Sentences Generator
And
Your saved sentences

No sentences have been saved yet

38 Sentences With "stag film"

How to use stag film in a sentence? Find typical usage patterns (collocations)/phrases/context for "stag film" and check conjugation/comparative form for "stag film". Mastering all the usages of "stag film" from sentence examples published by news publications.

While the earliest known stag film has been softly dated to 22014, no one knows when the genre really originated.
Not the monochrome hairless acrobats of various stag-film hubs—though of course they're still at it, day and night, in their pixel bordellos.
Elsewhere, Slade says that San Francisco's Institute for the Advanced Study of Sexuality and New York's Museum of Sex both have stag film archives.
He was an indiscriminate collector, so it's hard to look at his archive as a definitive and reliable record of stag film history or contents.
To see more explicit non-static imagery, one would have had to go to the trouble of attending a peep show or tracking down a stag film.
There is only one well-known and substantial stag film archive, built at the height of the stag era by pioneering sexuality researcher Alfred Kinsey at the Indiana University Bloomington.
Though even her character suffers from a little too much disaffection — at one point she watches a stag film while sitting next to its star, no big deal — to include her was a great idea.
Other media outlets, similarly driven by the hunger for ratings and anything damaging to the president, also descended into a Stormy obsession, hoping for a Trump stag film and a violation of campaign finance law.
" Early episodes emphasize grotty details, like the rats in a stag-film theatre, but Times Square is also a small town: when Frankie passes a hooker on her knees in a phone booth, he calls out, "Hey, Ronnie.
Some, like amateur historians Al Di Lauro and Gerald Rabkin argued (in their 1976 tome Dirty Movies: An Illustrated History of Stag Film, 1915–143) that the films were records of our authentic, joyous, but largely hidden amateur sexual past.
Occasionally these distributors mix them in with post-stag loops or clips from nudie features made parallel to stags in the early 20th century, making no efforts to differentiate, and thus further adding to the popular confusion about what constitutes a stag film.
In her recent book, A Taste for Brown Sugar: Black Women in Pornography, Mireille Miller-Young scoured everything from privately held stag-film collections to internet message boards to recover lost histories, brilliantly detailing, for instance, one unnamed woman's on-screen labor negotiations with a money shot in the 1930s.
Knight, Arthur, and Alpert, Hollis. "The Stag Film." Playboy. November 1967.
An example of a decaying 16 mm stag film can. According to Williams, the American stag film demonstrates the obsession of patriarchal culture in a desperate search for what film scholar Linda Williams calls "the unknowable 'truth' of sex".Williams, Linda. pp. 60, 1999.
It was thought that in 1923 Hale starred in an early pornographic "stag" film On the Beach (a.k.a. Getting His Goat and The Goat Man).The Goat Man (1923), IMDb. Retrieved 16 August 2015.
The plot follows the fictional television broadcast station WKLITT as they broadcast a stag film award show. The film is made up of several vignettes regarding the preparation of the show, clips from fictional movies, and parodies of commercials.
The Virgin with the Hot Pants is a 1924 American stag film. Danuta Zadworna- Fjellestad and film scholar Linda Williams put the production date of this film at 1923–1924. It is the first known pornographic film to use animated cartoons.
Di Lauro, Al and Rabkin, Gerald. Dirty Movies: An Illustrated History of the Stag Film, 1915–1970. New York: Value Proprietary, 1988. In the United States, however, hardcore gay sexual activity did not make it onto film until 1929's The Surprise of a Knight.
The Further Adventures of Pete the Tramp (1944) was a live-action stag film which stole Russell's character and put him in an erotic situation.Nyback, Dennis. "Stag Party Films", September 29, 2006. During World War II, Russell and Otto Soglow drew their characters at kids' bond rallies in Albany, New York and elsewhere.
Frames from the 1930s stag film The Hypnotist Erotic hypnosis is the practice of hypnosis for sexual purposes, outside of a therapeutic context. Some erotic hypnosis is practiced in the context of BDSM relationships and communities. In addition, for some people hypnosis is inherently erotic, making it an example of a sexual fetish or paraphilia.
The first known pornographic film appears to have been made in Europe in 1908. The earliest known film to depict hardcore gay (and bisexual) sexual activity was the French film Le ménage moderne du Madame Butterfly, produced and released in 1920. Most historians consider the first American stag film to be A Free Ride, produced and released in 1915.
