele usually performs her concerts with fans at the end of her stage (likely to keep cool in the heat of stage lights), but had a little fun when one blew her hair in an especially Beyoncé fashion.
But it was the Miami girls who were treated to something extra: They starred in a runway prom fashion show, complete with stage lights, throbbing music, and an eminent emcee – Say Yes to the Dress fashion director Monte Durham.
In recent months, some owners of 2016 MacBook Pros have started to encounter an issue with their laptops' displays, where the lighting will appear uneven on the bottom, as though stage lights are illuminating some areas but not others.
That shit was rank and foulThe heavy stage lights from the set, coupled with the food ingredients used in many of the obstacles as well as the time that all this stuff sat out meant that the set reeked.
Then bassist Stefan Olsdal holds his rainbow bass above his head like he just won the World Heavyweight Championship, all the stage lights focus on it, and the opening chords to "Nancy Boy" ring out from across the stage.
As the stage lights turned on, the singer stood up to reveal her full outfit — a neon pink cape with full sleeves and an embellished orange bodice underneath, teamed with black booties, fishnet tights and a pink choker necklace.
She bounces under the soft glow of the stage lights, and her skin is smooth and radiant; her green eyes, which have never faded as she aged, widen as she gazes upwards; her smile is one I haven't seen before.
And Ms. Chung's play is, in its tender way, a horror story: a dark parable about what happens if we try to swap roles or refuse to play along or reveal ourselves to our nearest without makeup or stage lights.
Theater and nightclub fires, both today and in the past, tend to have a few things in common: overcrowding, combustible interior decorations, inadequate exits or stairwells, and heat sources like candles, stage lights or pyrotechnics that can spark a blaze.
"She was talking about this idea of stargazing and about turning off electric light, so I sort of said, 'So we're going to do all that and then march everybody off to a theater and turn on stage lights?" he said.
Sourced mainly from the internet, this mosaic of words, photographs, screen grabs, and video stills — of stage lights, collar bones, women dancing and cooking, girls linking arms — coalesces into a scrapbook and also forms a lecture Syms performed in conjunction with the exhibition.
In this pristine example, Aidy Bryant and Kate McKinnon barely manage to keep their cool during a Weekend Update segment that has them brandishing a basket full of raw meat that apparently spoiled after it was left out for too long under the stage lights.
The artist's words "None of you will make it out alive!" are the last sounds you hear before the sound suddenly stops and the stage lights turn off, instilling a lasting sensation of haunting uneasiness that carries the performance into an after-life of its own.
When the band launches into "Long Distance Call," the stage lights up in an explosion of red and white lights as the chorus reaches its crescendo, and the bros and I begin jumping up and down together, yelling, reaching up into the sky and, for half a second, actually finding some unison.
It's not a matter of finance, time, or child care issues — it's a matter of choice & for years she chooses to tell people to go out into the world & serve people while thinking all she has to do is stand under stage lights screaming it or on IG commanding it & her minions will comply.
COLUMBIA, South Carolina — On Friday night, Tom Steyer danced onstage to a live performance of "Back That Azz Up." Under blue and purple stage lights, the rapper Juvenile performed the song at Steyer's last rally before Saturday's South Carolina primary in a half-empty gym at Allen University, a historically black college here in Columbia.
To visit when speakers drown out aerospace-y sounds, when stage lights blind you to the aircraft that might be hovering above, when there are so many eyes that the Air Force would be crazy to test anything actually advanced—it kind of makes a trip to Area 51 not very much like a trip to Area 51.
"Bardo" consisted of dozens of stage lights that tracked attendees on a dance floor-like stage; at its weakest moments, the lights bounced around to loud music so the space simply resembled an enclosed party, but when they moved slowly in careful, deliberate paths to focus on individuals, the beams recalled eerie search lights, inescapable in that space.
How green touring works Some of the ways Reverb assists artists in "greening up" their tours include requesting locally grown and/or plant-based catering, decreasing the number of traveling tour crew, selling merchandise manufactured from sustainable materials, replacing single-use batteries used in in-ear monitors with rechargeable ones, and retrofitting the musician's stage lights to be energy-efficient.
Read more:Bong Joon Ho smiling down at his Oscar like he can't believe it is one of the best moments of the nightBest-picture winner 'Parasite' dominated the Oscars and is also a box-office hitTom Hanks and Charlize Theron led a cheer to turn the Oscars stage lights back on after the show seemed to cut the 'Parasite' acceptance speech shortBrad Pitt denies reports that he used a speechwriter for his lauded acceptance speeches: 'It's got to come from the heart'
The music video for "MoneyGrabber" was directed by Michael Mohan. The video depicts the band performing under red and blue stage lights.
The performers walk, glide, stride and measure ground with their feet through a crannied landscape filled with windows, benches and stands of stage lights.
Additionally, Drumscape lacks a scoring system to indicate success or failure of a player. As the player drums, stage lights and crowd cheers are triggered to create a more realistic experience.
The stage lights fade out. The tropical lampshade winks out, apparently by itself, leaving the stage dark, as the noise and music continue, but they eventually fade out, as the play ends.
