How to use stab of pain in a sentence? Find typical usage patterns (collocations)/phrases/context for "stab of pain" and check conjugation/comparative form for "stab of pain". Mastering all the usages of "stab of pain" from sentence examples published by news publications.
In the original Irving Penn Vogue cover, Mom's beauty is so intense it's a stab of pain.
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She wakes up in a hospital, only to feel a stab of pain as she tries to get up.
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Every now and again, something will bump that scar, triggering a stab of pain and reminding you of how you got there in the first place.
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"People who see this video will feel a stab of pain: officers wearing law enforcement uniforms brandishing clubs, striking women and children cowering at the foot of a wall, the scene filled with cries," read a commentary published on Monday by The Beijing News.
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This is precisely the activism we encounter in The Let Down Reflex, whose title refers to the reflexive lactation of mothers that's sometimes accompanied by a stab of pain, as well as perhaps the ache of invisibility associated with nurturing as a service within the indifferent field of high culture.
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" In 1958's The Doomsters, the book Macdonald wrote after his only child, Linda, fell into serious trouble with the law, Archer sits in a cheap hotel room and feels a stab of pain and loss: "Perhaps the pain was for myself; the loss was of a self I had once imagined.
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But at night he would wake in a sudden stab of pain, her knee jabbing into his old war wound in what she pretended were the throes of a nightmare, and he who had been the master would allow this transgression—a brief reproach before jerking the knee away carelessly like an errant bale of cotton fallen into his path.
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The musicologist Suzanne Cusick writes that Monteverdi "creat[ed] the lament as a recognizable genre of vocal chamber music and as a standard scene in opera ... that would become crucial, almost genre-defining, to the full-scale public operas of 17th-century Venice".Cusick (1984) Cusick observes how Monteverdi is able to match in music the "rhetorical and syntactical gestures" in the text of Ottavio Rinuccini. The opening repeated words "Lasciatemi morire" (Let me die) are accompanied by a dominant seventh chord which Ringer describes as "an unforgettable chromatic stab of pain". Ringer suggests that the lament defines Monteverdi's innovative creativity in a manner similar to that in which the Prelude and the Liebestod in Tristan und Isolde announced Wagner's discovery of new expressive frontiers.
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