In July 1975, Gacy went to Antonucci's home. The two drank a bottle of wine, then watched a heterosexual stag film before Gacy wrestled Antonucci to the floor and cuffed his hands behind his back. One cuff was loose and Antonucci freed his arm while Gacy was out of the room. When Gacy returned, Antonucci—a high school wrestler—pounced upon him.
She describes this as a way for the spectator to identify with the male who looks at the female's body within the unfolding narrative. William's theory on the discourse of the stag film is that "it oscillates between the impossible direct relation between a spectator and the exhibitionist object he watches in close-up and the ideal voyeurism of a spectator who observes a sexual event in which a surrogate male acts for him."Williams, Linda. pp. 80, 1999.
Prior to the opening credits we see portions of the stag film that is shot in the course of the movie. Voices are overheard that make it apparent that men and women are watching this in the present day. At the end a man complains that there was no "cum shot", something that will later develop into a plot point. The story takes place in Hollywood in the early 1930s, shortly after the start of the talkie period.
While there, Brenda reproaches Tom for doing nothing for her while she was sent to prison for running one of Jack's whorehouses. Tom later believes the dead girl appeared in a stag film and obtains a copy. He and Frank notice that one of the girls in the movie was present at Brenda's brothel on the day they came to retrieve the philandering priest. Tom now wants Brenda's help in tracking down the girl who made the movie with the murdered girl.
Scholars at the Kinsey Institute believe there are approximately 2000 films produced between 1915 and 1968. American stag cinema in general has received scholarly attention first in the mid-seventies by mainstream male scholars, such as in Di Lauro and Gerald Rabkin's Dirty Movies (1976), and more recently by feminist and gay cultural historians, such as in Linda Williams' Hard Core: Power Pleasure, and the "Frenzy of the Visible" (1999) and Thomas Waugh's Homosociality in the Classical American Stag Film: Off-Screen, On-screen (2001).
In his autobiography, David F. Friedman wrote that Scum of the Earth was shot in six days, just two weeks after filming on Blood Feast had ended and was filmed in most of the same Miami and Miami Beach locations as in the previous film. It was filmed in black-and-white not to save money, but to intentionally give it a dirty look, "like an old, scratched 16 mm stag film." Friedman had the idea of promoting the film a week before its showing by giving theater audiences comic books of the story.
The Surprise of a Knight ushered in a brief period of homosexual hardcore pornography in the stag film era. About a year later, in A Stiff Game, an African American male would engage in fellatio on a Caucasian man without the need for drag. The appearance of gay sexual contact on film would soon end, however, and not reappear until the advent of legal gay hardcore pornography after 1970. Thomas Waugh and Linda Williams have argued The Surprise of a Knight is a film fraught with interpretational difficulties.
Boy Wonder's sexual experience with Cathy marked the end of his longstanding problem with impotence, which was evidently related to his emotional problems. Boy Wonder quickly realizes that this romantic encounter was simply a ploy to get her into the film, and that she has used and directed him the way he used and directed her. Big Mac and Rex return to find both of them half naked. In a jealous rage, Big Mac ends his six-picture stag film contract with Boy Wonder, who by this time is completely drunk.
Jake Van Dorn is a prosperous local businessman in Grand Rapids, Michigan who has strong Calvinist convictions. A single parent, Van Dorn is the father of a seemingly quiet, conservative teenage girl, Kristen, who inexplicably disappears when she goes on a church-sponsored trip to Bellflower, California. Andy Mast, a strange private investigator (PI) from Los Angeles, is then hired to find her, eventually turning up an 8mm stag film of Van Dorn's daughter with two young men. After Van Dorn views the film, he suspects that his daughter was kidnapped and persuaded to join California's porn underworld.
The duke sucks out his arm wound and then invites him home to treat the wound. They have dinner together and here he sees Shizuko serving him an aphrodisiac. Akeshi observes the duke while he's horse-riding, cross-dressing and smearing his facial make up all over her naked back and projecting a stag film on her body. During an evening party he frightens the guests with a recital of a text of Poe - accompanied with images of war: the film gets stuck at the end of the text, burning the film depicting the face of a corpse.