The accompanying music video, directed by Brewer, features both members of the Chainsmokers and Matt McGuire performing the song on an empty soundstage. Throughout the video, their internals are exposed by stage lights.
Higgins, alt=Higgins stands and plays an acoustic guitar with her left hand high on the fret board. She sings into a microphone. Her right arm and bottom of guitar are not in view. Background has large stage lights.
Before the shooting of the movie, David Byrne implored the band to wear neutral-colored clothing so the stage lights would not illuminate anything too distinctive. However, drummer Chris Frantz can still be seen wearing a turquoise-colored polo shirt.
Sadanand Menon Sadanand Menon is an Indian arts editor, cultural journalism teacher, photographer, and stage lights designer. He is also a speaker at seminars on politics, ecology and arts. He has been a teacher at Asian College of Journalism (ACJ) and IIT Madras. He has also written reviews for India Today.
The man at right is playing his guitar. He has his eyes partly closed, has over shoulder length hair and is slightly turned to his left. He wears a dark tee shirt and dark pants. Behind the musicians are large speakers and stage lights of white, red and blue are overhead.
Four oak-trimmed stained glass windows at either side of the sanctuary interior gleam from the stage lights. There were 50 windows of varying sizes incorporated into the church design. Each night’s Blues Masters performances run about five hours. The concert draws attendees from all over the nation and abroad.
Window coverings in Wright's design were later requested by Paul Baker because "theater was not just performed at night." Originally, stage lights were housed in the ceiling but proved difficult to adjust, and today's lighting system was added later. Texas Instruments donated the first digital soundboard to be used in a theater.
The music video for "My Mistake" has a cabaret style. It begins with most of the group in front of a stage playing the music in a dimly lit amphitheatre. Tim Finn walks onto stage and begins to sing. The stage lights up eventually and all the band members can be seen.
TooSmooth went on to self-release two more albums The Come Up Vol.2 (Stage, Lights), The Come Up Vol.3 (Signed) and one EP I Am TooSmooth- EP TooSmooth's first music video and first single from self-released album 'The Come Up Vol.3 (Signed) "Future Dreams" was released on VEVO and MTV MTV.
As it had no headstock, the string attachments were at the nut, it was the first "headless" guitar. Unfortunately, Paul's guitar was so sensitive to the heat from stage lights that it would not keep tune. However, he used it for several of his hit recordings. This style was further developed by others, most successfully Ned Steinberger.
Later a circular platform was embedded in the stage with wheels beneath it facilitating movement. The ("darkened revolve") technique involves lowering the stage lights during this transition. More commonly the lights are left on for ("lighted revolve"), sometimes simultaneously performing the transitioning scenes for dramatic effect. This stage was first built in Japan in the early eighteenth century.
Dr. Clifford R. Nobes, then the pastor of St. Paul's Episcopal Church, created the school in 1963. The school had a preschool in the church building with 43 students and 4 staff members. In 1970 the school purchased the former Rollins Elementary School building. The school burned down in 1992 after stage lights overheated and caught fire.
The first section, “Pilgrim of Sorrow” begins in total stillness. As the stage lights up, the earthy colours of the costumes and backdrop become apparent. These drab colors symbolise the earth, as Ailey’s intentions were to portray people attempting to rise up from the ground. The motions of these dancers also add to the portrayal of rising.
The album reached number 29 on the UK Albums Chart. The band's gigs became well known for a wall of white stage lights that threw off enormous heat and contributed to the sweaty, stage-diving crowd scenes that became part of the band's image. Such scenes are depicted in the video In Bed With Carter, filmed at the Brixton Academy.
A day after this, the song was released as a single. In May, the group went on a US tour, titled Just Some Shows, with support from Parkway Drive and State Champs. On June 2, Bad Vibrations was announced, and a video for "Bad Vibrations" was released. The video, directed by Drew Russ, is performance-based, featuring stage lights flashing throughout it.
The first English actresses, from the initial appearance of women on the stage in 1660 till 1700. The Players, 1930. She played the major female roles for about 30 years, until she gradually faded out of the stage lights in the early 1690s. Her final appearance was in John Dryden's last play, Love Triumphant, where she played the leading female role.
LED stage lights come in three main types. PAR cans, striplightsProduct - Stagebar 54 and 'moving head' types. In LED PAR cans, a round printed circuit board with LEDs mounted on is used in place of a PAR lamp. Moving head types can either be a bank of LEDs mounted on a yoke or more conventional moving head lights with the bulb replaced with an LED bank.
Above the pit were four small runways onto the circular centre piece of the stage which could be raised up and rotated. Above the main stage, in addition to stage lights, there were Christmas-type features such as a fake ice pillar. During the whole show the girls would move from the main stage to the circular one in the centre on the main stage.
The scene is spliced with a scene where the group perform a choreographed dance in the parking lot of the motel with pinkish-violet stage lights in the ground. Jane is wearing a fur-style coat with glasses in her individual take. She sings next to a window where a red neon light streaks through the room. Jauregui is momentarily shown before Kordei's verse is heard.
This is what art should be like – in the glare of the stage lights you suddenly see the essence. But you can only catch a glimpse of it, just as you can only glimpse the swan in this show.” In 2011 Yara staged Lysheha's poem "Raven," which was nominated for a New York Innovative Theatre award for design. “Raven incites this ensemble to glorious flight….
Stargazer Productions and Queen Mary transformed the space into a working dinner theatre complete with stage, lights, sound and scullery. Starboard sun deck, 1972 In 2005, QSDI sought Chapter 11 protection due to a rent credit dispute with the city. In 2006, the bankruptcy court requested bids from parties interested in taking over the lease from QSDI. The minimum required opening bid was $41M.
Espósito has expressed her position in major events such as the 48th annual Martin Fierro Awards, in which she lifted up a green scarf, sign of the pro-legal abortion movement in Argentina, at the end of her performance. Moreover, in her Brava Tour, she dedicates her song "Tu Revolución" to the movement, while the stage lights turn green and green hearts are displayed in the screens.
The stage lights turned red as Eilish moved into "All the Good Girls Go to Hell". She then transitions into "Ocean Eyes", which Dave Paulson of The Tennessean described as one of the shows "acoustic highlights". Eilish sings "Bad Guy", butchering the first chorus lyrics. Eilish continues the performance with "Idontwannabeyouanymore", "Bury a Friend", "Come Out and Play", "Copycat", "I Love You" and "Bellyache".
Dorothy Chandler Pavilion Chandler Pavilion auditorium The Los Angeles Opera is an American opera company in Los Angeles, California. It is the fourth- largest opera company in the United States."L.A. Opera's new CEO works to keep stage lights on, audiences coming" by David Ng, Los Angeles Times, 21 October 2012 The company's home base is the Dorothy Chandler Pavilion, part of the Los Angeles Music Center.
The dancers come in, initially a couple executing an overhead lift, then a circle of dancers, leaping and landing dramatically to the pounding of the piano. A female ensemble member breaks away from the group to perform a bouncing dance on the joggling board. The audience then hears Graham's recorded voice, "Oh Louis, play me the Maple Leaf Rag!" As Joplin's music starts, the stage lights come up.
Although Cara Dillon performs on the album, she was not present at the Tubular Bells III première concert at Horse Guards Parade in London. For this performance and subsequent live dates, she was replaced by Pepsi DeMacque. During the premiere performance of "Man in the Rain" some of the stage lights unexpectedly cut out. One of the B-sides, "The Inner Child", featured Luar na Lubre vocalist Rosa Cedrón.
It starts out with Joe and Wishbone going to the Summer Carnival. Melina and the Oakdale Glee Club are singing on stage; the wiring breaks, causing the stage lights to collapse, but not before Wishbone and Wanda save the children. The reporter "congratulates" her. Then, in the Wild West, Long Bill Longley and his best friend, Tom Merwin (Brent Anderson), team up to stop a villain named Calliope Catesby.
Conventional (non-intelligent) fixtures are designed to accept a number of different accessories intended to assist in the modification of the output. The most common, found on almost all stage lights, is the gel frame holder. The gel frame holder is intended to hold gel, mounted in cardboard or metal gel frames. Other common accessories include gobo holders or rotators, iris holders, donuts, barn doors and color scrollers.
LED stage lights come in four main types. PAR cans, spotlights, striplights,Product - Stagebar 54 and "moving head" types. In LED PAR cans, a round printed circuit board with LEDs mounted on is used in place of a PAR lamp. Moving head types can either be a bank of LEDs mounted on a yoke or more conventional moving head lights with the bulb replaced with an LED bank.
As Jerboa accepts the award, the flashing cameras and stage lights cause her to change into a werewolf. Olga also transforms, to her husband's dismay. Jerboa goes on the attack as her sisters howl in glee; Sharp is seen in his living room smiling deviously. The final shot is of a thylacine, or Tasmanian tiger, a marsupial carnivore which was hunted to extinction by Australian farmers to protect their sheep.
Delaware start ;Deep braking: Applying the brakes later than normal when entering a turn. ;Deep staging: (drag racing) when a dragster pulls so far forward that they leave the pre stage area and turn off the pre stage lights on the Christmas Tree, but not far enough to leave the staged area. This is legal in drag racing. This may give the driver a few inch advantage, unless the other driver deep stages too.
The Museum of Modern Art in Alexandria displays many of his paintings. The artist is mostly famous for recording the life of the theater and circus. He specialized in the ballet and opera that is featured in the Cairo Opera House and the Theatre Mohamed Ali in Alexandria. The paintings render the stage lights and movements of the people involved and he is able to express the light and agility in various ways.
Gordon, p. 288 The following year it was revived by the Group Theatre under the direction of Rupert Doone. Doone had all but Sweeney wear masks until an unmasking at the end.Gordon, p. 289 He also added a scene at the end where Sweeney raises a razor and chases a woman. A police whistle is blown and there is a pounding on the door. A woman's scream is heard as the stage lights go down.