In Europe, stag films were often screened in brothels. Film historians describe stag films as a primitive form of cinema because they were produced by anonymous and amateur male artists who generally failed in achieving narrative coherence and continuity. Today many of these films have been archived by the Kinsey Institute; however, most stag films are in a state of decay and have no copyright, credits, or acknowledged authorship. The stag film era ended due to the beginnings of the sexual revolution in the 1950s, in combination with the new visual technologies of the post-war era, such as 16 mm, 8 mm, and Super 8 film.
The point of view always comes from the phallus in stag film, Williams contends, making the predominant address to men only, and Williams argues that is where the power lies. Moreover, it is argued, there are detectable misogynist elements established early in this genre which inflect the more idealizing and fetishizing representations of female genitalia. The act of collectively getting together to get aroused at the spectacles of these hard core representations of sexual acts, is what film theorist Thomas Waugh describes as "re-enacting some of the basic structural dynamics of the patriarchy, namely, the male exchange in women, in this case the exchange in fantasies and images of women".
Although Rhodes dropped out after his first quarter he is often described as a "student" or "alumnus" of Ohio State. After dropping out of college, Rhodes opened a business called Jim's Place across from the university on North High Street. Jim's Place has been described as a place where one could buy anything, from doughnuts and hamburgers, to Stag film, or place bets on numbers games. In 1934, Rhodes began to use his position as a local businessman to climb up the Columbus political ladder, and became a ward committeeman, a member of the Columbus school board, the city auditor, and eventually the mayor of Columbus (1944–1952).
Screen shot from a film that is part of the historical stag collection of the Kinsey Institute film archive A stag film (also blue movie or smoker)Blue Memories Parts 1 & 2 (1984 Betamax, VHS versions) narrated by Jim Holliday is a type of pornographic film produced secretly in the first two-thirds of the 20th century. Typically, stag films had certain traits. They were brief in duration (about 12 minutes at most), were silent, depicted explicit or graphic sexual behavior intended to appeal to men, and were produced clandestinely due to censorship laws. Stag films were screened for all-male audiences in fraternities or similar locations; observers offered a raucous collective response to the film, exchanging sexual banter and achieving sexual arousal.
Because Pirou is nearly unknown as a pornographic filmmaker, credit is often given to other films for being the first. In Black and White and Blue (2008), one of the most scholarly attempts to document the origins of the clandestine 'stag film' trade, Dave Thompson recounts ample evidence that such an industry first had sprung up in the brothels of Buenos Aires and other South American cities by the turn of the 20th century, and then quickly spread through Central Europe over the following few years. However, none of these earliest pornographic films are known to have survived. According to Patrick Robertson's Film Facts, "the earliest pornographic motion picture which can definitely be dated is A L'Ecu d'Or ou la bonne auberge" made in France in 1908.
An actress and a casting director in The Casting Couch ( 1924) The Casting Couch ( 1924), a classic title in the stag film genre, was an early depiction of the casting couch as a pornographic trope that later became mundane as it grew in popularity. In the ten-minute film, a casting director tells a young actress to wear a swimsuit during an audition, spies on her in a voyeuristic manner while she undresses in a different room, and enters the room to solicit sex from her. The actress initially rebuffs his advances with disgust, but returns to the director after taking advice from a book titled How to Become a Movie Star. She performs fellatio and vaginal intercourse in exchange for a role in his film; the latter takes place on a couch.
Long began his career as a photographer, before producing striptease shorts or "glamour home movies", as they were sometimes known, for the 8 mm market, under the banner of Stag Film Productions. Beginning in the late fifties, Long’s feature film career would span the entire history of the British sex film, and as such exemplifies its differing trends and attitudes. His work ranges from coy nudist films (Nudist Memories, 1959) to moralizing documentary (The Wife Swappers, 1970) to a more relaxed attitude to permissive material (Naughty!, 1971, On the Game, 1974), to out-and-out comedies at the end of the 1970s. He made several sex comedy movies in the 1970s, the most successful being Adventures of a Taxi Driver (1976), Adventures of a Private Eye (1977) and Adventures of a Plumber's Mate (1978); these starred a host of talented comedy performers including Barry Evans, Diana Dors, Irene Handl, Harry H. Corbett, Liz Fraser and Fred Emney.

No results under this filter, show 38 sentences.

Copyright © 2024 RandomSentenceGen.com All rights reserved.