With significant community support, a dilapidated Barre Opera House re-opened in October 1982. The facility was in an advanced state of disrepair; windows were broken, few seats were left, and the outdated heating system did not function. For a decade after its reopening, the opera house underwent a series of incremental upgrades which added curtains, stage lights and a working heating system. In 1993, funds were raised for a massive renovation which added an elevator and balcony seating.
The nightclub was founded in 1967 by the Samy brothers in a former cinema that had been erected in 1926 in Munich's Schwabing district. The brothers Temur and Anusch Samy (called "The kings of the flower power era in Schwabing"), who were of Iranian descent and the first concept- and event gastronomers in Germany, founded a business empire including several nightclubs, pubs, restaurants, underground bars, a brewery, a shopping center called Citta 2000 and a cab company, and were described by contemporary witnesses and business partners as trendsetters who established a whole new kind of gastronomy trade in Munich that changed all of the city. Blow Up, their masterpiece, had multiple levels and platforms on which the bands could play and the go-go girls dance, as well as gangways from which the guests could reach the different levels and watch the main dancefloor, which was "bombarded" by the flashes of 250 stage lights and light projectors. One of the innovations was that the stage lights reacted to the rhythm of the music, which marked the beginning of synchronized light shows in discotheques.
At The Smell, a wall of aluminum foil was created, in which the back of the wall would be shined on by full stage lights. The options would be either to stay behind the wall and face a twelve- foot glare, or view the band who were positioned in a configuration facing the stage. as a result, those who wanted to avoid slamming would stand on the stage while all others would be on the floor level with the band.
In addition, stage lights—for the first time in America—could be completely extinguished both in the auditorium and on the stage during the performance through the use of an electric spark ignition system. This allowed crews to plunge the entire theatre—both stage and auditorium—into complete darkness during a performance of Booth's Hamlet.Winter, pp. 47-48. Booth's Theatre, modeled after the finest theatres of Europe, and using American inventiveness, was a marvel of technology and a palace of theatrical pleasure.
In the first leg, concerts were structured with photographer umbrella lights serving as the background for every show. Props such as a car were used in several tracks. The photographer umbrella lights were used in smaller numbers, with only several placed on the top of the stage and a five-piece screen in the background. For the third leg of the tour, a standard red backdrop and multiple stage lights, both up and down, were used along with a different outfit color.
On April 25, the group held a comical prerecorded first solo concert, Safe House Concert through Hello82, with staff members were seen manually controlling strobe lights, rotating stage lights, making artificial stage fog with a diffuser and tossing confetti. (G)I-dle performed the single on 32nd Korea PD Awards which aired on April 29, 2020. On June 23, 2020, the group performed the single on KCON:TACT 2020 Summer. They also performed it on KBS Music Bank's Mid-Year Special: "Music Bank Cinema" on June 26.
This was Gilmour's first performance since the death of Prince three days earlier; as a tribute Gilmour worked a small portion of Prince's "Purple Rain" into "Comfortably Numb", immediately before the closing guitar solo; the stage lights all turned purple during the snippet. This brought the third leg of the tour to a close before new band members were drafted in. When the third leg of the tour ended Gilmour's online outlets announced that Manzanera, Carin and McAlea would all be leaving the tour.
It was performed at all but two of the band's concerts on the U2 360° Tour, most often as the closing song. During performances, the stage lights were dimmed and fans were urged to hold up their mobile phones to create "a stadium full of tiny stars". Although it was not released as a single, Rolling Stone named "Moment of Surrender" the best song of 2009, and in 2010, they ranked it 160th on their list of "The 500 Greatest Songs of All Time".
" Later he would tell di Prima that, "He needed speed to push his body so he could dance the way he wanted to. He felt otherwise he didn't have a chance; he had come to dancing too late in life to make it work for him." Di Prima describes Herko's elegiac performance For Sergio: "He arrived in black tights and a leotard, with a fierce archaic face mask painted on his face, and whispered to us to kill all the lights: house lights, stage lights, everything. I noticed he was in toe shoes.
Ambre's pose and costume in Manet's three-quarter portrait are very similar to that of Nadar's photograph of Célestine Galli-Marié, the original singer of Carmen. The brush strokes are very broad, especially for the dress and the hand holding the fan. The most detailed area is the singer's face which is outlined in white with one half noticeably brighter than the other giving the appearance of her standing before stage-lights. The same effect can be seen in Manet's 1877 portrait of Jean-Baptiste Faure as Hamlet.
People can donate to the foundation on Eric Church's website by simply donating or by purchasing exclusive Chief Cares Platinum Tickets to his concerts where money from the tickets go to the Chief Cares Fund. Church wears his signature aviator sunglasses as a result of wearing contact lenses. When his career was getting started, he was forced to deal with the heat from the stage lights drying out his contacts. As he began performing in larger venues, his aviators and Von Dutch denim trucker hat became his trademark.
Occasionally, a magenta background is used, as in some software applications where the magenta or fuchsia is sometimes referred to as "magic pink". A newer technique is to use a retroreflective curtain in the background, along with a ring of bright LEDs around the camera lens. This requires no light to shine on the background other than the LEDs, which use an extremely small amount of power and space unlike big stage lights, and require no rigging. This advance was made possible by the invention in the 1990s of practical blue LEDs, which also allow for emerald green LEDs.
The Range is an open-air nightclub complete with stage, lights, amplifiers, and speakers, with tattered couches and old chairs for seating. Every Saturday night at around dusk, locals and visitors meet for a talent show that features permanent resident musicians and anyone else who wants to get on stage and perform. The venue is run by old- time resident William Ammon, known as "Builder Bill". Ammon's wife, Robin Ammon, collected old prom dresses for people to wear; these are used when the community puts on a prom, because many residents have never been able to actually attend one.
The premiere feature an Adolphe d'Ennery drama called The Two Orphans, having taken place on February 16, 1878 and organized by Vicent Pontes de Oliveira theater company, which deal with Theatro da Paz lasted for five years and made him responsible also for the stage lights, decoration, choreography and props, as well as for the organisation within this period. Theatro da Paz, as in Leandro Tocantins, "is the definitely neoclassical". On each side, there are patios surrounded by columns and staircases giving access to Praça da República (Republic Square). Straw seats in the shape of a horseshoe.
Asked to identify the missing Cookies, Hapgood begins questioning random people and sorting them into two groups, group A, and group one, but refuses to divulge which group is which. The town council becomes suspicious of this and tries to force the truth out, but Hapgood questions them until they begin to doubt their own sanity. Cora is too caught up with his logic to care. (“Simple”) As the extended musical sequence ends, the lights black out except for a spotlight on Hapgood, who announces to the audience, “You are all mad!” Seconds later, the stage lights are restored.
The distinctive 'psychedelic' sound effects heard in the song were not produced on a synthesiser, but on May's Red Special and an Electroharmonix Frequency Analyzer pedal, which he would often do live. The studio cut made use of an Eventide Harmonizer. These sound effects, together with Mercury's moans and groans, were expanded upon during live renditions of the song, the band taking an opportunity to show off the full potential of their stage lights and effects. A more aggressive version of this song was covered by Trent Reznor's industrial rock project Nine Inch Nails as a B-side for the 1990 single, "Sin".
After honing their live set at Slattery's, they played two concerts, afternoon and evening, at Newbridge College on Thursday, 16 March 1972. Donovan was in the audience and invited Planxty to open for him on his six-date Irish tour the following week, during which their first major performance—at the Hangar in Galway—was a huge success. Neither the audience nor the band knew what to expect, and both were pleasantly surprised. Irvine, unable to see the audience through the glare of the stage lights, was worried that the crowd might be on the verge of rioting.
When they are finished, Macavity returns disguised as Old Deuteronomy, but his cover is blown by Demeter and he ends up in a fight with Munkustrap and Alonzo. Macavity holds his own for a time, but as the rest of the tribe begin to gang up and surround him, he shorts out the stage lights and escapes in the resulting confusion. After the fight, Rum Tum Tugger calls upon the magician Mr. Mistoffelees for help ("Magical Mr. Mistoffelees"). Known as the "original conjuring cat", Mr. Mistoffelees can perform feats of magic that no other cat can do.
An acoustic guitar or upright bass that is perfectly in tune backstage can change in pitch under the heat of the stage lights and from the humidity from thousands of audience members. Tuners are used by guitar technicians who are hired by rock and pop bands to ensure that all of the band's instruments are ready to play at all times. Guitar technicians (often called guitar techs) tune all of the instruments (electric guitars, electric basses, acoustic guitars, mandolins, etc.) before the show, after they are played, and before they are used onstage. Guitar techs also retune instruments throughout the show.
While taking his bow, the Monster is scared when some stage lights explode. Elizabeth is kidnapped by the creature and is taken to a cave, where he forces himself on her. However, she is now seeing a different side of the Monster and discovers what she has been yearning for in her life ("Deep Love"). Luring the Monster back to the castle by the music of a French horn, Frederick attempts an intelligence transfer, but the Monster does not wake, and to make things worse, Inspector Kemp and the angry villagers (believing that Elizabeth has been killed by the Monster) break into the castle and bring Frederick to the gallows.
The song begins with Lena staring intensely down the camera as she describes the world we live in, with spotlights on her as the stage lights up in red and blue. A red puff of some from the back wall brings in the chorus, and as the song draws its close the back lights change to warmer red and yellow colours. Lena performed the song with light fog around her on the floor of the stage, and a wind machine adding to the drama as the fog moved around the performance area. At the end of the voting, Serbia placed 7th with 79 points.
Since Lali proclaimed herself in favor of the voluntary termination of pregnancy in Argentina, where abortion is still illegal, she received negative backlash from the "pro-life" movement. During her Brava Tour, she dedicated her song "Tu Revolución" to the legalization of abortion movement, while the stage lights turn green and green hearts, the color of the pro-choice movement in Argentina, are displayed in the screens. For this reason, the singer had to face anti-abortion resistance in certain cities during the tour. For the show of October 5, 2018, in Salta, a group of people planned to gather outside the venue where Lali was playing to protest against her.
It is rare for any but the most technically-complex performances to have Q-2-Q rehearsals other than during technical week. Q-2-Qs are often preceded by a "dry tech" in which the technicians rehearse their technical cues (such as turning on stage lights or triggering sound effects or recorded music) without the actual performers being present at the rehearsal. A "dress rehearsal" is a rehearsal or series of rehearsals in which the ensemble dresses in costume, as they will dress at the performance for the audience. The entire performance will be run from beginning to end, exactly as the real performances will be, including pauses for intermissions.
The Laker Stage, from the back of the auditorium with some of the stage lights turned on and an empty set. The Laker Theatre is an Auditorium located within the high school, which hosts the school district's band and choir concerts, plays and musicals, as well as occasionally hosting community productions. The auditorium has a main floor which has a seating capacity of 458 seats, and a balcony, only accessible by stairs which can seat an additional 130 persons. The auditorium was built with the school but was not finished until 2009, the balcony of which was not finished until the Middle School was added to the complex.
Using the pencil, the band members provide their signatures next to their names (listed along with their respective musical instruments) on a paper during which the pencil's name is prominently featured. Drummer Keni Richards writes an X, which sets off an error alarm; Keni then erases it, provides a proper signature (not shown), and proceeds to put the pencil in his hair. As the cyborg illuminates the stage lights and reflects them, the band is then seen performing the song to a crowd. In the final chorus, Autograph boards a limousine resembling a DMC DeLorean by its gull wing doors wherein lead vocalist Steve Plunkett throws the pencil to one of the female fans before leaving.
Claypool, Lane and Huth in the "Riddles Are Abound Tonight" video. A music video was made for the title track, "Riddles Are Abound Tonight", co-directed by Claypool and Mark Kohr and filmed at the Oakland Scottish Rite Clinic for Childhood Language Disorders. It shows the band members playing their instruments in close proximity while each wearing a hooded blue leotard featuring a small lightbulb on the end of an antenna, similar to that of an anglerfish. These tops are then revealed to all be connected at the waist and part of a larger sheet of fabric that stretches out to cover the top of a three-tiered scaffold structure surrounded by various lamps and stage lights.
To promote the album, a television special was later released on VHS named Dalida Idéale; it was filmed in 1984, and directed by the then highly rated Jean-Christophe Averty. It includes Dalida singing in seven languages and dancing her way through a huge number of her earlier hits with the best video effects available at the time and wearing more than 40 outfits from the best French and international fashion designers, maintaining her "Glamour" and "DIVA" trademarks gained during the disco era in the late seventies. Dalida's eye problems returned. She underwent two major eye operations in 1985 and put her career on hold as the stage lights started to become difficult for her to endure.
Booth's Theatre was a theatre in New York built by actor Edwin Booth. Located on the southeast corner of 23rd Street and Sixth Avenue, Booth's Theatre opened on February 3, 1869. The theatre featured a grand vestibule with Italian marble floors and a large statue of Edwin Booth's father, the Shakespearean actor, Junius Brutus Booth by the sculptor Thomas Ridgeway Gould. The auditorium was similarly elaborate in its decor, and featured a large chandelier, as well as a stage that incorporated the most modern machinery in use at the time, such as hydraulic rams to raise and lower scenery, and stage lights that could be completely extinguished during the performance, a first in the United States.
This allows the band to see how the singer performs in a full multi-hour concert, including how well the singer can develop a rapport with the audience, deal with the inevitable problems that occur in live music (e.g., microphones failing or stage lights malfunctioning), and maintain their vocal endurance until the end of the evening. A contestant in the Eurovision Song Contest tries to impress the judges at her live audition For smaller roles in a large musical theater production, mass auditions are held at which many inexperienced or aspiring performers, most without agents, show up. These are popularly known as "cattle calls", since the hopefuls are often kept together in one large room.
Vlahović started working at Zagreb Radio and Television (part of the Yugoslav Radio Television network) in 1964, while studying German, English, and art history at the University of Zagreb. By 1966, she became an anchorwoman of various entertainment and musical TV shows, putting her in charge of such popular programs as TV Magazin and musical television shows. In 1968, she was selected to run the Sopot International Song Festival in Poland, and in 1971 she ran the song festival in Scheveningen, Netherlands. She was then placed in charge of the morning talk show Good Day, Yugoslavia (which she hosted) in 1972, as well as the music variety show, Svjetla pozornice (Stage Lights), in 1977 and 1978.
The progressive bluegrass style played by The Seldom Scene had become increasingly popular during the 1970s, especially Duffey's high tenor and the vocal blend of Duffey/Starling/Auldridge. Their weekly shows included bluegrass versions of country music, rock, and even classical pop. The band's popularity soon forced them to play more than once a week —but they continued to maintain their image as being seldom seen, and on several of their early album covers were photographed with the stage lights on only their feet, or with their backs to the camera. Though the Scene remained a non-touring band, they were prolific recorders, producing seven albums in their first five years of existence, including one live album (among the first live bluegrass albums).
While some pro audio stores only sell audio equipment, others also sell products in other categories that are used in rock concerts and DJ events, such as portable stages, stage lights, par cans and light stands. Some stores sell coloured lights, lasers and strobe lights which flash, change colours and/or move according to the beat of the music; these lights are used in nightclubs and rave dance events. Some stores also sell fog machines, which are used in dances, concerts and theatre productions, often to enhance the appearance of the lighting and laser effects. Some pro audio stores sell a range of DJ equipment, such as direct drive turntables, record cartridges and styli, DJ CD players and DJ mixers.
Yoshiki admitted that the clear acrylic shells are great for appearances, allowing the stage lights to color his drums with varying hues, but are not ideal sound-wise. He explained that the clear drums are difficult to play because they do not have the usual responsiveness of wooden shells and are not very durable; as they require much more physical pounding to deliver a good sound and that causes the heads to be essentially ruined after only a single concert. Yoshiki's live kit uses two kick drums, and centers the 14" snare drum directly in front of him. He usually works with five tom drums: three rack toms with diameters of 12", 13", and 14", and two floor toms with diameters of 16" and 18".
The Frankenstrat has gone through a number of necks over the years, and its bridge has evolved from the 1958 Fender tremolo to original Floyd Rose bridges (with and without fine tuners). The placement of the 1971 quarter was to keep the Floyd Rose bridge flush with the body when he would drop tune during live songs, and Van Halen attached bicycle reflectors to the rear of the body so he could flip the guitar over to reflect stage lights onto the crowd. He installed large screw eyes instead of strap buttons, a foolproof method of securing the guitar to the strap. During the late 1970s and early 1980s, many guitar companies tried to capitalize on Van Halen's popularity by manufacturing Frankenstrat replicas.
Dance belts are also produced in white, which can be dyed to any color. Some dances are choreographed and performed where the males wear only a dance belt alone. Lighter coloured tights, such as white, light grey, creme and beige can be more revealing of and make more conspicuous the delta shaped detail of the male dancer's genital area since the shape and contour of his penis tend to stand out more under bright lights for stage performance, accentuated as they are by shadowy depression and high relief. Darker tights on the other hand tend to be less revealing, especially when they have a flat, matte finish to them rather than a shiny one that catches and reflects the intense, bright stage lights more.
Brother Faith considers this act a sign that Bart has "the power" of healing. Lisa is skeptical and attempts to use reason to explain that the hot stage lights heated the metal bucket, causing the glue to liquefy and thus loosen, while at the same time expanding the bucket and allowing Bart to pull it off. Undaunted, Bart becomes a faith healer, pulls miracles of his own, and even forms his own church which massively outdraws Reverend Lovejoy's congregation on its first day of operation. There, Bart heals Springfield's residents (when in fact, his demonstrations for the day consist of punching Grandpa in his paining artificial hip, Professor Frink where he had been suffering a cramp in his back, and slapping Patty's cigarette out of her mouth).
The New Taipei City news department head stated: "It's still not clear what happened, but there were a number of people smoking and the weather was warm." The Fire Department's preliminary conclusion wast that the fire was caused by the sprayed powder, and that stage lights may have been the source of ignition. WuFeng University fire science department instructor and Taichung Harbor Fire Department deputy captain Lu Shou-chien commented in a letter to the Chinese-language United Daily News that the event organizers had set up necessary conditions for a disaster, and had not used water sprays which would have reduced the risk of ignition. Smoking was permitted at the event, and approximately 40 cigarette butts were found afterwards.
The guitar tech retunes all of the instruments before they are used, because even if an instrument was perfectly in tune during the soundcheck, the heat from stage lights and the humidity from the stage conditions may render the instrument slightly out of tune. After each guitar is used, the guitar tech cleans the strings with a cloth and replaces the instrument on a rack. During the show, the tech stands ready to replace any guitars in case a string breaks or if there is an equipment malfunction. The guitar tech may hand fresh towels to the guitarist so that the guitarist can remove sweat from the hands and ensure that the guitarist has ready access to bottles of cool water or other wet beverages.
The incident was reportedly attributed to heat exhaustion (from the stage lights) coupled with the weight of the heavy, chained dress she was wearing. Rivera was the fifth Puerto Rican to win the title, which makes the island the third most successful entity in the pageant (behind the United States and Venezuela). Rivera was the third consecutive delegate from Puerto Rico to make the Top 5 at Miss Universe, after Alba Reyes placed 2nd Runner-Up in 2004 and Cynthia Olavarría placed 1st Runner-Up in 2005. She is also the first winner from Puerto Rico to have noticeable mixed (African and Indigenous) heritage features, different from her four predecessors (Marisol Malaret, Deborah Carthy-Deu, Dayanara Torres, and Denise Quiñones) that have distinctly European features.
It was composed of 30 pieces varying in shape and size in a darkened tunnel like space illuminated by a combination of chromastrobic lights, stage lights and video. Friedlander's Projections were generated by computers in real time. For the imagery projected on his sculptures he used written records ranging from ancient scripts, signs, codes and modern mathematical formula that were fragmented using his own software, creating imagery that was in constant flux and never repeated to correspond with Barbour's ideas that the universe is timeless. Group shows include SoulsandMachines (2008), at Reina Sofia Museum of Modern Art, Madrid curated by ArtFutura directors Montxo Algora and Jose Luis de Vicente where he showed among other such notables as Theo Jansen, Sachiko Kodama, David Byrne, David Hanson and Rafael Lozano-Hemmer.
James Randi replicated the pencil trick on a similar show, That's My Line, demonstrating that it was a simple illusion and not a product of telekinesis. Hydrick and Randi both appeared in a follow-up episode of the show, Hydrick to demonstrate his telekinesis, while Randi was determined to prove it was only a trick. Randi placed foam peanuts on the table around the phone book (to show if Hydrick was actually turning the pages by blowing on them). As Hydrick attempted to turn the page, his "powers" suddenly failed him; he claimed that the stage lights were causing the foam pieces to generate a static electric charge which, when added to the weight of the page, required more force than he was able to generate to turn the page; Randi and the judges countered that this hypothesis had no scientific basis.
The Ghost Hunt investigation team visited the theatre and were shown a picture that is claimed to show the ghost of a young woman gliding through a wall of the foyer, below a Gothic window. During the investigation team's visit, they were also able to talk to people who had worked at the theatre and claim to have had paranormal experiences in the building: A lighting technician claimed that he was all alone setting up on stage one day when he "glimpsed a person" over his shoulder on the edge of the stage and thought that "they were reading through some lines, as an actor would" but knew no cast members were around at the time. He turned the stage lights on and "suddenly they were gone". A man who ran the box office claimed to have had two "disconcerting" experiences.
Flatley's return to performance in Feet of Flames Taipei in 2009 marked the first step to his return in the show. In April 2010, he announced that he would be returning to headline the Lord of the Dance show, with performances in Dublin's The O2, Belfast's Odyssey Arena, London's O2 arena, Sheffield's Sheffield Arena, Manchester's MEN Arena, Birmingham's LG Arena, Nottingham's Trent FM Arena, Liverpool's Echo Arena, London's Wembley Arena, Newcastle's Metro Radio Arena in November 2010, with dates also announced in Germany, Switzerland & Austria, the first time he will have done so since 1998. The show did not use the original stage set design but upgraded it to a modern design consisting of seven erect rectangular screens with a set of stairs also acting as screens. New lighting was introduced and ircraft landing lights were used as stage lights to add to the effect.
Oasis had a unique album-themed stage set up for the tour, featuring props and set pieces for the first time in their career. At various points on the tour, stage items included a Rolls Royce rigged with stage lights, an oversized telephone box, and other items from the Be Here Now album cover. At the start of many performances, a man outfitted with a tailor suit and top hat would appear onstage to excite the crowd, beckoning them to scream and clap, while the opening piano loop for the song "Be Here Now" began playing over the concert PA. The band then entered onto the stage through a large door in the prop telephone box, which doubled as an entryway to backstage. As the tour progressed, different shows featured varying types and numbers of set pieces, though the "Be Here Now" introduction remained a constant through the duration of performances.
As the song segued into the hard rock section, the band would emerge on the smoke-filled stage—the playback would end at this point, and the hard rock section would be performed live (without the final ballad section, which appeared later in the set). Starting with the A Day at the Races Tour in 1977, the band adopted their lasting way of playing the song live. The opening ballad would be played on stage, and after Brian May's guitar solo, the lights would go down, the band would leave the stage, and the operatic section would be played from tape, while coloured stage lights provided a light show based around the voices of the opera section. Most playings of the opera section from the tape would often be accompanied by a portion of the song's music video containing the footage used for the operatic portion of the song.
Shortly before the third leg of the Elevation Tour, the September 11 attacks occurred in New York City and Washington D.C. During the band's first show in New York City following the attacks, the band performed "Where the Streets Have No Name", and when the stage lights illuminated the audience, the band saw tears streaming down the faces of many fans.Stokes (2005), p. 173 The experience was one inspiration for the song "City of Blinding Lights". The band paid tribute to the 9/11 victims during their performance of the song at the Super Bowl XXXVI halftime show on 3 February 2002. The performance featured the names of the September 11 victims projected onto a large white banner behind the band, and concluded with Bono opening up his jacket to reveal the Star Spangled Banner. U2's appearance was later ranked number 1 on Sports Illustrateds list of "Top 10 Super Bowl Halftime Shows".
Looking Forward was followed by (and was a prelude for) The World: An Immersive Installation Performance, a series of interactive events that returned to the format of Counts' earlier works in which an overarching, open-ended narrative would unfold in multiple episodes staged in different locations over a period of months. For the prelude, two dozen writers were invited to respond to a group of miniature cinematic vistas and environments created by Counts that situated dozens of figurines on surreal landscapes, and the resulting playtexts were presented in public readings. The first episode was a performance installation at the Whitney Museum of Art’s Annex at the Altria Atrium in Midtown Manhattan inspired by the texts. The second episode was presented by the Guild Hall Museum in East Hampton, NY. Multiple sets and dioramas were installed in the windows and parking spaces of a nearby restaurant, including a vintage red Ferrari dino illuminated by red stage lights and silent characters appearing one by one in the dioramas and atop an elevated outdoor platform under placards in the shape of speech bubbles on which wordless video collages were projected.

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